Category Archives: English

Now You See Me 3

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Vampire Owl: The magic has returned to their world after the grand fall?

Vampire Bat: Humans have always been people of black magic.

Vampire Owl: Yes, I remember that all necromancers were humans coming out of nowhere.

Vampire Bat: Even the witches of our realm were once humans.

Vampire Owl: Well, witches were never one among us and the realm. And now, they have no way home.

Vampire Bat: The realm was magically created to separate our people from them.

Vampire Owl: Yet, the vampire elders were always part of the realm towards infinity.

Vampire Bat: Vampire Elders are magically maintained beyond their immortality. We know what they do.

Vampire Owl: Immortality is still not magic, for it is regular part of life.

Vampire Bat: The definition of magic would vary according to species.

[Gets a paneer puffs and three cups of Yercaud tea].

What is the movie about? :: Years after the Horsemen’s last grand performance, three young friends, Charlie Gees (Dominic Sessa), Bosco LeRoy (Dominic Sessa) and June Rouclere (Ariana Greenblatt), impersonate the Horsemen with the help of deepfakes and holograms to take a corrupt cryptocurrency exchange owner’s money and put it in the bank accounts of different people who are in need for the same. They are approached by J Daniel Atlas (Jesse Eisenberg) in the real form representing the Horsemen. Daniel reveals to them that he was sent by the Eye, a secret society of magicians, through a tarot card to recruit them for a mission to steal the Heart Diamond from Veronika Vanderberg (Rosamund Pike), the head of a South African diamond company formed by her late father, and is secretly associated with providing money laundering services for criminals. At the same time, Veronika receives a phone call from a mysterious man who threatens to expose her crimes unless she gives the diamond to him.

So, what happens with the events here as we just keep looking? :: At a private party in Antwerp, Belgium, where the Diamond is being displayed, the four execute a heist to steal the Diamond. They manage to sneak in there in different forms, including that of personal photographer, makeup woman and helper. They seem to have a perfect plan which nobody suspects and manage to get the diamond, but Veronika’s personal security and the police almost catch them when the three other Horsemen, Jack Wilder (Dave Franco), Henley Reeves (Isha Fisher) and Merritt McKinney (Woody Harrelson) arrive to help, after receiving tarot cards from the Eye. The Horsemen are surprised with the same, because their leader Dylan Shrike (Mark Ruffalo) is imprisoned in a Russian jail, and the team had fallen apart, with no more mission assigned to them in a long time. But they are happy to see each other, even with no real happiness about the youngsters being added to the team without any proper briefing or induction.

And what more is to follow here as there is no shortage of troubles around? :: The group decides to get together as their objectives seem to align well. These tarot cards, when placed together, lead the group to a mansion in France, where they are greeted by friend of the Horsemen Thaddeus Bradley (Morgan Freeman), who is also said to have been contacted by the Eye. There, they are also able to find Veronika’s client list and enough evidence of her illegal activities from there, and also the details of a past which goes a long way back. At the same time, Veronica leads the police there, who raid the building, forcing the group to split up and avoid capture. Merritt, Jack and June are caught, but Charlie, Bosco, Daniel and Henley escape through a tunnel. As Thaddeus is fatally shot while fleeing, they are forced to leave him behind upon his insistence. Now Veronica will dictate terms with captured members of the gang with her. But with someone else also on her tail through the mobile phone, can she manage to outsmart the horsemen, as everything seems to be set to get to a final showdown in Abu Dhabi?

The defence of Now You See Me: Now You Don’t :: The movie goes on well with its magical sequences which nicely adds to the overall beauty of the world here. There is a certain beauty on the screen that never leaves us, and the magical effects are nothing less than classic. The chemistry between the main performers is extended, while Rosamund Pike becomes a fine antagonist – not the kind of role in which we see her that much. The new generation of magicians are really good, especially Ariana Greenblatt who blends in so well at all moments. The old team of Jesse Eisenberg, Woody Harrelson, Dave Franco and Isla Fisher do not seem to have lost the strength at any moment, even though Melanie Laurent remains the one person I have always missed in these newer movies. The fast-paced fun continues, and we feel the energy while enjoying the light tones that exist around here. There is some elevation of the proceedings from the previous movie too. Well, the magical world is not easy to work with in a third movie of a series, but this one manages that nicely.

The claws of flaw :: There are some unbelievable situations that also get added here and there, with some of the twists not really working with the willing suspension of disbelief. The explanation of magic does not go that well here, and we are not that much into them, with the strength of the world not bringing a magical power that goes beyond the usual. As these are all about magic, the number of options was always very high, but this does not go on to make the best use of these. One can also feel that the movie has too many characters, and balancing between them has been difficult throughout the run, something which could have been easily managed by not introducing the old characters again until a long time passed. The older ones are also given that much importance as one would expect them to have. The movie has taken too much time to bring this third movie, and due to the same, the expectations were high, and with not that much of a big release as the first two movies, this one seems to have come with not that much of a hype. A little bit of a dark side would have also been nice, even with that overall light tone.

How it finishes :: Not as good as the first Now You See Me, but better than Now You See Me 2, this one manages to keep the world alive among movies which have been bringing universes out of nowhere in a busy world. There is also a fine setup for a next movie which could make the situation bigger, as the third one never really made the stakes higher. Maybe, the fourth movie will have some real danger and an impossible mission which needs everyone to go beyond their known limits; but we can only expect the same and do nothing more than keeping on waiting. The fans of the series will be happy enough to have this one around. Having wizards of Oz in the modern world never hurts, and would only keep being interesting against all odds. Therefore, this world is never out of scope, with the heist genre always having a say among all categories. In a world which has only hopelessness and despair, having some magic never hurts, with the fantasy no longer working that well – maybe, we are too old to listen to the beauty of fairy-tale, and this modern magic sometimes serves the hope.

Release date: 14th November 2025
Running time: 122 minutes
Directed by: Ruben Fleischer
Starring: Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Justice Smith, Dominic Sessa, Ariana Greenblatt, Rosamund Pike, Morgan Freeman

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@ Cemetery Watch
✠ The Vampire Bat.

Disclosure Day

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Vampire Owl: We should also call for full disclosure of past events.

Vampire Bat: There have been no relevant events in the castle for some time.

Vampire Owl: Relevant or not, there are few things we should all know.

Vampire Bat: Dracula Castle is an open and free world.

Vampire Owl: Yet, it holds many secrets.

Vampire Bat: You can always know them in detail if you just ask Uncle Dracula.

Vampire Owl: Dr. Frankenstein has warned about not asking too much.

Vampire Bat: Mr. Frankenstein is not someone we should follow.

Vampire Owl: Well, he is Frankenstein the most awarded scientist.

Vampire Bat: He has awarded too much for his fake inventions and discoveries.

[Gets a ghee podi idli and three cups of Kodaikanal tea].

What is the movie about? :: Jane Blankenship (Eve Hewson) finds herself kidnapped and tied up by strangers and she wonders how she has reached this situation of bondage. It is later revealed that her boyfriend and cybersecurity specialist named Daniel Kellner (Josh O’Connor) had stolen top secret material from his employer, a secret United States government organization working privately, known as the Wardex Corporation. Daniel had stolen an artifact of extraterrestrial technology along with many years of documents and hard drives which have footage of extraterrestrial encounters dating to the Roswell incident which had a conspiracy theory related to the United States military recovering a crashed extraterrestrial spacecraft. While many UFO proponents claimed that the Roswell debris really had an alien spacecraft, Daniel finally finds himself with proof about some of it. Daniel threatens the people form organization with the extraterrestrial device he possesses and manages to save Jane and escape.

So, what happens with the events here as we just keep looking? :: As Daniel and Jane try to hide somewhere one would least expect them to be, they approach Sister Maura (Elizabeth Marvel), the Abbess of the Monastery of Saint Clare of the Dawn, as Jane reveals that she was part of the novitiate to become a nun, much to the surprise of Daniel. She adds that she lost her calling and not her faith, as Daniel reveals that he has information which should go to the public and should not remain hidden for long. Jane has her doubts, but trusts him on the same, and decides to leave with him to a safehouse on the very next day, even though the nuns tell her that she can stay there as much as she wants. At the same time, NBC meteorologist Margaret Fairchild (Emily Blunt) is preparing for work when a northern cardinal bird flies into her home and seems to talk to her. The incident stimulates a psychic ability in Margaret to get into people’s thoughts and also speak in languages she has never learned, with her starting with Russian and Korean, the least possible languages she could ever speak.

And what more is to happen here against all odds with twists? :: Getting late to her office while being stopped by the police, she gets directly to a live weather broadcast, and begins speaking in an unknown language, and collapsing right after delivering the words. This alerts the Wardex Corporation which listen to the same words and they send their own people posing as FBI to the hospital where she is admitted. Surprisingly, she is able to identify them as not real FBI and escape with her intuitions. Daniel and Jane reach at the safehouse arranged by the group of people who intend to reveal the truth to humanity. He explains to Jane that Wardex has been experimenting on extraterrestrial creatures who were captured in the last few years and are reverse engineering their technology – he considers himself to be among the chosen people who are to reveal the truth about human brutality on aliens. After watching the clip of Margaret speaking the extraterrestrial language, he understands it in English, surprising him. Now, both Daniel and Margaret intend to find each other to solve all of these, but the corporation has other plans.

The defence of Disclosure Day :: The movie sets up the narrative really well, and has us interested in the movie which establishes some mystery in the beginning and provides us the feeling that something big is sure to follow. The first few sequences had elevated the mood and had us ready to go through the whole thing while feeling full tension, never taking our eyes off the screen. There are some fine visuals and nice sound effects to go with the same, and the feeling of mystery is well-supported by the same, as we keep having the feeling that the paranormal is always around, and the situation created there by something extra-terrestrial uses the effects so well. There is a lot here to explore, starting from corporate opacity, journalistic integrity and whistleblowing to the spiritual side itself, with more than one method provided to look at divinity and morality while facing unexpected situations. Emily Blunt steals the show with her performance too, especially in the beginning stages. Eve Hewson does the same, and her character is in such a multiple level complication that we feel the same so well. Josh O’Connor does a fine job too.

The claws of flaw :: There are too many whistleblowers, journalists, cyber security experts, corporate executives and highly underused personal relationships leaving so many character arcs feeling rushed beyond repair. From the half point, the movie starts a certain amount of drag, with we finding more dialogues than action, and some of them just seemingly stretching the content to that run-time which was never really suitable here. There seems to be so many moments without which the movie could have done well enough, and we cannot keep ourselves from thinking that it has been over-complicated. Then there is that ending which does not really end, and keeps us wondering what it was about, and we still cannot feel that there is a chance for a sequel. The loss of strength as the movie nears the end is a nail right on the head of the alien flick which has been considering itself intellectually and morally superior. Even though we had fallen in love with the movie too early, it only takes half of its journey to decrease our love for the same – the struggle feels real from then.

How it finishes :: Disclosure Day goes on a little bit too long a journey to go through its content which is not much to elongate to its present situation, but its serious way of dealing with the subject has us interested from the first moment itself. The ups and downs of the movie are so much that we feel that the journey is through a highland-lowland combination, driving a slow-moving sedan which is not that easy to steer with roads having too many twists and turns with heavy traffic and not that width. The way in which characters are thrown in there without that much of a development reiterates the same. But that premise is so much interesting to not choose to travel in the path, as keep thinking, and also wondering about what we come across in a divergent way. One might just need to make sure that that enough time is reserved for the same, as watching it in one sitting might need more attention and patience. Then we remember that there is no overdose of anything, and we have aliens coming in as much realistic as they can, for we have alien rights mode activated as if it is about human rights. Jio Hotstar seems to have this one running well in the OTT mode.

