A Quiet Place II

Vampire Owl: Well, this one is quite a place.

Vampire Bat: They are talking about quiet places only.

Vampire Owl: Well, our castle is quiet enough, especially during day time.

Vampire Bat: There is too much of murmuring in there.

Vampire Owl: You are talking about the intellectual voice transfer.

Vampire Bat: How can you give it such fancy names?

Vampire Owl: It is the name which the vampire elders preferred.

Vampire Bat: The vampire elders are too old to call anything by any name.

Vampire Owl: It is also another Dr Frankenstein approved thing.

Vampire Bat: Mr Frankenstein can’t even approve himself as a doctor.

[Gets a vancho cake and three cups of Vagamon tea].

What is the movie about? :: Evelyn Abbott (Emily Blunt), Lee Abbott (John Krasinski) and their children, along with other spectators, witness the arrival of a strange object resembling an asteroid landing on Earth, while attending a little league game. Even though it lands some distance away from them, it scares them due to the size and sound being involved there. People in the town seems to be already in a state of panic. The police seems to be heading there, but already, some strange extraterrestrial creatures are attacking people. As the aliens cause chaos everywhere, the vehicles on the street are out of control, and people look for shelter. It turns out that the creatures are extremely hostile, tearing people into pieces using their extreme speed and strength, while being protected by what seems to be armoured skin. But the creatures are blind, and yet with hypersensitive hearing, would attack anything that makes even the slightest noise. The police seems to be ineffective against them, as their skin can stand the gunshots with ease.

So, what happens with the events here as we just keep looking? :: An year later, the alien creatures have brutally murdered most of the Earth’s population. With her husband dead while trying to protect her, Evelyn tries to survive with her kids, while their Regan Abbott (Millicent Simmonds)m their dumb and deaf daughter discovers a high-frequency audio feedback which can make the aliens vulnerable, and the same could be transmitted from her implant through a microphone. Her son, Marcus Abbott (Noah Jupe) also hopes to make something out of it, while also searching for a new home. On the way, the group accidentally triggers a sound alarm, alerting the creatures. At the same time, Marcus also steps into a bear trap and screams, thus alerting the creature again. They manage to one creature using the audio device and gun, while escaping from the other. They are taken to a soundproof hideout by one of their old friends, Emmett (Cillian Murphy) who lives in an abandoned steel foundry.

And what more is to follow in a world infested by ruthless alien creatures? :: Emmett had turned cynical and with no hope at all about future after all members of her family died, leaving him to survive for no reason. He feels that the humans who are left are not worth saving at all, even if there is something left. He also asks them leave the very next day, but after hearing the song, “Beyond the Sea” which according to Emmett has been playing continuously for four months, Regan feels that it is a signal which is telling them where to look, and it is on an island. She wants to go to that tower and use her high-frequency signal there, using it as a special weapon against the alien creatures. But it won’t be that easy, as the path in that direction is infested by many creatures, and Regan’s idea of going alone wouldn’t get the support of anyone. Yet, she would leave, and Emmett, with some love left for his old friends, will have to find her. Now, the question remains if her journey is really worth it. What awaits her near the tower? Is it going to work?

The defence of A Quiet Place Part II :: Just like the predecessor, this movie also depends on the same strength of sound effects which the predecessor displayed a few years ago. The alien creatures are also as good as they used to be, maintained the strength yet again. We also have more hope than there used to be. Emily Blunt continues what she was doing in the first film quite well, and she does have the warrior strength which she had displayed in the movies like Edge of Tomorrow and The Huntsman: Winter’s War. There is no loss of determination in her character here too. It is up to Millicent Simmonds and Cillian Murphy to become that characters who further to save the world though, and they are very much effective in doing the same, despite the early doubts put in there. Noah Jupe also joins well with newly found courage and wisdom in the character. Djimon Hounsou plays the man of another lands with authority. John Krasinski appears in the flashback moments, as the director also gets the acting in here again. Scoot McNairy as the leader of bandits could have had more screen space too.

Positives and negatives :: The movie still doesn’t bother to come up with any science fiction explanations about the origins of the creatures – people might have expected that, but they do get a flashback about their arrival with objects from space, which proves that they are indeed from another planet, moon or some interstellar object beyond our understanding. The movie is also in short of dialogues to keep the aliens away, but there is surely more than what we had in the first movie. The strength of the family and the importance of not giving up, also comes into the picture here. There is the idea that there is always hope for humanity, even though one does wonder if the aliens bringing extinction to humanity would have been the right thing to do, considering what mankind has done to their own people as well as the environment around them. Well, we don’t really know what the aliens were up to, as the focus is not on those scientific elements yet again, but we can be sure that there could be a sequel explaining all of these. One more sequel showing the ultimate battle of humanity against the creatures, and we can be done with it.

How it finishes :: The movie nicely continues the world which was left by the first part – the expansion that this world receives is almost as good as the first. Things continue to be kept simple as it used to be, in a post-apocalyptic world infested by ruthless alien creatures. The possibility of terror is always there, and we keep remembering about 10 Cloverfield Lane which dealt with similar creatures, but with not much of the visuals. The idea of the divergent horror movie is maintained here, as it was seen in Malignant, The Witch, The Autopsy of Jane Doe, Don’t Breathe, It Follows and Lights Out. A Quiet Place Part II continues a world of divergence which in this case has the aliens bringing all the horror and very less science fiction. These are the movies which keep the horror alive in different patterns, and with noises at the very centre of everything. Even though it is currently on Amazon Prime Video, this is one movie which could have feel better on the big screen, as there is so much of silence and the sudden sound effects that make the big impact – moments which one needs to live through rather than just get hold of.

Release date: 28th May 2021
Running time: 97 minutes
Directed by: John Krasinski
Starring: Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Hounsou, John Krasinski

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@ Cemetery Watch
✠ The Vampire Bat.

Sweet Girl

Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

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@ Cemetery Watch
✠ The Vampire Bat.

Heaven

Vampire Owl: Do you think that Uncle Dracula is going to heaven?

Vampire Bat: I am sure that vampires have a different afterlife.

Vampire Owl: You mean beyond heaven and hell?

Vampire Bat: Somewhere in between, to be exact.

Vampire Owl: Are you talking about the purgatory?

Vampire Bat: I wouldn’t know before death, but there would surely be blood.

Vampire Owl: Well, as long as there is blood, I am okay with it.

Vampire Bat: You don’t really take the blood substitute anymore?

Vampire Owl: Until Doctor Frankenstein invents the perfect substitute, I won’t.

Vampire Bat: Then, be assured that it will a long wait, because that pseudo-doctor and scientist with fake degree is involved.

[Gets a paneer puffs and three cups of iced tea].

What is the movie about? :: A group of NCC cadets discover a dead body in the forest area where they were camping for the holidays from their school. The first police officer to the scene is Bijoy Kuruvilla (Sudev Nair), and the dead person is identified to be Fabian John (Deepak Parambol), with the help of the forensic experts who are led by Narayana Swami (Joy Mathew). According to the descriptions from the witnesses and circumstancial evidences, the police discover the murderer to be none other than Peter Kurishingal (Suraj Venjaramoodu), another police officer. Then, the movie gets a flashback when Peter is in charge of a police station in a village. He had only recently lost his wife, and has a number of cases for investigation, which he takes very seriously so that he can use them to forget the grief of loss. His mother Mariyam Kurisingal (Vinaya Prasad) takes care of his only son, as he remains mostly busy as a strict police officer. But things get worse as he comes up against a case which would prove to be personal for him, as a family is murdered, and along with them, he also find his son’s dead body, much to his shock.

So, what happens with the events here as we just keep looking? :: Peter’s subordinate Sukumara Pillai (Alencier Ley Lopez) is posted in the case with the new officer in charge of the investigation, Inspector Kishore (Padmaraj Ratheesh) who seems to be solving the case rather quickly, and a man named Stephen (Jaffar Idukki) confesses to have committed the crime with an immigrant labourer from West Bengal, as part of an attempted robbery. Peter has his doubts, but as one of the victims is his son, his superior officer Revathi Subramaniam (Abhija Sivakala) declines him an opportunity to be part of the investigation team, but lets him have a look at it as part of a parallel investigation for which he would be solely responsible. Soon, he discovers that the man who is accused of murder, Stephen actually had nothing to do with it. This home named Heaven, where the murders took place, seem to have more than one secrets to be discovered. His discoveries soon lead to him taking over the case after joining back on duty. But it remains to be seen if he will like what he would discover.

The defence of Heaven :: Here is one more addition to the smart thrillers of our times with some fine red herrings. The investigation shown in the movie feels solid, and so does the emotional side. The movie achieves its motives without exaggerating anything at any moment. There are twists till the end of the movie, and we see that it has nicely solved the puzzles to come strong in the end with enough strength. The realistic mode is maintained while bringing up the thrills and twists, and it surely feels like something which could happen during these days when different crimes are part of the news more than ever. Even the police procedures seem to be much accurate, and it doesn’t seem to venture into those areas where the smartness of the audience is questioned; maybe it is because the film chooses to have no such superstars who have so many fans wishing for their favourite actor to destroy evil like a fallen angel. Well, this movie is also something with fallen angels, but it knows how to keep it realistic. This is the kind of film that can teach valuable lessons for Bollywood which has its non-performers coming out of nepotism, not able to emote.

The positives and negatives :: The visuals are really good, and the camera is particularly good in capturing the emotions of Suraj Venjaramoodu, with all the grief which is part of the character’s life. The moments after the son’s death is as emotional as it can get, and it is only matched by the determination in his face that comes up later. There are the inner and outer battle shown here are with their own relevance. Heaven does not hesitate in going through the emotional path of the police officer and his investigation, just like it was seen in the movie Memories which had that abiding sadness in it which would return to haunt the viewer. The movie could have actually focused on the darker side even more. The return to the initial moments come rather too late, and due to the same, people might have actually forgotten the events which had happened earlier. The movie does slow down after the deaths and following emotional troubles, and it could have used a serial killer instead of the usual vengeance ideas being repeated. The music doesn’t feel as that great in comparison to some of the other thrillers which dealt with similar themes.

