Fear Street: 1666

Vampire Owl: And now we have to go back to the year 1666.

Vampire Bat: It is a little too long backwards, don’t you think?

Vampire Owl: Doctor Frankenstein is preparing a time machine. So, we can actually do it ourselves now.

Vampire Bat: So, you believe that he is finally going to invent something useful.

Vampire Owl: He is the best scientist the vampire world could ever find.

Vampire Bat: He is not a scientist, but an alchemist. There is a difference.

Vampire Owl: Yet, he has invented so many useful things.

Vampire Bat: These inventions have been useful only to him.

Vampire Owl: What about the portal to different dimensions?

Vampire Bat: The portal could only lead us from one room to the other.

[Gets a green apple cake and three glasses of blackcurrant shake].

What is the movie about? :: As the severed hand of Sarah Fier is reunited with the rest of her corpse, Deena is Sarah Fier (Kiana Madeira) now, as she sees things from her perspective, slowly finding the past revealed to her. She lived with her brother Henry Fier (Benjamin Flores Jr) and father George Fier (Randy Havens) in 1666. Things seem to go well in the original settlement before it was divided into Sunnyvale and Shadyside. Soon, things seem different, as Hannah Miller (Olivia Scott Welch) falls in love with Sarah, something which is discovered by Mad Thomas (McCabe Slye). When Sarah and her friends meet a reclusive widow to gather berries for a party, she also comes against a book of black magic. She witnesses that the world around her does change, with strange things happening. Cyrus Miller (Michael Chandler) who is Hannah’s father, begins to act strange, while the town’s food and water supply are poisoned. The people of town are suspicious about almost everything, especially Sarah.

So, what happens with the events here as we just keep looking? :: Sarah talks to Solomon Goode (Ashley Zukerman) in person as she wonders if she is responsible for the town’s newly found bad luck. Soon, they discover that Pastor Miller has murdered twelve children in the chapel, after taking their eyes out, and that includes Henry. The town is very much frightened because a man of God himself was responsible for this terrible act. They hope to get rid of the evil, but none of them knows where to find the same. Soon, with a number of witnesses, Hannah Miller and Sarah Fier are considered responsible for what is now happening, and even though they find and decide to execute the former, the latter couldn’t be found. Sarah decides to find the widow’s book of black magic and use it to make a deal with the devil so that she can somehow save Hannah, with whom she declares her love, and begins a lesbian relationship which reflects what happens later in 1994. But while trying to find the devil, she only finds the book missing and the widow murdered. What could be really happening out there now?

The defence of Fear Street: 1666 :: There is an interesting backstory to the origins of the movie, and also a grand return to the present to make sure that things end pretty well. The film does have a pretty good twist coming in between, and has its own interesting surprises as we look at them. The world of 1666 has also been nicely created, not just with the surroundings, but also with the people. There is something about the colonial world as much as the European Middle Ages when it is created well enough. The addition of a deal with the devil element also works in favour of the movie. One would feel that there is a certain amount of confidence running through this movie, which is reflected in the characters, as we quickly move towards the final showdown – it does have a better pace in comparison to the previous movies, as the focus is less in relationships in comparison to the others. The final fight scene has a lot of interesting moments, and as we see all those serial killers out there, we keep asking for a film for each of them.

The claws of flaw :: The romantic nonsense elements continue to haunt this last part of the movie, as it was one thing which didn’t work in the first part either. It also seems that the best villains of the movie seems to be from those time periods of the franchise which didn’t really have a movie to support it. Despite all the elements that it puts in here, the other two movies of the franchise seems to be better than this one – the first one did a fine job in establishing the world, while the second one was the best of the franchise as it felt like a typical slasher with quality. This one lags in comparison, but not by much, as it is saved by the settings in two time periods and with some fine surprises as well as bringing everything together in the end. The romantic side continues to be nonsense, and using that between fight feels even more stupid. This shouldn’t have been about love, for it is not really difficult to know what matters these days. We cannot let some silly teenage love ruin a slasher horror movie which was rising otherwise.

Performers of the soul :: Kiana Madeira has more to do in this film, going through two different timelines, and there is something about her in the seventeenth century that keeps us more interested. She seems to suit in that time period better than the 1990s. This film seems to show her evolution to suit slasher horror films better. Darrell Britt-Gibson as Martin does add some interesting and funny moments in here, while he had only a few moments in the first flick. Ashley Zukerman stays strong, not just in one avatar, but in different forms. Olivia Scott Welch is also better in the seventeenth century, and we see her blending in there well. One would feel that she is also slowly moving towards becoming a scream queen at some point, as horror films becomes the strong point of actors and actresses when least expected. Benjamin Flores Jr adds more in this film, and he is also a memorable person of two different centuries. McCabe Slye adds the much needed creepiness to the past for the film. There are many actors and actresses who play different roles in multiple centuries, which does bring some confusion here though.

How it finishes :: The final movie of the trilogy seems to have ended the film well enough, even though it doesn’t hesitate in leaving the scope for another movie in the series in the final stages of the credits. If you ask me, I would like to see a film which comes in between all these movies instead of having a sequel belonging to the early 2000s or the contemporary world. We have all been looking for some horror, and just like we had expected, the villain here is actually human rather than the supernatural – it is a fine end when we look at it, as it has always been clear that humans are the most evil creatures to walk on Earth. As I have mentioned before, even after facing so many natural disasters and the Corona virus itself, humans of our times haven’t changed either. They are all going for wealth and influence, while considering the others of their species as not worthy, and won’t hesitate to murder them – the killers of slasher horror movies are always better than humans of reality, aren’t they? Well, you never know.

Release date: 16th July 2021 (Netflix)
Running time: 114 minutes
Directed by: Leigh Janiak
Starring: Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch, Benjamin Flores Jr, Darrell Britt-Gibson

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@ Cemetery Watch
✠ The Vampire Bat.

Girl

Vampire Owl: I can feel the presence of something divergent here.

Vampire Bat: The divergence of humans are mostly foolish though.

Vampire Owl: The foolishness of humanity has brought the world to this situation.

Vampire Bat: And also their greed and hatred which know no bounds.

Vampire Owl: Can we trust the humans related to anything?

Vampire Bat: About cheating and murdering others of their kind, for sure.

Vampire Owl: When was the last time you met a good human being?

Vampire Bat: They don’t really have angelic creatures out there.

Vampire Owl: Angels have become myths everywhere.

Vampire Bat: There are no myths that have not becoming reality at some point of time, at least in this particular realm.

[Gets a vegetable cutlet and three glasses of pista shake].

What is the movie about? :: A young lady known only by the name Girl (Bella Thorne) returns to her small hometown after a long time. She does have the feeling that something is not right there, and she actually came there with the intention of murdering her abusive father. He had earlier written a letter to her mother, threatening to kill the middle-aged lady, and Girl hopes to set things right, as she goes to the village with hatchet in her possession. Even though her mother knows the address of her father, she doesn’t give her the same, telling her that she doesn’t really need to know it. But that doesn’t stop Girl from looking for the person everywhere. She manages to keep a doubting sheriff away, and also keeps the people at a bar further away from her while finding the address of her father in the phonebook at the place. But, much to her shock, she finds her father already murdered. She tries to report the murder to the sheriff, but is able to connect nobody with her mobile phone. There seems to be no range more mobile phones anywhere in the small town out there.

So, what happens with the events here as we just keep looking? :: She is finally able to connect to her mother from the bar in the town, and inform her about the death – she only wishes her daughter to come back home, but Girl really wants to know who killed her father, as she considered it to be her duty to commit the murder. She continues to try and find the sheriff, but there is nothing good coming out of the same, as he never really appears anywhere, not in his office, bar or the church. When she finally finds the person, things are not like she had imagined. The death of her father has something more than what she thought, and there is a mystery related to the last letter which he had sent to her mother. There is a lot of money also related to the same. They tie her up and threaten to torture her until she reveals where the money is, but it turns out that she didn’t have any idea that there was any money involved with her parents. They wouldn’t believe the fact that she came there to kill her father, and has no idea about him having any money with him.

The defence of Girl :: There is a certain amount of deviation related to how things go on around here, and it is not your usual kind of film which has the female looking for vengeance for an abusive father for her mother, as it would feel in the beginning stages. There is more to the film than what meets the eye, and there are some twists in waiting here. We feel that there is something about Bella Thorne with a hatchet, and that suits an image like nothing else, even though there are not that many action scenes around here related to that. A determined lady with a hatchet in her hands can make you believe in the scope here. She is more or less like Jamie Bernadette in I Spit on Your Grave: Deja Vu, not with the particular details, but with the determination on her face. The atmosphere created by the small town is really good, even though we were always looking for more related to that. The film successfully brings the feeling of a hidden danger at parts of this particular world which is visually beautiful with scenery, but has more.

The claws of flaw :: The film here is just too slow to become a thriller, as picking up the pace seems to be difficult for the flick at all times. Even when there were many different chances to speed up at different intervals, the movie doesn’t really take them. Drama takes over the thrilling side at too many occasions, but on many occasions, we would have preferred it to be the other way around. Even with its twists, it takes some predictable turns in between, and that wouldn’t have been expected with a film like this. There could have been more action around here, with more fighting, chasing and maybe even more murders in the countryside, for the setting could have added to that well enough. This is the kind of a small, remote town which could have more secrets to reveal, and more mysteries to bring to light than this. The violence could have also been smarter, not with too much gore, but done in a balanced way, but here, it just goes off and misses out on scope.

Performers of the soul :: Bella Thorne is the Girl here, and without a name for her character, there is the feeling of something special being about her – she does the job really well here too. The determination and a certain about of fury that is within the character is nicely portrayed by her, and one would surely love to see her in a horror movie at some point of time. She excels at the simple fight scenes, with a hatchet in her hands, from the laundry to the final outdoor fights. The Girl portrayed here is surely different from anyone whom we have seen in a leading role, looking at the past. She gets mystery unveiled all by herself, and Bella Thorne proves to be brilliant in what she does here. Chad Faust and Mickey Rourke makes pretty good villains out here, but they are not used to be the best advantage, as we see a lot more of scope related to them, with chances of being terrifying menace being laid down there. Elizabeth Saunders has only a small appearance, while Lanette Ware is more memorable here. Glen Gould also leaves a little bit of something to remember.

How it finishes :: Girl can feel like a slow movie for many, as it does get into action late, and doesn’t speed up even when the twists and thrills come up, and yet, it is a pretty good drama and thrills mix which can be watched mostly due to Bella Thorne, the leading lady who has done a remarkable job. This is all about her, and we follow her into a world which is not that familiar, unless we are in a horror movie. Even though slow moving thrillers with elements of drama are not that preferred, we have had movies like Ivide and Ranam doing some good job here too. Movies like these are not to be avoided for their slower pace, but are to be appreciated for how well they have gone through the same, and managed to come out strong. You take the French thriller The Swarm, Norwegian thriller Lake of Death or the Spanish thriller The Paramedic – you see that they do their jobs, even at such slow pace. Well, we need our thrillers to go through all paths, especially the less traveled ones.

