The Voyeurs

Vampire Owl: Do you think that life means anything?

Vampire Bat: It doesn’t matter for humans at all. Then why should it matter for us?

Vampire Owl: I am sure that it would matter to us more.

Vampire Bat: I would never understand why humans are like this.

Vampire Owl: Humans need their lives to keep lying.

Vampire Bat: Yes, it is the only thing that they do throughout their lives.

Vampire Owl: I had trusted three humans last year, and I would never do that again.

Vampire Bat: Humans are all about cheating others, and nothing more.

Vampire Owl: I would trust the demons of hell over these people.

Vampire Bat: Let us not blame the zombies for eating their brains then, and go home.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Pippa (Sydney Sweeney) and Thomas (Justice Smith), move into a new apartment in Montreal, Canada after a long time of spending time apart despite being in love for quite a long time. It seems to be the perfect place for them, and everything seems to work exactly according to the plans, which includes children, job and many more things. They soon find out that the windows of their apartment look across the street to another one, which has no curtains. They see and note these neighbours from the first night itself, and there is initially just some photography, but soon things get more intimate. Pippa doesn’t feel that it is okay to look into the lives of others. They even end up giving those people random names. Soon, they become more addicted in the life of people on the other side. Sebastian (Ben Hardy) and Sam (Cait Alexander) are the two people whom they end up seeing in action. Then there is also Julia (Natasha Liu Bordizzo) whom they see at the same apartment.

So, what happens with the events here as we just keep looking? :: They understand that Julia is the original wife, and Seb is cheating on her. Now, Pippa and Thomas are really interested, and wants to know what these people were talking to each other. For the same, they attend a Halloween Party in the apartment, and place a recording device in there. Julia who is supposed to be the real wife of Seb knows that he is cheating on her with some of the models whose photos he had taken. As more models including Mere (Blessing Adedijo) are added to the list, only Thomas and Pippa knows about the same as they watch from a distance. When Julia visits Pippa’s eye clinic, they become friends, and Pippa really wishes to talk to Julia about all the cheating that has been going on. But it seems that there is more to what they have been seeing around. The world has its secrets, and here once again, we have more than what meets the eye.

The defence of The Voyeurs :: The Voyeurs does have some moments of suspense, and it keeps us interested about what is to happen next, and twists as well as thrills do make the appearance. We have many unpredictable moments in here too, as one does feel that he or she never did see that coming. It is then that the mood of the movie suddenly changes without a warning, and there are those final moments when Sydney Sweeney scores above everyone else. All of a sudden, we have something to look out for. The pattern is also really good, and how it transcends the genre is a thing to look out for. The final moments of the film are among the best too, as the shock does get to everyone. We also have some fine visuals around here, and there is also the message given about not to believe what we see. Well, we just cannot believe the humans about almost anything, because humanity itself is built on the towers of lies and hatred for others.

The claws of flaw :: Even though The Voyeurs could have been a better film, there is no attempt here to rise above the limitations. There are lots of slow moments in here, and we are left with times when nothing much happens. The film also takes some time to bring its twists to the scene. People will find some parts of the movie strange too, and also related to how things change so fast. We also have times when things are not that perfect, and we do feel that some of these things could have been different. It also follows the usual formula for the is kind of film for most of the time too. It could have also focused more on human nature, and how it has led to all of these in a direct manner. The film could have also had its focus on evil rather than anything else, as well as some special tendencies which people have. It does have the strength up to an extent, and we are always looking for more as far as films like this one are concerned.

Performers of the soul :: Sydney Sweeney leads the cast, and things go pretty well with her work, and Justice Smith also comes up with a similar job. Sydney is indeed lovely in showing those emotions as things change so quickly. We can see that in the end, she raises the level so well. It is beautiful to watch her emotional side at work. The leading cast are pretty good together, as we look at them. Natasha Liu Bordizzo is very good with her work, even though it is Katharine King whom we notice before her. Natasha also has something special in store, and you can wait for that too. The other names including Katharine King are fine to watch on the screen, but quickly vanish without any trace of their former existence. Ben Hardy is more or less the character that seemed predictable earlier, but not so later. There are also a number of other characters who are not given that much focus, and we forget them too, as film comes to an end.

How it finishes :: The Voyeurs has its moments of suspense and thrills, along with the twists which keep us going. It is not just what it seems to be, but more, and also leaves hope for a possible sequel in an even stranger manner. The films like this can actually go a strange route, and can miss the mark easily, but this one holds on really well. It is nice to see that another interesting thriller has come out on Amazon Prime Video during these times when theatres still remain closed. There are surely more coming up, and for now, we have this one to be appreciated. The Voyeurs might not be watched by many as of now, but it will surely be a preference soon enough. So, all of you do stay safe during the time of COVID-19 pandemic, and watch more films from Amazon Prime Video. These might not be the best time, but at least we can watch some good movies.

