Tag Archives: Senthil Krishna

Bhishmar

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Vampire Owl: This sounds like a tale that comes out of the puranas.

Vampire Bat: Malayalam movies do not always have titles that match with the content.

Vampire Owl: Well, there is always at least a distant match for each movie.

Vampire Bat: We know better though, as we have known an eternity of cinema.

Vampire Owl: A wise vampire once said that there is an eternity or infinity in cinema.

Vampire Bat: Cinema is not eternal, just we are forever.

Vampire Owl: Well, some of the characters in cinema are also forever.

Vampire Bat: As people who have witnessed fall of civilizations, we cannot be sure about that.

Vampire Owl: We no longer have civilizations, as we see only nations.

Vampire Bat: There is no need for much of a time for any of these to fall. Uncle Dracula knows better.

[Gets a paneer samosa and three cups of boba tea].

What is the movie about? :: Murugan (Dhyan Sreenivasan) is a middle-aged man who is running a fruits and vegetables stall at the Kerala-Tamil Nadu border. He was in love with Gouri (Divya Pillai) whose family was running hotel business in the town, and as Murugan was supplying vegetables there, her family would not approve of the alliance. She is forcibly married off to Guru (Senthil Krishna), who is an alcoholic policeman who beats and abuses her regularly after reaching home without his senses. Murugan has remains permanently depressed as he has to see Gouri suffering right in front of him as the couple had settled down in the house right opposite to him. His friends ask him to do something about it, but Guru is that kind of a person who does not care about anyone and will not listen to any person who comes to advise him. It is revealed that Murugan and Gouri had planned to elope together on an eventful night, but he had failed to reach the location in time, leading to her family fixing the marriage on an earlier date. On the same day, another event had occurred leading to Murugan being arrested by the police.

So, what happens with the events here as we just keep looking? :: One night, he comes across a man named Aravindan (Vishnu Unnikrishnan) who is trying to jump off a bridge into a full river after failing to cause an accident. Murugan and friends try to help him by taking him with them as they feel that he would commit suicide otherwise. Aravindan tells them that he is in love with a girl from his college, Rasiya (Ammayra Goswami), and after their relationship became known her father Razzak (Santhosh Keezhattoor), the family had quickly fixed her marriage to a person she had never seen before. Now, the girl has threatened him that she will commit suicide before she is forced to marry a stranger instead of Aravindan. But Razzak will never let his daughter marry a non-Muslim, and the case of Aravindan is not even close to being a consideration for him. Murugan and friends decide to help him, but it turns out that both Razzak and Murugan got a tale which goes back to the night when the elopement plan with Gouri was scheduled. Can Murugan and friends solve the multiple problems so that everyone can leave and live happily ever after?

The defence of Bhishmar :: The movie has managed to bring a big list of actors around here without fail, and has come up with some interesting characters that they play as a suitable part of the proceedings here. Everyone seems to go through this smoothly as there is no real scope to come up with something huge. The cinematography seems to give the movie an advantage, while the music also keeps us a good level. The humour is somewhat working, and there are some moments which serves better than the rest. The contrasting style of Dhyan Sreenivasan and Vishnu Unnikrishnan works quite well in that case, especially with the comic side. When this comedy gets a little bit of romance and some emotions to be added, a family module is ready here, never really getting out of hand in the attempt. The movie also has messages about regrets and second chances, and goes against complications, keeping things simple. This has the kind of formula of feel-good which has worked some time ago in the past, and by not taking any risk, the desire to keep in the genre is once again asserted.

The claws of flaw :: The movie does not bring anything new, and follows too old a policy which has been followed with a usual feel-good tale in a small town with the hero lamenting over lost love and going on with the usual life with good friends ready to help with anything and everything. There is never that much of a scope with this one unless the movie takes some strange risks, and we know the same from the beginning itself, and despite adding a small twist in between which does not feel new, there is no attempt to go through risky terrains, which limits this movie. The humour also gets lost at times, and the feeling of danger is also lost too early. Some of the scenes seem to be prepared for convenience and not to keep the narrative strong and effective. It just takes the liberty to jump through some situations and reach the final moments. The idea of quickly solving a big problem has not done the movie much of a favour either. The slow pace and the lack of updates to an old tale can keep us worried as much as the new generation tales which has no real story or anything good – but those become blockbusters, and old style does not survive.