Release date: 12 June 2026
Running time: 145 minutes
Directed by: Steven Spielberg
Starring: Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Colman Domingo, Wyatt Russell, Henry Lloyd-Hughes, Elizabeth Marvel

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@ Cemetery Watch
✠ The Vampire Bat.

Out of the Further

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Vampire Owl: I think that they are going further into the shadow world.

Vampire Bat: No human can enter the shadow world in their original form.

Vampire Owl: I guess that it is where the astral projection comes in.

Vampire Bat: The realm has blocked all astral projections.

Vampire Owl: I have seen the northern witches do that.

Vampire Bat: It is just dark magic which creates other versions of them.

Vampire Owl: I thought the last grand sorcerer among them was dead.

Vampire Bat: The lands are now more magical than ever, blurring lines of reality.

Vampire Owl: Just what Dr. Frankenstein said in the science seminar.

Vampire Bat: Mr. Frankenstein’s science is better called the Frank Illusion.

[Gets a savala vada and three cups of Darjeeling tea].

What is the movie about? :: In 1999, a woman named Ingrid (Laura Gordon) is shown as committing suicide in her bathroom, terrifying her daughter. Many years later, Gemma (Amelia Eve), the daughter who witnessed the act, as has grown up and live as a single mother to her own child, Maya (Island Austin). Gemma still remembers her childhood horror at times, but has managed to move on from her previous marriage by starting a new relationship with a local police officer, Nick (Brandon Perea). Things seem to be ready to get better for them, but then she comes across three people along the street who keeps starting at her and her daughter from the other side of the road; Lester (Joseph Lopez), Edna (Robina Beard) and Patsy (Susan Grey) are her strange new neighbours whom she doesn’t know, but that does not stop them from being creepy around. The next night, Gemma astral projects without knowing what is happening and is haunted by visions of her mother’s suicide. She also finds one of the elderly people in the vision and finds out that she brought something from what she thought as a dream to her bed.

So, what happens with the events here as we just keep looking? :: The next day, Gemma who is a dental hygienist by profession, is scheduled to have a cleaning with Lester, the eldest of the elderly people in the neighbourhood. She is surprised to find that her portrait on the wall has gone missing and nobody knows what happened to it. Lester who does not speak a word, opens his mouth, and when she starts her work, bites Gemma’s finger, causing her to move back and hit her head on the X-ray machine – this knocks her out and her consciousness projects to the Further. Gemma wanders the clinic inside the Further before a blindfolded man ties her in a chair. A group of strange monstrous people approach her as she stares at them helplessly in bondage. Just before they brutalize her body, Gemma is saved by another elder woman identifying herself as Elise Rainer (Lin Shaye), who hands her a book and asks Gemma to find her. Using the address in the book, Gemma reaches a tattoo shop run by Clare (Maisie Richardson-Sellers), who is well-aware of astral projections and Further.

And what more is to follow here as something terrifying and unstoppable seems to be getting ready to unleash itself? :: Elise manages to possesses Clare and explains to Gemma that she is an astral projector who can travel between Further, a purgatorial realm and the material world. She adds that she is also like a courier, someone who can transport objects between the two worlds. She further reveals that the blindfolded man is planning to use Gemma to bring different evil spirits back to human world, and that the three elderly people are his acolytes who use some kind of sedatives in what seems like their oxygen cylinders to force themselves into the Further. Gemma finds herself as a bad mother as she is not able to take care of her daughter who also feels that there is something supernatural in their house. She tells Nick her situation, who offers to stay the night despite in full of doubt. Later that night, Gemma astral projects and is attacked by the blindfolded man. He forces Gemma to hold hands one of the spirits, and as she wakes up, she transports half of his body back to the real world, and the spirit with body cut in half dies, and Nick begins to believe her. But the question remains about how Gemma can manage to escape this evil.

The defence of Insidious: Out of the Further :: Instead of just traveling into The Further, we have the concept of a courier who can drag entities and things out into the real world, providing the movie with a certain amount of divergence, making sure that there is freshness and innovation. Several creative horror sequences can be seen adding to the terror, even bringing variety with the uncomfortable dental treatment moments on a chair – many closed doors, backrooms and passages add to the same and scares surely take over well. The demonic entities keep having their own identities while bringing the scares in their own way. The idea that this purgatorial world exists along with the human world without people out of heavens increases the fear factor. There is also one background tale to the main antagonist that keeps the narrative stronger. The final moments do stay strong as the unexpected happen, and defeating the terrifying antagonist would require more than just the usual skills and smartness. There is also that scene between credits which nicely add to the ending, and we can always be sure that there will be more sequels.

Positives and negatives :: We keep feeling that there was always something bigger coming out of nowhere, with twists and invincible entities. The initial feeling of unlimited fear for the other world do not exist with the same strength due to the idea being repeated multiple times. The repetition of horror can also be seen around, and we wonder if the same was necessary when the divergence was always there to be taken with new ideas added. A number of secondary characters do feel relegated, and a little more about Further would have done the movie more good too. Amelia Eve’s ability to handle the divergent horror also adds well to the movie while maintaining strength as a motherly figure as much as a daughter, both coming together very well here for her character. Brandon Perea as Nick Mendoza and Maisie Richardson-Sellers as Clare provides some fine support here and the same feels like an assurance. Lin Shaye is once again there as the core, this time coming out of nowhere to provide the same in style.

How it finishes :: Insidious: Out of the Further carries the Insidious franchise further, and considering the fact that the series of movies have come a long way with struggles in between, this is a fine addition that holds strong. These are the kind of demons and worlds which always have more to offer with better thought about sequels. The atmospheric haunted-house entry injects that kind of energy into the franchise’s expanding mythology which keeps reminding us that there will always be more to come. The movie also serves as a reminder that our dreams are not just ours, but much more. In a world which is running out of hope, one can safely say that horror is forever, and the movies of the genre needs elevation to create more and more terror out of its infinite world. Well, in the present world, there is no true genre other than world as evil keeps winning, and the righteous has no hope – let more horror come in the form of movies and reflect our world which has no real winners or survivors walking the righteous path. One would just wonder if our world is the real Further – the purgatorial other world.

Release date: 21 August 2026
Running time: 106 minutes
Directed by: Jacob Chase
Starring: Amelia Eve, Brandon Perea, Maisie Richardson-Sellers, Lin Shaye

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@ Cemetery Watch
✠ The Vampire Bat.

Pinocchio Unstrung

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Vampire Owl: I know this person. He wanted to be a vampire.

Vampire Bat: You mean wooden vampire dolls?

Vampire Owl: Vampires of the Woods, may be?

Vampire Bat: We are already in a castle in the woods, aren’t we?

Vampire Owl: That makes us just the Vampires of the Castle.

Vampire Bat: We have enough vampires to make the castle full.

Vampire Owl: We still do not have a strong enough army against other species.

Vampire Bat: There is a peace treaty running in the realm set towards eternity.

Vampire Owl: Well, a vampire’s eternity is longer than that of anyone else.

Vampire Bat: The realm belongs to all species, not just vampires.

[Gets a parippu vada and three cups of Yercaud tea].

What is the movie about? :: James (Cameron Bell) is a fourteen-year-old boy sent to live with his grandfather Geppetto (Richard Brake) after his parents die in a car accident, and his best friend also dies by terminal cancer. This makes the grandfather feel that he could come up with a perfect companion for James to keep forever. He introduces James to Pinocchio (Jude-Evan Lloyd), a wooden puppet whose nose keep growing as he lies, and tells him that he is his best friend and like a brother to him, but nobody should know about the puppet’s existence. He adds that once ready, he can show him as the friend who will never abandon him, but for now he should keep quiet. As Pinocchio learns about human anatomy as he sees how a male body works in a book, he wishes to become a real boy like his best friend. One day, deeper in the basement, Pinocchio finds a disfigured wooden creature who introduces herself as his Wood Mother (Emma Tate) and reminds Pinocchio that he is just a puppet and will need human organs to become a real boy like James. She reminds them that he might need to forcibly take them from humans who would not be willing to provide them to him.

So, what happens with the events here as we just keep looking? :: Pinocchio feels that he could take them from some bad people and with the help of these human parts, he could change and become a real boy. The next day, James takes Pinocchio to school without telling his grandfather, and the puppet with his movements, tries to hide from view, but ends up causing a chain reaction which kills two people in a gymnasium. Despite his grandfather’s warnings, he also introduces him to Mia (Jessica Balmer) and Dudley (Jack Art Gray) who are shocked, but also impressed considering it as an AI Robot. They decide to learn more about it later, but James keeps asserting that it needs to be placed at home before his grandfather comes. They get the puppet to the exact place the grandfather would place it, and gets the feeling that there is something odd about the basement itself. But Pinocchio feels that he should take care of James as his best friend, and after freeing himself, decides to finish off anyone who hurt him, including the drunken driver who hit their car and the dentist who took out James’ tooth.

And what more is to come with some more horror yet to be unleashed? :: Pinocchio further decides to go after the bullies who always torment James, Trey (Toni Olabanji), Logan (Luca Marandola), Georgia (Mya Brown) and Amanda (Karolina Knight). They would have beaten up James miserably last day if it was not for Mia and he had witnessed the hate right there. Pinocchio finds all of them at the same area. First, he dislocates Georgia’s jaw when she swims in the pool and electrocutes her to death while she begged for mercy. He then proceeds to rip out a clueless Logan’s tongue and take out his eyes to provide him a painful death. He then finds Amanda in the shower and is surprised by her naked body and sexuality compared to the male human anatomy which he studied, and his confusion leaves her with the time to escape from the bathroom with an injury on her leg which slows her down, only to be caught by him who tears off her scalp with hair and wears it, shocking Trey who is impaled on his arms with the worst yet to come. Can anyone stop the puppet in time, or will he go on with the hunting mode?

The defence of Pinocchio Unstrung :: The movie has the scares working with the support of gory sequences, and is more effective as a dark fantasy with a character that brings the fear elements in a different way, justifying the twisted childhood coming back to us while traveling on another path. Richard Brake as Geppetto makes a character that we would remember for long as he possesses those multiple shades that aligns on multiple shades. Among the young ones, Jessica Balmer stands out while Cameron Bell does a fine job, and Jack Art Gray brings the humour around here. The voices are nicely added too. The final half an hour is what elevates the movie and makes the whole thing darker and twists our childhood world of Pinocchio for kids to the terror for adults. There is also some innovation and divergence related to the same. Even the murderer gets a coming-of-age tale as the original character would have had during this age. The puppet is a tragic, naive creation whose kills come from unguided understanding of love and protection as well as corrupt guidance, bringing some emotional weight too.

Positives and negatives :: The way in which our childhood characters turn them into a mode which we appreciate for the quality related to the same, and we remember that children have always been evil unless civilized, like we have already known from William Golding’s Lord of the Flies – the recent cases on news related to minor with acts of cruelty, not that far away from unexpected brutality seems to reassert the same. The killing sequences are gory, and even though some might think that it’s a little too gory, it is indeed effective. The killings are all done with innovation and gore, with Karolina Knight’s shower sequence scoring the best, and makes one wonder why she would not be a scream queen in a big horror movie, as she shows the potential. One still wonders if there could have been more of her in the movie, but among the four bully characters, she is the one who stands out, and needs a better number of movies of horror in slasher mode. One can still have a little trouble with the pacing as the horror takes some time to get going. Some people can also find the gory detail to be a little too much.