Release date: 20th November 2020
Running time: 92 minutes
Directed by: Chad Faust
Starring: Bella Thorne, Chad Faust, Elizabeth Saunders, Lanette Ware, Mickey Rourke, Glen Gould

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Bali

Vampire Owl: I have heard that there is always a perfect time to begin something.

Vampire Bat: Yes, it is time, and this will be the first Marathi film to be reviewed here.

Vampire Owl: Where does that leave us with the different language films being reviewed?

Vampire Bat: That would have us with more films than we had expected in the beginning of the year.

Vampire Owl: When they make a film with the name Bali, that is quite nostalgic, isn’t it?

Vampire Bat: I don’t think that Bali is open for international tourists yet.

Vampire Owl: Well, vampires are never international tourists.

Vampire Bat: We do come from a different realm, and so we are international.

Vampire Owl: So, we do have our own passports? I have never come across one.

Vampire Bat: Just use your fangs to make it work as required.

[Gets some banana chips and three glasses of chocolate shake].

What is the movie about? :: Shrikant Sathe (Swapnil Joshi), a widowed father is living his usual happy life as a happy single father with his only son Mandar Sathe (Abhishek Bachankar) who is a lot into playing cricket at school, and the father is completely in support of whatever he does. The father-son bond goes quite deep, and they are more or less like friends. Mandar also prefers to have his father with him all the time rather than his friends. When the seven year old boy faints during a cricket match, and is taken to hospital for a detailed diagnosis, things change. The two are referred to another hospital which has all the required facilities, and has a famous specialized department for children. They have an appointment with Radhika Shenoy (Pooja Sawant) who asks them to go for some more tests to make sure that there is no serious problem due to him having continuous breathing problems. Radhika feels that nothing could be wrong with the boy who looks alright, and the tests are just precaution.

So, what happens with the events here as we just keep looking? :: Mandar meets a boy who is admitted in the hospital due to cancer, and is going through terrible pain in the stomach. They become good friends in a short period of time, and leaves the hospital’s main area to go to the deserted part of the hospital which is undergoing a certain amount of maintenance. They were supposed to play cricket and also meet the nurse whom the boy considered to be his mother, Elizabeth D’Souza (Shraddha Kaul). Soon, the boy is taken into a room in the abandoned area, and is found dead with many wounds and bruises on his body, and the doctors consider him to have fallen down and hurt. As he is admitted in the hospital as a result of seeing the dead boy in the operation theatre, Mandar starts talking to the mysterious nurse, and he also considers her as a mother-like figure whom he can contact at any point of time with a mobile which he discovers in the room. It turns out that there is something about the entity known as Elizabeth which the hospital hiding. Who is she, and what does she want?

The defence of Bali :: The film has just enough scares out here, and there is also one fine mystery to go with the same. There are also some nice twists around here to go with the horror. The background to the ghostly figure, even though becomes predictable at times, is nicely created with those twists added. The final moments’ twist is indeed a nice one, and the way it is presented is also nice. The movie also talks about a few things which have the possibility of happening in the medical field, and it does serve as a warning about the same, as greed for money is something which has taken over both the medical and educational field. Even though the latter can have other options, we are always tied to the requirements for medical treatment, and these types of revelations are often the need for the time, even though there is only a rare chance of the same happening. It never hurts to be warned about the terrible possibilities, and you know that the world around you doesn’t work on righteous, but on selfish requirements of money and fame.

The claws of flaw :: The name of the movie did give me a confusion, as I felt that there was something about the place in Indonesia, and maybe this film is about the place – obviously not knowing the language has its own confusion for us who are watching such films due to the release happening in Amazon Prime Video. It could have surely included more horror, and with the building being such a fine location and having the perfect atmosphere, it could have used the same to the best advantage. The message could have also been made more loud, and the background story could have had a longer time spent on the screen. The film also takes some time to get us interested enough, as the entity is often avoided rather than being scared of. Some of the moments here could have been straight to the point, and as far as ghosts are concerned, the one here could have surely had more here with its existence in the abandoned building. The ending can also feel to be a little bit rushed, instead of raising the level there.

Performers of the soul :: Swapnil Joshi plays the concerned father very well, and Abhishek Bachankar plays the child nicely, getting into the bond in a fine manner. The leading actor is the one who has to do all the work while dealing with the spirit, and in doing the same, he is surely at a fine level. In the end, it is Pooja Sawant who gains all the attention, as she plays a character who has her own secrets, and there is more to her than what is seen in the early stages of the film. Both the male and female lead are not those whom most of us who haven’t watched a Marathi movie are not familiar with, but we would love to see them in movies of other languages too. Rohit Kokate who plays another doctor has also done some solid work in support. It is difficult to connect the performers with roles for us, because enough information is not available anywhere, and we are not aware of the Marathi film industry. Yet, it can be safely said that the movie has pretty good performances from almost everyone, and this is a job well done in that case.

How it finishes :: Coming from the same director who came up with Chhorii, the film which had different ideas about horror, this one also has us interested early enough. Horror in India has always been struggling with its limitations, but this one has managed to rise over the same, and has even come up with a message, which reminds one of the Malayalam film, Joseph. This one has the eyes of horror set in the medical field, and a certain amount of greed and pride that takes the central stage in those private hospitals which are always looking for money and reputation to be at the top. Further talk about the same would reveal a little bit too much about the story and the twists which it is supposed to take, and therefore it is up to you to watch this one and understand more about it. After all, horror at a hospital can bring more than what meets the eye for us, and the spirits that live in any medical centre can be of further interest.

Release date: 9th December 2021
Running time: 104 minutes
Directed by: Vishal Furia
Starring: Swapnil Joshi, Pooja Sawant, Pritam Kagne, Samarth Jadhav, Rohit Kokate, Sanjay Ranadive, Shraddha Kaul, Abhishek Bachankar, Mahesh Bodas

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<<< Click here to go to the film review before that.

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@ Cemetery Watch
✠ The Vampire Bat.

Birds of Prey

Vampire Owl: There are not many kinds of vampire birds.

Vampire Bat: But not all of our birds hunt.

Vampire Owl: You stopped letting the birds hunt?

Vampire Bat: Well, the sky needed to be safer for the gargoyles.

Vampire Owl: You are calling for the gargoyles during a pandemic?

Vampire Bat: They are made of stone, and immune to any pandemic.

Vampire Owl: Are you sure that these can’t catch the virus?

Vampire Bat: They are immune to the injection too.

Vampire Owl: That saves us some vaccines.

Vampire Bat: I would have loved to believe that the undead are basically immune, as the virus cannot affect the dead even after rising from the grave. But the research from Doctor Frankenstein says otherwise.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: A number of years have passed after the defeat of Enchantress in the hands of the team of supervillains, Suicide Squad, and Harley Quinn (Margot Robbie) has broken up with Joker (Jared Leto), and despite going through the procedure many times, this time she believes that they are separated forever. She remembers her time as psychiatrist and also her time before that, as she tries to go on with her lonely life, and for the same, she also gets a hyena, but nobody really believes that she really broke up with Joker. She doesn’t really have any good friends, but everyone seems to know her for the association with Joker. To announce her break up to everyone, she blows up Ace Chemicals were she had her best time with Joker, and this time, she gets the attention of everyone. Renee Montoya (Rosie Perez) is the first one to come after Harley for exploding Ace chemicals, and others who have held a grudge against her also follows. Ending the relationship with Joker does have its own negative effects for her.

So, what happens with the events here? :: A good number of people now wants her dead, or at least punished for what she had been doing. This includes not just the criminals and police, but also anyone on the streets whom she had offended – it includes a large number of people. Without Joker’s protection, she finds it difficult to move around safely. But she figures out that she will live her life her own way this time. The biggest mafia leader of the area is Roman Sionis (Ewan McGregor), the crime lord who wishes to have full control over the Gotham City. Dinah Lance (Jurnee Smollett-Bell) earlier worked as a singer in his club, but gets a promotion as his driver during important meetings, after he sees her fight on he streets. Victor Zsasz (Chris Messina), the right hand man of Sionis losses a diamond which was supposed to be very important to him, and it turns out that it was taken by Cassandra Cain (Ella Jay Basco), a young pickpocket who doesn’t hesitate to steal anything from anyone on the streets. The girl also swallows the diamond before being taken to the police station.

And what else is to follow with this strange series of incidents in Gotham City? :: At the same time, a vigilante known as The Huntress (Mary Elizabeth Winstead) also appears on the streets, killing people all around the city, and nobody really knows what she is after. It does gives more of a head ache to Renee though, as she has been someone not able to get the credit even after working so hard in the police department. With murders happening with crossbows, and Harley also on the loose, Sionis wants the diamond back as soon as possible. For the same, he asks the help of every mercenary in the city, including Harley, who had also started calling herself a professional mercenary with her previous experience in Task Force X, the government funded group of criminals and supervillains. Harley breaks into the police station, and a number of mercenaries also follow her, but she manages to escape with the pickpocket kid, only to be continued to be hunted throughout the city. Dinah and Renee want to save the kid too, but time is running out.

The defence of Birds of Prey :: The film scores with its cast as expected, and while Margot Robbie has already proven herself as the crazy lover of Joker with a PhD in Psychiatry and experience with treating the craziest, Mary Elizabeth Winstead who is known more as the scream queen of horror flicks, has done fine work here – others are okay, even though I wouldn’t consider them to belong here as much as these two manages. The final fight scene scores high with the ambience being used there, and it is something which suits a horror movie more. There are also some humour added here and there, and for that too, the film is highly dependent on Margot Robbie, who seems to have got into that character so well again, and that makes one wonder what would have happened if Joker was also there. The fight sequences are nice, mostly when related to her, and even though left with less number of scenes, Mary Elizabeth Winstead also drops in nicely. The film is also full of colours, and they provide a special feeling to the movie.

The claws of flaw :: The absence of at least a cameo from Joker does have some effect on this film which could have used a little bit more of madness, as there seems to be a little bit too much sanity in here. Along with the same, the character of Rosie Perez seems to be weaker in comparison, and Ewan McGregor plays not that strong a villain as one would expect, with him being only a billionaire with a lot of henchmen – nothing more for him here. Some moments in the movie are also too silly, even when staying within the limits of silliness, and could have been avoided. The movie could have been shorter that way, and it should have stuck to Quinn to make that happen in a better manner. It is also a little bit too violent without reason, a quality which is not the best explored by a DC film. The film also leaves a question if it was trying to be a little bit of Charlie’s Angels by focusing on it as an action movie, but it is understandable, because Harley Quinn is that kind of a character, and only a little bit of the metahuman strength is unleashed here by anyone.

