Sara’s

What is the movie about? :: Sara (Anna Ben) needs to get many things right, and making a name in the film field is only one of them. She has her own set of beliefs, and is not ready to step away from them, no matter the cost happens to be. From her school days itself, she was afraid of having a child, and she maintains that aversion throughout her life. She is bothered by her father Vincent’s (Benny P Nayarambalam) constant requests to get a boyfriend, without which they will come up with a match themselves. It is then that she meets Jeevan (Sunny Wayne), who had left his job in Bangalore and returned home, presently taking care of his sister’s children. When the two meet later, they are united by their lack of interest in having children, and decide to fall in love. They feel that there is a connection between them, and the two decide to wait for a few years before they marry – she hopes that she can study him well during that time, and also get her new movie going.

So, what happens with the events here? :: Their world consists of only the two of them, and they hope to keep it the same without any unwanted trouble. But when their parents come to know about the relationship, things don’t go that smoothly. They are forced to get married too soon, but the two decide to go with the flow without resisting the same. Sara continues to try and get her script accepted by a producer willing to let her direct the film. At the same time, Jeevan goes back to job again. Sara is disappointed by her inability to convince the producers, but things get only worse for her when she gets pregnant. All the relatives come to know about it, and their happiness is only matched by Sara’s disappointment. She hasn’t changed a bit as far as her ideology about children is concerned, even though Jeevan is now not sure. The equations have changed now, and what they had thought earlier might not work any longer.

The defence of Sara’s :: There can always be something about feel-good movies, and that something is carried over here too, with the feeling being too good. Jude Anthany Joseph’s mastery over the same is something on which everybody would agree. The emotional side is strong, and the light-hearted elements with the usual touch of humour works really well here. The reflections of the usual life and the disagreements between generations can also be seen in the flick. It is to be noted that the light-hearted feeling is maintained throughout the film, and it never slips away from the same during its two hours of seemingly perfect run-time, even though it deviates a little bit. As a female centered film, the protagonist does have more to tell you than what meets the eye. There is the requirement to understand that the purpose of marriage is not to have children as soon as you are married, and that parenthood is a responsibility for which everyone has to be prepared well. When people have children in less than an year after marriage, and when they choose to keep having more and more of kids almost every year, it is strange. There is always an intellectual purpose in life as far as humans are concerned, and it is being left behind by these people, both men and women. This film should be an awakening for them, as well as for those who marry early, without maturity coming to them. In India, as more the youth is more dependent on parents it takes them about twenty eight to thirty three years old to be really mature. It is surprising to see some people getting married at the age of twenty one and eighteen, and the recent cases on suicides in the name of domestic violence and dowry were all from those who married too early, especially without the women not being allowed to complete their studies or work freely.

The claws of flaw :: Sara’s could have been more with its ideas, and there was also a chance to add more of light-hearted comedy with those usual kind of situations. You are never really short of some feel-good ideas in our world, and chances for humour were many, but not many of them are taken. It often struggles to make comedy out of silly stuff. The movie should have actually released one day earlier during the weekend, and it would have had more viewers due to the weekend lock-down being imposed, and this flaw in release date will decrease its viewers by a considerable number. These are the kind of choices which make sure how many people watch the film from an OTT platform. Also expectations after Jude Anthany Joseph’s previous movies were very high, and this one has to match that, but this one is more about the ups and downs. This one is certainly not that much fun in comparison with the earlier films, and we also have a little bit more of an emotional side at work here. The final moments seem to have gone for the quick solution, instead of making things innovative. The film is also too materialistic in its viewpoint with main characters going for the selfish motive, the kind which won’t hesitate to cheat and murder if needed, and its heroine wouldn’t be ideal in a morality tale, but as she is shown as a person interested only in films, maybe she is more of a reflection of people in who are part of movies rather than common people. After all, it is difficult for the protagonist to understand that she is not an island, but it is to be noted that the people around her matches her in being judgmental.

