Cadaver

Vampire Owl: I have got some doubt if they are talking about us.

Vampire Bat: This is surely not about the undead. You can have my assurance.

Vampire Owl: Well, dead people have no rights in the human world. So, we cannot be sure.

Vampire Bat: Such doubts that you have are usually wrong.

Vampire Owl: This is just our second Norwegian film to be watched.

Vampire Bat: Yes, the last one, Lake of Death was a good one, right?

Vampire Owl: There is something sinister about these movies. I can feel it.

Vampire Bat: You can reserve your feelings for later, after watching the film.

Vampire Owl: Yes, but I am a vampire of extreme doubt, you know that.

Vampire Bat: Yet, you remain the leader of a large vampire battalion.

[Gets a vegetable samosa and three cups of Darjeeling tea].

What is the movie about? :: One of the big Norwegian cities was hit by a nuclear disaster, and people struggling to survive with devastation all around. There is no hope for future in this post-apocalyptic situation – food is very difficult to find, and there is also no electricity. Dead bodies could be seen in different parts of the city with devastated buildings, and the climate seems to be very rough, as news about nuclear disasters, conflicts and possible world wars are everywhere. Leonora (Gitte Witt) and Jacob (Thomas Gullestad) live in this particular city with their little child, Alice (Tuva Olivia Remman). The child has regular nightmares, as they live alone in what seems to be an abandoned apartment. They understand that they cannot just hang in there with nothing left other than each other. It is then that they find out that there is a theatre play happening nearby, with a free meal. They understand that it is their chance to have some food for the family, and decides to go there at night, even though they do have some initial doubts about the same.

So, what happens with the events here as we just keep looking? :: Leonara hopes that these are the signs of things getting better, and her optimism leads them to the thaetre building – she feels that even if the meals are not enough, they could still have some fun, which the child desperately needs. Even though Alice is first refused entry, the hotel director, Mathias (Thorbjorn Harr), personally gets there and allows the child inside. The building seems to the one last thing standing tall in between all the destruction around. They are all happy to see what is like a new world for them, with a lot of food and it is more like a festival. Everyone seems starved, and they all eats as much as they want. There are other people who are also there for the first time. Mathias tells the guests that the play will be performed by using the whole hotel without curtain, seats and intermission. Everything during the night would be part of the show, with spectators given masks to wear, and the actors would be without the masks, as they move around.

And things can get only stranger in this world of chaos :: The performance starts all of a sudden, without a warning. The guests have the option to attend any performance at any part of the huge building with so many rooms and floors. Everyone keeps looking for things that would catch their interest, and there are so many different spaces without masked people. As everyone keeps walking around, soon Leonara and Jacon understand that Alice is not with them anymore. They remember seeing her just before, but now she seems lost. They keep searching for them, while others also seems to have lost people who were with them. Soon, it seems that there are no more spectactors, and all of them seems to have disappeared without trace. The show still seems to continue in the same manner, but without people. There are some strange trapdoors and creepy rooms around, while things only get more sinister as they keep moving on. It seems that we have more than what meets the eye with this particular building and the show – how dangerous is it?

The defence of Cadaver :: There seems to be so many mysteries hidden in this particular world, and after the initial introduction to the world of chaos hit by an apocalyptic world, we have a terrifying post-apocalyptic world outside, and we are then introduced into something even more frightening inside a building, that is two levels of horror unleashed without warning. The world inside is creepier than one can imagine. The structure, with its creepy corridors, rooms, paintings, darkness – this old-style building is something which will stay in our minds for a very long time. The terror that the movie brings feels much realistic than it is supposed to be, because it is more or less a reflection of humanity and the inherent evil that has led it for a long time throughout history. People have always been evil, as William Golding had shown in Lord of the Flies, a long time ago – it is the same reflection that we see here. As we look at where humanity has reached as of now, what happens in this film is only a little distant probability, for modernity has taken a part of everyone’s soul, as people go for riches above everything else.

Positives and negatives :: The film could have made itself a bigger blood and gore fest with terrifying secrets being brought to light on after the other, but it gains some remarkable ground in its current form. There were more opportunities in between, with all those strange acts being possible with this premise – the film could have used it for the better. The conclusion is pretty good, there are some moments in between that seems to stretch the movie rather than doing anything else. There is also a little bit of predictability, but we can go past that quick enough. Yet, when you are transported into this particular world, you are more or less in a mystery which seems to get thicker and thicker as time passes. When you have a horror thriller set inside a strange building which is part of a post-apocalyptic world, what can be there other than consistent scope of danger? Well, that much has been achieved really well with this particular movie which thrives on its atmosphere again and again. The idea of survival of the fittest, when applied here works remarkably well. The performances are pretty good, but that is not the focus here.

How it finishes :: This Norwegian film seems to rise above the usual horror flicks, as it rises above the genre which has depleted some of its strengths due to modernity and the lack of belief in traditions. The way in which Cadaver uses its scares should come as inspiration to Hollywood too, as one cannot always depend on The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others to do the thing, and even come up with more and more sequels, for originality matters. Cadaver is innovative enough to create something special out of an already terrifying premise, and the ability to display some extra skills to keep the audience engaged makes sure that this is one of the most effective horror flicks of these times. The atmosphere, setting, situations – all seems to come together so well. If you haven’t watched this one, you are missing the opportunity to watch a well-made horror movie making unexpected impact. This is indeed a film to stay with you even after the whole thing ends – as effective as you can expect from such a world of mystery.

Release date: 22nd October 2020
Running time: 86 minutes
Directed by: Jarand Herdal
Starring: Gitte Witt, Thomas Gullestad, Thorbjorn Harr, Tuva Olivia, Kingsford Siayor, Maria Grazia Di Meo, Jonatan Rodriguez, Trine Wiggen

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@ Cemetery Watch
✠ The Vampire Bat.

Rogue City

Vampire Owl: A rogue city is what we can call a city belonging to the werewolves.

Vampire Bat: You are classifying a whole species into rogues.

Vampire Owl: I think that this should have been done as a declaration a long time ago.

Vampire Bat: Vampire Elders have been against the same since last war.

Vampire Owl: They can say anything, as they are too old to take a strong stand.

Vampire Bat: We cannot devalue the werewolves that much.

Vampire Owl: We have done that for zombies, and so we can do the same everyone.

Vampire Bat: Well, not for the witches, for we can never do that.

Vampire Owl: Yes, I know. It is never the good time to blame a witch.

Vampire Bat: At least we get to agree on one thing in the end.

[Gets a French Naugha cake and three cups of masala tea].

What is the movie about? :: Marseille is caught in the middle of gang wars, as there is something dreadful happening at all times. There are drug deals, smuggling, murders and robberies related to these gangs, which has put a lot of pressure on the police force. A new police chief arrives, and the risk for the police force has never been this high in an already dangerous city which cannot afford mistakes from the side of cops. There are always talks about honour, honesty, courage and other qualities along with quotes from the Holy Bible and other literature, but none of these matters as there seems to be a war going on at all times, sometimes directly, and at other times, hidden for normal view. There is no love, but there is war, and everything seems to be fair in that, and one often wonders which side a person is on, or who is at risk of being killed by which gang. To this uncertain future of violence, a few people seems to be able to make some changes.

So, what happens with the events here as we just keep looking? :: Soon, there is a shoot-out at a party, and Mario Costa (Moussa Maaskri) who is in charge of the investigation fakes a report that the man whom they got in custody attacked him, and was shot dead in the process. At the same time, there are rumours about top secret information being provided to the gangsters by some corrupt police officers. The people who were killed in the shoot-out were part of an Arab gang who were trying to increase their influence among the territories of other gangs. They hope to find out what the dead man was doing in the club, and a determined officer Richard Vronski (Lannick Gautry) is determined to find out what really happened with the shooting, and he also hopes to find the rat in the police force and deal with it himself rather than waiting for the superior officers to make a move. But it seems that all of these is bigger than them, and they might be fighting something which they don’t really know that well.

The defence of Rogue City :: There seems to somewhat a realistic mode being followed in this particular movie. We have a city in France that has gangster infestation, and some of the police also takes sides, leading to so many gunfights between the sides. There is a lot of action that goes on here, and most of it is related to gunshots between police and gangsters, as well as in between them. There are also some twists related to the same being added here. It also maintains a certain amount of the dark mood here, as almost everything about this movie is grim, and that close to reality. The visuals of the city are beautiful, and even in the darker shades of the nights, they have our attention. It does remind one of some of the films set in other parts of Europe with terror awaiting in the streets. The melancholy feeling runs through here, and the same never leaves the film behind. The actors and actresses nicely get into the scheme of things.

The claws of flaw :: The film does provide the feeling of not being polished enough, and it moves on in a rather raw state. It doesn’t provide that much focus towards the thrills and twists when there was so much of chance. The film also moves in a slower pace than one would expect it to. With a shorter run-time, maybe it would have worked better, as some of the scenes and dialogues pass on as the extra thing rather than anything else. The characters that we have here are also not given that much of a depth, and some of them seems to be there to fill up the spaces more than anything else. There is surely more talent and more opportunities here to be explored. The ending is also not that satisfactory, as if all these had to come to this for no real reason. This film really needed to know where to stop, but it goes on adding something or the other, seemingly because there was the feeling that a little more is needed.

Performers of the soul :: Lannick Gautry plays the main character, and indeed the most solid one among the police officers as well as the gangsters. This is the one character who has that kind of a determination which we associate with some of the tragic heroes we have come across in our own films here too. David Belle is the most noticeable actor here, and we remember him the most in Brick Mansions where he combined forces with Paul Walker. But for some reason, his special physical discipline and fight technique of parkour is not used here – the same could have added a lot to the film, and changed the action scenes completely in a stylish manner. Barbara Opsomer is the next person to catch our attention – she is there in the background for most of the time, but has a big influence on the scheme of things as it nears the end. We remember Jean Reno the most for that funny role in The Pink Panther, and he has a solid presence here, and so does Moussa Maaskri. Jeanne Bournaud, Stanislas Merhar and Kaaris, all has something notable to leave for us.

How it finishes :: Rogue City, also known as Bronx has another crime thriller drama going on well with it possesses. It could have used its elements to create a better effect, which it doesn’t, but it remains pretty much solid and realistic during most of its run-time. For those who are interested in this genre, this will something of higher significance. After all, these are the days in which the value of human life is priced at a much lesser amount. With Corona virus on one side, and the even more lethal humans with no remorse on the other, we need movies like this one as a reminder. We had seen a different version of younger gangsters in the Italian film Piranhas, and this one is the more advanced, darker version, also resembling the Spanish film, Adios. There is no change in the basic idea that Lord of the Flies had provided us long ago though, for the inherent evil always has a big enough role to play, and people tend to move too much into the dark grey area.

