Meander

Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

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@ Cemetery Watch
✠ The Vampire Bat.

The Manor

Vampire Owl: Are we talking about the Dracula Manor?

Vampire Bat: There is no such a manor. We only have the castle.

Vampire Owl: Well, this could be a manor which looks like a castle.

Vampire Bat: Well, Uncle Dracula certainly has some specific ideas about what a great vampire abode should be.

Vampire Owl: His ideas are as outdated as the castle dungeon coating.

Vampire Bat: We are not supposed to talk like that about the vampire elders.

Vampire Owl: Uncle Dracula is still a few centuries away from being a true elder.

Vampire Bat: The elder status is not always gained by age.

Vampire Owl: Yet, all our vampire elders are older than history.

Vampire Bat: Well, you will see how Uncle Dracula is an exception.

[Gets a pineapple cake and three cups of ginger tea].

What is the movie about? :: Judith Albright (Barbara Hershey) had considered herself to be of perfect health, and enjoyed her life with family including little kids, until she suddenly faces a stroke. She decides to move into a famous nursing home, even though her family feels that it is totally unnecessary. Her grandchildren considers her to be young and healthy as anyone of a lower age, but she is adamant. In comparison to her, the other residents of the nursing home are not really that healthy, both physically and mentally. For the peace and quiet of the place, the authorities actually keep a no mobile phone policy, much to her dismay, as she hoped to text her relatives and find some interesting photos and news from the social media. Judith had chosen to stay at this place, as she didn’t want to be a problem for her family, especially if she gets bed-ridden at some point, and has the feeling that things might not be the same again after the stroke.

So, what happens with the events here as we just keep looking? :: Soon, she feels that there is something really strange about the manor and the people around there, even though she does make some good friends out there. The nights no longer allow her to sleep, as something is seen or heard all around. The surroundings around this particular nursing home is also pretty much spooky, as we look on. Her room-mate makes some strange noises, and doesn’t seem to be of good mental health. She also feels that there is a supernatural presence there, with nurses also acting strange, and wants to escape. But the problem is that it was her own decision to choose the nursing home – now she needs to act against it. For the same, she would have a lot of convincing to do though, as everything looks perfect from outside. There is a mystery to be revealed here, about what is it that haunts this particular world, but can it be known?

The defence of The Manor :: There are some fine moments of terror which comes out of nowhere, even though there are not many, and nothing much that we would remember for that long. The setting is really good, and they do use the environment to the best advantage, from the building to the surroundings. There is always something about the world around, whether having an enchanted feeling, or about being ready to unleash the terror at any moment. We also have fine concept behind this film, even though not at its full strength when executed. As expected, there is indeed the twist that awaits us, and there is a certain amount of deviation regarding that too. With Barbara Hershey in the lead, this was going to create a certain amount of impact, and one could be confident that the same was going to increase the positive effect.

The claws of flaw :: The Manor could have done a lot more, and we know that from the premise itself. The film is also very slow, and slower than any horror film would have wanted to move forward. When a horror film cannot go at a good enough pace, it affects the whole thing rather too much. Such a film is also expected to use what is required to keep itself in the genre. The idea here should have been executed better, and there could have been many paths to follow. The scares that it uses could have been manufactured in a better way. It also doesn’t try to build on a possible message which was standing so close out there. The structure could have been better as we look at it. As part of a bigger series, Welcome to the Blumhouse, this one had the chance to stand out, but really doesn’t try to do that. Well, it is our right to expect more here.

Performers of the soul :: Barbara Hershey plays the main role here, and she is also the old lady in distress around. She is the name that has been familiar the most for the supernatural horror film, The Entity more than anything else. It is also one film of those times which has had its presence well known. After so many years, she is part of another horror flick, and she blends in here really well once again. Bruce Davison is the next notable face here, as he has a bigger role to play here than what it seems in the early stages. Then there are actresses like Ciera Payton, Stacey Travis and Jill Larson who also contribute to the film naturally. Nicholas Alexander plays another significant role here, which becomes even more important in the later stages of the movie. Katie Amanda Keane and Shelley Robertson also drops in, along with Fran Bennett. As this is a nursing home, there are enough in-mates here to add to the characters, even though not all of them are used to the best advantage.

How it finishes :: The Manor is the latest addition to the thrillers added to Amazon Prime Video, and last month we did have The Voyeurs doing the job. It doesn’t use enough of horror to its advantage, unlike what was expected, and if it had done that too, The Manor could have had its own good fan base with its premise. In the world of films like The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others, this is no grand horror fest, but a small one to be part of the group. The focus here is more on the mystery, and as we go through the environment, we are going to be part of this journey, at a lower pace. In a world slowed down by COVID-19 pandemic, there is always scope for some slow horror too. During these days when you cannot trust the people or the virus enough, all you need is some supernatural horror.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 81 minutes
Directed by: Axelle Carolyn
Starring: Barbara Hershey, Stacey Travis, Bruce Davison, Ciera Payton, Jill Larson, Mark Steger

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@ Cemetery Watch
✠ The Vampire Bat.

Chehre

Vampire Owl: How many faces do we see here?

Vampire Bat: The faces of humans do not matter at all.

Vampire Owl: I am sure that it would matter to us more at some point.

Vampire Bat: The human identity is no longer significant in a world of chaos.

Vampire Owl: Well, at least we can know the lying faces early.

Vampire Bat: Well, it is the only thing that humans do throughout their lives.

Vampire Owl: I did trust too many humans, and that has made a mess. They are the true villains of all realms.

Vampire Bat: Humans are all about lying, cheating and stealing. Being the villains of the universe comes naturally to them.

Vampire Owl: Well, I would say that demons are better.

Vampire Bat: Let the zombies for eat their brains then.

[Gets an orange cake and three cups of cardamom tea].

What is the movie about? :: Sameer Mehra (Emraan Hashmi) is forced to travel through some strong winter in the mountains. He wishes to go to Delhi, but is forced to stop in the middle of nowhere, as the climate only gets worse, and his car is stuck, with trees right in the front. He searches for a hotel or a guest house to wait until the tree is removed by the authorities. He then comes across Paramjeet Singh Bhullar (Annu Kapoor) who asks him to join come to a friend’s place until things get any better, even though there are not signs of something like that happening. He is taken to the house of Jagdish Acharya (Dhritiman Chatterjee), and he also meets Hariya Jatav (Raghubir Yadav) there. Anna (Rhea Chakraborty) is already present there, helping everyone in the building, who are pretty much old. The mobile phones have no network connection out there, and the landlines also do not work, much to the dismay of Sameer who wishes to connect to his wife.