Performers of the soul :: With his third venture which seems to resemble the earlier successful works from him, it is Jude Anthany Joseph who has our attention here, more than the main actors and actresses of this film, and it is with high expectations that we are watching this particular flick. The work of Anna Ben remains the same, natural, and perfectly suited for a role like this. Kumbalangi Nights and Helen had her realistic acting skills bringing some surprise to us. This time, we are having exactly what we expected from here, and one more natural performance brings us an lovable film. She is the one actress who makes the perfect new generation star who blends in so well with the roles given to her. Benny P Nayarambalam, Anna’s real-life father plays her father in the film too, and that is indeed a nice addition to the movie. Siddique is also there, and you know what to expect when the veteran actor is once again there, and doing his usual stuff – he has more or less become an integral part of the feel-good Malayalam movies of these times.

Further performers of the soul :: Sunny Wayne is here in a film which is not centered on him, but that comes as no surprise to him, as he was the hero in Annmaria Kalippilaanu, but was not the protagonist there too. He was very good in the earlier supporting roles, and with different roles like the villain in Kayamkulam Kochunni and the surprise entry in June, he is known for these kind of roles more than for being the sole hero in flicks like Alamara and a number of lesser known ones. Before this film, we had him everywhere with that song “Kaamini” in Anugraheethan Antony due to the producers of Chathur Mukham failing to bring it to OTT platforms at a time when films like Cold Case, Drishyam 2, Mohan Kumar Fans, Nizhal, The Priest, Aarkkariyam and Joji scored so high in Amazon Prime Video, Nayattu in Netflix and Kho Kho with Operation Java in ZEE 5. It is also good to see Mallika Sukumaran going through her usual kind of work, and we also see others who have much less to do in here, even though they all form a part.

How it finishes :: This is the third film of Jude Anthany Joseph after Ohm Shanthi Oshaana and Oru Muthassi Gadha, both of those movies being excellent feel-good entertainers, and the former had also won the Best Film with Popular Appeal and Aesthetic Value at the 45th Kerala State Film Awards, as well as making sure that Nazriya Nassim earned a Best Actress Award too. So, this one certainly came with high expectations, especially considering the fact that Anna Ben is a more complete actress in comparison to those who were part of his earlier ventures. The expectations do provide some good results here, as Sara’s is indeed a movie to watch without having too much of the emotional feeling while dealing with similar topics and its light-hearted take on the usual kind of stuff and with a desire for change in the attitudes of the society makes it an interesting watch during these days which still continue have a certain kind of COVID-19 lock-down restrictions going on here and there. Therefore, the audience of all age groups can give it a chance.

Release date: 5th July 2021 (Amazon Prime)
Running time: 119 minutes
Directed by: Jude Anthany Joseph
Starring: Anna Ben, Sunny Wayne, Dominic Arun, Siddique, Srindaa, Margret Antony, Siju Wilson, Dhanya Varma, Benny P Nayarambalam, Mallika Sukumaran, Prasanth Nair

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@ Cemetery Watch
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Varane Avashyamundu

What is the movie about? :: Neena (Shobhana) is a divorced mother who is living with her daughter Nikitha (Kalyani Priyadarshan) in the busy city of Chennai. As Neena had eloped from home and married, the only relative who comes to see them is her uncle Manuel (Lalu Alex) while her husband lived far away from them. While Neena works as a teacher of French language, Nikitha also supports herself with a job, and is looking for a groom in a matrimonial website all by herself. Those whom she finds as match include Alphonse (Siju Wilson) and Aby (Rahul Rajasekharan), a Motor Vehicle Inspector and an NRI respectively. In the same block of apartments where they are living, Major Unnikrishnan (Suresh Gopi), a retired army officer also lives alone. He is known for his anger management issues due to which he often gets into trouble, and is disliked by the people living near him.