The performers of the soul :: Suraj Venjaramoodu handles the regretful cop role really well, and it reminds us of his earlier movie Pathaam Valavu, where he had also lost his child. The helpless and lack of hope can be seen on one side, while there is smartness on the other. He is the police officer and father to remember. The emotional struggle which was best displayed in Kaanekkaane, and added with mass in Jana Gana Mana and Driving License works really well here too, as he is indeed one of the best actors to go through a strong emotional side. The biggest support to him is provided by Alencier Ley Lopez who makes a fine cop in a supporting role; I had felt that John Luther could have really used him as a police officer too. The actors like Sudheesh and Jaffer Idukki add more of an emotional side to the film with their shorter presence. Vinaya Prasad also has the emotional grandmother role. Padmaraj Ratheesh and Sudev Nair also makes some fine police officers. Abhija Sivakala as the superior police officer is also solid. Deepak Parambol’s as well Nimisha Sajayan’s smaller roles are effective too. The collection of performers here makes sure that there is something interesting about all of them.

How it finishes :: Heaven gets into the list of interesting thrillers including the recently released Twenty One Grams and Solamante Theneechakal, as well as many others which came earlier. After all, the thrillers of this world mean more than just Drishyam. The movie working a lot better than the heavily hyped movies like CBI 5: The Brain is a reminder that we have some new names who can do the same thing better. Well, this is the kind of film which can never work for Bollywood as the sons and daughters of superstars would not agree to act in movies which cannot progress without throwing hundreds of villains around. Movies like this should open their eyes to the idea that there is the need for more thinking differently, or the drought in Bollywood of blockbusters is going to continue forever. Bollywood’s fight with its own incompetence might be forever, but during those times, Malayalam movie industry, just like the other South Indian film industries, is coming up with some fine works of quality which are to be remembered.

Release date: 19th August 2022 (Hotstar); 17th June 2022 (Theatre)
Running time: 130 minutes
Directed by: Unni Govindraj
Starring: Suraj Venjaramoodu, Sudev Nair, Sminu Sijo, Sudheesh, Joy Mathew, Alencier Ley Lopez, Jaffer Idukki, Vinaya Prasad, Abhija Sivakala, Deepak Parambol

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@ Cemetery Watch
✠ The Vampire Bat.

Infinite

Vampire Owl: I have often walked towards infinity.

Vampire Bat: You are not supposed to touch the infinity portal.

Vampire Owl: I never really touched it. I just go near it.

Vampire Bat: Your presence near the infinity portal can be chaotic.

Vampire Owl: I assure you that I have a positive relationship with it.

Vampire Bat: The portals can get into your brain very easily.

Vampire Owl: You mean like the zombies do.

Vampire Bat: I am talking about manipulation of mind.

Vampire Owl: You mean, like the device Doctor Frankenstein invented.

Vampire Bat: Mr Frankenstein invents too many fake things.

[Gets a ghee cake and three cups of Peermade tea].

What is the movie about? :: It is revealed that there are people who are gifted with a perfect memory of all of their past lives, called the Infinites. Among them, there are two groups which try to gain supreme power, one being the Believers, dedicated to using their knowledge for the protection and growth of humanity. The other groups, Nihilists, find this power as a curse – they have the power to end all life on Earth, and only the Believers stand in their way. In the year 1985, a man in chased by a huge group of people including the police, right on the highway. He drives off a bridge and falls to escape from them, while his associates are killed by a strange man with a powerful explosive weapon. In the present, many years after the incidents, it is shown that a man named Evan McCauley (Mark Wahlberg) has schizophrenia, and he feels that his dreams are his memories. As he has a history of violence, he struggles to get a job, and is one step away from paying the bills. This just don’t seem to work for him as he sees things and takes anti-psychotic drugs.

So, what happens with the events here as we just keep looking? :: For some reason, he is able to do things that he has no idea about. He was never trained to be a bladesmith, but manages to create too strong a sword. He tries to sell it to the local gangsters, but as their leader try to cut a girl’s hand off, he intervenes only start a fight. He end up being arrested by the police. In the police station, he meets Bathurst (Chiwetel Ejiofor) a man who keeps calling him by another name, and talks about his past in this life and others. He also threatens to kill him if he doesn’t bring his memories back. As Bathrust has almost made him memorize some of the things, Nora Brightman (Sophie Cookson) arrives in a bullet proof car and saves him, as the two manage to outsmart Bathurst. After escaping, he feels that he is having another psychotic episode and will soon wake up in a hospital. Nora tells him that his visions are realities from other lives. He says that whatever he is doing now are possible due to the special skills that he used to have in another life.

And what more is to follow in this world of different lives in chaos :: Nora tells him that there are about five hundred of them with the ability to remember their past lives – the skills from their earlier lives also stay with them. She tells him that she is one of the Believers who understand that their gift is a responsibility unlike the Nihilists who see the curse in it. The Believers have to act fast enough to make sure that the Nihilists won’t cause the end of all life on Earth. Both groups believe that Evan is the reincarnation of Heinrich Treadway from that event in the past where he drives off the highway to his fall. He is taken to the location known as the Hub, which is located quite far away that they have to use an airplane. He meets many other members of the group, who hopes that he is really the person they are looking for. There, he understands that Bathurst was once a part of their group, and that they were friends – then he had lost his faith and turned to another side. Bathurst wishes for the world to end so that there would be no more reincarnation – there should be no life on this world to reincarnate into. Can he and his people be stopped?

The defence of Infinite :: This movie does have sci-fi elements strong. There is also the presence of enough action around here. The world is well-created, and the secret area is a beautiful space with a lot of detail about it. There are multiple action sequences that will be remembered, starting from the protagonist’s escape from the prison and the last one feels the most significant among them. The special effects are nicely used to support this, and there is some fine computer generated imagery that powers them all. It does have Mark Wahlberg, who has been the one actor whom we have preferred in the action movies, and he blends in here quite well too. It is good to see Sophie Cookson in a full action thriller having all the seriousness, instead of going through the Kingsman nonsense of the lowest level. She becomes a lovely action star in this one. Chiwetel Ejiofor makes a strong villain, except for a little struggle in the end. Wallis Day and Kae Alexander are two other notable performers in there with some extra action.

Positives and negatives :: The thoughts about memories and reincarnations makes one feel like going back to a few Bollywood movies of the 1990s – there is no value to them now, except for bringing up the nostalgia again and again, as they were rather too emotional, a lot more than needed. The movie could have used the preface even better, with much more of the grandeur here. There is so much of potential around here, that much to actually go on to become a cult classic with reincarnations, but it doesn’t seem to try that much. Taking the risks doesn’t seem to be this movie’s method of going forward, as it does feed the usual at times. The movie’s success is a lot in its mystery which is always there, and there is also the fact that they have successfully created a world which fits in the willing suspension of disbelief for most of the time. I find it rather surprising that the critics didn’t find the movie to be that good – it is certain that if it had released here before the corona virus pandemic, it would have brought in a lot of money.

How it finishes :: Infinite is as much an interesting work of science fiction as many others which bring something innovative at all times, whether it is The Matrix, Jupiter Ascending, Reminiscence, Free Guy or anything else which remains similar and different at the same time. It is a smooth journey which remains engaging at all times. Well, it is not easy to bring a science fiction concept out of nowhere and make it work with efficiency. The same seems to have been achieved here with the help of a new world, something which is so well-created and managed. As a movie talking about reincarnations, it does leave a message that despite the fact that we do fall, there is a chance to try again – it is pretty much a positive message, but one does wonder if depending on one to reincarnate will be the best option in that case. Well, the movie is indeed an entertaining one, and it does leave us hope that we all will get out second chances – in a world like this, mistakes might be the only thing that comes right, and instead of reincarnation after death, what we might need is a resurrection, just not in the form of a mindless zombie.

Release date: 10th June 2021
Running time: 106 minutes
Directed by: Antoine Fuqua
Starring: Mark Wahlberg, Sophie Cookson, Chiwetel Ejiofor, Jason Mantzoukas, Rupert Friend, Toby Jones, Dylan O’Brien, Wallis Day, Tom Hughes, Raffiella Chapman, Kae Alexander, Liz Carr

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@ Cemetery Watch
✠ The Vampire Bat.

John Luther

Vampire Owl: It has been 826 days. That is a long time.

Vampire Bat: 826 days after watching a movie in the theatre, and now we are back.

Vampire Owl: The OTT life was quite long during that time, right?

Vampire Bat: Yes, mostly of Prime Video and Netflix, and then others.

Vampire Owl: The last one we watched was Forensic.

Vampire Bat: That was a good end to the sequence before corona virus.

Vampire Owl: Well, we remain the same even now.

Vampire Bat: We continue to live in a world without hope.

Vampire Owl: There is no movie that can be close to the reality of hopelessness.

Vampire Bat: Well, we will watch this movie for now, and think about the meaninglessness of a hopeless life later.

[Gets a vegetable samosa and three cups of cadamom tea].

What is the movie about? :: Circle Inspector John Luther (Jayasurya) of Devikulam police station is someone who is very much committed to his duty. He is fully supported by Sub Inspector Felix Joy (Deepak Parambol) who also spends a lot of time dedicated to duty. The absense of John during the major programmes at his home has his wife Jessy (Athmeeya Rajan) and sister Leena (Drishya Raghunath) in sadness, and his parents (Siddique and Sreelakshmi) in disappointment. On the night before his sister’s engagement, John finds him in trouble due to two cases. The first one is related to a political murder and the second one is a man-missing case following an accident which kills another person. The first case leads to John getting physical with the goons and ends up getting smashed on the head with a tube-light, which leads to him going deaf on one year, and requiring to use hearing aid on the other. But with a boy also found to be missing, he has to get back to the case and solve it within a deadline of two weeks.

So, what happens with the events here as we just keep looking? :: He discovers that the two missing cases have no relation with each other, and there is soon a woman that goes missing. The death in the first accident, and the missing person of the same accident seem to have no common person behind them. Their only clue is a pickup truck which doesn’t have the registration number displayed on one side, which makes it very difficult for them to go forward. All of these incidents have happened in a certain area which doesn’t seem to have many people around. As this takes place in the high-ranges between the tea plantations, there seems to be a shortage of CCTV cameras too. But they hope that there could be that one witness who might have seen one of these victims just before or after being taken away by the criminal. Still, it is to be noted that the man who is behind all of these can’t be a common criminal – there might be a lot more to him. John and Felix have to be very careful in this case. Can they find out the mastermind before there are more victims?