So, what happens with the events here as we just keep looking? :: The group of old men is also joined by Lateef Zaidi (Amitabh Bachchan), who reaches there despite the snowfall getting much worse. Sameer is surprised to see everything that happens around this house in the middle of nowhere, which is nothing less than a grand mansion of some older time period. They tell Sameer that they meet there and play a strange game in which these retired professionals of law conduct mock trials. They take some very old well known case and go on with the same. In the beginning, they talk about the case of Phoolan Devi, but later chooses Sameer as the accused. Sameer says that he hasn’t committed any crime, and is ready to face anything that is put in front of him. He is confident that he will win the game, and none of these people are good enough to pose any challenge to him. But there is more than what meets the eye to these people in the mansion.

The defence of Chehre :: What works really well for Chehre is its setting in the middle of nowhere, with snow all around, and the building is also a thing of visual splendour which we cannot avoid. Everything is perfectly suited for what is to happen next in the film. It also seems to come up with a message, even though it seems to be confused about where that is leading. But it never leaves the messages behind, that is for sure. The film does stand for the right judgment and the need for justice to be served, even though it seems almost impossible to be done when law has its loopholes. The cast is also nicely selected here, and we see the signs of the same at different moments. It does need some courage and skill to create something like this which go highly unconventional, and one cannot deny the fact that there is some good research done in the background – the risk does have its own effectiveness to go with it.

The claws of flaw :: The initial introductory dialogue by Amitabh Bachchan during the beginning itself is one of the least interesting starts to a film, and it keeps us wishing to fast forward throughout those dialogues. There are many other dialogues which were not necessary, and often goes out of the equation, seemingly just for the sake of bringing them. Too much speech here adds to the struggle, which also lengthens the film too much. When you keep talking too much without coming up with any action, people can only be confused. Preaching doesn’t always get you were you want. It also struggles to use most of its elements in the best possible manner, even though there were indeed the available opportunities. This could have been something like Pink, or something stranger than we could ever imagine, but the same is not done here. There was even scope for bringing something supernatural into the scene.

Performers of the soul :: Amitabh Bachchan controls things around here, and he makes things clear from the beginning itself. We have seen him doing this a lot, in different movies belonging to various decades. The rest of the support including Annu Kapoor, Dhritiman Chatterjee and Raghubir Yadav are very much suitable for how the game moves on. They are all different when we look at them, and have some interesting perspectives. Emraan Hashmi is also pretty much suitable for this kind of role. Siddhanth Kapoor plays a mute role, a notable one indeed. Rhea Chakraborty shows some promise, but the role is not carried on that much, even though the world could have had more for her. Krystle D’Souza makes a bigger impact, as she blends in very well to the character. There is a certain amount of mystery about her character, and even with some predictability, leaves one with more than what originally meets the eye.

How it finishes :: Chehre is a mystery thriller which can surely boast about its moments, and even though known as an uncredited adaptation of a German novel named A Dangerous Game by Friedrich Durrenmatt, makes its point well within its adapted environment. During the days of COVID-19, containment, quarantine and lockdown, we all love to watch movies set in remote worlds. It is a fine decision to release this movie on Amazon Prime Video, some days after its release in the theatres, as we are yet to see the theatres being opened here. We do know that the movie could have been much better, but for now, we adjust with what we have, and enjoy it in moments. After all, the world as we know it also has had its own limitations in the last one and half years. Nothing is the same any more, and we enjoy what we have here, with less than three months to go to end another year of virus and all kinds of terror to behold.

Release date: 30th September 2021 (Amazon), 21st August 2021 (Theatre)
Running time: 139 minutes
Directed by: Rumi Jaffery
Starring: Amitabh Bachchan, Emraan Hashmi, Krystle D’Souza, Rhea Chakraborty, Annu Kapoor, Raghubir Yadav, Alexx O’Nell, Sameer Soni, Dhritiman Chatterjee

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@ Cemetery Watch
✠ The Vampire Bat.

Sunny

What is the movie about? :: Sunny Varkey (Jayasurya) has finally returned home from Dubai after a long time with his Logistics business failing, and these are the troubling times of COVID-19 pandemic. He used to want to become a successful musician, but left that idea much earlier. He gets a quarantine spot in Grand Hyatt Residency in Bolgatty Island, Cochin, and gets to be all alone there. SI Sadashivan Nair (Vijayaraghavan) is the police officer who is in charge of looking out for the people in quarantine there, and he keeps an eye on Sunny. He feels lonely, and is uneasy because he is not able to get any more alcohol, with the hotel changing its policies as people were creating nuisance after being drunk. Dr Erali (Innocent) tries to help him with his withdrawal symptoms and a stage of depression. Adithi (Shritha Sivadas) is in quarantine in the room above him, and they also have regular talks.

So, what happens with the events here? :: Nimmi (Shritha Sivadas) had divorced Sunny because he had an affair which he had confessed, much to her dismay. Sunny is as much disappointed about this, as he has been with his financial affairs. She is also pregnant, and it was for the second time, after their child had died a few hours after birth. He has to pay back a lot of money, as a result of his best friend making him an investment which he now regrets. Nimmi no longer wants to do anything with him anymore, and neither does his former lover Dr Anuradha (Mamta Mohandas). It also seems that some of the passengers in his flight were COVID-19 positive, and there is a chance that he might also be in trouble. But he moves on with his lonely life, which doesn’t seem to have much left for him. Yet, it is still to found if there is something more than what meets the eye. With COVID-19 around, you never know.

The defence of Sunny :: Sunny is quite a small movie when we consider its limited setting within a room. Among the classical unities of Aristotle, unity of place and action are maintained, and with a shorter quarantine, all of them could have been there. The setting is really nice, and it is good to see this particular world where parts of one’s life is revealed. There is a whole grand episode of life which is revealed here through small moments. The past, present and future gets intertwined in these incidents which occur in the grand quarantine centre. There is the usual life being reflected here, and the protagonist is very much human, trying to survive in a world which has descended into chaos for him. It shows the life of a depressed man in quarantine really well, and never does it lags behind in doing the same. These are indeed good times for emotional films, as we know what the COVID-19 affected world has come to. Amazon Prime Video has the right films for the same too.

The claws of flaw :: Sunny doesn’t live much beyond the scope here, and it is indeed predictable. A lot of things that we see here, follow the expected routine, with not many surprises to come around. The movie also maintains its slow pace throughout its run, and it is also something which doesn’t come as a surprise when we look at this particular world. It should have had more, even with life being restricted to a room – there is a lot more to be shown with the scenery and the world around, as well as what is inside. It could have also had more events for the main character, as being in quarantine in such a grand space always has more to be added – it is not like being locked in a small room. There could have been more from other characters, even with their faces not shown, as some of them are not really there, exploring their best possibilities. We wished for the sun to shine brighter with Sunny, even though we are okay with what we have around here.

Performers of the soul :: Sunny is a fully Jayasurya movie, as one would expect it to be, from the trailer, and also with the talks regarding the same. There are only a few others who have faces at least inside their masks, or have part of their faces revealed in one way or the other. This is also Jayasurya’s 100th film, and might be his best film to come to Amazon Prime Video. He has come up with a fantastic performance, as a man who doesn’t have any hope in life, and as the only one character which truly performs on the screen, has the whole canvas to himself – we can do nothing more than just applaud the same. We see different phases of his life in the quarantine room itself, and this is a character that shows a certain amount of evolution, which he reflects really well. There is not that much of a challenge provided here for him, but there is indeed something.