The performers of the soul :: Dhyan Sreenivasan who is supposed to the lead the way do the same with relative ease, and goes through the journey like nothing more needs to be done – he is just natural himself and plays the commoner without ups and downs. His Kunjiramayanam or Adi Kapyare Koottamani humour would have helped further here. Vishnu Unnikrishnan plays an interesting character with multiple shades, and as the same is not explored further, he just goes through the character’s strange mannerisms without bringing anything spectacular. There is always some humour around when he is there. Divya Pillai is very good in her character, and this is another fine character that she gets after Dheeram. One feels that she went to the background from leading roles too soon. Ammayraa Goswami is okay, but does not do much except for being unconscious, showing smiles all the time and occasional crying, with not much of an interesting dialogue for her. Senthil Krishna has a strong presence, and could have even had more, while Indrans scores heavily in just a few last minutes. Santhosh Keezhattoor and Vineeth Thattil David play the negative shades really well. Abu Salim should not have been restricted to such a small role as the setting had the options for a lot more for him here.

How it finishes :: If you are looking for a light family entertainer, this would serve the purpose, but there might be a chance that you will put a label which says outdated right here. This too old style a writing, slow pacing and some uneven screenplay cripples the movie at times, but the cast with their natural acting in a common man setting adds some humour and emotions to hide its faults. I have to say that I never saw that a movie like this was releasing in the theatres, and this one seems to have released without making that much of a noise. One cannot help thinking that too many movies are releasing these days and they are coming and going from the theatres without any warning. Even during last year, there were reports that most of the Malayalam movies are not that well no the big screen, and that only a small percentage of movies brought good revenue. Well, without some good promotion and without letting anyone other than some so-called influencers know about the release, one wonders how any movie can make people aware of its release. When a movie releases without enough hype, one wonders if it really got the attention it deserved.

Release date: 20th March 2026
Running time: 142 minutes
Directed by: East Coast Vijayan
Starring: Dhyan Sreenivasan, Vishnu Unnikrishnan, Divya Pillai as Gouri, Ammayra Goswami, Indrans, Senthil Krishna, Gibin Gopinath, Manikandan Achari, Santhosh Keezhattoor, Abu Salim, Shaju Sreedhar, Unni Lalu, Jayan Cherthala, Binu Thrikkakkara, Akhil Kavalayoor, Vineeth Thattil David, Sohan Seenulal, Vishnu Groovi, Smriti Pandey

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@ Cemetery Watch
✠ The Vampire Bat.

Sambhavam

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Vampire Owl: I have heard a lot of positive about this movie on the way back from silent hill.

Vampire Bat: This feels like a very divergent movie in comparison to others.

Vampire Owl: Yes, one of its kind, as what we understand from the opinions.

Vampire Bat: There seems to be something mysterious about this movie too.

Vampire Owl: I can feel the supernatural and science fiction at the same time.

Vampire Bat: I wonder if they will need science if the supernatural already works.

Vampire Owl: This would be one of its kind in Malayalam, I guess.

Vampire Bat: Every kind of a movie needs to begin somewhere.

Vampire Owl: So, the experimentation has started now.

Vampire Bat: And it seems like it is going the right way this time.

[Gets a red velvet cake and three cups of Ceylon tea].

What is the movie about? :: Anand (Askar Ali) is a civil police officer who had go through his early life as an orphan due to his father’s disappearance during his childhood. Many years later, he is taking charge in an area which is located close to the forest, and it is a punishment transfer to the middle of nowhere as he fell asleep on duty and did not salute a senior police officer. As he takes charge, his wife Neethu (Neethu Krishna) is pregnant, but she assures him that he can go without second thoughts as the full family is around there for her help and support. There he meets the other policemen in the station, the senior officer Ashokan (Assim Jamal) and the other officers Reji (Vineeth Kumar) and Rajamani (Senthil Krishna). Reji is an angry middle-aged man who gets upset about even small things during his duty, while Ashokan who only has a few years to retirement shows the best of maturity, with Rajamani living through some happy moments in his police life. The situation seems to be peaceful, and there seems to be no feeling of danger or crisis anywhere near the forest and village area.

