Kilometers and Kilometers

Vampire Owl: I have been waiting for this movie for a long time.

Vampire Bat: This was the next film which we were supposed to watch before COVID-19 came up in March and theatres closed.

Vampire Owl: Well, one of the many things which one virus had changed.

Vampire Bat: A change which brought the movies home.

Vampire Owl: I was thinking Amazon Prime or Netflix in that case.

Vampire Bat: For a change, we have the first television channel release here.

Vampire Owl: Well, it is good to have such a release.

Vampire Bat: Yes, after all, everyone is not into those online platforms.

Vampire Owl: Finally, a release for the common man.

Vampire Bat: Let us makes sure that we don’t miss this!

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: In the village of Thalanadu, Josemon (Tovino Thomas) doesn’t have any job, and struggles to keep everything going, including paying fees for his sister’s studies. He only manages to get some small jobs which don’t translate to anything. He finally decides to sell his Royal Enfield which the family valued a lot. It is then that Cathy (India Jarvis) comes to visit India, starting from Kerala, after winning a lottery. As this is her final destination before return to the United States of America, she hopes to spend the rest of her money there, and with the help of Appachan (Joju George), Josemon finds this as an opportunity to make some quick money. They make their journey to different parts of India, and when they are in the North, their bags get stolen. Now, they have to find the documents which they had lost, and return to Kerala, but with no clue of what had happened with the theft, the same might not be easy.

The defence of Kilometers and Kilometers :: Simple fun and feel-good elements are abundant in this movie. The light-hearted fun in this movie is suitable for everyone in the family, without pretensions. There is the presence of the good message, giving importance to values and relationships over money, a message which has always been there, but is something which people these days won’t care about. What can surprise us the most is that even the people from earlier generation are still proud of their sons and daughters earning more, instead of being proud of their education or acts of goodness towards fellow human beings. The message will stay significant for a long time, because people won’t change, and this one is another addition to that particular message. The visuals are very good, and we would love to see how the places are being depicted. The performances are also very good. The emotional moments are working well too.

The claws of flaw :: People might not find many things new with this film, and it does maintain a certain amount of simplicity here. The idea is indeed in the old style mode, as you can see from the beginning stages itself. The predictability factor is high around here, as soon as the first major turning point occurs. Going innovative surely wasn’t the idea at work around here. As the promotion was not that much even for the first Malayalam movie which released on television, some people might have missed this movie at least in parts. The film could have actually done more with a greater number of characters, and more locations added, making this a travel movie too. But the journey actually gets stuck a little bit too early for our liking. There is no mingling with the cultures of different parts of India, and we only see small parts of the lifestyle being scattered here and there. The final moments, even though emotional enough, is a little too much of cliche.

Performers of the soul :: When COVID-19 started its side-effects, the earlier Tovino Thomas movie, Forensic was running in the theatres but reaching an early unexpected end, and his next film is here, this time completely off the theatres from the beginning itself. He has been one actor whose movies kept a certain level on most occasions, except for maybe one film in between which went full masala. His performance here reminds one of Ente Ummante Peru a little bit, and he does that with ease. There were clues about what was to be expected, from the trailer itself. Basil Joseph, the director of two smart movies Kunjiramayanam and Godha also brings some early humour here, and it is the one thing that lifts up the movie in its early stages – Joju George can also be seen contributing well during those stages. Longer final moments would have meant that these characters would have had a chance to add some more feel-good fun.

Further performers of the soul :: It is to be noted that Sidhartha Siva, director of the crowd favourites like Kochavva Paulo Ayyappa Coelho and Sakhavu nicely takes over the humour, and manages the same really well in the later stages of the film. His talk about the flashback is done with some fine humour, and he keeps bringing the laughter. The moments in Rajasthan are elevated with his use of the funny side. We have already seen him handling the humour really well, and this one has him around for a long period of time. India Jarvis does the job well, and plays the character as expected. From the performance, one would feel the need to see her in more Malayalam movies with similar characters being in requirement. She is not the random person who plays a European or an American just because there is space for the same, as she does much more. Sudheesh also has a very small, but notable role in the beginning stages of the movie.

How it finishes :: Kilometers and Kilometers has been a movie which had to wait quite some time due to COVID-19. At a time when we were wondering if something was actually going to happen, as theatres are still not opening any time soon, the movie has come to Asianet. During the pandemics, having a feel-good film delivered home can surely help to lighten the mood, especially during Onam. Still one has to wonder if most people did have time to watch this movie during the time of Onam celebrations at home. I would like to wish all of you who are reading this, and everyone from Kerala, a Very Happy Onam. Let us face this Corona Virus pandemic together, and rise together, as we did during the floods in the last two years. I really hope that Asianet shows the movie again, because it is a fun flick which can provide the feel-good factor to the Onam Celebrations. After all, we are having a ten day vacation here instead of the usual COVID-19 forced or flood-forced holidays.

Release date: 31st August 2020
Running time: 129 minutes
Directed by: Jeo Baby
Starring: Tovino Thomas, Joju George, India Jarvis, Sidhartha Siva, Basil Joseph, Sudheesh

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@ Cemetery Watch
✠ The Vampire Bat.

Io

Vampire Owl: We are watching another movie quick enough.

Vampire Bat: Yes, it is surely a plan of Vampire Fate.

Vampire Owl: So, you mean to say that Fate is a vampire too.

Vampire Bat: I don’t see why not. Fate meets all requirements for the same.

Vampire Owl: For something to become a vampire, first it needs to exist.

Vampire Bat: Fate’s existence has been proven over the centuries.

Vampire Owl: But has Fate ever lived in a physical form?

Vampire Bat: Yes, Fate is already part of the air we breathe.

Vampire Owl: That sounds like the Corona Virus.

Vampire Bat: After all, this Corona Virus pandemic itself is a work of fate itself.

[Gets a marble cake and three cups of ginger tea].

What is the movie about? :: When the Earth was going to be destroyed mostly due to pollution resulting from human activities, many scientists had started working on a power station that could be sent to space to harvest geothermal energy from other planets. But it would be too late, as people were dying in their sleep, while some others were suffocating in the streets, with the blood in their veins turning black due to a higher level of pollution. The change in atmospheric composition due to the same led to many spaceships with people flying into the sky and then into space as an act of Exodus turning the power station into a colony, like a lifeboat floating about another celestial body. For the same, they had chosen the fourth largest celestial body among the moons in the solar system which has the highest density among them, and has the lowest amount of water around. Discovered in 1610 by the Italian astronomer Galileo Galilei and named after the mythological character Io, a priestess of Hera, Jupiter’s volcanic moon, Io now has a higher significance for humans.

So, what happens with the events here? :: Most of the people on Earth had already fled, but a very few still try to survive on its surface. Sam Walden (Margaret Qualley) is one of those very few humans who have some hope left about Earth, and she chooses a high altitude area where the air is somewhat breathable, even though she does make some visit to the highly polluted areas with masks to collect some samples. She is also raising bees, hoping that they can help clean the air, but is asked by her boyfriend who lives on the Io station to join him, as they are planning to live at a newer, greater place, with no hope left for Earth which has fallen to human greed. Sam’s hopes are ruined when her bees are killed by a terrible storm which also destroys some of her equipment and sources of power. But she does maintain some hope, as she continues to be in contact with her long distance boyfriend from Io, and tries to carry on with her objective, even though without that much of a plan this time.

And what more do we see here in a wold without hope for future? :: At the same time, a man named Micah (Anthony Mackie) arrives there on a balloon, and asks for her father and scientist, Dr Harry Walden (Danny Huston) – but he is not there, and she assures him that he will be back soon, maybe the very next day, after some field work. He decides to wait, as Harry was someone who believed that there was hope for humanity on Earth, and he needed to meet the man. But the problem here is that Harry has been dead for a long time, and she has been lying all the time. Micah was brought here by the message from Harry which had further brought him hope – the message was sent by Sam, and this would lead to a crisis, as both of them will have a few things to realize, and the same is to be done together. Is there hope left for Earth, or can they make another choice? Where will they end up in the end, dead or alive while fighting for survival in a dying planet?

The defence of Io :: Here is another post-apocalyptic movie which has the expected stuff, even though not with the action-filled adventure of a science fiction. The emotional moments are serene, and effective, and the cast is perfect for the same. Margaret Qualley’s face has that kind of melancholy going through her, which brings the feeling effectively, whether it is about loneliness or the loss of hope – yet, there is some hesitation, something which Eva Green didn’t have even for a bit in the science fiction drama, Proxima. Anthony Mackie provides the support well enough, even though Margaret eclipses everything around with a certain beauty of hopeless sadness that always surrounds her. The visuals of post-apocalyptic world is done just in the right way, and there are areas where it does have some fine work in store. The references to the mythology are good, but can feel overdone to a number of people who are not familiar with the same. The feeling of failure of faith, belief and hope feels natural too.

The claws of flaw :: Io is indeed a slow movie, and never does it pick up the pace, even though there were many opportunities to do so, especially considering the fact that this is a post-apocalyptic world that we have in store here. For such a world, there is so much potential, even in isolation, as we have seen in many other movies which have setting after the destruction of Earth due to one reason or the other. The best of science fiction had a chance to come in on many occasions. This definitely depends on what you are expecting from a movie like this, as this is not your usual stuff with the same idea at all. The romantic is also not that good, and the film could have easily gone on without it – after all, this is not that kind of a flick. The movie also deserved a better ending, considering how it had built up slowly towards that finish. It could have also had some fine visuals of space with Io out there, along with some moments at the space station, as they have come this much already, when you look at it.

How it finishes :: Io is the post-apocalyptic science fiction drama which deviates from the usual path, and seems to be proud of it all the way. After all, it shows what could happen at some stage later, and therefore being realistic is an understatement. The fall of humanity and Earth has been predicted for a long time, and this Corona Virus has asserted the weakness of science in front of most of the enemies whom humans are going to face, and clearly none of the advancements of science can save them. Considering the same, Io is indeed a realization, of the weakness and hopelessness of mankind. You have to move with slow and abiding sadness of the movie to like this version of post-apocalyptic science fiction – otherwise, you might not find this particular version to be interesting. During this time of COVID-19, you know that we might not be that powerful to even delay our extinction for a limited period of time and we are certainly not the saviors of our planet, but the ruthless destroyers.