Release date: 30th October 2020
Running time: 116 minutes
Directed by: Olivier Marchal
Starring: Lannick Gautry, Stanislas Merhar, Kaaris, David Belle, Patrick Catalifo, Jean Reno, Claudia Cardinale, Catherine Marchal, Erika Sainte, Barbara Opsomer, Ambre Pietri, Jeanne Bournaud, Moussa Maaskri, Francis Renaud, Gerard Lanvin, Eriq Ebouaney

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Cross the Line

Vampire Owl: Do you know that Spain has become my dream country again?

Vampire Bat: I thought that you were going to Romania.

Vampire Owl: All vampires are supposed to have some interest in Romania.

Vampire Bat: Does that lead to an interest in Spanish movies?

Vampire Owl: I don’t see why it shouldn’t.

Vampire Bat: Well, we already have some interesting Spanish favourites.

Vampire Owl: This seems to be the more critically appreciated type.

Vampire Bat: That doesn’t guarantee that this could be your type of a movie.

Vampire Owl: There is no my type of movie unless I make one.

Vampire Bat: Well, vampires don’t make movies, but do watch them.

[Gets a pineapple cake and three glasses of orange shake].

What is the movie about? :: Daniel (Mario Casas) is a shy and good-mannered man who is working at a travel agency in Barcelona. He is very much interested in his job, and loves his family consisting of his father and sister. After their father dies, Dani’s sister Laura (Elisabeth Larena) arranges a trip around the world for him from his own company, as he was the one who was taking care of their father, and might be missing the presence of their bed-ridden father. He is not really fond of the trip though, and he is not interested in changing his lifestyle either. He hopes that he can cancel the trip because there is a two week window, and therefore he just accepts the idea. It is then that he comes across a girl at a restaurant and cafe where he often spends time over a burger, and meeting this girl, Milagros (Milena Smit) changes how things would go about in his life from then. She borrows a small amount from him, and is not happy because she really wants to give it back to him.

So, what happens with the events here as some twist is coming up? :: She keeps asking him to come with her for the money despite him not wishing for it to be returned. They take a walk through the street to the place where she works. Finally, as she is a tattoo artist, decides to give him a tattoo instead. He is reluctant again, but finally decides to go for one due to her consistent persuasion. He becomes interested in her, and therefore, he continues to follow her when she asks for his company. But as he goes to her apartment, her interest in him stays only for a few minutes. Soon, things take a twist, and things are not as what he had thought they were. He would commit a murder due to the circumstances, and soon people would be after him, and it won’t be about just police looking for the murderer. These are not the circumstances which he thought he would have to go through at any point of his straightforward life, but he would have to work through it. Now his life has changed, but unlike what his sister thought, it is not for the best.

The defence of Cross the Line :: The film has managed thing nicely with less resources, and it something which we can appreciate. We can also see the beautiful colours on the screen as well as the spaces which also have that beauty about it. There is some nice music being used here, and the sound effects are really good. The film also serves as a morality tale in disguise, as it talks about what can happen when one crosses the line, hence the title being justified here. There is the side effects of what can happen when one immediately begins to trust someone, especially someone beautiful – you should always have limitations in a world like this, where things are not the same as what seem from outside. The situation of such a person is shown perfectly, without the addition of melodrama or extraordinary elements, and a change coming upon him is also visible. All these happen very quickly, and lasting only about three hours, there is no time being wasted here. It is a continuous busy ride from the beginning, even though the elements of thriller come up later only, and we stay close to the protagonist.

Positives and negatives :: Cross the Line, originally known as No Mataras, is no usual thriller, as it goes on from a drama to thriller half way, more or less like Drishyam and its remakes which changed the mood at the centre stage. So, there is that certain diversion, and some people might have wanted the mood in the beginning to continue, and others might have wanted a full thriller, but this one depends on that twist of events to make things happen. It also has no character development of others as it is completely focusing on the protagonist all the time, giving no importance to others except for in moments. It also ends too soon, and the ending could have had a certain amount of extraordinary, as this film is not something which is not scared of taking the risks. Along with that, Barcelona is among the top ten cities which I want to visit in my life, and in Western Europe, it is the first place which I wish to travel to, and I would hope that the same could be achieved some day, but after COVID-19 pandemic, you never know where you will end up.

Performers of the soul :: The performance from Mario Casas won him the Best Actor Award at the Goya Awards, Spain’s prestigious national annual film awards, and it is no surprise when we watch the film. The performance is realistic, and as far as performances from actors in foreign films are concerned, I would consider his work to be among the best, and something which should have all that appreciation. I had also loved his performance in Adios which released earlier. Along with the same, Milena Smit was also nominated for Best New Actress Award, coming very close to winning that one – when we look at her work here, even though not lasting throughout the film, is really good. She excels with her emotions, and I would love to see more of her in other movies, maybe in Hollywood too. The situations without money and clothes would seem to make her vulnerable, but it can be seen that her character dictates things even when it doesn’t seem so – a character at the strongest when dumped in a relationship, or when fully naked. Fernando Valdivielso was also nominated for Best New Actor there, and he had some good short time in the film too. Elisabeth Larena is a strong name in the film too, and in a film which is dominated by the main actor, she has her moments.

How it finishes :: The movie focuses on one character, and it has two others who are there for enough time to call them as providing support, and with these itself, the film manages to do very well. Serving as a message to what could happen if you cross the line, and also showing how much it can change a person, the film does the same very effectively. The thrilling moments of the film are supported really well by the music that runs in the background. The tension-filled atmosphere being nicely built, this is the kind of film that stays with you for the experience. With seemingly lesser budget and minimal characters, what the film has managed needs to be appreciated. One can be sure that there are many things that can be learnt from this particular film, and this one with its ending seems to taunt us to ask for a possible sequel too. Well, with films like these, it is only fair to hope for more, as it was short and we would have wished for it to go on for more.

Release date: 16th October 2020
Running time: 92 minutes
Directed by: David Victori
Starring: Mario Casas, Milena Smit, Elisabeth Larena, Javier Mula, Fernando Valdivielso, Aysha Daraaui, Javier Mula

<— Click here to go to the previous review.

<— Click here to go to the first Spanish film review here.

<— Click here to go to the first big budget Spanish film review here.

<— Click here to go to the most popular Spanish in this part of the world reviewed.

@ Cemetery Watch
✠ The Vampire Bat.

Madres

Vampire Owl: How many horror movies can one watch in a small gap of a few hours?

Vampire Bat: We vampires do not have limitations in horror.

Vampire Owl: During the Corona virus times, there should be restrictions.

Vampire Bat: Not in the case of films, for we are not watching them in theatres.

Vampire Owl: You mean to say that vampires should go back to horror.

Vampire Bat: We were always in horror. You didn’t know that?

Vampire Owl: This is not the horror that we were born into.

Vampire Bat: You should remember that all kinds of horror are connected.

Vampire Owl: Not in the watch of owls. Maybe that works for bats.

Vampire Bat: Still doing better than the Vampire Crocodile.

[Gets a choclate cake and three cups of Munnar special tea].

What is the movie about? :: In the 1970s, a Mexican-American couple are expecting their first child, and during this time period, they move from Los Angelos to a migrant farming community in the nineteen seventeens, and he would be working as a manager in a farm. The area chosen for the same is in California, and the place seems to be quite peaceful and quiet enough for the baby when it arrives. Diana (Ariana Guerra), the pregnant lady is American, while Beto (Tenoch Huerta) is Mexican, and had migrated to the United States. The small town where they move to, seems to have more of a Spanish influence too. The first person that they meet in the town is Anita (Elpidia Carrillo), who provides them with a blessing of Holy Mary, and assures them that the town can be a wonderful place to live in, much to the dismay of Diana who wonders why it is not already such a place. Beto doesn’t work much about the same.

So, what happens with the events here as we just keep looking? :: As Beto goes for work, Diana feels that there is something strange about the place, and that doubt leads her to the outhouse building near the house, and she finds a few things which might have belonged to the previous owners. She also gets locked inside, and after somehow getting out, finds a severed eye being hung on tree outside the house. Beto feels that these were not things to be worried about, as the door might have closed due to the wind and the severed eye might have been there for a very long time, and maybe it meant something for the previous owners or the locals. They also meet the locals who seems to be friendly enough, but don’t get much of information, even though they end up having more acquaintances. Still, they remains more of Beto’s friends, as he is Mexican and good at Spanish. Diana only gets more and more disoriented during her time there. She wonders if there is more than what meets the eye about the place.

The defence of Madres :: The one advantage that this film has over the others is that it really has its creepy world going strong during all times. The environment here is really good, and very much notable. An ancient curse in the background seems through run through here, and adds to the creepy atmosphere really well. Even though there seems to be something supernatural around here, we soon come to know that it is not all, and we soon face the mystery being revealed. Some of us might be able to guess the final twist, but it also has its own small changes related to the same. It also leads to a few things which really happened, and it does remind of a few things which can happen if we are not aware. It leaves the message that with or without the presence of the supernatural, the world and its people are not what we feel they are, for people will always have their hidden agenda and a good dose of hatred inside. The music here is also very much suitable for the same.

The claws of flaw :: Just like the case of The Manor, this film also has the problem of being classified completely into the category of horror, as this one is also no fully something that focuses on the scares. It could have used the horror, as well as the grand atmosphere that it possesses with the house and the town with maximum effectiveness, for these days, many horror films are on a continuous struggle to be what it really should be. It is actually not restricted to one location with scope for here, as there is a lot more in here, for the town itself has something in store at different parts. A faster movie could have dealt with all of these with better strength, but this one hesitates to pick up the pace. The movie also released without much of a hype, and not many people know about its entry into Amazon Prime Video – the title also has people confused about the language. The movie came silently, and it is still there, but not many people know about the same.

Performers of the soul :: Ariana Guera plays the one character who seems to be fully English, and she is also the upcoming mother in trouble, here she is acting as the main protagonist, as well as the centre of attraction. She achieves the same really well, as we look at the scenes here. She is not that much of a believer in the supernatural, and we see her knowing things the hard way. Tenoch Huerta gets into his role really well too. The next important character is played by Elpidia Carrillo, and you will remember her from Predator, fighting the monster with her newly discovered American allies. She has blended into this role, even though one does feel that it should have been better written. The others are just part of the usual process, and they just blend in here too. Most of these characters become relevant at some later stage of the movie, and we are not to avoid them – there is the twist about this particular mystery that awaits us later.