Release date: 10th September 2021 (Amazon Prime Video)
Running time: 116 minutes
Directed by: Michael Mohan
Starring: Sydney Sweeney, Natasha Liu Bordizzo, Justice Smith, Ben Hardy, Katharine King, Cameo Adele, Jean Yoon, Blessing Adedijo

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@ Cemetery Watch
✠ The Vampire Bat.

Home

What is the movie about? :: Oliver Twist (Indrans) is leading a normal life with his two sons, Antony Oliver Twist (Sreenath Bhasi) and Charles Oliver Twist (Nalsen K Gafoor), his wife Kuttiyamma (Manju Pillai) and father (Kainakary Thankaraj) who has memory problems. Oliver and Kuttiyamma are also feeling the problems of their old age. Antony is trying to be successful in the film field, but he is too busy with social media that he doesn’t complete the climax of the script, much to the dismay of the producer, Baby (Maniyanpilla Raju) who keeps asking if something can be done about it. His time is running out, as it has been two years after he started writing – he had directed his first film to a grand success, and this time, nobody is sure that he will finish it in time. At the same time, Charles’ interest in social media only, and nothing else is on his list of interesting things. He keeps putting Instagram stories at all times, and during the rest of the time, he is mostly sleeping.

So, what happens with the events here? :: Finally, Antony decides to return home to finish his script, and for the same, he returns home with a seven day deadline to complete his script. There he finds out that Charles is vlogging at all times, and doing nothing else. His life is highly digitalized, and he is happy to keep himself online instead of talking to anyone in the family. Antony is no different, even though his parents remember that he used to be a different person before leaving them for the city. Antony is in love with Priya (Deepa Thomas), a relationship which has lasted very long, but now he is too bust to return her calls. Her father, Joseph Lopez (Srikanth Murali) is a very rich and influential man, popular at all places. Oliver hopes to be friendly with his sons, but they don’t have that much of an interest in talking to the elders. Often, they even ignore Oliver as if he is not a part of their life. Oliver hopes that things will change, and he goes on with his life, with that wish, but Antony has very low opinion about him, and is often hostile towards him too.

The defence of Home :: There are many things which are reflections of real life incidents in the film, and one often wonders if they have come across such incidents before. Social media addiction has been an effective theme, and these days, anyone is a vlogger on Youtube, and with many followers, they think that this is life. People have been bothered more about what happens online rather than offline, and in the same the real world is forgotten, a reflection of the same is reflected here. The message about mobile phones stealing our valuable time is also provided nicely. It adds a few things about loss of relationships and health due to the use of smartphones and social media among the youth. The film, even though set most in a home and its surroundings, is visually too good, not just inside the house, but also during the outside moments. There is a lot of beauty on the screen that surrounds everything, and occasional humour adds on well. Then, there is the ending that conquers all, emotionally as strong as it could be.

The claws of flaw :: There is a lot of repetition which happens in the film, and it is surely a slow work, as we look at it. Some of the emotions are added here and there as if it was just there for the sake of it, and some incidents just become random part of the same. This comes from the man behind Philips and the Monkeypen and Jo and the Boy, and we can see similar elements being repeated here. It still doesn’t have the charm or quality of the former, which was one of the best movies released in the year, seemingly bringing a certain amount of magic to the screen. It also has its length extended a little too much, and with too many songs being added here and there, it does feel a few minutes too long. There are moments in between when we feel that this was going nowhere nowhere, and it was going to go on with the same kind of thing again and again. There are so many things coming up, and often it does seem to miss the main point, but there is the ending that brings things together.

Performers of the soul :: Indrans was earlier seen in two very serious roles this year with two films, Malik and Yuvam, playing the roles of a police officer and an advocate respectively. This one is a light-hearted, but yet emotional role for him, and having come out of fully comic roles, he has been doing this really well. This is indeed a very heartfelt performance from him, and with him at the centre of a family movie, this will be remembered as he celebrate forty years in Malayalam cinema industry, in his 341st movie in the long career. We are finally able to see him throughout a mainstream film in the lead role, and also with the most emotional touch, as he basically lives through here. Sreenath Bhasi had some very serious roles in Virus and Kumbalangi Nights not too long ago, and he now has a rather lighter version here – he had come out of that earlier “freakan” image a long time ago, and this one has him in a controlled role. Nalsen K Gafoor who was last seen in Kuruthi with all the seriousness, and earlier in Thanneermathan Dinangal with all the humour, can be seen in a realistic role of a youngster in this film, and he once again scores big. The simple comic side that he adds here brings more life to the movie.