Release date: 18th January 2019
Running time: 96 minutes
Directed by: Jonathan Helpert
Starring: Margaret Qualley, Anthony Mackie, Danny Huston, Tom Payne

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@ Cemetery Watch
✠ The Vampire Bat.

Lake of Death

Vampire Owl: I thought that it was originally the river of death.

Vampire Bat: The river of death has already gone dry.

Vampire Owl: What about the pond of death behind the castle then?

Vampire Bat: That pond is originally something related to life and not death.

Vampire Owl: Yet, it is named the pond of death.

Vampire Bat: So, you feel that this lake might not be about death?

Vampire Owl: There is surely something strange about this movie.

Vampire Bat: This is a Norwegian movie, and the first one of the kind we are watching.

Vampire Owl: Well, the idea does seem to be pretty good when we have look from a distance.

Vampire Bat: The first movie which we watch is often too good, no matter what the language happens to be.

[Gets an orange cake and three cups of white tea].

What is the movie about? :: Lillian (Iben Akerlie) had lived the early parts of her life with her brother Bjorn (Patrick Walshe McBride), who had lost his ability to talk in the later stages of his childhood, after former had left him with nobody to take care of, as they were both orphans, The two only had a cabin in the woods for them to live, and Bjorn had lived there beside the lake for most of his life, which Lillian had left the place for the city. Bjorn had no friends in the isolated place, and used to sit near the lake doing nothing for most of his life. One day, she gets the news that her brother had drowned in the same lake, and that was shocking and depressing for her, as it was her who left him behind, deciding not to spend much time with him. Seeing her depressed state, her friends decide to accompany her to the cabin in the woods beside the lake for the last time she is going there, as she intends to sell it, and get rid of her memories forever, moving on with her life in the city.

So, what happens with the events here? :: The four friends include the beautiful Sonja (Sophia Lie) and three men, Gabriel (Jonathan Harboe), Harald ( Elias Munk) and Bernhard (Jakob Schoyen Andersen), who feels that along with helping Lillian in getting rid of her depression and the memories of the cabin, they can also have some fun in the woods, as they had heard about the beautiful lake and the lovely setting of the cabin. They reach the place and meet Kai (Ulric von der Esch), Lillian’s former lover and friend, a local guy who arranges everything for her. Sonja is quick to turn into the party mood and get into her bikini for the much needed cooling time in the lake, but with people seemingly pulled down under water and the dog going missing, something is wrong, and spoils the holiday mood for all of them. They also find breakfast already there when they wake up, and Lillian has some strange visions, as she begind sleepwalking. The five of them begin to doubt each other as well as another presence which they wonder whether is supernatural in nature.

The defence of Lake of Death :: The movie has a beautiful setting indeed, and the advantage of having such a cabin in the woods setting is that along with that natural beauty which we see at almost every point, we can also find the scope for the creepy effects, for the lake itself has a well-known history of violence happening around it as well as the cabin. There are also some fine scares to go with, and we are left with what is to happen next, even though in the beginning, the horror is not really that direct. The feeling is always there, as horror is present with creepiness wherever you look at it. We do have a few final moments under the lake, and it is beautifully shot, with the protagonist moving underneath like a fish or rather a mermaid, escaping the evil – a site to behold, just like the beauty of nature surely requiring a nymph or a wood elf of its own. There are some other interesting moments of terror which had come earlier – those which we remember include the protagonist sleepwalking through the room, her trying to get away from the bathtub, her awakening beside the lake, as well as the way she looks at other on different occasions.

The claws of flaw :: This is indeed a slow moving movie, and the lack of pace can be seen from the beginning itself. There is some inconsistency in the characters too, except for the two girls who remain the same, and they are well-defined. It does go into the usual traps, with elements which we have seen in other movies, and even those things which didn’t work in those films either. The cliches are indeed there, and most of them work as red herrings, as we move away from what we should focus on, but that too, when it comes in the end, fades away too easily – it could have been longer, especially the moments under the lake which are beautiful, but are over as we begin to get a touch of the same. The movie could have actually been more like The Cabin in the Woods, one of the best horror movies of all-time, which didn’t really get a screen in the malls around here. This Norwegian movie, for some reason, decides not to be that, or even Evil Dead – the scope was really there, as elements of old horror sneaks in so well around here.

Performers of the soul :: The movie’s spirit is entangled into Iben Akerlie who actually becomes a reflection of the atmosphere itself, and she perfectly fits into the role and setting with ease. There is something about her at all times, and we are drawn to the way she looks and acts throughout the movie, like that fairy-tale nymph who reached the world of humans all of a sudden. The way she looks at everything, from the cabin and the woods to people, as well as her simple actions give us a feeling that she is not of this world. She nicely blends into that strange girl whom nobody can easily figure out. Patrick Walshe McBride’s brotherly figure is even more weird, but we don’t really see much of him around here. Then, it is Sophia Lie who has our attention as one of those characters who are better defined than the others. As the only other female character in the movie, she is the one whom we can consider to be the sane one among the other unpredictable ones. The other actors do just the usual in a horror movie as we look at them.

How it finishes :: Lake of Death, the first Norwegian movie which I have watched, has managed to be an interesting horror movie, even though moving on at quite slow pace from the beginning itself. This could have actually worked better as a usual horror movie with this kind of an atmosphere without complicating things too much or lowering the pace rather too much. We could have had the feeling of terror always being there directly rather than bringing them in the form of strange events which don’t seem to be that much dangerous, or through those hallucinations which makes us feel not to be considered serious. Yet, this can begin your movie watching procedure in style as far as Norwegian movies are concerned, because a horror flick with such a setting is always the best option to begin with. You can go through this world of creepiness, beauty and fear, all mingled into one, and then follow up with more Norwegian horror at some other point. After all, horror is the most real thing that you can ever experience in life.

Release date: 1st November 2019
Running time: 94 minutes
Directed by: Nini Bull Robsahm
Starring: Patrick Walshe McBride, Ulric von der Esch, Iben Akerlie, Sophia Lie, Elias Munk, Jonathan Harboe, Jakob Schoyen Andersen

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@ Cemetery Watch
✠ The Vampire Bat.

The Son

Vampire Owl: And we have another Spanish movie, but this seems different.

Vampire Bat: Yes, this one is from Argentina, and so it is not like the other movies we watched earlier, from Spain.

Vampire Owl: Okay, so just like the one Porutuguese movie on this site is from Brazil and not from Portugal.

Vampire Bat: Yes, people tend to have such confusions when someone is mentioning the language used.

Vampire Owl: So, we are seeing a rise in French, Spanish, Korean and Chinese movies in comparison to the other foreign languages.

Vampire Bat: Yes, and I don’t think that you would be surprised about the Korean ones.

Vampire Owl: It is not surprise, because Korean films have been here for a long time.

Vampire Bat: We haven’t focused on the rest, even though we should have.

Vampire Owl: Well, times have changed, and things can be different.

Vampire Bat: Yes, we can further work on watching more such movies.

[Gets an orange cake and three glasses of blackcurrant shake].

What is the movie about? :: Lorenzo (Joaquin Furriel) is a fifty year old Argentinian painter who has been trying to rebuild his life, as he hasn’t been that successful with his career or the personal side, even though there has been no doubt about his talents. Julietta (Martina Gusman), his former student and love interest is now living with his friend Renato (Luciano Caceres), while Lorenzo marries a much younger Sigrid (Heidi Toini), a Norweginian biologist doing research in Argentina, who approaches him for an experiment, and later decide to move in with him. But there is a certain amount of anxiety related to the child going on there, and Lorenzo and Sigrid seem to be going apart. Sigrid who is a biologist, wants to have the baby at home, citing the possible infections in a hosptial, and for the same, she brings a Norwegian mid-wife who assisted in her mother’s delivery a long time ago. The baby is born, but the relationship between its father and mother is strained, and there is something strange going on with both of them.

So, what happens with the events here? :: It turns out that Sigrid doesn’t go out of her room or shows the baby to anyone else. She stay inside with the baby, and she is the pediatrician with the support of the mid-wife, much to the dismay of Lorenzo who doesn’t get to spend any time with the child, even after six months. She doesn’t allow him to take the boy to the hospital which makes him further depressed. When he finally takes the child to the hospital, she files a case of domestic violence, and makes sure that he can’t come near her or the baby. After that, she asks for divorce, and tries to keep him away using anything within the law that gives her the advantage as a woman. Now, the question remains if Lorenzo can finally meet him, because he feels that the boy who is with Sigrid is not their son, but somebody else. Is it the truth or just a feeling that he has? Is there a big mystery surrounding these incidents, or is he just hallucinating, as he is a person with a long history of being an alcoholic?

The defence of The Son :: The movie surely keeps one guessing, and there is a certain amount of skill being displayed here on not letting us know exactly what is happening. We are not sure whose side we should be on, because strangest of things do happen. But there is something about her which is not usual, because it is clear that she is playing the victim card as a woman to blame her husband for fake domestic abuse and everything else. As a biologist, something strange is going on with her, and we are still left in the dark about what is going on – with that, the movie is successful. The film also deals with the possibilities that someone could make use of, as far as laws helping a particular gender, religion, race or any such category is concerned – especially in the name of helping a group which seems to be brought into submission. It also talks about how judgmental people happen to be, as far as some cases are concerned, taking only one side with the help of law. At the same time, we have the suspense and twists in there.

The claws of flaw :: The film does have a certain amount of slow pace associated with it, but it is mostly solved by the short length of the movie. The feeling of danger is also absent in this movie, as we only suspect people being possessive, or having some minute problems, and nothing more. The ending also feels rather incomplete – it leaves too much for the audience to think about, and we feel like we left that movie without watching it completely. The movie could have been closer to horror rather than the other genres, but it doesn’t try to use the horror at all. Even those movies which don’t have any such inclination will try to do that, and this one leaves the idea behind completely. We feel that there is so much more that this movie could have done, as the stage was all set, and there was something in the background trying to take over at all times. There was enough around here to bring a special ingredient into the picture, which is not really there.

