Sara’s

What is the movie about? :: Sara (Anna Ben) needs to get many things right, and making a name in the film field is only one of them. She has her own set of beliefs, and is not ready to step away from them, no matter the cost happens to be. From her school days itself, she was afraid of having a child, and she maintains that aversion throughout her life. She is bothered by her father Vincent’s (Benny P Nayarambalam) constant requests to get a boyfriend, without which they will come up with a match themselves. It is then that she meets Jeevan (Sunny Wayne), who had left his job in Bangalore and returned home, presently taking care of his sister’s children. When the two meet later, they are united by their lack of interest in having children, and decide to fall in love. They feel that there is a connection between them, and the two decide to wait for a few years before they marry – she hopes that she can study him well during that time, and also get her new movie going.

So, what happens with the events here? :: Their world consists of only the two of them, and they hope to keep it the same without any unwanted trouble. But when their parents come to know about the relationship, things don’t go that smoothly. They are forced to get married too soon, but the two decide to go with the flow without resisting the same. Sara continues to try and get her script accepted by a producer willing to let her direct the film. At the same time, Jeevan goes back to job again. Sara is disappointed by her inability to convince the producers, but things get only worse for her when she gets pregnant. All the relatives come to know about it, and their happiness is only matched by Sara’s disappointment. She hasn’t changed a bit as far as her ideology about children is concerned, even though Jeevan is now not sure. The equations have changed now, and what they had thought earlier might not work any longer.

The defence of Sara’s :: There can always be something about feel-good movies, and that something is carried over here too, with the feeling being too good. Jude Anthany Joseph’s mastery over the same is something on which everybody would agree. The emotional side is strong, and the light-hearted elements with the usual touch of humour works really well here. The reflections of the usual life and the disagreements between generations can also be seen in the flick. It is to be noted that the light-hearted feeling is maintained throughout the film, and it never slips away from the same during its two hours of seemingly perfect run-time, even though it deviates a little bit. As a female centered film, the protagonist does have more to tell you than what meets the eye. There is the requirement to understand that the purpose of marriage is not to have children as soon as you are married, and that parenthood is a responsibility for which everyone has to be prepared well. When people have children in less than an year after marriage, and when they choose to keep having more and more of kids almost every year, it is strange. There is always an intellectual purpose in life as far as humans are concerned, and it is being left behind by these people, both men and women. This film should be an awakening for them, as well as for those who marry early, without maturity coming to them. In India, as more the youth is more dependent on parents it takes them about twenty eight to thirty three years old to be really mature. It is surprising to see some people getting married at the age of twenty one and eighteen, and the recent cases on suicides in the name of domestic violence and dowry were all from those who married too early, especially without the women not being allowed to complete their studies or work freely.

The claws of flaw :: Sara’s could have been more with its ideas, and there was also a chance to add more of light-hearted comedy with those usual kind of situations. You are never really short of some feel-good ideas in our world, and chances for humour were many, but not many of them are taken. It often struggles to make comedy out of silly stuff. The movie should have actually released one day earlier during the weekend, and it would have had more viewers due to the weekend lock-down being imposed, and this flaw in release date will decrease its viewers by a considerable number. These are the kind of choices which make sure how many people watch the film from an OTT platform. Also expectations after Jude Anthany Joseph’s previous movies were very high, and this one has to match that, but this one is more about the ups and downs. This one is certainly not that much fun in comparison with the earlier films, and we also have a little bit more of an emotional side at work here. The final moments seem to have gone for the quick solution, instead of making things innovative. The film is also too materialistic in its viewpoint with main characters going for the selfish motive, the kind which won’t hesitate to cheat and murder if needed, and its heroine wouldn’t be ideal in a morality tale, but as she is shown as a person interested only in films, maybe she is more of a reflection of people in who are part of movies rather than common people. After all, it is difficult for the protagonist to understand that she is not an island, but it is to be noted that the people around her matches her in being judgmental.

Performers of the soul :: With his third venture which seems to resemble the earlier successful works from him, it is Jude Anthany Joseph who has our attention here, more than the main actors and actresses of this film, and it is with high expectations that we are watching this particular flick. The work of Anna Ben remains the same, natural, and perfectly suited for a role like this. Kumbalangi Nights and Helen had her realistic acting skills bringing some surprise to us. This time, we are having exactly what we expected from here, and one more natural performance brings us an lovable film. She is the one actress who makes the perfect new generation star who blends in so well with the roles given to her. Benny P Nayarambalam, Anna’s real-life father plays her father in the film too, and that is indeed a nice addition to the movie. Siddique is also there, and you know what to expect when the veteran actor is once again there, and doing his usual stuff – he has more or less become an integral part of the feel-good Malayalam movies of these times.