The defence of John Luther :: As far as the thrills are concerned, they are here to stay with this particular movie. There is the grand mystery running through the middle, which never losses strength. The suspense could be maintained, and it keeps us guessing. There are red herrings which almost makes us think the other way. The quality that we see on the big screen is too good – the beauty of visuals is always there, whether it is about the long shots of the enchanting Munnar and Cochin or the classic shots of night with danger lurking in the corners. The final moments have us more in fear than anything else, as the villain is revealed, but not with further twists. The songs are interesting, and they support the happenings of the movie well. The background score is effective, and the use of sound effects to support the proceedings also need to be appreciated. The darkness in a very good ally for this particular movie, as much as the different noises used around here – the scene at the beginning is a nice example of the same.

Positives and negatives :: One would be right to find some cliches here, but we have always required most of them to keep the cinematic world moving forward with strength. The movie could have given more significant chances to its female main leads to perform, as they are pushed to the background rather too early. There is a little bit of horror touch to the movie at times, and that could have worked even better if the elements were introduced much earlier. The movie is a reminder to us that any person among us could be a psycho killer, and idea that could save lives – well, those who enjoy when we fall are no less of such killers either. After all, all human beings are born evil, and this film once again shows how effective in evil they can be, especially when they feel that they are done with the society. We blame the evil spirits and demons, and maybe even categorize vampires as pure evil, but humans have always been the root of all evil. The dark world of the investigation in this movie also points towards the same, and we can’t agree less.

The performers of the soul :: Jayasurya is someone who performed all alone in Sunny last year, and this time, he gets a fine team, and we have him with a fine performance here. We believed that he was indeed the actor to be trusted while booking a movie ticket after such a long time, and also at Lulu Mall; quite an expensive one in this case. One would think that after watching so many films in the theatre from 2013 to 2020 until corona virus brought the trouble, the celebrities will be supporting this blog, but that is wrong, because only a very few of my reviews like Meppadiyan and Luca have been shared by the leading actors of respective films. Anyway, coming back to Jayasurya, he looks and performs like the dedicated actor that he always has been. From the perfect police officer to the flawed one like we see in Memories, he is to be appreciated for how well he has brought the quality in here. It is to be noted that Deepak Parambol also brings some fine support in here, as the police officer who is not left far behind, but stays beside the main character. Athmiya Rajan and Drishya Raghunath are lovely, but has less screen time. The villain is really good, but can’t reveal more about him due to spoiler possibilities.

How it finishes :: You always have time to support a dark mystery thriller placed on an investigation. We did welcome movies like Anjaam Pathira, Antakshari and Forensic with much appreciation. Like the latter movie, this one also keeps its killer as the psycho and not a revenge seeker, which lets it have the advantage over the rest of the similar movies which attempt to turn themselves into random movies of vengeance. The time it takes to come to the final villain also needs to be appreciated, as the suspense is successfully maintained until then. This is also the first movie I have watched in the theatre after 826 – the last one was Forensic just before corona virus had made that big run. It is always good to watch thrillers as much as horror movies, as we are better prepared to face all the evil in the world after watching these movies, and we know when to be ready, and when to give up and just die. After all, evil is too natural for humans, and there is always someone trying to lie, cheat and steal, as well as murder us, or make our life a living hell; its in human nature.

Release date: 27th May 2021
Running time: 135 minutes
Directed by: Abhijith Joseph
Starring: Jayasurya, Athmeeya Rajan, Drishya Raghunath, Siddique, Deepak Parambol, Sivadas Kannur, Pramod Velliyanad, Sreelakshmi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Rurouni Kenshin

Vampire Owl: Isn’t this the second Japanese movie that we are watching?

Vampire Bat: Yes, they were mostly overshadowed by Korean and Chinese films.

Vampire Owl: The name is quite tough here.

Vampire Bat: Your soul will get used to such names.

Vampire Owl: Do you know that Japan is my dream country?

Vampire Bat: Japan is everyone’s dream country.

Vampire Owl: Except for the common vampires of our times.

Vampire Bat: Are you talking about the never-ending need to go to Romania?

Vampire Owl: Yes, the holy land dedicated to Uncle Dracula, especially on Halloween.

Vampire Bat: That trend had come down since the Russia invaded its neighbouring country, Ukraine. We, vampires are supposed to stay kilometres away from any terrible war caused by human kind. We are not violent people.

[Gets a porotta roll and three cups of masala tea].

What is the movie about? :: The year is 1864, and Japan is now open to foreign trade. This means that a few people seek to end the rule of Shoguns and bring back the authority of the empire, with some of the being ambitious and the others filled with ideals. They are forced to face each other, and fighting goes on only to make the situation worse in the island nation which seeks progress with trade and commerce. Himura Kenshin (Takeru Satoh) who is also known as Hitokiri Battosai serves as a political assassin to overthrow the Tokugawa shogunate which would eventually lead to the Meji Restoration and the later rise of Imperial Japan, finally leading to their participation in the Second World War and fall with the American bombing of Hiroshima and Nagasaki. The history goes a long way, and this is more like a civil war which will begin the events which will finally lead to a detailed epoch in the Japanese history with no security or value for human life. The young man of concern here, who is a skilled fighter with swords, joins the clan of Choshu, and begins to work with Katsura Kogoro (Issey Takahashi), their leader.

So, what happens with the events here as we just keep looking? :: During one of the fights in which he kills all the men, a member of the opposite gang refuses to die, and despite being impaled by sword multiple times, gives the assassin a cut on his face. This has Himura clearly disturbed instead of being cold with all the killings. Katsura understands that even after so many years of killing hundreds of men, his assassin is still not comfortable with killing people, a process which he keeps repeating. He feels that the young man hasn’t really grown up yet, and remains pure at heart, which means that there is no peace at heart. He is still the best fighter that he has known in years, but that wouldn’t change the heart. When Himura had earlier joined the group in a bid to overthrow the Shoguns, he hadn’t killed anyone, but the promise that he had shown was immense, unlike anyone whom he had seen among their fighters. He would keep on wondering if the man has finally has had enough of the fights and the brutal killings.

And what can bring a change to world which has only gotten worse with the civil wars? :: Katsura feels that there is the need to find a solution, as there is the need to end this continuous war, for which he needs as many hands holding the swords with expertise. Himura is still haunted by the memories of the man who refused to die, citing the reason of love in his life. One night, he goes on to have a drink of his own, and interferes when a lone woman named Yukishiro Tomoe (Kasumi Arimura) is bothered by a group of men who demand that the woman treats them with respect, and consider them as their heroes. After leaving the tavern, he is almost attacked by two drunkards from the tavern who are killed by an assassin with a chain. He manages to kill the assassin, but finds Yukishiro who had come to thank him, drenched in the blood of assassin, and she soon faints as a result of the shock from what she had just witnessed. He takes her back to his hideout, a place for the revolutionaries. The girl who feel thankful, decides to stay, much to his surprise, as he wonders why.

The defence of Rurouni Kenshin: The Beginning :: The stylish action sequences begin the film’s progress very soon. The fights with the swords remain memorable, as there seems to be so much of speed and control related to them – it is like you take your eyes away from the screen for less than a second, and still you end up missing something. You are going to find it difficult to follow the pace of the very thin and agile swords which keep moving in all directions, but you enjoy what happens around. The characters remain interesting, and there seems to be something about almost everyone out there. The performers seem to be chosen with care, and the way they come up with the action scenes makes one wonder if they are really that well trained in all of these. Takeru Satoh leads well, Kasumi Arimura does the job with integrity. The movie nicely takes the fictional world and combines it with history. The emotional side also gains strength at times. The visuals are nice, not just with the big towns, but also with the nice little villages and the small homes surrounded by nature.

The claws of flaw :: The movie might feel to be too violent for at least a few people who are expecting more fights on the scene with blood and gore being hidden, but this is not really that martial arts or superhero movie to go through that route. This is also a little bit too long, considering the fact that the story is very much a predictable one, with not that much of innovation added here by looking at the possibilities in history. When action becomes the first and the one great choice, the plot suffers – it is quite a natural thing as we have seen in other movies – you just can’t satisfy everyone, and then the makers would prefer to go with what the crowd would like to see here. It seems to be very much hesitant to take the risk in different areas, when the challenges were present. The romance, even though present there, feels somewhat forced, even though the performers make it work without any trouble – after all, a love affair changing people all of a sudden is a stereotype which has been used for too long that we don’t really care about that anymore; then the ending which we can feel good enough to make a guess.

How it finishes :: This is not the franchise that we are familiar with, even though people of Japan should be very much familiar with the same. It is also based upon the manga series of the same name, which means more Japanese familiarity for sure – films inspired by comics have its own space like the video-game based works of our times. The movie takes the old style sword-fighting action to the next level, within its own charming setting – there will be no shortage of such action here. This is supposed to the fifth and final installment of this particular franchise about a nineteenth century assassin. But as it is also a prequel, it serves as a stand-alone movie which can be watched first, in the middle or last, and there is the placing in history which makes things easier to understand. Historical setting serve well when used with clarity and skill. We do feel that this a usual tragic tale about friendship and love in a world of war and chaos, but as we have the same arranged really well with the setting, the idea works effectively.

Release date: 4th June 2021 (Japan); 30th July 2021 (Netflix)
Running time: 137 minutes
Directed by: Keishi Otomo
Starring: Takeru Satoh, Kasumi Arimura, Issey Takahashi, Nijiro Murakami, Masanobu Ando, Kazuki Kitamura Yosuke Eguchi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Japanese movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Lamb

Vampire Owl: I think that they are talking about the Vampire Lamb.

Vampire Bat: A Vampire Lamb from Iceland? That is new.

Vampire Owl: We never had any Vampire Lamb so far?

Vampire Bat: Lambs do not usually go well with the vampires.

Vampire Owl: What about a black lamb with fangs?

Vampire Bat: We already lost the Vampire Wolf to the werewolves. We don’t really need another animal.

Vampire Owl: Wolves belonging to that side of the border. It is not the case of others.

Vampire Bat: You think that every creature other than a wolf would declare allegiance to the vampire kind?

Vampire Owl: I don’t see why they wouldn’t do that.

Vampire Bat: Well, what about the reason that they don’t really need that?

[Gets a paneer paratha and three cups of ginger tea].