So, what happens with the events here? :: Bipeesh (Dulquer Salmaan) is the new resident at the apartments, beginning his stay with an argument with Nikitha over their two-wheelers. Nikitha is not fond of him as well as Unnikrishnan who also buys a dog which is almost as huge as him. Major Athmaram (Major Ravi) who was also in the army tries to solve Unnikrishnan’s anger management issues by sending him to his friend who is also a doctor – Doctor Bose (Johny Antony). Unnikrishnan is someone who had managed to climb Mount Everest during his youth, and is also someone who participated in the skirmishes at the Indo-Pakistan border. But he finds it difficult to mingle with people, especially with ladies. The kids of the apartments particularly hate him for his rough attitude. As he tries to change his behaviour, he ends up getting closer to Neena, which changes the lives of Nikitha and Bipeesh as well. But what does it mean for his anger?

The defence of Varane Avashyamundu :: The movie runs on its cast which is an enviable one. It has one generation of veteran performers in the form of Suresh Gopi and Shobhana, and another generation with Dulquer Salmaan and Kalyani Priyadarshan, making it something which everyone from more than one generation feeling the need to watch it. The focus being on the elder stars is the best thing about this movie, as it works really well with the tale to connect with everyone. The funny moments work really well, and the credit for the same rests mostly with Suresh Gopi, supported by Johny Antony. The setting of the apartments in the middle of a city, and people going through their flawed, but interesting lives is nicely shown here. There are some messages given, and most of the time, it is about life and relationships. But, it should have had more depth, in more than one way.

The claws of flaw :: One trouble that Varane Avashyamundu seems to face is that it doesn’t have a script to match the cast that it possesses. It had to be better focused on what it was doing, and the same would have allowed us to go beyond that initial drag with ease, and that ending which seemed to be rushed, even though it cannot be termed terrible. The predictability is always there, as we know which direction this is heading – there is no need for any special skill for the same. The need to put the feel-good factor into place would always be a priority, considering the fact that this movie’s competitors were all focused on other genres including the year’s first big hit Anjaam Pathira which is clearly on the other side with the shades. The movie doesn’t have memorable songs or music, and it could have also been shorter, removing some scenes. Even some characters seemed to be rather unnecessary here.

The performers of the soul :: If there is a question about the leading performer in the movie, that is not the leading young pair – it is Suresh Gopi who makes the retired army officer a joy to watch. We had last seen him in My God, and here we have him doing the comedy and emotions exceptionally well, and his character and the changes undergone are too good. Shobana adds to the charm here, and her combination scenes with Suresh Gopi as well as Kalyani. Urvashi also has a memorable role to add here. But at the same time, Dulquer Salmaan doesn’t have much of a screen time – his character is also one which doesn’t suit the overall mood of the movie, and the romance here is also half-baked, seemingly built on fake emotions and therefore lacking in strength. Johny Antony is the next person to bring the comic side alive, while Siju Wilson and Major Ravi also have a few similar moments. Meanwhile, Lalu Alex is there with another usual, but memorable kind of role.

Further performers of the soul :: Kalyani Priyadarshan has her first Malayalam movie, and Marakkar: Arabikadalinte Simham will be the next. As the daughter of the renowned film director Priyadarshan and the popular actress of her time Lissy Priyadarshan, her debut was long overdue. The other star children had already arrived, and we know what nepotism can do to you, as it was proven with the star kids, even though not that much as it has done with Bollywood. At least in the case of Malayalam movie industry, the sons and daughters can act, and often even excel in what they do, a case which have made the industry rise above the usual brainless acts of Bollywood. Kalyani is no exception either, as she nails her emotional and funny moments. Often reminding one of Bhagyalakshmi Prabhu who plays Meenakshi in Thatteem Mutteem especially with KPAC Lalitha around, she gets to be perfectly fit in this family feel-good stuff.

