Sara’s

What is the movie about? :: Sara (Anna Ben) needs to get many things right, and making a name in the film field is only one of them. She has her own set of beliefs, and is not ready to step away from them, no matter the cost happens to be. From her school days itself, she was afraid of having a child, and she maintains that aversion throughout her life. She is bothered by her father Vincent’s (Benny P Nayarambalam) constant requests to get a boyfriend, without which they will come up with a match themselves. It is then that she meets Jeevan (Sunny Wayne), who had left his job in Bangalore and returned home, presently taking care of his sister’s children. When the two meet later, they are united by their lack of interest in having children, and decide to fall in love. They feel that there is a connection between them, and the two decide to wait for a few years before they marry – she hopes that she can study him well during that time, and also get her new movie going.

So, what happens with the events here? :: Their world consists of only the two of them, and they hope to keep it the same without any unwanted trouble. But when their parents come to know about the relationship, things don’t go that smoothly. They are forced to get married too soon, but the two decide to go with the flow without resisting the same. Sara continues to try and get her script accepted by a producer willing to let her direct the film. At the same time, Jeevan goes back to job again. Sara is disappointed by her inability to convince the producers, but things get only worse for her when she gets pregnant. All the relatives come to know about it, and their happiness is only matched by Sara’s disappointment. She hasn’t changed a bit as far as her ideology about children is concerned, even though Jeevan is now not sure. The equations have changed now, and what they had thought earlier might not work any longer.

The defence of Sara’s :: There can always be something about feel-good movies, and that something is carried over here too, with the feeling being too good. Jude Anthany Joseph’s mastery over the same is something on which everybody would agree. The emotional side is strong, and the light-hearted elements with the usual touch of humour works really well here. The reflections of the usual life and the disagreements between generations can also be seen in the flick. It is to be noted that the light-hearted feeling is maintained throughout the film, and it never slips away from the same during its two hours of seemingly perfect run-time, even though it deviates a little bit. As a female centered film, the protagonist does have more to tell you than what meets the eye. There is the requirement to understand that the purpose of marriage is not to have children as soon as you are married, and that parenthood is a responsibility for which everyone has to be prepared well. When people have children in less than an year after marriage, and when they choose to keep having more and more of kids almost every year, it is strange. There is always an intellectual purpose in life as far as humans are concerned, and it is being left behind by these people, both men and women. This film should be an awakening for them, as well as for those who marry early, without maturity coming to them. In India, as more the youth is more dependent on parents it takes them about twenty eight to thirty three years old to be really mature. It is surprising to see some people getting married at the age of twenty one and eighteen, and the recent cases on suicides in the name of domestic violence and dowry were all from those who married too early, especially without the women not being allowed to complete their studies or work freely.

The claws of flaw :: Sara’s could have been more with its ideas, and there was also a chance to add more of light-hearted comedy with those usual kind of situations. You are never really short of some feel-good ideas in our world, and chances for humour were many, but not many of them are taken. It often struggles to make comedy out of silly stuff. The movie should have actually released one day earlier during the weekend, and it would have had more viewers due to the weekend lock-down being imposed, and this flaw in release date will decrease its viewers by a considerable number. These are the kind of choices which make sure how many people watch the film from an OTT platform. Also expectations after Jude Anthany Joseph’s previous movies were very high, and this one has to match that, but this one is more about the ups and downs. This one is certainly not that much fun in comparison with the earlier films, and we also have a little bit more of an emotional side at work here. The final moments seem to have gone for the quick solution, instead of making things innovative. The film is also too materialistic in its viewpoint with main characters going for the selfish motive, the kind which won’t hesitate to cheat and murder if needed, and its heroine wouldn’t be ideal in a morality tale, but as she is shown as a person interested only in films, maybe she is more of a reflection of people in who are part of movies rather than common people. After all, it is difficult for the protagonist to understand that she is not an island, but it is to be noted that the people around her matches her in being judgmental.

Performers of the soul :: With his third venture which seems to resemble the earlier successful works from him, it is Jude Anthany Joseph who has our attention here, more than the main actors and actresses of this film, and it is with high expectations that we are watching this particular flick. The work of Anna Ben remains the same, natural, and perfectly suited for a role like this. Kumbalangi Nights and Helen had her realistic acting skills bringing some surprise to us. This time, we are having exactly what we expected from here, and one more natural performance brings us an lovable film. She is the one actress who makes the perfect new generation star who blends in so well with the roles given to her. Benny P Nayarambalam, Anna’s real-life father plays her father in the film too, and that is indeed a nice addition to the movie. Siddique is also there, and you know what to expect when the veteran actor is once again there, and doing his usual stuff – he has more or less become an integral part of the feel-good Malayalam movies of these times.

Further performers of the soul :: Sunny Wayne is here in a film which is not centered on him, but that comes as no surprise to him, as he was the hero in Annmaria Kalippilaanu, but was not the protagonist there too. He was very good in the earlier supporting roles, and with different roles like the villain in Kayamkulam Kochunni and the surprise entry in June, he is known for these kind of roles more than for being the sole hero in flicks like Alamara and a number of lesser known ones. Before this film, we had him everywhere with that song “Kaamini” in Anugraheethan Antony due to the producers of Chathur Mukham failing to bring it to OTT platforms at a time when films like Cold Case, Drishyam 2, Mohan Kumar Fans, Nizhal, The Priest, Aarkkariyam and Joji scored so high in Amazon Prime Video, Nayattu in Netflix and Kho Kho with Operation Java in ZEE 5. It is also good to see Mallika Sukumaran going through her usual kind of work, and we also see others who have much less to do in here, even though they all form a part.

How it finishes :: This is the third film of Jude Anthany Joseph after Ohm Shanthi Oshaana and Oru Muthassi Gadha, both of those movies being excellent feel-good entertainers, and the former had also won the Best Film with Popular Appeal and Aesthetic Value at the 45th Kerala State Film Awards, as well as making sure that Nazriya Nassim earned a Best Actress Award too. So, this one certainly came with high expectations, especially considering the fact that Anna Ben is a more complete actress in comparison to those who were part of his earlier ventures. The expectations do provide some good results here, as Sara’s is indeed a movie to watch without having too much of the emotional feeling while dealing with similar topics and its light-hearted take on the usual kind of stuff and with a desire for change in the attitudes of the society makes it an interesting watch during these days which still continue have a certain kind of COVID-19 lock-down restrictions going on here and there. Therefore, the audience of all age groups can give it a chance.

Release date: 5th July 2021 (Amazon Prime)
Running time: 119 minutes
Directed by: Jude Anthany Joseph
Starring: Anna Ben, Sunny Wayne, Dominic Arun, Siddique, Srindaa, Margret Antony, Siju Wilson, Dhanya Varma, Benny P Nayarambalam, Mallika Sukumaran, Prasanth Nair

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@ Cemetery Watch
✠ The Vampire Bat.

Kettiyolaanu Ente Malakha

What is the movie about? :: The story is set in a high range village and at an old style family which is left with one old motherly figure and the young son who hasn’t married yet even though he has reached the age of thirty five. Sleevachan (Asif Ali) is someone who hasn’t thought of marriage at any point of his life. Kuttichan (Jaffer Idukki) has brought profiles of many different women for him, but he didn’t even try to go and see a single lady, much to the dismay of his mother, four sisters and other relatives. Even his neighbours, friends and the villagers are looking forward to see him getting married, as he is a much loved person and a helpful man. But as he realized that his mother was getting older, and she needed help, he finally decides that he can’t manage all the farming activities and look after his mother, as he is always outside home.

So, what happens with the events to follow? :: A new proposal comes, and this time, Sleevachan is ready to marry, and the girl is Rincy (Veena Nandakumar), daughter of the church vicar’s sister who lives at Angamaly. Even though Sleevachan’s sisters are doubtful in the beginning stages, the two are supposed to be ideal match, and there is no hesitation from anyone’s side about getting them married, except for Richard (Rony David), Rincy’s brother who also agrees to the union of two families. There is a grand wedding ceremony which is attended by almost the whole village, but on the very first day itself, Sleevachan ends up drinking too much alcohol, and falls asleep early. But from what is to follow later, this might be the better night for him. His own lack of understanding of what happens after marriage would land him in trouble. The question remains about how he can change his ways and adapt.

The defence of Kettiyolaanu Ente Malakha :: The success of Kettiyolaanu Ente Malakha depends on how its situation and idea is presented to make a story with lesser content far more interesting than how it would have been, if presented directly. The main characters are nicely written, and without any melodrama or insensitive dialogues, the movie takes on the family mode quite easily. There was some risk involved with this movie, and the movie even though does take it, never really venture close to danger – the balance is maintained effectively. The music is pretty good, even though not the best. The visuals of the place are nicely captured, and it serves as another good-looking movie too. The messages here are there to be taken, even though not for everyone, and not at the same dose.

The claws of flaw :: There is not much of a content in this movie that stretches to its full length, as some parts of the movie could have been cut down to make this one and half hours – there is not that much in there to take it to two hours and fifteen minutes. The story can be considered to be too simple, and the beginning half an hour or even up to forty five minutes doesn’t have anything to catch our attention at all, and goes through a struggle to get to the point, until it begins to change the mood. There are also moments when one feels that the movie is not that realistic, and due the lesser content out there, it does drag, and the struggle is visible. The ending, even though good, needed to pack a better punch – the feel-good has itself working all the way here though.