How it finishes :: DC Extended Universe always required more films which though differently, and this is surely one of them. There is a space being left behind after Avengers: Infinity War and Avengers: Endgame nicely finished the biggest events of Marvel Extended Universe, and now it is up to DC to do the same and bring something grand, despite Justice League not doing that well as it should have managed, and Batman vs Superman: Dawn of Justice failing to gain appreciation. Unlike what was expected, Aquaman and Wonder Woman are the hopes of DC, and I would say that Suicide Squad was one too, even though many people were not really able to get their heads into it. Taking Harley Quinn out of it, and making this film will only help the next part of the second film on the squad when released, for Birds of Prey is a fun-filled entertainer which maintains the same feeling up to an extent, even though not beautifully poetic as that film happened to be. Once again, fun is guaranteed for sure.

Release date: 7th February 2020
Running time: 109 minutes
Directed by: Cathy Yan
Starring: Margot Robbie, Mary Elizabeth Winstead, Rosie Perez, Jurnee Smollett-Bell, Chris Messina, Ella Jay Basco, Ali Wong, Ewan McGregor

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Chhorii

Vampire Owl: More of interesting horror to be unleashed?

Vampire Bat: Yes, Dybbuk was a remake from our world, and this one is remade from another language and industry.

Vampire Owl: Some good original horror is always in need.

Vampire Bat: Horror can be original only in a limited way, as it is universal.

Vampire Owl: Unless we become the one true horror.

Vampire Bat: We are never truly into horror.

Vampire Owl: So, we are not into our true nature.

Vampire Bat: The normal terrifying vampire has already been abolished.

Vampire Owl: You mean that there is no normal anymore.

Vampire Bat: Normal is not real as of now, not in our realm.

[Gets some French fries and three cups of white tea].

What is the movie about? :: A pregnant woman is chased in a sugarcane field by unknown forces, and with nowhere to go, they force her to cut their womb. Later, in a city, Sakshi (Nushrratt Bharuccha) is pregnant, and works in an NGO, and lives with her husband Hemant (Saurabh Goyal), who is in trouble for not returning a loan in time, with his business failing. His partner had also disappeared with the money. He feels that he is being stalked by people who needs the money back. She is happy with her work and regarding life in the city, but things don’t get any better with the cash which was borrowed. As people start threatening them, with Hemant even getting beaten at times, this makes the city no longer a safe choice for living. They are given twenty four hours to return the money, and make the decision to leave for their driver’s village which is located in a very remote area, and has a good number of sugarcane fields. Three hundred kilometres away, and a lot distant from civilizations, there are only five houses in the village.

So, what happens with the events to follow? :: It seems that almost nobody comes there, even by mistake. They have to walk a long way through the sugarcane fields, and after almost losing the way multiple times, reach the area which has no network coverage and almost no shop. There, they meet Bhanno Devi (Mita Vashisht), the driver’s wife, a very orthodox woman who seems to be a person completely belonging to that particular village in more than one way. Hemant leaves the place soon enough, to find a solution to their financial problems, and the two women share a bond with each other. What Sakshi doesn’t understand is that there is more than what meets the eye with the people there, as much as the supernatural. Therefore, the fight will be against the dead, the undead and the living to save her world. But is it possible for her to face such terror in a weakened state? Do they have further secrets which needs to be unveiled for her life to be saved from what seems to be doom in waiting?

The defence of Chhorii :: Chhorii adds to the list of horror movies which are part of a human infested, virus infected world, which is not less terrifying than any film which one will get to see. The atmosphere here is really good, and it is really shot here to create the perfect situation for horror. It looks scary enough during the day time, and in darkness, it is something more. Being at the middle of nowhere, with no place to go, is terrifying enough, and there is more here to add to the same. It is certainly a scarier world than the lifeless modernity or a haunted house, with or without the presence of the supernatural. The presence of the children here adds to that eerie feeling more, for we are never hopeless about the terror of some demon kids. The background story which serves as the flashback gets things to be really interesting. The film also has a social message which runs through the background and comes strong in the final moments of the film.

The claw of flaw :: The movie can feel somewhat stretched for one’s liking, as it does feel long with much of time being consumed without a lot happening. With a shorter length, this could have been much more effective, adding a certain amount of crispiness here and there. The language spoken by the villagers can also be difficult to understand, leaving us to look out for the subtitles at regular intervals. The tale could have also been more straight-forward, without leaving the mysterious elements behind. The message also arrives late, and if it had released much earlier, the effect could have been more. The stereotyping and the predictable elements are also allowed to run strong around here. The scary elements could have been more, using the atmosphere to more of an advantage – there were so many moments which could have used better scares, and combined them with the atmosphere. The present world asks for a lot more horror than the pre-Corona world, as people have changed a little too much for everyone’s liking.

The performers of the soul :: The movie is very much centered and focused on Nushrratt Bharuccha. She is very much comfortable in playing the pregnant city woman who ends up in a village, all alone. She deals with the horror genre really well, and it would be nice to see her in a similar role with city horror at some later point. As this film is a remake of a Marathi horror film which released a few years, there would be comparisons, also related to the performances – only those who watched the original can comment further on the same. We know that Mita Vasisht from different movies in the past, and this one is no exception for her, as she runs through the whole thing without holding back. Pallavi Ajay, even though silent throughout the film, makes a strong presence. Yaaneea Bharadwaj plays the one ghost whom we would like for most of the time, and there seems to be a lot of work being put in there. Rajesh Jais plays the man with a mystery to him very well. Saurabh Goyal also does more than what his character seemed to be up to, in the beginning.

How it finishes :: At a time when life is full of horror, especially with humans mostly choosing the evil paths, the requirement for horror films never ends. The one movie that we remember while watching this is the English film, In the Tall Grass, with the environment, and also about an Indonesian film, Impetigore. This movie is also a reminder of humanity’s evil side, and it tells us that humans are always more evil than ghosts, going after their selfish needs all the time. There is so much of evil being repeated in our world, and the movie, even though focuses on the crimes on women, one has to say that the Corona virus infected world has seen too much of the same being done on different unsuspecting people. The film enters the world which has lost its humanity, and repeats its own favourite mistakes – the basic idea that human beings cannot be trusted, will only find a repetition here, as ghosts do have more quality than those who walk on Earth claiming as the superior living species.

Release date: 26th November 2021 (Amazon Prime Video)
Running time: 129 minutes
Directed by: Vishal Furia
Starring: Nushrratt Bharuccha, Mita Vashisht, Pallavi Ajay, Yaaneea Bharadwaj, Rajesh Jais, Saurabh Goyal

<— Click here to go to the previous film review.

<— Click here to go to the previous horror film review.

<— Click here to go to the previous popular film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Paramedic

Vampire Owl: Another good Spanish film to watch? That sounds fair.

Vampire Bat: Well, we have always wanted to have more foreign movies to watch.

Vampire Owl: As we speak, the theatres are opening here too.

Vampire Bat: Well, the question remains – for how long?

Vampire Owl: So, you think that the next wave is coming soon.

Vampire Bat: I can already feel it to be close. One only has to wonder about the terror the virus can unleash this time.

Vampire Owl: Nobody is afraid of the Corona virus anymore.

Vampire Bat: They need to be afraid. It is a shame if they are not.

Vampire Owl: Well, people make their own strange choices these days.

Vampire Bat: Not people, just humans. All the other species are fine.

[Gets a chicken samosa and three cups of cardamom tea].

What is the movie about? :: Angel Hernandez (Mario Casas) is a paramedic who doesn’t care about his patients, and he also steals valuable items from them if he gets a chance. He is also disappointed about not having a child with his girl friend, Vanesa Francois (Deborah Francois) with whom he shares an apartment. He is also very possessive towards her, and blames her for them not having a child. But she wouldn’t care that much about the same, as she is ore interested in her work and advanced level of studies. Things get only worse when their ambulance which his colleague Ricardo (Guillermo Pfening) was driving meets with an accident, and Angel is paralyzed from waist down, leaving him on a wheel chair. This also further strains the relationship between him and Vanesa, and he begins to feel that she is cheating on him. His doubts only increase, and he also starts spying on her – when she realizes the same, she leaves him. But he still remains obssessed with her, and wouldn’t stop stalking her.

So, what happens with the events here as we just keep looking? :: Soon, he comes to know that Vanesa has also started a relationship with Ricardo. Soon, he feels that they are going to have a baby, and that further disappoints him. As he goes through his therapy, Angel is more and more concerned about the sequence of events which had occurred earlier. Therefore, he decides to take matters into his hands and calls Vanessa to come back to their apartment, and take her remaining possessions. But when she arrives, he injects him with medicines that leave her unconscious, and ties her to the bed. He also sends messages to Ricardo from her mobile phone, about her not wishing to have the baby, and that she is also not interested in continuing the relationship anymore. He also injects him with drugs so that she temporarily losses the use of her legs. Now, he has plans of them living together like this, and also raise the baby which she would have. Now, it is up to her to try to escape, and him to continue with his strange plans. The question remains about who will succeed in the end.

The defence of The Paramedic :: The Paramedic is partly a thriller and in part a drama, as we look at it. There are moments which raise the level of the movie, and it is very strong in parts, as we look at it. Some moments will be remembered, even though not fully, and the weirdness and sadness of the main character who often gets psychotic will be remembered. The tension does become stronger at times, and at times, we have some anguish and melancholy taking over, even though not at the strongest with the same. Yet, the same doesn’t reach the full potential, even when we feel that it is rising. The setting is really good, with the Spanish streets and an apartment proving as good backgrounds to the work. For a good amount of time, the movie has a certain amount of realistic feeling, and it is also simple enough, even though its characters are indeed complicated. After all, considering the times in which we live in, there are not many things which are not possible among humanity which has come down by a long way.

The claws of flaw :: The Paramedic had the chance to be something bigger, but it doesn’t use its scope to the best advantage. After the premise changes, and the quick turn of events create something for the film to use in the best possibly ways, it keeps itself back instead. In between everything that happened in the movie, we could have been able to add so many things here and there, but this one chooses to go the usual path, without adding the innovative. The movie is also too slow, and it doesn’t pick up the pace even when there was the certain chance to do so. The drag that it had in between could have been easily avoided. The ending is also not that strong enough, as we were expecting something huge happening with the climax too, but that was also not there. It could have also had some very disturbing and scary things to be added in between, and we feel that they could have arrived at many points. It could have been more fun, or with more substance, but both cases are ignored by the film which just goes on without the deviations.