How it finishes :: The movie would continue the journey of our twisted childhood heroes becoming pure evil murderers, whether it is Popeye’s Revenge (Popeye the Sailor Man), Bambi: The Reckoning (Bambi), I Heart Willie (Mickey Mouse), Winnie-the-Pooh; Blood and Honey (Winnie-the-Pooh and Piglet) or Peter Pan’s Neverland Nightmare (Peter Pan), and this one is a long way ahead of these movies in and out of Twisted Childhood Universe which reminds us that goodness has always been a lie in a world without hope. As horror remaining that genre which is truly part of our lives, and with all human beings being inherently evil, and this evil helping them to be successful in life, we are reminded that there is always some bigger horror out there. We remember that the people around us are more messed up than we know them, and are more evil that we think, while being good will never get us anywhere. There is no innocence in this world unless it is forced by civilization, and the lies that we see around will consume us one day, as the movie reminds us of the terrifying manipulation by these masked demonic humans all around us.

Release date: 24 July 2026
Running time: 82 minutes
Directed by: Rhys Frake-Waterfield
Starring: Richard Brake, Robert Englund, Cameron Bell, Jessica Balmer, Jude-Evan Lloyd, Karolina Knight

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@ Cemetery Watch
✠ The Vampire Bat.

Brand New Day

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Vampire Owl: Even Spider-Man needs a brand-new day?

Vampire Bat: Even Superman and Supergirl are new these days.

Vampire Owl: But the actor has not changed to be brand new.

Vampire Bat: Which is why Marvel is still doing better than DC in many aspects.

Vampire Owl: You are missing the earlier Superman and Supergirl.

Vampire Bat: Everyone would miss the earlier Wonder Woman and Batman too.

Vampire Owl: I was a bigger fan of Black Adam.

Vampire Bat: The dark world of DC used to so interesting.

Vampire Owl: Just like we enjoyed the Marvel combination of humour and sentiments.

Vampire Bat: Thunderbolts worked so well with the same.

[Gets a poori masala and three cups of Ooty tea].

What is the movie about? :: A few years have passed after Doctor Strange’s spell erased his memory from the minds of everyone he loved, and Peter Parker (Tom Holland) lives in a small New York City apartment, continuing to be the friendly neighbourhood Spider-Man while cooperating with the police in capturing the criminals. Peter tracks his former lover Michelle Jones-Watson a.k.a. M J (Zendaya) and former best friend Ned Leeds (Jacob Batalon) who have graduated from MIT and moved back to the city. Ned who admires Spider-Man whom he remembers to have saved his life many times even developed a mobile app called “Spidey Tracker” to follow the superhuman sightings, even though he had forgotten the man under the mask completely. As he is disturbed by M J falling in love with someone else and as he keeps pushing his body to the brink of exhaustion with him capturing almost every gangster in the city, Peter finds himself with frequent headaches and discovers that his powers are starting to mutate.

So, what happens with the events here as we just keep looking? :: Peter finds out that his senses heighten to a terrible and agonizing degree rendering it worthless, and organic webbing keeps coming off from his wrists. Things seem to get further out of control as Frank Castle a.k.a. Punisher (Jon Bernthal) almost causes collateral damage while trying to stop a stolen battle tank, and Peter just manages to stop the vehicle, only to find it driven by a person under mind control. He soon finds out that mind control keeps shifting through different people, and the dreaded villain Mac Gargan a.k.a. Scorpion (Michael Mando) is freed from Department of Damage Control (DODC) prison. The person is just not able to enter the mind of Peter and is pushed out and leaves. Peter visits Yelena Belova a.k.a. Black Widow at her bathhouse office hoping to find any leads, and she welcomes him into her pool, but asserts that it is not a job for the Thunderbolts turning into the New Avengers and dealing with big threats of a higher level.

And what more is to happen as the world seems to embrace further twists? :: Yelena further informs Parker that different DODC facilities have been attacked by someone searching for “V-Max” while wondering why he enters the bathhouse pool with her while wearing the mask and warns that he will know his identity anyway from seeing his belly button in the pool. DODC director Bill Metzger (Tramell Tillman) denies any knowledge of “V-Max” and reiterates that only Spider-Man can do something about these attacks and save the world from something big which is to come, as the place holds many secrets and different evil superpowered humans and aliens. Now, not in control of the spider mutation, when the mind-controlling telepath Jean Grey (Sadie Sink) attacks another DODC facility after possessing the Scorpion, Peter loses control of his new stronger spider abilities and brutally beats Gargan, even injuring a police officer in the process, and retreats to his apartment in remorse. He seeks answers to his mutation and ways to control it, and seeks help from Bruce Banner a.k.a. Hulk (Mark Ruffalo), but with his secret identity revealed through connected minds, time keeps running out for him.

The defence of Spider-Man: Brand New Day :: The movie has Peter Parker out of that overhyped Stark-world and multiverse crossovers which has the focus on some real grief, isolation and real friendly neighbourhood level heroics and has Tom Holland evolving to come up with a highly vulnerable performance which has us rooting for him more than ever, that too with a heavy emotional attachment. Placing Jon Bernthal as the Punisher here also makes the tale get a level higher, and Mark Ruffalo as Hulk becomes another welcome addition. Florence Pugh as Yelena Belova remains too good even when she appears less, and she brings the much-needed humour to the film. The idea of organic evolution powers by mutation has its own charm here, and the feelings of loneliness and abiding sadness keep running through the movie along with regret which also stays at the core. This might be one of those movies in which we feel the most for the characters, as it remains quite a sad world with less hope for redemption, unlike the usual superhero world in which there is so much relief in the end.

Positives and negatives :: Unlike the earlier Spider-Man movies, this one is rooted in human emotions, making this one level up as the movie of the Spidey. This might be the first time when the audience would be really feeling for the main characters, especially those played by Tom Holland and Zendaya, both of them having their best superhero movie till date. Still, it is Sadie Sink as Jean Grey who steals the show, and we now have the best X-Men telepath depiction of all-time as she turns this one to someone special and more human even with grand powers. Yet, we feel that there is no true antagonist in here, and that missing can be felt between the emotions running strong. The lack of addition of romance would make one wonder, but that is rather a welcome change as Spider-Man needed to move on to evolve and become something more than that silly teenager who was often irritating in the earlier stages. The battles might not feel that big on screen compared to the usual Marvel stuff, but works very well considering the situation.

How it finishes :: Spider-Man: Brand New Day has risen the level of the tales of man-spider, reaching on par on sentiments with The Amazing Spider-Man series of movies, which had the best emotional connect among the different versions. The grand multiverse cameos now make way for simple emotions, feeding on loneliness and regret, as the true weight of loss, guilt and perseverance is reflected on the main character. With characters who live outside his movies all around him, Spider-Man is at his best when he has the least to rely on, and characters like Jean Grey, The Punisher, Black Widow and The Incredible Hulk looking for their own movies will also agree. The satisfying return to form for Spidey with heart and soul at the right place has interested right from the beginning, and whenever the big action refuses to come, it shows the richness in emotions and a perfect journey of the soul. In the end, one can say that this version has found its into our homes, and home is indeed where the heart is, and Spidey would not have to say that there is no way home ever again.

Release date: 31 July 2026
Running time: 145 minutes
Directed by: Destin Daniel Cretton
Starring: Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando, Mark Ruffalo

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✠ The Vampire Bat.

Control Freak

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Vampire Owl: The vampire elders have always been control freaks.

Vampire Bat: The vampire elders shall not be questioned under any circumstance.

Vampire Owl: We are not questioning them, but appreciating their control.

Vampire Bat: They need not be appreciated, but respected and honoured.

Vampire Owl: I would say that they are not bigger than Uncle Dracula.

Vampire Bat: Forefathers are always more significant than the father of modern vampirism.

Vampire Owl: I do not think that they are that old and that much older compared to Dracula.

Vampire Bat: You have seen them, and they definitely look old.

Vampire Owl: They just live a nonsensical life. I still say not old.

Vampire Bat: They have seen the fall of Byzantium, Troy, Babylon and more. Uncle Dracula in comparison, is too young.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Valerie Nguye (Kelly Marie Tran) who was born to Vietnamese immigrant parents in the United States of America has turned into a successful motivational speaker with a huge number of fans. But she secretly has a struggle as she always has the urge to scratch the back of her head. This urge has been going on since she lost her mother by drowning after their boat went down the river. As Valerie prepares for an international tour, she finds out that she needs her birth certificate to travel to China, bringing the need for her to get back with her estranged family. Her aunt Thuy (Kieu Chinh) directs her to her father, Sang (Toan Lee), who was a former soldier who fought in the Vietnam War. She sees that he had now turned into a monk, and it is only he who has the necessary documents for her. The relationship between the two has been strained due to their shared traumas, including her mother’s death and Sang’s long history of addiction which followed his time spent in the war.

So, what happens with the events here as we just keep looking? :: Sang tells her about a Vietnamese folk tale about a parasitic ghost that feeds on human hosts, leading to the fall and end of the infected human. She does not believe the story at all, but finds something strange from their family photos which points to supernatural elements. Her husband Robbie (Miles Robbins) becomes more and more worried about her as she ends up injuring her head by scratching. She confronts Sang, and he reveals that he had summoned the parasite during the Vietnam War. He further adds that it was also passed to his wife, and she had tried to kill Valerie to stop it from spreading further in her bloodlines, leading to her death by drowning due to Sang’s intervention. As she still hesitates to believe him thinking that he might still be under the influence of the drugs, there is a breakdown for him during a grand motivational speaking programme. The doctors find out that she has scratched a hole right into her skull, and now she would have to go to the most extreme levels to find a solution. Can she do that?

The defence of Control Freak :: The movie’s use of Vietnamese folklore and the ghosts that feed on the hosts works not only with the horror, but also with the themes of immigrant assimilation, generational trauma and the pressure for living up to the expectations, and when the same happens to a motivational speaker, things seem to go nicely towards not just physical, but also psychological terror, which is nicely shown around here. The horror feels very much real, and will be reflected in life for a possible connection when there is a scratch on the head, and the creature outside also brings some more scares. The idea often hits us in more than one way, as we look at it. The best moments of the movie might be when it gets close to the end, even though we would have hoped for everything to happen a little differently. The idea of motivational speakers going to pretentions for fake inspiration will make us remember that we ourselves should have the strength and not listen to others. We have to remember that the very few successful examples are not to be taken as there are more unsuccessful people and there is more chance that we will be unsuccessful if we take that risk with life – the movie reminds us not to take motivation into hearts for we might also be fall into the traps of parasites.

The claws of flaw :: The movie surely has its own pacing problems, as it seems to slow down on too many occasions, and at times fails to pick up pace when there was clear chance of elevation. There is also a certain amount of repetition related to the same with panic coming with repeated itches, but then denying if anything is wrong even after hearing from others and hiding the world, then panicking after sometime, and going through the same thing again. The movie seems to be stretched out due to the same and even a one and three quarter hours feels so much as the protagonist keeps going through the same thing multiple times almost in the same order. From the moment when the parasite becomes an assurance of eating the host, the rest of the elements disappear, and it seems like they come one after the other and not together. The supporting characters could have been given more to do. The final moments seem to be forced and the audience feel like they walked into an ending because there needed to be one, and this kind of an ending seems to be just brought about as a mandatory one.