Further performers of the soul :: The other characters are introduced through their voices, as they call the main character or sometimes the other way around. There is something to be revealed from each character whom we identify through their voices. Some of the characters have part of their faces being shown, and the voices are those which we identify with ease, especially that of Innocent, Aju Varghese and Vijayaraghavan. They are all part of the tale, even though we don’t see them. All these phone calls play significant roles to keep the film going forward. It is nice to see people like Shritha Sivadas whom we have loved for her early works, and had gone missing for some time. Mamta Mohandas’ voice is heard for much shorter time than we would have expected.

How it finishes :: Sunny nicely sets itself during the COVID-19 and quarantine times, and has the same feeling running through it. There is the loneliness of a quarantine that runs through it, and as we know that we are going to live with COVID-19 with more and more waves supposed to come at some point, this one is closer to reality than one might think. As a movie which has only one face completely shown, and with one person having the chance to come up with all the performance. This is basically the one man film that we don’t usually see around, and it is one risk which has been taken on with success. Amazon Prime has already provided some fine experiences during the Corona virus times, and this one goes the divergent way with ease. There is always more about smaller films like these than what meets the eye, and this one is also that drama which goes feel-good and does that with effectiveness.

Release date: 23rd September 2021 (Amazon Prime Video)
Running time: 103 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Mamta Mohandas, Vijayaraghavan, Innocent, Vijay Babu, Shritha Sivadas, Aju Varghese, Sivada Nair, Purnima Krishnan, Binoy KG

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@ Cemetery Watch
✠ The Vampire Bat.

Io

Vampire Owl: We are watching another movie quick enough.

Vampire Bat: Yes, it is surely a plan of Vampire Fate.

Vampire Owl: So, you mean to say that Fate is a vampire too.

Vampire Bat: I don’t see why not. Fate meets all requirements for the same.

Vampire Owl: For something to become a vampire, first it needs to exist.

Vampire Bat: Fate’s existence has been proven over the centuries.

Vampire Owl: But has Fate ever lived in a physical form?

Vampire Bat: Yes, Fate is already part of the air we breathe.

Vampire Owl: That sounds like the Corona Virus.

Vampire Bat: After all, this Corona Virus pandemic itself is a work of fate itself.

[Gets a marble cake and three cups of ginger tea].

What is the movie about? :: When the Earth was going to be destroyed mostly due to pollution resulting from human activities, many scientists had started working on a power station that could be sent to space to harvest geothermal energy from other planets. But it would be too late, as people were dying in their sleep, while some others were suffocating in the streets, with the blood in their veins turning black due to a higher level of pollution. The change in atmospheric composition due to the same led to many spaceships with people flying into the sky and then into space as an act of Exodus turning the power station into a colony, like a lifeboat floating about another celestial body. For the same, they had chosen the fourth largest celestial body among the moons in the solar system which has the highest density among them, and has the lowest amount of water around. Discovered in 1610 by the Italian astronomer Galileo Galilei and named after the mythological character Io, a priestess of Hera, Jupiter’s volcanic moon, Io now has a higher significance for humans.

So, what happens with the events here? :: Most of the people on Earth had already fled, but a very few still try to survive on its surface. Sam Walden (Margaret Qualley) is one of those very few humans who have some hope left about Earth, and she chooses a high altitude area where the air is somewhat breathable, even though she does make some visit to the highly polluted areas with masks to collect some samples. She is also raising bees, hoping that they can help clean the air, but is asked by her boyfriend who lives on the Io station to join him, as they are planning to live at a newer, greater place, with no hope left for Earth which has fallen to human greed. Sam’s hopes are ruined when her bees are killed by a terrible storm which also destroys some of her equipment and sources of power. But she does maintain some hope, as she continues to be in contact with her long distance boyfriend from Io, and tries to carry on with her objective, even though without that much of a plan this time.

And what more do we see here in a wold without hope for future? :: At the same time, a man named Micah (Anthony Mackie) arrives there on a balloon, and asks for her father and scientist, Dr Harry Walden (Danny Huston) – but he is not there, and she assures him that he will be back soon, maybe the very next day, after some field work. He decides to wait, as Harry was someone who believed that there was hope for humanity on Earth, and he needed to meet the man. But the problem here is that Harry has been dead for a long time, and she has been lying all the time. Micah was brought here by the message from Harry which had further brought him hope – the message was sent by Sam, and this would lead to a crisis, as both of them will have a few things to realize, and the same is to be done together. Is there hope left for Earth, or can they make another choice? Where will they end up in the end, dead or alive while fighting for survival in a dying planet?

The defence of Io :: Here is another post-apocalyptic movie which has the expected stuff, even though not with the action-filled adventure of a science fiction. The emotional moments are serene, and effective, and the cast is perfect for the same. Margaret Qualley’s face has that kind of melancholy going through her, which brings the feeling effectively, whether it is about loneliness or the loss of hope – yet, there is some hesitation, something which Eva Green didn’t have even for a bit in the science fiction drama, Proxima. Anthony Mackie provides the support well enough, even though Margaret eclipses everything around with a certain beauty of hopeless sadness that always surrounds her. The visuals of post-apocalyptic world is done just in the right way, and there are areas where it does have some fine work in store. The references to the mythology are good, but can feel overdone to a number of people who are not familiar with the same. The feeling of failure of faith, belief and hope feels natural too.

The claws of flaw :: Io is indeed a slow movie, and never does it pick up the pace, even though there were many opportunities to do so, especially considering the fact that this is a post-apocalyptic world that we have in store here. For such a world, there is so much potential, even in isolation, as we have seen in many other movies which have setting after the destruction of Earth due to one reason or the other. The best of science fiction had a chance to come in on many occasions. This definitely depends on what you are expecting from a movie like this, as this is not your usual stuff with the same idea at all. The romantic is also not that good, and the film could have easily gone on without it – after all, this is not that kind of a flick. The movie also deserved a better ending, considering how it had built up slowly towards that finish. It could have also had some fine visuals of space with Io out there, along with some moments at the space station, as they have come this much already, when you look at it.

How it finishes :: Io is the post-apocalyptic science fiction drama which deviates from the usual path, and seems to be proud of it all the way. After all, it shows what could happen at some stage later, and therefore being realistic is an understatement. The fall of humanity and Earth has been predicted for a long time, and this Corona Virus has asserted the weakness of science in front of most of the enemies whom humans are going to face, and clearly none of the advancements of science can save them. Considering the same, Io is indeed a realization, of the weakness and hopelessness of mankind. You have to move with slow and abiding sadness of the movie to like this version of post-apocalyptic science fiction – otherwise, you might not find this particular version to be interesting. During this time of COVID-19, you know that we might not be that powerful to even delay our extinction for a limited period of time and we are certainly not the saviors of our planet, but the ruthless destroyers.