Performers of the soul :: Mario Casas is solid in his role, which turns out to be a very negative one only a few minutes into the movie. He maintains the characteristics of the role throughout the run, and that does brings some unpredictability in between. Deborah Francois also comes up with a strong performance, as it is required from her here. Her character also changes, and gathers a lot of strength throughout the existence. The other characters give some support, and they are of lesser significance. It is to be noted that there are not characters whom we can call good, as most of them have a neutral vibe or the grey side in action here. We are not admirers of any of these characters, and most of us won’t even make friends out of them. Among the smaller performers who catch our attention, the first one is Maria Rodriguez Soto who has a lot of melancholy going on with her, and Guillermo Pfening who becomes a reason to keep the story going. Celso Bugallo also adds a bit there.

How it finishes :: The Paramedic was a fine opportunity to come up with something huge, but the film refuses to take that risk, and manages to provide us with the usual rather than anything else. While reading about the movie, the expectations were surely higher. For a movie which is known more as a thriller, more thrills are surely required, and with such fine performers, the film could have achieved more. With the theatres all prepared to open, one can wonder if what people would choose now, to go to the OTT platforms or go back to the theatres. I would wait in that case, and go for the movies which are still available in those platforms to watch. After all, the third wave of Corona virus might still be ready to come. You have to stay safe during these periods of time, and it has to be a thing of priority, not just for yourself, but also for the people around you. The two doses of vaccine are no guarantee for anything, and so we are supposed to continue to be as careful as we used to be in the beginning of this pandemic and during the lockdowns and quarantines.

Release date: 16th September 2020
Running time: 94 minutes
Directed by: Carles Torras
Starring: Mario Casas, Deborah Francois, Celso Bugallo, Raul Jimenez, Pol Monen, Gerard Oms, Guillermo Pfening, Maria Rodriguez Soto

<— Click here to go to the previous review.

<— Click here to go to the previous European film review.

<— Click here to go to the previous Western European film review.

<— Click here to go to the previous Spanish film review.

@ Cemetery Watch
✠ The Vampire Bat.

Black as Night

Vampire Owl: I thought this would be dark as night.

Vampire Bat: I am sure that they meant the exact same thing.

Vampire Owl: Yet, night is not black. It is just dark due to the absence of light.

Vampire Bat: I didn’t know that you were that interested in being exact.

Vampire Owl: Well, the are going to deal with the vampires. So they better be.

Vampire Bat: These are not really our type of vampires.

Vampire Owl: When they talk about real vampires, it has to be about us.

Vampire Bat: They are preferring variations these days.

Vampire Owl: Such a ridiculous human world. No wonder they have the virus.

Vampire Bat: Maybe they did create the virus. We cannot be sure.

[Gets a chicken puffs and three cups of iced tea].

What is the movie about? :: In the beginning, it is seen that a homeless man who is searching for cans is attacked by a group of three vampires who show no mercy. At the same time, in the same city of New Orleans, Shawna (Asjha Cooper), a teenage girl lives with her father Steven (Derek Roberts) and her big brother Jamal (Frankie Smith) as the mother Denise (Kenneisha Thompson) is living apart after becoming a drug addict. At the same time, there are many things going on the streets, including protests, with the distant possibility of riots too. Pedro (Frabizio Guido) who is her best friend forces her to be close to Chris (Mason Beauchamp) on whom she has a big crush, but that doesn’t seem to be a good idea, with her not being of his interest, and she also coming up against vampires who attacks her, but leaves when a car comes to the area. That leaves her scared as she feels that she would turn into a bat or a vampire. Along with the disappointment of not getting the attention of Chris after a talk, she is not afraid of noy being human anymore.

So, what happens with the events here as we just keep looking? :: In the morning, she sees that she is not affected by sunlight, unlike what she had read about. She feels that there is something vampiric about the place where her mother was staying, and when she reaches there with a doubting Pedro, they find out that Denise was bitten too. But unlike her, Denise is quick to transform into a vampire, leading to the curtains being taken off, only to have her burnt till death. As New Orleans is full of strange beliefs, and a lot of spiritual and magical stuff, she decides to get the help of some people who have some expertise in the same – the police have no idea about what has happened. Instead of going to the usual voodoo and hoodoo practitioners, they go to Granya (Abbie Gayle) who is supposed to be the great vampire expert. They still base their assumptions on vampire fiction, but they do feel that there is some idea about the same, and a sympathetic Chris also joins the team. But are they enough?

The defence of Black as Night :: We do have another addition to the vampire tales, and this does add up when we look at it that way. The first scene does add some power, and that adds the scary feeling that something interesting is surely going to happen soon enough – the film’s strength seems to be the beginning rather than the rest. The setting of New Orleans is all very good, and it keeps us interested enough, with the feeling that something could happen at any particular point. It could be suitable for the teenage audience more, like Twilight was largely successful with them, even though not with those who have traditionally liked the vampires through great works of fiction brought to us as classics from history. The ending provides us with a chance to have another sequel, and the same can keep us hoping for a better film to come later, without the extra nonsense social commentary added in between. If you are looking for one more vampire film in a world which seems to have moved away from the earlier vampire interest, this one will be a reminder.

The claws of flaw :: The emotional side is rather too weak, and we often have nothing to care about here, not just the protagonist, but also the remaining ones. There is also a lot more to care about when you are making a vampire movie – it is not like coming up with a creature movie with demons or aliens. It doesn’t have that vampire power which a movie like this should have possessed. When vampire terror should have been effectively, it does struggle to do the same, and often holds back without any particular reason. The opportunity to make this a horror comedy is not used well enough either. The movie is indeed a master in making the opportunities go missing. The chance to add some message about inequality and race in there also goes missing, and the usual good use of history in vampire works also falls flat. You cannot use social commentary where it doesn’t fit, and this one keeps pouring that at all places without success. It is also very quick to have us tired of all these things repeating, and has no big action happen unlike expectations.

Performers of the soul :: Asjha Cooper leads the way here as the leading lady, and happens to be okay in her work. Then there is also Mason Beauchamp and Frabizio Guido who seems to be leading the film together. But the one who seems to be more suitable to this situation is Abbie Gayle, with a character who is very much into the vampires. The others do have more screen time, but she seems to play the role of more relevance in comparison. The one face which seems to be somewhat familiar might be that of Keith David, who plays one of the major character really well, and so does Craig Tate, both of them being memorable people of darkness in the film. Sammy Nagi Njuguna and Tunde Laleye also have some notable roles around here, even though they are of significance only in the last moments of the film. Frankie Smith and Derek Roberts adds on with some less utilized characters, all of them seemingly reduced as the movie lasts less than one and half hours, rather too less for a film which seems to try to look back into some turbulent history – it is a shame.

How it finishes :: Here we have another vampire tale, even though the focus here is not that strong, and it is not the regular vampire thing as we usually know it. If there was better innovation, this could have been one fine vampire movie. Throughout the film, you know that vampires deserve better – films like Interview with the Vampire and Byzantium has already gone through the vampire world with class, and the Underworld series had the right vampire action. This one never really gets strong enough. Black as Night, despite seemingly having something in store, doesn’t really have the same. As we are going through the Corona virus pandemic which never seems to end, and all the natural disasters which never seems to move way, we do need some movies to fill up, and this one might do just fine for some people. After all, theatres have not opened in this part of the world yet, and you know that all the things that we are to fear will stay long enough, we have the intuition.

Release date: 1st October 2021 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Maritte Lee Go
Starring: Mason Beauchamp, Asjha Cooper, Theodus Crane, Keith David, Abbie Gayle, Frabizio Guido, Tunde Laleye, Al Mitchell, Sammy Nagi Njuguna, Andrew Penrow, Nicole Barre, Derek Roberts, Joseph Singletary, Frankie Smith, Tim J Smith, Craig Tate, Kenneisha Thompson

<— Click here to go to the previous review.

<— Click here to go to the previous English film review.

<— Click here to go to the previous Amazon Prime horror release.

@ Cemetery Watch
✠ The Vampire Bat.

Kaanekkaane

What is the movie about? :: Deputy Tahsildar Paul Mathai (Suraj Venjaramoodu) is still not out of shock after his daughter Sherin Allen Mathai (Shruti Ramachandran) died as part of a hit and run accident. He is running a case against the man who was responsible for the incident, and he reiterates the fact that he will not forgive the driver not because of the accident, but because he didn’t stop to check on her daughter, and didn’t try to take her to the hospital. Paul believes that it was this hesitation that led to the death of his daughter, as he went missing, and was not found for a long time – an earlier treatment could have saved her. Paul hopes that he will get justice for his dead daughter soon enough. His son-in-law Allen Mathai (Tovino Thomas) is now married to a woman whom he had met during one of his business trips, Sneha George (Aishwarya Lekshmi), who is also pregnant for the first time at the moment. They seem to be a happy family, and his grandson Kuttu (Master Alok Krishna) is also a happy child when he is among them.

So, what happens with the events here? :: Sneha’s father George (Prem Prakash) is concerned about Paul’s infatuation with the case, but Paul is determined to keep his eyes on the case all the time. It is then that he feels that there is something strange about Allen and Sneha, as he looks into her past. Even though Allen had introduced Sneha to him much later, and had asked him permission to marry her, he finds out that they were together much earlier, from a photo dated many months earlier. Even when he was supposed to be alone for work, he was with Sneha. He feels that Allen was cheating on Sherin for a very long time, and for both Allen and Sneha, it was a comfortable death – with Sherin out of the way, they could quickly get into a relationship. He also figures out that Allen reached the accident spot from the exact opposite direction of where he was then. He decides to find out if there is something more to the death of Sherin than what meets the eye. But as he gets closer to the same, he is not finding it easy to live with anymore.

The defence of Kaanekkaane :: If you consider the emotional side, this film is one of the strongest in that category, and there is no force that can drive it out of there – this one is an emotional thriller with class. Combining family elements and bringing the thrills is no easy task, and such emotional feeling takes some extra skill. The melancholy mood is always there, and defines the work, even before the revelations are made, and we move to the ideas of remorse and vengeance in multiple dimensions. In the end, all these lead to the message of forgiveness and the relief that lies in the same. It reaches the same by following multiple paths, and we never really feel that there is such a revelation. The emotional strength of the film grows on you, and it is at its top most level by the end. All these emotions are shown as ruling these characters. The emotional undercurrents never seem to disappear, as we keep coming back to it, like the Lake Poets to the beauty of nature and the Gothic Novelists to the dark terrors of any ancient castle.