Performers of the soul :: Joaquin Furriel’s performance is the one thing that elevates the movie to another level. He looks solid as the painter and the one who is in some kind of problem almost all the time. We can relate to him as he seems to face situations which make no sense for him at all, even though he does leave enough for us to doubt him too – we lie there in between. Heidi Toini is very good as she goes on looking more or less like a psychotic person of science, someone who seems to be in control of everything biological, looking at even doctors as if they are not necessary. Martina Gusman also comes up with some quality performance as she tries to help the main character – the same can be said about Luciano Caceres in a lesser way, as he is not there for that much time in comparison. Then we only have Regina Lamm who speaks only in Norwegian, and we know nothing much about that – maybe someone who knows the language will bring some light into that if required.

How it finishes :: The Son might not be the first Spanish movie on this website, but is certainly the first Argentinian film around here. Despite a certain amount of weirdness associated with this movie, The Son does have enough to keep us guessing, as we wonder what is going on here, at all times. It also reminds us that things are not usually what they seem to be, and when one takes the side of a person who is also supported also by the law in the name of gender, race, religion or anything else, you have to look deep into it because things are not always what they seem to be. As of now, all the Spanish movies which I have watched did leave me with the same feeling. It should have more to do with my choice of movies, but it has been there. After all, the Spanish Football Team is also my favourite international team, and it is also a nation which I have always wanted to visit; you can add that feeling to both Spain and Argentina – maybe, one day, very long after the Corona restrictions, I will.

Release date: 2nd May 2019
Running time: 92 minutes
Directed by: Sebastian Schindel
Starring: Joaquin Furriel, Heidi Toini, Martina Gusman, Luciano Caceres, Regina Lamm

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@ Cemetery Watch
✠ The Vampire Bat.

Varane Avashyamundu

What is the movie about? :: Neena (Shobhana) is a divorced mother who is living with her daughter Nikitha (Kalyani Priyadarshan) in the busy city of Chennai. As Neena had eloped from home and married, the only relative who comes to see them is her uncle Manuel (Lalu Alex) while her husband lived far away from them. While Neena works as a teacher of French language, Nikitha also supports herself with a job, and is looking for a groom in a matrimonial website all by herself. Those whom she finds as match include Alphonse (Siju Wilson) and Aby (Rahul Rajasekharan), a Motor Vehicle Inspector and an NRI respectively. In the same block of apartments where they are living, Major Unnikrishnan (Suresh Gopi), a retired army officer also lives alone. He is known for his anger management issues due to which he often gets into trouble, and is disliked by the people living near him.

So, what happens with the events here? :: Bipeesh (Dulquer Salmaan) is the new resident at the apartments, beginning his stay with an argument with Nikitha over their two-wheelers. Nikitha is not fond of him as well as Unnikrishnan who also buys a dog which is almost as huge as him. Major Athmaram (Major Ravi) who was also in the army tries to solve Unnikrishnan’s anger management issues by sending him to his friend who is also a doctor – Doctor Bose (Johny Antony). Unnikrishnan is someone who had managed to climb Mount Everest during his youth, and is also someone who participated in the skirmishes at the Indo-Pakistan border. But he finds it difficult to mingle with people, especially with ladies. The kids of the apartments particularly hate him for his rough attitude. As he tries to change his behaviour, he ends up getting closer to Neena, which changes the lives of Nikitha and Bipeesh as well. But what does it mean for his anger?

The defence of Varane Avashyamundu :: The movie runs on its cast which is an enviable one. It has one generation of veteran performers in the form of Suresh Gopi and Shobhana, and another generation with Dulquer Salmaan and Kalyani Priyadarshan, making it something which everyone from more than one generation feeling the need to watch it. The focus being on the elder stars is the best thing about this movie, as it works really well with the tale to connect with everyone. The funny moments work really well, and the credit for the same rests mostly with Suresh Gopi, supported by Johny Antony. The setting of the apartments in the middle of a city, and people going through their flawed, but interesting lives is nicely shown here. There are some messages given, and most of the time, it is about life and relationships. But, it should have had more depth, in more than one way.

The claws of flaw :: One trouble that Varane Avashyamundu seems to face is that it doesn’t have a script to match the cast that it possesses. It had to be better focused on what it was doing, and the same would have allowed us to go beyond that initial drag with ease, and that ending which seemed to be rushed, even though it cannot be termed terrible. The predictability is always there, as we know which direction this is heading – there is no need for any special skill for the same. The need to put the feel-good factor into place would always be a priority, considering the fact that this movie’s competitors were all focused on other genres including the year’s first big hit Anjaam Pathira which is clearly on the other side with the shades. The movie doesn’t have memorable songs or music, and it could have also been shorter, removing some scenes. Even some characters seemed to be rather unnecessary here.

The performers of the soul :: If there is a question about the leading performer in the movie, that is not the leading young pair – it is Suresh Gopi who makes the retired army officer a joy to watch. We had last seen him in My God, and here we have him doing the comedy and emotions exceptionally well, and his character and the changes undergone are too good. Shobana adds to the charm here, and her combination scenes with Suresh Gopi as well as Kalyani. Urvashi also has a memorable role to add here. But at the same time, Dulquer Salmaan doesn’t have much of a screen time – his character is also one which doesn’t suit the overall mood of the movie, and the romance here is also half-baked, seemingly built on fake emotions and therefore lacking in strength. Johny Antony is the next person to bring the comic side alive, while Siju Wilson and Major Ravi also have a few similar moments. Meanwhile, Lalu Alex is there with another usual, but memorable kind of role.

Further performers of the soul :: Kalyani Priyadarshan has her first Malayalam movie, and Marakkar: Arabikadalinte Simham will be the next. As the daughter of the renowned film director Priyadarshan and the popular actress of her time Lissy Priyadarshan, her debut was long overdue. The other star children had already arrived, and we know what nepotism can do to you, as it was proven with the star kids, even though not that much as it has done with Bollywood. At least in the case of Malayalam movie industry, the sons and daughters can act, and often even excel in what they do, a case which have made the industry rise above the usual brainless acts of Bollywood. Kalyani is no exception either, as she nails her emotional and funny moments. Often reminding one of Bhagyalakshmi Prabhu who plays Meenakshi in Thatteem Mutteem especially with KPAC Lalitha around, she gets to be perfectly fit in this family feel-good stuff.

How it finishes :: Anoop Sathyan, son of the veteran film director Sathyan Anthikad is at the helm of this movie. He is known to have served as assistant director at Malayalam film industry and have also directed independent documentaries. There is a certain Sathyan Anthikad touch that can be seen in this movie, and the same can’t be denied, especially in a feel-good movie directed by his son. It is just with the setting that the difference can be seen – otherwise the model is more or less the same. A shift from the village to the city can be felt more, as it is a change from a very rural setting to a very urban metro setting. But the characters are shown in a simple and lovable manner as we have seen in those rural settings, which make this movie a fine watch for the family audience. There is no question about what the one clean family movie can be, with a modern setting.

Release date: 7th February 2020
Running time: 145 minutes
Directed by: Anoop Sathyan
Starring: Suresh Gopi, Shobana, Kalyani Priyadarshan, Dulquer Salmaan, Urvashi, Lalu Alex, KPAC Lalitha, Johny Antony, Siju Wilson, Major Ravi, Sarvajith Santosh, Meera Krishnan, Sreeja Ravi, Rahul Rajasekharan, Wafa Khatheeja Rahman, Krishna Chandran A Nair, Vidya Menon, Aravind Venugopal, Theni Murugan, K Gopal, Nalsen K Gafoor, Lal Jose (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Kettiyolaanu Ente Malakha

What is the movie about? :: The story is set in a high range village and at an old style family which is left with one old motherly figure and the young son who hasn’t married yet even though he has reached the age of thirty five. Sleevachan (Asif Ali) is someone who hasn’t thought of marriage at any point of his life. Kuttichan (Jaffer Idukki) has brought profiles of many different women for him, but he didn’t even try to go and see a single lady, much to the dismay of his mother, four sisters and other relatives. Even his neighbours, friends and the villagers are looking forward to see him getting married, as he is a much loved person and a helpful man. But as he realized that his mother was getting older, and she needed help, he finally decides that he can’t manage all the farming activities and look after his mother, as he is always outside home.

So, what happens with the events to follow? :: A new proposal comes, and this time, Sleevachan is ready to marry, and the girl is Rincy (Veena Nandakumar), daughter of the church vicar’s sister who lives at Angamaly. Even though Sleevachan’s sisters are doubtful in the beginning stages, the two are supposed to be ideal match, and there is no hesitation from anyone’s side about getting them married, except for Richard (Rony David), Rincy’s brother who also agrees to the union of two families. There is a grand wedding ceremony which is attended by almost the whole village, but on the very first day itself, Sleevachan ends up drinking too much alcohol, and falls asleep early. But from what is to follow later, this might be the better night for him. His own lack of understanding of what happens after marriage would land him in trouble. The question remains about how he can change his ways and adapt.

The defence of Kettiyolaanu Ente Malakha :: The success of Kettiyolaanu Ente Malakha depends on how its situation and idea is presented to make a story with lesser content far more interesting than how it would have been, if presented directly. The main characters are nicely written, and without any melodrama or insensitive dialogues, the movie takes on the family mode quite easily. There was some risk involved with this movie, and the movie even though does take it, never really venture close to danger – the balance is maintained effectively. The music is pretty good, even though not the best. The visuals of the place are nicely captured, and it serves as another good-looking movie too. The messages here are there to be taken, even though not for everyone, and not at the same dose.

The claws of flaw :: There is not much of a content in this movie that stretches to its full length, as some parts of the movie could have been cut down to make this one and half hours – there is not that much in there to take it to two hours and fifteen minutes. The story can be considered to be too simple, and the beginning half an hour or even up to forty five minutes doesn’t have anything to catch our attention at all, and goes through a struggle to get to the point, until it begins to change the mood. There are also moments when one feels that the movie is not that realistic, and due the lesser content out there, it does drag, and the struggle is visible. The ending, even though good, needed to pack a better punch – the feel-good has itself working all the way here though.

The performers of the soul :: Asif Ali has done a fantastic job here, and it him who gets to drive the movie forward effectively. Even though Kakshi: Amminippilla was a terrible and aimless movie, he had two fantastic movies, Virus and Uyare, as well as the one fine feel-good movies in the form of Vijay Superum Pournamiyum. He makes this simple, highland villager close to life, and also natural enough. He has some fine moments for us to remember, especially in the second half of the movie. This role of the simpleton from a village on a hill, stays safe with him from the beginning to the end. Veena Nandakumar who is best known for the movie Kadam Katha, comes up with a fine, controlled performance. She delivers the most with less dialogues and more from looks and action.