Further performers of the soul :: It is also nice to Manju Pillai having a good role to play in a film, as we have been seeing more in the television series and comedy shows of Mazhavil Manorama. She has blended into this role really well, and one would wonder why she was not that much in similar roles before. We have always loved to watch her in Thatteem Mutteem for a long time. There are also some nice dialogues that reflects the mood of the film. Deepa Thomas has her first leading role, and she has comes up with a memorable performance too. She has indeed provided a natural performance, and we look forward to seeing her in more roles, and with more screen space in comparison to what is seen here. Srikant Murali also has a role to remember here. Anoop Menon’s act is also a good one, while Maniyanpilla Raju also drops in here and there. Vijay Babu’s role might seem very small, but is still one role that also makes a difference, with a lovely touch of humour. Johny Antony, as usual adds more humour here, while KPAC Lalitha who comes in the final stages of the movie has something special to add. Priyanka Nair also has a fine role in the flashback.

How it finishes :: Home is a movie for the present families, which are not short of this kind of a situation at different homes, due a new generation of kids who are addicted to gadgets and moving away from parents both physically and mentally. It will be remembered for some moments for the heart. The feel-good elements from the director’s earlier films can be seen reflected here, and the same kind of reflections can be seen visually too. Vijay Babu has provided us with so many of similar movies, and we have always stayed close to most of them. During COVID-19 times, having a feel-good film to watch with family was always going to be good. The messages that the film provides are effective, and leads to that one final message which raises the level of the film. Do look out for the final scenes with credits too, and it is where the movie brings a little more for the soul. So, we have our Onam movie on Amazon Prime Video, and as you watch the same, I wish you a Very Happy Onam in advance!

Release date: 19th August 2021 (Amazon Prime Video)
Running time: 138 minutes
Directed by: Rojin Thomas
Starring: Indrans, Sreenath Bhasi, Kainakary Thankaraj, Naslen K Gafoor, Manju Pillai, Deepa Thomas, Vijay Babu, Srikant Murali, Johny Antony, Anoop Menon, Maniyanpilla Raju, Aju Varghese

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@ Cemetery Watch
✠ The Vampire Bat.

Toofaan

What is the movie about? :: There are some usual days in the big city, as Aziz Ali a.k.a. Ajju Bhai (Farhan Akhtar) is fighting in the streets – there is no hesitation for him in going on beating people mercilessly, and even getting beaten up in the process. After the fight, and after being hit on the head during the process, he goes to hospital where Dr Ananya (Mrunal Thakur) asks them to get out, as she doesn’t want to treat gangsters who keep causing trouble in the city. Soon, Ali begins to develop an interest in boxing, which seems unusual in the beginning for his friends, but he is indeed very serious about it. Even though he has the strength, and wants to keep fighting, lacks the accuracy and technique. It is the same reason why he goes on a trial without any plan, and gets beaten by perfect shots from the seemingly weaker opponent despite going strong in the initial stages. Nana Prabhu (Paresh Rawal) is the coach who makes the difference around there, and Ali hopes that he could train with him some day, and become a great boxer like Muhammed Ali.

So, what happens with the events here? :: It turns out that Nana is the father of Ananya, and after some continuous attempts, decides to take him in, much to his own surprise. But it takes a lot of time and effort to gain the next level of his attention. He has to spend most of his time fighting the lower level of boxers, and he keeps training at all times, leaving his recent life behind. He is very quick to go through the next steps, and at the state level, he is given the title “toofaan” while going through the state championships, quite an easy path to the finals. But things won’t go that easy when Nana finds out that Ananya is in love with Ali. He no longer wants to do anything with any of the two, and Ananya decides to leave their home. This brings the twist, and the later stages of life now has to be dealt in a different manner. But the journey forward won’t be easy for them, and it will make them take some desperate actions in the process, which wouldn’t provide the best results. Yet, they have to make sure that they did make a good attempt.