What is the movie about? :: Somewhere in the remote area of Iceland, a strange entity seems to make its way to a barn which is located a long distance from the traces of civilization. With the terrifying climatic situation, things seem to get worse. The owners of the barn, Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Guonason) soon finds one of their pregnant sheep giving birth to a creature with a lamb’s head and human body, along with its other children. The two takes the creature into the house and names her after their dead daughter, Ada. The creature’s biological mother keeps trying to contact her, and as she is later found with the sheep, Maria shoots the mother sheep and buries it in a grave further away. Despite having some nightmares about sheep, Maria takes very good care of Ada. Ingvar’s brother Petur (Bjorn Hlynur Haraldsson) who arrives at the barn witnessing the incident feels that this newly found creature is only an animal, and wishes to get rid of it, to which the couple doesn’t agree at all.

So, what happens with the events here as we just keep looking? :: Petur who always had certain love interest with Maria, decides to get rid of Ada for the best interest of everyone in the house, even if other won’t recognize the same. He takes her on a morning walk in the early morning, hoping to shoot her dead and bury the body far away. But he has a change of heart decides to become the uncle-figure to her – Ada also gets along with him really well. But soon, things seems to get different, and something creepy seems to make its way home, which Ada seems to notice. Petur is still fond of Maria, and after drinking a little too much that he should have, makes sexual advances to her, even using the secret that he knows, that she killed Ada’s real mother. She sends him away on the very next day. With only Ada and Ingvar left around there, the strange entity makes its first appearance. What does this creature want, and how can Ingvar and Maria defend against it? What are the secrets that Ada holds here? What fate awaits the couple and their half-sheep child?

The defence of Lamb :: Powered by the performance led by Noomi Rapace who is one of the best actresses of all-time to be part of movies like this, this film can be considered as thriving on the atmosphere on which it builds its pillars. It is indeed a strange movie when we look at it – there is a creature with a lamb’s head and a human body, and it is raised as a child by humans; not the usual kind of story that you keep seeing around. It has a certain horror side, but also an emotional one, all of them being present there, often in an indirect manner. It deals with the strange nature of people, and their lack of understanding of the realities which they face. Providing the feeling of a pastoral world well enough, it provides a certain amount of haunting experience with the slow movement forward too. It wouldn’t have been that easy to work on this material, but with the right cast and the visuals that work perfectly with the atmosphere, the movie manages to march on. It is a reminder that almost everything in life comes at a price.

The claws of flaw :: Lamb is one movie which has decided to go very much divergent, and there is not that much of horror to celebrate it. The film deviates from the general idea about the genre which comes out from movies like The Conjuring, The Nun, Annabelle, Ouija, Insidious, Sinister and others which work on a formula which has been tested and appreciated by too many people who have identified themselves as fans of the category. Moving away from the original horror ideas, and leaving less to be scared, this wouldn’t be that much appreciated by such fans. Along with the same, the ending doesn’t bring that huge effect which was expected. The movie could have been better marketed as a drama thriller indeed, as one creature which does so less has its limitations. Also, the movie slows down a little too much for anyone’s liking, and it is only right to feel that the movie could be twenty or thirty minutes short in length. The grief in this movie could have been also more evident.

The performers of the soul :: Noomi Rapace is one actress whom we can always rely on. The Swedish actress might be best remembered by the people in this part of the world for her work in Prometheus, and she is no stranger to playing motherly figures, as we have seen the same in Angel of Mine. She has a similar mother role here, and she is as determined as she was in that movie. As we miss seeing her in Alien Covenant, and as a good number of her movies didn’t come here, we can only be glad to watch this particular performance from her, which deserves the appreciation too. Most of you might still remember her for the Millennium series: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. Well, as the mother who takes care of her lamb girl child, this is another work which you are going to remember her for. Hilmir Snaer Guonason plays the father figure very well too – after all both parents are part of this lamb love. Bjorn Hlynur Haraldsson makes a good contribution in between too.

How it finishes :: The movie seems to have similarities to another flick, Sacrifice, with the atmosphere which is seen around. Even though an English movie, it is also set in such a Scandinavian world. The themes of loneliness and depression, as well as a reflection of people who treat their pets as kids also seem to have some say around here. The story seems to have taken something from the Icelandic folklore too, and the one other movie which seems to stay close to this one is The Witch. The film doesn’t use that many dialogues to make its point, and that would mean that even without subtitles, you can understand most part of the flick. The movie surely had the positive opinion of critics, and was selected as the entry from Iceland for the Best International Feature Film at the 94th Academy Awards which took place in Los Angeles in 2022. So, you know that this movie surely has enough to make an impression – it is a mystery set far away from the everyman’s busy world that will have your attention early.

Release date: 24th September 2021
Running time: 106 minutes
Directed by: Valdimar Johannsson
Starring: Noomi Rapace, Hilmir Snaer Guonason, Bjorn Hlynur Haraldsson, Ingvar Eggert Sigurosson

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Nightmare Alley

Vampire Owl: This could be the name of one of the halls in the castle.

Vampire Bat: There are already enough alleys with nightmares around here.

Vampire Owl: You think that vampires are affected by nightmares.

Vampire Bat: Yes, we just consider them as dreams.

Vampire Owl: Nightmares are just small part of the dreams.

Vampire Bat: You shouldn’t use the word “nightmare” anymore. It is overused.

Vampire Owl: We are the true nightmares, the living dead ones, right?

Vampire Bat: You feel that the nightmares can be true?

Vampire Owl: Now, you are acting like Dr Frankenstein.

Vampire Bat: You mean, like Mr Frankenstein! No, never!

[Gets an aloo paratha and three cups of black tea].

What is the movie about? :: The year is 1939, and Stanton Carlisle a.k.a. Stan (Bradley Cooper) wanders around different cities of the United States of America, and while going on as a free guy, a drifter, gets a job at a big carnival which seems to have lit up the world of night beautifully. There, he notices a geek show in which he sees a man eating a live chicken. This performance which is also known as freak show, is always about a single man called a geek who chases live chickens and finally has him killing the bird and eating it alive. It was something common among circus and carnival professionals to be part of a troupe that included geeks. The geeks were often heavy alcoholics or drug addicts, and instead of money, liquor was used to pay them for the performance. In this case, the man who was part of the performance is seen to be further deranged than he is supposed to be. While he is working, Stan is told that the geek is now running around within their attraction, and they have to somehow catch him before he ruins the performances.

So, what happens with the events here as we just keep looking? :: The geek seems to be hiding in a scary attraction, and attacks Stan, only to be taken down. He is taken into a cage, and he seems to be too violent and mentally disturbed to be fit for any show, seemingly getting close, but being out of death for now. But they keep him locked up with the feeling that people will love to look down on him and forget their own misery. It seems that many people like to enjoy that particular show, and is a major attraction which nobody wishes to miss, even though it is indeed costlier. After helping them to find the geek, Stan is offered a full time job at the carnival instead of that temporary one which was provided to him earlier. He is only happy to be with them as he has nowhere to go anymore. After using their tub, he begins working with the clairvoyant performer known as Madame Zeena, originally Zeena Krumbein (Toni Collette) and her alcoholic husband, Peter Krumbein a.k.a. Pete (David Strathairn). Zeena definitely feels that there is more to him than what meets the eye.

And what more is to follow in this interesting world? :: Mary Margaret Cahill a.k.a. Molly (Rooney Mara) also helps them at times, as Pete often losses control after drinking too much. But Molly also performs as the “Electric Girl Unforgettable”, seemingly taking electricity through her in one of the other star performances. Stan seems to be falling in love with Molly slowly, but steadily. The team of clairvoyance uses gestures, some coded language and certain cold reading tricks to make their work more effective. There are some fine guesses which work out of effectively at times, even though Pete is not fond of her pretending to speak to the dead. Pete shows the methods to Stan too, and he seems to be a very quick learner. Stan understands that the geeks are originally alcoholics whom he has forced to stay with opium-laced alcohol which has been affecting the minds of the geeks terribly. Most of them were affected by the First World War one way or the other. These geeks are nicely taken into the carnival where they become nothing less than slaves due to their addiction gone terribly wrong.

Then you look forward further in this movie, and what awaits us? :: As they are going on with the carnival, Germany has just started the invasion of Poland, setting the beginning of the Second World War. Things still seem to go normal at the carnival, as a new geek takes the place of the previous one who is dead. Stan asks Molly to leave the carnival with him, and start a new grand performance with him, which everyone in the United States of America, and all around the world will remember forever. But she is not ready to leave with him, as she has been a part of this performance and this particular place for quite a long time. Soon, Pete who keeps drinking more and more, finally dies out of alcoholic consumption. It is then that a sheriff comes there and threatens to close the illegal performance which has cruelty to humans and animals, while Molly who performs her act in her undergarments is to be arrested for too much of cleavage and thighs, thus enough indecency to be in the prison. Stan saves her and the whole carnival from the sheriff using the skills he had learned from Pete. As the sheriff leaves, Molly agrees to leave the Carnival with him, but what would the future hold in that case?

The defence and flaws of Nightmare Alley :: The movie has a beautiful world belonging to the past in store for us. Even though slow at times, it is an effective movement forward, which we are all going to enjoy. The time period during the Second World War is beautifully created, and we become a part of it. Even though there is the common idea that this is a psychological thriller, the movie is more of a drama rather than anything else. It might be due to its jumping through the genres that the movie feels slow, and the over all length does feel as a little too much for our liking. It is not the kind of world with which the director, Guillermo del Toro is at full strength – this could be the same reason why the director’s other movies continue to stay a few levels above this one. But the performances from Bradley Cooper and Rooney Mara are too good, and they have us interested here throughout the movie. The others who don’t have a full run in the flick, Cate Blanchett, Toni Collette and others also have a fine run when they are around here. The movie also has a fine message running through here about what awaits an over-reacher who find evil to be okay.

How it finishes :: Nightmare Alley does have that feeling of watching the movies of Guillermo del Toro like before. Still, it doesn’t have any haunting creatures like in Crimson Peak or the huge robots fighting giant monsters like in Pacific Rim. This is also no Pan’s Labyrinth or The Shape of Water. The director does take a divergent path with ease, and successfully goes through the whole thing and keeps us engaged in the same. A movie without any supernatural element for him, and he still continues to be the visionary director like nobody else. The movie is based on the novel of the same name written by the American writer William Lindsay Gresham published in 1946, and how well it has taken the spirit of the book will be known only to those who have read the book. The movie was nominated for four Oscar Awards, including the Best Picture, at the 94th Academy Awards held in Los Angeles in March 2022. Well, one would only feel that this is only deserving, as this is a film is a world which is for us to be immersed in, at all times.