Further performers of the soul :: Basil Joseph, the director of two wonderful movies Kunjiramayanam and Godha has another good role to do after Manoharam. He plays the supporting role well once again, and it is once again the kind of role which Aju Varghese would do in a similar movie. The girl who plays the role of his lover also does a fine job here. Shine Tom Chacko is there in a small role which you would miss if you don’t look around at the right time. Rony David also has a smaller role as the brother of the heroine. Jaffer Idukki has a bigger role, and we get to see him handling a funny as well as matured side. Sruthi Lakshmi and Maala Parvathi are there for shorter moments too. It can be seen that the rest of the cast are also natural, unlike Happy Sardar which released this week, and keeps itself artificial throughout its run.

How it finishes :: Kettiyolaanu Ente Malakha has done a pretty good job in keeping close to the family audience while providing a few messages. After the critically acclaimed and top level Helen, this is the movie which will grab your attention. Even with new releases coming this week, its number of shows remaining the same is a sign of the possibility of the movie to stay, even though with Mamangam coming up soon, there is no clear guarantee of the same. Kettiyolaanu Ente Malakha‘s title won’t really symbolize the story, but the message does work out, considering the way the movie moves forward. Among the usual feel-good movies, this one strives to be different, and trying new experiments never get old in Malayalam cinema, as we work and seek more.

Release date: 22nd November 2019
Running time: 135 minutes
Directed by: Nissam Basheer
Starring: Asif Ali, Veena Nandakumar, Manohari Joy, Basil Joseph, Rony David, Jaffer Idukki, Raveendran, Sruthi Lakshmi, Maala Parvathi, Shine Tom Chacko, Jayalakshmi, Sini Abraham, Jesna Sibi

@ Cemetery Watch
✠ The Vampire Bat.

Unforgettable

Vampire Owl: There is nothing unforgettable in this world.

Vampire Bat: It is not true. Some things just stay. I thought you would agree to the unforgettable nature of things.

Vampire Owl: I have been able to forget everything, and re-programme my brain with ease.

Vampire Bat: Was that part of one of the experiments by Doctor Frankenstein?

Vampire Owl: No, it is my own special skill, and no Frankenstein is required for the same.

Vampire Bat: But I know that you keep remembering Lady Death and your inability to get to her realm when needed.

Vampire Owl: Lady Death is not of past. She is more like the present.

Vampire Bat: This is exactly what I am talking about.

Vampire Owl: There is more to that particular story than what meets the eye. You should realize that better, considering how life has been. Well, it follows.

Vampire Bat: I think that you are going to write a book, considering how you have been talking about your life’s story in the last few days.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Julia Banks (Rosario Dawson) is in a new relationship with David Connover (Geoff Stults) who has only recently separated from his wife Tessa Manning (Katherine Heigl) with whom he has a child, Lily Connover (Isabella Rice). They seem to have managed very well as individuals, sharing the custody of their daughter who stays with each of them at one place after the other. Julia herself has her own little secret, with her abusive former boyfriend Michael Vargas (Simon Kassianides) getting arrested for his violence on him, and is on a restraining order, which has only few days left. To add to her fear about the same, she also has Tessa acting rather strange, seemingly intruding into their lives. Her best friend Ali (Whitney Cummings) would comfort her telling her that these are just common things in life, and is surely better than her last abusive relationship which left her with scars on her body.

So, what happens next in the movie? :: After leaving her job and city to arrive at this town, her biggest nemesis remains Tessa who keeps creating problems for her, mostly in the name of the child, and her inability to take care of the kid as she is not a mother. Scolded by her own mother Helen Manning (Cheryl Ladd) for letting go of her marriage, Tessa gets more and more angry and frustrated, deciding to teach her husband’s new lover a lesson. She searches for information on Julia and finds more than enough about her past, which is not revealed to David. She decides to use the same to her advantage, and contacts Julia’s ex-boyfriend. What follows is a series of events which involve Tessa trying to get rid of Julia, while latter somehow manages to hold on. But the question remains about how long can she evade the traps set by Tessa who seems to have everything in control.

The defence of Unforgettable :: There is the suspense associated with this one, and it keeps you engaged about what is to happen next, and how the plan works out. But above everything else, and even above the story, the movie works the best due to its two leading female actresses, Rosario Dawson and Katherine Heigl. The former shows her desperation to perfection, while the latter is more like the snow queen who has her heart made into ice, having almost no remorse over her action which would destroy lives – the selfishness that is reflected there is more than what a regular villain would bring in a movie like this. Katherine becomes what they describe by psycho barbie between two characters, and there is some terror hiding behind her eyes as she stare into her nemesis. There are some smart movies being made, but twists oppose the same, and thankfully there is no melodrama even while dealing with this kind of a theme. The one doubt left is whether we have loved the villain so much that we were wishing for her to thrive.

The claws of flaw :: There are a few moments which looks not really living up to what seemed to be planned, and we have some situations that seems to be not done well enough – the movie has its problems here and there as it brings its content. There could have been more to the flashback of the villain too, as we see how good she is even without the same. The final sequence is also strange, seemingly made to let the heroine win, and it is only fair for someone’s good side to let her be the last woman standing, and we wished otherwise, and it would have been more realistic that way. The male characters don’t really have anything interesting to do here, and we see that there was so much more of villainy that could have been brought on. There could have also been certain suspense about what was going to be done, and how worse it could become for the protagonist – the psycho barbie idea could have been twisted to the extreme limits.

How it finishes :: When you see a movie like this, there is that category which you fit this one into, and that is erotic thriller, and then there is erotic drama which has more chance to be chosen by the regular audience. This is certainly not a movie that will be memorable for a very long time with its thrills, but thanks to Katherine Heigl, this one gets raised from where it could have stayed otherwise. After watching this movie, one thing is for sure – we would want a bigger version of such evil on the screen – it is more like the purge that takes away all the bad things; we need something like this more often. When you see the negative reviews and you watch this one, you are going to be surprised by what it brings, and we know that thrillers based on relationships and home can also bring some more when you least expected them.

[Walks into the balcony with another cup of tea].

Vampire Owl: I think that this particular lady reminds me of someone.

Vampire Bat: If it is about the ex-girlfriend, it might be about Lady Death.

Vampire Owl: What meaningless thing are you talking about? She is not an ex. She is part of my present.

Vampire Bat: Don’t you know that the realm of death has stopped all connections with the vampire world? You can only be trapped in one of the worlds.

Vampire Owl: It is not possible. We are the connection between the living and the dead. We are needed.

Vampire Bat: Even the Lich Queen has been saying the same. There is no real contract regarding the same.

Vampire Owl: There is one with the Vampire Elders.

Vampire Bat: Dude, that connection no longer exists. The Vampire Elders have given up all positions of powers because they are very old.

Vampire Owl: It is absurd. A Vampire Elder rules forever.

Vampire Bat: You should read The Vampire Times at least once a week.

[Walks into the silence of darkness].

Release date: 21st April 2017
Running time: 100 minutes
Directed by: Denise Di Novi
Starring: Rosario Dawson, Katherine Heigl, Geoff Stults, Isabella Rice, Whitney Cummings, Cheryl Ladd, Simon Kassianides, Sarah Burns, Alex Quijano, Stephanie Escajeda, Kincaid Walker, Aline Elasmar, Lauren Rose Lewis, Jayson Blair, Robert Wisdom

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Uncle

What is the movie about? :: Shruthi (Karthika Muraleedharan) is a young lady on her way back home, to Kozhikode from Ooty, where she has been studying, on a day which has strikes and protests written all over it. The violent protesters are everywhere in Ooty and Coonoor, destroying public property and attacking private vehicles according to their will. After getting into a fight with her best friend Sam (Ganapathi), she is looking for a way to get home, and gets on the path of Krishnakumar (Mammootty), a rich businessman who is an old friend and former classmate of her father, Vijayan (Joy Mathew). He offers her a lift to Kozhikode as he is also going that way, and as she knows him well enough, she accepts, even though not without some initial hesitation. This begins a journey that would last many hours, and they get along quite well throughout the trip.

So, what happens with the events to follow? :: Vijayan and his wife Lakshmi (Muthumani) are worried about her safety, especially the former who is not a fan of the character of his good old friend known for being with many women and being under the influence of alcohol for most of the time. But they think that their daughter would be back before it is night, but as darkness falls, it turns out that they have only reached some kilometres away from the checkpost will stay closed until next morning. A small accident with a truck and the frequent stops for taking photos only delay things further. Now, the two have to stay somewhere until next morning, and the concerns of Vijayan rises to a new level. Krishnakumar is known to have divorced his wife, and is suspected to have some relationships which wouldn’t be acceptable to the society – the car is also chased by two young men on a motorbike; is there danger awaiting Shruthi?

The defence of Uncle :: The issues that Uncle deals with are more or less relevant, not just in one area of the country, but everywhere, in varying levels. The cases of moral poicing and having never-ending doubts about a man and woman traveling at night or to deserted places – no questions are lost here. There are the reflections of prejudice, strange judgment, unnecessary fear and more, which are more or less present in almost all of us. The movie also has some good visuals and a fine song which is to stay on for long. It is also a movie of infinite opportunities, a case which Thanos himself would take for his infinity gauntlet – you know this idea, which is difficult to work on, but if done correctly, can give the results better than any other. Maybe, at another point of time, another movie will develop this for another age, in a better and smarter way. We can see the signs of such possibilities here itself at some points.

The claws of flaw :: The focus seems to be lacking in the tale which could have been an efficient thriller, but it never even comes close. There seems to be an attempt to make the audience believe that the girl is in distress, but never does the flick attain success with that. Our protagonist could be an enigma, but never a threat to an innocent girl despite us trying to see it from many perspectives. To bring a message, this one seems to have taken the energy out of everything else, which is rather disappointing – if it was all about coming to those last moments, why stretch the whole thing so much? The movie is so long, but there is not that much of content to stay and keep the viewers engaged. The female protagonist never becomes worthy enough to be of someone whom we could feel for, and the male protagonist never even tries for the same – this is something which drives us away from the characters, and at some point, their fate becomes something of no concern for us, especially when the willing suspension of belief losses the suspension too.

