Kamuki

What is the movie about? :: Achaama (Aparna Balamurali) was born to a school teacher Varghese (Baiju) in a auto rickshaw, and continued to be a headache for her parents from childhood to youth. But her elder sister proves to be a hard working girl who stands on her own feet at an early age, but causes trouble for her parents when she marries someone against their will. Achaama decides to be an obedient girl for some time, but soon chooses against it as she joins MSW at Sree Shankara College, Kalady. Her idea of MSW is to have full fun as she considers it to be an easy course with much less to study, and joining Achaama is her childhood friend Jeena (Kavya Suresh) who hopes to go abroad and earn some extra money, working with some NGOs after this course.

So, what happens with the events to follow? :: At the college, Achaama meets Harikrishnan (Askar Ali), a blind student who is her senior. Harikrishnan has been working hard to overcome his problems to do academically better than most of the other students around, who are there only for having some fun. Even though she doesn’t realize it in the beginning, she is attracted to the person who manages to go on with his life without any complaints, and never stepping back. Despite making that promise to her father that she won’t marry against his wishes, she finds that determination under threat. But can the love story of Achaama and Harikrishnan have a happy ending, considering their differences and all the other factors which seem to be good enough to finish the relationship before it even begins?

The defence of Kamuki :: In the medieval English poet Geoffrey Chaucer’s work The Canterbury Tales, The Merchant’s Tale section, the proverb that love is blind was found – it becomes further direct with this movie, as the protagonist himself is blind. The dialogues about Deepika Padukone, new generation MSW students and blindness are perfectly hitting the right spot, even though they are somewhat not used according to the situations. It is Aparna Balamurali who rises above the limitations of this movie, and the flick uses her skills to make sure that this becomes entertaining in one way or the other, as it struggles with its story which doesn’t have much in there. There is the message about rising above your disabilities and problems with a positive attitude towards life, to make the impossible possible, but the same could have shown in a better and more effective manner too. Yes, some of the comedy can be termed good enough and the music is pretty good.

The claws of flaw :: The movie is like an unstable thing which keeps showing the signs of falling apart all the time – there is no real direction, and we can never see an attempt to keep things together. The whole movie is spread in all directions, and we are often confused about where it is headed with that love story which gets more added, making the mixture look confusing. The love story in this movie itself seems half-baked, and that never really becomes strong enough to justify the title. The final moments seem to be forced to make things better, but we never get it in full strength or in a believable manner. The dramatic side is weak, because after some time, we just stop caring for the main characters. There needed some better effort in dealing with this kind of things, and we see no signs of things getting any better at any stage, as the path chosen is ordinary.

The performers of the soul :: Aparna Balamurali is indeed the one who saves this movie from drowning, when there were many chances of the same. Whenever the movie struggles, there is something from her that keeps it floating just above trouble. This one never really gets near her role in Maheshinte Prathikaaram, or even the work in Oru Muthassi Gada, but one can only blame the movie’s lack of stability for the same. Whether it was in Sunday Holiday, Sarvopari Palakkaran or Thrissivaperoor Kliptham, she has been doing a good job with her characters. Well, even with movies that refuse to rise, she gets them to do better than they are, and it is the skill that she possesses better than any other actress in Malayalam movie industry. This movie can also thank her for the same.

Further performers of the soul :: As it is said above, and just as it is expected, this one is more of the Aparna Balamurali movie, as Om Shanti Oshana was Nazriya Nazim movie. Askar Ali has his moments here and there, but never really leaves much for the viewers. Kavya Suresh has her own moments too, as the supporting cast did for Nazriya in Om Shanti Oshana – she looks nicely suitable for this role. Rony David who is best known for his role in Aanandam, once again leaves a mark. Baiju’s role is as funny as one would expect from a father character with daughter problems and high expectations. Pradeep Kottayam has some comedy to go with it. We can also find some okay performances from some lesser known actors who play those characters which come and go without contributing that much to the story.