Release date: 18th January 2019
Running time: 96 minutes
Directed by: Jonathan Helpert
Starring: Margaret Qualley, Anthony Mackie, Danny Huston, Tom Payne

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@ Cemetery Watch
✠ The Vampire Bat.

Lake of Death

Vampire Owl: I thought that it was originally the river of death.

Vampire Bat: The river of death has already gone dry.

Vampire Owl: What about the pond of death behind the castle then?

Vampire Bat: That pond is originally something related to life and not death.

Vampire Owl: Yet, it is named the pond of death.

Vampire Bat: So, you feel that this lake might not be about death?

Vampire Owl: There is surely something strange about this movie.

Vampire Bat: This is a Norwegian movie, and the first one of the kind we are watching.

Vampire Owl: Well, the idea does seem to be pretty good when we have look from a distance.

Vampire Bat: The first movie which we watch is often too good, no matter what the language happens to be.

[Gets an orange cake and three cups of white tea].

What is the movie about? :: Lillian (Iben Akerlie) had lived the early parts of her life with her brother Bjorn (Patrick Walshe McBride), who had lost his ability to talk in the later stages of his childhood, after former had left him with nobody to take care of, as they were both orphans, The two only had a cabin in the woods for them to live, and Bjorn had lived there beside the lake for most of his life, which Lillian had left the place for the city. Bjorn had no friends in the isolated place, and used to sit near the lake doing nothing for most of his life. One day, she gets the news that her brother had drowned in the same lake, and that was shocking and depressing for her, as it was her who left him behind, deciding not to spend much time with him. Seeing her depressed state, her friends decide to accompany her to the cabin in the woods beside the lake for the last time she is going there, as she intends to sell it, and get rid of her memories forever, moving on with her life in the city.

So, what happens with the events here? :: The four friends include the beautiful Sonja (Sophia Lie) and three men, Gabriel (Jonathan Harboe), Harald ( Elias Munk) and Bernhard (Jakob Schoyen Andersen), who feels that along with helping Lillian in getting rid of her depression and the memories of the cabin, they can also have some fun in the woods, as they had heard about the beautiful lake and the lovely setting of the cabin. They reach the place and meet Kai (Ulric von der Esch), Lillian’s former lover and friend, a local guy who arranges everything for her. Sonja is quick to turn into the party mood and get into her bikini for the much needed cooling time in the lake, but with people seemingly pulled down under water and the dog going missing, something is wrong, and spoils the holiday mood for all of them. They also find breakfast already there when they wake up, and Lillian has some strange visions, as she begind sleepwalking. The five of them begin to doubt each other as well as another presence which they wonder whether is supernatural in nature.

The defence of Lake of Death :: The movie has a beautiful setting indeed, and the advantage of having such a cabin in the woods setting is that along with that natural beauty which we see at almost every point, we can also find the scope for the creepy effects, for the lake itself has a well-known history of violence happening around it as well as the cabin. There are also some fine scares to go with, and we are left with what is to happen next, even though in the beginning, the horror is not really that direct. The feeling is always there, as horror is present with creepiness wherever you look at it. We do have a few final moments under the lake, and it is beautifully shot, with the protagonist moving underneath like a fish or rather a mermaid, escaping the evil – a site to behold, just like the beauty of nature surely requiring a nymph or a wood elf of its own. There are some other interesting moments of terror which had come earlier – those which we remember include the protagonist sleepwalking through the room, her trying to get away from the bathtub, her awakening beside the lake, as well as the way she looks at other on different occasions.

The claws of flaw :: This is indeed a slow moving movie, and the lack of pace can be seen from the beginning itself. There is some inconsistency in the characters too, except for the two girls who remain the same, and they are well-defined. It does go into the usual traps, with elements which we have seen in other movies, and even those things which didn’t work in those films either. The cliches are indeed there, and most of them work as red herrings, as we move away from what we should focus on, but that too, when it comes in the end, fades away too easily – it could have been longer, especially the moments under the lake which are beautiful, but are over as we begin to get a touch of the same. The movie could have actually been more like The Cabin in the Woods, one of the best horror movies of all-time, which didn’t really get a screen in the malls around here. This Norwegian movie, for some reason, decides not to be that, or even Evil Dead – the scope was really there, as elements of old horror sneaks in so well around here.

Performers of the soul :: The movie’s spirit is entangled into Iben Akerlie who actually becomes a reflection of the atmosphere itself, and she perfectly fits into the role and setting with ease. There is something about her at all times, and we are drawn to the way she looks and acts throughout the movie, like that fairy-tale nymph who reached the world of humans all of a sudden. The way she looks at everything, from the cabin and the woods to people, as well as her simple actions give us a feeling that she is not of this world. She nicely blends into that strange girl whom nobody can easily figure out. Patrick Walshe McBride’s brotherly figure is even more weird, but we don’t really see much of him around here. Then, it is Sophia Lie who has our attention as one of those characters who are better defined than the others. As the only other female character in the movie, she is the one whom we can consider to be the sane one among the other unpredictable ones. The other actors do just the usual in a horror movie as we look at them.

How it finishes :: Lake of Death, the first Norwegian movie which I have watched, has managed to be an interesting horror movie, even though moving on at quite slow pace from the beginning itself. This could have actually worked better as a usual horror movie with this kind of an atmosphere without complicating things too much or lowering the pace rather too much. We could have had the feeling of terror always being there directly rather than bringing them in the form of strange events which don’t seem to be that much dangerous, or through those hallucinations which makes us feel not to be considered serious. Yet, this can begin your movie watching procedure in style as far as Norwegian movies are concerned, because a horror flick with such a setting is always the best option to begin with. You can go through this world of creepiness, beauty and fear, all mingled into one, and then follow up with more Norwegian horror at some other point. After all, horror is the most real thing that you can ever experience in life.

Release date: 1st November 2019
Running time: 94 minutes
Directed by: Nini Bull Robsahm
Starring: Patrick Walshe McBride, Ulric von der Esch, Iben Akerlie, Sophia Lie, Elias Munk, Jonathan Harboe, Jakob Schoyen Andersen

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@ Cemetery Watch
✠ The Vampire Bat.

The Wolf Hour

Vampire Owl: I am not happy about the fact that the werewolves are getting more attention.

Vampire Bat: It is pretty much clear that they are not referring to those creatures.

Vampire Owl: I don’t think that it could be about other wolves.

Vampire Bat: I don’t see why not. You can refer to animated or survival movies.

Vampire Owl: There is only one kind of wolf which is interesting for the movie-makers.

Vampire Bat: The season of the werewolves is over. They have lost it.

Vampire Owl: Such monsters are never out of the equation.

Vampire Bat: They survived in both Underworld and Twilight because the movies had vampires playing the bigger roles.

Vampire Owl: I have news that they are looking for something more.