How it finishes :: This one has some similarities with The Manor with how it progresses, how it deviates from its genre, and how it joins different things in a building as well as with an environment that catches our attention. Instead of the old age home and the strange surroundings, this one has one home and a lonely enough world around it. As far as the whole atmosphere is concerned, and related to the progress that happens in each minute, Madres has the advantage. This is also part of the Welcome to the Blumhouse film series, just like The Manor. I would suggest this movie to those who are interested in some slow, atmospheric horror, with a strong base on ancient legends and curses, and this is not your Annabelle, The Conjuring, Insidious, Don’t Breathe and Lights Out. You just need to live through this atmosphere rather than trying to be scared at all times, for there are different things of interest here.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 83 minutes
Directed by: Ryan Zaragoza
Starring: Elpidia Carrillo, Ariana Guera, Tenoch Huerta, Jennifer Patino, Kerry Cahill, Evelyn Gonzalez, Britton Webb

<— Click here to go to the previous big hype movie released on Amazon.

@ Cemetery Watch
✠ The Vampire Bat.

Intuition

Vampire Owl: I remember having an intuition myself.

Vampire Bat: Vampires don’t have intuitions, for we have the vampire sense.

Vampire Owl: I thought that it was called the vampire instinct.

Vampire Bat: It was changed after the film, Basic Instinct released.

Vampire Owl: I didn’t find anything wrong about that movie.

Vampire Bat: Yes, but vampires used to be very prude at that time.

Vampire Owl: It was because of Doctor Frankenstein. He had his strange habits.

Vampire Bat: Well, he is creating a COVID-19 vaccine with zero side effects.

Vampire Owl: You mean to say that there can be a vaccine which works with vampires.

Vampire Bat: A vaccine among the undead has its own possibilities. We are forever, and there won’t be the need for a second dose.

[Gets a red velvet cake and three glasses of pineapple shake].

What is the movie about? :: Francisco Juanez (Joaquin Furriel) had solved a case involving a serial killer who murdered young girls just recently. The murderer had killed himself before being caught. Due to an injury caused to a police officer on duty, a new recruit, Manuela Pelari (Luisana Lopilato) is assigned to investigate the murder of a woman who was assaulted with a sharp weapon. She is considered to be a VIP case, and the police are not able to find the weapon, as Francisco joins the team. The dead woman is Gloriana Marquez (Delfina Chaves), the daughter of a business magnate with many media connections, political contacts and the support of many big businessmen, and the police needs to be very careful about this case, or things could go out of control for the department whose reputation is at stake. Their first suspect is her boyfriend who has been in a relationship with her for two years, and was also the first person to find her body. Then her best friend is also added to that list.

So, what happens with the events here? :: At the same time, the head of the police department asks Manuela to keep an eye on Francisco who hasn’t been himself since his wife died, and it seems that the man who murdered her was killed earlier, and they suspect Francisco on that particular case. Manuela doesn’t believe that he might have committed the murder, but decides to investigate anyway. At the same time, the investigation on Gloriana’s death seems to go in a complex path. More information is added to Gloriana’s life is revealed by talking to her close contacts. Manuela tries to find where Francisco happened to be, at the time when the man’s murder had taken place. At the same time, the dead man’s family hopes to have vengeance, as they are sure that it was Francisco who murdered him. They are just waiting to pounce on the police officer as soon as there is clarity on who was really responsible for the death. El Zorro (Abel Ayala), his brother is ready for blood. Minerva del Valle (Maite Lanata) confesses to the murder of Gloriana, but Francisco is not convinced, or is he?

The defence of Intuition :: This one works as an interesting investigative thriller, without any doubt at all. Everything here seems to be perfectly arranged, and there is fine quality about how things go forward. There is no exaggeration being added here, and even if this is about a strange investigation, there is so much that we feel is close to reality around here. With two murders being investigated at the same time, and with the police officer also being a suspect, this one has more to guess than what originally meets the eye. The main character also serves as a mystery all by himself. The visuals are really good, and we see the beauty of the Argentine city with some good shots, just as it shows the area outside the urban area. The background score is also very much suitable and keeps us interested. There is also more about the murders than what meets the eye, and twists are there while suspense is maintained throughout the film, making one wonder who is one which side, and how all these would be coming together. It keeps you interested in what is happening, even when things get slow.

The claws of flaw :: There are moments when it seem a little confusing, and there are more dialogues than it was needed. There was no need to complicate things beyond the need for the case itself. The pace keeps getting higher and lower, even though the pace is mostly slow. The beginning stages are also badly used, and it doesn’t have much to do with the later case, and if they couldn’t use that to their advantage, it could have been removed – a serial killer would have suited this film really well too. This kind of initial cases not that useful for plot has been seen in different movies all around the world, for example, the Malayalam film, Abrahaminte Santhathikal. All these distractions occur when the better thrillers like Memories, Forensic and Anjaam Pathira focuses on what is to follow rather than providing an introduction which seems to be of grand focus, but doesn’t come into the picture after that except for some mentions. In the end, one feels that there is some missing out on the thrilling elements which should have been there in the film.

Performances of the soul :: The performances here and very good, and that includes so many of them who are involved. Joaquin Furriel whom we know for his film, The Son, leads the way as a police officer with a mystery surrounding him, and at the same time, also makes a perfect and determined cop. There are some nice dialogues to add to the same too. Luisana Lopilato matches the same in skills, and she remains solid as the rookie police officer too. She could have been parts of similar Hollywood films at some point of time, because she has that kind of a performance delivered throughout the film. Their moments together are really good, with some moments as well as dialogues to remember. Maite Lanata plays another character who is connected to the crime, and she plays well into the mystery of the whole thing. Her interrogations have more than what seems when we look forward to find more than what meets the eye. Rafael Ferro plays the cop with his own secrets very well. Abel Ayala’s character has short stay, and so does Delfina Chaves, whose death sets things in motion here.

How it finishes :: Intuition makes it to list of interesting Spanish films to watch, especially those thrillers that we would like to watch carefully. These are the kind of thrillers which have something special about them for everyone if we look at them closer. Even with its slower pace, and some complications, it manages to be another thriller with more than one mystery to be solved. As the first Argentine original Netflix film, it does have the quality to go to the international audience. Based on the novel called La Virgen en tus Ojos in Spanish and translated as The Virgin in your Eyes, written by Florencia Etcheves, it also works as a prequel to the 2018 thriller Perdida a.k.a. Missing. As the original novel is in Spanish, the idea about the book that we can have here is minimum, but without that, we can surely enjoy the movie, and can see how it has managed to work here. When we think about Argentina, the first thing that comes to our mind is surely the Argentinian football team with Lionel Messi, and Maradona from the past, and maybe the fans should also have a look into the Spanish films from Argentina and enjoy them.

Release date: 28th May 2020
Running time: 116 minutes
Directed by: Alejandro Montiel
Starring: Luisana Lopilato, Joaquin Furriel, Rafael Ferro, Delfina Chaves, Maite Lanata, Marita Ballesteros, Juan Manuel Guilera, Sebastian Mogordo, Abel Ayala

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<— Click here to go to the most popular Spanish in this part of the world reviewed.

<— Click here to go to Chilean Spanish film review.

@ Cemetery Watch
✠ The Vampire Bat.

Nizhal

What is the movie about? :: John Baby (Kunchacko Boban), a district court judge gets into a car accident after being in a fight with rash bike rider. After the accident, he begins to see things, and when there is sunshine, he keeps seeing dark clouds and rain. His psychatrist Dr TP Basheer (Rajesh Hebbar) tells him that it is just post-traumatic stress which will be over in a few days. He is also forced to wear a mask to make sure his damaged nose wouldn’t suffer any more damage, and will stay stable. He is not able to continue with his job as he used to, and his senior, Ajith Kumar (Saiju Kurup) is doubtful about his mental status. His best friend Rajan (Rony David) and wife Shalini (Divya Prabha) helps him, as latter is also a psychologist. From Shalini, he gets to know about a boy named Nitin (Izin Hash) who had written a story of murder when teachers had told the students to do some creative writing exercise. The teachers are concerned because as a child, he was supposed to write about things less terrifying by a long way.

So, what happens with the events to follow? :: As this has him interested, he meets Sharmila (Nayanthara) the boy’s mother with the help of Shalini so that he could get rid of the feeling that something is wrong. Even though she doesn’t agree in the beginning, she lets them into their home fearing the police getting into the act. Nitin seems to be a happy little boy who lives with his mother in a luxurious flat in the middle of the city, and his only contact is Megha (Aadya Prasad), a college student who comes regularly to teach him, and is his only real friend. Nitin gets close to John easily, especially due to his mask which reminded him about Batman and Robin. Soon, things take a turn, as they understand that the murder which the boy had talked about, is something which had really happened. The body which was supposed to be hidden in the area which he mentioned actually existed, as they fnd a skeleton which was about thirty years old. Now, the boy has another story, and things begin to get serious with police involved.

The defence of Nizhal :: There is a certain amount of quality that we can witness as far as b is considered as a mystery thriller – this is the style which some of the Prithviraj movies had possessed, those belonging to the same genre. The technical department is quite strong here, and we see some fine visuals and the background score as well as the other sound effects are of top quality. The mystery is well maintained throughout the film, and there is the suspense which is not revealed that easily. The movie, as a thing of mystery has that Hollywood touch in different areas. It never lets the slowing down of the tale to hurt it, because there is the artistic quality which makes everything feel relevant and running. The first half is surely better than the second, and the interval punch is of top quality, as it is where you get your expectations to the highest point. From there, the movie travels through the safer zone in comparison.

The claws of flaw :: The climax could have surely been better, instead of seemingly taking everything towards what seemed to be a rather convenient ending – not really appropriate for a movie which had taken itself out of the comfort zone in the early stages making one feel that this was going to be something divergent beyond expectations. There are also those situations which could have been more twisted than what is seen on the screen, and moments when it could have taken a big leap. We could have also seen better reasons for what has happened on the screen, but that is also not here to be taken. The comic relief, even though is pretty good, disappears too soon, and the seriousness is not transformed into that next level as it was needed, when we see the final moments of the film. One can’t really blame that as the biggest mystery and fear has been about the Corona virus for some time now. The movie also needed better advertising because there are still people who don’t know about this one.

The performers of the soul :: Kunchako Boban has been winning with his thriller movies, from Anjaam Pathiraa to Nayattu, the first one being an investigation thriller and the second one being a survival thriller against all odds. With all these movies, it is clear that he is getting rid of that romantic hero image once again, as this works really well for him. I would expect to find many more of similar movies with him in the lead, as we see how well this has suited him. After Love Action Drama, Nayanthara makes another return to Malayalam cinema, and this time it is into another genre, even though this time, we don’t have the whole thing centered around her – there is no real romantic side to this tale, and it is indeed a positive thing in a mystery thriller based on murders. Her character is also limited in comparison, and maybe it could have had more dimensions rather than being important as the mother of child causing trouble.