How it finishes :: Anoop Sathyan, son of the veteran film director Sathyan Anthikad is at the helm of this movie. He is known to have served as assistant director at Malayalam film industry and have also directed independent documentaries. There is a certain Sathyan Anthikad touch that can be seen in this movie, and the same can’t be denied, especially in a feel-good movie directed by his son. It is just with the setting that the difference can be seen – otherwise the model is more or less the same. A shift from the village to the city can be felt more, as it is a change from a very rural setting to a very urban metro setting. But the characters are shown in a simple and lovable manner as we have seen in those rural settings, which make this movie a fine watch for the family audience. There is no question about what the one clean family movie can be, with a modern setting.

Release date: 7th February 2020
Running time: 145 minutes
Directed by: Anoop Sathyan
Starring: Suresh Gopi, Shobana, Kalyani Priyadarshan, Dulquer Salmaan, Urvashi, Lalu Alex, KPAC Lalitha, Johny Antony, Siju Wilson, Major Ravi, Sarvajith Santosh, Meera Krishnan, Sreeja Ravi, Rahul Rajasekharan, Wafa Khatheeja Rahman, Krishna Chandran A Nair, Vidya Menon, Aravind Venugopal, Theni Murugan, K Gopal, Nalsen K Gafoor, Lal Jose (cameo)

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@ Cemetery Watch
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Aadhi

What is the movie about? :: Aadhitya Mohan a.k.a. Aadhi (Pranav Mohanlal) is the only son of Mohan Varma (Siddique) and Rosakutty Mohan (Lena) who eloped from home, going for that intercaste marriage which nobody supported. As their only son, he manages to gain all the support that he can get from the parents, as he has taken two years break from studies and work to pursue his dream of becoming a music director. A case of infatuation for the girl next door Aneetta (Krittika Pradeep) and trained in the obstacle course training of parkour, there are so many other options for him in life, and yet he wishes for just one thing in life. But it doesn’t go on well, as his efforts in music go unnoticed. Because of the same reason, he decides to go to Bangalore as adviced by his best friend Nadhir (Krishna Shankar). There, he is supposed to perform in Fox Club, where will get the attention of prominent personalities from cinema industry.

So, what happens with the events to follow? :: Even though almost everything seems to work according to the plans, things get complicated when he meets his old friend from school, Anjana (Aditi Ravi), and ends up having a confrontation with Jayashankar (Siju Wilson) who is the bodyguard of the city’s most respected and feared businessman Narayana Reddy (Jagapati Babu). In between all of this which occurs at the top of the multi-storeyed building, the son of Narayana Reddy ends up being thrown all the way down, thanks to one heated approach by Jayashankar – Anjana is the only witness out there. Now, it turns out that Jayashankar has to hide all of these, and for the same, there is only one option left for him – finish off Aadhi, and for the same, there is full force of an angry Narayana Reddy as well as the police and politicians who are on the corporate payroll.

And what follows next in the adventure? :: With Narayana Reddy stopping at nothing to finish off the young man who killed his only son, and along with Jayakrishnan, Reddy’s right hand Siddharthan (Tony Luke) also joins the party – Aadhi can do nothing, but keep running. The goons sent by Reddy also reaches Aadhi’s home, and every route out of Bangalore is blocked by the police and his teams of goons. With five lakhs on his head, there is the need to run until he meets Sarath (Sharafudheen), Mani (Meghanathan) and Jaya (Anusree). The three also got their own problems with Narayana Reddy and his people, which makes them think about giving him a chance to escape. With the help of the technical expert Ebin (Tony Luke), they think about changing the equation, but is there really a chance to at least get close to escaping? Is there a weakness which they can exploit?