Vampire Bat: Well, I can assure you that it is not about this particular movie.

[Gets a pineapple cake and three cups of white tea].

What is the movie about? :: June Leigh (Naomi Watts) is no longer what she used to be, as she lives alone in a small apartment in the middle of the city, in the shadows of the books she had written a long time ago, and some of her words had turned her family against her – the rebellious nature had made her an outcast, but she still lives in the apartment owned by her grandmother who is no more. The year is 1977, and there are lots of uncertainties, especially in the neighbourhood where she is living. It is not supposed a nice place for a good-looking lady to live alone, as she is indeed troubled by many things, and the feeling that she is being stalked is just one of them. There seems to be looting and other acts of criminal activity, including arson and murder happening at parts of the neighbourhood, and June keeps herself inside the apartment room at all times, only meeting a grocery delivery boy named Freddie (Kelvin Harrison Jr) whom she trusts to take the trash outside without having to get out or take it down with a rope.

So, what happens with the events here? :: She is supposed to finish her manuscript and publish a book, because she had taken an advance, but that doesn’t really happen as expected, with her burning many pages which she had written. She calls her old friend Margot (Jennifer Ehle) who genuinely tries to help her with the needed support along with some money, but she turns her away soon enough. There is someone who keeps calling her on the buzzer at all times, but doesn’t respond, and she feels that someone wants to break in. She tries to call the police, but Officer Blake (Jeremy Bobb) who comes there is not interested in treating it as a genuine threat. But she can’t stop feeling something terrible happening outside, and even though she wants some money from the publishers, decides to stay inside the room. But things are getting more terrible outside, and with her psychological problems also seemingly getting worse, she would need to think about it deeply and come up with a solution.

The defence of The Wolf Hour :: Naomi Watts’ perfect one lady show makes the movie itself rise above all the possible limitations in a world of confusion and chaos running through the background. The atmosphere created here is also prefect, and we live with the lady within that room, and it nicely maintains two out of the three classical Aristotelian unities of place time and action, with only the second one moving out of line. It does have one principal action and you will find that it exist in a single physical location, the apartment which the protagonist never wants to leave – the only other places we see are in the television interviews of the same person coming in as a flashback, and after the end of action. You have the opportunity to go through the life of a strange, eccentric writer, proving yet again that the most creative writers and other artists can have a certain amount of madness in them, or the society might think so. You also see how Naomi Watts rises to become the character with such ease that we can’t expect anyone else in her place here.

The claws of flaw :: Even though there is the idea given, this is not really that mystery thriller with a touch of horror to go with it. You will feel a little bit misguided regarding the same, as drama keeps on having the upper hand. But whenever the movie struggles, and it does on a number of occasions, there is Naomi Watts to lift it a long way up, and it seems to have made the tale go lazy at times. The movie title also leaves the people confused, and even the description for the film given in different websites are not really accurate, as it stays away from the soul as well as the essence of the movie. It is also quite slow, and you have to admire the leading actress’ skill in not letting us feel the drag much. There could have been many more things in this film, and the fear could have been more real and close to life – there could have been someone psychotic behind the main character or even something supernatural in nature, but this film leaves all of those possibilities behind to make this one just the drama and nothing else.

Performers of the soul :: Naomi Watts is once again brilliant in playing this kind of a role. She had been in an isolated area during a deadly winter storm in the highly underrated thriller movie Shut In which had a twist to remember – the feeling of being stalked or haunted was there too, but here, it feels more psychological, and it gives her more opportunities as almost everything in this movie is about her, even more than any other previous flick. If you go further back, you had Funny Games, where she was taken hostage by psychopaths, and the danger was real at that time. So, she is no stranger to the genre or with playing with this kind of setting – the same is reflected really well here too. Well, for someone who was in The Ring and King Kong, this one is smaller kind of danger, but the scope for performance never gets small. Jennifer Ehle who plays her friend also contributes nicely when she is there. Among the other characters, Kelvin Harrison Jr plays his role nicely to be noted the most, and others also follow in this all-Naomi movie focusing on each element of her.

How it finishes :: The movie seems to show a certain dark side of living through the 1970s in the Unites States of America, especially in the urban area – it is something that would be different even if we consider the scenario in our world in this part of the world, because we remember the 1990s to be much different from the situation we have now. It makes us feel the danger, as well as the imagination of the main character, and we can feel the strange thoughts of the character running through there. We get to have a deep character study of a woman with a magnificent past, someone who let her insecurities take everything out of her, and it becomes another stage of bildungsroman for her, even though quite late in her career. The Wolf Hour is to be watched while taking the same into consideration, instead of what is seen or what is heard – what you might have thought about the film earlier won’t count as you go through this journey as it is indeed different from your thoughts about a mystery thriller.

Release date: 6th December 2019
Running time: 99 minutes
Directed by: Alistair Banks Griffin
Starring: Naomi Watts, Emory Cohen, Jennifer Ehle, Kelvin Harrison Jr, Jeremy Bobb, Brennan Brown

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@ Cemetery Watch
✠ The Vampire Bat.

The Room

Vampire Owl: Are they talking about that particular room in the north-east?

Vampire Bat: That can’t be the room these humans are talking about.

Vampire Owl: Are you sure? It is a room which we consider to be among the best in the Old Vampire World and the new one.

Vampire Bat: Yes, this is not a room of horror unlike what they think.

Vampire Owl: So, there is no Halloween attraction in the room

Vampire Bat: No, there is none at all.

Vampire Owl: You mean to say that there are no evil clowns either.

Vampire Bat: Exactly, as this is a room of another kind.

Vampire Owl: Okay, then I will need to find the horror from inside.

Vampire Bat: After you watch this movie, maybe you can have a different kind of horror.

[Gets a chicken cutlet and three cups of masala tea].

What is the movie about? :: Kate (Olga Kurylenko) and Matt (Kevin Janssens) are a couple who moved to a new place in the countryside, and it was a large secluded manor which they had managed to buy only recently. As Matt is an artist and Kate a translator, they hoped to find a better career at this part of the world, while spending some time together without being bothered by anyone else, as they couldn’t have children despite the doctors saying that both of them are alright. After coming across certain electrical problems, they call an electrician who understands that the wiring in the home is a complicated mess of wires that runs through almost everywhere in the house, and he needs to work out an estimate and plans before starting to look for any possible problems in them. Before leaving, the electrician reminds Matt that the previous owners were murdered by an unknown man in the house, something which the couple never knew until then.

So, what happens with the events here? :: But this is not where the strange things about the house begins and ends, as it is a house which holds a mystery which nobody could explain. Matt finds out that the killer’s is given the random name of John Doe, and is now living in a mental asylum. Thinking about it, and unable to sleep, he sits in a room which they had discovered locked and hidden underneath the wallpaper, and wishes for a bottle of alcohol which he finds in front of him. Scared and confused, he moves away, but begins to ask for more including the historical paintings. Kate is surprised when she wakes up finding many expensive paintings in the newly discovered room, and when she wishes for a lot of money, she ends up finding them in the room. Even though Kate is initially reluctant, they begin a hedonistic life-style, staying all the time in house. But there is more than what meets the eye to the house, and as they cross the limits, there are consequences. Can they overcome the following troubles?