How it finishes :: We can see that Kamuki tries to be different in love, but this particular divergence here is never really believable or interesting except in moments. There was a certain amount of hype about this movie, and the trailer was quite interesting – we just can’t see that level being reflected in the flick, and that is a shame. You can watch this one for Aparna Balamurali though, as she keeps saving the day again and again. We have had movies like Aravindante Athidhikal which dealt with a simple thing on one side, and there was Uncle on the other side which dealt with the complicated on the other side – then we have the movies like Kamuki which won’t fit in both categories. Kamuki could have been something better, and as it is now, it is almost there, becoming an okay watch for these holidays.

Release date: 11th May 2018
Running time:122 minutes
Directed by: Binu S
Starring: Askar Ali, Aparna Balamurali, Rony David, Kavya Suresh, Pradeep Kottayam, Baiju, Rosin Jolly, Ullas Pandalam

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Poomaram

What is the movie about? :: Each and every college has been going through tough preparations to win the overall championships in the year’s youth festival. In a programme which consists of so many colleges, Maharajas College and St. Teresa’s College have been the favourites, with the latter having defended the title for years. With other colleges including UC College and Sacred Heart College on the trail, the two colleges have their students practicing so much to give their best. The college chairpersons of each college, Gautham (Kalidas Jayaram) and Irene (Neeta Pillai) promises their teachers, students and the managment that would return only with the overall trophy. Both leaders are experts in poetry and skilled in more than one art, as they have talented teams at their hands, ready to make it big on the grand stage.

So, what happens with the events to follow? :: While Gautham’s team consists of naturally skilled students, Irene has a group of extremely hardworking and disciplined girls who are determined to keep the promise made to their principal to keep the trophy at their college for another year. While the former focuses on giving the best out of their best students, the latter has come with a fine plan to focus on their strengths and get the best out of those competitions which could bring them the most points. There are these teams who seem to battle each other, and there are the teams from other colleges which look forward to an opportunity to pounce on those points which get divided, and go straight up on the list. So, the year’s competition seems to be something which can bring the surprises and twists, and it is to be seen how things would end.

The defence of Poomaram :: There is a realistic take of the youth festival in this movie, and there is nostalgia invoked from it – this is not that fake nostalgia which was brought to the big screen by 1983, an exaggerated movie on cricket. Poomaram just feels so real, with realistic performances written all over it. If you have studied in an unaided arts college in Kerala, it will be very easy for you to relate to this movie, and if there is a certain amount of melancholy rising like waves on a stormy night, there is no surprise. Well, even that wouldn’t be necessary, as this reflects your college in one way or the other. Poomaram strikes you exactly at that part of your heart where it hurts the most, with memories of the college days. The songs are beautiful, and it adds to the strength of these reflections. There is also the presence of messages, and one has to love how the movie ends with that image of the enlightened.

The claws of flaw :: The movie does has a certain slowness in its proceedings in the second half, and some repetitions of the whole thing. The strength of the beginning and the middle part is only further strengthened by the end. The delay in the release of this movie also seems to have affected the bookings, as one does feel that it has been an eternity since this movie’s first song was released and the flick was ready to arrive at the theatres. There are occasions when Poomaram has been reduced into a joke instead of the celebration of nostalgia that it should have been. Everyone might not like this movie that much though, as the philosophical side of the flick can go over the head of the regular movie watcher. Those who have been eternally looking for entertainment won’t find that much of the same in this one, which is more of an experience raher than anything else.

The performers of the soul :: The movie has Kalidas Jayaram in the leading role, but we see that he is no hero; he plays a character who is one of us – there might be the elements of those college chairpersons or arts club secretaries whom we had met during our college days in him. Kalidas who had won the national award for the best child actor by acting with his own father in Kochu Kochu Santhoshangal, has the much awaited debut here, and it is a lovable and natural one. We see him as the chairperson of one of the most prestigious institutions not only in the city and the state, doing a wonderful job with all the simplicity, and there is no moment when we cease to admire his natural work. One wouldn’t call this work a challenge for someone who has proven his skills at such a young age, but this is a fine start for him, as there is the certainty of bigger things to accomplish for him.