The performers of the soul :: Asif Ali has done a fantastic job here, and it him who gets to drive the movie forward effectively. Even though Kakshi: Amminippilla was a terrible and aimless movie, he had two fantastic movies, Virus and Uyare, as well as the one fine feel-good movies in the form of Vijay Superum Pournamiyum. He makes this simple, highland villager close to life, and also natural enough. He has some fine moments for us to remember, especially in the second half of the movie. This role of the simpleton from a village on a hill, stays safe with him from the beginning to the end. Veena Nandakumar who is best known for the movie Kadam Katha, comes up with a fine, controlled performance. She delivers the most with less dialogues and more from looks and action.

Further performers of the soul :: Basil Joseph, the director of two wonderful movies Kunjiramayanam and Godha has another good role to do after Manoharam. He plays the supporting role well once again, and it is once again the kind of role which Aju Varghese would do in a similar movie. The girl who plays the role of his lover also does a fine job here. Shine Tom Chacko is there in a small role which you would miss if you don’t look around at the right time. Rony David also has a smaller role as the brother of the heroine. Jaffer Idukki has a bigger role, and we get to see him handling a funny as well as matured side. Sruthi Lakshmi and Maala Parvathi are there for shorter moments too. It can be seen that the rest of the cast are also natural, unlike Happy Sardar which released this week, and keeps itself artificial throughout its run.

How it finishes :: Kettiyolaanu Ente Malakha has done a pretty good job in keeping close to the family audience while providing a few messages. After the critically acclaimed and top level Helen, this is the movie which will grab your attention. Even with new releases coming this week, its number of shows remaining the same is a sign of the possibility of the movie to stay, even though with Mamangam coming up soon, there is no clear guarantee of the same. Kettiyolaanu Ente Malakha‘s title won’t really symbolize the story, but the message does work out, considering the way the movie moves forward. Among the usual feel-good movies, this one strives to be different, and trying new experiments never get old in Malayalam cinema, as we work and seek more.

Release date: 22nd November 2019
Running time: 135 minutes
Directed by: Nissam Basheer
Starring: Asif Ali, Veena Nandakumar, Manohari Joy, Basil Joseph, Rony David, Jaffer Idukki, Raveendran, Sruthi Lakshmi, Maala Parvathi, Shine Tom Chacko, Jayalakshmi, Sini Abraham, Jesna Sibi

@ Cemetery Watch
✠ The Vampire Bat.

Vijay Superum Pournamiyum

What is the movie about? :: Vijay (Asif Ali) represents a generation of young men who were forced to do engineering even as they want to do something else. He struggled hard and finally managed to pass the exams after multiple efforts. But his dream is to become a chef and for the same, he keeps trying. But his father Chandramohan (Siddique) is convinced that he shouldn’t do cooking after studying engineering, and gets him a job in a call centre. He meets Reshma (Viviya Santh) there and falls in love, only to end up realizing that she was cheating on her – his expression of his anger becomes viral on Youtube, and he also losses his job. His parents feel that the only way to make him responsible is to get him married to a rich and educated girl who would also be able to provide him with financial support. Finally, they find such a family and a girl.

So, what happens with the events to follow? :: This leads them to the house of Venugopal (Renji Panicker) who wishes to see his daughter Pournami a.k.a. Pinky (Aishwarya Lekshmi) married as soon as possible. Being an MBA holder and wishing to become a successful entrepreneur, she has the record of failing in every business she tried to begin, and in the process, losing the money her father invested in her ventures. As the two meet and talk, the door of the room which was being repaired, gets closed and is automatically locked. As the two are locked inside with the carpenter being called for, they are left with a few hours to talk about their past, present, future and ambitions. This talk changes the journey of life for both of them. They don’t find them as good match for each other and are not in a mood to marry soon, but destiny has other plans.

The defence of Vijay Superum Pournamiyum :: Remake of a Telugu movie Pelli Choopulu starring Vijay Devarakonda and Ritu Varma which is also known to have a Hindi remake called Mitron, Vijay Superum Pournamiyum does manage to make it completely Keralite with its moments nicely reflecting life easily. The feel-good elements work nicely, and the movie is light-hearted throughout its run, despite having moments which could have driven it through another path. The first half is full of fun, and the second one comes with an emotional touch as expected. With a simple plot, the characters are of interest right from the beginning itself. There are things that you can relate to, and it is a fine watch for the family audience in more than one way. The messages are good, and these also go for all kinds of audience of the present age.

The claws of flaw :: The second half, except for the final moments, doesn’t have the fun as the first half had. The radio talk sequence also could have something better to replace it, as it made things look too easy in the end. There is too much of a journey on the expected path, and the divergence could have been shown in a better way. There is the confusion, inability to talk about one’s love for each other, business deals relating to wedding and more, all of them going in a predictable manner. After the food truck business started, there was actually scope for more too. The songs are okay, and there is a nice one; the background music is good enough to give the feeling – there are those strange and ridiculous dance sequences in one song though, which don’t even come close to being funny. There are times when the movie seems to get into the melodrama mood, which was kind of out of place. Well, this is the first big Malayalam movie of the year, and you can expect more every time.

The performers of the soul :: Asif Ali plays the immature youth unable to do anything positive in life, and lacking confidence – it is something that he does with ease and in a believable way. We remember how he did the confused young man roles in the movies like Thrissivaperoor Kliptham, Avarude Raavukal and Adventures of Omanakkuttan. The irresponsible youth role was safe with him even in the earlier movies like Kavi Uddheshichathu..? and Anuraga Karikkin Vellam. Aishwarya Lekshmi coming out of the Njandukalude Nattil Oridavela, Mayaanadhi, Varathan trio of big hits critically appreciated, does another fantastic job in portraying the lady who is set to leave a mark – she is once again a long way ahead of the rest, getting into her role so well. She has all those moments in control, no matter what is thrown at her.

Further performers of the soul :: Siddique and Renji Panicker handles the father roles here really well, with former going through his familiar territory nicely and latter doing what he has been doing so well since Om Shanti Oshana – the father who is very much caring for his children and supports them in more than one way. Another father figure who is there for a lesser amount of time is Devan who has not a lot to do. Aju Varghese has only a smaller role, but it is significant, and the funny side is strong during his presence. Balu Varghese and Joseph Annamkutty Jose support with enough jokes to add to the fun too. Shantikrishna has another mother role which she continues after the recently released Ente Ummante Peru in which she was there only for a few minutes. Darshana Rajendran also has some friendly, cute support in store for the protagonists. Then there is KPAC Lalitha doing the perfect grandmother yet again.

How it finishes :: As the third movie that united Jis Joy and Asif Ali as director and leading actor, following Bicycle Thieves and Sunday Holiday, this movie was expected to have something special in store. Bicycle Thieves was a dumb movie with foolish twists which were not needed, but Sunday Holiday had nice feel-good factor in store. With Vijay Superum Pournamiyum too, it was the same thing that the audience expected, and it is the same that they received, but in an even better package. Njan Prakashan is still running in the theatres with strong feel-good elements and Ente Ummante Peru had no shortage of the same; Thattumpurath Achuthan despite lagging behind had also tried the same – in this season of feel-good supported by Christmas and New Year, Vijay Superum Pournamiyum has its own high position to be proud of.

Release date: 11th January 2019
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Balu Varghese, Aju Varghese, Aishwarya Lekshmi, Siddique, Darshana Rajendran, Devan, Joseph Annamkutty Jose, KPAC Lalitha, Maya Menon, Renji Panicker, Shantikrishna, Austin Dan, Viviya Santh, Shaheen Siddique, Rajesh Sharma, K. S. Chithra, Harisanth Sharan

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@ Cemetery Watch
✠ The Vampire Bat.

Ente Ummante Peru

What is the movie about? :: Hameed (Tovino Thomas) is left with nobody to call a relative after the death of his father Haider (Renji Panicker). Even though he inherits the big house along with his father’s business as well as a few acres of land, he is lonely – as he has nobody to call his own, he is not able to get married to a respectable family either. He, along with Beeran (Hareesh Perumanna) and Hamsa (Mamukkoya) keeps looking for a suitable alliance for him. He soon falls in love with Sainaba (Saipriya Deva), a girl whose proposal had already come for him, but was rejected by her father because he seemed to be nothing less than an orphan. While he is running his family business and looking for a way to marry Sainaba, he comes across a will left by his father, which points to two women, and one of them could be his mother. He decides that this is his chance to find his family.

So, what happens with the events to follow? :: So, the the wives are to be given a share of the property, and there is the need to find both of them to figure out which one his mother is. The two of them are located in Kozhikode and Ponnani in the form of Ramlath (Shanthi Krishna) and Aisha (Urvashi), the former being married with two children and the latter living alone in her house on the side of the lake. But the question remains if this can happen because the truth is still hidden in some of the pages about which there is not much information, even for Haider’s good old friend, Sivankutty (Dileesh Pothan) who seemed to know almost everything about his friend’s past. Can Hameed rise above all these to get what he wants? Will he finally cease being an orphan? Can he finally marry the girl whom he loves? It would take a journey not just through North Kerala, but through North India to make sure about that.

The defence of Ente Ummante Peru :: Unlike the usual stories with the same setting, this one never really does manage to keep selling the same thing again and again. But the tale is kept simple and enjoyable for families. It sticks to the point from the beginning to the end, never really deviating from the path or having moments of dullness – the total movie length makes sure that it stays put. There is nothing exaggerated here with everything going on while staying close to life. The feel-good factor never really falls behind here, and the visuals, wherever it is set, stays good. The emotional side is strong, and by the end, it reaches an even better level. Along with the expected comic side, the use of gallows humour is to be noted – it is the human condition that makes us think on more than one occasion, as the point of life and its meaning is always something to ponder about with death making a grand entry at so many unexpected times.