Release date: 17th December 2021
Running time: 150 minutes
Directed by: Guillermo del Toro
Starring: Bradley Cooper, Cate Blanchett, Toni Collette, Rooney Mara, Mary Steenburgen, Ron Perlman, Willem Dafoe, Richard Jenkins, David Strathairn

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Stowaway

Vampire Owl: Do you know that Doctor Frankenstein had a stowaway on his Ultimate Machine of Nightmares?

Vampire Bat: Why would someone want to have a ride of nightmares?

Vampire Owl: I guess they wanted to witness the greatness of this invention by the greatest scientist of all times?

Vampire Bat: Why are you not understanding that he is not a real scientist at all?

Vampire Owl: You are saying this because you studied arts only.

Vampire Bat: I am well aware of the way of science. Mr Frankenstein has no role in it.

Vampire Owl: You should understand that he can teleport you in a second or two.

Vampire Bat: Even those witches of the north can do that.

Vampire Owl: I am talking about teleportation to another realm.

Vampire Bat: He just creates a virtual reality within his laboratory and pretends that it is another realm. He cannot even teleport Uncle Dracula’s lost fangs.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: A two year mission to Mars has been approved for the spaceship, MTS-42, which has the mission commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and the ship’s doctor and researcher Zoe Levenson (Anna Kendrick) on board. They are taking the first steps to call Mars the second home, and each of them is very good with the needed abilities and extended training. Everything seems to go fine with the launch, and they are all glad to be on the way to a great expedition. Soon after the takeoff, they discover a launch support engineer, Michael Adams (Shamier Anderson), an unexpected traveler who seems to be caught and fallen unconscious between the two modules of the ship. As he falls down, the device that scrubs carbon-di-oxide from ship’s air is destroyed. They use use emergency lithium hydroxide canisters to get rid of the carbon-di-oxide from the air, but it doesn’t seem to be enough. Marina is not sure about what has happened here, and wonders if something strange is going on in the background.

So, what happens with the events here as we just keep looking? :: Michael wakes up and wants to go home, but everyone knows that a return is not possible now. He slowly adapts to the situation, as the company promises to help his sister to go through her life in his absence with guidance and monetary support. David begins cultivating his algae experiment of the ship before reaching Mars, as there is the need for some extra oxygen, but it is also not that much effective. The damage done to the carbon-di-oxide scrubbing device seems to be permanent, and their life support seems to be in trouble. If they are not able to find another method for the supply of oxygen, they are going to fall short of breathable air. The only option seems to be a spacewalk to climb the tethers of the spaceship and recover liquid oxygen from the upper stage of the rocket. Even though the other two are okay with it, Zoe is not ready to sacrifice Michael to make sure that they have enough oxygen for their journey, and the commander decides to wait for ten days to come up with a solution. But can they have one in time?

The defence of Stowaway :: The space and the spaceship around here are indeed well-detailed, and there is one final adventure to be done as the movie gets near its end, which provides a charming view of space. The world here has good detail, both outside and inside the spaceship. There is always the question about the significance of life of a person when it would mean the death of three others who are more important not just for one mission, but for the entire humanity. This something about the talks here, as there seems to be no clear solution for a problem. There are many routes which this movie seems to take too. The movie does talk about the importance of faith, belief and hope in life, even though it is indeed a double-edged sword which can end up ruining everything like a person too much motivated by a motivational speaker. Well, after all, we know that the life itself is about some tough choices that we make, and in the end, we are all just going to die a terrible death and lie a few feet under.

The claws of flaw :: The movie is surely slow, and never does it even try to get any faster, which is rather strange, as we look at all those possibilities which have been avoided. It doesn’t try to be that entertaining either, as the speed is never that much to keep us that much engaged with the possible thrills. There is that drag which is felt because the film has too many moments and dialogues which could have been avoided – a two hour movie was not needed to deal with this kind of a theme which never chooses to go bigger. The movie’s question does feel strange too, about humanity and all, because science has already brought extinction upon humanity, and most of the human beings do not deserve to saved. And, we all know that humans are not going to make that much of a sacrifice after thinking too much – so much of thoughts better lead to brutal murders. We don’t know that much about mission being undertaken here either, except for where it is headed, and related to some of the possibilities after reaching the destination.

The performers of the soul :: Among the performers, Anna Kendrick is the only one face that we seem to recognize at first sight. We have seen her in very less number of movies in the last few years, but as we see her again, she seems to be another actress who seems to get younger as time progress – we recognize her as almost the same as in those much earlier movies. Despite not being the commander, she is the true protagonist and heroine of the movie, and the one who is ready to make a different at any cost – she does the lady with the most conscience in a wonderful way. Toni Collette has been there for longer, but most of us have seen her in movies which are rather too old, which means that recognizing her would be difficult. She says good as the commander who has to take some very difficult decisions. Daniel Dae Kim plays the man with his own assumptions about success of the mission quite well. The only other character and the one who brings the change to the mission is Shamier Anderson, a job quite well done.

How it finishes :: There has been no shortage of interesting journey through space which Hollywood has undertaken – it was at times complicated like Interstellar, with great visual splendour of space like in Gravity, hope for colonization of another world like in The Martian, horror inside the spaceship like in Life, terror in space colonies like in Doom: Annihilation, searching for secrets of humanity like in Prometheus, more on drama and romance like in Passengers or even going the fully entertaining in Star Trek way. The Chinese had The Wandering Earth and the Koreans had Space Sweepers, now we have this one. Stowaway is closer to the genre of drama instead of becoming the thriller. It still has enough of the engaging moments, and also has the moral questions running through. Even though most of us will not get to space and will face the human extinction event, we will clap to the rich people going to space and living happily ever after, following the discoveries similar to that in this movie are made. Until then, we will watch similar movies again and again, adjusting to the interesting moments that they provide, as the apocalyptic event awaits with a terrible beauty ready to be unleashed.

Release date: 22nd April 2021 (Netflix)
Running time: 92 minutes
Directed by: Joe Penna
Starring: Anna Kendrick, Daniel Dae Kim, Shamier Anderson, Toni Collette

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Seance

Vampire Owl: So, more youngsters are trying to make contact with the dead.

Vampire Bat: Yes, you needn’t be bothered as this is not about the undead.

Vampire Owl: Nobody can contact us through the portal. It has natural resistance.

Vampire Bat: There is absolutely nothing natural about the portal.

Vampire Owl: Doctor Frankenstein has arranged for the natural resistance.

Vampire Bat: If the crazy scientist is involved, it is is surely not natural.

Vampire Owl: You continue to underestimate the doctor.

Vampire Bat: I make no estimate of such a pseudo-scientist.

Vampire Owl: You know that the Frankenstein monster is real.

Vampire Bat: So are his 2897 accidental creations, which are of no use.

[Gets a vancho cake and three glasses of strawberry shake].

What is the movie about? :: At Edelvine Academy for Girls, Alice (Inanna Sarkis), Bethany (Madisen Beaty) and other girls play a prank on their friends by faking the appearance of the Edelvine Ghost, an urban legend about a student who killed herself – soon, one of their friends, Kerrie (Megan Best), is found dead in the academy hostel, having fallen from her window. A new student Camille (Suki Waterhouse) who has been on the waiting list for the academy admission for a long time, gets the seat which has been left vacant by the death of Kerrie. The headmistress, Mrs Landry (Marina Stephenson Kerr) considers the death as an unfortunate accident, and is happy to have her there. Camille does feel that there is something wrong with the room. She becomes friends with Helina (Ella-Rae Smith), but gets in a fight with Alice and Bethany’s gang including Yvonne (Stephanie Sy), Rosalind (Djouliet Amara) and Lenora (Jade Michael), and gets beaten up by Alice with the help of her friends. The headmistress sends them to detention in the library until a certain amount of archiving is complete.

So, what happens with the events here as we just keep looking? :: The girls, despite their differences, decide to work together for the time being to finish the job as soon as possible and get out of there. It is during the detention that Alice convinces the group including Carmille and Helina to join her in a seance meant to contact Kerrie’s spirit and what actually happened. The two get the feeling that this is only a prank, but everyone finds things go out of control as they really seems to make contact with a spirit which tells them that they are going to be murdered by someone only mentioned as “her”. They are not sure if the spirit belongs to Kerrie or the original spirt which is part of the urban legend. Later in the night, Lenora moves away from the others to a lonely area to text a possible future boyfriend, but ends up seeing a masked figure. Soon, she is attacked and killed by the same strange figure. Mrs Landry feels that Lenora had run away as her personal items are missing along with her. Camille feels that her room might still be haunted by Kerrie, and there are enough dark spaces in the building for them to be scared.

And what more is with the girls and the ghosts around here in a world of chaos? :: The police and the parents feels that Lenora might have run away with the man with whom she became acquainted online. With the help of the man in charge of the rooms, Trevor (Seamus Patterson) who also happens to be the son of the headmistress, they get into Lenora’s room and find a strange cross made out of blood on the bed. They identify the symbol as part of the pendant worn by the girl who had killed herself and became Edelvine Ghost. Soon enough, Rosalind would be next person to be murdered by the unknown figure. Her death is considered to be an accident, but has the girls very much worried about what might happen next. Another one of the girls also notice a masked figure in the room, but the headmistress still dismisses it as a strange dream. The girls feel that time is running out for them, and if a solution is not found out soon enough, they are all going to disappear or die soon enough. Yet, it doesn’t make much of sense.

The defence of Seance :: The effects that this movie seems to use for horror seems to be of great quality. There is a fine atmosphere for the horror to grow at all times. The sound effects also nicely contribute to the same. The music is also very nice, and contributes well to the overall atmosphere of the movie – we do feel that it makes us feel more engaged with the whole thing. You think that this is going in one direction, and then there is another dimension to the whole thing – we notice the music changing accordingly, and there are always some fine settings to contribute to the horror. The presence of something sinister is also there, and with the fine use of darkness, the movie assures one of the same. The makers surely know how to get the best ingredients, and arrange them. There are some dialogues which seem to be coming randomly, but they are all of some significance. There are so many directions which this movie could choose, and we can see that it doesn’t try to go for the usual, which has served right – as Robert Frost would say about the road not that much taken making the difference.