The claws of flaw :: The emotional side often takes over long above the tale of people which is explored here. The story is basic, and we see that the pace doesn’t really pick up here at any point, and there is no attempt to focus around there. The moments before one main character’s death are not that much explored, as the first wife only gets a little less of screen space for our liking. The chance to throw in some thrills here and there has also been missed, and there too, the focus shifts to the emotional side. There is not much of colour in this film, and that should be because of its melancholy side rather than anything else. The movie could have had more advertisements before its release, even though we are seeing more of it right now. It does have a big heart, but that could be something which the people outside the film might be lacking. But when we are immersed in the emotions of the film, any problem is easily forgotten.

Performers of the soul :: Suraj Venjaramoodu leads the way here, and he comes up with another emotional performance, the kind in which he has excelled in the last few years, moving out of that comedy genre for long. As far as he is concerned, the list of fantastic performances is just too long, and my favourite has been Finals, in which he played the determined sportsman and father. The same fatherly strength can be seen here too, and the determination that he shows here, and how his character is displayed here are all, a few things to be remembered. There is a lot of melancholy that runs through his face, and we go through his pain as much as he does. His character is also as close to reality as possible, and the emotional depth of the film starts from him, is strengthened by him, and comes to a close with his own actions. Prem Prakash plays the father of the second wife, and the veteran actor has no problems with the work here.

Further performers of the soul :: Tovino Thomas also plays a different kind of character, and like he did in Luca, has a heavy emotional performance to come up with. Here, he is okay with playing the second most important character, and he once again excels without doubt. One has to wonder how well he has risen in the last few years, and last year he had Kilometers and Kilometers as well as Forensic, but this year, he has many more films to his credit. Shruti Ramachandran who was last seen in Anveshanam has rather smaller role, but we note that down too. Then we have Aishwarya Lekshmi as the leading lady in the movie, one of the best young actresses of our times, keeping the melancholy mood of the film going forward. Seen with Tovino in one of the best combinations through Maayanadhi after her debut in Njandukalude Nattil Oridavela, she is indeed the one actress whom everyone needs to watch out for, as she impresses each and every time, leaving nothing to criticize – the same is the case here.

How it finishes :: This is the movie of Suraj Venjaramoodu, Tovino Thomas and Aishwarya Lekshmi, all three coming up with splendid performances, and when we add these three to the melancholic mood which deals with themes that run through here, there is something of fine quality. The human emotions are really well portrayed through these performers, and the strong emotions are always running strong in the background. With such a strong cast, the film has no problems in portraying what it has been trying to do. It is so much multi-layered that we won’t be able to take the side of any character, and therefore we choose to travel through this journey. This is also the first Malayalam film to directly release in this particular OTT platform. Well, for every other good movie in Malayalam, we seem to have the choice of Amazon Prime Video. There is a lot more to release there in October, and that should be enough to keep the movie lovers interested even during the times of Corona virus.

Release date: 17th September 2021 (Sony LIV)
Running time: 120 minutes
Directed by: Manu Ashokan
Starring: Suraj Venjaramoodu, Tovino Thomas, Aishwarya Lekshmi, Shruti Ramachandran, Prem Prakash, Rony David, Dhanya Mary Varghese, Binu Pappu, Sruthy Jayan, Sreeja Das, Master Alok Krishna

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@ Cemetery Watch
✠ The Vampire Bat.

Kuruthi

What is the movie about? :: Ibrahim (Roshan Mathew) lives in the pain of having lost his wife (Navya Davy) and daughter (Aiza Hassan) to a devastating landslide which killed twenty four people during the heavy monsoon rains and the resulting floods in Kerala. He hopes that he would be united with his wife and daughter in heaven soon enough, while his community is blaming the United States, Israel and the North of India for their plight while trying to recover from the remains of the earlier destruction. Most of the local people including Ibrahim’s good friend Kareem (Shine Tom Chacko) has moved to an area further away from the devastated area, but two families have remained at the same place, and Sumathi (Srindaa) who lives with her brother Preman (Manikandan R Achari) at the nearest house is only happy to help them whenever required. Is then that on a usual night, the town Sub Inspector Sathyan (Murali Gopy) comes into the house with a young murderer, Vishnu (Sagar Surya) whom he hopes to protect from religious violence, as this murderer himself was part of a similar religious crowd long ago.

So, what happens with the events here? :: But for the same, he has to fight the biggest religious fundamentalist that he has ever known, Laiq (Prithviraj Sukumaran), who had already attacked the police earlier with his violent group of religious fanatics. He is also the son of the man who was earlier killed in the violence, and he seeks revenge in the name of religion, community and family, while Ibrahim finds it difficult to understand the neverending hatred in his eyes. He makes a grand entry with his friends, and knows that his prey is there. He had come back from Paris earlier after getting into trouble there, and now he only knows vengeance. Laiq gets into the house with the help of Kareem, and with another helper, they manage to outsmart the police officer, ending up stabbing him. As Ibrahim sees the violence, and takes the policeman’s gun and forces Laiq and his friends to go outside, the dying policeman makes him swear an oath on his holy book that he will protect the man at any cost. But that wouldn’t be acceptable to those who just went outside.

The defence of Kuruthi :: Thrillers have been the need of the COVID-19 times, and here, one more gets added. With just above two hours of run-time, this movie manages to go through the thrills in the darkness. What is striking about this film is that it deals with the hatred which has always existed in the mind of man, something which has spread in the minds over humanity, leading to the idea of the “other”, thriving through the world. But the characters in the film are not just motivated by the same, and are instead having their own reasons for what they are doing during the one fateful night. Due to the same, there are some unexpected twists along with those which people can guess, and we also have some very strong dialogues going on here. Some of them might be very much memorable too. The performances also fuel the film really well, and it often comes from those characters who are considered to be lesser, but with less number of characters here, they all have roles to play in what happens in an eventful night.

The claws of flaw :: There were many routes for this particular thriller to follow, and the trailer had suggested many. The film follows its own, and not every moment of the same seems to go in the right direction. It does misses many opportunities to create the elements of fear when the protagonist is locked inside the house with other characters, and when it could have done better, it tries to go without taking risks. There is also a scarcity female characters in the movie, and other than Srindaa, there is only a new face, Navya Davy in a flashback along with a child actress. It also seems to be in a hurry to finish things, rather than using the atmosphere in the best possible ways. Being caught in an area like this would have brought the chance for more thrilling and scary circumstances, but while looking at philosophy, the movie seems to forget the same. It could have done that at least with the total run-time being increased by a few minutes. Well, we know where vengeance can lead a movie when there is something more to fuel the same.

Performers of the soul :: Prithviraj Sukumaran who was last seen in Cold Case, another thriller which released in Amazon Prime Video, is once again strong, and even though menacing from the beginning, he could have shared this more with Shine Tom Chacko. The purpose seems to be more or less as adding the star value rather than getting him more to perform. The evolution of Roshan Mathew from that very small role of Adi Kapyare Kootamani and the student role of Aanandam has been a thing to remember, and the same will be much talked about after this film too. He is the protagonist in the film, and how the film moves on, depends on his actions. He has that pain in his eyes which is reflected in his actions. It is nice to see Shine Tom Chacko getting some nice roles, but as he was last seen in a smaller work in Operation Java, this is also a comparatively smaller screen-time, even though he has a presence throughout the film. Murali Gopy has a role which is quite easy for him, and even though he is there only for a short period of time, he leaves a mark with his actions and dialogue as he has always done.

Further performers of the soul :: It is also good that Srindaa is doing roles like these instead of silly stuff like Aadu and minute as well as useless things like in Sara’s, as her work was becoming more and more of clichés. Here, she is amazingly strong in her character, and she is the only female character in the whole movie’s present. After the grandeur of Kammattipaadam, we have seen very less of Manikandan R Achari when we think how much he has been capable of doing, and he contributes well too. Then, Mamukkoya in a serious role is memorable here with a touch of humour, and we have seen the same effect with so many of actors who were focusing in comic roles in the past – he also gets the best dialogues here. Sagar Surya whom we recognize from his light-hearted comic role in Thatteem Mutteem series in Mazhavil Manorama is also here, doing the serious role, which he does in a fine manner. It is nice to see such names familiar to families coming to the big screen. Naslen K Gafoor whom we remember from Thanneermathan Dinangal also has a strong role here to play, further away from the funny side which he had then, and the same is done effectively here.

How it finishes :: Kuruthi, even though feels like a full thriller, it is surely more than just that. It seems that during COVID-19 times, ideas of making a good thriller has also been worked on, really well. Along with the same, it also takes on a society which is driven by hatred rather than anything else, as people are divided on different lines here. It shows the people who acts differently under strange circumstances, and it also has a little bit of humour in between the bleak times, and that is a nice surprise. Kuruthi is indeed a film that tries to speak about how people have been divided, and it ends without hope for the future – the bleak times of our world, with its uncertainties get reflected here, and the same is done without COVID-19 being the villain. Well, you don’t need a virus to end the world, as you always have humans. If you have seen the Russian film, The Blackout, you will have an idea of what a virus really would be, if an alien was to look at Earth before planning a full-scale invasion of the planet. Well, the only war which you win with hatred, is that which the future generations will lose, and you can see the signs if you look backwards in history. Back to the present, you fight on social media, you battle on those Youtube comments like you are brain-dead. What is the point?

Release date: 11th August 2021 (Amazon Prime Video)
Running time: 122 minutes
Directed by: Manu Warrier
Starring: Prithviraj Sukumaran, Roshan Mathew, Shine Rom Chacko, Murali Gopy, Srindaa, Manikandan R Achari, Mamukkoya, Sagar Surya, Navas Vallikunnu, Naslen K Gafoor, Navya Davy, Aiza Hassan

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Demon Eye

Vampire Owl: This was the name of that artifact which the northern witches used.

Vampire Bat: You mean to say that they were in contact with the demons?

Vampire Owl: Well, aren’t they supposed to be so?

Vampire Bat: They are usually in contact with those who rise from the grave.

Vampire Owl: Well, this is just one portal away from that.

Vampire Bat: Yes, but the demons are not really the undead in any way.

Vampire Owl: You do have something against some popular demons.

Vampire Bat: No, I am not talking about those tik-tok using humans.

Vampire Owl: At least, that episode is over for now.

Vampire Bat: You should know that demons, the masters of hell are not to be treated without extreme care.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Sadie (Kate James) haven’t been in good terms with her father John (Darren Day) for a long time, and never really picks up his call, until one day, she decides to do just that. But she hears some stranhe noise from his room, and he quickly cuts the call, citing an emergency. This is the last time when Sadie sees her father, and the next thing he knows about him is that he is dead. Much to everyone’s surprise, he is supposed to have committed suicide by hanging. This forces Sadie to come back to the house, which is in a remote location, and has nobody else to take over the same. There she meets the man with whom the house keys were left with, Dan (Robert Hamilton), and Sadie feels strange to be at that house which has her old dolls and cameras being set in every room, corridor and staircase. Dan also leaves a job for her in a newspaper, passed on to her by her father who had worked there until his death.

