Paappan

Vampire Owl: So, we are going to see Suresh Gopi’s true return.

Vampire Bat: Well, this is indeed the return which we have been waiting for.

Vampire Owl: So, the earlier return won’t count at all?

Vampire Bat: Some returns are more important than others.

Vampire Owl: In some cases, there are too many returns which make it insignificant.

Vampire Bat: Well, this should be the one grand return.

Vampire Owl: We are no strangers to grand returns.

Vampire Bat: Uncle Dracula’s returns would not count.

Vampire Owl: A vampire return is of fine significance too.

Vampire Bat: Not for a vampire that comes alive many times.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A dead body is discovered in a forest by some youngsters, and it is rumoured to be that of super star Ravi Varman (Rahul Madhav), but turns out to be that of his driver Rajan (Sreejith Ravi) who was the initial suspect for this particular murder. ASI Raghavan (Nandhu), SI Sabu (Abhishek Raveendran) and SI Soman (Tini Tom) are the first two police officers on the scene, and the case is transferred to be handled by ASP Vincy Abraham IPS (Neeta Pillai) under the order of SP Bhaskar Shenoy IPS (Vijayaraghavan). The murder seems to have been committed with much brutality. The evidences including the mode of operation and use of weapon seem to point to a former serial killer Iruttan Chacko (Shammi Thilakan) who is known to choose lone male victims at night randomly. CI Abraham Mathew Mathan (Suresh Gopi) who is affectionately called Pappan is asked to assist in the case as he was the one who caught Chacko earlier after a series of incidents which led to the death of his wife, Nancy (Nyla Usha).

So, what happens with the events here as we just keep looking? :: These incidents which followed her mother’s death made Vincy move away from Abraham, who had taken Michael (Gokul Suresh) and his mother Sussan (Kaniha) under his wing, which complicated things further. Abraham is sure that it is not Chacko who committed these murders, but someone who might be inspired by it. Vincy is married to a thatre artist named Sidharth (Chandunath), and the news that she is pregnant makes things only a little better between them. A retired forensic expert Dr Pattabhiraman (Janardhanan) provides further evidence to Abraham related to Chacko’s case. Things get further complicated when another forensic surgeon Dr Sherly Somasundaram (Asha Sharath) seems to be attacked, and that is completely beyond the facts which the police had figured out. Sidharth is worried about Vincy taking too much of worries when pregnant. Can Abraham, Vincy or anyone find the truth behind these murders? Who would copy Chacko and become a similar murderer just because there is some grudge which has stayed for long?

The defence of Paappan :: The quality which has been associated with the movie needs to be appreciated. It is also a feature of the main characters of the film who maintains a higher level. The movie maintains the thrills and the suspense is present till the end. There is the presence of some fine red herrings around here, and the viewers are kept guessing without exaggerating the elements of strength. The procedure of investigation is portrayed well along with a certain emotional side associated here and there. Some spirit of a few older movies is maintained here. The film is also quick to get going as the murder happens rather too early, and the flashbacks just fit into the forward movement. The visuals are really good, and the area as well as the moments of terror are well-captured. There are no exaggerated dialogues or action being overdone. There is also the importance of maintaining balance between one’s family and duty being asserted, and the reminder that past could always manage to return to haunt all humans. There is the journey away from stereotypes during multiple occasions.

Positives and negatives :: The inability of Paappan to keep the last few minutes effective is rather disappointing, and the revelation of the secondary villain also lacks the same effectiveness in a movie which was going in a classic mode until then. There is the feeling that there are not enough actors to play some of the important roles even with so many big names out there. The fight scenes in the end seem to keep repeating as if in a loop, and we are made to keep wondering if it would ever end – the length of the movie is felt to be long in the last few moments than the longer periods of time when investigation goes on. For a movie like this, the usual ending was not supposed to be the right one. The flashback tale is too weak as we have a look at it. But one could still think about this movie without paying too much attention to the unnecessary details. After all, this is all about the murders, killers and the police officers set to solve the riddle – the basic thing remains to hold on to the strengths without fail.