The performers of the soul :: When Mammootty makes a wonderful walk through this movie, you are not surprised – there are elements of his characters in his earlier movies from the golden age of Malayalam Cinema right here, but with the difference that has come through the ages. There is no superhero mode here though, and expect for one final punch which might have been necessary for most of the superstars out there, we see him going through a natural path – the Masterpiece model is dead at least for now, with no slow motion and beating up multiple people who fly around. The dark shades which some of the viewers had expected were missing though, as the breeze is rather light. He is a man with some surprises, as mystery is there regarding his world, but it is never in the dark world, as he keeps himself close to light, without allowing the darkness to creep in.

Further performers of the soul :: Joy Mathew is amazingly good as the father figure, and his worries keep us engaged. We see the emotions of a father very well reflected on his face, as he comes to know more. Muthumani keeps scoring with her dialogues, and the strength continues to be there till the end. Karthika Muralidharan has some cute moments here, and we had seen her doing almost nothing in CIA: Comrade in America – this might be an improvement in parts, but there are moments of overacting which can be considered difficult to bear. It is a saga of ups and downs, and in the same, the level is reluctant to go up after a certain point of time. She can do more, but that much is not there to be seen. She doesn’t look like a minor as mentioned in the movie either. KPAC Lalitha and Kailash story would seem a little strange, but brings some humour, and has the extra content to give the audience something else to focus in between, without the same journey in the car being repeated again and again.

How it finishes :: Uncle is good divergence for sure, but losses some of the territory it gained because of how big it happens to be – it is more or less like the Roman Empire which couldn’t control its territorial gains when the weaknesses were revealed with further expansion of the empire; but there is no questioning the idea behind both of them, and the strength when it was present. But we do have some talented cast members and the premise with a difference, bringing a mirror to the society – it is something that we just can’t avoid, and for the same reason, Uncle deserves a watch. We can always have more of the movies which leaves a message for the audience or reflects the society’s troubles in one way or the other. Uncle is a good sign of better movies to come, and we can hope for greatness in them, or rather the infinity of quality with the industry’s further uprising.

Release date: 27th April 2018
Running time: 144 minutes
Directed by: Girish Damodar
Starring: Mammootty, Joy Mathew, Karthika Muralidharan, Muthumani, Suresh Krishna, KPAC Lalitha, Kailash, Ganapathi, Meghanadhan

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Story of 90 Coins

Vampire Owl: I have to say that this title has immediately caught my attention.

Vampire Bat: It is not natural for such a thing to happen for you considering the fact that this is a short-film.

Vampire Owl: I have loved more short-films these days than any other. So, there is a certain vision coming to me.

Vampire Bat: So, you will be watching more short-films?

Vampire Owl: I don’t see why not, as you have been writing about so many. I have to keep up.

Vampire Bat: So, you are coming up against the realization that short-films are more worth the time, right?

Vampire Owl: Yes, I have gotten fine results with the last few which I watched.

Vampire Bat: Also, it is for everyone, and not limited by the boundaries, as it is available online.

Vampire Owl: And available in so many language, with English subtitles.

Vampire Bat: The only thing which stops us from watching a short-film is we ourselves.

[Gets some kuzhalappam and three cups of elaichi tea].

What is the movie about? :: The movie begins with Wang Yuyang (Dongjun Han) telling Chen Wen (Zhuang Zhiqi) to be with him forever. When she doesn’t agree to the same, and shows her doubts about the future of the relationship, he asks her to give him ninety days to prove her love towards her. Every night, when they left each other, he would give her a coin, and if she rejects his proposal after those ninety days, they would take the cash to the stall where they had first met, have some drinks and bid adieu to each other, hoping not to meet again – that would be the end. Otherwise, they are going to use it for the wedding purposes, according to him. Even though she does fall in love with him, her first priority is to have a house in the city. She also has her career in front of her, and marriage doesn’t come at the top of the list at the moment.

So, what happens next? :: Then there is a chance for her to go to Paris, which is quite the perfect place to continue her fashion designing work. The city which has been commonly referred to as the fashion capital of the world just seemed to have endless opportunities for her. Andre (Jose Acosta), her French co-worker is also asking her regularly to join him on the trip to France, and see how far she can go with her skills in the field. They have their own complications in the relation in between, and it remains to be seen, if they can stand the factors of real life when going through their tale of love. It comes to that point when the relationship was going to be no more – but the promise of ninety days remain. Will they be able to go through those days which are reflected in each coin? Is it love or is it the job that gets the upper hand in the end?

The defence of The Story of 90 Coins :: The movie is just so beautiful to watch – there are those wonderful shots, and there are also beautiful people working in it. Along with the same, the performances are also too good that we feel the reflection of the emotions of the two protagonists. The emotional effect that this movie brings is more than what some of those highly appreciated romantic flicks lasting two and half hours has brought us. We can take the example of two Malayalam movies which are considered top love stories – Ennu Ninte Moideen and Annayum Rasoolum. While the former was entertaining, it dragged itself to almost three hours, with moments which didn’t need to be there. The former also had a run-time close to three hours and had more drag than material. These two, the most overrated love stories don’t stand a chance against a nine minute short-film, and there lies the beauty of The Story of 90 Coins.

Soul exploration 1: Love and promises made :: We see so many movies with promises of love being made. Lets take the example of another overrated movie, Neelakasham Pachakadal Chuvanna Bhoomi – it only has the glorification of our youth who can’t make a good promise and stick to it, and as people don’t usually stick to promises they liked it. The Story of 90 Coins is for the kind of people who stick to those promises made in love, like the characters in the movie Anarkali. Unlike what a lot of youth from a spoilt generation thinks, love is not love when it finds deviation – falling in love is a commitment, and whether it is before or after marriage, it takes real courage, faithfulness and trust to stand with the person you love. With love, comes a promise, and it is about this promise that The Story of 90 Coins talks about. Good men and women keep it, and won’t let it become a random memory which comes into mind later.

Soul exploration 2: Love and love only :: There will be other things like work and people will keep looking for job satisfaction – unfortunately, in a terrible modern world, it is something that people will use to judge you and society will even judge your partner on the same. There will always be those offers to make you feel successful, but it is not inside that cabin or the cubicle that you find what matters the most – it is in in front of your beloved, in her words, and in her arms. As we look at a world affected terribly by modernity, we feel so much less of love – they turns into robots, and they divide us into factions. But there will be a day when we realize that love matters – it will be not that creepy new generation love made in the name of modern love which has no commitment and just infatuation and lust. Love will be love only when it is worth to be called by arranging those four letters in the right way in heart, and never stepping back from those feelings of oneness.

How it finishes :: There are lots of dialogues in this movie which are certain to stay with you. The process of making you feel the love begins from the first few seconds itself, and there are those amazing words in the end, which are sure to give your emotional side and belief in true love a big push. It is shameful that we have more of “theppu” short-films here rather than true love stories – we are the industry which had so many of real love tales which became big hits in the past, and we struggle to make more of the same kind even as short-films. It is during those times that this Chinese short-film from Michael Wong becomes a very significant lesson. This is a movie which has won more than fifty accolades from different international film festivals, and it is the director’s short-film debut. After watching this The Story of 90 Coins, I hope that he will make a lot more of similar interesting flicks.

Release date: 28th July 2016
Running time: 97 minutes
Directed by: Michael Wong
Starring: Jose Acosta, Dongjun Han, Zhuang Zhiqi

Watch The Story of 90 Coins here:

Other short-films of interest: Mangalyam Thanthunanena, Red Jacket, Grace Villa, Culprit, AUFDRUCK, The Shaman.

@ Cemetery Watch
✠ The Vampire Bat.

Alamara

Vampire Owl: A movie named after the almirah. It is an interesting case.

Vampire Bat: What is it about you and an almirah?

Vampire Owl: An almirah is a nice option for executing our evil plans.

Vampire Bat: You are not planning on scaring a few people by jumping out of an almirah, are you?

Vampire Owl: Well, what I plan is world domination using the almirah.

Vampire Bat: That idea won’t work. It is just an almirah.

Vampire Owl: You will know the depth of my evil plans, and then you will realise how far it can go.

Vampire Bat: It hasn’t gone that much with any of the plans.

Vampire Owl: You see, this one is different. I will get some special plan from this movie.

Vampire Bat: Let you find the best evil plan from a feel-good comedy movie.

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is the movie about? :: Arun (Sunny Wayne) is a bank employee who is working at Bangalore, and despite having seen forty seven girls so far, hasn’t been able to get married to one. The last one got messed up after the girl whom he was supposed to marry, eloped with someone else. He is a member of various matrimonial websites, and there are his relatives who are trying to get him to be married to some girl or the other, but things don’t go well as something bad happens every time. It is during these times that his good friend Suvin (Aju Varghese) gets rejected by a girl Swathi (Aditi Ravi) because he ends up being shorter than her. Swathi gets transferred to Bangalore, and asks for some help from Arun who is the brother of her old friend Divya (Sonu Anna Jacob), and knows the city well enough to find her a place to live for the time being.

So, what happens next? :: He soon proposes to Swathi, and working in nearby banks in the same city, she accepts, and so do the parents and relatives of both of them. The date of wedding is fixed on a day six months later, so that Divya can also be married on the same day, after she also passes a bank test and gets to work in a financial institution just like them. As the date gets nearer, everyone on the girl’s side gets restless, but it seems that Divya is in no mood to pass the bank test any time soon – she just keeps studying and nothing much happens. The two families almost decide not to go forward with this relationship, but Arun and Swathi are adamant, and finally both families have to agree to conduct the wedding. The wedding goes on well, and both of them move to Bangalore after a few days at Arun’s place. But things aren’t that smooth as they thought they were going to be.

The defence of Alamara :: The feel-good element in this movie works very well, and so do the jokes used here. The message here is that the married couple has to live their lives, and the rest of the people around will be only there to give some free advice and also to have the food for the function. The movie asks the pairs to take the decisions about their later lives themselves, and listen the least to the others – also, not to compare, but to live a life which is meant for them and not for those who watch from outside. A lot of situations in the movie can be related, and the comedy used here might feel a lot closer to real life for many. It was also a nice and divergent idea to have the almirah do the narration as the silent witness to all the foolishness that the humans come up with inside their relationships. The movie is visually good, and the songs have good timing.