The defence of Toofan :: As this is a sports drama based on boxing, there is no shortage of action around here, and the fights don’t begin in the ring as far as this particular film is concerned, as the underdog, as expected, had to come from the streets. It is the kind of idea that never gets old, as everyone loves comebacks, not just of one kind, but of different styles. The pattern seems perfect here, and there is the inspirational element at work, even though too much of motivation cannot be good. The emotional moments are pretty much working, even though they are somewhat moving in an expected manner, and predictability is also there in the rest of the things – we still have our dose of inspiration, action and emotions. Some dialogues can be remembered, even though it is the trailer that has the best. The romantic side remains cute, even though often seeming like forced in here. We have watched films like Brothers, and so this one nicely holds on to similar idea with ease.

The claws of flaw :: The sports drama genre has had a lot of repetition in the past, and if you look at Malayalam film industry, there have been two, Finals and Kho Kho, which could deviate from the usual path of the sports drama movies. In comparison to these films, there is a lot of cliches in this one, and from the beginning itself, there are so many things which go on the predictable lines. The songs and dance steps also come out of nowhere, and it is time for the industry to keep them to minimum – they are not mandatory in any case. Having a movie like this without a romantic angle between the main characters was also a possibility here, and maybe that seemed to be too unusual a diversion against the safe path here. It is time that films like these go less predictable, and move out of pattern to bring a higher level of sports drama, for such an improvement is the need of the time – until then, we will adjust with this one in the usual model and hope for the better versions.

Performers of the soul :: The movie has to depend almost completely on Farhan Akhtar, as he is the one name that can bring the audience to this path to watch the flick. He has some fine moments for the audience, even though we have already seen a number of them before, in different forms. There are those happy moments and those highly emotional, sad moments. The moments in the boxing ring are indeed good ones too – those were expected though, as we have seen the trailers. The last movie I watched with him in the lead was Wazir, and that was indeed a good one – well, I haven’t been into Bollywood films much, and this is more a come back for me as a Bollywood film reviewer more than for anyone else. As his character does go for a comeback, the motivation stuff comes into the picture again. Well, sports drama has been meant for the same for a long time, and it is that spirit which Farhan Akhtar maintains here, and it is always better than rich people going on trips to Europe just because they have too much money and they can claim to reclaim their lives.

Further performers of the soul :: Paresh Rawal also does a great job as the boxing coach and trainer. Then, he is also that father figure who is to remembered in another way. As he has done many times, he does again, with emotional moments in this film. He remains completely natural in his act here. Mrunal Thakur is the usual leading lady, and goes through the romantic side that we keep seeing in similar films. She does have a lovely presence though, and plays nicely to the requirement of the movie, and there is lot of positivity brought here by her – she has the same in different stages of life. She would be even more suited for a feel-good movie, and with her face and expressions, is immensely suitable for the same kind of a film. She does remind one of Aditi Rao Hydari at some points. Vijay Raaz is the other most notable face, even though he is not there throughout the film. There are many other characters who nicely play along here, and they all become part of the whole – the signs of the same are present in the beginning itself.

How it finishes :: Toofaan adds to the long list of sports drama movies which have graced the Indian film industries, and does add some entertainment, even though there is no innovation regarding the same – we usually know what happens with the storylines of these films without thinking too much about the same. The thrills that the boxing sport provides is much more than any other, and in that way, this movie manages to come up with more, with the action background always having scope, while the emotional side comes up to add another angle here. With the release being postponed multiple times, and finally releasing in the OTT platform of Amazon Prime Video, it does have enough to keep us interested in the sports, and while the Malayalam movie Godha has us taken to the world of wrestling in a different way compared to Dangal, this one goes the boxing path, and when the sports which are less appreciated get some attention, it is always good. The first Bollywood film I watched after a long time did work for me here.

Release date: 16th July 2021 (Amazon Prime)
Running time: 161 minutes
Directed by: Rakeysh Omprakash Mehra
Starring: Farhan Akhtar, Paresh Rawal, Mrunal Thakur, Vijay Raaz, Mohan Agashe, Hussain Dalal, Darshan Kumar, Supriya Pathak

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@ Cemetery Watch
✠ The Vampire Bat.

Sara’s

What is the movie about? :: Sara (Anna Ben) needs to get many things right, and making a name in the film field is only one of them. She has her own set of beliefs, and is not ready to step away from them, no matter the cost happens to be. From her school days itself, she was afraid of having a child, and she maintains that aversion throughout her life. She is bothered by her father Vincent’s (Benny P Nayarambalam) constant requests to get a boyfriend, without which they will come up with a match themselves. It is then that she meets Jeevan (Sunny Wayne), who had left his job in Bangalore and returned home, presently taking care of his sister’s children. When the two meet later, they are united by their lack of interest in having children, and decide to fall in love. They feel that there is a connection between them, and the two decide to wait for a few years before they marry – she hopes that she can study him well during that time, and also get her new movie going.