The defence of Aadhi :: There is the use of parkour, the activity in which you move around quickly in an area, getting through obstacles by running fast, jumping, climbing, rolling, swinging, sliding, and all ways possible – most of us have seen it in Paul Walker’s penultimate movie, Brick Mansions as well as the 2004 French film District 13 on which it was based. These scenes are very nicely executed by Pranav, and the same is never exaggerated. There is certain smartness related to how the action sequences are executed in this one, a quality which was missing in a good number of superstar movies in the last few months, most notable one being last Decemeber’s Masterpiece. There are many thrilling moments in this one, and the emotional side makes an excellent impact too. We also have some twists to come up in the final few moments, as there is more to Aadhi by the end. There are also some funny moments which come in between, which work, even though lesser in number.

The claws of flaw :: There is nothing special in the premise and the tale here though, as we can see that there is the protagonist who accidentally kills the son or brother of an influential person who will not stop until he finds the person responsible dead – this would seem familiar, from decades ago. The same actor played the father who had his son killed in Pulimurugan, and here he losses his son yet again. One can be sure that Jeethu Joseph is capable of more, as the director who brought three different thriller experiences in the form of Detective, Memories and Drishyam. The movie also takes some time to get going, and the family sequences are just ordinary. The cameo scenes seemed to be rather unwanted, with purpose only to get those claps from hardcore fans. The length of the movie could have been lessened to make the whole thing closer to the point. Some of those longer action sequences could have been shortened to make way for separate moments.

The performers of the soul :: Pranav Mohanlal, without doubt, steals the show in this movie, from the first moments of appearance itself, beginning with those expressions and a certain simplicity that runs through. In the second half, with those action sequences to go with it, he takes the whole thing to another level, trumpeting his arrival in a grand fashion. The wait hasn’t been for no reason, as we get the culmination wonderfully. Aditi Ravi and Anusree plays the female leads, but the former has lesser time on screen, and latter has more of the comic side which also has nothing that much to do for her. It is actually surprising that we don’t see that much of the Alamara actress in movies as we would want to have. Lena and Siddique makes good parents, and are in full control of their work with strong emotional side. Sharafudheen has a funny side here too, even though things are more serious this time. Siju Wilson, Sijoy Varghese and Jagapati Babu make the villainous side here, and they remain strong throughout. Siju’s divergence is a smart move. Meghanathan and Tony Luke provide good support.

How it finishes :: The one thing about the Jeethu Joseph movies after Memories, is something which has been common in Drishyam, Oozham and Aadhi – the battle of the middle class against the rich and the influential who are after the blood of the common man. Even Life of Josutty had the middle class struggle in the core. The three could show the middle class struggling and winning against all odds in the form of thrillers. Well, everyone knows Drishyam, and Aadhi actually shows what Oozham could have been, with better execution. With no shortage of thrills, and bringing the needed variety in action sequences in Malayalam, the twists also drop-in to make this better. Well, fans have been waiting for a day this day for a long time, and one can say that their beloeved Lalettan’s son has scored high on his debut, and this is certainly another flick from Jeethu Joseph that you can admire without second thoughts.

Release date: 26th January 2018
Running time: 158 minutes
Directed by: Jeethu Joseph
Starring: Pranav Mohanlal, Lena, Siddique, Siju Wilson, Sharafudheen, Aditi Ravi, Anusree, Tony Luke, Sijoy Varghese, Krittika Pradeep, Meghanathan, Jagapati Babu, Krishna Shankar, Mohanlal (cameo), Antony Perumbavoor (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Njandukalude Nattil Oridavela

What is the movie about? :: Chacko (Lal) and Sheela (Shanthi Krishna) are a couple in the city who are going through their usual days. The former was working at Kuwait until a few years ago, and the latter is a Chemistry professor at the nearby college. While their youngest child Sarah (Ahaana Krishna) lives with them, their eldest child Mary (Srinda Arhaan) lives with her husband Tony (Siju Wilson) nearby. Their only son Kurien (Nivin Pauly) is working at London, and it has been some time since he last visited India. It is during one of these days that Sheela develops a doubt if she has breast cancer. The talk about the same frightens Chacko, who consults his good friend and dentist Varkichan (Dileesh Pothan). The man refers Chacko to a reputed doctor of a famous hospital in Cochin, Saiju (Saiju Kurup) who has cured many patients suffering from cancer. After consulting him and undergoing the tests, they confirm the same, that she does have stage two breast cancer.