Positives and negatives :: The movie has one nice twist to the killings which is pretty much an interesting surprise as the clues wouldn’t lead to the killings that easily. There are many red herrings present in here, as a ghost isn’t everything that we need to suspect around here. They mystery is strong, and there are enough suspects around here for one to await more deaths to happen. It is strange that there are many negative reviews to keep this one down, as we come to know that there is more to this than what can be seen after the first few minutes itself. You have the feeling that this could be Ouija and its sequels or I Know What You Did Last Summer and its sequels – this one has the killer and the ghostly presence, which means that your guess can most probably just go wrong. It could have still made the murders look better – even the shower murder scene goes wasted in here. Yet, the girls are too good, especially Suki Waterhouse, Inanna Sarkis and Madisen Beaty who blends in nicely with a possibility to become bigger scream queens of future, Suki also having some fine action sequences – reminds one of The Hunt fights.

How it finishes :: Seance is one find surprise horror movie that seems to have made an impact out of nowhere. We often have the tendency to underestimate movies like these, but some horror films have the skills to lift themselves up despite what you think, especially with so many negative reviews around. There is more than what meets the eye here, and there is the mixture of more than one genre as things come together. Well, horror is rarely one thing – even in real life, there is more than one kind of terror – we had different ones here, from nipah virus to corona virus, excess rainfall leading to floods, rising prices of fuel and the possibility of descending into chaos from what seemed to be good order. The reality of horror which prevails in this thankless world where evil people get the best results can be often more terrifying for people. Otherwise, we will always have movies like this one. Amazon Prime Video has the right horror movie this time, rising very high above last year’s Madres, The Manor and Black as Night.

Release date: 21st May 2021
Running time: 92 minutes
Directed by: Simon Barrett
Starring: Suki Waterhouse, Madisen Beaty, Ella-Rae Smith Inanna Sarkis, Marina Stephenson-Kerr, Seamus Patterson

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Night Teeth

Vampire Owl: And finally, we have another vampire movie.

Vampire Bat: I don’t think that this is about our kind of vampires.

Vampire Owl: They seem to drink blood really well.

Vampire Bat: Yet, they seem to be like a new group of vampires.

Vampire Owl: There is no new or old groups among true vampires.

Vampire Bat: You were the one leading the protest against the new batch of sparkling teenage romantic vampires.

Vampire Owl: Well, I have now become a more inclusive vampire.

Vampire Bat: You are acting like the Vampire Chameleon.

Vampire Owl: That guy has been dead for years now.

Vampire Bat: Yet, you are trying to replace him.

[Gets a chocolate cake and three cups of tea-coffee mix].

What is the movie about? :: Vampires and humans have co-existed through the years, and the former has fed from the latter only through a mutual agreement, which means that there was no chance of a battle between the two races. The living and the undead has kept on going without any problems coming in between. There was also a truce, and as vampires continued to get better, humans continued to make themselves believe that the creatures of the night didn’t exist. Vampire continued to try and hide their existence, not feeding on the unwilling and never entering the human area without permission. Benny (Jorge Lendeborg Jr) is a college student who is working part-time as a as a chauffeur, temporarily replacing his brother Jay (Raul Castillo), who was going to apologize and make up with his girlfriend. Jay has also realized that the vampires have broken the pact and entered the human area, also feeding from a lot of them, as well as committing murders. His girlfriend Maria (Ash Santos) is also among the latest ones taken by the vampires as many encounters happen.

So, what happens with the events here as we just keep looking? :: Benny, a Spanish speaking immigrant, is the usual local college student who is not aware of all of these, and was going on with his happy and carefree life until then. He was the one who forced to Jay to let him be the driver for a change. As he goes to the rather rich area to pick up the riders, he meets Blaire (Debby Ryan), who seems to be really friendly. The other girl Zoe (Lucy Fry) doesn’t seem to be that friendly, but does seem to be talkative enough, in a strange manner. They even talk about the possibility of this being his last day on Earth. They do arrive at grand location where the party is taking place, and he hears a woman screaming from inside. At the same time, a war between vampires and humans are coming, because a very rich and influential vampire lord Victor (Alfie Allen) is the person who has intentionally broken the truce for no reason. Jay is actually part of a human group which is charged with maintaining the peace between the two races. As Jay and his friends start hunting down the vampires, Victor plans to finish off his fellow lords and gain all the power. So, what role does Benny play among all these around here?

The defence of Night Teeth :: There are some very interesting scenes in this movie which once again brings the vampires to the human world without pretensions. One has the feeling that this could go the Twilight way and make a mess of the whole thing with full teenage vampire romance, but such a thing doesn’t happen at all. The visuals are nothing less than stunning, as we go through this vampire-infested world in the nights with classic style buildings and lights – the blood also runs strong here, adding to the overall creepy beauty of the atmosphere. The pace is always good around here, and the vampire situation that we see here has been nicely arranged. The vampire-human clash in the city is basically like something that we have seen before, but being much better, like a battle between gangs or races nicely set in a better environment with a divergence. There is a continuous flow of a beautifully stylish world that is going on here, with a touch of horror, as blood runs through. Even without that much of backstory being told, the tale goes on really well.

Positives and negatives :: The movie does succumb to the usual tendency of such vampire stories to go through the predictable path, and that which appeal only to a certain amount of audience. Yet, it manages to come back up in the path whenever it seems to be a little lost, with the style and some nice humour that seems to come as a welcome addition. The humour comes in to join the horror and the thrills, and makes them more entertaining. It is a reminder that the funny side can compliment a horror movie really well, and it was what the film, Black as Night had missed while trying to add some dumb humour and some nonsensical history in between. The cast has also been perfectly chosen, even though there might still be some names which one would also like to have around here. There are some fine action scenes in here, that is for sure, and the vampire girls lead in that quite well. The movie also sets a fine ending which has scope for a future sequel. The music is really good, and set things up nicely for the happenings of the world. The movie does have some good fangs at the needed areas.

The performers of the soul :: Jorge Lendeborg Jr plays the protagonist caught between vampires really well – he seems to suit the situation nicely. He has the confusion being dealt with nicely, but even has enough to be a vampire himself. Yet, there is nobody who suits the nice vampire role better than Debby Ryan, who also has her moments of vampire intensity. One another day, she could be part of a horror slasher movie as a scream queen too, with blood seemingly doing well with her. Lucy Fry had played a vampire about seven years ago, and she is doing it again – this time, she is part of a much better movie, and has a lot better role to perform, as she becomes the perfect nocturnal creature in need of blood and enjoys all the violence that she inflicts. She has the kind of look here that one wouldn’t doubt if she is not really a vampire, even from a distance. I would love to have her as a major antagonist in more than one horror movie. Raul Castillo and Alfie Allen are the strong ones belonging to two sides. One would also love The Voyeurs‘ own lovely Sydney Sweeney and the always charming Megan Fox playing two superior vampires, but we could have actually had more of them here, especially the former who makes a very interesting character in a short time.

How it finishes :: We are never short of the need of the vampire movies to entertain us, for vampirism shall never leave the audience, being an idea of quality since Lord Byron’s physician, William John Polidori published the first vampire novel, The Vampyre. After all, vampires are as immortal in literature and cinema as the vampire characters happen to be in fiction, their immortality in their ability to entertain the viewers rarely questioned. This one, with a touch of the modern age, doesn’t fall behind, even though I did have my doubts after watching the trailer. Well, this is one of those movies which manages to do a lot better than what the trailer had brought us – the movie seems to realize that its strengths are best shown as a whole rather than in parts. You are going to remember the humour in this movie as much you remember those moments of action with blood having a say. In the end, you will remember that the vampires are forever, and they will keep coming back in different forms in different movies like the certainty of Corona virus taking different forms and coming back for more of infections.

Release date: 20th October 2021 (Netflix)
Running time: 108 minutes
Directed by: Adam Randall
Starring: Jorge Lendeborg Jr, Debby Ryan, Lucy Fry, Raul Castillo, Megan Fox, Alfie Allen, Ash Santos, Marlene Forte, Bryan Batt

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Bhoothakaalam

Vampire Owl: So, the title could mean the days of the past as well as the days of the ghost.

Vampire Bat: It is a nice play on the words being used here.

Vampire Owl: Do you think that Malayalam movie industry can have good horror anymore?

Vampire Bat: Well, horror is the only reality of life. So, it is always possible.

Vampire Owl: You mean to say that the realistic tendencies of the industry can help.

Vampire Bat: Yes, what is life, but a collection of horror of reality?

Vampire Owl: I can’t disagree. I once heard the story of the devil finding the burning hell as a better place to live in comparison to Earth.

Vampire Bat: Well, you know what humans are capable of. They have already made their world a place worse than hell.

Vampire Owl: So, who are the real monsters?

Vampire Bat: Humans are the real monsters, from the day of birth itself. You should see how they torment their own people.

[Gets a chicken biriyani and three cups of elaichi tea].

What is the movie about? :: Vinu (Shane Nigam) is a D.Pharm graduate who is living with his mother, Asha (Revathy) in what seems to have been a very unhappy household since the death of Vinu’s father post leaving a lot of money to be paid back for the loans which were taken. His grandmother dies after living most of her life on the bed after a terrible stroke which she barely survived, and the life of mother and son which was full of negativity only gets worse after the demise. Vinu has been looking for a job for a long time, but as he is focusing on getting some work in his field, and is also trying to keep the search close to home, he is not really able to make any progress with that. Depression seems to come naturally to him, as well as his mother, who is a school teacher for small children. Asha is also hesitant to send him anywhere distant, especially to go for a job which is not directly related to the course which he studied. She also temporarily losses her job, as she ends up hitting a child accidently.

So, what happens with the events here as we just keep looking? :: The mother and the son continues to have arguments over the past, present and future, as Vinu decides to find a job outside Kerala or even India at some hotels where his friends are working. Asha finds him as a rather useless person, as she originally wanted him to study MBBS, and they had spent a lot of money related to that too. But soon, things get worse, as Vinu feels that he was locked within a room by his dead grandmother, who moves around in the wheel chair. Asha feels that he needs counselling, but he doesn’t agree. George (Saiju Kurup) who runs a counselling centre comes home to help him, but Vinu is not happy about it at all, as he feels that he is being marked as an alcoholic and drug addict. George also feels that the sleeplessness might also be a reason, along with the mental problems which runs within the family. Vinu is in love with Priya (Athira Patel), but has stopped returning her calls, as he does almost nothing, while staying in his room, or in front of the television. But he continues to see and feel things – can this mean something else?