So, what happens with the events here? :: Their world consists of only the two of them, and they hope to keep it the same without any unwanted trouble. But when their parents come to know about the relationship, things don’t go that smoothly. They are forced to get married too soon, but the two decide to go with the flow without resisting the same. Sara continues to try and get her script accepted by a producer willing to let her direct the film. At the same time, Jeevan goes back to job again. Sara is disappointed by her inability to convince the producers, but things get only worse for her when she gets pregnant. All the relatives come to know about it, and their happiness is only matched by Sara’s disappointment. She hasn’t changed a bit as far as her ideology about children is concerned, even though Jeevan is now not sure. The equations have changed now, and what they had thought earlier might not work any longer.

The defence of Sara’s :: There can always be something about feel-good movies, and that something is carried over here too, with the feeling being too good. Jude Anthany Joseph’s mastery over the same is something on which everybody would agree. The emotional side is strong, and the light-hearted elements with the usual touch of humour works really well here. The reflections of the usual life and the disagreements between generations can also be seen in the flick. It is to be noted that the light-hearted feeling is maintained throughout the film, and it never slips away from the same during its two hours of seemingly perfect run-time, even though it deviates a little bit. As a female centered film, the protagonist does have more to tell you than what meets the eye. There is the requirement to understand that the purpose of marriage is not to have children as soon as you are married, and that parenthood is a responsibility for which everyone has to be prepared well. When people have children in less than an year after marriage, and when they choose to keep having more and more of kids almost every year, it is strange. There is always an intellectual purpose in life as far as humans are concerned, and it is being left behind by these people, both men and women. This film should be an awakening for them, as well as for those who marry early, without maturity coming to them. In India, as more the youth is more dependent on parents it takes them about twenty eight to thirty three years old to be really mature. It is surprising to see some people getting married at the age of twenty one and eighteen, and the recent cases on suicides in the name of domestic violence and dowry were all from those who married too early, especially without the women not being allowed to complete their studies or work freely.

The claws of flaw :: Sara’s could have been more with its ideas, and there was also a chance to add more of light-hearted comedy with those usual kind of situations. You are never really short of some feel-good ideas in our world, and chances for humour were many, but not many of them are taken. It often struggles to make comedy out of silly stuff. The movie should have actually released one day earlier during the weekend, and it would have had more viewers due to the weekend lock-down being imposed, and this flaw in release date will decrease its viewers by a considerable number. These are the kind of choices which make sure how many people watch the film from an OTT platform. Also expectations after Jude Anthany Joseph’s previous movies were very high, and this one has to match that, but this one is more about the ups and downs. This one is certainly not that much fun in comparison with the earlier films, and we also have a little bit more of an emotional side at work here. The final moments seem to have gone for the quick solution, instead of making things innovative. The film is also too materialistic in its viewpoint with main characters going for the selfish motive, the kind which won’t hesitate to cheat and murder if needed, and its heroine wouldn’t be ideal in a morality tale, but as she is shown as a person interested only in films, maybe she is more of a reflection of people in who are part of movies rather than common people. After all, it is difficult for the protagonist to understand that she is not an island, but it is to be noted that the people around her matches her in being judgmental.

Performers of the soul :: With his third venture which seems to resemble the earlier successful works from him, it is Jude Anthany Joseph who has our attention here, more than the main actors and actresses of this film, and it is with high expectations that we are watching this particular flick. The work of Anna Ben remains the same, natural, and perfectly suited for a role like this. Kumbalangi Nights and Helen had her realistic acting skills bringing some surprise to us. This time, we are having exactly what we expected from here, and one more natural performance brings us an lovable film. She is the one actress who makes the perfect new generation star who blends in so well with the roles given to her. Benny P Nayarambalam, Anna’s real-life father plays her father in the film too, and that is indeed a nice addition to the movie. Siddique is also there, and you know what to expect when the veteran actor is once again there, and doing his usual stuff – he has more or less become an integral part of the feel-good Malayalam movies of these times.

Further performers of the soul :: Sunny Wayne is here in a film which is not centered on him, but that comes as no surprise to him, as he was the hero in Annmaria Kalippilaanu, but was not the protagonist there too. He was very good in the earlier supporting roles, and with different roles like the villain in Kayamkulam Kochunni and the surprise entry in June, he is known for these kind of roles more than for being the sole hero in flicks like Alamara and a number of lesser known ones. Before this film, we had him everywhere with that song “Kaamini” in Anugraheethan Antony due to the producers of Chathur Mukham failing to bring it to OTT platforms at a time when films like Cold Case, Drishyam 2, Mohan Kumar Fans, Nizhal, The Priest, Aarkkariyam and Joji scored so high in Amazon Prime Video, Nayattu in Netflix and Kho Kho with Operation Java in ZEE 5. It is also good to see Mallika Sukumaran going through her usual kind of work, and we also see others who have much less to do in here, even though they all form a part.