The defence of The Room :: The movie holds around seventy eight percent reviews at Rotten Tomatoes, which is clearly justified with the quality being maintained here. It effectively shows the dangers of getting whatever one wants, and what happens when you don’t understand the consequences of crossing the limits. The same is told in a tale of thrills and twists, with a certain amount of hidden horror being present at all times. Once upon a time, there was the magic lamp, there was the wishmaster, and now we have the room which takes the horror to a psychological level rather than keeping it direct. The result is that you are more disturbed with terror rather than being simply scared. You take this idea into your soul, and the message is strong. The psychological intensity is maintained by the movie very well, after a nice, fun-filled beginning which doesn’t seem to point to the terrible fate which is to come later. Olga Kurylenko with what might be her best performance so far, has you interested at all times.

Positive and negatives :: The Room doesn’t try to twist it too much, even when there was the chance. It could have been made more visually terrifying too, even though the setting is indeed scary in another way. It shows how things become complicated when you take the wrong decision regarding a child – the same you had seen in Brightburn and Pet Sematary which told you a few things about alien and undead children. But as William Golding had shown in Lord of the Flies, there are many more which children are capable of, even while staying within their innocence. Some people might not like the fact that there is no explanation regarding why all these are happening, for viewers might at least except a supernatural explanation related to magic, aliens, spirits or demons – but you have to remember that the idea itself is the explanation, as the same becomes the message. The Room is the movie which you just cannot ignore with its content.

Performers of the soul :: Olga Kurylenko stays at the heart and soul of this movie, like she has been for many other movies. She had a wonderful presence in Johnny English Strikes Again, and even more in Oblivion, with her being secondary focus, but in this case, she is the main member of the cast, the one who qualifies as the primary protagonist. Being the Bond girl in Quantum of Solace and acting in modern action movies like Hitman and Max Payne as well as the rather ancient fighting in Centurion, she has been best in those action movies, but she is not that far behind in drama and horror, as we see her excel in those emotional sequences. Whenever she is there she seems to give the best – Olga is one underrated actress whom we should be seeing in more movies. You can see that she excels in the emotional sequences here. Kevin Janssens as Matt matches up in a good number of sequences here.

How it finishes :: Among all the horror thrillers, The Room is different and special, and this is the feeling that you will have, no matter what kind of genre you prefer, and whatever type of horror you have your mind on. With a concept like this executed so well, you know that things are going to better as time progresses. Olga Kurylenko makes sure that it gets maximum effect. The Room also leaves you about a few things to ponder about, regarding what matters the most in life, and where one has to draw the line. It also has a message about human greed, and how they are not able to stop, when luxuries are poured on them. We also have the idea of inherent evil in man at work here. The Room needed to have its elements at the right place to have this working at the exact level, and we see that the movie has managed to do that just fine. The Room is a film which is lesser known, and it deserves to be watch for making everything count.

Release date: 15th April 2019
Running time: 100 minutes
Directed by: Christian Volckman
Starring: Olga Kurylenko, Kevin Janssens, Carole Weyers, Marianne Bourg, John Flanders, Joshua Wilson, Francis Chapman, Vince Drews, Oscar Lesage, Michael Kahya

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@ Cemetery Watch
✠ The Vampire Bat.

Bacurau

Vampire Owl: Now, we have time for Portuguese movies too.

Vampire Bat: Yes, and this one is not really from Portugal. It is Brazilian.

Vampire Owl: Well, we have always loved most of the things which are Brazilian.

Vampire Bat: You are saying that mostly related to the football team.

Vampire Owl: It is something that one would say during the FIFA World Cup.

Vampire Bat: Well, in that case, Brazil is not the only team in the picture.

Vampire Owl: Actually, nothing matches the fan support of Argentina and Brazil even during these days when the European teams are gaining the fans.

Vampire Bat: Yes, even though Germany, France, Spain, Italy and England got quite a good number of fans, and increasing.

Vampire Owl: Let us now dedicate this movie watching adventure to the Brazilian football team then.

Vampire Bat: I am very much in support of such a thing, but it is to be noted that Movies of the Soul doesn’t get much of the views from Brazil or Portugal, even though the former is picking up these days of Corona Virus and lock-down.

[Gets a green apple cake and three cups of white tea].

What is the movie about? :: After the death of her grandmother Carmelita (Lia de Itamaraca), Teresa (Barbara Colen) comes home to her village in Brazil after a long time to find that something is not right, and it is not the same as she had left it then. Some of her old friends like Acacio (Thomas Aquino) are still there though, and there has not been much modern development out there. Bacurau, a small fictional settlement in Brazil’s remote backcountry doesn’t get much of an attention from anyone in the city, as nobody really comes that way. It doesn’t work even as a tourist destination with so many hills and forests around. Even those who are contesting for the mayor spot just comes there with some books and medicines, and after a few minutes, just leaves the place. It is so remote that if someone comes in an advanced car or bike, people would be feeling that there is something wrong, or something special is going to happen out there.

So, what happens with the events here? :: Even though there was a death recently, they have no time for mourning as the water supply has been cut off with water tankers coming that way having holes on it, animals from the forest are running through the streets, and their place has disappeared from all satellite maps completely. Soon, there is no network connection in their mobile phones either. Along with the same, some strangers are walking arouns with guns, and an Unidentified Flying Object has been located nearby. It had to do something with people who were not from around the settlement, and not even from further out in Sao Paulo, Brasilia or Rio de Janeiro. What could be happening around here? Can there be something sinister in play here? Will it be the work of something paranormal or that of influential people who have some evil plans?

The defence of Bacurau :: The visuals of a fictional, remote, Brazilian village makes an impact, and so does the people there, most of them being simple, likable people. The movie does get into the mood of a thriller in the later stages, and there is some nice shooting to go with it as the action begins. With danger getting closer, there are some stranger, but effective measures taken, and the whole situation changes. During the time of Corona Virus, this is more relevant, as people are quarantined into small towns and villages. There is the question about what one can do while facing an armed attack at the same time – with no defense against the human predators, what would the people who are locked in like animals do? The terror created colonialism and terrorism has a new face, as people are not considered to be humans, but things to be hunted and killed. When someone chooses your home as a shooting range with a racist ideology, there is nothing else to do, but to fight back, and the movie shows the underdogs coming up with the same, nicely.