The defence of Bhoothakaalam :: Starting off as a movie which seems to have characters with some mental problems related to trauma, it smoothly enters the horror mode after some time. With many options being left behind, one can make different guesses about what actually happened. The minimum elements are used effectively, and the atmosphere of the house also brings a certain amount nostalgia – like our old houses which had mosaic on the floor along with some old style furniture as well as spaces on the wall. The darkness and shadows are pretty much effective in bringing the scares, and there is much to be felt about the possible presence in the house – they contribute to reaching a point where the title can be justified. The emotional side is also very much working, and there is much of the feelings going through here. Even with all the terror coming from outside, there is also the presence of the depressing past related to regret which continues to haunt everyone – the memories can be disorienting enough, as we move forward through a world of chaotic mind here too.

The claws of flaw :: Bhoothakaalam often restricts itself in the use of horror, except for the finally fifteen to twenty minutes when the film is finally allowed to unleash itself, bringing all the elements which it had in store, but didn’t use early enough. It does take its own time, and one feels that it is moving too slowly during that period of time. There are movies which slowly gets stronger, like Come Play, In Fear and It Follows, and one might feel that this might not feel that new with the early slow movement. The mind could have been given better focus, and the presence in the house could have also been better explained, thus leading to a better final finish. It is surely not that scary as some people seem to talk about it – there is something to be frightened about, but not that much as what the reviews exaggerate here, for only those who haven’t watched Hollywood horror movies at all can be that scared about it. After all, these are not the days when people are scared of ghosts that much, because humans have proven themselves to be more evil, each and every time. Ghosts have to be a special kind of scary to rise about human demonic acts.

The performers of the soul :: Shane Nigam continues his work more out of Kumbalangi Nights rather than the other movies, as he once again plays a similar youth who doesn’t really have a job for a multitude of reason, even though he is better educated this time. Revathy’s work continues to be a thing of quality, as he plays a mother role with a difference. There are moments which rises above the natural so well. James Eliya seems to be the man with logic, and has his moments of advice. Jilu Joseph has a small presence as a psychiatrist, as it is Saiju Kurup who deals with the counselling more, and even finds out a few secrets about the house – one would have loved to see more actions being taken by him here. Manju Pathrose plays the usual nosy neighbour, a role which is quite short. Valsala Menon played the grandmother, and that was the role which also lasted for only a few minutes as the movie continues to focus on the mother-son duo for almost all the time. Athira Patel is more or less the Mamitha Baiju of Operation Java coming in here as the seemingly forced love affair which in this case doesn’t reach anywhere in comparison.

How it finishes :: When we think about ghosts and past, the first movie which comes to our mind is Guillermo del Toro’s Crimson Peak, a Gothic romance horror which was not watched by that many people in this part of the world. But the past that haunts this movie is more or less related a good number of other horror movies, with one haunted house as well as a psychological side, both complimenting each other, sometimes from a distance, and at times, getting close enough and going through one another in style. Bhoothakaalam doesn’t hesitate to combine its elements, and then come up with the defining moments in the final stages of the film. This is surely a good deviation from the usual horror movies that we have in the Malayalam movie industry, and just like some of the other Sony LIV movies which released in the last few months, like Madhuram and Kaanekaane, this one also has a strong emotional side to go with. Well, you can also have some interesting horror with relationships running emotional in the background, for the ghosts are better and truer with their emotions than the fake humans.

Release date: 21st January 2021 (Sony LIV)
Running time: 105 minutes
Directed by: Rahul Sadasivan
Starring: Shane Nigam, Revathy, Athira Patel, Saiju Kurup, Manju Pathrose, James Eliya, Jilu Joseph, Valsala Menon

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Kate

Vampire Owl: I don’t know many Kates from around here.

Vampire Bat: You do know Kate Winslet and Kate Beckinsale.

Vampire Owl: They are certainly not from around here.

Vampire Bat: They are still part of our large film universe.

Vampire Owl: Universe is never that large, as we look at it.

Vampire Bat: Well, this movie and its performers can be part of it.

Vampire Owl: Mary Elizabeth Winstead has always been part of it.

Vampire Bat: Okay, you do remember her movies which suited us vampires’ tastes.

Vampire Owl: Living through so many centuries, tastes do change.

Vampire Bat: The world does change, but do we? In this realm, can we?

[Gets a ghee roast and three cups of ginger tea].

What is the movie about? :: Kate (Mary Elizabeth Winstead) is an experienced assassin who has Varrick (Woody Harrelson) as her handler. She is also an expert sniper who has never missed a target in her long career which has focused mostly on the use of sniper gun and long distance shots. Varrick was also the one who trained her, right from childhood itself. Kate has to come to Osaka in Japan to kill a leader within a powerful yakuza mob, but only just manages to hit the target, after a child comes in the way. Even though this hit was also a success, having to kill someone in front of a child bothers here, leading to an emotional turmoil. She intends to go for one final mission, and then begin a new life, as a commoner. But before the final mission, she comes up against Stephen (Michiel Huisman) in bar. They have sex in the room, and she follows up with a sniper shot, and it is the first time that she misses one, that too, with the chance for clear shot.

So, what happens with the events here as we just keep looking? :: She understands that she was poisoned by Stephen under the instructions of the members of a crime family which is headed by Kijima (Jun Kunimura), whom she was planning to assassinate, after having already killed his brother in front of his niece, Ani (Miku Martineau). Having only a day left to live before poison gets her, she decides to kidnap Ani, and bargain with Kijima. Despite using her as a bait in the beginning, she decides to keep her safe during the mission, as the gangsters are also targeting her. Ani is the last in the line of the family, and her death would help an internal power struggle. For getting to the top, she has to get through Renji (Tadanobu Asano) and Jojima (Miyavi), and there is a long way ahead after that too. There are many complications that she has to face on the way too, as many other secrets are revealed, with the unexpected happenings that occur related to the person whom she was trying to assassinate.

The defence of Kate :: Led by Mary Elizabeth Winstead, we have female assassin for a change, instead of the usual, and with her performance in the action scenes, we feel that she makes the exact person who was needed here. The film has so many delightful action sequences, and the one at the top floor of a penthouse, and the final combat are of top quality – the style and the music are nothing less than charming. The world that this movie has created in Japan feels like a classic one, and with all the beautiful violence, you only wants to go there. The fights that we have here, are also never overdone, and would make both John Wick and Hitman: Codename 47 proud. There are also enough emotional sequences to go with it. The lighting, darkness and colours have a different feeling about them, and the we also feel a lot of Japan. After the first few minutes, almost all of the city is set in one city in Japan, and with the main character having less than twenty four hours to live, this one keeps close to the unity of time and place, as well as unity of action, one of the rare action movies to keep it close to the Classical unities of Aristotle.

Positives and negatives :: With its quick action, the movie never drags, even when adding the emotions to it – the emotional side also deserves some applause, even though it could have dealt with the same in different ways which could have appealed more, for options were surely there to be taken. Reminder of other films will also be there, but we can actually see this one as superior in action at times. The violence is there for most of the time, and it has taken with a certain amount of beauty related to it. Some parts of it can feel predictable, but it is with multiple guesses taken – many options were there and therefore one cannot correctly guess the same at all times. Some dialogues are actually there to remembered, and a few of them are like providing some messages about life, revenge and forgiveness. There is strength in the frames, and the way in which this one is taken, will need applause too. Even as you are not part of anything like this, and has never been to the city or been part of any action that comes close, you feel what is happening around, and you are engaged at all times with the assassin’s work.

Performers of the soul :: Mary Elizabeth Winstead is fantastic as the assassin, and it is the one thing that stands apart like no other. We have seen her from Final Destination 3 itself, and after slashers like Black Christmas were there, we saw her 10 Cloverfield Lane and Gemini Man, two others full of action and mystery. Birds of Prey had her as an assassin too, as the Huntress who was supporting Harley Quinn. Action, horror and mystery seems to suit her really well, and thriller seems to be her perfect genre. From 2000s itself, she has held a higher position among the scream queens, a position which Amber Heard also shared during a similar time period. Unfortunately, there is no scope for a sequel to have her back as the assassin, with this being the dead end, but one has to say that she deserved more movies like Hitman, John Wick or The Transporter. You can have her as part of these bloody genres at any moment of time, and she is sure to deliver. Miku Martineau as Ani plays a child in trauma that you are to remember. Woody Harrelson has a solid role to play here too.

How it finishes :: Kate is a strong action film which reminds one mostly of John Wick, and at times of The Equalizer, but also develops a life of its own. With Mary Elizabeth Winstead at the top, you can also feel some shots of Anna, even though the premise and the world itself is very much different. You can watch this particular movie just for the action itself, and she is more or less like a female Keanu Reeves – one would wonder if she could have actually played Matrix‘s Trinity in another parallel universe, because there is the feeling that in those clothes, and in that world, she would look almost the same. Clearly an engaging ride, Kate takes you through a fun-filled action journey which is to be remembered not just for all the melee combat, sword fights and gun shots, but also for the story with its twists, as well as the beautiful world that we see around there in between the combat. It is indeed an all-round action package, and not a movie that depends on mindless action all the time. Choose this one for full-time entertainment.

Release date: 10th September 2021 (Netflix)
Running time: 106 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Miyavi, Michiel Huisman

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Curse of Audrey Earnshaw

Vampire Owl: I think that I have met this girl before.

Vampire Bat: No, she is not the witch who cursed you last year.

Vampire Owl: How can you be so sure? She had the same expressions.

Vampire Bat: The witches can be confusing with their looks.

Vampire Owl: You mean to say that they alter their appearances very often.

Vampire Bat: Yes, many more times than we do in a human city.

Vampire Owl: Yet, we can see through them, can’t we?

Vampire Bat: We are not immune to all kinds of magic.

Vampire Owl: We are still immune to dark magic.

Vampire Bat: Yes, but not all kind of dark magic. Some witches practice the darkest of magic, and we are often not strong enough to resist the same.

[Gets a vegetable samosa and three glasses of Vanilla shake].