The claws of flaw :: There is no special ingredient with this one, as we look deep into this tale of search for the main character’s mother. This is the kind of story that we have heard for a long time, with search being for parents or siblings. The children separated from their parents or brothers is an idea which goes older than some of those very old flicks, not just in Malayalam or South India. Even Oru Indian Pranayakatha had a similar search with its main character looking for both parents, after returning from Canada and collecting clues leading to more than one state in India. The songs and music are not really that good. We never really get that much of a romance between the leading characters, and one has to remember that Tovino used to be an expert in that. The journey through Uttar Pradesh could have been more interesting, and the supporting characters could have been closer to our heart that what they seemed to be.

The performers of the soul :: Tovino Thomas is the one to keep this movie going with a realistic and lovable performance once again. His last movies Oru Kuprasidha Payyan, Theevandi and Maradona – all were among the strongest flicks of the year. Here, we continue to admire his work, as the emotional state of a man looking for his mother is nicely shown – he is someone who is looking for his last hope in changing things. This is not the first time that he has shown this with the same strength though. Urvashi had a fine role in Aravindante Athidhikal, but here she has a lot more to do, and she has done the same well. It is in no way, an easy character to play this time, as her role becomes the most significant thing in the movie ever since she makes her entrance. We hope that we see her in more movies, and without that many breaks in between.

Further performers of the soul :: Meanwhile, there is a new face in Malayalam movie industry in the form of Saipriya Deva who plays the heroine, and she does that with a lot of charm. It can be seen that the movie doesn’t focus on her at all, as far as the complete plot is considered. We can surely keep her close to our hearts though. Malayalam movie industry does need its heroines more than its heroes, and more skilled actresses will elevate the level of the characters that they play. At the same time, Hareesh Perumanna in charge of the comedy, and he does that with amazing skill. Shanthi Krishna has a smaller, but emotionally strong role – since her return in Njandukalude Nattil Oridavela, we have all wished to see her on the big screen very often. Mamukkoya and Siddique got the kind of roles which they have done before, and brings no challenge to them, while Dileesh Pothan makes a short, but nice appearance of significance.

How it finishes :: There are four Malayalam movies releasing in the beginning of Christmas vacation, and this is just one of them. Unlike the others, this movie seems to have made no big claim, and therefore the expectations have been kept low. We know what expectations could do to a movie like Odiyan, and how the low expectations for DC movies did help Aquaman in the early stages. Ente Ummante Peru brings the surprise not only due to the lower expectations, but also with how it remains so simple and yet so effective at the same time. It is one movie which possesses and displays the true spirit of Christmas season, more than anything else. Therefore, choosing Ente Ummante Peru over most of the other movies won’t be that difficult a job. The idea of feeling happy and leaving the theatre with a smile on one’s face never has a substitute, especially when with family.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Jose Sebastian
Starring: Tovino Thomas, Saipriya Deva, Urvashi, Shanthi Krishna, Hareesh Perumanna, Dileesh Pothan, Mamukkoya, Siddique

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@ Cemetery Watch
✠ The Vampire Bat.

Ima

Vampire Owl: I always knew that this was going to happen; I actually thought that it could happen much earlier.

Vampire Bat: What exactly are you talking about?

Vampire Owl: A movie on IMA – Indian Military Academy, about the training and other incidents at the place.

Vampire Bat: No, this is not about the officer training Academy of the Indian Army at Dehradun.

Vampire Owl: You mean that this about the same, a new academy based out of somewhere else?

Vampire Bat: This has no relationship with the military.

Vampire Owl: So, this is about Indian Medical Association? Thus it could be based out of anywhere.

Vampire Bat: I see that your Malayalam has hit a new bottom. You don’t even know what “ima” means?

Vampire Owl: I am one of those evil people who read and talk less of mother tongue.

Vampire Bat: Oh! I am sure that it makes you more evil than most of the villains.

[Gets some potato chips and three cups of Ceylon tea].

What is the movie about? :: The movie tells the story of Madhavan (Pratap Pothen) and Radhu (Menaka Suresh), a couple in their fifties, who are living all by themselves in a house in their village, disconnected from the busy world. They have nobody for help, and their best friends are their two pets, a parrot and a dog. Their best access to the town is through a rowing boat, and they rarely go out that far. Radhu is blind, but she is very much adjusted to live in the house without her sight, accustomed to each corner and each object there. Madhavan has his own eye problems, and has only a terribly blurred vision without his glasses – the spectacles are the first thing that he searches for, right after he wakes up; not tea, newspaper, his loved ones, or anything else. It is only after he puts them in front of his eyes that his day begins.

So, what happens next? :: It is just the love for each other that they need in this life. They balance each other and their life, which goes on as they are there for each other. But there is a complication when Madhavan’s glasses are broken. He finds himself more vulnerable than ever, and he feels more blind than his wife. But when there is the love for your life on your side, there is no need to panic. True love is the one in which both always care for one another. There is no blindness that can stop the light from coming in and staying in their lives, and they will realize that again. It is those little things in life that makes one feel the love again, and being together for eternity is what fairy-tales have wanted us to believe. These two need no fairy-tales, Shakespearean Sonnets, or tales of true love to bring certainty, as they know that they have each other, forever.

Soul exploration 1: True love and where it stands beyond lust and infatuation :: These days, one can only keep wondering where the true love lies. It is mostly in those movies which are rather overrated in the name of love, but the same is not reflected in our lives – sometimes the so called love is compared to leaving the one whom he or she is supposed to marry on the location of wedding itself, but that would be nothing less than lust and infatuation. True love is a case of understanding and care which has to be there all the time. But the new generation struggles to find the same, giving into those things which have no part in the soul, like beauty and wealth. When providing support to the better half isn’t the first thing to do in marriage, it is no real life after wedding at all. True love is when it is a person whom one loves, and not his or her money or body. When souls unite, everything is else is just optional.

Soul exploration 2: Love as a journey of togetherness for eternity :: Through marriage, one also promises to take care of the other until death, and it is something which has to be done all the time. The older generation, despite having their own problems, seemed to understand it better, no matter the degree of love which they show. Whatever problem one has, the other has to nullify the same. It is those who are ready to take this step, that needs to be in such a relationship – it is the others who marry in the name of the spouse having a big job, wealth in the name of cash, big house, luxurious car or property that won’t understand this idea of eternity. But there are those people who look for these features on the one they are to marry, and some people even ask for a government job for the groom – some people just never consider goodness to be a positive thing in a relationship.

How it finishes :: The movie’s cast is rather small, as except for Pratap Pothen and Menaka Suresh, there are no real human presence – the exceptions there are the one who delivers the newspaper in the morning and the one who rows the boat. It is the pair that excels above everything else in this movie. Also, the visuals are too good, with the simplicity as well as the beauty that it possessed. What we have to note is how a simple incident in the lives of two simple people has been made so interesting in such a less run-time. It is also the kind of life that we hope everyone would have, and we feel that maybe this little short-film about the love and care for each other that a couple shows, will stay in the mind of many more people and inspire them to be of love and support for each other, living up to the wedding vows which they exchange. It is the message that a messed up world needs, and it is what everyone should take home and keep with them.

[Walks into the balcony with another cup of tea].

Vampire Owl: Humans can love like this? I wouldn’t believe that.

Vampire Bat: Human capability for love is very much there, but it is just that they won’t try that hard to love.

Vampire Owl: These humans are rather too selfish. When was the last time love was really love?

Vampire Bat: It is easier to hate due the inherent evil in man. It was proven in The Belko Experiment too.

Vampire Owl: But they find writing about love to be rather easy. They even make so many movies with love being the theme, like Anarkali, Ennu Ninte Moideen, London Bridge, Premam, Kismath, Thattathin Marayathu, Basheerinte Premalekhanam, Madhura Naranga, Om Shanti Oshana and all.

Vampire Bat: Romantic movies are the easier ones to make. It is the reason why Bollywood have so many of them.

Vampire Owl: Moonnamathe Vazhi was a nice romantic short-film and so was The Story of 90 Coins, I remember.

Vampire Bat: You remember Munthirivallikal Thalirkkumbol injecting romance into family drama and CIA: Comrade in America doing the same into communism; Sakhavu also did the latter.

Vampire Owl: Still, there is nothing like Brooklyn with its romance.

Vampire Bat: And Crimson Peak with its good old Gothic Romance Horror.

[Walks into the silence of darkness].

Release date: 10th June 2017
Running time: 11 minutes
Directed by: Liju Krishna
Starring: Pratap Pothen, Menaka Suresh

Watch the movie Ima here:

@ Cemetery Watch
✠ The Vampire Bat.

The Story of 90 Coins

Vampire Owl: I have to say that this title has immediately caught my attention.

Vampire Bat: It is not natural for such a thing to happen for you considering the fact that this is a short-film.

Vampire Owl: I have loved more short-films these days than any other. So, there is a certain vision coming to me.

Vampire Bat: So, you will be watching more short-films?

Vampire Owl: I don’t see why not, as you have been writing about so many. I have to keep up.

Vampire Bat: So, you are coming up against the realization that short-films are more worth the time, right?

Vampire Owl: Yes, I have gotten fine results with the last few which I watched.