So, what happens with the events to follow? :: It is at the same time that Kurien returns to Cochin for spending a forced break, as Sheela had called and asked him to come as soon as possible without saying any reason. He gets the feeling that she had called him to get him married, as most of the other relatives of his age have been married already, and his siblings also share the same thoughts. The only other reason could be related to their grandfather, but he has been the same for years, and there is absolutely no change regarding his health. Chacko, who is afraid of the disease, struggles to even talk about it to his children – but one day, he manages to let them know the truth after a series of misunderstandings. Everyone in the family is shocked and sad, and are cent percent confused about what to do next. The family which had things going straight without any intermissions, gets a lot of thinking to do after that revelation.

And what else is to follow in the adventure in the land of crabs? :: Kurien’s only relief is his long lost friend Subbu (Krishna Shankar) whom he meets after a long time. Sheela tells her family to support her happily, but everyone remains sad and depressed. They decide to get a home nurse to look after the grandfather as Sheela is not well. Their search for one ends with Yesudas (Sharafudheen) whose conditions are agreed upon. Meanwhile, while taking his mother to one of the chemotherapy sessions, Kurien meets a girl from Bangalore named Raichel (Aishwarya Lekshmi) who had arrived in the hospital with her parents, as her father also had cancer. They become good friends, and Kurien feels very much attracted to her. Meanwhile, Sarah is also in love. Chacko keeps struggling to make himself adjust to the understanding and fear of his wife’s disease. In this newly confused world, the battle between chemo and the crab goes on.

The defence of Njandukalude Nattil Oridavela :: There are two sides to Njandukalude Nattil Oridavela – a humorous one and the emotional one. The humour is there in the movie all the way – the light-hearted side of this flick will make it a much loved title for this Onam season for the families. The emotional side is there, as the family is shaken by the unexpected trouble, and we see how they overcome the same, but never missing out on bringing a little comedy here and there. The balance which has been maintained here without letting the flick stumble into some kind of melodrama, is a remarkable achievement. The use of the right cast also makes sure that things work better. The movie leaves us with the message that it is the unexpected twist in life that makes us stronger, and it is the difficulties that makes us capable of more – positivity added there when the trap of hopelessness is present. Along with the same, it is once again re-iterated that family is that important, and it would come over almost all the other things in life; something that most of the new generation would need to realize at some point.

The claws of flaw :: The movie does take the safe route rather than trying anything special or unexpected. It might be rather too simple for the liking of some people, unlike Adam Joan, the other good movie of the Onam-Eid season which makes sure that it is more like the exact opposite of this movie – like a mirror image which reverses things. Well, we have interesting movies at both sides of the mirror, and it is a positive sign for the Malayalam movie industry. Yet, one wonders why it was so necessary to add a romantic side to this movie which adds nothing more than a little bit of cuteness along with a song – without the same, this one would have finished in less than two hours, and Njandukalude Nattil Oridavela would have had no moment of deviation from its beautiful family stuff. In a world when youth wishes for quick movies, the movie’s dilatoriness will trouble more than one person, but if you relate to the characters well enough, such a problem can vanish into thin air. There could also be people who want some parts of this movie to be more serious; well could have been even more touching for sure.

Performers of the soul :: Nivin Pauly goes through his role comfortably, as the lazy, Lays eating, London-er with more Keralite thoughts than anything else. There is also a little bit of romantic side for him here, but it is once again the family stuff that he gets to handle, and does very well. When the movie is cute, and the hero is Nivin Pauly, I wonder what can stop the family from rushing into the theatres. It has been a long time since we saw Shanthi Krishna, and it is good to see her back, and she remains the strong point of this movie from the beginning to the end. Lal also joins in and makes this role exactly at the right place. Ahaana Krishna’s second role also seems to be a good choice, as she seems to be doing what Aima Rosmy Sebastian has been doing – she has more to do than the heroine, Aishwarya Lekshmi who has a memorable presence, but gets less time on screen. The Aluvaite Premam team has kind of a get together with Siju Wilson, Krishna Shankar and Sharafudheen there, and strengthens the funny side, and so does Srinda.