What is the movie about? :: During the times when there were more and more settlements in North America, a group of families decided to separate from the Church of England, leading to the establishment of an isolated settlement, further away from the rest in the continent. Years passed, the the World Wars broke out, and science had the advantage over religion, with unrestricted expansions, but the villagers of this particular settlement kept their old ways of life alive. Later, in the year 1956, a strange phenomenon, which came to be known as the eclipse, a kind of pestilence spread throughout the settlement and its surroundings, poisoning the land and also corrupting the livestock. The only exception was the land belonging to one woman, Agatha Earnshaw (Catherine Walker), and he was suspected of heresy. She also gave birth to a girl child during the eclipse, but kept the child as a secret from the villagers who kept looking at her with suspecting eyes.

So, what happens with the events here as we just keep looking? :: The community has kept struggling without hope, and with a feeling that God abandoned them, and that there is no future for them, as the time shifts the 1973 – not many things have changed for this particular village far away from civilization. Agatha continues to live separated from everyone with her daughter who has now grown up, and yet remains hidden from the eyes of others. She tells Audrey that anyone who tries to come to their place is a villain, and that everyone in the village wishes to steal young girls like her. The villagers continue to despise her as she still has a great harvest all for herself, and is not ready to help even those who have been starving for days and close to death. Colm Dwyer (Jared Abrahamson) and Hannah Bridget Dwyer (Emily Anderson) are further angry about her as they lost their child for some illness, and lack of food comes naturally with the life. Everyone knows that there is a curse going on, and soon, they will have to take another step to change their lives.

The defence of The Curse of Audrey Earnshaw :: The film thrives on its atmosphere, which has so much in store with a setting which is established nicely with an initial writing about the premise – the first scene surely sets the mood, and the visuals nicely contributes to the same, as it does raise our expectations by quite some distance. If the story could have explained all the happenings better, the atmosphere could have elevated this one in the blink of an eye. There is the presence of blood and gore, but the same is not that much justified as we look at them. The main character does have the looks which are required, and there is always the feeling of having more than what meets the eye soon enough. We have seen films like The Witch, and so we are expecting something similar around here too, as the evil creatures of the night, from vampires and werewolves to zombies and demons, we are also interested in the witches to make the horror runs strong into a world of escapism that we always need.

The claws of flaw :: The real-life curse for the movie lies in the ending here. It doesn’t seem to know how to finish everything after building up all these. Running towards confusion is not what one would want with a film like this one. Finally, you are wondering what has actually happened, and there is always something wrong with the titular character, and it is not just the usual kind of wrong, but more, in a complicated manner. The movie is also really slow, and in between, there are scenes which don’t seem to make much of a sense, and we are always looking for some big terrifying sequence with sorcery to happen, but that is not there to be taken. There are no real witch-like gathering or frightening events happening in there, and due to the same, the movie has less strength as a horror movie, as it focuses on being a slow thriller. There were so many paths for this movie to follow, and none of them are taken, which brings some disappointment around here, as we don’t really get what we were expecting at all.

Performers of the soul :: Jessica Reynolds as Audrey Earnshaw is the young lady who is the reason for almost everything around here to happen – she has that kind of a look which would serve a witch, supported by the expressions and even movements. She has taken on the character which is a little bit too complex and strange, but managed to work with that well enough. She also has that stare that a witch would require, and her violence is unparalleled just like her curses. Catherine Walker as Agatha Earnshaw plays the mother, and she also remains as strange she can get, staying close to the character with the possible mysteries. Jared Abrahamson plays the role which is closest to a leading man, but he doesn’t really get much of a screen space either. Hannah Emily Anderson plays his wife, and that is done pretty well too. Sean McGinley adds well to the characters of interest in the movie, and so does Don McKellar, and later Geraldine O’Rawe. There are others who are just part of the world, and has something or the other to do at some occasions.

How it finishes :: There have always been something about the tales of witches in worlds created in any village far away from civilization, and with strange curses being felt all around. This one is no exception, even though it doesn’t make the best use of its resources, not living up to the strength that it displays in the beginning, and progressing to the end without enough of the explanations. You know that this movie was capable for much more, but we take this dark and disturbing story as it is, and enjoy is as much as we can, without that much expectations in horror. These movies serve as a reminder to how the world of strange beliefs have been, and how we have not become better people with science taking over – we are just the same if not worse, even without the supernatural, evil, distrustful and full of hate. We all have the devil in more people these days, and humanity’s lack of conscience has made the present world a worse place to live in than those days when people at least feared and revered God. Beware of the people around you more than the witches.

Release date: 2nd October 2020
Running time: 103 minutes
Directed by: Thomas Robert Lee
Starring: Catherine Walker, Jessica Reynolds, Jared Abrahamson, Sean McGinley, Geraldine O’Rawe, Don McKellar

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@ Cemetery Watch
✠ The Vampire Bat.

Chhorii

Vampire Owl: More of interesting horror to be unleashed?

Vampire Bat: Yes, Dybbuk was a remake from our world, and this one is remade from another language and industry.

Vampire Owl: Some good original horror is always in need.

Vampire Bat: Horror can be original only in a limited way, as it is universal.

Vampire Owl: Unless we become the one true horror.

Vampire Bat: We are never truly into horror.

Vampire Owl: So, we are not into our true nature.

Vampire Bat: The normal terrifying vampire has already been abolished.

Vampire Owl: You mean that there is no normal anymore.

Vampire Bat: Normal is not real as of now, not in our realm.

[Gets some French fries and three cups of white tea].

What is the movie about? :: A pregnant woman is chased in a sugarcane field by unknown forces, and with nowhere to go, they force her to cut their womb. Later, in a city, Sakshi (Nushrratt Bharuccha) is pregnant, and works in an NGO, and lives with her husband Hemant (Saurabh Goyal), who is in trouble for not returning a loan in time, with his business failing. His partner had also disappeared with the money. He feels that he is being stalked by people who needs the money back. She is happy with her work and regarding life in the city, but things don’t get any better with the cash which was borrowed. As people start threatening them, with Hemant even getting beaten at times, this makes the city no longer a safe choice for living. They are given twenty four hours to return the money, and make the decision to leave for their driver’s village which is located in a very remote area, and has a good number of sugarcane fields. Three hundred kilometres away, and a lot distant from civilizations, there are only five houses in the village.

So, what happens with the events to follow? :: It seems that almost nobody comes there, even by mistake. They have to walk a long way through the sugarcane fields, and after almost losing the way multiple times, reach the area which has no network coverage and almost no shop. There, they meet Bhanno Devi (Mita Vashisht), the driver’s wife, a very orthodox woman who seems to be a person completely belonging to that particular village in more than one way. Hemant leaves the place soon enough, to find a solution to their financial problems, and the two women share a bond with each other. What Sakshi doesn’t understand is that there is more than what meets the eye with the people there, as much as the supernatural. Therefore, the fight will be against the dead, the undead and the living to save her world. But is it possible for her to face such terror in a weakened state? Do they have further secrets which needs to be unveiled for her life to be saved from what seems to be doom in waiting?

The defence of Chhorii :: Chhorii adds to the list of horror movies which are part of a human infested, virus infected world, which is not less terrifying than any film which one will get to see. The atmosphere here is really good, and it is really shot here to create the perfect situation for horror. It looks scary enough during the day time, and in darkness, it is something more. Being at the middle of nowhere, with no place to go, is terrifying enough, and there is more here to add to the same. It is certainly a scarier world than the lifeless modernity or a haunted house, with or without the presence of the supernatural. The presence of the children here adds to that eerie feeling more, for we are never hopeless about the terror of some demon kids. The background story which serves as the flashback gets things to be really interesting. The film also has a social message which runs through the background and comes strong in the final moments of the film.

The claw of flaw :: The movie can feel somewhat stretched for one’s liking, as it does feel long with much of time being consumed without a lot happening. With a shorter length, this could have been much more effective, adding a certain amount of crispiness here and there. The language spoken by the villagers can also be difficult to understand, leaving us to look out for the subtitles at regular intervals. The tale could have also been more straight-forward, without leaving the mysterious elements behind. The message also arrives late, and if it had released much earlier, the effect could have been more. The stereotyping and the predictable elements are also allowed to run strong around here. The scary elements could have been more, using the atmosphere to more of an advantage – there were so many moments which could have used better scares, and combined them with the atmosphere. The present world asks for a lot more horror than the pre-Corona world, as people have changed a little too much for everyone’s liking.

The performers of the soul :: The movie is very much centered and focused on Nushrratt Bharuccha. She is very much comfortable in playing the pregnant city woman who ends up in a village, all alone. She deals with the horror genre really well, and it would be nice to see her in a similar role with city horror at some later point. As this film is a remake of a Marathi horror film which released a few years, there would be comparisons, also related to the performances – only those who watched the original can comment further on the same. We know that Mita Vasisht from different movies in the past, and this one is no exception for her, as she runs through the whole thing without holding back. Pallavi Ajay, even though silent throughout the film, makes a strong presence. Yaaneea Bharadwaj plays the one ghost whom we would like for most of the time, and there seems to be a lot of work being put in there. Rajesh Jais plays the man with a mystery to him very well. Saurabh Goyal also does more than what his character seemed to be up to, in the beginning.

How it finishes :: At a time when life is full of horror, especially with humans mostly choosing the evil paths, the requirement for horror films never ends. The one movie that we remember while watching this is the English film, In the Tall Grass, with the environment, and also about an Indonesian film, Impetigore. This movie is also a reminder of humanity’s evil side, and it tells us that humans are always more evil than ghosts, going after their selfish needs all the time. There is so much of evil being repeated in our world, and the movie, even though focuses on the crimes on women, one has to say that the Corona virus infected world has seen too much of the same being done on different unsuspecting people. The film enters the world which has lost its humanity, and repeats its own favourite mistakes – the basic idea that human beings cannot be trusted, will only find a repetition here, as ghosts do have more quality than those who walk on Earth claiming as the superior living species.

Release date: 26th November 2021 (Amazon Prime Video)
Running time: 129 minutes
Directed by: Vishal Furia
Starring: Nushrratt Bharuccha, Mita Vashisht, Pallavi Ajay, Yaaneea Bharadwaj, Rajesh Jais, Saurabh Goyal

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@ Cemetery Watch
✠ The Vampire Bat.