Further performers of the soul :: Neeta Pillai plays the female lead in the movie, even though she or any other character in the movie where not in any of the posters of this flick. She plays a wonderful leader of her team of best friends in this movie, as she is there as an inspiration as the college chairperson, someone who was determined to win the trophy every single year from the first day she joined there for BA English Literature course. In this role, Neeta reflects what a perfect leader should be, and with her strong words, we can be sure that there will be more from her for us to witness on the big screen. Kunchacko Boban and Meera Jasmine makes little cameos which don’t mean much except for having them there in the movie. Joju George is the one face who is quickly recognizable here, as he plays a cop again after the same director’s Action Hero Biju. There is also a long list of new faces doing well.

How it finishes :: The movie refers to the story of a young student in Oxford University who was part of a competition about Jesus turning water into wine. He couldn’t write anything for a long time, until with only a few minutes left, this young man who was to be known later as Lord Byron, just wrote the following line: “The water met its Master, and blushed”, one of the best possible description of the miracle. There are many more similar talks about famous literary figures, artists and philosophers including Henry David Thoreau, William Shakespeare, Kalidasan, Michelangelo, Raphael and Leonardo da Vinci. There is the idea about what is more important in our lives, and what matters to be the winner, at what cost. It focuses on its messages and realistic reflections really well, with a divergent philosophical side. Poomaram might not be everyone’s cup of tea, but it is that cup of tea, which can be loved by anyone at one point of the movie or the other, for it is a special kind of poetry of our own memories.

Release date: 15th March 2018
Running time: 152 minutes
Directed by: Abrid Shine
Starring: Kalidas Jayaram, Neeta Pillai, Joju George, Archita Aneesh, Kunchacko Boban (cameo), Meera Jasmine (cameo)

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Masterpiece

What is the movie about? :: An arrogant Roshan Cherian (John Kaipallil) and an adamant Mahesh Raj (Maqbool Salmaan) leads two rival gangs at the Travancore Maharaja College in the centre of the city. These two gangs, Royal Warriors and Real Fighters fight for domination, with hockey sticks, cricket bats, cycle chains, table legs or whatever they can find, sometimes in the remote corners of the huge college campus, and at other right times, right in front of the students and faculty, much to the dismay of the Roshan’s father, Vice Principal Cherian Philip (Mukesha) and Principal Narayana Kaimal (Sunil Sukhada). There is no shortage of chaos already, but the love story of a Real Fighters member Unnikrishnan (Gokul Suresh) with a girl named Vedhika (Mahima Nambiar) from the nearby college makes things even worse. They soon find the dead body of Vedhika in the college premises, and first suspect for the crime is Unnikrishnan who is arrested.

So, what happens with the events to follow? :: Soon, Unnikrishnan is found hanging inside his cell in the police station, and things get worse. A.C.P. John Thekkan I.P.S. (Unni Mukundan) who was leading the investigation lands up in the hospital after college students attack the police, and S.I. Ramakrishnan (Kalabhavan Shajohn) is suspended after being held responsible for the death of the student. There are wide protests in the city by student organisations which take over the whole thing, and as Vedhika comes from a reputed and rich family, and is the daughter of an influential politician, pressure mounts on the officials, and a new team lead by A.C.P Bhavani Durga I.P.S. is brought to action. With John Thekkan expected to return and join the team soon, the group decides to take quick and firm action against the possible culprits before new orders come from the top again.

And what comes next with this murder mystery? :: After questioning the peon of the college, Sankarankutty (Santhosh Pandit), canteen in charge Maniyan (Saju Navodaya) and helper Reji (Bijukuttan), the police comes to know that Roshan had alcohol mixed in Unnikrishnan’s drink making sure that he wouldn’t get to meet Vedhika who was waiting for them at the beach, where she was last spotted. Roshan becomes the suspect, and the police tries to enter the campus to arrest him, only to be stopped by protesting students, with the exception of Real Fighters who welcome the move to arrest the leader of Royal Warriors. As police and students fight inside the campus, the new English professor arrives to take charge – Edward Livingstone (Mammootty) who has a record of police cases for himself. He decides to change the whole setup in the college, and re-unite its students, as police looks for the murderer.