Further performers of the soul :: Izin Hash who plays the kid does the usual job quite well too. Saiju Kurup does things well in a role which suits him. Lal makes an appearance in the end, and it is the kind of role, though significant, stays on for the last fifteen minutes or so. Maybe, he could have had something to do earlier in the film too, and that would have made the whole thing better. Rony David who is best remembered for Aanandam, plays a significant role here too, and Divya Prabha who were among the nurse characters in Take Off has a nice role here, as a child psychologist, which she does to perfection – another case of finding the right support cast. We also see Marimayam‘s Vinod Kovoor and Star Magic‘s Kollam Sudhi in smaller roles, and we can hope for more of them later too. Among others, Aadhya Prasad seemed to be a notable newcomer, and we can find out that the lesser roles are given to those who are suitable for the job.

How it finishes :: Nizhal is the latest in the list of those Malayalam movies which were forced out of the theatres due to the COVID-19 complete lock-down being brought on the state. It is a fine choice, as nothing reaches viewers like Amazon Prime. After Drishyam 2 became a huge success and Joji received some high level critical opinion, it was already too late for a movie like this to have its release in the OTT platform. So, finally it arrived, and one can be sure not to be disappointed with this mystery thriller, as it is more than the usual mysteries which you see everywhere. It was also nice to see parts of UC College, Aluva being included in parts of the movie – the college had its biggest appearance in Premam, but here also, we are happy to see that grand educational institution which only recently completed one hundred years since its beginning. Nizhal, as a mystery thriller wins its battle, and lets hope that we win ours against COVID-19 too. Stay safe, everyone.

Release date: 9th April 2021 (Theatre), 11th May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Appu N Bhattathiri
Starring: Kunchacko Boban, Nayanthara, Lal, Rony David, Saiju Kurup, Izin Hash, Divya Prabha, Vinod Kovoor, Aneesh Gopal, Siyad Yadu, Sadiq, Aadhya Prasad, Rajesh Hebbar, Kollam Sudhi, Sreelatha Namboothiri

<— If looking for horror genre in Amazon Prime, read this review.

@ Cemetery Watch
✠ The Vampire Bat.

Joji

What is the movie about? :: Joji Panachel (Fahadh Faasil) is the youngest son of Panachel family, an engineering drop-out who has now failed in his latest attempt in the tourism field due to the COVID-19 pandemic. Living somewhere in the isolated part of the highlands, where his father Kuttappan PK (Sunny PN) owns many acres of land around their house, Joji condemns the fact that everyone considers him as a failure. Kuttappan’s other two sons Jomon Panachel (Baburaj) and Jaison Panachel (Joji Mundakayam) fear him as much as Joji does, and the terrifying head of the family is ruthless in his attitude towards his family members. He keeps all the money to himself, and the sons are ever dependent on him. Jaison and his wife Bincy Jaison (Unnimaya Prasad) are highly obedient towards him, while Jomon also has his son Popy Panachel (Alister Alex) living with him after just recently completing the procedures of his divorce.

So, what happens with the events to follow? :: It is a world where Kuttappan maintains full control, and Jomon is a son who seems to be becoming just like his father. Joji is upset about nothing positive happening in his life, while Popy is a hopeless young boy himself. Bincy also has no hope for future, while her husband the son in the middle, Jaison has no courage to do anything that could change the sequence of events for everyone in the family. But when Kuttappan has a stroke while once again trying to show his strength in front of everyone else, the regular sequence of events is disturbed. The doctors and most family members feel that there is no comeback for him, and even the local priest Fr Kevin (Basil Joseph) believes that now only prayers can save him. But to everyone’s surprise, the 74 year old man survives death and comes back to them in a wheelchair. The fear factor is back, but now there is a chance for everyone to have a deviation here.

The defence of Joji :: Joji thrives on the realistic feeling that it generates with the thrills, something which Dileesh Pothan carries over from Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, with setting coming back to the highlands yet again. The time, from a Google search, the location seems to be more Kottayam than Idukki, and the atmosphere here is nicely set – could even serve as a lesson for anyone who makes a film based on the Koodathayi cyanide murders. This kind of a world is something that could take Malayalam cinema further, especially considering the fact that this flick is no longer limited to the local theatres, but gracing many nations of the world. The build-up is really nice, even though a little bit slow, and it has us expecting a lot to follow, considering the fact that a good number of main characters have certain secret motives. The film does make us remain suspicious at all times, even though some of those doubts are really without any reason. The camera work is excellent, and you also get to see some spectacular shots.

The claws of flaw :: The ending here is not that effective, and there we can see a big opportunity gone missing in a movie which was going to be far more efficient in divergence. One would expect one master twist in the end, but the final moments were just predictable and without the strength that such a movie needed to have. Seeing a top quality psychopath running out of ideas, and nobody stepping into take his place creates a struggle in the end. Even though there is the talk of this being an adaptation from William Shakespeare’s Macbeth, one would find that to be an unnecessary addition to the details about the movie, because the protagonist whom we see here is none like that particular character. I wouldn’t connect that Elizabethan age drama to this one because it feels like not doing justice to both – this one works separately, and could have achieved more with this premise. Also, the female character representation is too low here.

The performers of the soul :: Just like the earlier Dileesh Pothan movies which had Fahadh Faasil as the main character, this one also depends on him to bring the magic, which he does with a certain amount of ease, as he has done before in multiple occasions as part of many different movies. We can also find traces of what was seen in Kumbalangi Nights with his psychotic character that brought the twist in the end. That was a movie which should have been sent for the Oscars, and Fahadh has another performance here that follows the much appreciated self-proclaimed hero of Kumbalangi. Unnimaya Prasad is also here doing a really interesting character, someone who seems to have hidden dark shades, even though the same is not explored further. An opportunity to bring the Macbeth element with a guilt-filled Lady Macbeth is not taken here, against expectations. We had seen her most memorable role in Anjaam Paathira, and this is the next most memorable thing.

Further performers of the soul :: Baburaj’s performance in this movie serves as a big boost too, as he excels in the serious as well as the funny moments. In the end, we feel the character as a person who holds on to his own values, and the same differentiates him from others, even though he is still an alcoholic with not control over his tongue – a character nicely executed. Shammi Thilakan’s character also catches our attention, and it is also as realistic a character as we can get. Sunny PN who plays the controlling father character will also have our attention from the beginning itself. Basil Joseph’s role of the priest is a welcome addition too, even though it doesn’t directly affect the storyline. It is to be noted that the director of movies like Kunjiramayanam and Godha has played a good number of interesting roles until now. The lesser characters are also nicely added to the film, as we see them contributing really well in what seems to be nice roles for them.

How it finishes :: During the continuing time of COVID-19 pandemic, this movie has released in Amazon Prime Video, and that has been a nice idea indeed, at least for most of us who haven’t really started visiting theatres again as the cases of infections are still going up. This one is another winner for Dileesh Pothan as a director, as he scored three out of three with simple, realistic movies. I would place this movie between Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, better than the latter, but not that much of an interesting thing as the former. It seems that a pandemic like this version of mutating Corona virus has given us more thriller movies than those films with hope which were filling up the theatres before we went into that lock-down, an example being seen in Kilometers and Kilometers starring Tovino Thomas which served as a light-hearted feel-good film. We are surrounded by horror and suspense, and it is a fine change.

Release date: 7th April 2021
Running time: 155 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Unnimaya Prasad, Baburaj, Basil Joseph, Shammi Thilakan, Joji Mundakayam, Sunny PN, Alister Alex, Renjith Rajan, Dhaneesh A Balan, Renjith Gopali

<— Click here to go to the previous review.

<— Click here to go to the previous full OTT release.

<— Click here to go to the previous full TV release.

@ Cemetery Watch
✠ The Vampire Bat.

Coma

Vampire Owl: I have been in a vampire coma for quite a long time.

Vampire Bat: I am pretty sure that the coma about which they are talking about here is not the same at all.

Vampire Owl: Well, all comas are pretty much similar in nature when you look deep enough.

Vampire Bat: At least, you should understand that being in a coffin and resting is not really the coma which is supposed to be significant.

Vampire Owl: What about that case when we were attacked by the werewolves and I went into coma?

Vampire Bat: You went for rest, and you had asked for it. There was no real coma.

Vampire Owl: Well, it is quite unfair, you know, for vampires not really having real comas.

Vampire Bat: Why would you want to go on a coma? It is quite absurd.

Vampire Owl: I had placed a bet with Vampire Penguin.

Vampire Bat: I thought that you were finished with that nonsense already!

[Gets an apple cake and three cups of iced tea].

What is the movie about? :: Viktor (Rinal Mukhametov) awakens on a bed inside a strange room, and he is surprised to find that there is something wrong with the objects in the room, and as he walks out, he finds out that everything around there is weird, with people as well as the objects – the rules of gravity itself doesn’t apply there as buildings from different parts of the world also seems floating around along with the usual kind of buildings and roads. As he walks around and witnesses more strange things, he is attacked by a creature, but is saved by a group of people and he accompanies them as they run away from what seems to be monster with no real shape. The newly found friends explain to him that he should be in a coma in original life, and what they are experiencing are the memories of the people who are in coma. Building, objects, people or whatever they remember are there in this world, but in a chaotic arrangement. Whatever is not remembered, doesn’t exist there at all. The new world had picked up these memories like radio signals.

So, what happens with the events here? :: The one whom Viktor meets first is Fly (Lyubov Aksyonova) a soldier who seems to have healing skills, and explains to him on his newly found situation in between San Francisco Bridge, St. Peter’s Basilica, Burj Khalifa, Kremlin, Big Ben and others. The mixed up memories being more and more chaos to world as not much makes sense in this new world. He feels that this is all just a dream, and he would wake up from it at some point, but Fly tells him that it is not going to happen, and they are all stuck there, in the world of coma, and they are all hunted by the creatures known as reapers, which make their existence there as unsafe, until they find a new place of refuge. If they die in that particular world of coma, there would be no return to the real world for them, and they decide to play it safe. Fly feels that Viktor will play a major role in making sure about their safety, but not everyone is that confident about it.

And what more is there in this strange world which seems to have no meaning? :: The leader of the military team is Phantom (Phantom) who has developed his strength and agility, while Spirit (Polina Kuzminskaya) has developed mind power. Almost everyone out there seems to have developed some powers during their stay at the place. Yet, Viktor seems to develop none despite all the hype surrounding him, and the only thing he remembers about him is that he used to be an architect, and had a car accident which brought him into the coma. Still, they have to keep searching in different memories which have become entangled as so many people in coma have left their part in there. With reapers everywhere hunting for people who have reached this world, they are indeed running out of time. The creatures can sense them, and there is a good chance that they will be turned into one of the monsters. But they really have no option, but to try, right? Can they figure things out and finally get out of the coma, or will they meet their ends there itself?