The performers of the soul :: Suresh Gopi and Gokul Suresh have come together for the first time in a movie here. The return of the former is a grand one this time, and it has the troubles of the previous Kaaval return removed well. He is once again the police officer that we continue to love. The one person who catches our attention more than the others is Neeta Pillai, who does such a fantastic job as the leading investigator of a series of murders. Years after her first work in Poomaram, this is one work which makes her a solid performer above many other actresses who debuted in the last few years. In comparison, the role of Gokul Suresh is smaller, but maintains a fine presence in a role which also makes a difference. Shammi Thilakan’s role is a very much impressive one, and he maintains a realistic side to it. It is always nice to see Dayyana Hameed of Star Magic fame and Yuvam in the small, but notable roles too, but we would hope for more of her. Sadhika Venugopal of Star Magic is also notable here. Nyla Usha’s role in flashback is pretty much okay. Asha Sharath has her moments, while Ajmal Ameer’s role feels forced. Kaniha does the predictable role well.

How it finishes :: We never have enough of investigation thrillers which make an impact with the smartness factor effectively used. The thrillers like John Luther and Twenty One Grams successfully became the murder investigations of quality rising above the more hyped films with murder investigations, like CBI 5: The Brain. This movie also gets to that better level rather than going for the superstar exaggeration which often becomes the biggest flaw of thrillers leading with murder mysteries. There are no shortage of psycho killers who can become part of such movies, as we have had films like Forensic with the murderers who had no true motive, like revenge or hatred. A little bit more of attention could have made sure that this movie could become one of the best of its kind. Well, there are more movies which can come up with similar investigations, and after corona virus pandemic having its say, thrillers have surely done better.

Release date: 7th September 2022 (ZEE 5), 29th July 2022 (Theatre)
Running time: 170 minutes
Directed by: Joshiy
Starring: Suresh Gopi, Neeta Pillai, Gokul Suresh, Asha Sharath, Nyla Usha, Kaniha, Vijayaraghavan, Chandunath, Janardhanan, Nandhu, Ajmal Ameer, Abhishek Raveendran, Tini Tom, Shammi Thilakan, Dayyana Hameed, Sadhika Venugopal, Baiju Jose, Sreejith Ravi, Rahul Madhav, Jewel Mary, Manasa Radhakrishnan, Malavika Menon, Rosin Jolly, Preetha Pradeep, Chali Pala, Nirmal Palazhi, Sajitha Madathil, Srikanth Murali, Madan Mohan, Benzi Mathews, Nandhu Pothuval, Kottayam Ramesh, Sinoj Varghese, Savithri Sreedharan, Sanuja Somanath, Parvathi T, Saniya Babu, Baby Kanmani, Jordi Poonjar, Sundarapandiyan, George Abraham

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<<< Click here to go to the previous Malayalam film review.

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@ Cemetery Watch
✠ The Vampire Bat.

CBI V

Vampire Owl: Do you remember watching the first CBI movie?

Vampire Bat: That was one human eternity ago.

Vampire Owl: It was a memorable experience for sure.

Vampire Bat: I would say the same about the second movie too.

Vampire Owl: The third film was a pretty good one too.

Vampire Bat: And let us not talk about the fourth one.

Vampire Owl: We shall directly talk about the fifth one instead.

Vampire Bat: I think that we will talk about the sixth and the seventh soon enough.

Vampire Owl: I know that this series is as immortal as we are.

Vampire Bat: Immortality can also be a curse, so better be careful.

[Gets a strawberry cake and three cups of cardamom tea].

What is the movie about? :: Balagopal, DySP, CBI (Renji Panicker) and Vinay, CI, CBI (Ramesh Pisharody) talks about a very difficult case which CBI had to face and attempt to solve, when asked by Aparna (Malavika Menon), an IPS Trainee. It included a series of murders which started from the murder of a minister, and went on happening. It was the murder of a journalist as Bhasuran (Chandunath) and one of the police officers involved in the investigation, CI Josemon (Jayakrishnan), that brought the requirement for a quick solution. DYSP Sathyadas (Saikumar) is in charge of the investigation, but is least interested in solving the case – his concern is more about making some money with the information that he has. IG Unnithan (Anoop Menon) who has absolutely no confidence in the present status of investigation and wants to leave this case to CBI. Sathyadas is also surprised to find out that his wife Advocate Prathibha (Asha Sharath) is in support of placing CBI in his place.