The defence of Masterpiece :: It is after Mammootty arrives that this movie gets better, as the latter part of the movie is surely better. There will also be a lot for the fans, and that is for sure – as I skipped the early fan shows and watched the movie with normal hardworking people, there was no focus on those mass scenes in the theatre. The suspense is maintained till the end, and the revelation awaits at the final moments. Just like Aadu 2, this one is for more the fans, and the other categories of viewers will find only limited impact. The festival mood of this holiday season is also maintained in this movie. This leaves no surprise about how well the movie began at the theatres, as the first of the many flicks of Christmas including Mayaanadhi, Vimaanam, Aadu 2 and Aana Alaralodalaral. Well, it is always good to go back to the campus isn’t it? And nothing better than a murder mystery in a college campus to provide a grand entry for the hero who is all prepared to go invincible and immortal in a world of cheap mortal humans.

The claws of flaw :: You will find Masterpiece to be too similar to Mohanlal starrer Velipadinte Pusthakam, but the mass elements are rather too much in this one. A college professor with a complicated past coming into a college where students battle each other as part of two separate gangs with a murder behind – just the same idea that you had seen on the big screen earlier. The shots of hero throwing the goons to the Mahindra Scorpios parked there, destroying the vehicles too easily will have the makers of the vehicles wonder what would happen if a Scooty is to hit them in the middle – will the SUV be split into two then? Then there is a modified vehicle which goes through walls – are they promoting this vehicle against Mahindra? Is that a foreign-made SUV that is declared to be better than Mahindra SUVs? The hero also throws a heavily built villain around with one hand a little too many times, and the movie could have done without these scenes. In this too long a movie, the jokes are less effective and there is confusion about where it is going. Slow motion is used badly as expected.

The performers of the soul :: It takes just above an hour for Mammootty to come in, and it might be because of the presence of too many characters that it takes so long. It is after he arrives that things begin to get interesting, as he immediately makes the impact as the college professor. The two female characters who are there till the end, Poonam Bajwa and Varalaxmi Sarathkumar got not much to contribute, playing stereotypes. Mahima Nambiar gets better but the character goes dead. Unni Mukundan has to go a little too much towards the stylish side, but has our attention. Kalabhavan Shajohn is someone who never struggles in this one, as a cop suits him so well just like in Oppam and Drishyam. Gokul Suresh did believable work here. John Kaipallil and Maqbool Salmaan were good playing what Arun Kurian and Sarath Kumar played in Velipadinte Pusthakam. Saju Navodaya brings some comedy here and here with Bijukuttan, but not that much as we would expect. Captain Raju brings some laughs, even though we see more going over the head.

How it finishes :: The movie is something which seems to be exactly opposite what the title says. Masterpiece is exactly what this movie isn’t, but if we separate the word into two, and say “Master in pieces”, that would be more appropriate. But as Velipadinte Pusthakam itself was, this is not really a terrible movie. There is something here and there for the fans, and we know that the core idea had more potential. The hero worship in this movie is exactly what brings this movie down – it is always the superstar’s fans and their needs that brings a wonderful actor down, as it is proven on so many occasions. We need to forget a few moments defying gravitational force along with slow motion, and some unnecessary dialogues about respecting women without meaning the same when there is no need, and we have one twist awaiting us in the end, and a villain whom we least expected. As a thriller, the idea at the base is surely good, but we have to often wonder at the final product.