Further performers of the soul :: Sunny Wayne is here in a film which is not centered on him, but that comes as no surprise to him, as he was the hero in Annmaria Kalippilaanu, but was not the protagonist there too. He was very good in the earlier supporting roles, and with different roles like the villain in Kayamkulam Kochunni and the surprise entry in June, he is known for these kind of roles more than for being the sole hero in flicks like Alamara and a number of lesser known ones. Before this film, we had him everywhere with that song “Kaamini” in Anugraheethan Antony due to the producers of Chathur Mukham failing to bring it to OTT platforms at a time when films like Cold Case, Drishyam 2, Mohan Kumar Fans, Nizhal, The Priest, Aarkkariyam and Joji scored so high in Amazon Prime Video, Nayattu in Netflix and Kho Kho with Operation Java in ZEE 5. It is also good to see Mallika Sukumaran going through her usual kind of work, and we also see others who have much less to do in here, even though they all form a part.

How it finishes :: This is the third film of Jude Anthany Joseph after Ohm Shanthi Oshaana and Oru Muthassi Gadha, both of those movies being excellent feel-good entertainers, and the former had also won the Best Film with Popular Appeal and Aesthetic Value at the 45th Kerala State Film Awards, as well as making sure that Nazriya Nassim earned a Best Actress Award too. So, this one certainly came with high expectations, especially considering the fact that Anna Ben is a more complete actress in comparison to those who were part of his earlier ventures. The expectations do provide some good results here, as Sara’s is indeed a movie to watch without having too much of the emotional feeling while dealing with similar topics and its light-hearted take on the usual kind of stuff and with a desire for change in the attitudes of the society makes it an interesting watch during these days which still continue have a certain kind of COVID-19 lock-down restrictions going on here and there. Therefore, the audience of all age groups can give it a chance.

Release date: 5th July 2021 (Amazon Prime)
Running time: 119 minutes
Directed by: Jude Anthany Joseph
Starring: Anna Ben, Sunny Wayne, Dominic Arun, Siddique, Srindaa, Margret Antony, Siju Wilson, Dhanya Varma, Benny P Nayarambalam, Mallika Sukumaran, Prasanth Nair

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@ Cemetery Watch
✠ The Vampire Bat.

Mathai Kuzhappakkaranalla

mathaikuzhappakkaranalla (2)

Vampire Owl :: This sounds like Lal Bhahadur Shatri’s continuation. I am not coming.

Vampire Bat :: There is just Jayasurya playing a very good guy, otherwise this should be different. Anyway, you didn’t watch even that movie yet. There is also a shot of Jayasurya and Bhama having tea together. Remember the word “tea”.

Vampire Owl :: So what? I don’t need to watch feel-good. I can sense them. They are all going to be the same.

Vampire Bat :: Do you know that you are prejudiced?

Vampire Owl :: Yes, and it has saved me from watching bad movies. But I see that it is not working for you, and the same is spreading for you and affecting me.

Vampire Bat :: Then what are you going to do now as you are free?

Vampire Owl :: I am going to visit the Thommankuthu Waterfalls and think about more ideas on owlifying the world. The tea there is good; it helps one to think.

Vampire Bat :: What about your zombie minions?

Vampire Owl :: They have been called for some work at the Dracula Castle. We can’t deny the services when Uncle Dracula asks, can we?

Vampire Bat :: He gets all the movies at the castle. He is one lucky guy, isn’t he?

[Starts the car].

What is it about? :: The story is that of an auto-driver in Thrissur called Mathai (Jayasurya) who is too good a man at heart and wants to solve all the problems in the world in whichever way possible. He spends his time trying his best and often gets into trouble for the same, never really giving him a positive effect, but he keeps trying again and again as if his life depends on him; he hopes that one day, everything will be awesome. His fiancee Anna (Bhama) is an assistant to a leading advocate in Kottayam, and as he comes to bring her back to Thrissur on a harthal day, it seems that he has lots of time in hand and wanders around in the area. At the same time, Nandakumar (Mukesh) is a heart surgeon who lives with his wife and child and is always having problems in his life due to his mother-in-law creating troubles. When Mathai comes to visit the doctor whom he had once helped when in trouble, the wife and child were no longer with him due to an issue concerning a wedding anniversary, and he decides that he should solve this problem for the doctor. But is a simple man like Mathai good enough to solve the rich woman’s ego?