So, what happens with the events here as we just keep looking? :: The joining day seems to be an uneventful one, and as Anand comes to know that Neethu had given birth to a girl child, Ashokan asks him to go home and come back later as there is nothing much to do. Everything seems to go in a usual manner until they realize that Reji has caused a problem with a group of Tamil youth from the other side of border. This is followed by them finding an injured police officer on the way, whom they take to the hospital. From the walkie-talkie used by the officer, they find out that there is another police officer who is injured and lost in the forest. With these calls from the same person keeping on asking for help, they decide to search for the missing man. They make a call to the police station on the other side of the state, but the people on the other side denies having anyone in the forests at the same time. Despite Reji not being in favour of it, they decide to go into the forest and quickly have a look. As they step in and go deep into wilderness, there seems to be too many things that they do not understand. Who all can escape from these complications?

The defence of Sambhavam Adhyayam Onnu :: Despite dealing with a difficult topic, the makers of the movie seem to have a fine idea about what it needs to achieve, and therefore the whole thing is provided to the audience without much of a complication. From the beginning itself, we are given the idea that there is something coming, and danger is always around the corner with something strange awaiting to drop in. The time-bending elements are always ready to add more too. The twists are nicely worked with, and the suspense is well-maintained and unleashed at the right moment. They mystery makes us think early enough and there is more to it than what meets the eye, revealed with enough being held for the big revelation later. The setting of forest has been used to the advantage, and the choice of statue and backstory works well to add to the overall mood. Cinematography, background score and editing, all contribute well to the overall quality of the movie. With a bigger budget, one can only wonder what can be made if there is a second movie in this particular series.

Positives and negatives :: Despite how well this has been presented, there will always be some people who do not understand the whole thing, and will remain confused forever. The emotional depth, despite being strong with the father-son bond, losses its power with the repeated idea of seeing the newborn child. There might be similarities with other movies felt at times, but with the setting and background, this serves right in its own way. There is a little bit of stretching as the same thing is repeated in the name of showing different timelines, and incidents happening multiple times, often in the same way or with differences keep us wondering. For those who do not like the basic idea, this will hurt them more. The absence of the big names seems to have hurt the movie, and some more hype during its release would have helped to make this a big name in the theatres too – the experience is something which would work really nice for the big screen with a special feeling that never ceases to leave us. Still, you see how well this is presented, and can always have some time to enjoy the same.

The performers of the soul :: Known the best for Kamuki, Askar Ali comes up with an interesting performance here in a movie which requires some work from the cast due to its shift between timelines and the weird nature of the proceedings would make it even more difficult. The emotional side of the movie is mostly associated with him more than anyone else. Assim Jamal plays a fine police officer, someone who seems to be more responsible than others, and is committed to his duty with a humane touch. From the first introduction itself, we feel that he is indeed a likable character, and maybe he deserved a full run in the movie. Vineeth Kumar plays a serious police character, but we do not see much of him and the character is easily lost in the proceedings as we do not get a character development around there. Senthil Krishna’s small role remains notable, and keeps us feeling that there would be more to him, but he does not get that much of a screen-time to work with. Sidharth Bharathan’s small role should get developed further in the next possible sequel, as it becomes very relevant and well-played with a touch of mystery. As the only relevant female character, Neethu Krishna manages a fine job with the small screen-time.

How it finishes :: Sambhavam Adhyayam Onnu comes up with an idea which is not thought about in Malayalam cinema, and this lack of thought might be more about how people would take it rather than that botheration about the budget. The combination of loops with local myths and legends works really well around here, as the cinematic experience becomes something splendid as much as new, with everything working so well, and even leaves scope for something more to come in a possible sequel – there has been some good appreciation from the audience for this movie, even though early reaction was not much; another movie should be coming around. If you enjoy time-loop mysteries, this one is worth watching for its ambition, atmosphere and that unusual premise which is added to our world in a believable manner. The combination of multiple ideas to a believable mode works really well. This is certainly a step forward for Malayalam cinema and we need to appreciate the same, for Thamma–Munjya–Stree-like folklore developement should happen more.

Release date: 6th March 2026
Running time: 129 minutes
Directed by: Jithu Satheesan Mangalathu
Starring: Askar Ali, Vineeth Kumar, Assim Jamal, Sidharth Bharatan, Senthil Krishna

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✠ The Vampire Bat.