Release date: 21st December 2017
Running time: 160 minutes
Directed by: Ajai Vasudev
Starring: Mammootty, Unni Mukundan, Poonam Bajwa, Varalaxmi Sarathkumar, Kalabhavan Shajohn, Mahima Nambiar, Megha Mathew, Lena, John Kaipallil, Mukesh, Gokul Suresh, Maqbool Salmaan, David John, Santhosh Pandit, Kailash, Nandu, Divya Pillai, Sunil Sukhada, Arjun Nandhakumar, Saju Navodaya, Thesni Khan, Divyadarshan, Ameer Niyaz, Bijukuttan, Shivaji Guruvayoor, Udaykrishna, Renji Panicker, Manikkuttan, Anjali Nair, Captain Raju

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Velipadinte Pusthakam

What is the movie about? :: Pheonix College of Arts and Science was established ten years ago as a result of the efforts of Vishwanathan (Anoop Menon), a local man who was killed on a terrible night after he made this possible. The location of this college is at a coastal village, where most children stop education at the school level itself, and a few don’t even bother to get to the verandah of nursery. There have been the presence of rich people like Mathan Tharakan (Siddique) and his right hand man, a criminal Kakka Ramesh (Chemban Vinod Jose) who don’t want the local youth to attend college, as it would deprive them of the workers for their fishing business. The college did develop into a popular institution ten years after its inception though, and people from city also joined in to make the campus a mixture of different kings of students, as the number of students from the village doesn’t get any higher, with fishing being a traditional job for the locals.

So, what happens with the events to follow? :: Into this college where the memories of Vishwanathan is more treasured that anything else, there has been the entry of violence – there is nothing political or religious in nature with the quarrels being rather social. With more students filling in the vacant seats left by the locals, there are two groups which can’t afford to see each other. The first one is led by Franklin (Sarath Kumar), as the son of the best friend of Vishwanathan, coming from the local fishing community – proud and not backing away from a fight. They ridicule those coming from outside as rich beggars who have been trying to take away their opportunities and buy seats with cash. The second one has their leader in Sameer (Arun Kurian) who is an angry young man coming from a rich family in the city, and wastes no time in getting into fights and ridicule his rivals for being poor and doing fishing.

And what else is to follow with the book of revelation? :: The two gangs find one reason or the other to fight it out at open spaces or inside the college auditorium when there is the need for some privacy. Supporting the city gang against the village team is the vice principal of the college, Prem Raj (Salim Kumar) who has become an irritation to the female students as well as the teachers, earning him the nick name Kamaraj. Franklin and his team gets rid of him with a nicely executed plan which exposes him in front of the principal. He manages to continue as a professor, while the post of vice principal goes to Michael Idicula (Mohanlal), a happy and easy-going professor who teaches Malayalam. With a grand entry, he manages to be a favourite of all students, and even manages to win the trust both Franklin and Sameer at the same time. But there is one more thing that he will need to do, and by doing the same, he will make sure that there will be some revelations, not just about himself, but also about Vishwanathan and his death.

The defence of Velipadinte Pusthakam :: The movie is entertaining for sure, and the first half has a lot of funny moments to add to the cause – whenever there is something related to the college and its people, there is the comic side that comes up; it is Salim Kumar who handles that all the time. The visuals of the coastal village is very good, and there are some dialogues to remembered, some as serious ones, and a few from the comic side – this is never the complete with its funny side though. With its ups and downs, the movie depends on Mohanlal to save it, and it is his presence that makes the audience miss some of the troubles that this movie has. There are some twists in this movie, some are on the funny side, and the rest are on the more serious angle – some of the thrills come not that strong, but they are surely present there. The most interesting song remains the one you have already listened, and had become the big hit.

The claws of flaw :: The movie’s trouble is with its second story, which makes one wish to return to the college, and keep things there. The thrilling side is not used as one would have wanted it to be, and the revelation of the suspense could have been done in a much better manner. There is also the lack of focus on a number of characters that could have done wonders. The second half becomes inferior to the first, and the curse of the second half tightens its grip on rather too many occasions. We also think that there would be some relevant social theme being taken about the rich and the poor, which is not there – with those early clashes, that could have been on the list of things to show for sure. Also, Mohanlal as a lecturer could have become the perfect lecturer to transform this college through a series of interesting events, rather than skipping through all that. This one is also too long a movie, which is why there is the feeling of dragging in between.