The claws of flaw :: You will see that there is a lot of predictability associated with this tale which has been going on for a long time in one form or the other. There is no shortage of stories like this in our world – we can see them in all directions. You once again see a married couple having their relationship in trouble due to the interferences from their families who were not sure about this wedlock at the first place. The subplot concerning the property sale at Bangalore was not at all interesting though, and it could have been kept to the minimum to decrease the overall length of this movie. There could have also been something really new and fresh here, considering the fact that the same couldn’t be done with the story and how it goes on. The actors like Bijukuttan and Vijilesh are a little too less used, with more scope there for their characters.

Performers of the soul :: Sunny Wayne is good here, and he maintains the level in most of the sequences too. It is Aditi Ravi who makes a bigger impact here though, and we can expect to see more of her considering how good she has been in this leading role. In the comedy department, it is Manikandan Achari as the protagonist’s favourite uncle, who stands apart in a role completely different from what he did in Kammattipaadam. Aju Varghese and Saiju Kurup scores the most as protagonist’s friends when at Bangalore – also look out for Indrans in another different avatar here. Ranji Panicker and Seema G. Nair makes a fine pair that brings the fun here. Sonu Anna Jacob also has a notable role here. Then there is Salim Kumar providing some fun as the voice of almirah, the poor creation from the wood which gets to see all these and suffer – these humans are truly bad, aren’t they?

How it finishes :: This is the third movie from the director Midhun Manuel Thomas after Aadu Oru Bheegara Jeeviyanu and Annmariya Kalippilaanu. Sunny Wayne, Aju Varghese and Saiju Kurup remains the common factors once again, and there is the humour element of the first movie and the feel-good factor of the second one maintained nicely in this particular flick. This movie is surely better than Aadu Oru Bheegara Jeeviyanu, but not that good as Annmariya Kalippilaanu. With the entertainment, the feel-good factor and the messages for a new generation of families as well as those of the older generation, Alamara will be an interesting movie for more than one kind of audience. The message provided by this movie is valid not just for now, but for a longer period of time, and therefore Alamara should continue to work as the right family flick for many despite not being a huge one! Also look out for C/O Saira Banu this weekend, both movies taking different paths here!

Release date: 17th March 2017
Running time: 130 minutes
Directed by: Midhun Manuel Thomas
Starring: Sunny Wayne, Aditi Ravi, Sonu Anna Jacob, Ranji Panicker, Aju Varghese, Saiju Kurup, Sudhi Koppa, Manikandan Achari, Indrans, Sadiq, Seema G. Nair, Manju Satheesh, Kunchan, Bijukuttan, Vijilesh, Salim Kumar (voice only), Arya Rohit (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Shut In

shutin-1

Vampire Owl: I am used to hearing a part of this title.

Vampire Bat: You mean to say that you have heard of this movie title?

Vampire Owl: No, I am used to listening to “shut up”.

Vampire Bat: That should happen naturally to you in a growing vampire community which is building a new code of conduct.

Vampire Owl: Do you know that the critics don’t like this movie?

Vampire Bat: Is that a reason why we shouldn’t like them?

Vampire Owl: Well, they liked I Am Not a Serial Killer.

Vampire Bat: That is absolutely ridiculous. They really need the “shut up” instead of “shut in”.

Vampire Owl: It is time for us to bring the balance by supporting the correct movie.

Vampire Bat: This is indeed that movie to support!

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Richard Portman (Peter Outerbridge) and his son Steven Portman (Charlie Heaton) meets an accident while leaving home after a fight between the two – their car crashes into a truck as the differences between the two continue even inside the vehicle on the road. After the accident takes the life of her husband and leaves the son paralysed, Richard’s second wife and Steven’s step-mother, a psychologist by profession, Mary Portman (Naomi Watts) decides to care of the boy, even though it means being isolated from her own friend circle and spending most of her time with him. Separated from her own people, and often questioning her own decisions, she keeps herself going against all odds. But there is one thing that she is sure about, and it is that she has to take care of the boy.

So, what happens next? :: There is also a young kid Tom Patterson (Jacob Tremblay) who was her patient, but has gone missing. This ten year old child is deaf, and she had seen him for the last time at her own home. She does hear strange noises in her home, and there are also stranger happenings around, for which she can find no explanation. She also has her own nightmares, and the only rational explanation seems to be her inability to sleep during nights, which is bringing these hallucinations to her – but she is not satisfied with the same. Then, later, during a storm, on a strange dark night, she begins to believe that someone else is inside the house trying to harm her and Steven. Who or what is this that has come to her home without an invitation? Why does it/him/her want to haunt her and her paralysed son? Then the bigger question is about the missing child!

The defence of Shut In :: There is a strong line of mystery going right through Shut In, as it keeps us guessing from the very early stages itself. There are those moments of scare and there is suspense, as we get to that twist in the end. If you are going to ask why the protagonist didn’t figure out this or why she didn’t act like that, I am sure that I can ask why the protagonist in your favourite movie acts in such an unbelievable manner – well, it is different for each person, and being a psychologist like the main character of this movie won’t help at all; for you will never become the master of others’ minds, as each person is different as an individual and not as a robot whose “metallic emotions” could be treated by science. It is also the message of this movie – it doesn’t matter how much you think you know about others and their minds, and there is no point about claiming that you have studied it scientifically: you just can’t predict human nature.

The claws of flaw :: There are similarities to another movie which released in the same year, The Boy which also had problems with the critics, who might have decided that these movies were bad even before watching them – it is a clear reflection of the fact that some people are not qualified enough to judge horror movies, for such flicks surely need separate reviewers who understand the soul of horror, hopefully none of them includes those who reviews Bollywood drama. There is something strange going on with these people who keep rating the scarier horror movies low, and give a better score to horror movies which are not horror at all – even the thriller genre suffers from the same. This movie surely had the potential to develop better with its basic idea, and there are some points when things are not that smooth, but the shorter length makes sure that the movie survives that.

Performers of the soul :: From the beginning to the end, Naomi Watts remains the heart and soul of this movie. Seemingly getting younger every time, she is the kind of actress that everyone would love to have a in a horror movie or a mysterious thriller. You remember watching her in Children of the Corn IV: The Gathering a long time ago, but we all better recognise her from the much loved horror movie The Ring and its less acclaimed sequel, The Ring Two. But the best of her for me is the 2007 version of Funny Games – she has been perfectly suited to this genre which has the thrills and scares in store. It is the same that she makes sure in this movie, as once again does her job in the perfect way – we appreciate seeing her on the screen in this flick too. Charlie Heaton and Oliver Platt also scores in between, but Jacob Tremblay only gets less to do unlike in that nice horror movie named Before I Wake.

How it finishes :: This is another nice thriller movie which has been wronged by the critics. It is a thing about them to combine and build flaws on some movies, and the critics in India usually have the tendency to copy those in the United States without shame, unless there is someone from Bollywood performing in that movie [then it will be, watch the movie for him or her]. Some people really needs to know what “bad” and “terrible” movie means, and some of those flicks include those which they have been praising so much in the last few years. Maybe they were watching another movie instead of this one – who knows? Or they do judge in a way that only their group of people understands. Shut In is worth a watch; it is no big horror thriller, but it is surely something in which you can try and spend your time – it has enough in store.

Release date: 11th November 2016
Running time: 91 minutes
Directed by: Farren Blackburn
Starring: Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay, David Cubitt, Clémentine Poidatz, Crystal Balint, Alex Braunstein, Peter Outerbridge

shutin

@ Cemetery Watch
✠ The Vampire Bat.

Fukri

fukri-2

Vampire Owl: What about Fukrey?

Vampire Bat: I don’t think that there is a relation between the two. That one was a coming of age comedy film.

Vampire Owl: You mean just like Premam.

Vampire Bat: The genre is rather too vast. People who have no idea about that genre were blaming Premam for being close to its category.

Vampire Owl: Yes, some people even praised Blinglore Days for downgrading Premam.

Vampire Bat: It is Bangalore Days.

Vampire Owl: Whatever it is, our concern should only be about the nights, right?

Vampire Bat: It is the presence of the day that makes sure that there is night.

Vampire Owl: Yes, but we all have our preferences, don’t we?

Vampire Bat: Yes, as long as the night has darkness.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Lucky (Jayasurya) and Franklin (Bhagath Manuel) are best friends who are also engineering dropouts looking forward to making some quick money. For the same, they try many things. One day, they end up complicating things so much that they have to keep running from people. During his adventures in making easy money, he meets Nafsi (Prayaga Martin) and Sana (Salini RT) who needs someone to act as an elder cousin to bail them out of some trouble which they had due to bunking classes for watching a Salman Khan movie first day first show. There, posing as their cousins, they come across their real cousin, Ubaid (John Kaippallil), and ends up telling a lie that Lucky is the son of Ali Fukri (Lal) who is the son of Sulaiman Fukri (Siddique). Sulaiman and Ali has a long gone past, which has left them as terrible enemies who wouldn’t hesitate to beat each other up if there was a chance.

So, what happens next? :: Despite being hostile to his son, Sulaiman the patriarch, isn’t angry with his grandson. But Aliya (Anu Sithara) whom Lucky meets on his way back from the college, reveals that Ali has no son, and she is his only daughter. She asks him to get into the Fukri mansion posed as Ali’s son, and there is also an opportunity to be there at Ali’s wife house. Ali had married a Brahmin girl which was one of the many reasons for the problems with his father. Aliya provides enough details for Lucky to be at both places, and during his stay there, he solves almost all his financial debts. As Lucky is in love with Nafsi, he feels that this could work in favour of him in more than one way. At the same time, he decides to unite both families as well as the father and the son. But one day, Ali returns, and he is certainly not happy with it – he wishes to destroy all happiness in Fukri family, and one has to wonder what would happen next.