How it finishes :: You will find Njandukalude Nattil Oridavela from the debutante director Althaf Salim to be a treat for the whole family, even without trying anything huge. It stays close to life and closer to the heart with those simple moments of life, and simpler instances of comedy being nicely woven into the plot. One has to wonder how well Nivin Pauly has been choosing his movies – from those dual releases of Ivide and Premam, it has been such a fantastic journey. The last three movies, Action Hero Biju, Jacobinte Swargarajyam and Sakhavu have been different in core, and all three of them are worth the appreciation. Njandukalude Nattil Oridavela continues that sequences of interesting movies. With the Tamil movie Richie supposed to come up soon, our movie here will raise hope to an even higher level. As of now, there is no void as it has been at certain points of time, and we have enough to enjoy this vacation season. I wish all of my readers a Happy Eid, as well as a Happy Onam in advance! 🙂

PS: Relate the crab to cancer, and there is more than one meaning which you can take from “the land of crabs” in the title.

Release date: 1st September 2017
Running time: 131 minutes
Directed by: Althaf Salim
Starring: Nivin Pauly, Lal, Aishwarya Lekshmi, Ahaana Krishna, Shanthi Krishna, Siju Wilson, Srinda Arhaan, Krishna Shankar, Sharafudheen, Dileesh Pothan, Saiju Kurup, Sidhartha Siva

@ Cemetery Watch
✠ The Vampire Bat.

Kattappanayile Rithwik Roshan

kattapanayileritwickroshan-2

Vampire Owl :: Why isn’t the name spelled Hrithik Roshan?

Vampire Bat :: Because a change of spelling will make all things right.

Vampire Owl :: I am really annoyed with any bad spelling.

Vampire Bat :: Dude, this is intentional.

Vampire Owl :: Which is why I am intentionally protesting against it.

Vampire Bat :: I don’t understand your intentions.

Vampire Owl :: You only need to get me one cup of tea, vegetable puffs and cheese popcorn. It is a good understanding of intentions.

Vampire Bat :: You needn’t fight for that. You can have them with ease.

Vampire Owl :: A fight is cent percent needed. See, all things are lies. They say there is no money, and see the number of people who are here to watch this movie.

Vampire Bat :: Well, even we are here. It is a crowd-puller as you can see.

[Gets the tickets with tea and caramel popcorn].

What is it about? :: Geo (Siju Wilson) is ditched by his lover Neethu (Swasika) who is about to get married in a grand function. Disappointed and feeling hopeless in losing the girl whom he thought was his true love, Geo decides to commit suicide. But when standing at the suicide point, he finds a letter under a stone which was written by a stranger named Krishnan a.k.a. Kichu (Vishnu Unnikrishnan). He continues to read on, as he finds his whole life there. Kichu’s father Surendran (Siddique) was a fan of Jayan and wanted to become an actor like him, but becomes a failure. So, he decides to make his son a hero in the movies, but seems to fail in that too, as everyone think that Kichu is not fair enough, and there is also a mark on his forehead which gives him only smaller negative roles in movies. But Kichu doesn’t stop trying to reach his aim.

So what happens next? :: Kichu’s only good friend is Dasappan (Dharmajan Bolgatty) who has always been there to support him, right from the childhood. They can’t stop being jealous of Giridhar (Rahul Madhav), another person who seems to have everything including the looks and money. His neighbour Kani (Lijomol Jose) has been in love with him for a long time, he fails to notice it, as his dream is to marry a very beautiful girl. She still tries to catch his attention all the time. It is when he keeps getting the roles of thieves and criminals that the director James Antony (Kalabhavan Shajohn) provides him with role of a main character in the movie. At the same time, he falls for the rich, beautiful girl who comes to live in the town, Ann Maria (Prayaga Martin). But there are twists waiting to happen in his life, and it is a little bit too early for him to be happy. Will he survive the upcoming tests?