Vampire Bat: Also, it is for everyone, and not limited by the boundaries, as it is available online.

Vampire Owl: And available in so many language, with English subtitles.

Vampire Bat: The only thing which stops us from watching a short-film is we ourselves.

[Gets some kuzhalappam and three cups of elaichi tea].

What is the movie about? :: The movie begins with Wang Yuyang (Dongjun Han) telling Chen Wen (Zhuang Zhiqi) to be with him forever. When she doesn’t agree to the same, and shows her doubts about the future of the relationship, he asks her to give him ninety days to prove her love towards her. Every night, when they left each other, he would give her a coin, and if she rejects his proposal after those ninety days, they would take the cash to the stall where they had first met, have some drinks and bid adieu to each other, hoping not to meet again – that would be the end. Otherwise, they are going to use it for the wedding purposes, according to him. Even though she does fall in love with him, her first priority is to have a house in the city. She also has her career in front of her, and marriage doesn’t come at the top of the list at the moment.

So, what happens next? :: Then there is a chance for her to go to Paris, which is quite the perfect place to continue her fashion designing work. The city which has been commonly referred to as the fashion capital of the world just seemed to have endless opportunities for her. Andre (Jose Acosta), her French co-worker is also asking her regularly to join him on the trip to France, and see how far she can go with her skills in the field. They have their own complications in the relation in between, and it remains to be seen, if they can stand the factors of real life when going through their tale of love. It comes to that point when the relationship was going to be no more – but the promise of ninety days remain. Will they be able to go through those days which are reflected in each coin? Is it love or is it the job that gets the upper hand in the end?

The defence of The Story of 90 Coins :: The movie is just so beautiful to watch – there are those wonderful shots, and there are also beautiful people working in it. Along with the same, the performances are also too good that we feel the reflection of the emotions of the two protagonists. The emotional effect that this movie brings is more than what some of those highly appreciated romantic flicks lasting two and half hours has brought us. We can take the example of two Malayalam movies which are considered top love stories – Ennu Ninte Moideen and Annayum Rasoolum. While the former was entertaining, it dragged itself to almost three hours, with moments which didn’t need to be there. The former also had a run-time close to three hours and had more drag than material. These two, the most overrated love stories don’t stand a chance against a nine minute short-film, and there lies the beauty of The Story of 90 Coins.

Soul exploration 1: Love and promises made :: We see so many movies with promises of love being made. Lets take the example of another overrated movie, Neelakasham Pachakadal Chuvanna Bhoomi – it only has the glorification of our youth who can’t make a good promise and stick to it, and as people don’t usually stick to promises they liked it. The Story of 90 Coins is for the kind of people who stick to those promises made in love, like the characters in the movie Anarkali. Unlike what a lot of youth from a spoilt generation thinks, love is not love when it finds deviation – falling in love is a commitment, and whether it is before or after marriage, it takes real courage, faithfulness and trust to stand with the person you love. With love, comes a promise, and it is about this promise that The Story of 90 Coins talks about. Good men and women keep it, and won’t let it become a random memory which comes into mind later.

Soul exploration 2: Love and love only :: There will be other things like work and people will keep looking for job satisfaction – unfortunately, in a terrible modern world, it is something that people will use to judge you and society will even judge your partner on the same. There will always be those offers to make you feel successful, but it is not inside that cabin or the cubicle that you find what matters the most – it is in in front of your beloved, in her words, and in her arms. As we look at a world affected terribly by modernity, we feel so much less of love – they turns into robots, and they divide us into factions. But there will be a day when we realize that love matters – it will be not that creepy new generation love made in the name of modern love which has no commitment and just infatuation and lust. Love will be love only when it is worth to be called by arranging those four letters in the right way in heart, and never stepping back from those feelings of oneness.

How it finishes :: There are lots of dialogues in this movie which are certain to stay with you. The process of making you feel the love begins from the first few seconds itself, and there are those amazing words in the end, which are sure to give your emotional side and belief in true love a big push. It is shameful that we have more of “theppu” short-films here rather than true love stories – we are the industry which had so many of real love tales which became big hits in the past, and we struggle to make more of the same kind even as short-films. It is during those times that this Chinese short-film from Michael Wong becomes a very significant lesson. This is a movie which has won more than fifty accolades from different international film festivals, and it is the director’s short-film debut. After watching this The Story of 90 Coins, I hope that he will make a lot more of similar interesting flicks.

Release date: 28th July 2016
Running time: 97 minutes
Directed by: Michael Wong
Starring: Jose Acosta, Dongjun Han, Zhuang Zhiqi

Watch The Story of 90 Coins here:

Other short-films of interest: Mangalyam Thanthunanena, Red Jacket, Grace Villa, Culprit, AUFDRUCK, The Shaman.

@ Cemetery Watch
✠ The Vampire Bat.

Mangalyam Thanthunanena

Vampire Owl: One day, I will write about the complications I had while reading the movie title.

Vampire Bat: I feel that being with too many zombie minions have messed up your brain.

Vampire Owl: Yes, they eat it. Not literally though.

Vampire Bat: Dude, brain biriyani is the official food of your zombie minions. There is no changing that.

Vampire Owl: Oh! I thought it was human brain fried rice. Never mind.

Vampire Bat: It doesn’t matter if human or vampire; they love the brains. Just to eat though.

Vampire Owl: You mean to say that my struggle in reading this movie title is due to zombies eating part of my brain.

Vampire Bat: Exactly. In the case of humans, they have their own relatives and other people around them in the society to do the job, and you have your own zombies.

Vampire Owl: How do I escape it? I can’t fire them because their contract is for one full eternity.

Vampire Bat: Well, you can always try growing parts of your brain by watching some intelligent short-films.

[Gets some banana chips and three cups of Munnar tea].

What is the movie about? :: The story begins with a group of the three, the groom-to-be, his uncle and his best friend going to see the girl. The broker joins in, and they reach the house where they are welcomed by the girl’s father who is a retired teacher. The girl is also teaching at a nearby school. The groom-to-be, Anirudhan (Sethu Kumar), is a professional who has been working in Dubai for the last five years, and after the death of his father, he is the one who has carried the weight of his family, and also got his elder sister married all by his own efforts. Just like anyone who has returned from the Middle East for a short period of time, he also seems to be going through the procedure of a never-ending “pennu kaanal” programmes which seems to begin and never end – something which almost everyone has to go through in our society, no matter what all qualities are there.

So, what happens next? :: In our world, the programme of “pennu kaanal” has so many sides, not just those of a coin, but of a dice. It is more of something which has the influence of so many factors of which those who are to marry only have that much opinion as everyone else who are around them – but that opportunity to talk alone to the girl during the “pennu kaanal” is a cent percent sure thing. So, Anirudhan gets to talk to his future wife, the school teacher (Anu Padmanabha Iyer) who lets him know some of the harsh realities. After that, what decision he takes, forms the core of this movie, and the message that it attempts to provide for its viewers. Can he take that one decision which will change not only his life, but also of those who are close to him? Is he strong enough to make his own choice, and stay there? Is there the possibility of this wedding take place in the end?

The defence of Mangalyam Thanthunanena :: The main cast, Sethu Kumar and Anu Padmanabha Iyer, as well as the supporting cast got the ability to make us feel the full strength of the situation in this movie – the emotional side gets stronger as we get near the middle of the movie. It is about eight something minutes later that movie gets to be better. From there begins the serious side, after those moments of fun which had a partially working side. The latter part of the movie has some nice dialogues and beautiful moments, which make one wish for short-films like these to come more often. These dialogues are smartly done to bring the point as well as the message to us. It is realistic as well as socially relevant in our society. It is always better to have this kind of movies rather than those messed up love stories which make romance look like some low level new generation nonsense. Nice visuals and beautiful music nicely go with the same.

Soul exploration :: There seems to be so much talent behind this short-film, and the idea here seems to simple, but it goes deep. This is the kind of short-film, about which if I was notified earlier, would have wanted to write a review then. The questions that the film asks, begins and ends with the value of a person – is wealth all that matters? Is money more important than a person and the qualities possessed by the same? Why would anyone value a girl based on the dowry that her father gives? The questions are endless in our society – this short-film is sure to give the message, but the change is to be brought by people themselves. But in a world where some girls’ fathers are willing to give more and more dowry and judging boys only on their land or asking for a government job in return, is there hope? Neither is the girl or the boy is valued for their qualities or education these days – let more short-films with such valuable core arrive, and let more people at least feel how wrong they are.

How it finishes :: There is the usual question that comes up as people have asked me what I have to gain by reviewing a short-film which is already a few months old. There are those who have told me that there is no point in reviewing an old short-film as that would bring no visitors. But I have felt that this socially relevant movie is something that everyone should watch, and so, it is worth supporting at Movies of the Soul. A review on a usual movie will get more hits, but it will be lost among those fake, paid reviews, no matter how sincere we try to be, with our writing. Those big movies can also do well without our support. But giving support to a short-film with a message is something that makes us feel good, and it is a reflection of the feel-good factor in this movie, with its subtitles is a must watch not just in Kerala, but everywhere as it is applicable rather widely. I had earlier reviewed, another different, impressive work, the short-film, Red Jacket.

[Walks into the balcony with another cup of tea].

Vampire Owl: I am certainly feeling enlightened. But I am not sure if a part of my brain has grown.

Vampire Bat: It is a slow procedure. You wil need a lot more of similar enlightenment to keep it growing.

Vampire Owl: I am surely happy that we vampires don’t have dowry system.