How it finishes :: This is the third film of Jude Anthany Joseph after Ohm Shanthi Oshaana and Oru Muthassi Gadha, both of those movies being excellent feel-good entertainers, and the former had also won the Best Film with Popular Appeal and Aesthetic Value at the 45th Kerala State Film Awards, as well as making sure that Nazriya Nassim earned a Best Actress Award too. So, this one certainly came with high expectations, especially considering the fact that Anna Ben is a more complete actress in comparison to those who were part of his earlier ventures. The expectations do provide some good results here, as Sara’s is indeed a movie to watch without having too much of the emotional feeling while dealing with similar topics and its light-hearted take on the usual kind of stuff and with a desire for change in the attitudes of the society makes it an interesting watch during these days which still continue have a certain kind of COVID-19 lock-down restrictions going on here and there. Therefore, the audience of all age groups can give it a chance.

Release date: 5th July 2021 (Amazon Prime)
Running time: 119 minutes
Directed by: Jude Anthany Joseph
Starring: Anna Ben, Sunny Wayne, Dominic Arun, Siddique, Srindaa, Margret Antony, Siju Wilson, Dhanya Varma, Benny P Nayarambalam, Mallika Sukumaran, Prasanth Nair

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@ Cemetery Watch
✠ The Vampire Bat.

Justice League

What is the movie about? :: After the events of Batman vs Superman: Dawn of Justice during which, Doomsday (Robin Atkin Downes), a genetically engineered monstrous creature created using Kryptonian technology killed Superman (Henry Cavill), there is chaos around, and the world is not as safe as it used to be. There is an increase in crime not only in Metropolis, the home of Superman, but also in Gotham City. A certain amount of fear spreads through cities and nations, and a terrible evil from the other dimension, Steppenwolf (Ciaran Hinds) and his parademons plan to return to Earth. The last time he had made a similar attempt, he was sent back by the combined forces of the Amazons, Atlanteans, Humans and Green Lantern Corps, along with the gods who also joined with them. An angry Steppenwolf had promised to come back and conquer the whole universe, changing them to the image of his own world.

And what is to follow in this particular adventure? :: To conquer and remake Earth for them, they would require the combined energies of three Mother Boxes though, which are locked away by Atlanteans, Amazons and humans. It is during one of his usual nights in Gotham City, that Batman (Ben Affleck) finds one of the parademons sensing fear – it has him immediately getting back to being Bruce Wayne and assembling a team to fight the possible terror which might follow. At the same time, Diana Prince a.k.a. Wonder Woman (Gal Gadot) also gets aware of the coming of the demons, with Steppenwolf’s troops attacking and capturing the first Mother Box from Themyscira, about which she is alerted by a signal from Queen Hippolyta (Connie Nielsen). She contacts Bruce Wayne, and both of them go on a search for the metahumans who could be part of their superhero team.

And what else is to come? :: Barry Allen a.k.a. The Flash (Ezra Miller) happens to be easy to recruit though, as he is lonely, looking for some company, and hoping to do something with his life, after being struck by lightning. But there is not much of success with the rest of the possible team mates. After his father Doctor Silas Stone (Joe Morton) is kidnapped by the parademons, Victor Stone a.k.a. Cyborg (Ray Fisher) decides to change his decision to keep away, and accept his existence as half-human, half-machine. It takes the parademon attack on the underwater city of Atlantis which ends up in the capture of the second Mother Box, and a meeting with Mera (Amber Heard) in the waterworld, to get back to saving the world, for Arthur Curry a.k.a. Aquaman (Jason Momoa). He becomes the last one to join the newly formed team of superheroes, but they find their team no match Steppenwolf’s might – is there another way?

The defence of Justice League :: There are some nice action sequences in this movie, and you will see a nice, dark, hell-like atmosphere in here with the battles – the presence of parademons gives a little scary touch for this one, which continues the DC universe as the darker one compared to that of Marvel, and with more drama; an emotional side which is stronger. Such a world is a treat, and will do even better if they can get Constantine into this at some point. There are also some jokes, even though not as effective as Marvel’s presence at the theatres right now, Thor: Ragnarok. To be honest, this has been the superhero team I really wanted to see, more than Avengers, and I am glad that this one is here, and it is enjoyable. There are some nice dialogues, and we have our favourite superheroes going on a big fight. It also makes sure that there can be an even bigger Justice League movie to follow – the stage is set with the team assembled, and now we will wait for something heavier.