The defence of Kattappanayile Rithwik Roshan :: There is fun in store in this movie, that is for sure, and an attempt at message is made, just like it was done in Amar Akbar Anthony. But this one is a better movie than the directorial debut of the man at the helm, and an improvement in the overall quality. This one also pretends less than the other one, as Amar Akbar Anthony is supposed to have done something gargantuan, but it didn’t, except for pretending to be this and that all the time. Here we have some genuine scenes which invokes laughter, and they are the ones which save the day more than any other. Even though occasionally overdone, most of the characters in this movie are common people with whom we can relate. With them right in the camera, the humour works better than Amar Akbar Anthony which was a little bit of a low class pretender. Kattappana is also well captured. Yes, the message is there to be taken, if you want it.

The claws of flaw :: For some reason, Kattappanayile Rithwik Roshan suffers from a complete lack of brains, something which would surely save it from the zombies, but makes the intelligent viewer feel the pain, for even a movie in the comedy genre like this one can use it to make the funny side clever rather than foolish – but that is a rare thing between the cliches that stretches its arms towards climax and the finish. The movie is also hypocritical in its core, often working against whatever it seemed to convey, a terrible beauty of a quality which Amar Akbar Anthony also possessed. A lot of comedy scenes are repetitions, or something we have heard before – we knew that from the trailer itself with the use of the word “photogenic” which is a comedy that goes years back. The emotional side is also only partially working. The songs are just terrible, and the predictability factor is so strong.

Performers of the soul :: Vishnu Unnikrishnan does a fine job in this movie, and we are glad to see him performing as the protagonist. He has no trouble in going through the different stages of the hero’s career. Meanwhile, Salim Kumar makes a great comeback, and in the flashback scenes, he and Siddique are too good – the two manages to use their years of experience to the best, and makes us laugh. All humour is kept steady by Dharmajan Bolgatty though, and most of his jokes are right on target – the exceptions can be forgotten considering how well he has managed his character with nonstop fun, and even an emotional side that comes in the end. Among the actresses, Lijomol Jose is the pick, and once again after Maheshinte Prathikaram, in this second movie, she is amazingly good as the simple girl. Prayaga Martin doesn’t have much to do, and she is there looking good – no part of the movie is really about her character. Siju Wilson drops in to score too.

How it finishes :: The movie’s first half is cent percent superior to the second half, and we end up hoping for more in the second due to the same. The humour here is the reason why you can go for this movie, and for everything else, there are other movies. If you can go beyond the stereotypes and a certain amount of drag which comes along in the second half, this is surely going to be a fun experience without much to take home, of a better level than Amar Akbar Anthony. I would have liked to skip the final scene though, where Nadirshah makes an appearance – that was totally unnecessary, as it should not have been due to the trust on the audience that he would have casted our hero, but due to the need for bringing a skilled young man as the hero in a good movie – by placing the trust in the viewers, it has gone completely against the overall message of the movie, which is disappointing. But think not about it when you enjoy this entertainer.

Release date: 18th November 2016
Running time: 140 minutes
Directed by: Nadirshah
Starring: Vishnu Unnikrishnan, Prayaga Martin, Lijomol Jose, Dharmajan Bolgatty, Rahul Madhav, Siju Wilson, Salim Kumar, Swasika, Kalabhavan Shajohn, Thara Kalyan, Sethulakshmi, Neena Kurup, Devika Nambiar, Kottayam Nazeer, Nadirshah, Kottayam Pradeep, Jaffer Idukki

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@ Cemetery Watch
✠ The Vampire Bat.