So, what happens with the events here? :: She is immediately hired at the newspaper as a photographer, and finds Dan in an awkward position with Faye (Ellie Goffe) who is supposed to be his fiancee. Dan and Sadie get their first assignment to interview Craig (Liam Fox), a local man who is supposed to have seen The Burning Girl (Alannah Marie) – it was part of a folklore which was supposed to have become reality for some people. There is the legend of the Demon Eye that goes with it, as a girl was burned as a witch a long time ago in the name of causing a famine which she had predicted with the help of an amulet some time ago. But on the way, she sees a fire and a person standing in it, and as she tries to take a photo, the battery goes down. Even while interviewing, she gets into a fight with the man whom she was supposed to interview. She is confused about all the information she had managed to get from different people about her father who she hated. Is there a secret to be unveiled in relation to her father’s death?

The defence of Demon Eye :: We have been falling short of some interesting horror movies, and then this one comes up. It is that movie which deals with its subject in a slightly different way, and the subject itself has more than one angle to take care of. The quick scares are all there, and the most effective one is with a severed head in the bath-tub, then there are hands coming from under the bed, hellish hound kind of thing and the usual burned face with all the creepiness that it can have. The length of the movie is also less in comparison, not going to even ninety minutes, and it does make the most of it, with not having much from the dull moments there. The atmosphere is also good, with a setting in the middle of nowhere, with vast landscapes inspiring dark folktales all around. There is always something about focusing on the folklore, whether it is real or not. This setting will impress you, and with moments to remember, makes its point really well.

The claws of flaw :: Among the horror movies these days, Demon Eye is the one which is rather less known, or not known at all at this part of the world. It should have still achieved more with the premise – you know that with the title itself and also with the idea which is being explored here. Whenever there is a demon involved, you can take it further with ease. The demons might have been less scary in comparison to pandemics, but they are not yet completely out of the equation. We have so many moments which could have been something bigger, but manages to adjust with what it has, not trying to raise the bar. The effects of the low budget are there too, even though they have partially overcome that. The ending of the movie also felt a little rushed, because a horror movie like this requires something bigger, and the case of the climax is also the same. The main character also required to make more out of the situations here.

Performers of the soul :: Kate James plays the protagonist in this movie, even though IMDb hasn’t really listed here at the top, or with a photo. Even though there is some struggle in the beginning stages, she plays the character really well, and only gets better in the later stages. She is part of almost every scary scene in this movie, and the best one is that of the bath-tub with the severed head, even though more could have been done with a character like hers. Her portrayal of the troubled character who need psychiatric help from the early stages is believable, without being melodramatic. The other actors don’t seem to try too hard, but manages to hold on. She is way ahead in that case, when we look closely. The other young lady in the movie is the next person to catch our attention, even though she is not there for too long on the screen – Ellie Goffe does a very good job too. Robert Hamilton, Darren Day and Liam Fox, all of them manage just enough here.

How it finishes :: There are always some interesting horror movies of interest, if we keep checking for them. Demon Eye can be on the list too, depending on your preferences, even though you can’t expect it to do too much with its content. This is the kind of horror movie which you watch on Friday nights for some fun scares, and for that purpose, this film is successful, leaving no doubts behind. With a fine premise, from a situation in which things could have gone much worse, the movie takes itself back to make sure that as a whole, it is a pretty good work. There might be a few things left unexplained though, but through the same, it leaves the scope for a sequel, even as we are not really supposed to expect one, considering the response it had received otherwise. Do add this to your horror collection, as one more demon, this time with another witch-hunting past, will bring the entertainment to you.

Release date: 26th April 2019
Running time: 87 minutes
Directed by: Ryan Simons
Starring: Darren Day, Liam Fox, Kate James, Ellie Goffe, Jimmy Allen, Alannah Marie, Robert Hamilton

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@ Cemetery Watch
✠ The Vampire Bat.

Paradise Beach

Vampire Owl: Why does this movie remind me of your trip to Thailand?

Vampire Bat: Because this film was shot in Thailand itself.

Vampire Owl: A French film shot in Thailand, and that is a fine choice.

Vampire Bat: Still, our visit to Thailand was not to the place shown in the movie.

Vampire Owl: So, the package was not to Phuket?

Vampire Bat: No, it was a Bangkok and Pattaya package.

Vampire Owl: Well, there is not much of a difference for people who don’t know.

Vampire Bat: But we do know that it is different in many ways.

Vampire Owl: Let us watch the movie and find the differences and similarities then.

Vampire Bat: Another French movie is the deal then.

[Gets an egg puffs and three cups of iced tea].

What is the movie about? :: Six friends manage to pull of a bank heist in Paris, but one of them Medhi (Sami Bouajila) gets caught by the police in the process, and he urges them to escape. The five of them manage to leave France before being caught, and goes to Phuket in Thailand and manages to start some business with the money they had stolen, and live a happy life, while Medhi lives his life in prison for fifteen years, not telling the police anything about the others who were part of the bank heist with him. Phuket, the country’s largest island hosting one of its oldest cities, along with another thirty two smaller islands off its coast, provided some of the best sources of income through tourism by bringing so many of visitors from different parts of the world. As all of them run some kind of resort, restaurant, nightclub or pub in the city, Medhi hopes that he could finally get his share, as he comes back from prison after fifteen years of silence – the first place he visits is Phuket, and it comes as no real surprise for anyone.

So, what happens with the events here? :: Being at Phuket, his plan is to get the money and return to France, but then he has to face the big problem that there is no share left, as they have all invested money in businesses, without getting much in return – some of them have completely failed in their work and there has also been the damage done by the tsunami which it South East Asia. As he keeps asking for money, his friends begin to get frustrated, except for his brotherly figure, Hicham (Tewfik Jallab) who is married to Aom (Sonia Couling) a Thai girl with whom he has two children. At the same time, his girlfriend Julia (Melanie Doutey) comes all the way there from France, and it complicates things. With gangwars and police involvement, things get further complicated, and one has to wonder if Medhi somehow manages to get his share – but will he leave without that? What can he do to make sure that he gets that? How long can the friends remain close to each other as the case of money comes in between?

The defence of Paradise Beach :: When you know that the location is going to Phuket in Thailand, there is the certainty of some fine visuals around here, as it is the third most visited place there after Bangkok and Pattaya, as long as people from this part of the world are concerned. A trip to Thailand, Malaysia, Indonesia and Singapore has been the usual thing for almost everyone around here. With beautiful visuals, we get to the rest of the movie with a better feeling. There is also the feeling of a usual gangster movie, with problems arising over money, drugs and women in a night club. The movie does manage to keep close to the same level throughout its run, even though it is not that high a level, as we will be able to notice. There are some shooting sequences, and the other fights are also there, even though less in comparison. In the end, the movie does make sure that we are interested in visiting Thailand, especially Phuket on that particular side of the nation.

The claws of flaw :: Paradise Beach is pretty much a predictable movie as you think and look at it. There are many common things which are repeated here. It shows the same elements when showing Phuket, which reflects the idea that many people have here about Pattaya, as depicted in the foolishness of the movie, Amar Akbar Anthony. The final ending doesn’t impress that much even though we are glad that it happened to those people, and the twists which are put in there just before that, doesn’t prove to be that effective either. There is the feeling of absence here and there, which we can feel too. The idea of having dead people vanishing from group of photos is kind of dumb too, and one wonders why such a plan was being made. A better utilization of the beauty of Phuket is not there, and we don’t see the best use of the movie’s female characters either, which is disappointing, even though they have a few moments to be remembered.

Performers of the soul :: Sami Bouajila plays the main character here, as the one who goes to prison for his friends, the partners in crime. The movie does depend on him, and he doesn’t disappoint. Melanie Doutey plays Julia, his love interest. Melanie’s work is lovely, and has a certain amount of tranquility related to it, among all the possibility of violence waiting to happen. When you say Melanie, the name which comes to the mind first is that of Melanie Laurent though, another French actress, who was in Now You See Me and Enemy, catching our attention in both films. Sonia Couling as Aom is the next one to catch our attention, and she has more to do in this movie than we think she would have in the beginning. Flore Bonaventura as Tatiana also brings some good work here. Tewfik Jallab as Hicham is of importance, and has some good moments here. The others just manage to hold on there, and there is nothing special to be done as far as this movie is concerned.

How it finishes :: Paradise Beach hasn’t gathered many positive reviews with its existence, but it has to be noted that the movie is not as bad as some critics had shown it to be, for we see something in there to keep watching. We are given the feeling that it will bring something more than what we think. But if you are hoping for something special, or anything to raise its level above most of the other movies of the same kind, you are going to be disappointed. This is the kind of movie which is to be watched with lower expectations so that better results can be felt. So, watch the film, and make a visit to Phuket after all the COVID-19 pandemic problems are over. You will love the place, and the movie reflects the beauty well enough. At the same time, you would want to read reviews on movies in other languages like Spanish, Portuguese, Italian, Russian, Vietnamese and Latin which all did make fine entry into Movies of the Soul during the period of Corona Virus crisis.

Release date: 20th February 2019
Running time: 93 minutes
Directed by: Xavier Durringer
Starring: Sami Bouajila, Melanie Doutey, Tewfik Jallab, Hugo Becker, Kool Shen, Seth Gueko, Dosseh, Hache P, Hubert Kounde, Nessbeal, Bruno Lopes, Chalad Na Songkhla, Karnpitchar Ketmanee, Vithaya Pansringarm

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@ Cemetery Watch
✠ The Vampire Bat.

Furie

Vampire Owl: This surely sounds like fury with the original spelling.

Vampire Bat: There is another movie with this title in English itself.

Vampire Owl: So, you are beginning to explore other language.

Vampire Bat: Yes, this one is Vietnamese, and other languages will follow.

Vampire Owl: Does this remind you of any of your previous journeys to East Asia.

Vampire Bat: No, the journeys were to Thailand, Indonesia, Singapore and Malaysia. None of them are the same.

Vampire Owl: So, this doesn’t bring much of those memories back?

Vampire Bat: Well, those memories are not going to return. The trips have all ended with the Corona Virus.

Vampire Owl: Well, a Vietnam, Cambodia and Laos trip should happen at some point.

Vampire Bat: It might come a long time later, and that would mean many years later.

[Gets a marble cake and three cups of iced tea].