Performers of the soul :: Mohanlal, in his usual style, manages to cover the limitations of the script here. Due to the same, this movie also becomes a treat for the fans, who will get to clap here and there, especially with his entry and more in the second half. Munthirivallikal Thalirkkumbol from this year, and Oppam and Pulimurugan from last year have all been doing wonders for him. Anoop Menon has much to with flashbacks, and he remains pretty much suitable, but has not many dialogues. You will find out that Sarath Kumar as well Arun Kurian finds themselves limited as their characters’ rivalry is lost rather too easily. The work here is no challenge for them. Even Anna Reshma Rajan fades away in the process, and so does almost every female character including Priyanka Nair and Sneha Sreekumar. Salim Kumar here has one a full swing comedy attack as he launches one funny dialogue after the other, and with ups and downs, some of them misses by a long distance, but there are a few others which are close to target. The two negative characters played by Chemban Vinod Jose and Siddique are solid, without doubt.

How it finishes :: How much Velipadinte Pusthakam would work for you, certainly depends on your expectations. The expectations were also so high for this one – this was also the movie I was looking for, with Lal Jose and Mohanlal coming together, and the cast from Angamaly Diaries, Sarath Kumar and Anna Reshma Rajan doing some memorable roles. Yes, even more expectations than what was there for Njandukalude Nattil Oru Idavela and Adam Joan. If that much is your expectation, there will be some trouble. The movie is actually quite far away from what you might have expected from the trailer. I was surely surprised by how much the movie has deviated from what I had thought about it, and it is due to the same, that I have crafted the story in such a way that none of the twists, whether serious or funny, are revealed. If you are watching Veilpadinte Pusthakam, be prepared for the deviation. You can’t deny the presence of fun though, especially if you are watching it with family.

Release date: 31st August 2017
Running time: 157 minutes
Directed by: Lal Jose
Starring: Mohanlal, Anoop Menon, Anna Reshma Rajan, Arun Kurian, Sarath Kumar, Chemban Vinod Jose, Alencier Ley Lopez, Priyanka Nair, Siddique, Salim Kumar, Jude Anthany Joseph, Sneha Sreekumar, Shivaji Guruvayoor, Krishna Kumar

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Oru Mexican Aparatha

orumexicanaparatha-1

What is the movie about? :: Paul (Tovino Thomas) is a happy going first year student in a famous arts college in the city who doesn’t think that much about many things, and is in love with Anu (Gayathri Suresh) who also seems to be in love with him until she reveals one day that she isn’t. Paul is highly disappointed about it, but finds solace in something else, which is mostly about going against the ruling paty of the college which is lead by their super senior and the angry young man, Roopesh (Roopesh Peethambaran). There is no shortage of violence whenever this man is concerned, as he would go to any extent to sieze victory. With the leader of the left party in the campus, Subhash (Neeraj Madhav), Paul decides to contest against the man who had lead his party to victory last year and looks forward to do the same again in one way or the other.

So, what happens next in the movie? :: The campus itself has a violent flashback, with a student leader Kochaniyan (also Tovino Thomas) being murdered during the time of emergency. Even though Paul begins the battle for chairman post out of frustration, more comes out of it eventually, including a revolution and the desire to bring a positive change for the next generation. Bringing the revolution seems to be too difficult though, as the opposition party seems to have be ready to even finish off Paul and Subhash. They get beaten regularly, but they don’t back off. With Paul contesting for the post of president and Subhash contesting to become the general secretary, Roopesh decides to contest for the president post himself so that this threat can be dealt with directly. With sparks flying all around, blood is certain to flow.