Vampire Bat: I believe that Uncle Dracula abolished it by seeing the future using a time machine developed by Doctor Frankenstein, making him realize that Mavis was to be born.

Vampire Owl: You mean to say that Mr. Frankenstein did invent something which was actually working centuries ago?

Vampire Bat: Yes, the vampire defence itself is planned on that vision Uncle Dracula received by traveling into the future.

Vampire Owl: You mean to say that the victory against werewolves and the Lich Queen lead undead army were not luck?

Vampire Bat: Dude, even luck has its own boundaries. Those victories were beyond that, and they repeated too many times to be just luck. We were outnumbered and weak, and still we won because of something or the other every time.

Vampire Owl: Now, my brain has started working extra.

Vampire Bat: Let’s watch a few more of similar interesting short-films and get it to work better.

[Walks into the silence of darkness].

Release date: 21st January 2017
Running time: 17 minutes
Directed by: Titto P Thankachen
Starring: Anu Padmanabha Iyer, Sethu Kumar, Daliya Rachel Solomon, Surendran Nair, Gopalakrishna Panicker, Sushanth Ninan Koshy, Juliya Mathews, Prasad, Fibi Thomas, Ajo Joseph, Jayaraj Naduvilathu, Jothin Paul, Sachin M Suresh, Shajeer Kodungallur, Vinu Surendran, Titto P Thankachen, B Lalithammal, Prabhavathy Raghunath, Prem Pandalam, Rajesh, Baby Pradeeksha, Master N Pranesh

Watch the beautiful short-film, Mangalyam Thanthunanena here, and take it’s message home:

@ Cemetery Watch
✠ The Vampire Bat.

Thondimuthalum Driksakshiyum

What is the movie about? :: Prasad (Suraj Venjaramoodu) and Sreeja (Nimisha Sajayan) are in love after a certain misunderstanding between them. Living near Vaikom at a village where the caste feeling is high, both are at trouble due to Sreeja’s father and relatives being fully against the marriage and threatens them. The result is that both of them runs away from the place after their wedding, and goes to a remote place in Kasargod where they have bought some land and a place to stay, hoping to get into agriculture. But it turns out that there is no water available there, and things once again takes a twist. They decide to get a loan against her gold ornaments, but her necklace ends up being stolen when in the bus, messing up with their plans. This theft was committed by a man known by the same name, Prasad (Fahadh Faasil) whom Sreeja had seen devouring it to escape being caught with it.

So, what happens next? :: So, the KSRTC bus driver, conductor and the travelers join to take the man to the nearby police station. It is more of a remote area, which doesn’t have leaves too many options for the police than to wait, as Sreeja is certain that the man had stolen her necklace and the thief tells the police that he has stolen nothing, and is working at a road-side eatery making porottas. But when the police asks for an id, he has none, and so they decide to keep him at the police station and wait. With no other option left, the couple also has to wait to find a way to find the necklace from him, as nothing could be proven otherwise. The police officer in charge of the case, A.S.I. Chandran (Alencier Ley Lopez) assures them that the thief is a smart one, but he solves such cases all the time, and will get them their necklace. So, who is the smartest of them all – is it the thief, the couple or the police officer?

The defence of Thondimuthalum Driksakshiyum :: The question of Dileesh Potham brilliance rises again, and we can see that there is something about it everywhere that fuels this movie. It is a fine narration that takes the story to another level, as we have the perfect example on how to make simplicity so interesting. Thondimuthalum Driksakshiyum is once again an everyman movie like Maheshinte Prathikaram, and those elite classes will not get their due here – there is almost no person in this movie who can be put into that “rich” category, which brings us the real movie for the people, which has never been the self-proclaimed “local” movies. The humour is also working, and they are also based on simple things of life – still there are twists. Once again, we see that the visuals are nice, as you know who in charge of them with the camera. The music is good, with “Kannile Poika” nicely visualized. There is the message hope and forgiveness, even though they are not readily visible.

The claws of flaw :: The movie might feel a little bit slow and a little bit dull at moments of the first half, as we expect it to be fun-filled entertainer like Maheshinte Prathikaram which had absolutely no moment which will make us doubtful. The emptiness that you feel in between, and the repetition that might seem to occur are also certain to be seen. You do feel at times, that this has a little too much of a remider of Action Hero Biju – so, if you don’t like that movie, there is a chance that Thondimuthalum Driksakshiyum will not be that interesting to you too. The story also doesn’t have that much in it to talk about, as things are rather simple, and the whole thing is focused to particular places. If you are looking for the usual kind of a movie, this will not claim to be one, which might be a good thing for a few, and not an interesting thing for some others. There could have been a bigger punch by the end, which is not there.

Performers of the soul :: Fahadh Faasil has his second movie running in the theatres at the same time, as Role Models is already there, having released for Eid with Avarude Raavukal and Oru Cinemakkaran – his earlier movies were Take Off and Maheshinte Prathikaaram, and it has been a fine run which continues into this movie too. Fahadh’s work, no matter how good or bad a movie is always something to look forward too – after all, this one is really good. There is a certain balance in his work, and even the simplest emotions from him brings the claps from the audience – the thief’s smiles score big. Suraj Venjaramoodu brings a performance which brings him back to the “fortress of seriousness”, with a full role rather than what he had in Action Hero Biju – he even has the romantic side to explore nicely. The National Award Winner for Best Actor in 2013 is the hero in this one, even though the term has less potential in a realistic story having no heroism.

Further performers of the soul :: Nimisha Sajayan makes a good debut with this movie too, as her work is simple as well as memorable. We see her taking it further with some realistic emotional scenes. It will be nice to see her in a different performance in one of the upcoming movies, and I remember having read that she has signed for another movie already. The next memorable character in the movie is played by Alencier Ley Lopez, who plays the police officer again after Njan Steve Lopez, and combines forces with Fahadh Faasil and Dileesh Pothan once again after Maheshinte Prathikaaram. You remember Vinay Forrt becoming the officer in control of things in Kismath where almost everything happens in the police stations – Alencier gets to do the same, but he has another mode on with Thondimuthalum Driksakshiyum. There is also the presence of some lesser known faces, who all do a fine job – it seems that the right ones are chosen for sure.

How it finishes :: We have all known what Dileesh Pothan is capable of, with his Maheshinte Prathikaaram, the National Award for Best Feature Film in Malayalam and also for Best Screenplay. The same combination of him with Fahadh Faasil returned here, and as expected there is something for us to be impressed, as we were waiting with expectations being a lot high. The movie with a realistic side will always have more for us than what any of those big superstar movies possess. It is the same realization that makes a lot of people to arrive at the theatres on a rainy day, defying all odds to get a ticket for this rather simple a movie – even the advance bookings have been even more. When the first movie was a success, the second movie has become a bigger challenge, as he has to match the glory, and here, with his brilliance continuing, Dileesh Pothan has kept Thondimuthalum Driksakshiyum working, even though not as much as Maheshinte Prathikaaram.

Release date: 30th June 2017
Running time: 135 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Suraj Venjaramoodu, Alencier Ley Lopez, Nimisha Sajayan, Soubin Shahir, Shince Mathew, Jithin KC, Vettukili Prakash, Sreekanth Murali

@ Cemetery Watch
✠ The Vampire Bat.

Alamara

Vampire Owl: A movie named after the almirah. It is an interesting case.

Vampire Bat: What is it about you and an almirah?

Vampire Owl: An almirah is a nice option for executing our evil plans.

Vampire Bat: You are not planning on scaring a few people by jumping out of an almirah, are you?

Vampire Owl: Well, what I plan is world domination using the almirah.

Vampire Bat: That idea won’t work. It is just an almirah.

Vampire Owl: You will know the depth of my evil plans, and then you will realise how far it can go.

Vampire Bat: It hasn’t gone that much with any of the plans.

Vampire Owl: You see, this one is different. I will get some special plan from this movie.

Vampire Bat: Let you find the best evil plan from a feel-good comedy movie.

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is the movie about? :: Arun (Sunny Wayne) is a bank employee who is working at Bangalore, and despite having seen forty seven girls so far, hasn’t been able to get married to one. The last one got messed up after the girl whom he was supposed to marry, eloped with someone else. He is a member of various matrimonial websites, and there are his relatives who are trying to get him to be married to some girl or the other, but things don’t go well as something bad happens every time. It is during these times that his good friend Suvin (Aju Varghese) gets rejected by a girl Swathi (Aditi Ravi) because he ends up being shorter than her. Swathi gets transferred to Bangalore, and asks for some help from Arun who is the brother of her old friend Divya (Sonu Anna Jacob), and knows the city well enough to find her a place to live for the time being.

So, what happens next? :: He soon proposes to Swathi, and working in nearby banks in the same city, she accepts, and so do the parents and relatives of both of them. The date of wedding is fixed on a day six months later, so that Divya can also be married on the same day, after she also passes a bank test and gets to work in a financial institution just like them. As the date gets nearer, everyone on the girl’s side gets restless, but it seems that Divya is in no mood to pass the bank test any time soon – she just keeps studying and nothing much happens. The two families almost decide not to go forward with this relationship, but Arun and Swathi are adamant, and finally both families have to agree to conduct the wedding. The wedding goes on well, and both of them move to Bangalore after a few days at Arun’s place. But things aren’t that smooth as they thought they were going to be.