Abraham Ozler

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What is the movie about? :: ACP Abraham Ozler (Jayaram) spends most of his time hallucinating and has sleepless nights after his wife Maneesha Ozler (Anju Kurian) along with their daughter are kidnapped and brutally murdered by a drug addict named Vineeth Ram (Arjun Ashokan), whom he had earlier apprehended in a narcotics case. Vineeth does not hesitate to reiterate the fact that he was under the influence of drugs and killed both of them. Yet, he does not reveal where he buried the bodies and keeps saying that he is not able to remember as he had a heavy dose of drugs. Ozler still continues to be in the police force even though he is not of the same strength and sanity that he used to be. Counsellor Varghese Uthup (Sai Kumar) asks him to get himself busy or the hallucination and insomnia will only get worse. It is then that a young man working in the IT field, Naveen Sivakumar (Harikrishnan) is brutally murdered in the hospital after being hit by a pick-up truck. Maya Naveen (Darshana S Nair), his wife, finds him dead in the hospital room with a note saying Happy Birthday and a note.

So, what happens with the events here as we just keep looking? :: Ozler, supported by SI Divya Sreedharan (Aryam Salim) and SI Sijo Venu (Senthil Krishna) takes over the case. They understand that this hospital was the only place where the victim would have ended up after the accident, and it was really the day on which he was born. As they start with the investigation, another man is murdered in a similar pattern in another hospital, but this time it is a thug who usually gets into fights. He is also left with a similar note where he was murdered. The third murder also takes place without delay, and this time, it is someone who runs a successful restaurant business – the hospital chosen here is different, but the pattern remains the same. The media calls the murderer by the name birthday killer, as Ozler and his team continue to search for possible answers. Whenever they seem to come very close to finding the answer, they realize that it is a dead end.

And what more is there to be seen here with a killer on the loose? :: They understand that the quotes which are given by the killer are from a Latin phrase related to medicine which could be seen in only one area in Kerala, and they reach the Kozhikode Medical College. There is also the understanding that the murders were committed by someone who had medical skills, but not someone who has been practicing regularly as asserted by Dr. Satheesh Madhavan (Anoop Menon). Everything seems to point to the medical college and a number of students there, among which Suja Jayadev (Anaswara Rajan) had committed suicide. From all of these, they find Dr. Sevi Punnoose (Jagadish) as the next potential victim, and he seems to be least bothered about it. A man who underwent surgery at the same hospital, Krishna Das (Saiju Kurup) seems to be missing, and they feel that he might have a role in the murders. But he is not a man who is capable of doing all of these, and the police officers know that death awaits more people and they have no time to waste. Can they finish the investigation in time and bring and end to this sensitive case with no more lives lost?

The defence of Abraham Ozler :: Our world of thrillers is strong, as proven by Drishyam and its powerful sequel, and Abraham Ozler gets a chance to be part of that list. This movie’s ability to keep the audience so interested and engaged from the beginning to end needs to be appreciated – it never asks for the unrealistic from its main characters either. The dark shades are used to its advantage, and the power going off becomes the foreshadowing with ease. Even with many things tried by the same director in Anjaam Pathiraa, this movie is a clear improvement from that one which had a struggling flashback and weaker ending in comparison to Abraham Ozler. The visuals are very good with a dark and gory feeling provided all the time – there are almost no moments of positivity in this one. This movie is also an improvement on the struggle for heroism that the earlier thriller Garudan seemed to possess. The background music further powers our movie here so well – it keeps us immersed in the overall mood of the film, and we are left excited all the time. The emotional side has the power to keep the interesting going too.

Positives and negatives :: The movie could have released during the Christmas holidays, and if that happened, it could have given Neru a challenge which would have helped the audience to be in a full celebration mood, but surprisingly this one backed out despite having everything to make that challenge which would mean healthy competition. This feels like the right holiday movie with all the thrills that it provides. The characters of Anju Kurian and Darshana S Nair gets too less presence in the movie, and we hope that the former can come back for more in a possible sequel. The same can be said about the big names, Sai Kumar and Anoop Menon. The extended cameo becomes the big thing in the movie, even though one would not have wanted the secret to be out too soon. A little bit of predictability comes in with the flashback, and it should not have been this long or detailed, as we have an idea about it from the present situation itself. The serial killer motive remains similar this time too.