The claws of flaw :: There is the chance of people having doubt about this movie in the beginning, wondering where the tale is heading, and only after establishing everything that we see a certain change beginning to happen. When a lady gets a lift with a truck driver and they are traveling in a road in the middle of nowhere, you feel that this is going to be a very slow, clueless, award movie in which nothing much happens, and you have to find meaning for everything after spending days thinking about it, but you have to get over that feeling to start enjoying this movie which is much more. It doesn’t follow the pattern of the usual action adventure thriller, and never does it try to explain everything which is happening around there, thus making it not a movie for everyone. Some sequences seem to be unwanted, and it surely drags in the beginning, taking time to get into its world. After avoiding some unnecessary sequences and shortening the run-time, this could have a better one to look out for.

Performers of the soul :: Berbara Colenmight seem like the main character in the beginning, but she is not – it is to be noted that she does come up with a simple and serene performance though. Then there is Sonia Braga, but she is not the leading lady either. Thomas Aquino also has a big role to play here, but he remains just one of the characters when we consider the film with its totality. Silvero Pereira as Lunga comes into the picture late, and has his own moments to steal some of the show. But one has to feel that this is a movie without one protagonist or an antagonist, as there are many characters spread throughout the movie – in the beginning, we think that one person is the star, and then we see the focus shifting from there, and other characters are thrown into the picture with chances of being the leader, but the same keeps changing all the time. There are moments when one feels that there is something here that people from other parts of the world might end up missing. Well, the approval rating of 90% based on 125 reviews on Rotten Tomatoes should mean something more.

How it finishes :: Bacurau is the first Portuguese movie that I have watched, and I have been wishing to watch one for a long time. The movie is Brazilian and not Portuguese in identity, and is thus closer to Latin America than Europe, providing a different experience. It is great to see a new world displayed in the movie, with all its simplicity, and the natural problems which come with the same. The action comes in the later stages, and the movie turns into a thrilling adventure without any warning. Bacurau might be a good choice to start watching as far as those different or rather strange movies are concerned. There are times when we think that Bacurau is not just a small town in the middle of nowhere that struggles to be displayed on the map, but a reflection of what can happen to people when facing the inherent cruelty from the rest of the human beings who consider themselves to be very much superior in race, technology, colour, strength or anything else.

Release date: 25th September 2019
Running time: 132 minutes
Directed by: Kleber Mendonça Filho, Juliano Dornelles
Starring: Sonia Braga, Udo Kier, Barbara Colen, Thomas Aquino, Silvero Pereira, Karine Teles, Julia Marie Peterson

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@ Cemetery Watch
✠ The Vampire Bat.

The Shallows

Vampire Owl: There is nothing as shallow as an human heart.

Vampire Bat: I don’t know why you said that now.

Vampire Owl: The title reminded to use this particular word in the best way possible.

Vampire Bat: You are not in a school anymore – they don’t ask you to construct sentences using a word.

Vampire Owl: Yes, it is a human thing. We construct life out of words instead.

Vampire Bat: Have you been reading the wrong book in that library?

Vampire Owl: Not at all, my friend. Whatever I read is the right book. It is the book’s honour to be read by me.

Vampire Bat: Do you really read much these days? You are at the cemetery most of the time.

Vampire Owl: I am teaching my zombie minions, some English grammar.

Vampire Bat: Well, it is nice that vampires don’t have UGC NET, and neither do we have those reservations.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: A medical student Nancy Adams (Blake Lively) has a journey to a small, isolated beach in the interiors of Mexico – it is the same place which her mother Mrs. Adams (Janelle Bailey) had visited when she was pregnant with her; now with her mother no more, she takes a break to go through the past. The beach is so less known that she has to get the help of a local man named Carlos (Oscar Jaenada) to find it. She spends her time at the beach surfing with two local people and talking to her father Mr. Adams (Brett Cullen) and her sister Chloe Adams (Sedona Legge) regarding the things that are worrying her concerning the demise of her mother. After the two newly found friends leave, she finds herself surfing for one final round as the day is slowly beginning to end. She notices the corpse of a whale floating around at the same time.

So, what happens next in the movie? :: This place, even though looking more beautiful than ever at this time of the day, isn’t what would catch Nancy – it is a great white shark that get the honours, as she is taken off the board and is forced to climb on to the whale’s dead body, but with the shark getting through, gets to a rock away from the sea shore. Her leg injured, and a few hundreds of metres to the beach, Nancy is stranded on the rock which is also supposed to go under water with the high tide. As she is a medical student, she manages to use the available resources including the surfboard straps as well as her jewelry to stop bleeding from her wounds and keep the torn flesh stitched together. She survives for now, but how long can she go on? Can she get help from the locals in one way or the other? Is it possible to swim now considering the condition of her legs?

The defence of The Shallows :: The movie has a beautiful setting right here, as it is more like one of those beaches which everyone should visit once in a life-time. Maybe, they can include it in those lists which go around in the internet, wherever it is. When you see all that beauty around, and you are clearly immersed in the thoughts of writing the perfect poem, comes the shark – all of a sudden, and what follows is a sequence of thrilling moments, and attempts at survival, as once against the human meets the beast in a one on one battle, just this time not on land, and it is in the territory of the animal that asserts its strength again and again. The way of nature, and the survival of the fittest – bound to battle against the same, our protagonist is played by Blake Lively who has done an amazing job here. It is to be noted that her Green Lantern co-star turned Deadpool, and her spouse Ryan Reynolds had already worked in a similar movie of survival, Buried, with a tragic end to that story. She surely proves her to be too good, as she has a lot more to do in this movie set in the sea, hunted by a shark.

Positives and negatives :: There is no other actor in this one doing much of a job, as everything is fitted on the shoulders of Blake Lively. It seems that she has been provided with the best opportunity at performing right here, and she has taken it with both arms, without hesitation. One might have problems with the final scenes of climax, and how the shark trouble is dealt with – people would have wanted a better solution to all these, or some help from anything, anyone or anywhere rather than luck. There is a little bit of the feeling of repetition, but with us on the edge of the seat, it can be passed. There is no doubt that the movie could have made this even better, and that too without her backstory – it is more like a harmless thing that wouldn’t hurt when you look at it as a whole, but when you feel that you get to leave it out too, that is indeed a wonderful feeling, even better by a very small distance, for there is not much of a height to climb for The Shallows that it hasn’t.

Soul exploration :: Just like those other survival movies, The Shallows is also about surviving against all odds – when everything seems to be against you, and it seems that you have no chance here, you keep going. Failing without trying would be the worst thing, and when death awaits you, the need for struggle and survival automatically comes. Our protagonist here has nicely balanced her needs, and using her limited resources and her knowledge about human body, keeps herself alive. There is always some danger of being in a less explored place alone, and a shark is only one of those that could happen to bring the danger. There can be trouble in the roads itself, as shown in NH10, and it is sad that some places which are so unexplored and beautiful don’t get to be as safe as the rest. It once again comes to the survival of the fittest, right? And then there is the inherent evil in man which comes in too, making a terrible impact at other places.