The defence of Mathai Kuzhappakkaranalla :: The movie is both a preacher and a family counselor as it keeps trying to bring up all the problems in the family life and solve it from the beginning to the end. This is kind of a pre-marital course, and one has to say that it will be very of nice of the church to cancel the pre-marital course and use this movie instead, or it can directly give approval to anyone who has watched this movie – may be they can show the movie tickets to get approval. Yes, it is that kind of a movie, and not like Lal Bahadur Shastri as one might have expected. There is the good attempt to make things work and make it connected to the family audience. It starts off well, with our protagonist involving in the problems of one of his acquaintances and try to solve things only to make it worse. It is actually more funny in the first half. The cast has managed things well, and there is some humour lurking around all the time. Note that there is no romance in this one despite having the pair of Ivar VivahitharayalJanapriyan and Oru Black and White Kudumbam.

Claws of flaw :: The preachy nature of the movie often works against it, as people can get irritated at times, especially when the emotions fail to work and the humour almost disappears. Then it gets weaker, and makes so much of a lesser impact, and ends the movie in a predictable manner, with not much to cheer about – it is kind of a forced end, as if the classes are dispersed after all those lessons taught, and now it is time to go home and try the same. There is nothing that we haven’t seen before; remember the Mohanlal-Meera Jasmine starrer Innathe Chinthavishayam in which the hero and heroine attempted to save the marriages of three women? Yes, it is the same thing here, as our hero and heroine tries to unite a doctor and his wife. But this is not that good as the Mohanlal starrer, and is also restricted to two houses in action. Yes, there is the Aristotlean Unities at work here, of time, place (somewhat) and action. If you liked Innathe Chinthavishayam, there is a chance that you will like this one, otherwise, it is questionable – with no innovation and no good script.

Performers of the soul :: Jayasurya is the character we are talking about in the title, and he once again shines as the simple character full of goodness – check Lal Bahadur Shastri and Apothecary models, and he once again uses the Thrissur slang like in Punyalan Agarbathis and it works like a dream for him. Mathai is another character in the comfort zone for him, and it is him who handles things here in the movie with the best quality. The feeling of the common man or the guy next door might be something that comes naturally to him. Bhama doesn’t lag behind in that, and even as she comes into the picture in a big way only in the second half, she joins the preaching and does fine. She also seems comfortable in this simple role. Mukesh is fine and has no challenge here at any moment; this is something that a versatile actor like him could do with ease. Lakshmi Gopalaswami is fine with her predictable character. Sreejith Ravi was very good in another avatar here, and he handles a lot of humour in this one and never falters – his character could have had a better handling though.

Soul exploration :: Mathai Kuzhappakkaranalla has its own value in the contemporary society. People can question the product, but not the intentions, and scope for giving a good lesson, and this is where Akku Akbar gets the applause. The Dolphins did do the same, but it came too late to make that movie better. But our movie here shows how the world is changing in favour of ego and selfishness in a relationship, which in turns destroys it as the unconditional love itself is taken out and the whole thing remains as nothing more than a contract for mutual satisfaction. The movie has a husband who is a very busy surgeon having no time for family and a wife who want her husband to prefer her lavish parties over saving a human life. The advice that the wife gets from her mother contributes in the worst possible manner. There is also the idea of having a high status in a society and developing hatred for the common man. In the name of status and money, people tend to become less human, not just towards the outsiders, but also to one’s own people. Well, what is this “maintaining status” than showing off?

How it finishes :: Akku Akbar has to be appreciated for taking this topic which never losses the charm and the value in a society which keeps going further down with its family values in an age of ego leading to divorce. It is something which should be saved from the attack of the new generation movies which often ends up working in the exact opposite manner. But one can only wish that this was told in a better way rather than being too preachy. Our audience don’t accept such things, because it is like being told what to do. There is too much of it. If it was told in another way, things would have worked so much better, there is no doubt about it. Coming from a director who has been doing movies with family themes so well, let’s hope that he will come up with something a lot better next time. Until then, Angels seems to be the winner, even as there will be the question about how much it can score at the box-office seeing the status at the theatres. Penguins of Madagascar will take some family audience away from this one too, that is for sure.

Release date: 28th November 2014
Running time: 110 minutes (estimate)
Directed by: Akku Akbar
Starring: Jayasurya, Bhama, Mukesh, Lakshmi Gopalaswamy, Sreejith Ravi, Thesni Khan, Sasi Kallinga, Jayaraj Warrier

mathaikuzhappakkaranalla

@ Cemetery Watch
✠ The Vampire Bat.