The performers of the soul :: This movie means that Jayaram’s run without making impression in new releases have come to an end, for his last best movies were Lonappante Mamodeesa and Panchavarnathatha, both of them not having the quality to live up to the actor who made our childhood awesome. If I have to go back to a movie with him as the solo hero which I really liked, that would be a long way back in the form of Nadan which released in 2013, even though Makal did make some impact in old style. This time, he is just brilliant in this role, as we see the character of the trouble police officer safe with him, and we know that there is more to come in a possible sequel. Mammootty’s extended cameo makes the movie feel even bigger, even though the big revelation should have come only in the later stages. Anaswara Rajan shines in the flashback scenes, and there seems to be no going back for her. Arya Salim whom we remember the most from Minnal Murali, plays her police character incredibly well, and we have the best lady police officer in some time. Senthil Krishna does the same in another way, while Arjun Ashokan seems to promise to bring an even more interesting character in a possible sequel. Jagadish’s serious character once again has our attention here. Saiju Kurup scores well in between.

How it finishes :: Abraham Ozler is surely a better movie than Anjaam Pathiraa and somewhat ahead of the other thrillers like Forensic and John Luther. The last one might still have more similarities with this one than the rest, as in both cases, we have a troubled police officer tracing the murders back to medical students. Memories had the police officer who lost his wife and daughter, and could seek out the serial killer looking for vengeance, and the similarities end there, with this movie coming up with a twist in the end and setting up things for a sequel. Most people would feel that the sequel would do even better, as the film seems to end to point to its beginning, and has everyone thinking deeper. Abraham Ozler never hestitates to bring that mood of investigation with a serial killer lurking in the shadows – the feeling of danger is always there, and even when looking for revenge, there is always the indirect way of going through the same, leaving the red herrings further away. As the predictability only comes late, and with new twists to come, the movie remains engaging from the beginning to end, and we do not feel it to be long.

Release date: 11 January 2024
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayaram, Mammootty, Anoop Menon, Anaswara Rajan, Arjun Ashokan, Jagadish, Senthil Krishna, Arya Salim, Dileesh Pothan, Sai Kumar, Harikrishnan, Assim Jamal, Arjun Nandhakumar, Aneesh Gopal, Sreeram Ramachandran, Boban Alummoodan, Benyamin (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Virus

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What is the movie about? :: Kozhikode District collector Paul V Abraham (Tovino Thomas) gets an urgent call when he is about to leave home. There are a series of events that lead to the same, and most of it happens in the Kozhikode Medical Centre. A nurse named Akhila (Rima Kallingal), was taking care of a young man named Zachariah (Zakariya Mohammed), who was admitted to her hospital for fever, but is now suffering from the same symptoms. Dr. Abid Rahman (Sreenath Bhasi) is having his normal shift in the hospital as his lover and medical student Sara Yakub (Madonna Sebastian) shows signs of ending their relationship – at the same time, more and more patients are being admitted in the hospital. But the signs that some of these patients show are not natural, as the doctors figure out that something strange and unusual is coming up. It is also not limited to one or two people anymore, and there is panic.

So, what happens with the events to follow? :: The samples are sent to Manipal to be tested by the experts led by Dr Suresh Rajan (Kunchacko Boban), and it is confirmed that it is Nipah virus which has affected the patients. With no vaccination or specific treatment available for the epidemic, the only hope for the goverment is quarantine, and hope to find the source, as well as make sure that it didn’t spread to many people. The team lead by Health Minister CK Prameela (Revathi) includes the collector Paul V Abraham with Dr Smrithy (Poornima Indrajith) and Dr Annu (Parvathy) in an attempt to stop the infection from spreading. First identified in 1998 in Malaysia, the disease, in most cases has taken the lives of those who were infected. With people not related to the first patient, like Unnikrishnan (Soubin Shahir) getting infected, there are questions raised how the source could be found. Are the authorities good enough to find it?