The defence of Alamara :: The feel-good element in this movie works very well, and so do the jokes used here. The message here is that the married couple has to live their lives, and the rest of the people around will be only there to give some free advice and also to have the food for the function. The movie asks the pairs to take the decisions about their later lives themselves, and listen the least to the others – also, not to compare, but to live a life which is meant for them and not for those who watch from outside. A lot of situations in the movie can be related, and the comedy used here might feel a lot closer to real life for many. It was also a nice and divergent idea to have the almirah do the narration as the silent witness to all the foolishness that the humans come up with inside their relationships. The movie is visually good, and the songs have good timing.

The claws of flaw :: You will see that there is a lot of predictability associated with this tale which has been going on for a long time in one form or the other. There is no shortage of stories like this in our world – we can see them in all directions. You once again see a married couple having their relationship in trouble due to the interferences from their families who were not sure about this wedlock at the first place. The subplot concerning the property sale at Bangalore was not at all interesting though, and it could have been kept to the minimum to decrease the overall length of this movie. There could have also been something really new and fresh here, considering the fact that the same couldn’t be done with the story and how it goes on. The actors like Bijukuttan and Vijilesh are a little too less used, with more scope there for their characters.

Performers of the soul :: Sunny Wayne is good here, and he maintains the level in most of the sequences too. It is Aditi Ravi who makes a bigger impact here though, and we can expect to see more of her considering how good she has been in this leading role. In the comedy department, it is Manikandan Achari as the protagonist’s favourite uncle, who stands apart in a role completely different from what he did in Kammattipaadam. Aju Varghese and Saiju Kurup scores the most as protagonist’s friends when at Bangalore – also look out for Indrans in another different avatar here. Ranji Panicker and Seema G. Nair makes a fine pair that brings the fun here. Sonu Anna Jacob also has a notable role here. Then there is Salim Kumar providing some fun as the voice of almirah, the poor creation from the wood which gets to see all these and suffer – these humans are truly bad, aren’t they?

How it finishes :: This is the third movie from the director Midhun Manuel Thomas after Aadu Oru Bheegara Jeeviyanu and Annmariya Kalippilaanu. Sunny Wayne, Aju Varghese and Saiju Kurup remains the common factors once again, and there is the humour element of the first movie and the feel-good factor of the second one maintained nicely in this particular flick. This movie is surely better than Aadu Oru Bheegara Jeeviyanu, but not that good as Annmariya Kalippilaanu. With the entertainment, the feel-good factor and the messages for a new generation of families as well as those of the older generation, Alamara will be an interesting movie for more than one kind of audience. The message provided by this movie is valid not just for now, but for a longer period of time, and therefore Alamara should continue to work as the right family flick for many despite not being a huge one! Also look out for C/O Saira Banu this weekend, both movies taking different paths here!

Release date: 17th March 2017
Running time: 130 minutes
Directed by: Midhun Manuel Thomas
Starring: Sunny Wayne, Aditi Ravi, Sonu Anna Jacob, Ranji Panicker, Aju Varghese, Saiju Kurup, Sudhi Koppa, Manikandan Achari, Indrans, Sadiq, Seema G. Nair, Manju Satheesh, Kunchan, Bijukuttan, Vijilesh, Salim Kumar (voice only), Arya Rohit (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Honeymoon

honeymoon (1)

Vampire Owl :: I was planning for a Honeymoon with Lady Death myself.

Vampire Bat :: But you are not married yet.

Vampire Owl :: Yet, but it has to happen some day. I am preparing my soul for the same. I have even bought a Suit of Death from Vampire Best Deals.

Vampire Bat :: Do you know that the suit is supposed to prevent death for a few hours?

Vampire Owl :: What? It is not supposed to bring death closer?

Vampire Bat :: No, it is not. The original prototype was used by Uncle Dracula to travel to twenty seventh dimension of eternal death. Vampires and the rest of the undead can’t go through the realms of death without permission from the dead, as it can cause slow disintegration of the vampire body. This suit prevents the same.

Vampire Owl :: What? It is totally unfair. This is going to prevent my Honeymoon from ever happening. Mountain of Death brings death, Isle of Death is known for dealing with death, Valley of Death causes more deaths than any other place, and why is this Suit of Death so much the opposite?

Vampire Bat :: Well, you should have read the full description before buying it. Vampire Raven once bought something and didn’t speak even a word after that.

Vampire Owl :: My honeymoon plans are ruined. You could have at least given me false hope by not letting me know.

Vampire Bat :: Well, we will watch the movie Honeymoon instead.

[Gets a cup of tea].

What is it about? :: A newly married couple, Bea (Rose Leslie) and Paul (Harry Treadaway) finds the right place to celebrate their honeymoon, and it is a cabin in the woods. It seems to be the perfect and extremely peaceful are as they enjoy their time and explore the surroundings. In a small restaurant, they meet Will (Ben Huber) who seems to act strange and his wife Annie (Hanna Brown) who is acts even more weird. One night, Bea goes missing, and later she starts showing some strange behaviour which upsets Paul. She forgets things and write down even basic facts about her life. She often acts opposite to how she had been earlier. Paul sees strange lights at night and feels that a third person is involved. But he finds no real clue anywhere as things don’t get any better.

The defence of Honeymoon :: The movie uses its environment related to the cabin in the woods to come up with the much needed advantage. The two main characters are also made a lot more interesting by the cast. There are a lot of interesting moments between these two characters, and the performances are excellent throughout. The time before the major incident and after that are actually presented in different ways, and it makes us feel the change with a powerful psychological impact. It also leaves a lot of things to our imaginations, and it plays on our mind to know what is wrong, and who is the one actually in trouble here. You feel caught between the two characters, thinking and imagining to recreate what could possibly have gone wrong between the two lovers who seemed so happy and energetic just a few moments ago.

Claws of flaw :: Honeymoon surely drags, and it takes quite a lot of time to get into its more interesting part. Even between the thrills, it goes rather slow. There is a certain amount of beauty about this slowness at times as it adds to the mystery elements, but at some other times, it is not there. The ending is actually a little bit of a let down [A little bit of spoiler stuff to follow even though nothing of heavy dosage] considering the fact that this was going so nice as a psychological thriller-horror movie until the finishing line doesn’t really justify the same, but attributes things to unknown creatures. Even with surprises thrown in here and there, it finally comes to those moments which are rather more predictable, and things become what a good number of people might have thought in the beginning.

Performers of the soul :: The movie needed its performances because it uses them more than anything else due to being a psychological thriller on one side despite being known as a horror movie – may be that ending confused the genres and even added a certain amount of sci-fi to the same. You have to love Rose Leslie in this one, and you once again get to see Game of Thrones‘ own Ygritte doing what she does best; giving the feeling that her husband knows nothing as her character undergoes changes. She has managed two sides of her character so well that we can see the changes clearly and impressively managed. Lets see what she can offer in The Last Witch Hunter – wait for it. Harry Treadaway does a very good job, and the chemistry between them in amazing.

Soul exploration :: The movie asks the basic question if you really know the one who is close to you – it is something that is worth feeling scared about. Well, people do pretend to be someone else, and acting comes naturally to a lot of people. You see those people with profiles on the matrimonial websites with descriptions being God fearing, non-alcoholic and never smoking, but do you think that it is true? Well, even in the case of love marriages, people are blind in love and can’t see through the masks. If people missed this idea, that makes an opportunity gone for this movie. Will someone whom you love undergo so many changes that one day, that you won’t be really sure who he or she is? Well, it is a point to think about, and something that this movie could have focused further on. It is not that the same is not in the movie, but it is not that clear.

How it finishes :: The first movie that comes to my mind when thinking about this, is Under the Skin. They are surely not the same, but some moments do feel similar from a distance. Well, this one keeps the audience wondering though; couldn’t this have been a lot better with the premise? It is good with its stress and intensity, but is this all that this movie could come up with after showing a lot more promise? May be they could have stuck to the psychological side throughout, and in the end, we could have had a minimum of one psychopath or even two. It could have surely achieved better ratings with that. It already has a powerful drama side to power the same. The horror that this movie required was purely psychological, and with the same not being fully there, Honeymoon could have really been the true honeymoon.

Release date: 7th March 2014
Running time: 87 minutes
Directed by: Leigh Janiak
Starring: Rose Leslie, Harry Treadaway, Hanna Brown, Ben Huber

honeymoon

@ Cemetery Watch
✠ The Vampire Bat.

Angry Babies

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Vampire Bat :: Did you just say Angry Birds at the ticket counter?

Vampire Owl :: Yes, but he heard Angry Babies.

Vampire Bat :: How can you be so sure?

Vampire Owl :: Because he gave me tickets. Angry Babies sounds dumb. I am not going to say that with Angry Birds in my mobile.

Vampire Bat :: But what if there are real babies in it and justifies the title?

Vampire Owl :: I have watched the trailer. It didn’t seem like the protagonists were ever going to have a baby.

Vampire Bat :: It should have been Angry Babes then, unless they act like babies.

Vampire Owl :: I am afraid this will remind me of What Happens in Vegas.

Vampire Bat :: I think it will be like Just Married.

[Enters the movie hall].