The performers of the soul :: Kelly Marie Tran has a lot on his shoulders, and she manage to hold them strongly. Considering her real-life parentage to be also from Vietnam, the choice seems to be a near-perfect one for the makers of the movie. As she carries the movie with some intense, vulnerable and physically demanding performance, the movie gets its due. There are moments when things seem to deviate and go slower, but she elevates the whole thing well enough, as she seems to become part of the folk-mystery. Miles Robbins plays Val’s supportive partner, and it is for this character that we feel the most – we feel his character to be loving and with genuine concerns and feelings for her character, and it is one person who remains righteous throughout the movie. He does not become the usual horror film boyfriend at all, and stay with her till the end, and also alive. The Vietnamese family members also have some role to play, but despite the Vietnamese side having so much importance, they are not given enough screen time.

How it finishes :: The movie often feels like something which had a grand potential, especially with body horror involved – this one just focuses on the head and a bug-like parasite when the scope was much more. More of body horror with the parasite spreading through the body would have been nice to have. When we look closer, this is more or less an impressive vehicle for Kelly Marie Tran whose leading performance breathes more energy and keeps the level of the movie higher. The Vietnamese folklore keeps us more and more interested. The only two Vietnamese movies which I have watched are both action thrillers, Furie and Furies, and more reviews which deals with similar topics will have our interest after this one. Indonesian movies like Impetigore or Korean Salmokji and India’s own Stree, Munjya, Thamma and friends had the folklore horror moving well, and we would surely need more of them. For now, this one movie with Vietnamese roots has us interested, and it is indeed available on Jio Hotstar. But as long as body horror is concerned, we would have needed more. Enjoy this one among the new releases of the OTT of Reliance.

Release date: 13 March 2025
Running time: 104 minutes
Directed by: Shal Ngo
Starring: Kelly Marie Tran, Miles Robbins, Kieu Chinh, Scott Takeda, Toan Lee

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✠ The Vampire Bat.

Strung

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Vampire Owl: I have heard only about the strings of vampire violins in the castle.

Vampire Bat: Vampires do not play music in the castle.

Vampire Owl: I have heard a lot of the same from Uncle Dracula’s room.

Vampire Bat: It is not music, but voices from the other side of immortality.

Vampire Owl: The voices do make some nice music for sure.

Vampire Bat: The voices are inherited by the castle from the adoration of vampire elders.

Vampire Owl: There is always some new mystery to be unveiled from the elders.

Vampire Bat: They are all pointed towards eternity and infinity.

Vampire Owl: Well, we all know that death is only the beginning.

Vampire Bat: Beginning of the end is the one true beginning. Just run to the other side and ask Uncle Dracula.

[Gets a ghee podi idli and three cups of Kodaikanal tea].

What is the movie about? :: Laila Calloway (Chloe Bailey) is an extremely gifted, aspiring classical violinist who is working as a substitute music teacher while dreaming of a grand career which seemed out of the equation since her young little sister died of asthma and she could do nothing about it at all. This has led to her going through hallucinations and nightmares at times, which affects her performance on some occasions. Her best chance at a better career seems to have arrived when she meets Audra Jelani (Lynn Whitfield), a charming matriarch with unparalleled wealth and influence. Audra gives Laila an offer she cannot refuse in the form of a live-in music tutoring position to mentor her granddaughter, Zuri Jelani (Romy Woods). Laila understands that her high-society connections and high influence will guarantee her an easy path in her journey of music. Laila moves into the family’s highly luxurious estate which seems to belong to another world compared to the surroundings, and considers herself the luckiest person all of a sudden.

So, what happens with the events here as we just keep looking? :: But the situation seems to be something they did not expect, as the atmosphere inside the mansion is very much unsettling. Audra’s daughter, Imani Walker (Anna Diop) who is pregnant, does not like Laila at all, and treats her with contempt. At the same time, Laila’s young student, Zuri (Romy Woods) always wears a mask, and is deeply withdrawn, hyper-allergic, and hides her emotions at all times after the violent murder of her father, a highly popular rapper known as Reginald Garvey Bell (Pardison Fontaine). Zuri’s abiding sadness further triggers the unresolved trauma for Laila, as she has the haunting memories of her own deceased sister coming back to her. The situation gets to be further complicated with the return of Imani’s charming handsome husband, Marcus Walker (Lucien Laviscount). Laila’s finds out that Marcus is that man with whom she had a intense and passionate sexual affair just a few days before, which she considered to be her best physical experience ever. How will the family take this secret as the house itself has so many mysteries hidden in the building?

The defence of Strung :: The feeling of mystery goes right through the movie, and there is always the thought that something big can happen at any moment with so many secrets to be revealed from not just one character. Chloe Bailey keeps elevating the movie with a wide range of emotions as she goes through unexpected situations, while Lynn Whitfield’s antagonistic side adds to the overall quality of the movie. The movie surely features rich estate set design and a vibrant cinematography also supports the same, as most of its world is nothing less than stunning within a big mansion and its surroundings. The music and sound effects really add well to the same, and keeps the mood running to suit the movie. The wild twists and emotions that run further has us interested, while red herrings bring something more to take it away from the possible right guess of the twist. The final moments extend well with its moments creating a feeling of tension that goes on and on until the solution is reached.

The claws of flaw :: The movie does not reach its potential after a smart beginning, as the mystery does not get that finish it deserved. There were so many moments which could have taken in another way and made better. The twists could have also been extended in a fine manner, especially with an early connection established between two main characters and taken further with a twist as movie goes forward. The exploration of the evil and the intentions could have also been explored more to make that feeling of terror even more – as of now, it mostly exists in the background with not that much of the same shown directly or clearly. The movie also happens to be too long, and was worth not more than one and half hours, and feels stretched with a little bit too much of unnecessary details and melodrama that goes over the emotions. The feeling that the characters are over-reacting never really leaves us, and some strange dialogues also creeps in, as we keep wondering why this movie is deviating so much and wastes time in getting nowhere.

The performers of the soul :: Chloe Bailey as Laila Calloway comes up with a performance that we are going to remember for long, even though it is not a new role, with The Housemaid having its main character facing a similar situation and an angry wife and a seductive husband awaiting her. But Chloe makes sure that her role remains really good and also has some divergence associated with the same. It is to be notable that while playing a likable character, she makes the emotions of the person so much felt that we support the character even more in her complicated journey. When we look at her, there is the feeling that a Helen of Sparta with race changed would suit her more than anyone else; there is a certain amount of charm that she brings to the character which is nothing less than the same. Lynn Whitfield delivers as a seductive and manipulative matriarch with impressive aura, and the character remains one which we will remember for long. Lucien Laviscount and Anna Diop supports just fine. Romy Woods brings a lovely performance as the daughter.

How it finishes :: The movie does not reach the point where one would feel it should have reached with this kind of content as it seems to hold back on many occasions. The highly engaging thriller is not to be taken as the movie is rather slow, and the attempt to work with silence also does not work that well due to the presence of a little bit too much of melodrama. With such an interesting premise which has worked so well in the past, more could been achieved, but it is safe to say that we still have enough around here to spend some time with this one on a weekend on Jio Hotstar where it has released in India, and as the one OTT which comes with mobile recharges, more people from this part of the world would surely end up watching the flick with relative ease. As the main performers inject some much-needed charisma into the increasingly deviating movie, the interest regularly comes back, which could provide a fine feeling of being interested in a mystery which could easily bring the twist that leads to those tense final moments which serve the purpose.

Release date: 27 May 2026
Running time: 119 minutes
Directed by: Malcolm D Lee
Starring: Chloe Bailey, Lynn Whitfield, Lucien Laviscount, Anna Diop, Coco Jones, Romy Woods

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✠ The Vampire Bat.

Marshmallow

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Vampire Owl: We have been the people of the marshes.

Vampire Bat: I am sure that there is no talk about vampires of the marshes in this movie.

Vampire Owl: Aren’t we vampires part of everything we meet?

Vampire Bat: You mean to say that vampires are like Ulysses.

Vampire Owl: Yes, we strive, seek and find while never yielding.

Vampire Bat: There is nothing left for the vampires to find in this world.

Vampire Owl: There have not been enough centuries to learn the world.

Vampire Bat: Well, it is enough to understand our realm well.

Vampire Owl: Dr. Frankenstein talks about different realms at the same time.

Vampire Bat: There is nothing more ridiculous than Mr. Frankenstein’s researches.

[Gets a chilli porotta and three cups of Ooty tea].

What is the movie about? :: Morgan (Kue Lawrence) is a young and lonely child who has regular nightmares which never seems to stop, and he also remains a kid who has almost no friends at all in the neighborhood or the education institution where he studies. Despite his grandfather Rot (Corbin Bernsen) passing away, his parents decide to send him to a summer camp in which they had already booked a place for him. There he meets the highly supportive and friendly young woman Rachel (Giorgia Whigham) who leads the camp and also welcomes Morgan with a happy face and promise of full support during the programme. Two other employees of the camp Kazswar (Pierson Fodé) and Laurie (Samantha Neyland Trumbo) are comparatively mean to the kids, and it is revealed that they are secretly having a sexual affair at nights in one of the selected cabins in the woods. Collins (Paul Soter) oversees things while Franklin (Maxwell Whittington-Cooper) maintains a friendly approach to kids and provides them with the much-needed emotional support.

So, what happens with the events here as we just keep looking? :: Morgan ends up sharing the room with the son of his father’s friend CJ (Sutton Johnson), who remains mean to him, and even pushes him into the river almost having him drowned. Another boy Raj (Winston Vengapally) who questions him is also brutally beaten up by him until Rachel and Collins manage to pull him back. Morgan is consoled by his newfound friends Pilar (Kai Cech), Dirk (Max Malas), Caroline (Jordyn Raya James) and Sam (Dylan Friedman) who are also tired of CJ’s attitude. Morgan finds a masked man in a strange clothing at night and remembers that the people-in-charge at the camp had told them a spooky story about a doctor who kidnaps children who stay in their bunks at night and performs terrifying experiments on them in the basement of his building, and the camp itself was built over his house and clinic. He tries to escape, but realizes that the man has full control over the area, and some of the youth who controls the camp also seems to be helping the man. Can the children escape from the situation or atleast survive until dawn?

The defence of Marshmallow :: Instead of going through the standard campfire slasher tropes, the movie uses nostalgia and familiar setups to create a world which surprisingly diverts and brings a twist which is rather unexpected – the deviation from the original slasher idea to which the setup was already built, brings a science fiction side to the whole thing and has us thinking and hoping for a sequel which would establish a classic background. There is a fine use of classic woods, cabins and lakeside settings, a classic serial killer costume and creepy campfire folklore to build an unsettling old-style aesthetic which could keep us interesting right from the early moments in the camp; one can remember that the signs were already there. The surprises surely work and building twists on the unpredictable with red herrings acting well, has us interested. With the length only at one and half hours, the movie assures a smooth passage. With the evil spreading around here by the end of the movie, we can expect that sequel to come soon enough.