What is the movie about? :: Hai Phuong (Veronica Ngo) is a former gangster who used to belong to a powerful family in the city, but is now living in the city with her daughter Mai (Cat Vy), working as a debt collector, while she used her skills in vovinam, a Vietnamese martial arts from. With the kid’s father having died a long time ago, she is having a hard time, as both the mother and the child are harassed due to the kid being born out of wedlock, and also because the mother is a debt collector who is seen as a continuous trouble maker. Mai wishes to stop going to school and start a fish farm with her mother, so that they won’t be bullied again, not at the school and not at the market or the streets. But one day, after having a verbal fight with her daughter, Hai finds Mai being kidnapped by some men, and she follows them through road, but can only see them taking her away on a boat, and then into a transport to Ho Chi Minh City also known as Saigon.

So, what happens with the events here? :: Hai is returning to the the most populous city in Vietnam, and the capital of the former state South Vietnam after a long time, this time, not as a gangster, but as a mother looking for her daughter who was kidnapped. With no clue about where to search, she asks her former gang members to help, but they refuse help because things did undergo some change around there, and the power balance has shifted – not helping them would be the best for the safety. As he approaches the police, she finds them not good enough, but she does manage to steal the reports of some criminals who could be related to the case of missing children. Detective Luong (Phan Thanh Nhien) is in charge of the cases related to the missing children, but she just misses him. There seems to be a big international gang working behind this, and it could also have a link to her notorious past. Now, can she survive and manage to find her daughter in time?

The defence of Furie :: There is a high dose of action here, provided from the beginning to the end, without any break. All the action sequences are too good, and at the same time believable, taking the best out of the Vietnamese martial arts. We only have the realistic moves here though, with no bodies flying around like in some third-rate superstar movie that we know. We are amazed by the leading lady’s skills in performing action as well as depicting the feelings so well. There is the final action scene on a train, which has been taken in the best possible way. The emotions are also running high, and there is the raw beauty of rural Vietnam as well as the charming style of Ho Chi Minh City. We have those shots from a distance and from the heights, as we get caught in those visuals. We do manage to have a fine chase or two in between here. Furie is a thrilling ride, and we are with a mother in this one, like we were with a father in Taken and its sequels – she is also John Wick of another kind. This is a fine movie to begin your love with Vietnam.

Positives and negatives :: Furie is more or less a full martial arts movie which depends on the same to keep things interesting, taking out John Wick‘s shootout side completely. It is also a tale of redemption, but you need to like the action elements to fall in love with the movie. This is also an amazingly stylish movie, not just with the action, but also with the visuals. You can see the difference between the city and village life, enjoying the beauty of both. With a movie like this, action had to click, and it does, amazingly well, as you are kept on the edge of the seat. If you have watched the Malayalam movie Thira, you will know that it had to be thrilling, but that one never had the need for action sequences, but Furie needed it, and with a desperate mother in the main role, nails it. The chase scenes and the brutal fights will keep this one going strong. The fights are not only on the ground, but also on trains, boats and motor-bikes, as the environment also contributes to making this feel better. The flashbacks give a better idea of the story, but at times, they are redundant.

Performers of the soul :: It is Veronica Ngo who steals the show throughout this movie, with her martial arts moves. There is something that you don’t usually see with the fight scenes as long as she is around. She was there in one of the Star Wars movies, but not noticed much because it was a smaller role. The other main characters are also female, except for a police officer and some others who seem to come into picture for shorter intervals of time. Most of them are there only to get beaten up by her, as the lesser troopers of the evil side. Tran Thanh Hoa plays the antagonist, and she also has her smart moves with some nice action sequences to go with it. Phan Thanh Nhien has a few of them, and is there in a supporting role, after he comes to the picture rather late. Pham Anh Khoa has a smaller, but noticable role to play, and so does the one who plays the nurse at the hospital. The main characters in the village markets are all female too. Cat Vy who plays the daughter is also a fine child actor as proven here.

How it finishes :: Furie is a high quality movie from Vietnam, and it is the first, as well as the only Vietnamese movie which I have watched. This is the kind of movie which has you a lot interested in the movie from the beginning to the end, never wishing to take your eyes off, as you will end up missing the action. The movie was the Vietnamese entry for the Best International Feature Film at the 92nd Academy Awards. Among the foreign movies that we watch from here, this movie should have a higher status, and something above the rest of the movies from East Asia. Vietnam surely scores with that, and there is the need to focus on some more of the movies from this nation which makes some very interesting movies along with being a tourism destination that everyone should be visiting. I also had a plan to visit the place, but that didn’t work out – with the Corona Virus problem going on and on, I will have to be satisfied with what can be seen in this wonderful movie.

Release date: 22nd February 2019
Running time: 98 minutes
Directed by: Le Van Kiet
Starring: Veronica Ngo, Cat Vy, Phan Thanh Nhien, Pham Anh Khoa, Tran Thanh Hoa

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@ Cemetery Watch
✠ The Vampire Bat.

Pretham 2

What is the movie about? :: Famous mentalist John Don Bosco (Jayasurya) is spending his time in peace at Varikkasseri Mana a.k.a. Varikkumanchery Mana, one of the traditional Brahmin houses located at Manissery, a village in Ottapalam, Palakkad. Situated in an area of natural beauty in a plot of about four acres, John feels that there is something strange and mysterious about the place. With a history of popular movies being shot there including Devasuram, Aaraam Thampuran, Raappakal, Drona, Simhasanam, Sufi Paranja Katha, Thooval Kottaram, Valliettan and Manthrikan, a group of youngsters decide to come there to shoot a short-film. They are from a Facebook group known as “Cinema Pranthanmar”, which is known to be a perfect place for movie lovers from all around Kerala. This particular adventure could feed the movie lover in them more than anything else.

So, what happens with the events to follow? :: The team is lead by Tapas (Amith Chakkalakal) who comes up with this idea of having a short film. He plans to create this film, and run a premiere after inviting all the members of the group which goes into thousands. Joining him are those members whom he had never met, and used the group with their fake names; the first one to join him is the man known in the group by his fake id Mangalassery Neelakandan, Ramanandan (Sidhartha Siva) who is into hotel business in the Middle East and is a big Mohanlal fan. They are joined by Karuthamma, originally Anu (Durga Krishna) who is a nurse and Shahrukh Khan, originally Niranjana (Saniya Iyappan) who is a professional dancer. The last person to join them in Joffin (Dain Davis) who has run away from home due to personal problems with his father.

So, how does the ghost come into picture this time? :: The problem at the resort of Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), Shibu Majeed (Govind Padmasoorya) and Yeshu (Dharmajan Bolgatty) was one which haunted John for a long time, and here, with the youngsters making the short-film, more trouble arrives, and the supernatural only gets stronger. The youngsters are attacked by some strange forces and nobody seems to know what is happening. Their first guess is that it is the spirit of the person who owned and lived in the mansion, but it turns out that there is more than what meets eye at the first place. There is a connection which is making the spirit act there, and John has to begin with it and reach the end soon, before it is too late and someone gets into serious trouble. But it is not that easy, as the clues are less, and the answer to their questions are somewhere else.

The defence of Pretham 2 :: Pretham 2 is indeed a better movie than its predecessor which had too many terrible jokes, even though the final moments were nice for that one too. Pretham 2 has the advantage in almost every field including its setting and cast. The idea is also smarter here with the social media, internet, fake identity and online frauds at the centre. The messages about the possible dangers of being friends with fake ids and trusting strangers without names are all shown in this particular flick. The mystery is nicely solved here, and there is no exaggeration here with the elements of the other world – the first image of the spirit that we see is in the form of a shadow, and the creature from the other world doesn’t overdo things as the happenings would be in a usual horror movie. The thrills are strong, and there are also some nice jokes – we are left guessing with the suspense factor being very high till the end.

The claws of flaw :: Pretham 2 never really rises above most of the problems of its predecessor, as it follows too similar a path, and the spirit also follows the same pattern, as we see no attempt to deviate much. We would wonder if so many spirits are looking forward to have the mystery behind their deaths investigated. There seems to be no other plan for the people on the other side. Some jokes are just repetitive, especially the talks regarding those old Mohanlal movies. The movie could have also used more scares, as the film itself is marketed as a horror flick, and the name itself suggests the same. The movie could have surely used darkness better, and the ghostly presence itself could have done more, at least when the youngsters were alone. Pretham 2 doesn’t try to frighten people much, and that is not acceptable at a time when Hollywood is running movies like The Conjuring, The Nun, Annabelle, Insidious, Sinister and others.

The performers of the soul :: Jayasurya is back with an avatar to remember, unlike Punyalan Agarbattis 2 and Aadu 2 which struggled to live up to its predecessors with all its characters. His mentalist is a rock solid character, and this time, he is better than last time too. Saniya Iyappan, with her flexible dance moves, is a joy to watch here, and has a clear improvement in acting from her previous movie Queen, which was one of the worst collection of elements deserving not to be called a movie at all. She can certainly bring variety to the Malayalam cinema, as her skills are yet to be used in the best possible ways. Durga Krishna after Vimaanam, gets one nice role to perform, and she does that well. Dain Davis and Sidhartha Siva gets to bring the elements of fun well, even though the latter gets too much of Mohanlal dialogues from those old movies, which become too repetitive. Amith Chakalakkal is very good with his character which is rather solid.

How it finishes :: Pretham 2 holds the advantage over Thattumpurath Achuthan, Ente Ummante Peru and Odiyan for this Christmas, and by being a smart horror-mystery-comedy-thriller, it is many things in one movie. With Jayasurya at the centre as one character who has a certain iconic status, and the new faces like Saniya Iyappan who has become another name for dance, Durga Krishna in her second movie, the crowd favourite Dain Davis and others, Pretham 2 makes the Pretham franchise much better than what it was in the first movie. It also leaves a few messages about the problems due to uncontrolled use of social media by teenagers, the dangers that lie behind the fake ids in Facebook, possibilities of different kinds of frauds by online groups looking for easy money etc among others. Pretham 2 makes Christmas a lot of fun, and I wish you all a very Happy Christmas. Enjoy the holidays!

Release date: 21st December 2018
Running time: 133 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Saniya Iyappan, Durga Krishna, Dain Davis, Amith Chakalakkal, Sidhartha Siva, Sreejith Ravi, Jayaraj Warrier, Aju Varghese (cameo), Sharafudheen (cameo), Govind Padmasoorya (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Unforgettable

Vampire Owl: There is nothing unforgettable in this world.

Vampire Bat: It is not true. Some things just stay. I thought you would agree to the unforgettable nature of things.

Vampire Owl: I have been able to forget everything, and re-programme my brain with ease.

Vampire Bat: Was that part of one of the experiments by Doctor Frankenstein?

Vampire Owl: No, it is my own special skill, and no Frankenstein is required for the same.