The defence of Coma :: You will notice in the beginning itself that this is a movie which looks just fantastic, with a magnificent world with great detail. There seems to be a lot of top level work done in the designing and graphics departments. We have many areas in this movie which can make a nice wallpaper, from the simplest to the most complicated details. There are so many places which look stunning with real world mingling into the artificial. We do see a fantasy world with a remarkable, yet chaotic design. The reapers also make interesting creatures, nicely suitable for the world that they are part of. You will also come across some fine twists, and there is more than what meets the eye about this idea and the world which has been created here. Even the real world outside coma has its own charm, and the actors do a pretty good job in total. Even though Rinal Mukhametov does pretty good, the two people who catch our attention more are Lyubov Aksyonova and Anton Pampushnyy who have some fine moments even though they don’t really make the protagonists or antagonists here.

The claws of flaw :: There are many movies that this one keep reminding us about. It has the elements of dreams replaced by comas on one side, and we are into another world which feels longer even when the real life’s time is shorter in duration. The Matrix also comes to your mind, with the possibility of a chosen one, and a world being created where the impossible seems to be possible while you have logged into the coma instead of the world of the matrix code. It doesn’t really keep up to the pace maintained by those science-fiction movies from the past either. The movie also has some confusing moments, and unlike the other movies of the genre, the flashback and the explanations are not that well done – we feel that when we look for more of knowledge about the laws of that particular world. The action sequences could have also been better used, as we find the same limited, just like the horror related to those creatures who also weaken over time.

How it finishes :: Coma will be liked by the fans of science fiction who had earlier liked films like Inception which had set a different trend going with its release. Even the love for The Matrix which we have missed for a long time can trigger the interest in this movie, even though this is not that innovative as that flick which changed our idea about science fiction action a long time ago. Still, this movie might need a sequel to further develop its idea to a better state. The world does require better utilization here, because this one feels more or less like an origin story. Well, we are never really without need for some good science-fiction movies, as it is one genre for which the demand never gets too low. After all, Russia has brought us interesting science-fiction before, and most of the time, it has been about aliens. Here, we see the attempt to go divergent, seemingly inspired from some of the ideas on dreams and machine simulation.

Release date: 29th November 2019
Running time: 111 minutes
Directed by: Nikita Argunov
Starring: Rinal Mukhametov, Lyubov Aksyonova, Anton Pampushnyy, Milos Bikovic, Polina Kuzminskaya, Konstantin Lavronenko, Rostislav Gulbis, Leonid Timtsunik, Vilen Babichev, Evgeniya Karatygina, Alexey Lubchenko, Sergei Gilev, Oleg Akkuzin, Igor Sigaev, Albert Kobrovsky

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<— Click here to go to the first Norwegian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

Lake of Death

Vampire Owl: I thought that it was originally the river of death.

Vampire Bat: The river of death has already gone dry.

Vampire Owl: What about the pond of death behind the castle then?

Vampire Bat: That pond is originally something related to life and not death.

Vampire Owl: Yet, it is named the pond of death.

Vampire Bat: So, you feel that this lake might not be about death?

Vampire Owl: There is surely something strange about this movie.

Vampire Bat: This is a Norwegian movie, and the first one of the kind we are watching.

Vampire Owl: Well, the idea does seem to be pretty good when we have look from a distance.

Vampire Bat: The first movie which we watch is often too good, no matter what the language happens to be.

[Gets an orange cake and three cups of white tea].

What is the movie about? :: Lillian (Iben Akerlie) had lived the early parts of her life with her brother Bjorn (Patrick Walshe McBride), who had lost his ability to talk in the later stages of his childhood, after former had left him with nobody to take care of, as they were both orphans, The two only had a cabin in the woods for them to live, and Bjorn had lived there beside the lake for most of his life, which Lillian had left the place for the city. Bjorn had no friends in the isolated place, and used to sit near the lake doing nothing for most of his life. One day, she gets the news that her brother had drowned in the same lake, and that was shocking and depressing for her, as it was her who left him behind, deciding not to spend much time with him. Seeing her depressed state, her friends decide to accompany her to the cabin in the woods beside the lake for the last time she is going there, as she intends to sell it, and get rid of her memories forever, moving on with her life in the city.

So, what happens with the events here? :: The four friends include the beautiful Sonja (Sophia Lie) and three men, Gabriel (Jonathan Harboe), Harald ( Elias Munk) and Bernhard (Jakob Schoyen Andersen), who feels that along with helping Lillian in getting rid of her depression and the memories of the cabin, they can also have some fun in the woods, as they had heard about the beautiful lake and the lovely setting of the cabin. They reach the place and meet Kai (Ulric von der Esch), Lillian’s former lover and friend, a local guy who arranges everything for her. Sonja is quick to turn into the party mood and get into her bikini for the much needed cooling time in the lake, but with people seemingly pulled down under water and the dog going missing, something is wrong, and spoils the holiday mood for all of them. They also find breakfast already there when they wake up, and Lillian has some strange visions, as she begind sleepwalking. The five of them begin to doubt each other as well as another presence which they wonder whether is supernatural in nature.

The defence of Lake of Death :: The movie has a beautiful setting indeed, and the advantage of having such a cabin in the woods setting is that along with that natural beauty which we see at almost every point, we can also find the scope for the creepy effects, for the lake itself has a well-known history of violence happening around it as well as the cabin. There are also some fine scares to go with, and we are left with what is to happen next, even though in the beginning, the horror is not really that direct. The feeling is always there, as horror is present with creepiness wherever you look at it. We do have a few final moments under the lake, and it is beautifully shot, with the protagonist moving underneath like a fish or rather a mermaid, escaping the evil – a site to behold, just like the beauty of nature surely requiring a nymph or a wood elf of its own. There are some other interesting moments of terror which had come earlier – those which we remember include the protagonist sleepwalking through the room, her trying to get away from the bathtub, her awakening beside the lake, as well as the way she looks at other on different occasions.

The claws of flaw :: This is indeed a slow moving movie, and the lack of pace can be seen from the beginning itself. There is some inconsistency in the characters too, except for the two girls who remain the same, and they are well-defined. It does go into the usual traps, with elements which we have seen in other movies, and even those things which didn’t work in those films either. The cliches are indeed there, and most of them work as red herrings, as we move away from what we should focus on, but that too, when it comes in the end, fades away too easily – it could have been longer, especially the moments under the lake which are beautiful, but are over as we begin to get a touch of the same. The movie could have actually been more like The Cabin in the Woods, one of the best horror movies of all-time, which didn’t really get a screen in the malls around here. This Norwegian movie, for some reason, decides not to be that, or even Evil Dead – the scope was really there, as elements of old horror sneaks in so well around here.

Performers of the soul :: The movie’s spirit is entangled into Iben Akerlie who actually becomes a reflection of the atmosphere itself, and she perfectly fits into the role and setting with ease. There is something about her at all times, and we are drawn to the way she looks and acts throughout the movie, like that fairy-tale nymph who reached the world of humans all of a sudden. The way she looks at everything, from the cabin and the woods to people, as well as her simple actions give us a feeling that she is not of this world. She nicely blends into that strange girl whom nobody can easily figure out. Patrick Walshe McBride’s brotherly figure is even more weird, but we don’t really see much of him around here. Then, it is Sophia Lie who has our attention as one of those characters who are better defined than the others. As the only other female character in the movie, she is the one whom we can consider to be the sane one among the other unpredictable ones. The other actors do just the usual in a horror movie as we look at them.

How it finishes :: Lake of Death, the first Norwegian movie which I have watched, has managed to be an interesting horror movie, even though moving on at quite slow pace from the beginning itself. This could have actually worked better as a usual horror movie with this kind of an atmosphere without complicating things too much or lowering the pace rather too much. We could have had the feeling of terror always being there directly rather than bringing them in the form of strange events which don’t seem to be that much dangerous, or through those hallucinations which makes us feel not to be considered serious. Yet, this can begin your movie watching procedure in style as far as Norwegian movies are concerned, because a horror flick with such a setting is always the best option to begin with. You can go through this world of creepiness, beauty and fear, all mingled into one, and then follow up with more Norwegian horror at some other point. After all, horror is the most real thing that you can ever experience in life.

Release date: 1st November 2019
Running time: 94 minutes
Directed by: Nini Bull Robsahm
Starring: Patrick Walshe McBride, Ulric von der Esch, Iben Akerlie, Sophia Lie, Elias Munk, Jonathan Harboe, Jakob Schoyen Andersen

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@ Cemetery Watch
✠ The Vampire Bat.

Impetigore

Vampire Owl: This should be one strange case of gore.

Vampire Bat: The original title in Indonesian is rather too long.

Vampire Owl: Well, at least we get to review an Indonesian movie this time.

Vampire Bat: Yes, after that visit to Bali last year, it was needed to happen at some point.

Vampire Owl: Corona Virus did make sure that it was one final foreign trip.

Vampire Bat: Well, we are now more distant from other parts of the world than ever.

Vampire Owl: At least the human pride in their technology is now crushed.

Vampire Bat: Yes, now they know that science cannot bring them everything.

Vampire Owl: You cannot take science to attack nature, for it is too dumb an action.

Vampire Bat: Well, the vampire elders have made that clear too.

[Gets a mango cake and three cups of cardamom tea].

What is the movie about? :: Maya (Tara Basro) with her best friend, Dini (Marissa Anita), are trying to survive in a city without family or relatives to support them, as they work at expressway tolls. But they never really earns enough money to keep them going in the big city. On a fateful night, Maya is attacked by a man who had been stalking her for a long time, and as he discovers a mark on her right thigh, tells her that he should kill her to keep a curse away, but the police arrives in time and shoots the man. A few days later, the two girls leave their jobs and start a small clothes store in a corner of a market, and nobody really visits their place. The business is making them no profit at all, and they keep thinking about a way out. It is then that Maya comes up against a photo from her childhood which shows her standing with her parents in front of a big house, and she also manages to get an address at a remote village which is not in the Google Maps, but is part of the territory.

So, what happens with the events here? :: They travel all the way there, and finds out that not many people wants to go to the village area, except for one young man who charges them a lot. When they reach the village, they find the house to be locked and deserted, with nature taken over parts of it. The lack of maintenance was surely there as far as the house was concerned, but it was indeed a lot spacious inside, and it also had all the furniture there, as well as some lighting which could be used along with the option for getting some water. Yet there is something wrong with the village and the house where Maya had lived with her parents. The villagers believe that the house belonged the demons and there was a curse associated with it from a long time ago. There are also deaths happening in the village, and it seems to be children who are facing death. The two girls are afraid that if they tell the truth, it might be troublesome, and they pretend to be research students from a nearby university. But who long can they keep the lie going against terror awaiting to unleash on them?