What is it about? :: The rich and the poor love story begins in the highranges of Kerala as Sarah Thomas (Bhavana), daughter of a wealthy businessman and Jeevan Paul (Anoop Menon), a still photographer decides to run away on the day of the lady’s betrothal. They arrives in Mumbai and starts a Coffee Shop with name Sarah Jeevan by selling the ornaments she was wearing for her engagement function. As Sarah is more into the shop and Jeevan rarely goes there and attempting to get a job as a photographer, they slowly moves away from each other; his photographing beautiful models acting as a powerful catalyst for the same. They slowly begins to detest the presence of each other, and files a divorce only to be asked to wait for six months which seems longer to them than ever. After failing in an attempt to push the other person out of their flat, they decide to share the place until the legal separation, and their problems are mediated by Madhavan (P. Balachandran). Sarah attempts to take over things by appointing a servant Selvi (Anusree) and being close to Alex (Joju) much to Jeevan’s dismay. But as their friends who helped them elope comes to Mumbai, they decide to act like all is well so that they are not hurt.

The defence of Angry Babies :: The one thing which was guaranteed from the beginning and delivered with ease was the fun. The movie has clean entertainment and comedy, unlike the new generation comedy which laughs at things or use multiple double meaning words in an attempt to evoke laughter. This is where the has been quite an attention, and even if there is some loss of fun, such tidy status is to be managed if families are to watch this one, and the flick manages some security there. This is lots of fun right from the beginning to the end, but as it moved towards the climax, it doesn’t fail to give some message about adjustments in marriage, and the weaknesses that the love marriages will show sooner or later as long as there is no support from the families of the bride and groom. The blessings of one’s parents is always a major factor in marriage. There is difference between love and marriage and it is easier to talk stupid things about love and wander around together doing nothing, but wedding takes it to another level, and this one deals with the problems in Ivar Vivahitharayal in a funny and sometimes stupid manner – the same director handles this one too. There are lots of funny situations, and the beauty of Mumbai is nicely captured too.

The claws of flaw :: Angry Babies doesn’t have that much of an innovation, and the story is mostly predictable except for the smaller details. The story has is own dose of exaggeration, but nothing that thrives on inflammation to the wrong emotions like Bangalore Days had been trying; why do you need to over-think Angry Birds though, for it serves it purpose and do what it is supposed to do, with no unnecessary additions to make it something it is not. The ending is also a bit forced with the love returning to the life like a boomerang quickly remembering that it was actually supposed to come back – well, this was supposed to maintain that comic factor throughout the movie and the ending is no different as it ends up in another funny moment. This is not for the people who are not looking forward to such a movie, and if someone feels the need to inject anything other than just fun into this movie, it is their problem and needs to stop watching movies in the theatre. There is no denying that it could have created a few more funny moments, and the flashback story of love needn’t even exist – it never bores with such stuff, and then why not the creation of a little more funny moments like What Happens in Vegas and Just Married could come up with?

Performances of the soul :: Most of the screen time is reserved for Anoop Menon and Bhavana, and there is almost no moment which doesn’t include one of them and most of the time, they spend together. Anoop Menon shows his skill for comedy like never before, especially in the first half and in the end works well with the emotional stuff. Bhavana is a beauty; not just with the looks, but with her handling of both comic and emotional scenes. She plays a character which reminds one of Mamtha Mohandas in My Boss, and yet keeps so many good elements with her unlike that “boss”, and this middle path that she has taken for her character is rather a smart idea by the director not making her the more egotic person, and gives enough to Anoop’s character too. None of these characters preach though, and keeps things simple, fighting and getting over with it. Anusree’s character is a little overdose at times, but manages to funny throughout the movie, and she is one actress who can thrive in simplicity. The Vodafone Comedy Stars fame Noby was the funniest one in the second half, and it makes one extremely happy to see him coming up with so much to make us laugh, and Joju comes next in the comic contribution. Noby needs a lot more chances, for he has earned it. Meanwhile, Nishanth Sagar makes a nice come back looking so much younger, and Parvathy Nair looks beautiful in her short stay. Kalabhavan Shaju also contributes to the fun.

Soul exploration :: One thing is very clear about this movie, and it is the lack of pretending to be something. Unlike our most recent pretender to the throne of awesomeness called Bangalore Days, this movie knows where it stands and where the strengths lie. This one also doesn’t depend on a hufe starcast to hide its weaknesses, but it uses very good use of the resources available. The disadvantages of a multi-starrer cast has always been its special ability to hide its weaknesses; just like what was evident from the early opinions about Bangalore Days. The people would be staring at their favourite stars and it will be impossible for them to tell the truth that the movie had problems, and will say that the movie is awesome just because they are typical fanboys and fangirls. The real movies shouldn’t have too many superstars because it spoils its essence even as there will be a good amount of box-office collections, and there will no real review about it as nobody wishes to go against the fans because people only need to read what they want to read, and this case, they are intoxicated just because their favourite actor or actress looks great on the screen. When those involved with the movie other than the cast are also popular, the movie needs zero substance. This movie moves away from such lies, and that is a point for the soul.

How it finishes :: Coming from the director who has handles the funny side nicely, like in Ivar Vivahitharayal, Happy Husbands and Husbands in Goa, this was expected to be interesting stuff which is certain to make the audience laugh as long as it kept close to the genre. This is his sixth movie and the first one without Jayasurya being a part of the cast. This would be his first movie with Anoop Menon and the second with Bhavana as a part of it. In a weekend when movies like Koothara released, it was good to have this movie from Saji Surendran, with a movie that doesn’t think that the audience are stupid and the flick is too intellectual. As I was not a part of the Mermaid Welfare Association of India, I wasn’t happy at all with Koothara, but that is one story I am not going to talk about now. For now, what we need to remember is that Angry Babies is the movie which promises and delivers what it is supposed to come up with, as anything else would have been an unnecessary overdose which the superstar movies come up with, and not a movie which has an identity of its own rather than wearing a fake visage intended only for making money. Now, for the question about the title of the movie, the protagonists are indeed like babies in both love and hatred 😀

Release date: 14th June 2014
Running time: 130 minutes (estimate)
Directed by: Saji Surendran
Starring: Bhavana Menon, Anoop Menon, Noby Tharian, Joju George, Parvathy Nair, P. Balachandran, Kalabhavan Shaju, Nishanth Sagar, Anusree Nair

angrybabies copy

@ Cemetery Watch
✠ The Vampire Bat.

Bewakoofiyaan

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Why the Bewakoofiyaan? :: Now that should be a valid question because this was not among those movies which I was looking forward to watch. If there was any Hollywood movie or a hyped Malayalam movie releasing this weekend, I would have surely skipped this with so much ease. Neither the trailer nor the much talked about bikini scene of Sonam Kapoor actually created any interest in this movie. But if we consider the talks about the Cricket World Cup T20 affecting this movie’s business, it can only be partially true in case of a failure to prove false. I am pretty sure that cricket and movies can’t be considered in the same league. Cricket is just another sport (or the least significant of them, thanks to the match-fixing, overdose of money and the retirement of all players who were role-models as IPL has been successfully crowned as the good WWE’s evil twin brother), and movie is an art (even as there have been a lot of high-grossing movies from Bollywood in 2013 itself which attempts to prove that there is a lot of trash); so in this situation when there are not many other movies releasing to challenge this one, Bewakoofiyaan will have only itself to blame.

What is it about? :: It is the love story of Mayera Sehgal (Sonam Kapoor) and Mohit Chaddha (Ayushmann Khurana) who have been in love for quite a long time. In the beginning itself, we come to know that Mohit was promoted and now has a salary above rupees sixty thousand per month. Mayera earns more, and her father VK Sehgal (Rishi Kapoor) is an IAS officer with lots of influence in the police and the government. He is a strict father who wishes to get his daughter married to a rich man so that she can get whatever she wants. But unfortunately, she is in love with an orphan who earns less than what happens to be her salary, and Sehgal can’t accept him. So he puts his future son-in-law in a probation period as he checks his records and keeps a track of his life so that he can understand if he is any good for his daughter. At the same time, he hopes that he can somehow rejects the guy who seems not good enough for his daughter. The movie is all about how the relationship between the three progresses as the situation worsens.

The defence of Bewakoofiyaan :: There are not many things that the movie can boast about. But it does hold onto its mediocrity with such power it doesn’t end up being boring despite not being on the interesting side for long. There are no particular moments which are exceptional or too bad. The movie is like a straight line and it doesn’t go above that standard which it sets in the beginning. The flaws are there, but they can be forgiven up-to an extent as this movie takes no risk, thus keeping everything under control, no bringing any fatal blow on itself. The songs are just about average. The message of love reigning over money is there, even as it works only partially, and most of the time one is left to wonder about all the relationships in the movie, may be with the exception of one very minute love story between the workers of a coffee shop. But there is still the love, and once again they say that money has no real significance in front of love, and there comes the morality tale’s tail and it wags.

The Claws of flaw :: There are always movies like Besharam which eats and breathes flaws in bulk and thrives on nothing else. But Bewakoofiyaan doesn’t go that way even when the tendency is always there. The plot’s predictability is the first thing that keeps pulling the movie back, as we have seen such stories so many times that such overdose can make Barnabas Collins lose his faith in eternal love and burn copies of Romeo and Juliet. The emotional element is indeed weak, as the so called love separates just in the name of a rock show and shoes. Then everything just comes into place after a sudden transformation from the future father-in-law out of nowhere. This lack of ideas and innovations makes brings to us the makers’ need to inflate the movie further. The funny moments doesn’t work fully and the laughter is limited. In that case, the relief is Rishi Kapoor who handles that side with care, even as we know that there could have been so many more moments created with a story like this. I would say, use that stupidity in the title to create a big advantage!