Vampire Bat: But I know that you keep remembering Lady Death and your inability to get to her realm when needed.

Vampire Owl: Lady Death is not of past. She is more like the present.

Vampire Bat: This is exactly what I am talking about.

Vampire Owl: There is more to that particular story than what meets the eye. You should realize that better, considering how life has been. Well, it follows.

Vampire Bat: I think that you are going to write a book, considering how you have been talking about your life’s story in the last few days.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Julia Banks (Rosario Dawson) is in a new relationship with David Connover (Geoff Stults) who has only recently separated from his wife Tessa Manning (Katherine Heigl) with whom he has a child, Lily Connover (Isabella Rice). They seem to have managed very well as individuals, sharing the custody of their daughter who stays with each of them at one place after the other. Julia herself has her own little secret, with her abusive former boyfriend Michael Vargas (Simon Kassianides) getting arrested for his violence on him, and is on a restraining order, which has only few days left. To add to her fear about the same, she also has Tessa acting rather strange, seemingly intruding into their lives. Her best friend Ali (Whitney Cummings) would comfort her telling her that these are just common things in life, and is surely better than her last abusive relationship which left her with scars on her body.

So, what happens next in the movie? :: After leaving her job and city to arrive at this town, her biggest nemesis remains Tessa who keeps creating problems for her, mostly in the name of the child, and her inability to take care of the kid as she is not a mother. Scolded by her own mother Helen Manning (Cheryl Ladd) for letting go of her marriage, Tessa gets more and more angry and frustrated, deciding to teach her husband’s new lover a lesson. She searches for information on Julia and finds more than enough about her past, which is not revealed to David. She decides to use the same to her advantage, and contacts Julia’s ex-boyfriend. What follows is a series of events which involve Tessa trying to get rid of Julia, while latter somehow manages to hold on. But the question remains about how long can she evade the traps set by Tessa who seems to have everything in control.

The defence of Unforgettable :: There is the suspense associated with this one, and it keeps you engaged about what is to happen next, and how the plan works out. But above everything else, and even above the story, the movie works the best due to its two leading female actresses, Rosario Dawson and Katherine Heigl. The former shows her desperation to perfection, while the latter is more like the snow queen who has her heart made into ice, having almost no remorse over her action which would destroy lives – the selfishness that is reflected there is more than what a regular villain would bring in a movie like this. Katherine becomes what they describe by psycho barbie between two characters, and there is some terror hiding behind her eyes as she stare into her nemesis. There are some smart movies being made, but twists oppose the same, and thankfully there is no melodrama even while dealing with this kind of a theme. The one doubt left is whether we have loved the villain so much that we were wishing for her to thrive.

The claws of flaw :: There are a few moments which looks not really living up to what seemed to be planned, and we have some situations that seems to be not done well enough – the movie has its problems here and there as it brings its content. There could have been more to the flashback of the villain too, as we see how good she is even without the same. The final sequence is also strange, seemingly made to let the heroine win, and it is only fair for someone’s good side to let her be the last woman standing, and we wished otherwise, and it would have been more realistic that way. The male characters don’t really have anything interesting to do here, and we see that there was so much more of villainy that could have been brought on. There could have also been certain suspense about what was going to be done, and how worse it could become for the protagonist – the psycho barbie idea could have been twisted to the extreme limits.

How it finishes :: When you see a movie like this, there is that category which you fit this one into, and that is erotic thriller, and then there is erotic drama which has more chance to be chosen by the regular audience. This is certainly not a movie that will be memorable for a very long time with its thrills, but thanks to Katherine Heigl, this one gets raised from where it could have stayed otherwise. After watching this movie, one thing is for sure – we would want a bigger version of such evil on the screen – it is more like the purge that takes away all the bad things; we need something like this more often. When you see the negative reviews and you watch this one, you are going to be surprised by what it brings, and we know that thrillers based on relationships and home can also bring some more when you least expected them.

[Walks into the balcony with another cup of tea].

Vampire Owl: I think that this particular lady reminds me of someone.

Vampire Bat: If it is about the ex-girlfriend, it might be about Lady Death.

Vampire Owl: What meaningless thing are you talking about? She is not an ex. She is part of my present.

Vampire Bat: Don’t you know that the realm of death has stopped all connections with the vampire world? You can only be trapped in one of the worlds.

Vampire Owl: It is not possible. We are the connection between the living and the dead. We are needed.

Vampire Bat: Even the Lich Queen has been saying the same. There is no real contract regarding the same.

Vampire Owl: There is one with the Vampire Elders.

Vampire Bat: Dude, that connection no longer exists. The Vampire Elders have given up all positions of powers because they are very old.

Vampire Owl: It is absurd. A Vampire Elder rules forever.

Vampire Bat: You should read The Vampire Times at least once a week.

[Walks into the silence of darkness].

Release date: 21st April 2017
Running time: 100 minutes
Directed by: Denise Di Novi
Starring: Rosario Dawson, Katherine Heigl, Geoff Stults, Isabella Rice, Whitney Cummings, Cheryl Ladd, Simon Kassianides, Sarah Burns, Alex Quijano, Stephanie Escajeda, Kincaid Walker, Aline Elasmar, Lauren Rose Lewis, Jayson Blair, Robert Wisdom

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Resident Evil: Vendetta

Vampire Owl: I see that evil even got some vendetta to go with it.

Vampire Bat: Animated Resident Evil will make sure that there was no real final chapter with the Resident Evil franchise.

Vampire Owl: What is final with a virus outbreak and zombie infection? The same will only keep happening.

Vampire Bat: Yes, it is just that we already undead that the zombie bites are not affecting us.

Vampire Owl: What? You got bitten by a zombie? When and where?

Vampire Bat: It was exactly two years and three months ago. It was one of your zombie minions – I threw him into the sea. He is now serving as an underwater undead pirate.

Vampire Owl: Now I know that I counted it correctly; one of my minions really missing!

Vampire Bat: Yes, you are good at Mathematics. It is as evil as you are.

Vampire Owl: Do you know how difficult it is to get a good zombie minion during these times when Lich Queen controls so many of them?

Vampire Bat: Dude, even Gru has better minions for his evil plans.

[Gets three cups of cardamom tea with Hide and Seek biscuits].

What is the movie about? :: Glenn Arias (John DeMita) is the kind of person whom almost everyone is after, lead by the United States government. He is the typical death dealer with no remorse, and has nothing good in mind. He used to be an arms dealer who had his wedding ceremony bombed by the United States drones, after which only an arm of his wife in a few minutes lasting marriage, was left for him. The only two people survived that drone assualt were Maria Gomez (Cristina Vee) and Diego Gomez (Fred Tatasciore), both now working for him to teach governments and people a valuable lesson that they would never forget. For the same, it is not guns, bombs or drugs which he intends to use, as his hate goes further deep down – his idea is on biological warfare, and to avenge his terrible wedding day, he plans to go to any end.

So, what happens next? :: It is this death merchant who has Chris Redfield (Kevin Dorman) on his trail, as the one who was acting as their informer at Glenn’s organization had gone missing. As the special agents try to get into the mansion, they are welcomed by the undead as well as traps, with only Chris surviving in the end, despite being shot at by Glenn, and chased by an army of zombies which is destroyed by the reinforcements. At the same time, Rebecca Chambers (Erin Cahill) is working as a professor at a university, developing vaccines againt possible infections. Now dedicating her time for this cause only, she studies a new virus known as Animality virus or the A-virus which is more than anything which has been witnessed before. This particular virus has the ability to stay dormant inside human body, and can respond to a trigger and start spreading.

And what is to follow with this adventure? :: The facility conducting the experiments is soon attacked by a team sent by Glenn, lead by Maria. The virus is spread through the air turning everyone there into zombies, while Maria collects details of the research. Only Rebecca survives with the help of a vaccine which she had developed, and Chris arrives in time with his team to save her from the remaining undead. It is a battle that they can’t win by themselves, and for further information and support, they contact Leon S. Kennedy (Matthew Mercer) who is considered to be an expert in the matter. But they soon realize that nothing really happens without Glenn, Maria or their wide-spread well-wishers knowing, and they will have an army after them. Can the three figure out what the death merchant is planning before time runs out for them, their city, their country and humanity as well as all life on Earth?

The defence of Resident Evil: Vendetta :: Here is a boon for the Resident Evil fans who had thought that the movie franchise had ended too early with Resident Evil: The Final Chapter, as we have this animated movie to bring back a few memories from some time ago, and develop a few others. The thing about these animated versions of the games is that they are closer to those survival horror adventures on your computer or gaming device. This one, therefore becomes the movie that you didn’t watch from the series as well as the game that you didn’t play from the franchise. As this animated movie joins the list, there is a lot of action in store, and some nice animated creatures to go with it. We get to have our heroes battling an evil villain looking forward to use the zombies to end everything, and there are some stylish moments and a few good dialogues to go with it, Resident Evil style! This one makes things about not Alice as the centre of everything, but more.

The claws of flaw :: The one thing that you will notice is that the focus is all the time on certain characters, and even they were to have better moments in this one. Sometimes, you wonder if this is a collection of cutscenes coming from between the action in the games – well, that could be tried with these. The tale is also the rather predictable one with one villain and a lot of undead, which has become more of a stereotype with all being saved in the end by the heroes we know. There is also that moment of strange desire for wedding just because a girl looks like dead wife to someone – it just doesn’t suit around here surrounded by problems of life and death for people and survival or extinction for humanity. The movie has also decided not to use its big monster to its advantage from early on itself. It could have also used the shots bigger in scale, and scarier in essence to make things work more “evil” in a terrifying way.

How it finishes :: By this time, you should have understood that Resident Evil never ends – there will never be a real final chapter, and the zombies will only keep coming towards you for one eternity, and the next. It is surely a wonderful thing for us fans, as it was one game that has been with us for so long since we were playing those demo games from IT magazines – those were the days. Resident Evil is something that deserves to be part of our lives for long or for eternity, like Harry Potter is for some people, and Hunger Games or Divergent is for others. Getting itself another animated movie from Japan, Resident Evil is much more, even though there will always be a certain group of people who won’t know or prefer this – well, it is your decision, but I would go for Resident Evil, now and whenever possible, as it was a big part of my childhood.

Release date: 25th August 2016
Running time: 97 minutes
Directed by: Takanori Tsujimoto
Starring: Kevin Dorman, Matthew Mercer, Erin Cahill, Kari Wahlgren, Arif S. Kinchen, Cristina Vee, Karen Strassman, Arnie Pantoja, John DeMita, Fred Tatasciore, Jason Faunt, Jason Hightower, Mary Elizabeth McGlynn, Tony Oliver, Matthew Mercer, Alexander Polinsky

<– Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.