How it finishes :: It is to be noted that Hollywood got so many tales of survival in life, whether it is on Everest, Mars, or anywhere else. We do have one from Bollywood too – the one which is not that popular; Trapped – it has the protagonist getting locked inside an apartment where nobody else lives, and even though the situation might seem better in it, there is more than what meets eye with being somewhere without any means of communication, electricity, food and water for a number of days. A few years ago, Liam Neeson had to battle wolves to survive in The Grey, but never did seem to have a good result out of it for the character – so, will Blake Lively’s character be smart enough to get through the shark, and emerge as the smart one and the winner of the battle? You will once again know what survival is all about, as you go through another movie which will have you hoping for the protagonist to make it to the shore one way or the other. It is so good in working with the genre, you will know.

Release date: 24th June 2016
Running time: 86 minutes
Directed by: Jaume Collet-Serra
Starring: Blake Lively, Oscar Jaenada, Brett Cullen, Sedona Legge, Pablo Calva, Diego Espejel, Janelle Bailey, Ava Dean, Chelsea Moody, Sully Seagull

<– Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Byzantium

byzantium (1)

The vampires who keep coming :: Ever since Byzantium released, I have been looking forward to watching the same, and it is only much later that I had a chance. May be Byzantium is not a movie for everyone or most of the normal people, and the multiplex owners seems to have realized it even before the movie had any chance to grace the theatres – I guess they would have done the same with Interview with the Vampire: The Vampire Chronicles if released in this decade without Tom Cruise and Brad Pitt. My desire for a good vampire movies has rarely been given wings and neither did any possible werewolf love, thanks to the pathetic creations like Twilight and Mortal Instruments which have used the supernatural beings in a terrible manner, forcing me to abandon any thoughts of watching movies with vampires in it – saying no to vampire stuff was never that easy before. There was also Vampire Academy: Blood Sisters which seriously contributed to the same (it at least had the stunningly beautiful Zoey Deutch, unlike the Twilight series), only turning itself to a funny movie whenever it was really serious. Then I had to watch Byzantium, and that made me come up with a few points why I loved this wonderful movie.

1. Byzantium is the best vampire movie after Interview with the Vampire: The Vampire Chronicles of 1994, belonging to the same class as the 2010 movie Let Me In (or Let the Right One In) and slightly better than the less appreciated movie of 1997 – Vampire Journals.

2. Byzantium is a good thing to have if you did accidentally put your head into Twilight or Mortal Instruments, as it has that ability to bring you back to love the supernatural and the vampire yet again; thus the antidote you will need.

3. The movie stands right between Let Me In and Twilight, with a romance that has a teenager falling for the very old teenage vampire girl, but with all the creepiness of the former, and no bloody exaggerated romance like Bella vomits on Edward Cullen.

4. The bloodsucking is given a new dimension with the use of nails, while we have been looking at bites all the time – coming from the same director who gave us Interview with the Vampire: The Vampire Chronicles, I was expecting something new like that.

5. The story has two female protagonists, a mother and daughter who are vampires who are always on the run, and mystery that surrounds them if unfolds in such a beautiful manner that you can’t stop thinking about it.

6. There is a code among these two vampires, as one of them only feeds from the weak and the dying, sending them to eternal joy from the world of pain, and the other one feeds on those who attempts to take advantage of the weak.

7. There is no turning the other into vampire by biting, and the vampirism of this movie is something that is gained by being prepared to sacrifice one’s life – only by being ready for death can one achieve eternal life – now that is no usual evil vampire stuff.

8. The use of flashbacks is beautiful, and they come up with something every now and then as the story of the present moves on. It is never without its captivating ability, and the background story is a big boon for this one.

9. Saoirse Ronan is an awesome young vampire who has complications with her mother who never ages, and makes them go around the world. Her words and the pain that she narrates with it, are striking; and then there are her eyes and the way she stares.

10. Gemma Arterton as Clara Webb is wonderful with her ability to survive, from being the subaltern among all due to one bad decision of her life, she keeps making the right decision, and supported by her beauty and charms, she thrives; looks more beautiful than ever.

11. Jonny Lee Miller’s Captain Ruthven is a as close to a dreadful villain as possible, one who unfortunately for the viewers, is not seen in the present, but with those flashbacks, he is responsible for all that the mother and daughter are now, a man of pure evil.

12. Sam Riley’s Midshipman Darvell also has a certain amount of charm, being the man who could have avoided this plight, but was not given the opportunity by the young lady. This depiction shows him as a man in pain and helplessness which he tries to hide.

13. The movie has a haunting atmosphere right from the beginning to the end, and there is no real happy side to it. There is some brutal telling of the story which is dark and with abiding sadness, but still not that horror or tragedy that one would expect.

14. Byzantium is incredibly powerful in its dealings with the supernatural as well as the human side. It has a huge darkness element in each of its characters, which is surely more than any sign of goodness we see in this movie.

15. There is a river of blood which flows down through a waterfall and meets the sea, while birds make strange sounds a fly away, as dark clouds fill the sky – that moment of transformation which is an awesome moment of visual splendor.

16. The movie has successfully captured the feeling of being alone and different with the daugher, and that of being mistreated and punished for no crime of oneself with the mother, and there is so much beauty in how it is shown.

17. There is a certain amount of contrast being made, with the humans and the vampires, with all the humans in the movie being either good and weak or evil and strong, just the vampires being in the middle of all these with no specific side.

18. The cinematography is too beautiful in this movie, and every time we look at it, we see a beautiful world created with a suiting surrounding, and lovely looking people around, as the two leading ladies steal the show.

19. The past and present comes together, and when it is finished and the mosaic is complete, we have a finished product which is nothing less than a poetry which we were told to complete during our school days.

20. I quote from the movie: “My story can never be told. I write it over and over, wherever we find shelter. I write of what I cannot speak: the truth. I write all I know of it, then I throw the pages to the wind. Maybe the birds can read it“.

The final Vampire Bat touch :: I believe many of us might have thought that there is nothing new to come up with the vampires, unless Anne Rice gets younger and come up with some new book or Suzanne Collins moves into some kind of futuristic vampire science fiction story. But this movie proves otherwise. Even with slight drag and often lacking in big surprises, this exquisite movie successfully battles the popularity of stupid vampire romance for teenagers, and leaves us hoping that it had a better release around the world. Neil Jordan once again scores, this time, without the help of a novel. Well, how can one expect the Vampire Bat not to like a vampire movie which has some intellect and imagination associated with it? *Meanwhile, I have reached twenty posts of the story @ The Divine Epic (http://divineepic.wordpress.com/) and I hope you all can have a look my fiction work 😀 As I have separated the story into four separate timelines, I believe that it will be easy to follow if you click on each timeline and read the story instead of going ahead right from the beginning to last post 😉

Release date: 28th June 2013
Running time: 118 minutes
Directed by: Neil Jordan
Starring: Saoirse Ronan, Gemma Arterton, Sam Riley, Jonny Lee Miller, Daniel Mays, Caleb Landry Jones, Maria Doyle Kennedy, Warren Brown, Thure Lindhardt

byzantium copy

@ Cemetery Watch
✠ The Vampire Bat.