The claws of flaw :: The teenage camp cliches and teenage drama make it difficult to get going for the movie, as the initial moments can make one feel that the movie is not of that strength, and is not that interesting. The central mystery surely takes a little too much time to start and keep moving. The kids’ elements do not work that well in the beginning stages either, and it is not that easy to connect with the kids early enough. The big science fiction revelation happens a little too late too, and that feeling gets cut very soon. Despite often mentioned as a slasher, this has not much of blood and gore, and the science fiction taking over as genre only comes rather too late. You see the type of movie changing as you keep watching, and it is quite strange a feeling indeed, as you are left with no slasher to take home as science fiction seems to completely take over here. The idea that children are inherently evil is not that well-explored here, as a Lord of the Flies feeling was there to be taken, but never really takes off.

The performers of the soul :: The kids surely come up with some interesting performances, and Kue Lawrence who leads them clearly stands strong, and brings the introverted, grief-stricken 12-year-old outsider who cannot get out of trauma as he gets bullied, and the vulnerability remains believable throughout the movie. Max Malas provides some fine support to the main character and even brings some humour to the same. The friendship between the two remains interesting right from the moment they meet. The other children also add nicely despite the two boys standing out with the performances. Among the adult actors, Giorgia Whigham as Rachel does the best, and seemingly blends as if she is looking for more horror movies to add to her pocket – it is a joy to watch her around. Samantha Neyland Trumbo would suit as a scream queen in another flick, as she seems to have that special horror charm. Paul Soter as Collins remains a strong presence in the movie while Maxwell Whittington-Cooper and Pierson Fodé comes in from two sides showing different attitudes towards situations really well.

How it finishes :: The movie succeeds as a divergent slasher as it refuses to be just another usual summer camp slasher. It goes through different genres nicely and effectively, and the twist in the end makes the movie’s world even more interesting, with the scope for sequel left wide open with more science fiction being possible – the sharp turn taken by narrative comes when least expected. But it is to be said that one would still wonder if the best is explored here. The ending has some of the momentum disrupted as the revelation just happens as if it was rushed through the act. There is some world-building which comes in the end, and that is just quickly done though, and people are left waiting for the sequel to learn things more clearly. The slasher horror fans would also wonder where all the blood and gore have gone missing. Despite the initial doubts, the movie is still one interesting horror that chooses to go for the twists above everything else. This is one movie about which most us knew thing, and this is a case when the lesser known strikes.

Release date: 11 April 2025
Running time: 93 minutes
Directed by: Daniel DelPurgatorio
Starring: Kue Christian Lawrence, Max Malas, Kai Marie Cech, Giorgia Alice Whigham, Pierson Dane Fodé, Corbin Dean Bernsen, Alysia Whitney Reiner, Paul Gregory Soter, Cullen Douglas, Michael Park

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✠ The Vampire Bat.

The Jester 2

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Vampire Owl: It is time we appoint a Vampire Jester in the court.

Vampire Bat: The times of vampire entertainers are over in our world.

Vampire Owl: You think that Uncle Dracula would not need one to keep him not so serious?

Vampire Bat: I think that you are talking about the Vampire Clown.

Vampire Owl: I object to that usage because they call Dr. Frankenstein by that name.

Vampire Bat: Mr. Frankenstein has always been a clown of science.

Vampire Owl: You know the greatness of the scientist Frankenstein soon enough.

Vampire Bat: Please keep the castle out of strange pseudo-science and related experiments.

Vampire Owl: I would have liked the castle to have all the credit for great experiments.

Vampire Bat: There is no greatness in fake experiments which bring nothing useful.

[Gets a parippu vada and three cups of Wayanad tea].

What is the movie about? :: A Halloween night begins, and a terrifying mute figure wearing a scary clownish mask and an orange suit is shown to kill a man at night in the streets after showing him a magic trick, and this happened after he had caused the death of a young man at a costume party after a little performance. This man of illusions and magic tricks, the Jester (Michael Sheffield) keeps walking through the streets, seemingly look for more victims. At the same time, a lone teenager Max (Kaitlyn Trentham) decides to get out of her home to walk through the streets wearing an oversized top hat and a hand-stitched magician’s tailcoat, staying close to the mood of the season and following a trick and treat model. Max has always been a social outcast, bullied all the time by the friends who study with her, and she is also not really liked by her mother and sister, both of them considering her to be too weird and not mentally grown up enough for her age. Her only place of refuge is an antique magic shop managed by Willie (Dingani Beza) who has served as her mentor, also teaching her some tricks of illusion in the process.

So, what happens with the events here as we just keep looking? :: As she sits at a diner all alone at night, on the opposite seat, the Jester arrives to sit in a friendly manner. As he takes out a deck of vintage playing cards, and tries to go through his usual activity, Max recognizes the idea of the illusion, and as taught by Willie, she brings a counter-trick, and beats him in his own game. The Jester finds theatrical routine falling apart and deeply enraged by a teenager beating him, slams his hand on the table and leaves as she wonders about what just happened. She finds out that the Jester is a supernatural entity who has turned the entire neighborhood into a location where he is going to perform through a night of blood and gore. He stalks local residents, and darkness has become his ally, with Halloween masks an added advantage. Max witnesses one of his acts of brutality as she goes with him as he had invited him to go to a home for trick and treating. She understands that this is something supernatural.

And what more is to follow here as horror makes more claims in the Halloween night? :: She tries to escape from him, but ends up in a strange place under the control of the Jester where he explains that he needs her to join him and perform tricks instead of him as she had beaten him in his own game of illusions. Only then, he can claim souls this time, and she has to lead the way. She instantly disagrees to the same, but then learns about the consequences which would lead both her souls to eternal torment as a result of a pact which he had made with an evil entity whose existence goes a long way back. She partially agrees to help him by leading him to the people who bullied him earlier and provide him with their souls. But when she reaches one of such victims, finds herself unable to have the Jester murder him. But with time running out and the Jester determined to claim souls and with her own life at stake, she has to find an alternative, as her family is also targeted by the evil entity of Halloween. Can she escape from this situation which seems to be inescapable from all known angles?

The defence of The Jester 2 :: The movie stands tall with Michael Sheffield’s work as the Jester at its strongest. His silent theatrics in the orange suit and scary mask give him a genuinely striking visual presence reminding one of tricksters and evil clowns. Kaitlyn Trentham also nicely blends in here as the girl who seeks for a better situation in life, and at least to be considered a person of importance. She will make a big impression as a scream queen with more horror movies. The Halloween mood also brings the aesthetic with street carnivals, people in the classic costumes, neon-lit small town and spookiness never leaves, as the visual score remains high. Instead of remaining just a mindless slasher, the attempt to weave in an emotional core about loneliness can be seen, and the Jester is also more than what meets the eye. The magic and illusions getting into murders also have our attention, as the usual random murders are no longer at the main focus. The twisted world keeps us feeling that there is something about it than what meets the eye.

The claws of flaw :: The movie seems to have a certain amount of confusion about what kind of an entity Jester really is, as we find him as many different things at once, and in the end, he is taken apart rather too easily despite being such a creature of evil and darkness set in a world of chaos and illusions – he could have been a force of nature from the abyss of evil like no other. The Jester could have been that kind of a creature bigger than all evil clowns as we have seen in It or Terrifier. The lack of pace also brings some worry in between. The presence of uneven CGI along with those visual tricks keeping itself cheap might be because of a lower budget – much more could have surely been achieved. The dramatic side with the mother-daughter could have been stronger with more moments, and sisterhood elements also deserved something better than what we had around here as just a quick scene and references. The mentoring with the magic and some stylish illusions would have also made a classic background.

How it finishes :: There was always a lot of scope with this kind of a premise, and we had hoped for more. Yet, this remains interesting throughout its run, even when things slow down a bit. The Jester 2 rests mostly on the strength of its visuals with the atmosphere and some nice tricks, along with the performances from those who plat the protagonist and the antagonist. We can hope that the ritualistic purpose of the creature gets expanded on another day with one more sequel, or a prequel from a long way back, as this is one concept that can keep the horror strong. Facing a seemingly unstoppable force from the depths of unknown will always have our attention. A future sequel with a bigger budget can bring something to remember for a long time. For now, it is available in both Amazon Prime Video and Jio Hotstar, making sure that we have nicer slasher from two of the best OTT platforms available in India. After all, these are the kind of platforms which we use more due to special offers which come from mobile phone recharges and other sources.

Release date: 17 October 2025
Running time: 90 minutes
Directed by: Colin Krawchuk
Starring: Michael Sheffield, Kaitlyn Trentham, Dingani Beza, Jessica Ambuehl

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@ Cemetery Watch
✠ The Vampire Bat.

The Runner

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Vampire Owl: We have always been referred to as night runners by humans.

Vampire Bat: That is a title reserved for the creatures of spirit world.

Vampire Owl: I have heard humans calling us by that name.

Vampire Bat: It is because you haunted houses like evil ghosts.

Vampire Owl: That was like a few hundred years ago.

Vampire Bat: You should have known that they write it down in detail.

Vampire Owl: Well, humans no longer read or write anything by themselves these days.

Vampire Bat: They will still get the details from their own Artificial Intelligence.

Vampire Owl: Dr. Frankenstein has said that Artificial Intelligence was transferred from shadow world to humans.

Vampire Bat: Mr. Frankenstein knows no shadow. I have heard that he is even writing a book named “Frank’s Shadow’s of Infinity”.

[Gets a sambar vada and three cups of Vagamon tea].

What is the movie about? :: Maia (Gal Gadot) is a prosecutor who deals with some of the most sensational cases, thus becoming almost a celebrity in the same. She also serves as single mother to her diabetic son Noah (Rory Wilmot) as they live in London going through a happy life. On the day she is supposed to appear in court for the trial of a notorious crime boss, the health and figure conscious Maia goes for a run after dropping off her son in the school campus, not walking him to the building. As she keeps running, she receives a call coming from Noah’s phone from an anonymous person who declares himself as an employee of the dreaded crime lord. He tells her that Noah is with him, and orders her to go according to his instructions so that the boy does not succumb to his diabetes-related problems. He also lets her know that he has hacked her phone, revealing details of her hidden folders and her semi-naked private pictures which she found there to make her believe – he tracks her each step as she is supposed to keep the mobile phone with her, which leaves her unable to call or talk to others for help.

So, what happens with the events here as we just keep looking? :: The Caller (Damian Lewis) shows her a trashcan from where she is able to find a gun which she is to use to murder the key witness in the case of the crime lord. As the witness is under police guard, only she can have access to the man in him room which is at an undisclosed hotel set in an area which only a few people know about. Facing the death of his son in one hour and with the Caller having not only her semi-nude private photos, but also other private details from a complicated troublesome past which could destroy her reputation, she has to act and run fast as she can, as there could be restrictions on her path ahead during the busy hours. As she tries to contact Ted (Alfred Enoch) who works with her and has shown a certain romantic interest in her after snatching someone else’s phone, he reveals that he had hacked his phone too, and she understands that she is helpless and completely in control of the unknown man who holds her hostage while her son has gone into coma and faces death with only a few minutes remaining.