The defence of Virus :: The movie nicely deals with a situation that Keralites, especially those from Kozhikode and Malappuram districts in the north of the state had to go through. With the virus showing its signs of return in the central area now, the case has gained further significance. One won’t fail to notice how the movie has kept itself close to reality, and how each character has been given significance, with each actor having a job to do. The movie is never dependent on one person, as there is no main character – there are only people who tries to help others, and a few others who try to survive in a world which is threatened by something new, and something deadly. The movie was a need, as the world needed to know the story, and making it a memorable one was Aashiq Abu’s duty, which he did with ease, as we have three good memories in a row, with Rani Padmini, Mayaanadhi and this one.

Positives and negatives :: The movie might feel slow at some points, but it quickly goes past the same. We are able to place ourselves in the place of the characters, and we go through their emotions with ease. The emotional strength of the movie is high, and it can even be more with different people, and their perspectives. The thrills are also there, and we keep close to the whole thing, each moment. Parts of the movie might be fictionalized, but our director surely knows where to stop that. The location is as nicely captured as the people themselves. The view from the top more or less makes us feel the city. You know what is going to happen in the end, and you want to know how we reach there, and to go through that journey, we are with the characters like never before – in creating that closeness to the characters, the director has succeeded.

The performers of the soul :: The movie has a fantastic cast, and the talent can be seen in each part of it. Parvathy comes up with another great job after Uyare, and this one has one more natural performance from her. Two of the three best movies of the year belongs to her, with the other one without her presence is Kumbalangi Nights. Tovino who was Parvathy’s co-star in Uyare had only memorable performances, with Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona giving him a continuous impressive run in Malayalam movie industry. Here, once again, he owns his role. Kunchacko Boban didn’t have that much of a great run with his previous movies, but he is right there, solid with this role of a doctor. Asif Ali continues his choice of some good movies with another emotional role. Vijay Superum Pournamiyum had provided a great beginning to the year for him. Joju George, after Joseph, continues to strike our emotions in a beautiful way.

Further performers of the soul :: Indrajith Sukumaran and Rahman has smaller, but memorable roles, especially with the former who manages to come up with some nice moments in between. It is also great to see Poornima Indrajith after such a long time, and this is a role to remember for sure – nice to see Remya Nambeeshan there too. Revathi manages to do the job of Health Minister in a believable manner. The similarity in appearance has also been achieved up to an extent. Madonna Sebastian doesn’t have much to do here, and neither does Sharafudheen. Rima Kallingal is quick to come and go, and stays in memories because of the emotional connect with the real-life character being attained. Meanwhile, Sreenath Bhasi gets a different role this time, and he manages to provide complete justice to the same. He had provided some signs of the same in the last movie, but that was a mute character – this time, he raises the bar. The roles of Jinu Joseph and Dileesh Pothan are small, but to be noted. Unnimaya Prasad and Soubin Shahir also catches our attention.

How it finishes :: Virus is already the biggest movie of the weekend, with so almost all shows being booked early. The success here lies in the fact that it shows everything in a realistic manner, never do we see those unreal heroes – we feel that almost every character in there are people like us, and therefore part of us. We can feel the pain and troubles of the characters, as well as reflect the same. As Nipah virus once again becomes a cause of concern, this becomes a thing of focus yet again. Virus is a movie that needs to be watched for how it shows the people showing their fighting spirit and their concern for others, in a battle for survival. It is also a memory of the people who lost their lives in the process, especially the nurse, Lini Puthussery who died while doing her duty. It is the same reason why this movie needs to be watched more than any other.

Release date: 7th June 2019
Running time: 152 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Kunchacko Boban, Asif Ali, Joju George, Jinu Joseph, Rahman, Soubin Shahir, Indrajith Sukumaran, Parvathy, Poornima Indrajith, Remya Nambeeshan, Revathi, Madonna Sebastian, Sreenath Bhasi, Indrans, Rima Kallingal, Dileesh Pothan, Senthil Krishna, Sharafudheen, Shebin Benson, Zakariya Mohammed, Sudheesh, Savithri Sreedharan, Darshana Rajendran, Basil Joseph, Lukman Lukku, Ann Saleem, Haris Saleem, Sajitha Madathil, Leona Lishoy, Nikhil Raveendran, Sreekanth Murali, Vettukili Prakash, Sreedevi Unni, Ambika Rao, Divya Gopinath, Unnimaya Prasad, Sundara Pandyan, Binu Pappu,Vimal Muraleedharan, Nilambur Ayisha

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@ Cemetery Watch
✠ The Vampire Bat.