The defence of Oru Mexican Aparatha :: The debutante director has chosen a subject that would work for a lot of people who have witnessed the politics in the campus in one way or the other – whether it is the good side or the bad side. He has brought the same to the big screen nicely too. There is no more of the usual kind of campus movies, as this one focuses on one side which is not that beautiful, and this is one campus which gets lot of life with this movie. The film also have some elements of comedy, and in the end, you will know that there is only one purpose for student politics, even as it is not so these days – to stand for what is right, and to gain the freedom that has been denied. Well, with so many parties into the fray, one can’t be sure if it can be achieved together by all these parties, but we all understand that there will always be the need. The stylist shots help a lot here, and so does the extremely talented cast.

The claws of flaw :: The movie could have been shorter though, and it could have surely cut those early moments in the hostel, which serve nothing much. The songs are not that interesting except for the “Kalippu” song which serves as the one thing that brings more to the whole setup. It is the first half which could have used some checking, especially with a rather forced romance angle that disappears. The basic idea could have also been shown without the shades of political parties – for all these elements have been there before the campus politics and the college education itself; the parties could have existed but not on the front like they are now. This could have been a perfect political movie if the focus was more on the idea than politics, and the story more than style – it works as of now, but the immense scope is somehow restricted here. The flashback could have also been shown in a better way, even though the looks never cease to amaze us. We can have more comedy and less insignificant moments in a movie like this.

Performers of the soul :: Oru Mexican Aparatha actually continues the rise of the star in Tovino Thomas who had already shown what he is capable of in the main role in Guppy as well as that memorable supporting role in Ennu Ninte Moideen, and add one horror movie, Ezra to to the list of memories. He also does get to do a flashback role, but it is all about the present for most of the movie. There are moments from him that will give keep the audience on the toes – keep looking out for him with the red flag which he will raise with or without the stains of blood. The rise of the new stars like him, who has no family background in cinema, is something that we can all be glad about, for cinema is not the private property of families; it belongs to people, and each person as a separate individual who makes the same better with their ideas and opinions. He owns one moment in the end, that is sure to give you goosebumps, despite which political party you support. We all want him in bigger thrillers and we keep asking for the same, don’t we?

Further performers of the soul :: The one who stands tall against the protagonist, is the man who brings the fire as the antagonist – the man who hails from Perumbavoor, Roopesh Peethambaran. He has the intensity which is matched only by Tovino, and we have him to display the best of campus villainy that has been seen in a long time. Coming back from the 1995 movie Spadikam which had him as a child actor, he burns the coal for further intensifying the energy here, after directing Theevram and You Too Brutus. Neeraj Madhav comes up with a realistic character here, and he is the one with the principles and discipline here – he also gets some of the best dialogues for a college campus – these three are more than just actors, they are right there as the energy sources for this movie. Gayathri Suresh gets the scope limited though, and with the romantic angle sent to the abyss by a radical change of the favourite colour from violet to red, she has nothing left to do with a character which is not fully developed – she looks good in that role for sure though. Well, not all characters are significant in this one.

How it finishes :: Oru Mexican Aparatha is the kind of movie that works on many levels, and will do nicely to bring a better understanding to the people on the bloody side of campus politics, and also the need to bring a revolution when freedom is denied – this brings the two sides which even those who haven’t studied in an arts and science college needs to witness, and know. Even when it has its protagonist on a certain party, it doesn’t support the same cent percent. If you wonder what Mexico is about in this movie, there is one locked up room in which the hero from the flashback was murdered by the police during the emergency. There is evolution and revolution that follows, and change arrives and waits at the door. You see the entertainment and you feel the excitement – a must for all who have studied in an aided arts and science colleges of Kerala, and also appealing to the rest at different levels; it is what Oru Mexican Aparatha is about.

Release date: 3rd March 2017
Running time: 143 minutes
Directed by: Tom Emmatty
Starring: Tovino Thomas, Roopesh Peethambaran, Neeraj Madhav, Gayathri Suresh, Kalabhavan Shajon, Jino John, Sudheer Karamana, Sunil Sukhada, Sudhy Koppa, Hareesh Peradi, Jaffer Idukki, Anjali P Nair, Megha Mathew, Vishnu Govindan

orumexicanaparathaa

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