And what more can happen here with a child’s life and a woman’s reputation at stake? :: The Caller intends to take the easiest path to murder the man in safe security and at the same time also destroy the life and reputation of the woman who played a major role in having the crime lord in peril. It is revealed that he had hacked the two mobile phones a long time ago, and has this one perfectly planned leading to a perfect murder, knowing Maia’s history of being orphaned and divorced, as well as her mental problems and medicines which she has been taking for mental health. With her mother murdering her father, he considers her to be someone who has a history of violence and brutality in blood along with that mental illness, making her the perfect choice to commit this murder. As she is disturbed by him talking about her disturbed past, mental problems and semi-naked private photos, she is struck by a car on the road, and awakens some minutes later in an ambulance, understanding that she is a lot behind with time. Now, she has to run faster than ever by taking the best shortcuts in the city to even stand a chance to make it – she is not supposed to use any transportation, talk to anyone or draw attention to herself. Can she race against all odds with the injury and reach the location to murder the man?

The defence of The Runner :: The movie lasts for less than one and half hours which makes this one a perfect quick journey through a classic run through London. The charm of the visuals of one of the classic combinations of the ancient and modern has us interested as much as the thrills of the terror with a terrifying killer knowing everything about you while keeping your most loved one hostage – the running is nicely managed throughout the movie which is all about the same and happening within the Aristotelian classical unities. As this follows one main storyline and action, with no subplot, with everything taking place within a single 24-hour day and confined to a single physical location of London city, this is a classic journey which is past-paced while moving through a single small world. The feelings of the protagonist is nicely felt, and Gal Gadot is a perfect choice for this role, as she delivers another thriller outside the big action thrillers like Red Notice and Fast and Furious series or the Wonder Woman and the rest of the Justice League world. Gal Gadot running through a city with unparalleled determination is a sight that we will remember for long.

The claws of flaw :: The movie does not hesitate to show itself as a cliché or a deviation from previous movies at times. Gal Gadot who handles the physically demanding nature of this sprint could have also had some big stylish sequences at high pace which would be above the ordinary, but we see it kept ordinary and simple, below the huge situation that we have around here with a high-profile case and a dreaded crime lord involved. There could have also been more life-threatening moments to go with the same with the protagonist taking so many more unexpected risks. Some of the effects used to make the running feel tiring, hectic and tensed do not work that well, as camera focusing on her from different angles including bird’s eye, from the floor and third-person chasing her would have been stylish – maybe the protagonist could have jumped on the roofs, gone through windows, taking some strange paths through less taken paths; all of these could have been added here and there. The final moments are not that strong too, and the solution here seems rather easy and quickly achieved without that huge tension in the end which we had awaited.

How it finishes :: The film’s biggest asset is its pace going under that one and half hour of time which is often a minimum for most movies, and it goes through a fast and furious journey through the streets and transit systems of London despite the struggle that comes by the end. Gal Gadot brings some classic physical stamina to a role that requires continuous sprinting and some near-perfect movies along with those emotions that need to be displayed in between. It is more or less like an adrenaline-fueled workout run that can keep one extra-healthy if done every day without failure or those injuries. The movie’s inability to bring that tension in the end and the easy solutions are not what we had in mind considering lives and privacy at sake. As the final act abandons its gained momentum for those strange twist revelations, what it had accumulated do not stand that strong. But we enjoy the tension, and the short run-time has us always in focus. As this released directly to Amazon Prime Video, this makes a fine weekend watch on the OTT with the entertainment going at the right pace.

Release date: 2 September 2026
Running time: 84 minutes
Directed by: Kevin Macdonald
Starring: Gal Gadot, Damian Lewis, Rory Wilmot, Alfred Enoch

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✠ The Vampire Bat.

They Will Kill You

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Vampire Owl: They used to say these words about us related to killings.

Vampire Bat: They do this at a time when humans are the real killers.

Vampire Owl: I still wonder why they are not extinct yet.

Vampire Bat: Evil always finds a way to survive and destroy others.

Vampire Owl: For them, death leads to afterlife and not to the undead status, so they will.

Vampire Bat: Yes, we do not accept evil humans as vampire anymore.

Vampire Owl: Have you seen any good human in the last few years.

Vampire Bat: You know that I do not meet humans anymore. Too much evil around them.

Vampire Owl: All the evil overlords have always been human.

Vampire Bat: Well, humans have always been good with black magic and the chaos nodes which channel their powers.

[Gets a mango burfi and three cups of Munnar tea].

What is the movie about? :: Asia Reaves (Zazie Beetz) is coming out of a troubled past which involved a lot of time being spent in prison after she shot her abusive father. Coming out of her troubled past, she goes searching for her sister Maria Reaves (Myha’la) who was taken away by the same abusive father, and arrives at the Virgil, a huge high-rise building in New York City, posing as the new maid appointed by the special extra rich people who choose to live there. She had gathered information anything anyone last knew about Maria was that she had taken a job was a maid there, and people who take the work is never really seen outside. Lily Woodhouse (Patricia Arquette) tells Asia that the building is more than one hundred years old, and she expects her to do good work for the wealthy and elite which leaves no room for mistake. She is also given a well-arranged beautiful room to stay for the day. She meets Lilly’s husband Ray Woodhouse (Paterson Joseph) who leaves a message “They Will Kill You” on the mirror of her bathroom, but she misses the same as she moves directly into the shower and fog on the mirror erases the same.

So, what happens with the events here as we just keep looking? :: Asia notes that there are some strange sounds coming from within the walks, and while she is sleeping, a masked man attacks her, and while trying to fight back, both of them get knocked out. Soon, a few other masked people also come in from the ventilation shafts and secret passages in the room. But she wakes up and manages to fight back. They are surprised to find Asia armed and highly skilled at defending herself, managing to kill all of the assailants despite being outnumbered, thrown around and beaten up. Asia gets out of the room only to find Lily and she demands the location of Maria, who is known to work as a maid at the Virgil. But Lilly only laughs at her while Asia’s attackers resurrect, forcing her to run from them to hide herself in a room, only to find out that the windows of the building cannot be broken, and later to be stabbed by a little boy on her back. She then seeks refuge in the building’s vents, clueless about what is happening around her.

And what more happens here as something more terrifying awaits at each turn? :: Asia who manages to survive against the chasing Sharon Vanderbilt (Heather Graham) despite almost being at the receiving end of the blows, and is saved from others by Ray who explains that the Virgil is a dedicated temple to Satan, and the residents have been granted immortality by performing human sacrifices by capturing and ritually killing the young women looking for jobs as maids. He guides them through the vents and above the room of lust with naked people going through orgies of sexual activities, as Ray tells them about the other deadly sins being openly practiced within the building to please Satan. Sharon who whose head was destroyed by Asia’s shotgun had her eyeballs following them though, and they find Maria only to understand that she does not wish to leave the place at all. She tells them that she had dedicated her life as a maid there and knows what goes on there, making her a part of the Satanic pact. Asia knocks her out and tries to leave only to be hunted by the Satanists. Can the sisters make it out alive?

The defence of They Will Kill You :: The situation which is darkly comedic, but with a stylish approach to action and violence, with fights very much interesting at all times – there is nothing much that one can expect here more than what we see on the screen here. Zazie Beetz whom we know the best from Deadpool 2 is a perfect scream queen survivor fighter here too, as she goes through the fights and maintains that emotional weight, as she balances her feelings with survivalist action – the first fight in the room is too good with style and fun as she excels right there, with those unexpected moves and sets the tone really well for what is to follow in the movie later; there is even a nice, funny side to that battle. The environment really works in favour of the movie too, as the eerie, isolated luxury high-rise building provides a claustrophobic atmosphere which leaves one with no chance to escape and no help to be taken from outside. The use of Satanism also works in its favour like in Psycho Killer, as the terror feels like having some other-worldly influence as escape seems more and more difficult.

Positives and negatives :: The movie’s situation nicely resembles the sequel to Ready or Not which released this year with its own sisters in trouble to due to a group of families hunting them within a closed space in a luxury land property instead of this luxury building rising high. The Satanic presence was also around in that movie, and the similarities still point out the differences, with this one not being that serious, and the humour here is surely stronger with more focus on horror, while the earlier movie felt more serious and further emotional about sisterhood. The movie’s brutality might not be acceptable to everyone, but there is a certain amount of balance maintained there too. The shift between the genre can also feel strange at times. The style also takes over a little bit too much, and some elements of possible horror seems to be left unattended as the terrifying seriousness is not set as the most significant thing here. Myha’la and Heather Graham also deserved more fights here, but they are very good when they go through the same.

How it finishes :: This might be one of the most fun-filled survival horror thrillers that you might ever see in a long time, as the way in which it serves the purpose has to be appreciated. One would feel that some smaller moments could have been taken differently, but that would go unnoticed unless the viewer is digging a lot deeper. We note that this one became an entertaining watch like not many others could accomplish with similar situations. The social message about the rich hunting the poor is also there, and we see how evil has its roots in the influential sides, maintaining its terror really well. The action here is too good, and the surprise provided by the first fight in the room scores higher than ever, with another big fight in the darkness and the final battle making impact too. If you are looking for an inventive, gory, survival-based thrill ride with big action, this is the one entertainer that you are looking for, and the same can be accessed through Jio Hotstar, with Zazie Beetz stealing the show so well.

Release date: 27 March 2026
Running time: 94 minutes
Directed by: Kirill Sokolov
Starring: Zazie Beetz, Myha’la, Paterson Joseph, Tom Felton, Heather Graham, Patricia Arquette

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@ Cemetery Watch
✠ The Vampire Bat.

Supergirl

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Vampire Owl: I have heard some strange things about this movie.

Vampire Bat: The trailer itself was rather strange for a superhero movie.

Vampire Owl: I was wondering if this was really a superhero or a girl calling herself super.

Vampire Bat: There is nothing super about humans or their alien friends.

Vampire Owl: Yes, you are talking about chaos and destruction caused by them.

Vampire Bat: Devastation, explosion, annihilation, end of the world, everything awaits.

Vampire Owl: It is great that they have remained without their immortality.

Vampire Bat: Still, there is no shortage of infinite hopelessness in them.

Vampire Owl: I see no point in any alien trying save the humans.

Vampire Bat: You should know that vampire elders voted for human extinction three million nine thousand eight hundred and eighty-seven times in history.

[Gets a sambar vada and three cups of Ooty tea].

What is the movie about? :: Zor-El (David Krumholtz) who was a leading scientist in the planet of Krypton along with his wife Alura In-Ze (Emily Beecham) and a number of people who had chosen to follow him, had moved to Argo City in the centre of the planet, during an event which destabilized the core of the planet leading to its destruction. A forcefield around city and its surroundings, going some distance down, had saved it from the explosion of the core. But it is discovered that the separation of Argo City from the planet had exposed a mineral known as Kryptonite which is slowly killing the citizens through a certain kind of radiation which affected their cells. After Alura dies due toto Kryptonite poisoning, Zor-El decides to send their daughter Kara (Milly Alcock) to Earth with their pet dog. As she reaches Earth, she meets her cousin Kal-El (David Corenswet) who was sent to the planet before the explosion of their planet’s core. After a series of events, Kara decides to go on with her life partying on planets with red suns where she can get drunk unlike Earth with yellow sun which heals her and takes her dog Krypto with her.