The defence of Impetigore :: There is a talented cast which makes sure that this movie never losses its strength, and the lead Tara Basro seems to be that king of an actress who would be part of a horror movie instantly if it was in Hollywood, and Marissa Anita as well as Asmara Abigail also maintains such qualities. If you have a look at it, you will know that Indonesian movies are also superior in horror, and among the East Asian movies, you just can’t give all the credit to the Korean movies only, with the level being consistently increased with those from different languages. The atmosphere of the movie is just too good, and we feel that mystery and horror running through the stylish, abandoned, rural world. The setting is such a big advantage that you are going to get immersed in it. The visuals are really good, and you can see the environment coming up with natural beauty as well as the horror of the world that lies at almost every corner.

Positives and negatives :: As a stable mystery horror thriller, Impetigore is that kind of a movie which is difficult to find faults with, having the same level maintained for most part of it. Still, people can always find some problem with horror movies, and here also they would wonder about how the main characters are acting when facing certain terror being present all around there – but, that kind of a judgment has always been flawed in the soul itself because people are basically supposed to be like that, being evil as well as dumb whenever the emotional side takes on. The building can be considered slow, but it is more or less expected because the grandeur of terror had to rise step by step to create the best of impact. The familiar horror contents have more additions here too. The superstitions and the beliefs in curses and spells also gets a place, and it stays close to more of Indonesian style as we look at it, and we feel that it is nice to understand a different folklore. The beautiful shots along with the shadow puppetry can make some people strange with its beauty, but they add to this being one of the best shot movies of all-time.

Performers of the soul :: We do have our focus on how well Tara Basro is handling her work here as the protagonist, the grown up child who is supposed to be cursed with something which she has no clue about. Marissa Anita who plays her friend also has her moments which make a difference, and she even has a funny side here which brings a smile on the face as humour strikes against the horror which is always present. It is still a shame that we don’t see her throughout the movie, or at least until the last few moments of the tale. Faradina Mufti also has her charm in the flashbacks, and we see that added to the beauty of the visuals of the grand past. You would also love Asmara Abigail who might be the best noticed supporting character who seem not important in the beginning, but elevates the level when she gets a part to play in the final stages. Then you have Ario Bayu who has the best role of to play among the male characters in a female dominated movie, and he does very well, and so does Christine Hakim here.

How it finishes :: Among all the common horror movies in Hollywood and its lame partial adaptations in Bollywood, Impetigore stands apart. It shows how horror can be done using the local legend and after building a flashback out of possible folklore which might have always been there. A number of Malayalam movies from the past had successfully attained success with the use of local legends and myths, and Impetigore is one Indonesian movie which does the same, maybe in a more effective way than any other horror movie has done in the last few years. You are taken into the atmosphere of the movie, as you become part of that setting, which is not just strange, but also terrifying even without showing that much of horror on the screen. What is seen might be scary, but what is not seen or implied feels even scarier in this film which is also about what doesn’t meet the eye. This is the first Indonesian movie that I ever watched, and it is highly effective indeed. I am watching this movie an year after my visit to Indonesia too!

Release date: 17th October 2019
Running time: 106 minutes
Directed by: Joko Anwar
Starring: Tara Basro, Ario Bayu, Marissa Anita, Christine Hakim, Asmara Abigail, Kiki Narendra, Zidni Hakim, Faradina Mufti, Abdurrahman Arif, Muhammad Abe Baasyin, Mursiyanto, Aura Agna, Ahmad Ramadhan, Devona Queeny, Sindris Ogiska G

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@ Cemetery Watch
✠ The Vampire Bat.

Acceleration

Vampire Owl: How far can you accelerate here?

Vampire Bat: Well, the movie has a world of crime in it, and so, we can be sure that the acceleration will be related to action.

Vampire Owl: Do you think that such an acceleration will affect the plot negatively.

Vampire Bat: I am pretty sure that there will be just the usual plot.

Vampire Owl: They are not really into create a story to run beneath the action, or do they value it too?

Vampire Bat: I have read what the movie is about. It is nothing that you have heard about – we have only that tale without surprises.

Vampire Owl: So, this movie is to be watched only for the action sequences.

Vampire Bat: There could also be some thrilling moments in store.

Vampire Owl: Well, if it works with what it needs to, I have no real objection.

Vampire Bat: Let us see how it manages to work out.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Vladik Zorich (Dolph Lundgren) is one of the much feared and respected crime lords of Los Angeles. As he is double-crossed by his most trusted operative on crime, Rhona Zyocki (Natalie Burn), the man who runs many businesses including weapons, gambling, drugs and skin trafficking, decides to make her dance according to his songs. With no more risks possible in his current business, he kidnaps her only son, and with the little kid by his side, he gets the power to make her obey everything that he asks him to do, like a slave under command, the chain being attached to the child. As her son’s life is in his hands, Rhona struggles to obey Vladik’s orders, as she has to face some of the most twisted men and women in the business. But with her son’s life on the line, she will go through punches, kicks, gunshots and torture, with one goal in mind. Can Natalie do all the necessary things needed to keep her son alive, as Vladik has more plans for her? Will she and her son survive?

The defence of Acceleration :: The movie does have some nice action sequences, more related to shooting, and thanks to Natalie Burn being perfect in doing all that, Acceleration does manage to accelerate through its short run-time which is actually shorter due to the longer credit scenes, making it lasting about one hour and twenty minutes, losing another five minutes in the process. With such a low budget, they did manage to make this much, and has also managed to have some good performances from the main cast. The visuals are good too, as we look at the city which is coloured nicely in the night and with the darkness to set the mood for some action with much at stake. As the movie progresses you want to see more of Natalie on the screen, as sooner or later, this becomes all about her, the character on whom everything around here focuses on. You will have to watch it without thinking too much, and things will come together with progress.

The claws of flaw :: There are times when we feel that the writers were in a hurry to finish this movie. This is already a very short movie lasting less than one and half hours, and they don’t find it enough, as it seems from how this movie has been jumping from one scene to the other. There could have been better editing in place for sure. In the end, there is a rush, and at times, the protagonist has it easy – she beats up people easily, and escapes from bondage by herself, not really looking as if she ever had even a little trouble. You shouldn’t make things too easy in a movie like this, as the way she escapes here is just too silly, as the man who caught her and tied her up is a human trafficker and had intended to punish her hard in a way which she would remember throughout her like until she dies, but she just frees herself and simply stabs him after walking through his evil lair which is supposed to be so difficult to escape from. The movie’s twists are not interesting either – there were opportunities to add to it, but the movie doesn’t do so.

Performers of the soul :: The movie has Natalie Burn written all over it as far as performances are concerned, as she becomes the perfect action star with looks and style as much as the action sequences. With her looks, she is separated from the usual leading actress – she possesses that intensity that cannot be unmatched, and that is more or less due to her appearance, as she becomes someone we expect to beat people up, and maybe even shoot them nicely. But action surely is not her only skill, as Natalia Guslistaya, the Ukrainian model can do much more, without doubt. She was also seen in Mechanic: Resurrection, Expendables 3 and Criminal, all of them action thrillers, even though not in those main roles, and so there is a good chance that you might have missed her in those films. Dolph Lundgren was last seen in Aquaman in a significant role, and you can try finding him there, and the clue is that it is linked to Mera, the superhero’s lover underwater in the Kingdom of Atlantis. He is the one other actor worth mentioning, and the others just manage to play along at most of time.

How it finishes :: Acceleration is more or less the time-pass action movie which you can watch without spending much time thinking about. There is not much otherwise as far as this movie is concerned. There is enough in this movie to keep you interested as a crime action thriller. But escapism does get the advantage over the other things, and thus this movie is left with not much for the brain. It goes on the lines of many other action thrillers, but doesn’t use those elements of the genre to the best of advantage – but that might not have been needed considering the fact that this movie doesn’t try too hard. It lets everything go accordingly, because with Natalie Burn and Dolph Lundgren in the lead, an action thriller can go on as expected, without attempted to come with something grand. Acceleration accelerates just enough for you, and the escapist entertainment runs on that initial acceleration which is a little boosted at times.

[Gets some friench fries along with another cup of tea].

Vampire Owl: This movie could have been so much more.

Vampire Bat: Yes, they could have used the leading lady to more potential.

Vampire Owl: This is a movie which was not watched by many people, and so, not many people know about it.

Vampire Bat: She surely is perfect for an action movie, don’t you think?

Vampire Owl: Yes, but more as the lady villain rather than as the heroine.

Vampire Bat: There is no question about the fact that she looks quite lethal with the action sequences and more.

Vampire Owl: I never knew that Hollywood has such actresses custom made for such roles.

Vampire Bat: We didn’t know that there would be Corona Virus either.

Vampire Owl: There are so many things that we don’t know.

Vampire Bat: Well, knowledge doesn’t come with immortality. You have to read a lot to come up with that.

[Vanishes into the shadows behind the oak tree].

Release date: 8th November 2019
Running time: 85 minutes
Directed by: Michael Merino, Daniel Zirilli
Starring: Natalie Burn, Dolph Lundgren, Chuck Liddell, Sean Patrick Flanery, Danny Trejo, Dobromir Mashukov

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@ Cemetery Watch
✠ The Vampire Bat.

The Son

Vampire Owl: And we have another Spanish movie, but this seems different.

Vampire Bat: Yes, this one is from Argentina, and so it is not like the other movies we watched earlier, from Spain.

Vampire Owl: Okay, so just like the one Porutuguese movie on this site is from Brazil and not from Portugal.

Vampire Bat: Yes, people tend to have such confusions when someone is mentioning the language used.

Vampire Owl: So, we are seeing a rise in French, Spanish, Korean and Chinese movies in comparison to the other foreign languages.

Vampire Bat: Yes, and I don’t think that you would be surprised about the Korean ones.

Vampire Owl: It is not surprise, because Korean films have been here for a long time.

Vampire Bat: We haven’t focused on the rest, even though we should have.

Vampire Owl: Well, times have changed, and things can be different.

Vampire Bat: Yes, we can further work on watching more such movies.

[Gets an orange cake and three glasses of blackcurrant shake].

What is the movie about? :: Lorenzo (Joaquin Furriel) is a fifty year old Argentinian painter who has been trying to rebuild his life, as he hasn’t been that successful with his career or the personal side, even though there has been no doubt about his talents. Julietta (Martina Gusman), his former student and love interest is now living with his friend Renato (Luciano Caceres), while Lorenzo marries a much younger Sigrid (Heidi Toini), a Norweginian biologist doing research in Argentina, who approaches him for an experiment, and later decide to move in with him. But there is a certain amount of anxiety related to the child going on there, and Lorenzo and Sigrid seem to be going apart. Sigrid who is a biologist, wants to have the baby at home, citing the possible infections in a hosptial, and for the same, she brings a Norwegian mid-wife who assisted in her mother’s delivery a long time ago. The baby is born, but the relationship between its father and mother is strained, and there is something strange going on with both of them.