The defence of Fukri :: There is the presence of comedy, and the jokes work most of the time, and at other times, we have to make ourselves believe that there is some fun stuff going on. The songs are mostly okay, but there is nothing much to remember for long. It is still nicely done for the family audience, and without any bad joke added here and there and hurting no religious or community sentiment, manages a clean work – it needed someone like our veteran director to do the same, even though it is surprising that he had chosen to go through such a safe path with no risk taken. Even though it stays for more time that it should have, lasting above two and half hours, we don’t end up complaining about the length. Denied its release during the Christmas season due to the theatre owners’ strike, this one has a festival mood too, with all the colour and style that we see around. This might be the right choice to spend the time you have in extra.

The claws of flaw :: The main problem with this movie is that it has the kind of idea that has been tried again and again so much. It is certainly an old wine in a pot which he seems to have borrowed from a number of older movies – he has just added a little bit of flavour, and so we know that we have seen this before on lots of occasions. From the beginning itself, it is so predictable, and one twist with the daughter might be the only exception. The first half is rather brainless with comedy thrown in here and there, and the second half has a little bit too much of melodrama and it ends as if they had to force an ending out of nowhere. There is a little too much of Udayapuram Sulthan here, with one son trying to unite families from Hindu and Muslim families posing as someone else; his father was the main problem-maker there too. Posing as the cousin was the main idea in Dilliwala Rajakumaran too, and Kaaryasthan also had the protagonist trying to unite families – the examples are many, and it is a rather outdated idea for these times.

Performers of the soul :: There are three people who control this movie with ease – Jayasurya, Lal and Siddique, playing the fake grandson, and the next two generations of parents. The three generations effectively make this one worth our time. Jayasurya still has it easy compared to the kind of roles with which he had surprised us earlier. Lal and Siddique are perfectly suited for their roles, as their looks and style also compliment being the two big characters. Among the heroines, it is Anu Sithara who plays the daughter figure who scores the best – we had last seen her in Happy Wedding. Prayaga Martin pales in comparison, except for the looks – even though she looked even better in Kattappanayile Rithwick Roshan. It was also good to see Bhagath Manuel playing the second fiddle. Joju George is the one person to create the best effect on screen with minimal screen presence.

How it finishes :: There has been something different going on with the Siddique movies in the last few years – Ladies and Gentleman and Bhaskar the Rascal were clearly terrible movies, and even after bringing a combined effort with Lal in King Liar, nothing really changed with that. Bodyguard was an overrated movie too, with similar overrated remakes coming in many languages. And then there is Fukri. Coming directly into this situation, Fukri is definitely is a better flick. As we consider all these movies, Fukri is also the closest to a pretty good family flick which you can watch for the weekend. With Munthirivallikal Thalirkumbol and Jomonte Suviseshangal running in the theatres and Ezra all prepared to release, it is back to the busy times for Malayalam cinema industry after that terrible break due to the strike! Still, this could have been a laugh riot with its premise already established long ago – but that is not the case.

Release date: 3rd February 2016
Running time: 156 minutes
Directed by: Siddique
Starring: Jayasurya, Lal, Prayaga Martin, Bhagath Manuel, Siddique, John Kaippallil, Anu Sithara, Joju George, Krishna Praba, KPAC Lalitha, Sreelatha Namboothiri, Thesni Khan, Reena, Naseer Sankranthi, Salini RT, Sajan Palluruthy

fukrii

@ Cemetery Watch
✠ The Vampire Bat.

Jomonte Suvisheshangal

jomontesuviseshangal

What is the movie about? :: Jomon (Dulquer Salmaan) is the youngest son of a very rich businessman named Vincent (Mukesh) who hails from the city of Thrissur. The big family is Vincent’s other success story along with his huge business empire and assets – it includes Laly (Muthumani), Alphonse (Vinu Mohan) and Jessy (Rasna Pavithran) as well as their spouses who are all successful people in life, along with Jomon who is considered as the son who is born to spoil the name of the family along with all the money that he keeps squandering. He successfully continues the procedure, as he finishes the trouble-making with a sentence that ends with “still I love you” to his father. There is no shortage of people who think that he is good for nothing though, as he even misses his sister Jessy’s wedding function after he meets his old friend Mushtaq (Jacob Gregory) and spends time at a bar with him at Coimbatore, ending up in the police station.

Where are things heading for? :: It is during these times that Jomon falls in love with Catherine (Anupama Parameswaran) which changes the attitude of his family members towards him, as she is from one of the richest families around, and her parents have business established in various parts of the Middle East. They get really close until one day, Vincent miscalculates one of his business deals, and has his biggest failure in life. Everyone blames Vincent for the terrible decision he made, but Jomon doesn’t. He stands with his father, and hopes to reclaim at least most of what was lost. For the same, he relocates with Vincent to Tirupur in Tamil Nadu, and meets Vydehi (Aishwarya Rajesh) who helps him and vice versa. It was easy to go forward in the early stages, and now the question remains about how he can get his father to return to his lost glory, as that world is miles away.

The defence of Jomonte Suvisheshangal :: Without much of a surprise, Dulquer Salmaan leads the way as the protagonist, on whom this movie is based right from the title itself – there are messages about family, and there is some motivation to go through it; even as there is not that much visible. There is also some comedy, and the emotional side remains strong in this one, especially around Dulquer and Mukesh. Even with the smaller roles, Indu Thampi and Rasna Pavithran from Oozham get their moments too, even more than the bigger names in the cast. This will work even better for you if you haven’t watched Jacobinte Swargarajyam which has the same theme. The one bigger positive in this movie’s messages is that this one tells the audience to save more while the movie from last year was asking to earn more – it was more reclaiming the glory that was lost, while this one builds another one, something that is different from what was gone. It is also a long way ahead of the disappointing Kali, but is nowhere near that beautiful divergent dream which was Charlie.

Claws of flaw :: There is absolutely no attempt to bring anything new with Jomonte Suvisheshangal, and there is no trying to make things less predictable throughout its run. They have also wasted Anupama Parameswaran in a role which was rather not needed – well, in another Malayalam movie, she gets less time on the screen after the hero sees her inside a church; Premam and now this. Aishwarya Rajesh, despite suiting the character she played, works less as a pair to Dulquer. Another sad thing is that there isn’t enough of a funny side provided for Jacob Gregory’s character, even when there was so much chance, for he is to Dulquer, what Aju Varghese has been to Nivin Pauly. The songs are not that good, even though “Nokki nokki” is something that will do well without being related to the overall progress of the movie. There is also that level that we expect from Sathyan Anthikad, which is not there – that won’t be considered the right thing.

Soul exploration :: The idea of the prodigal son continues here, as the money laundering son comes back to his father – well, he even saves the day. It is not something that we have missed; this is something that a hero would do in a movie without fail. A rather inexperienced son becoming all responsible to help his father when his business faces a crisis, isn’t really a new thing even for the newer team of movie watchers, as we had witnessed the same in the last year’s Nivin Pauly starrer, Jacobinte Swargagrajyam. With Dulquer Salmaan replacing Nivin Pauly, we have a similar tale here; it is Mukesh who replaces Renji Panicker too. But considering both movies as the same will be doing injustice, and we can only consider them to be similar as we look at how things have been proceeding. This thought is something which is often related to real-life incidents, and so Jomonte Suvisheshangal surely has the right to take it as much as any other flick.

Further soul exploration :: Those who have watched both movies won’t find it easy to stop these comparisons coming into their minds. In a movie in which Dulquer once again leaves his home, but this time with his father, one can safely say that the success of this movie does belong to him, as most of the time, it is him or Mukesh that holds the movie together. This one could have actually worked well with its songs and visuals as Jacobinte Swargarajyam did though. As far as similarities and differences are concerned, we have two businessmen whose sons get responsible all of a sudden, one at Dubai and the other at Thrissur, both families Christian, one Orthodox and the other Catholic, both the families having four children, with a more evenly matched gender count here without a mother, the Mercedes Benz being there in both cases – there is also at least one heroine who has less to do in both movies; well, everything ends well too with the handsome son doing the heroics helped by one stranger who gets impressed, whether it is Vineeth Srinivasan or a European lady.

How it finishes :: Being the first movie to release after the theatre strike, Jomonte Suvisheshangal surely had the advantage, and no wonder there were so many people wishing to watch this one on the big screen. Having one day advantage over Munthirivallikal Thalirkkumbol, this one certainly managed to begin well, and also continues to attract the crowds. With a simple story that will appeal to the family audience, both these movies have managed to make sure that things are going on well for Malayalam cinema, even as there was a break after Pulimurugan created that record of 150 crores – well, that one is still running, as you will notice. With no element of boredom, Jomonte Suvisheshangal is also certain to bring some fine moments for the audience. As Munthirivallikal Thalirkkumbol is also doing well, we can expect the theatres to be full with Ezra, Georgettan’s Pooram and Fukri getting ready for release.

Release date: 19th January 2017
Running time: 158 minutes
Directed by: Sathyan Anthikad
Starring: Dulquer Salmaan, Anupama Parameswaran, Mukesh, Jacob Gregory, Aishwarya Rajesh, Innocent, Irshad, Muthumani, Manobala, Rasna Pavithran, Vinu Mohan, Shivaji Guruvayoor, Vinod Kedamangalam, Indu Thampi

jomontesuvisheshangal

@ Cemetery Watch
✠ The Vampire Bat.

Pyaar Ka Punchnama 2

PyaarKaPunchnama2 (2)

What is it about? :: Anshul (Kartik Aaryan), Siddharth (Sunny Singh Nijjar) and Tharun (Omkar Kapoor) are best friends who share a flat. Anshul meets Ruchika (Nushrat Bharucha) during a party, gives her his mobile number and their relationship begins. Siddharth comes across Supriya (Sonnalli Seygall) at a wedding program and immediately falls in love, hoping to get married to her as soon as possible. Tharun meets Kusum (Ishita Raj) while at the gym and with his infatuation, their love story begins. But all these three relationships don’t move forward as expected. They try to make things better, even by going to a trip to Pattaya, but the situation remains the same. It seems almost impossible to get along with each other, with a split ready for all the three couples.

The defence of Pyaar Ka Punchnama 2 :: The comic side of this movie is strong as expected. The same successfully generates a lot of laughter in the theatre. Making the audience laugh a lot is not that easy, and that has been achieved, both in the case of men and women viewers. The songs are okay. The vain love based on infatuation gets the beating here, even when there is absolutely no need to bring a message here or be serious about its idea. The jokes related to online life and the struggles of Siddharth to impress the girl’s parents are the best among them. This movie only does what it is supposed to do, and if anyone wanted it to do something else which it was never planning to come up with, they can hate the movie, but bringing just one point up is more like vendetta. I agree that this could have done differently, and that would have surely improved my opinion, but this product works.