So, what happens with the events here as we just keep looking? :: As she parties in celebration of her twenty third birthday, she stops at the planet Holzherr. There she finds Ruthye (Eve Ridley) who is the last survivor of her family who were murdered by Krem (Matthias Schoenaerts), the leader of a merciless bandit group known as the Brigands who haunts the galaxy as space pirates and human traffickers. Ruthye who is assisted by Kara to retrieve her family sword follows her and requests her assistance so that she can kill the man responsible and have her vengeance, but the Kryptonian is not interested at all. Krem who follows them takes Kara’s ship to escape from the planet as his spacecraft was destroyed by Ruthye’s parents. He shoots Krypto with a poisonous dart when he tries to stop them and the dog is left with only three days to live. Kara decides to go after Krem to get the antidote which only their race possesses, and is forced to keep Ruthye as her companion in the journey. They find an alien mercenary and bounty hunter named Lobo (Jason Momoa) who is also chasing the bandits – can they complete their mission in time?

The defence of Supergirl :: There is always something about a superhero movie which has a vulnerable superhero, whether it is with the psychological side and physical side as the person tries to get through different kinds of trouble in life. The idea of having the superhuman go on a journey of self-discovery surely works, and the funny side also comes effective at times. The action is surely interesting, even though not on that huge a scale – the fight in the flight and the final battle do have the power to keep things interesting though. But the interplanetary journeys work well, like it did in Thor: Ragnarok, and does not make her feel like the miserable Captain Marvel who gets more irritating and is more alien than anyone from another planet could be. The fact that there is not that much of the irritating dog in this movie keeps things better. The movie moving from Metropolis cityscapes to an intergalactic revenge quest across alien worlds has the divergence that we have been looking for, but has been missing in this particular universe. The world-building surely has taken some skill, and we see that the same has been given a lot of attention. Then we feel that a new movie with both the super people is going to be grand.

The claws of flaw :: The movie struggles to keep the superhero model alive on a lot of occasions as there might be an identity crisis coming in here and there. One keep wondering if the main character had that much of a trauma to be irritating to the people around her, and the dog even becomes another name for irritation. If it had any more screen-time in a superhero movie about humans, aliens and different plants, that would be seriously disturbing, but this one escapes the same by a few minutes. The struggle related to balancing the dark themes of vengeance, trauma and heavy drinking) which comes against the silliness and the comic book action can be seen around. Some of the settings of the movie also shows some weaker designs of not much of an interest. A number of characters are not seen like having much of a development to think about. Then there are the first few minutes of the movie which does seem to make it interesting at all; this was another one of those films which we wonder if we can finish or have a positive opinion about, after we watch the beginning with the girl and the dog.

The performers of the soul :: Milly Alcock, seems to handle a different kind of Supergirl really well, even though never the kind we wanted or expected in this universe – we had a feeling what to expect from the Superman movie for sure. She is surely fun, even when the character does not walk the path needed for such a character as we would think about. But it is still a lot better than having a too-powerful and no physical or psychological weakness psycho-hero in the form of Captain Marvel. There is surely some fine development of her character despite that dumb beginning to the flick. She surely fits in as this version of Supergirl, and we see her doing so well in the middle part of the movie. The world’s most super irritating dog is also there, and as it is not there for the full run after that character being paralyzed, we can safely go with the humans now. Jason Momoa also makes a fine impact here even though we would have always loved him more as the Aquaman ruling the oceans with Amber Heard by his side as Mera. Eve Ridley as Ruthye Marye Knoll also brings some additional fun around here. Matthias Schoenaerts as the villain remains effective too.

How it finishes :: Despite the movie not becoming a success, and going rather too low with the box-office collections, one has to feel that it is not of such low level. It might not have that superheroic quality as one would expect and there is no doubt about it. But it is still better than Superman which released earlier, and seems to have more work done around here. This one is indeed ambitious, non-traditional comic book adaptation that gets into a darker sci-fi territory, and the feeling of danger is surely more and realistic than in Marvel, which used too much of the funny side as it made its superheroes, especially Thor, feel like a buffoon. This movie here might not be a universal crowd-pleaser and has surely fallen a long way from the status of a commercial blockbuster, But Milly Alcock’s performance in the second half of the movie and the central dynamic with the new-found partner traveler offer a fresh look here. Yet, one would think that if the earlier universe had continued with its existing strength, the world would have survived better, or at least if a parallel universe was unlocked before this one.

Release date: 26 June 2026
Running time: 108 minutes
Directed by: Craig Gillespie
Starring: Milly Alcock, Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet, Jason Momoa

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@ Cemetery Watch
✠ The Vampire Bat.

Mortal Kombat II

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Vampire Owl: So, it is that time of the year when we fight against them all.

Vampire Bat: We do immortal combat and do not fight mortals.

Vampire Owl: Why should we immortals engage in immortal wars?

Vampire Bat: We have had our immortal war moments in the last few years.

Vampire Owl: But zombies disintegrate, werewolves live and die. Where are the immortals?

Vampire Bat: The shadow demons are immortal, and our fight is with them.

Vampire Owl: They have not reached the realm yet, as far as I know.

Vampire Bat: The tunnels connecting our realm and the shadow world are active.

Vampire Owl: You mean to say that there is activity down there?

Vampire Bat: Yes, vampire scouts are expecting a surprise attack soon.

[Gets a ghee podi masala dosa and three cups of Munnar tea].

What is the movie about? :: Shao Kahn (Martyn Ford) had defeated and killed King Jerrod (Desmond Chiam) as part of the final battle against Edenia, and took Queen Sindel (Ana Thu Nguyen) as his new queen but completely under his control. Later Shao train Jade (Tati Gabrielle) whom he found in a slave pit, and he also has Kitana (Adeline Rudolph) who is the daughter of Jerrod and Sindel by his side, as he also keeps her ready to fight on his side. Many years later, with the tenth Mortal Kombat tournament is about to happen, Quan Chi (Damon Herriman) revives Kung Lao (Max Huang) and Kano (Josh Lawson) as they are in need for more warriors to serve their purpose. While Kung Lao becomes under their control, Kano remains the same, greedy and selfish, not able to be controlled by anyone. Meanwhile, Lord Raiden (Tadanobu Asano) and Sonya Blade (Jessica McNamee) approach a former Hollywood star who has lost his roles with his age, Johnny Cage (Karl Urban) to recruit him as their fifth champion alongside Sonya, Liu Kang (Ludi Lin), Jax Briggs (Mehcad Broks) and Cole Young (Lewis Tan).

So, what happens with the events here as we just keep looking? :: But as he understands that he stands no change against fighting to conquer Earth with superpowers, and knowing that he could just die in the arena with ease, Johnny refuses to participate. Even though he returns to Earth, he is drafted into a battle with Kitana who wins the same with ease, but she does not kill him even though Shao Kahn asks her to. At the same time, Sonya is taken into face Sindel whom she ends up killing after some initial difficulty. Jade discovers that Kitana is working as a spy for Rayden, and captures her with the help of her guards while returning from Earth and presents her to Shao Kahn. Feeling betrayed and angry, he orders for Kitana to be tied up in the centre of the city for everyone to see her as a dishonoured traitor on display with chains stretching her arms and legs. Jade asks her to seek forgiveness from Shao Kahn, but she refuses and chooses to stay in bondage. The resurrected Kung Lao travels through the path in which Kitana journeyed to Earth and wounds Raiden, allowing Quan Chi to take his power into an amulet, which they bind to Shao Kahn.

And what more can happen here as end seems near for Earth and its people? :: This process makes Shao Khan immortal, but Raiden is almost killed in the process. Johny and Sonya are defeated by the attacking fighters who are quick to knock them unconscious, and at the same time, the second round had begun and three fighters were already at the battlegrounds. Liu Kang and Kung Lao face off against each other, and despite the former trying his best to reason with the former to return as Earth’s hero, the fight continues – Liu Kang is forced to kill Kung Leo by throwing him to his own bladed hat. Jax who fights with Jade also finds it easy to defeat her as she stands no chance against his strong mechanical arms, but he spares her life as Kitana had asked for the same earlier when she visited them. Cole fights and almost kills Shao Kahn, but his wounds heal instantly, shocking him. Shao Kahn who calls for the Scorpion blood brutally kills him and throws his body away, keeping the competition between two worlds close. With Shao Kahn being invincible and Raiden on life support, and running out of fighters, can Earth be saved from invasion?

The defence of Mortal Kombat II :: Calling all the attention to himself, Karl Urban steals the show nicely with this one. He had some fine action movies failing despite being so good, most notable one being Dredd, but this stays strong to avoid that fate. He nails this character and it is the one character that stays strong and also brings the fun. The fight choreography has also managed to be better, and it feels so much like a real arena fight, and the gaming nostalgia nicely comes back here. As fans of this one game which kept us so much interested in multiplayer as much as single player with so many options, this nostalgia keeps us interested at all times, as the danger gets ready to unleash itself on our world. There is the violence which stays close to the game, as we feel the shades of those fatalities which seems to be straight out of the game. The new characters and situations also add the epic dark-fantasy scale that can inspire a sequel – the world-building has been top class and more can follow in the franchise.

Positives and negatives :: Those who are looking for full-strength, well-planned scheduled tournament of fights in order would be disappointed. Some characters could have also developed further with better understanding of new worlds and fights occurring in a variety of settings. There could have also been adventurous journeys to serve the purpose. Even though the tournament gets active, there is not much of a fight among the audience or something that is shown continuously as grand battle. The movie’s female leading fighters Jessica McNamee and Adeline Rudolph are just too good too, and their fights are admirable. Jessica would have done nicely to have more fights too, while Scorpion and Sub-Zero not with the best glory might keep people wondering. This happens even when the characters do not undergo that much of a development. There is also no real terrifying character, as the terror is not built that much, as the game might be the scarier and more effective thing compared to the movie as many other gaming adaptations from Hitman to Resident Evil, Silent Hill, Monster Hunter and Doom.

How it finishes :: The movie takes the live-action franchise further forward, delivering a sequel that is sharper in moving through what fans expect from a computer game adaptation. It delivers a thoroughly entertaining spectacle with action that levels up from the predecessor in an even better world. The change of protagonist also seems to have served the movie well, even though one big tournament fight with him would have been nice. The nostalgia that we feel related to this franchise is also really a lot, and we never are never really out of it – I remember traveling so many kilometres to play a version of this game as it could only be played on Pentium IV Processor and above with a GeForce Card. Quan Chi’s double knee stomp was a favourite as he jumps up and keeps on walking on the opponents, then Scorpion and Sub-Zero also remained. We might never have a game based on some of the classic titles like Unreal Tournament and Age of Empires, and so we enjoy what we have, as it has been well-set before us. We might have missed it at the theatres, but the need to watch this one never really left us.

Release date: May 8, 2026
Running time: 116 minutes
Directed by: Simon McQuoid
Starring: Karl Urban, Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks, Tati Gabrielle, Lewis Tan, Damon Herriman, Chin Han, Tadanobu Asano, Joe Taslim, Hiroyuki Sanada, Martyn Ford

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@ Cemetery Watch
✠ The Vampire Bat.

A Working Man

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Vampire Owl: We are all working all the time, you know.

Vampire Bat: Everybody including Uncle Dracula knows that you do no work at all.

Vampire Owl: I work at my own office within my room.

Vampire Bat: You know that there is no business firms allowed in the Dracula Castle.

Vampire Owl: This is just me showing my skills making blood milk shake and blood cake.

Vampire Bat: Do you even know the sugar levels of vampires of the castle?

Vampire Owl: It is approved by Dr. Frankenstein and his medical company.

Vampire Bat: Mr. Frankenstein has never been a real doctor who can do that.

Vampire Owl: Frankenstein has presented and published a research paper on vampire blood sugar and was appreciated for the same by different universities.

Vampire Bat: I have heard that they were promised infinite amount of money just to accept the abstract and let him present it.