Performers of the soul :: The first impression that one might get after hearing about the movie might be that it is the movie of Sonam Kapoor, and there is the need to look out for her. We wish that there would be something special coming up, but there is nothing. She ends up being just the third important character in the story in a movie which is all about her getting married to the man she loves, and the one thing she manages is to looks awesome throughout the two hours. Ayushmann Khurrana does well though, in a character which doesn’t seem to being anything new. We can’t say that they haven’t tried to bring the title of the movie into the plot though. But the whole thing is taken over by Rishi Kapoor more than anybody else. He remains funny throughout the movie, even as the character can’t escape from being irritating at times. We have seen better father-in-laws who wish to save their daughters from making the wrong choice, but as far as this one is concerned, it is the actor who makes it more interesting. He only gets better by the time the movie gets closer to the end.

Soul exploration :: There is question of choosing money or love, and our characters seem to choose both of them at one or the other point of time. Still, love is asserted again and again, and somehow the hero and heroine manages to stick together until that one stupid fight which lands out of nowhere. The father-in-law is too much into money until he suddenly transforms. If the message is about how minute a thing money is, that is still a fine message, in a world where Gandhiji works only paper. The movie also touches the dignity of labour and the value of true friendship, and the fact that nothing is forever; they are even doubtful about the couple happily living ever after as they write so in the end. As far as reckless spending is concerned, this doesn’t work that well as the Malayalam movie Diamond Necklace or even as much as London Bridge, as that side is too much eclipsed by the romantic side. But one can’t disagree to the fact that some lessons might have been learned by the protagonists and there is a lot more in store.

How it finishes :: My birthday was this week, just a few days ago and my desire to watch a movie on the day was finally fulfilled with this one. Yes, I am giving a certain amount of birthday bonus to this movie, as there would have been no birthday movie for me if it wasn’t for this one. Yes, there are no better movies which released this weekend. The number of theatre going audience has gone down, but still the fact remains that they have failed to release movies like Prisoners, Oldboy, Ender’s Game, I Frankenstein and Non-stop here; when they don’t release such movies which can bring audience, and instead did come up with movies like After Earth and Mortal Instruments: City of Bones last year, there is no doubt that they don’t know what the viewers want. Then there is 300: Rise of an Empire with the most shows in a multiplex which will be abandoned by families; so this is your week, Bewakoofiyaan – hold on to it, and if you can stick to the screens and the opinions won’t go too bad, you can come out well; after all you are still better than movies like Chennai Express, Krrish 3 and Dhoom 3.

Release date: 14th March 2014
Running time: 118 minutes
Directed by: Nupur Asthana
Starring: Ayushmann Khurrana, Sonam Kapoor, Rishi Kapoor

Bewakoofiyaan copy

@ Cemetery Watch
✠The Vampire Bat.

Ezhu Sundara Raathrikal

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The seven beautiful nights :: The name of the movie means “seven beautiful nights” and I would like wish everyone a very happy seven nights from Christmas to New Year, and then for eternity. You all deserve a great Christmas and an awesome New year, not only this year, but also for the years to come. The movie doesn’t do the same though, as it tells the story of a man’s life seven days away from his marriage and its title more inspired from an older song rather than anything else, and it is undoubtedly nothing like the twelve days of Christmas. It is the sixth movie of Dileep this year, and the fourth one in which he is playing the single leading role. This is also the third one directed by Lal Jose this year, and as both are undisputed super-hit providers, there was going to be no doubt about this one having good initial collections and having an extended run, even with Drishyam getting terrific reports and Oru Indian Pranaya Katha working fine enough. There has also been a certain amount of hype surrounding this movie, and it was always expected to do good.

What is it about? :: Aby (Dileep) has been enjoying his bachelor life for a very long time, and had been fighting hard to stay unmarried despite his parents trying their best to make him marry any girl. The situation changes when he decides to marry a model named Ann (Parvathy Nambiar) who was also evading marriage for quite some time. As both of them seemed to be going in a path without marriage, their parents are more than happy that they have chosen each other. But as Aby’s former lover Sini (Rima Kallingal) returns to Cochin and he decides to give her his wedding card along with boasting about his fiancee, the situation changes. As he losses his cigarette packet at her house, he is forced to help her when it is found out. At the same time, they seem to be indirectly related to the attack on a man who threatens them. He has to find the mystery behind that attack which sends the man into a comma, along with making sure that his fiancee as well as her husband Alex (Murali Gopy) doesn’t come to know more about it, and that the police doesn’t find anything about their presence during the attack.

The defence of Ezhu Sundara Rathrikal :: There is lot of fun involved in the first half, and there is good scope for a thriller from the moment a twist is introduced in the movie. Dileep scores with what he does the best and the movie goes on the lines of a thriller with a comic touch and successfully catches the attention of viewers, and stays fine till the interval. Unlike what seemed to be implied by the trailer, there is no adultery involved in it, and there is a clean environment maintained throughout the movie without the vulgar jokes. There is confusion created by certain things, but none of them are intentional, and there is no real villain in the world of this movie – nobody really does anything unforgivable, and by the end of the movie, all of them are able to live happily ever after, understanding all the mistakes counting from zero to infinity. The movie might have been trying to look into the stupidity and meaninglessness of most of the relations of the world, and how the most simple things lead to disasters which is actually the result of some random act of buffoonery. We can hope that this will bring hope that one can keep the vulgar comedy flicks of extreme buffoonery like Sringaravelan away.

Claws of flaw :: The movie keeps losing its power in the second half until it looks like a sad Superman sitting in front of kryptonite and singing the praise of Lex Luthor. It trails Lal Jose’s other 2013 flicks, Pullipulikalum Aattinkuttiyum in humour and Immanuel in goodness, the two factors which should have saved this movie if added in abundance. The movie’s power as a thriller fades as the suspense is revealed, and all the things become just minor factors of no relevance, and the movie itself becomes too insignificant as if it was made to justify Sekhar Menon singing “ezhu sundara raathrikal”. There are also unnecessary characters and strange subplots which feeds on the movie rather than add to it, being parasites in its journey towards being worthy. There are also too many things which could have kept all these troubles away, and one specific thing could have nullified all the confusion. The last few minutes drag and makes the audience feel like there has been a time-shift which has caused a slowing down of their lives. Some people are married, some are not, a few are divorced, some wishes to marry someone, others are going to get married and the rest needn’t marry – marriage all around, that is what the movie is mostly about!

Performers of the soul :: Dileep is the one who is able to hold this movie together and keep the people interested. Unlike his other movies like Sringaravelan which was horribly dependent on bad jokes and vulgar humour, this one is a decent world which keeps Dileep inside the family zone, and he shines like nobody else, as Harishree Ashokan gives him great support. The newcomer Parvathy Nambiar is just somewhat good, as she just survives her stay there on most of the occasions, unlike some other debutante heroines who have been introduced in his earlier movies. May be the character itself wasn’t her kind or vice versa, as there is a constant struggle to keep up with the other performers. Murali Gopy is good with his role even as the character turns strange by the end. Rima Kallingal holds the ground, and keeps the wounds of the movie from getting any deeper. This is not a performance that will get her anything, but she is there to make sure that nothing gets any worse. Tini Tom has done a role which is not that funny, and has made it work. While Vijayaraghavan and Sreejith Ravi have gone towards the comic side in their smaller presence, Suraj Venjaramoodu has an even smaller existence which he makes significant.

Soul exploration :: The movie lacks in soul or appears to be so. Even as it should go in the list of those feel-good movies, one can’t be sure about it yet. If anyone embodies the spirit of the movie, it is Dileep, and if anything is close enough to feeling good, that should be when he is around. The movie’s abundance of good characters or those being just naughty and not that evil seems to direct towards the goodness of the movie and its attempt to take over that feel-good tag. The movie is indeed good in what it depicts, and it distancing itself from using bad words and vulgar jokes is indeed a good sign for the soul. Even our heroine comes up with a cute angelic smile for the soul on regular occasions, and that seems to be her highlight (it reminds me of my favourite Alice in Wonderland character, you know who – and I love it). There is also that song which features her that jumps out of nowhere. That smile is one boost to the soul that the Vampire Bat might want to collect personally. This is my last movie of the year, and therefore there is not much more to explore in the soul, as there is that complete break from movies until the 31st of this year – my total movies list for those watched in theatres is 103 with 52 in the first half and 51 in the second.

How it finishes :: This is a movie which could have worked with a better second half – not by a big margin, but just enough to attract more people. It still has a good amount of viewers there, as long as there is no comparison made against a few others movies in the theatre during this same season. There are not many challenges made by movies this weekend either. Sound Thoma and Sringaravelan might have scored big for Dileep at the box-office, but this one is still the best movie of him this year and the worst for Lal Jose since Mulla five years ago. The best and the worst have been made with this combination and that is indeed strange considering the expectations that shoot up. Ezhu Sundara Raathrikal will surely keep itself running into 2014, and that is something which is ensured more by the vacations causing lot of incoming audience in the form of kids and youth rather than the movie getting better opinions. Well, let this winter season of happiness disappoint no movie maker – let them all run, as even Dhoom 3 is having a magic run of the evil type.

Release date: 19th December 2013
Running time: 140 minutes (estimate)
Directed by: Lal Jose
Starring: Dileep, Rima Kallingal, Murali Gopy, Tini Tom, Parvathy Nambiar, Harishree Ashokan, Suraj Venjaramoodu, Vijayaraghavan, Sreejith Ravi, Sekhar Menon, Praveena, Suja Menon, Krishna Prabha, Ambika Mohan

ezhusundararathrikal copy

@ Cemetery Watch
✠ The Vampire Bat.