The claws of flaw :: There is no matching The Avengers, Age of Ultron or Captain America: Civil War‘s team of superheroes with Justice League, as this one only manages to follow from a distance. The superheroes are all not the best utilized, and when you look at Marvel’s Thor: Ragnarok at the same time, you see that even in a Thor movie, Hulk, Loki and Valkyrie are so well used to create the needed advantage. There is a certain amount of missing balance that we see here with the superheroes of the league, and getting back Superman seemed to be the easy way, and the movie just chooses the same – there are no surprises in the store there, and unlike what Marvel would do, there are no huge moments to remember. Things are just as expected in this one, and even the villain makes lesser impact than the similar looking part-villain demonic creature in Thor: Ragnarok which was not just a better movie with fun, but also in 3D.

Performers of the soul :: One can easily agree that this movie rests on the shoulders of two people, Ben Affleck and Gal Gadot; while the former’s character is pulled back unlike the Batman of The Dark Knight, Wonder Woman gets all the opportunities to shine in here. Henry Cavill has lesser time to be spent on the big screen, but surely gets the applause from the audience. Ezra Miller’s speedy hero has to go a long way from here, as we have a good one in the television series already, but this one is surely not that much irritating as the new age teenage Spider-Man even though we see similarities. Jason Momoa and Ray Fisher plays the superheroes who seem to get almost nothing from the audience – maybe, they deserved better action or smarter dialogues to match the rest who are already established superheroes in this part of the world. You remember that Hawkeye and Black Widow really had some interesting moments, and so did Scarlet Witch later, as far as Marvel is concerned.

How it finishes :: As Thor: Ragnarok is running in the theatres right now, there will be comparisons, and it is with this idea of comparing two movies from different comic worlds, that Justice League might end up losing the battle early – maybe, a little waiting could have done this movie a favour. Let the reviews pass, and be assured that Justice League is not a bad superhero movie as some of them have made you believe. Well, they are the kind of people who despised the poetic beauty of Suicide Squad, and never even tried to understand the same. Justice League is indeed a good work with a team of superheroes who are there to entertain without second thoughts. Visually good, and filled with action, this one is a fine package for the weekend, which deserves some love, as the universe is sure to get better. May justice be served for this movie as it deserves.

Release date: 17th November 2017
Running time: 120 minutes
Directed by: Zack Snyder
Starring: Ben Affleck, Gal Gadot, Henry Cavill, Amy Adams, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, JK Simmons, Amber Heard, Joe Morton, David Thewlis, Julian Lewis Jones, Michael McElhatton

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@ Cemetery Watch
✠ The Vampire Bat.

Wonder Woman

Vampire Owl: I see that humans have come up with another one with superpowers. They are never short of heroes who don’t exist.

Vampire Bat: The superheroes have also grown up with their civilizations along with the myths.

Vampire Owl: I do wonder how they manage to remember the names of this many superheroes. Maybe they have a list.

Vampire Bat: Well, there are the very famous ones, and then there are those which come in the next level of popularity. They remember only those whom they want to.

Vampire Owl: I had once known only Superman, Batman, Spider-Man and He-Man.

Vampire Bat: And there was also The Phantom and Mandrake, plus we knew some X-Men beginning with the Wolverine.

Vampire Owl: The rest certainly came late except for those who had regular access to DC and Marvel Comics.

Vampire Bat: And we are having a lot extra of the same now; remember there was even Doctor Strange who seemed like Mandrake to us.

Vampire Owl: DC and Marvel should be in a battle for more.

Vampire Bat: I am actually tired counting these superheroes, but there are some who needs more attention due to the variety.

[Gets the tickets with masala tea and cheese popcorn].

What is the movie about? :: Diana Prince a.k.a. the Wonder Woman (Gal Gadot) receives an old photograph from Bruce Wayne a.k.a. Batman (Ben Affleck) after the events in Batman v Superman: Dawn of Justice which seemingly lead to the death of Superman (Henry Cavill) in the hands of the monster known as Doomsday. This image open a flashback to when Diana was a child and was training with the Amazons in the island of Themyscira, a place hidden from the outside world. Looked after carefully by her mother Queen Hippolyta (Connie Nielsen) and her aunt Antiope (Robin Wright), she has a fascination to fighting, which they reluctantly agrees to have her go through. With a fear of war always in their heads, the Amazons are always ready for battle, with their combat training, in which Diana excels. But they know, and keep telling her that there is more to her than what meets the eye, and they understand that she is not really one of them by birth.