Claws of flaw :: You can see that critics have chosen to degrade this movie, but most you will see that the reason itself is one-sided and prejudiced, as it can only be found by digging the wrong way. But this movie is no big thing either. The flick actually starts with some drag, and it only gets better with the men meeting the women. All the comedy stuff won’t work that well either, and it is not applicable for everyone in the same way throughout the flick. Some dialogues were quite unnecessary, and the movie surely had better scope. The acting department is not that great either, but not much is required in this movie as the cast manages okay. You will also get less out of this movie if you have decided to thrive in the negative idea given to you by the critics, and won’t watch this as a regular movie loving human who thinks not from or in favour of any category.

Soul exploration :: I keep wondering why some critics think that this movie hates women. It makes no sense, because anything against women in this movie is from three male protagonists who are pretty much dumb (nobody needs to believe even a word they say); so if there is anything negative here, it is to be shared between both sexes. I can have problems about how men are portrayed in this movie too! Well, it is a modern take on the relationships which have no value and about those which are too hasty; it is about how decisions taken without base never last – it is also applicable both ways; you can also see a male character whose girlfriend has ditched him, and it is clear that the particular person appears as the mirror image. People are free to come up with opinions, but some people surely need to develop some tolerance – otherwise, these people might not have the right to call the political parties and religions intolerant.

Further soul exploration :: This just a story about a relationship, and not judgment. There are movies with good women and there are others with bad women; sometimes there are those which are full of bad men and otherwise good women. But if you look closely here, are these characters the kind of people who can’t exist in this world? Haven’t you seen the shades of some of them in your life? Don’t try to deny it because of your prejudice. Well, if you are looking for the same story to progress from all angles with just one movie, you are looking at the wrong place. These people who pass judgment in favour of just one side of this flick really need to think again. If they need movies which hate women, Bollywood has many of them along with another Indian flicks, and this movie here is not one of them – you will know if you remove those shades of prejudice. Nobody with sanity will let this movie define their world except for laughing at the jokes! This is never really about true preaching! No characters here are heroes to imitate either!

More of soul exploration :: If you are determined to hate this movie, and looking for points to note down, feel free to write something even before watching this movie. If you think that men in this movie are so awesome and women so bad, you need to look into your viewpoints about the good and the bad; because all that this movie has is a collection of grey characters. You don’t even feel that the women are evil in this movie if you look deeper; what you see here is a case of not finding the right person, as each human being is different. These three men found the wrong women, and they suffer for it – the men are not really angels either, and their choices were just dependent on infatuation or lust. Here is a message for you to take home even if there is none intended – don’t go for looks and don’t fall for what you feel with first looks; go for character. You got the message when there is none; happy? Now, that is a good addition.

How it finishes :: Actually, under normal circumstances, if you are looking to take a message from a full comedy movie, you are looking at the wrong place. What to expect from this movie was pretty much clear. I went for this movie thinking how terrible this would be, thanks to those critics who only saw only one side of this one. But that only helped me to once again understand why I shouldn’t go by the opinions especially when they are focusing on one particular thing which is not even the basic factor of this movie. I haven’t watched the first movie, but about Pyaar Ka Punchnama 2, I am sure that it will make the viewers laugh, and the genre here is comedy – note that down. It doesn’t have anything else, and this is not a movie to be taken seriously. If you thought that this was going to the movie with a grand love message, the problem is on your side and not with the movie makers. Use that side of brain somewhere else, as there are many serious ones and grand superstar movies which work against equality.

Release date: 16th October 2015
Running time: 136 minutes
Directed by: Luv Ranjan
Starring: Kartik Aaryan, Nushrat Bharucha, Sonalli Sehgall, Ishita Raj, Omkar Kapoor, Sunny Singh, Rumana Molla, Sharat Saxena, Manvir Singh

pyaarkapunchnamaa

@ Cemetery Watch
✠ The Vampire Bat.

Bewakoofiyaan

bewakoofiyaann

Why the Bewakoofiyaan? :: Now that should be a valid question because this was not among those movies which I was looking forward to watch. If there was any Hollywood movie or a hyped Malayalam movie releasing this weekend, I would have surely skipped this with so much ease. Neither the trailer nor the much talked about bikini scene of Sonam Kapoor actually created any interest in this movie. But if we consider the talks about the Cricket World Cup T20 affecting this movie’s business, it can only be partially true in case of a failure to prove false. I am pretty sure that cricket and movies can’t be considered in the same league. Cricket is just another sport (or the least significant of them, thanks to the match-fixing, overdose of money and the retirement of all players who were role-models as IPL has been successfully crowned as the good WWE’s evil twin brother), and movie is an art (even as there have been a lot of high-grossing movies from Bollywood in 2013 itself which attempts to prove that there is a lot of trash); so in this situation when there are not many other movies releasing to challenge this one, Bewakoofiyaan will have only itself to blame.

What is it about? :: It is the love story of Mayera Sehgal (Sonam Kapoor) and Mohit Chaddha (Ayushmann Khurana) who have been in love for quite a long time. In the beginning itself, we come to know that Mohit was promoted and now has a salary above rupees sixty thousand per month. Mayera earns more, and her father VK Sehgal (Rishi Kapoor) is an IAS officer with lots of influence in the police and the government. He is a strict father who wishes to get his daughter married to a rich man so that she can get whatever she wants. But unfortunately, she is in love with an orphan who earns less than what happens to be her salary, and Sehgal can’t accept him. So he puts his future son-in-law in a probation period as he checks his records and keeps a track of his life so that he can understand if he is any good for his daughter. At the same time, he hopes that he can somehow rejects the guy who seems not good enough for his daughter. The movie is all about how the relationship between the three progresses as the situation worsens.

The defence of Bewakoofiyaan :: There are not many things that the movie can boast about. But it does hold onto its mediocrity with such power it doesn’t end up being boring despite not being on the interesting side for long. There are no particular moments which are exceptional or too bad. The movie is like a straight line and it doesn’t go above that standard which it sets in the beginning. The flaws are there, but they can be forgiven up-to an extent as this movie takes no risk, thus keeping everything under control, no bringing any fatal blow on itself. The songs are just about average. The message of love reigning over money is there, even as it works only partially, and most of the time one is left to wonder about all the relationships in the movie, may be with the exception of one very minute love story between the workers of a coffee shop. But there is still the love, and once again they say that money has no real significance in front of love, and there comes the morality tale’s tail and it wags.

The Claws of flaw :: There are always movies like Besharam which eats and breathes flaws in bulk and thrives on nothing else. But Bewakoofiyaan doesn’t go that way even when the tendency is always there. The plot’s predictability is the first thing that keeps pulling the movie back, as we have seen such stories so many times that such overdose can make Barnabas Collins lose his faith in eternal love and burn copies of Romeo and Juliet. The emotional element is indeed weak, as the so called love separates just in the name of a rock show and shoes. Then everything just comes into place after a sudden transformation from the future father-in-law out of nowhere. This lack of ideas and innovations makes brings to us the makers’ need to inflate the movie further. The funny moments doesn’t work fully and the laughter is limited. In that case, the relief is Rishi Kapoor who handles that side with care, even as we know that there could have been so many more moments created with a story like this. I would say, use that stupidity in the title to create a big advantage!

Performers of the soul :: The first impression that one might get after hearing about the movie might be that it is the movie of Sonam Kapoor, and there is the need to look out for her. We wish that there would be something special coming up, but there is nothing. She ends up being just the third important character in the story in a movie which is all about her getting married to the man she loves, and the one thing she manages is to looks awesome throughout the two hours. Ayushmann Khurrana does well though, in a character which doesn’t seem to being anything new. We can’t say that they haven’t tried to bring the title of the movie into the plot though. But the whole thing is taken over by Rishi Kapoor more than anybody else. He remains funny throughout the movie, even as the character can’t escape from being irritating at times. We have seen better father-in-laws who wish to save their daughters from making the wrong choice, but as far as this one is concerned, it is the actor who makes it more interesting. He only gets better by the time the movie gets closer to the end.

Soul exploration :: There is question of choosing money or love, and our characters seem to choose both of them at one or the other point of time. Still, love is asserted again and again, and somehow the hero and heroine manages to stick together until that one stupid fight which lands out of nowhere. The father-in-law is too much into money until he suddenly transforms. If the message is about how minute a thing money is, that is still a fine message, in a world where Gandhiji works only paper. The movie also touches the dignity of labour and the value of true friendship, and the fact that nothing is forever; they are even doubtful about the couple happily living ever after as they write so in the end. As far as reckless spending is concerned, this doesn’t work that well as the Malayalam movie Diamond Necklace or even as much as London Bridge, as that side is too much eclipsed by the romantic side. But one can’t disagree to the fact that some lessons might have been learned by the protagonists and there is a lot more in store.

How it finishes :: My birthday was this week, just a few days ago and my desire to watch a movie on the day was finally fulfilled with this one. Yes, I am giving a certain amount of birthday bonus to this movie, as there would have been no birthday movie for me if it wasn’t for this one. Yes, there are no better movies which released this weekend. The number of theatre going audience has gone down, but still the fact remains that they have failed to release movies like Prisoners, Oldboy, Ender’s Game, I Frankenstein and Non-stop here; when they don’t release such movies which can bring audience, and instead did come up with movies like After Earth and Mortal Instruments: City of Bones last year, there is no doubt that they don’t know what the viewers want. Then there is 300: Rise of an Empire with the most shows in a multiplex which will be abandoned by families; so this is your week, Bewakoofiyaan – hold on to it, and if you can stick to the screens and the opinions won’t go too bad, you can come out well; after all you are still better than movies like Chennai Express, Krrish 3 and Dhoom 3.

Release date: 14th March 2014
Running time: 118 minutes
Directed by: Nupur Asthana
Starring: Ayushmann Khurrana, Sonam Kapoor, Rishi Kapoor

Bewakoofiyaan copy

@ Cemetery Watch
✠The Vampire Bat.