So, what happens with the events here? :: It turns out that Sigrid doesn’t go out of her room or shows the baby to anyone else. She stay inside with the baby, and she is the pediatrician with the support of the mid-wife, much to the dismay of Lorenzo who doesn’t get to spend any time with the child, even after six months. She doesn’t allow him to take the boy to the hospital which makes him further depressed. When he finally takes the child to the hospital, she files a case of domestic violence, and makes sure that he can’t come near her or the baby. After that, she asks for divorce, and tries to keep him away using anything within the law that gives her the advantage as a woman. Now, the question remains if Lorenzo can finally meet him, because he feels that the boy who is with Sigrid is not their son, but somebody else. Is it the truth or just a feeling that he has? Is there a big mystery surrounding these incidents, or is he just hallucinating, as he is a person with a long history of being an alcoholic?

The defence of The Son :: The movie surely keeps one guessing, and there is a certain amount of skill being displayed here on not letting us know exactly what is happening. We are not sure whose side we should be on, because strangest of things do happen. But there is something about her which is not usual, because it is clear that she is playing the victim card as a woman to blame her husband for fake domestic abuse and everything else. As a biologist, something strange is going on with her, and we are still left in the dark about what is going on – with that, the movie is successful. The film also deals with the possibilities that someone could make use of, as far as laws helping a particular gender, religion, race or any such category is concerned – especially in the name of helping a group which seems to be brought into submission. It also talks about how judgmental people happen to be, as far as some cases are concerned, taking only one side with the help of law. At the same time, we have the suspense and twists in there.

The claws of flaw :: The film does have a certain amount of slow pace associated with it, but it is mostly solved by the short length of the movie. The feeling of danger is also absent in this movie, as we only suspect people being possessive, or having some minute problems, and nothing more. The ending also feels rather incomplete – it leaves too much for the audience to think about, and we feel like we left that movie without watching it completely. The movie could have been closer to horror rather than the other genres, but it doesn’t try to use the horror at all. Even those movies which don’t have any such inclination will try to do that, and this one leaves the idea behind completely. We feel that there is so much more that this movie could have done, as the stage was all set, and there was something in the background trying to take over at all times. There was enough around here to bring a special ingredient into the picture, which is not really there.

Performers of the soul :: Joaquin Furriel’s performance is the one thing that elevates the movie to another level. He looks solid as the painter and the one who is in some kind of problem almost all the time. We can relate to him as he seems to face situations which make no sense for him at all, even though he does leave enough for us to doubt him too – we lie there in between. Heidi Toini is very good as she goes on looking more or less like a psychotic person of science, someone who seems to be in control of everything biological, looking at even doctors as if they are not necessary. Martina Gusman also comes up with some quality performance as she tries to help the main character – the same can be said about Luciano Caceres in a lesser way, as he is not there for that much time in comparison. Then we only have Regina Lamm who speaks only in Norwegian, and we know nothing much about that – maybe someone who knows the language will bring some light into that if required.

How it finishes :: The Son might not be the first Spanish movie on this website, but is certainly the first Argentinian film around here. Despite a certain amount of weirdness associated with this movie, The Son does have enough to keep us guessing, as we wonder what is going on here, at all times. It also reminds us that things are not usually what they seem to be, and when one takes the side of a person who is also supported also by the law in the name of gender, race, religion or anything else, you have to look deep into it because things are not always what they seem to be. As of now, all the Spanish movies which I have watched did leave me with the same feeling. It should have more to do with my choice of movies, but it has been there. After all, the Spanish Football Team is also my favourite international team, and it is also a nation which I have always wanted to visit; you can add that feeling to both Spain and Argentina – maybe, one day, very long after the Corona restrictions, I will.

Release date: 2nd May 2019
Running time: 92 minutes
Directed by: Sebastian Schindel
Starring: Joaquin Furriel, Heidi Toini, Martina Gusman, Luciano Caceres, Regina Lamm

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@ Cemetery Watch
✠ The Vampire Bat.

Kidnapping Stella

Vampire Owl: So, these people have made a movie about just one kidnapping?

Vampire Bat: You are saying that one won’t be enough?

Vampire Owl: No, I am saying that it can be like a vampire movie made out of one blood-sucking event, which won’t be enough.

Vampire Bat: It is a remake of the 2009 British thriller movie, The Disappearance of Alice Creed.

Vampire Owl: Okay, the one starring Gemma Arterton, the lady vampire from Byzantium.

Vampire Bat: The whole vampire team is indebted to her for the work in that movie.

Vampire Owl: It is my second favourite vampire movie after Interview with the Vampire.

Vampire Bat: If you add Let Me In, it could go to the third spot.

Vampire Owl: Do you realize that you haven’t reviewed a full-length German movie yet?

Vampire Bat: Yes, but there has been a short-film which left enough for us to think about.

[Gets an vancho cake and three cups of black tea].

What is the movie about? :: There is some big preparation going on with the two former convicts named Vic (Clemens Schick) and Tom (Max von der Groeben) getting something ready inside a building, just before they get prepared to commit some crime. Stella (Jella Haase), the only child of a wealthy businessman is their target, as they hope to become rich with the money of her father. This act and the resulting ransom is supposed to make sure that they won’t have to go to work for a long time. For this, they come up with some very careful planning, and leave no chance for them to escape, as they undress her and keeps her in a red tracksuit, blindfold her, tie her to a bed, and keeps her in a soundproof room, with no chance for her to even move more than al ittle. To conceal their identities, the two also wear masks while talking to her. There is a certain amount of risk involved with her knowing their identities, because she is pregnant with Tom’s child, as they were in love some time ago.

So, what happens with the events here? :: Stella tries hard to escape from her bondage, but there is no positive result for those attempts, as far as she is concerned. Tom does have a soft corner for her as he comes to know that she is pregnant only at a later moment when they threaten to cut off one of her fingers in front of the camera, while making a video which is to be shown to her father so that he would finally agree to give the ransom money to them. But the problem here is that during one of those vulnerable moments, she finds out that one of the kidnappers is Tom, and almost manages to overpower him to get hold of the gun. But Tom handles that situation as well as a few others which follow. Soon, Vic starts to have some doubts about Tom and Stella, as he is no longer the person whom he met in the prison – he is not sure if Tom can be trusted either. Now, it is to be seen how the two manage to keep the situation going. Can they get the money, or will the girl end up being dead? What will be the priority for Tom now, as he knows that she is pregnant with his child?

The defence of Kidnapping Stella :: You will notice that Kidnapping Stella, just like The Disappearance of Alice Creed and its earlier remake Reckless, doesn’t waste its time in getting into action. There are a few minutes when nobody talks about anything, and then we are quickly into the action when the girl is kidnapped and tied up without any chance to escape even from the bed where she is tied up. We do not have any subplot to take the focus away from the main thing, and even though there is a possibility of some flashback, we never really go towards it. You do have some twists, even though not used to the full effectiveness. A kidnapping scenario is also shown without any pretensions, and without showing it as someone who is locked in a random room giving them an easy journey throughout the abduction. The kidnapping programme is quite a solid one, and even though becoming only the third version of the same tale, you have to appreciate them doing this situation well enough here along with maintaining the thrills.

The claws of flaw :: If you have watched The Disappearance of Alice Creed or its Dutch remake, there is nothing much that you can find here to keep you interested, because you have seen all these in more critically appreciated movies, and the performers who have gained better applause not just in one film, but also many others. This movie also doesn’t seem to have gathered that much of an attention or appreciation as those movies which released much earlier. This one is also quite slow at parts, and for a movie which doesn’t have that much of a run-time, it is definitely a strange thing, no matter how you look at it. The movie could have used some more intense moments to make things feel better. As most of the movie is set within a small area, there was scope to bring more. When you have a film with kidnap as the main thing or rather the only thing, you would expect that something else would be there to be taken. There is always the chance for improvement as far as remakes are concerned, but we doubt if that chance was even thought about here.

Performers of the soul :: One cannot deny the fact that this movie misses someone like Gemma Arterton who has been one class actress in different roles, the best of them that we remember being Byzantium, the highly underrated and under-watched vampire movie coming from the director of the highly appreciated Interview with the Vampire. We can only guess that it would have been a fantastic performance. Jella Haase is pretty much okay as the kidnapped girl, but she doesn’t seem to raise that bar that much. The two kidnappers are actually very good though, and Clemens Schick as Vic, the tougher one comes up with a work that will make us attached to the situation here. Max von der Groeben as Tom, the guy who is caught between two sides also have our attention – he wants to do more than one thing, as there is the need to save his former lover and their unborn baby along with getting all that money from her father. There is no other character here, and these three makes the performers list fully.

How it finishes :: The movie originates from The Disappearance of Alice Creed, a 2009 British movie, which also had another remake in the form a Dutch movie named Reckless. From the reviews which we have read about this version here might be the film with the lowest rating, while the other two movies seem to be quite ahead. But for most of us who haven’t watched those two movies because we never really had much of an experience with Dutch movies and as the British movie was released a long time ago, Kidnapping Stella is going to be an interesting experience. There are enough thrills around there, and it surely feels more than the usual hostage movie. Matching The Disappearance of Alice Creed was always going to be a tough task, as it had Gemma Arterton who has been in all kinds of movies with all the glory, a performer who is difficult to match. You are free to watch all the three versions in different European languages and decide the best for yourself if you feel the need to disagree. Otherwise, you can just enjoy this newer version.

Release date: 12th July 2019
Running time: 89 minutes
Directed by: Thomas Sieben
Starring: Clemens Schick, Jella Haase, Max von der Groeben

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@ Cemetery Watch
✠ The Vampire Bat.

Ashfall

Vampire Owl: Do you know what actually happens when ash falls in a graveyard near the vampire castle?

Vampire Bat: I do not see vampires being related with the ashes.

Vampire Owl: Well, we do rise from the ashes quite often.

Vampire Bat: So, we are soon going to have a Vampire Phoenix?

Vampire Owl: I wouldn’t dare to stop a phoenix from becoming a vampire.

Vampire Bat: Do you understand that the ashfall in this movie title refers to a volcano?

Vampire Owl: The last time I heard about a volcano, it was in Bali, Indonesia.

Vampire Bat: This one has Mount Paektu, a real active volcano in Korea.

Vampire Owl: Well, we have been watching Korean movies, and now lets know the volcanoes around there too.