So, what happens next? :: Diana rescues a pilot named Steve Trevor (Chris Pine) after his plane manages to get through the fog and enter the coast of Themyscira. The Amazons kill the German soldiers chasing him with their arrows, but Antiope dies protecting Diana. It is revealed that Steve has been working as a spy for the Allies during World War I and has stolen valuable information from a weapons facility in the Ottoman Empire. With the help of the Turks, the German General Erich Ludendorff (Danny Huston) is having his sadistic scientist Doctor Maru a.k.a. Doctor Poison (Elena Anaya) produce a new kind of gas which could deviate the war in their direction. Learning that millions could die if the German general has his way, Diana decides to leave the island with Steve and her weapons. She intends to find the God of War, Ares, and stop this war to end all wars. Despite their doubts, the Amazons decide not to stop her.

And, what is to follow next in the adventure? :: Their arrival at the city of London has Diana in doubts, but she goes along with his plans hoping to find the God of War and finish him off to save humanity. Despite providing the officials with his information, Steve is told to hold off any act against the Germans as an armstice is being discussed. But knowing that General Erich Ludendorff will not hold off his plan to release the gas, Steve decides to the frontlines, arranging a small team including a spy and language expert, Sameer (Said Taghmaoui), expert sniper Charlie (Ewen Bremner), and a smuggler Chief (Eugene Brave Rock) who helps them to get to the front. With no hope of getting through the lines, Diana decides that she has to take this to the next level. But how far can she go in search of the God of War, and how far will it lead her team of five through the First World War?

The defence of Wonder Woman :: There are many names which have come in favour of being the Wonder Woman, but Gal Gadot surely steals the show this one. Known the most for her work in the Fast and Furious series, that is surely going to change now, if it hadn’t with Batman v Superman: Dawn of Justice. If you don’t watch this movie or ban it because she is in there, it is your loss – we have heard about people boycotting movies over the beliefs of one person, as they cruelly did with Ender’s Game, and also the nationality or other work is no reflection of the movie that he or she acts in – the irritating fans could be a better reason. She is brilliant in this one, with so many shades of a superhero being present here. Chris Pine also brings a fine, controlled performance here, even though he will always be remembered for Star Trek and its sequels more than any other. There is also that wonderful world in 3D, especially that of the Amazons, and we also have the explosions with all the shooting and all the rest that goes on in a superhero movie.

Positives and negatives :: The movie has some of the most memorable battle scenes, first one with the Amazon warriors battling the Germans on the beach and the second one with Wonder Woman making her way through the No Man’s Land. The final battle is not that much, with too much darkness on the screen at times, and at other times having too many explosions – the idea of the God of War could have also been left as it was expected to be, as we know humans and the evil that they bring to their world. I wouldn’t depend that much on the villains either, and even that twist feels rather unwanted – humans could have been left their right to be the villains in their own tale. The first half is also superior to the second, with the nice humour and the Amazon world becoming the highlights. There is also some balance here, without the overdose of heroism, except for what comes in the end. It is still a case of surprise seeing not many multiplexes showing this movie, and not many people wishing to watch it even on a holiday – there were like ten to fifteen people when I watched the same.

How it finishes :: Wonder Woman makes sure that the battle between Marvel and DC is on, and with Justice League coming up, we are sure to have them bringing the battle to Avengers. With Batman v Superman: Dawn of Justice not being an assurance, and Suicide squad despite being an excellent one not working for those who decided not to embrace its poetic beauty on the screen, DC was to be left with those Dark Knight movies and up-to an extent, Man of Steel. But that won’t be the case from now on, and Wonder Woman begins that programme of resurrection. Well, with the shield and their ideas about the world, Wonder Woman can be DC’s own Captain America, but what one has to remember is that Avengers did it first, and Justice League is only following – with Marvel having the advantage, the question remains if DC can come up as strong as its competitor, without Christopher Nolan? The answer is to come late, but until then, we can enjoy Wonder Woman.

Release date: 2nd June 2017
Running time: 141 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya, Eugene Brave Rock, Lucy Davis, Ewen Bremner, Lisa Loven Kongsli, Saïd Taghmaoui, Madeleine Vall Beijner, Ann Wolfe, Mayling Ng, Florence Kasumba

@ Cemetery Watch
✠ The Vampire Bat.