[Gets a paneer samosa and three cups of Kodaikanal tea].

What is the movie about? :: Levon Cade (Jason Statham) is a retired Royal Marines Officer, now working as a construction foreman in Chicago, leaving the United Kingdom after his service and settling down in the United States as his American wife had committed suicide, and his father-in-law Jordan Roth (Richard Heap) who had settled down in the same city does not allow him to see his only daughter Merry Cade (Isla Gie) as he is known to suffer from PTSD and has been struggling to gain custody of his daughter. Levon maintains a close friendship with the family who employs him at the construction site – Joe Garcia (Michael Pena), his wife, Carla Garcia (Noemi Gonzalez) and their daughter, Jenny Garcia (Arianna Rivas), as they consider him as one of their own. One night, while Jenny is out at a bar, enjoying with her friends, she is kidnapped by two Russian traffickers who randomly choose their victims from the night club, the ruthless mercenaries known by the names Viper (Emmett J Scanlan) and Artemis (Eve Mauro).

So, what happens with the events here as we just keep looking? :: Joe and Carla report the case of their missing daughter to the police, but they are unable to find any leads, and do not seem to keep this anywhere close to priority. Desperate to find their daughter, the parents who know about Levon’s military past, offer him money to find Jenny, but he refuses to do anything about it, as he feels that his past was responsible for the death of his wife and hostility of his father-in-law who has always been a pacifist. But after consulting his former friend and comrade in arms in the military Gunny Lefferty (David Harbour), decides to what he does his best and follow his heart, as he had once promised Jenny to watch and protect her, making sure that no harm would come upon her. As he decides to use his best skills for the purpose, follows the bartender who was there at the time when Jenny went missing, and finds connection to Russian mafia which has been involved in human trafficking in the past. He finds out that the situation is more complicated than he thought. Can he find more clues and reach Jenny before time runs out?

The defence of A Working Man :: Watching this movie, one feels that this is a movie well set for Jason Statham to come up with all the action, and the same is asserted again and again as the movie progresses and gets close to the end. The action sequences are excellent and staying within the willing suspension of disbelief limits. It was best seen with that beginning fight scene and it just gets bigger in the final scenes as there is a lot to be done. We see something to root for the protagonist every moment as the film progresses – there is also an emotional touch to the main character, and we connect to the same with the feelings rightly felt. There is also that feeling of nostalgia that runs through in the movie reminding us those other earlier movies that we have seen before. The stylish and immensely evil Russian mobsters to a biker gang leader sitting on a literal throne in a basement with his black-wearing people, the variety of villains that make quite some impact. The visuals are quite nice, with different settings nicely used for the situation.

The claws of flaw :: The movie feels like a Taken-inspired weaker version with search for one woman who has taken by drug traffickers often forced into prostitution, as even the less appreciated Malayalam movie Karam doing better than this particular one. Yet, one feels that the danger is not that much felt here with the kidnapped woman, as she seems to be too comfortable with the same even when in so much of a terrifying situation as part of her captivity. For some reason, we do not see facing that much of a terror, and she seems to be more military-trained than even the main protagonist – this is where the other movies dealing with the same premise dealt with the situations much better. Even the search for the woman seems to be lagging, as the pace comes down. Then those fast cuts and shaky camera work during the quick action makes things feel rather strange, and leaves a lot to be desired. The title of the movie is also never really justified as the construction work never really gets the attention again.

The performers of the soul :: Jason Statham once again does what he does best as he has a strong physical presence, charm, as well as nice fight scenes including hand-to-hand combat and some shooting to go with it. Starting with a construction site fight and finishing after a full set of climax battle sequences keep us satisfied. It is once again asserted that he is the man for this kind of a job, after Liam Neeson did the same multiple times with his one series of movies starting with saving his daughter from human traffickers. Being a part of The Mechanic and one among of Hobbs and Shaw battling in Fast and Furious series had made us hope for him even in Hitman: Agent 47 which would have been perfect for him. After John Wick and friends in a chaotic murder spree universe, he remains seemingly best choice for this kind of worlds. Arianna Rivas as Jenny Garcia does not get much except for those last moments when there seems to be a fight forced on her – in a movie focused on her kidnapping, she is just not shown enough. Then the antagonists seem balanced, rightly there to be menacing enough.

How it finishes :: This remains an interesting movie, even though nothing much new in its content, and reminds us of many other movies in the past. The movie gains the advantage from Jason Statham as the main character, and even when there is not much to raise the level in the narrative, the man takes the movie straight up to another level. But we cannot help feeling that he could have done more if the search was better arranged and if the danger was really felt except for the kidnapped not shown much after being kidnapped except for the end, and due to the hero quickly going through the villains without that much of a difficulty as one should be having when facing a mafia, The emotional side with daughter works, but not with the kidnapped one as we rarely feel that she is in trouble, and yet we feel that the poor mafia members are really in bigger trouble – this is something which should not have happened in a movie like this which does not go over the line with its action. Well, the fight scenes work really well, and keeps us interested, and we are thrilled to see the happenings on the screen; often that much is enough for the genre, but not for a second watch on any day.

Release date: 28 March 2025
Running time: 116 minutes
Directed by: David Ayer
Starring: Jason Statham, David Harbour, Michael Peña, Jason Flemyng, Arianna Rivas

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✠ The Vampire Bat.

The Devil’s Mouth

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Vampire Owl: At least the devil is doing better than the humans these days, I think.

Vampire Bat: Maybe the devil should go to Earth and leave hell for the humans.

Vampire Owl: Isn’t it where most of the humans are going sooner or later?

Vampire Bat: I am expecting the angels of heaven to be very lonely.

Vampire Owl: Do you think that there will be space in hell for this many humans?

Vampire Bat: Hell is infinite and eternal, and with separate circles.

Vampire Owl: So, it is the same as what Dr. Frankenstein had discovered.

Vampire Bat: Mr. Frankenstein is a man of infinite circles of nonsense.

Vampire Owl: When did infinity start coming in circles of Frankenstein?

Vampire Bat: He has always needed them as he would be going to hell as a human too.

[Gets a paneer paratha and three cups of Darjeeling tea].

What is the movie about? :: Five friends from the United States, Sara (Kathryn Newton), Max (Lala Condor), Greg (Gavin Casalegno), Adrienne (Tommi Rose) and James (Nico Hiraga) are on a trip to South Asia, now visiting the beaches and going through underwater journeys in Thailand. As they are enjoying the open tropical waters off the coast, they do not realize that Sara is diving in the water, and as they ask for the boat to be moved to the land as Max feels that she is in the shower. Left alone, Sara is swarmed, and stung by aggressive jellyfish in all parts of her body, rescued later, but is left in pain. Max is supposed to be the one in control of the trip and also the one who said that everyone was aboard before the boat was taken forward, which leads to some tension, but Sara and Max are back together as best friends in no time. The friends are back together, and as they continue to feel that something is in the saltwater of ocean due to seeing dead fish and turtles cast ashore on beaches, they sign up for a guided swim through a fresh water remote cave system known as The Devil’s Mouth.

So, what happens with the events here as we just keep looking? :: This early incident leaving Sara as damsel in distress does manage to keep a rift between them right before they enter The Devil’s Mouth cave network, and despite Sara trying to keep up with the excited team against her pain and in spite of Max trying to tip the guide to take better care of her friend, there is some disagreement. While Sara asks for the easy way through the tunnel without that much of it submerged in water, Max who has always been the leader opts to go for the highly submerged red route, and Sara, despite her fears, agrees to the same. The team is led through a path which had its water level only somewhat come down from being fully submerged in a previous storm. They go through different caves which are interconnected through passages flooded with water, some of them even having salt water from the nearby ocean. But they soon find one of the divers who went before them dead, and within minutes finds themselves hunted by a shark which seems to have come in from the ocean during the flooding with nowhere to go as the tunnel lost its connection with the saltwater. Now, can they survive the creature sensing blood all around?

The defence of The Devil’s Mouth :: With the tide rising and oxygen levels dropping inside the cave system, the friends left on the isolated rock shelves where the shark cannot reach, do not find it to be a long-term option, but have nowhere to go in the maze-like chambers – this is perfectly shown here with each scene, and we have an environment which is so well created and maintained with danger all around the corner. The cave diving horror and shark survival are combined nicely here, as the subterranean setting makes it a different battle against the creature. The tight underwater struggles, internal disagreements, secrets and grievances within themselves, all add to the further tension here. The movie is also never really that long, and this length feels perfect for the total run-time. The signs of the same was established early enough, and that too in open water, with the attack of the jelly fish as much as being left alone in the middle of the sea – these are also basically the kind of horror which are scary enough even without huge fangs.

Positives and negatives :: The movie’s caves are among the best that you might ever see, and when you put a shark in there, it is just glorious. One then remembers that some fine foreshadowing has always been there, and all would lead to just disaster. The final moments when the protagonist lures the shark with herself as a bait is among the best of the movie, and when the characters try to escape from the shark at a ledge, and when they move through tight tunnels, we are all kept in the highest level of tension. We see that the situation places us in a world from where escape is almost impossible by logic with water all around, and the shark being able to thrive in both freshwater and saltwater settings. This also means that there is less visibility, and we can keep feeling the need to have more light around – keeping on looking at the darkness is not the best thing we can do around here. There is some repetition here and there with what the characters are doing, even though the same remains enjoyable.

The performers of the soul :: Here, we have Kathryn Newton once again doing what she does the best, and that is to survive against all odds, as she already did in Ready or Not 2: Here I Come, and had managed to get out of that Ant-Man and the Wasp: Quantumania level which was rather lower in comparison to where she stands now as a grand scream queen in the making – she seems to be surviving everything in a convincing manner, and here, she remains a lovable character, and it is her for whom we keep rooting for, as she knew that something bad was going to happen all the time, and in her senses, tries to avoid the worst, even though she has to finally give in to her friends. She is the survivor whom we would all love to have, maybe in a sequel to The Shallows. She is one young actress who seems to be bringing a certain amount of completeness. Lana Condor whom we would best recognize from Alita: Battle Angel, Pretty Lethal and X-Men: Apocalypse, also comes up with a memorable role, and it is another work that we are going to remember here. Tommi Rose also has some work that we will remember. Nico Hiraga as James might be one selfish character which is done well. Then, Gavin Casalegno also comes up with the needed.

How it finishes :: It can be seen that the movie maintains a certain amount of balance around here with a shark attacking in a flooded cave with nowhere to go – the horror gets more of the strength here with the same, while tensions also run related to the past among the characters. We have already seen the sharks and friends running strong in 47 Meters Down, Deep Blue Sea, Killer Whale and more, but this one takes a divergent and interesting approach with the same. Anchored by strong performances from Kathryn Newton and Lana Condor, the movie also focuses on the deteriorating, toxic friendship and further focuses on the terrifying situation rather than the shark. The predictability does not push this aquatic survival flick that much down, as the tension never leaves us and the lovely leading character always have us rooting for us, with the empathy right there to be taken home. I would consider this to be a surprise charm as one of the best shark movies in some time, and its release on Amazon Prime Video has left the same accessible to more of us who choose OTT over the theatres.

Release date: 29 July 2026
Running time: 104 minutes
Directed by: Jeff Wadlow
Starring: Kathryn Newton, Lana Condor, Gavin Casalegno, Nico Hiraga, Tommi Rose

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.