Vampire Bat: Yes, these days, we do tend to get more familiar with the locations in other parts of the world, and not just the United States with the Hollywood movies.

[Gets a strawberry cake and three glasses of vanilla shake].

What is the movie about? :: Mount Paektu, an active volcano in the China–North Korea border, erupts all of a sudden, leading to many earthquakes in the Korean peninsula. It affects both nations in the peninsula severely, leaving not much of the North Korean capital behind in between all the destruction. It had one of the most violent eruptions in the last five thousand years in around 946, and with this one, the volcano seems to bring even more. The highest peak of the Changbai and Baekdudaegan mountain ranges, is supposed to have a certain mythical quality of spiritual significance, but this time it is about survival, as eruption is too close. To prevent the upcoming disaster, Jeon Yoo-kyung (Jeon Hye-jin) plans an operation based on a theory by Professor Kang Bong-rae (Ma Dong-seok), who had studied the volcano with special focus on its possible eruptions. But it is a theory which only has around three and half percent chance of success.

So, what happens with the events here? :: But they decide to go with the mission because there seems to be no other way of saving the Korean peninsula and all those people who are caught in there with nowhere to go, as other nations evacuate only their citizens. At the same time, Jo In-chang (Ha Jung-woo) who was almsot discharged from the army, is assigned to be the leader of a special forces team supposed to complete the mission, even though their elite military support is lost on the way. Lee Joon-pyeong (Lee Byung-hun) who has been part of the Korean People’s Army in North Korea as a spy is asked to help them, even though he is now in the North Korean prison, and needs to be rescued from there. Meanwhile, Jo In-Chang’s pregnant wife Choi Ji-young (Bae Suzy) is left alone in Seoul, and hopes to go with the United States evacuation as part of a deal made by her husband with the South Korean government. But with a nuclear warhead needed to be stolen from North Korea for the mission to succeeed, things are not that easy.

The defence of Ashfall :: There is more than one thing about Ashfall, as we are not just watching a disaster movie with one volcano all prepared to burst and kill most of the people with an earthquake to go with it. There is also a certain amount of international politics being referred to, with North Korea, South Korea, China and the United States of America involved here. Along with the action, we also have a funny side with this movie, as humour which comes in here and there is mostly working. The emotional side is also very strong, and after having some of it in the beginning, it is a touching end to this flick. The characters are all interesting too, as we get to see more of them in an emotional way. The CGI effects are really good especially with volcanic eruption and earthquakes to be displayed here, and we get to see some fine visual effects on the screen. This one is the kind of holiday entertainer which all age of people can watch – a clean one indeed, as it is a suitable flick for everyone, entertaining very well.

The claws of flaw :: The movie could have brought more of the volcano into the picture, and it should have been shown as threatening on more occasions, generating fear. We could have had the feeling of terror, and death could have been hanging around there further. There are other moments which could have been cut instead, to shorten the movie further. Sometimes, the comic side comes in when it is not the right to make an entrance, but we forgive that because it ends up being funny enough. Even with some interesting characters making fine impact, we still have some others who are just there for the sake of it, even though we do feel that they are important when it begins. The characters could have surely been smarter, as they are trained so well, and even though they are not the ones who fight in the front-lines, could have better idea about what all have been happening around. You shouldn’t look for a full disaster movie, and if you do, there will be disappointment, as this one is a mixture of different things, and the disaster is mostly in the background.

Performers of the soul :: The cast does a fine job, especially with the dramatic side present here. The performances are good enough to make you care for most of the characters out there, and even without that possible volcanic eruption, the possibility is there. Ha Jung-woo and Lee Byung-hun do make a good combination here, and their scenes together are very good, whether it is related to the action with all the shooting around, or with the comedy, they work really well. The next person who makes the impact is Ma Dong-seok who plays the scientist who comes up with the almost impossible idea, and it is nice work done there. Bae Suzy has some nice emotional moments, but part of it is a little bit overdone, maybe to bring some more humour in there. Jeon Hye-jin also has some solid work being done here, with all the responsibility related to the character too. There are also many others who play characters which come and go, but they are pretty good too.

How it finishes :: Korean movies almost always have something special as they have been proving for long, and this one is no exception. It is nice to see that Russian, Korean and Chinese movies are taking the usual thing shown in Hollywood to another level, in one way or the other. The visual effects is just one the things related to that, as the movie also thinks in a rather divergent way. We know that movies like The Wandering Earth, The Divine Fury and The Blackout have already taken the divergent path with space having another dimension, exorcism having another mode and alien invasion having another style respectively. This movie becomes another reason why Korean movies always needed a release here – such films which families can watch and enjoy a lot will get its own audience here. At some point of time, Korean movies need to be in the multiplexes, and even those movies which don’t win the Oscars.

Release date: 19th December 2019
Running time: 128 minutes
Directed by: Lee Hae-jun, Kim Byung-seo
Starring: Lee Byung-hun, Ha Jung-woo, Ma Dong-seok, Bae Suzy, Jeon Hye-jin

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✠ The Vampire Bat.

Bodies at Rest

Vampire Owl: Can the bodies be ever at rest as long as the undead are there?

Vampire Bat: We have never been at rest, as far as I know.

Vampire Owl: The castle is witness and proof to that particular statement.

Vampire Bat: I guess that they didn’t have a vampire or zombie to turn them.

Vampire Owl: Even a sorcerer or a witch could do that. Necromancers were actually available for consultation.

Vampire Bat: Even Dr. Frankenstein was available for the bodies.

Vampire Owl: Well, I wouldn’t recommend Mr. Frankenstein to do that again.

Vampire Bat: He is known for that one event involving the creation of life.

Vampire Owl: Yes, he is notorious for the same, and it is not a good sign.

Vampire Bat: Still, he is the one I look forward to, for creating dumb creatures with no teeth, those which walk like zombies.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: A much respected pathologist Chen Jia Hao (Nick Cheung) and his assistant Lynn Qiao (Yang Zi) continue to work late at a public morgue on the evening of Christmas, as people begins to celebrate. Even though it is the time to rejoice, there is not much of a crowd outside due to the thunderstorms occuring outside, and people being advised to stay at home at least for the night, or until a notice comes from the authorities. It is then that three armed criminals come into the morgue, demanding that the doctor and his assistant give them a bullet from the dead body of a girl was shot dead earlier. They beat up the elder security guard known to everyone as Uncle Jin (Shu-liang Ma), and the doctor seems to have been left with no option, with phone cables being cut, mobile phones taken, and nobody left inside the building, as it is Christmas evening with a terrible weather making everyone leave early.

So, what happens with the events here? :: The three men who goes under the names, Santa (Richie Jen), Elf (Carlos Chan) and Rudolph (Jiayi Feng) manages to get a bullet from the doctor, but it turns out that it was not one from their gun. The doctor had managed to trick them into believing that he had taken the bullet out of the girl’s dead body, but he hadn’t. After the criminals leave, he takes the body from her back, and manages to break out of the room where they were locked in, only to be chased by the returning criminals again, as he tries to sneak out of there with his assistant and the injured security guard. But the criminals are quick, and they want to get that bullet to remove any proof, because this case has many implications. Can there be hope for the trio to escape and give the bullet to the police, before the criminals catch up to them? Are there other secrets which are to be revealed as time passes? Will this really be a Christmas night with joy, or is there unlimited terror awaiting them all?

The defence of Bodies at Rest :: The movie does have an interesting premise, with three people being caught in a morgue with three masked killers ready to shoot at them, unless the decide the give away the evidence of a murder – it is the kind of thing that keeps us interesting from the beginning itself. As the movie begins, there is a fine shot of the Chinese city that displays the beauty of modernity at night with the lights, and also showing the severity of nature with thunderstorms coming in strong and seemingly without an end – it is more or less an early reflection of what is to follow, as the thriller unfolds. The action scenes in the movie are all believable, as they fight normally, and both the doctor and his assistant while trying to resist, get themselves on the receiving end of the punches and kicks. There are some twists to be revealed in between, and you are in full support of the two protagonists to make it out, while the three classical Aristotelian unities of place, time and action are maintained, with everything happening in the morgue at a night, focusing on one bullet and dead body, having only minor exception.

The claws of flaw :: Bodies at Rest could have done more, and there is absolutely no doubt about it here – there are enough dead bodies in the morgue to assure that, and there is enough going on inside and outside which could have further contributed to increasing the level of this movie. A morgue is always a place of eerie and fear, and with some dead bodies, the same could have been achieved – even the corpse of the girl doesn’t serve as a reason for adding some terror in here. It would have had many places to hide, and even the morgue could have had secrets to be unveiled. The two protagonists, especially the girl could have found more spaces to escape through, as she is quite small. A better connection between the doctor and the main antagonist could have also been nice. The villains often end up being funny, and that is not too good considering the fact that they are wearing the masks, holding the guns, and are ready to murder anyone to take the bullet out of the dead girl’s body.

Peformers of the soul :: Nick Cheung plays the main character here, the one who qualifies as the protagonist from the first scene itself. He is very good, as we see the doctor handling things so well, and he goes through the character nicely. The man who is ready to take a hit to save the forensic evidence has you supporting him throughout the movie. There is also a flashback about him which is discussed here, and it becomes linked to the criminals who have something more to hide than the case of one bullet inside a young girl. Yang Zi is a lovely addition to this movie, and one has to say that she provides some surprises that we love. It has to be said that she fights incredibly well, as she runs away from the criminals, and she brings kind of an escape attack every time here. The three criminals are played very well, and Richie Jen stands out among them as the leader and the focused one. Carlos Chan and Jiayi Feng supports well enough to keep the team going. Shu-liang Ma who plays the security guard gets less to do, but does it okay.

How it finishes :: Bodies at Rest tries to compete with other thrillers which seem to make something out of an idea which feels great from the beginning itself, and the action is well restricted to a single place during one night with all the focus there. It does succeed in doing that up to an extent, but one is not supposed to expect something like The Autopsy of Jane Doe, for this is not that kind of near-perfect thriller. We do have an urge to watch these kinds of movies, with people locked in a morgue full of dead bodies and criminals hunting them, all being something that catches our attention and interest easily. Even though the reviews haven’t been that kind to this one, this Chinese movie is something that will keep you interested throughout the movie, and even before the attack on the morgue – it has that kind of a perfect setting to begin things. Bodies at Rest is only the fourth full-length Chinese movie I watched, and it was surely worth the one and half hours of run-time.

Release date: 16th August 2019
Running time: 94 minutes
Directed by: Renny Harlin
Starring: Nick Cheung, Richie Jen, Yang Zi, Carlos Chan, Jiayi Feng, Shu-liang Ma

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@ Cemetery Watch
✠ The Vampire Bat.