So, what happens with the events here as we just keep looking? :: Sethurama Iyer, SSP, CBI (Mammootty) is in charge of the case, and he is assisted by Balagopal and Vinay, along with other CBI officers, Sudhi (Prasanth Alexander) and Anitha (Ansiba Hassan). Chacko, DySP, CBI (Mukesh) also joins them according to request, and they get significant leads from Vikram, DySP (Retd.) CBI (Jagathy Sreekumar) who had an accident while investigating a sensational case. DYSP Babu Raj (Santhosh Keezhattoor) and SI Iqbal (Sudev Nair) are two other police officers who are not really fond of this particular investigation. There seems to be fingers pointed towards a miner Sam (Harish Raj) who had problems with honest authorities, as he has always been into illegal sand mining. But nothing much is known, even from his wife Merlin (Swasika). Then there seems to be a name Mansoor (Soubin Shahir) which seems to be there on most occasions, but it leads nowhere. The connections seem to be difficult to make, as there is too much of complexity around here.

The defence of CBI V: The Brain :: There is no reason why one wouldn’t want to watch another sequel for this particular franchise. The pillars of the earlier movies have remained, even though somewhat withered. This film builds on the same, and uses most of its strengths to gain the advantage. This one is actually bigger than any of the earlier movies in scope, as it is not about the murder of the commoners – the first victim here is a very respectable minister, and there is a lot of complexity in the motives and methods of murders happening around here. You always need such heroes from far away to save the world, even if they are no Avengers. There are some nice twists as usual, and the suspense is surely maintained about the main villain and the motive. The same music and the same people keep coming to us to bring back the childhood nostalgia at all times – there seems to be so many things that keep us reminded about that past in which there were so many wonderful movies which are to be remembered for long for the content.

The claws of flaw :: A comparison to the previous movies of the franchise would place this one in a difficult situation, except when looking at the fourth movie. The name itself rather feels strange – The Brain seems to point at some of those strange supervillains. The movie could have surely used a better twist in the end – the surprise is surely there, but the motive could have been there; if that is not possible, one should get a full-psycho killer. The dialogues could have also been better – there is nothing here to remember here in that field. The title was a pointer to the same, as there has been too much focus on gaining advantage from the name which this particular franchise has had for many years. But the makers don’t seem to understand that the world has changed, and these are not the times of superstars who are bigger than the world around them. It also has someone who is supposed to be the killer all the time, when the mystery focuses on one person in particular rather too much, it feels less like CBI and more like a few others movies we have watched.

The performers of the soul :: Mammootty surely maintains the expertise in this, even after so many years. His character does look much more tired this time though. Even as we miss the old leader of the pack of CBI, this one still still holds strong enough. After so long, this is the one character for whom he is remembered, whether younger or older. The movie also brings Jagathy Sreekumar back to the screen after a long time, and that is indeed nice to see – they have managed to blend him in here with a certain amount of smartness. Soubin Shahir’s character is a strange one which seems not suitable for this franchise, and he can’t shine because of the same reason. Ansiba Hassan of Drishyam fame seems to be there only for the sake of having a lady in the team. Among the other members of the team, only Renji Panicker seems to shine, and that shining also seems to be not without any trouble. Santhosh Keezhattoor and Sudev Nair are sidelined too easily after a good beginning, as the purpose seems to be lost later. There is a long list of people including Swasika who are ultimately left to serve less here.

How it finishes :: We are never short of the need to have murder mysteries being solved while fighting against all odds. We have always been fans of the CBI stories, right out of the childhood and full of nostalgia. This remains the one franchise in which there is a minimum guarantee assurance. You know that this can’t be that good as it used to be, but you also know that this will mostly serve the purpose. The fans are going to be extra happy about this one, as the character will once again make them more alive than usual. The final thought will always be about never being able to leave the CBI series ever. They will come back to you as much as the certainty of the global warming and corona virus, as well as maybe the end of the world too. Yet, this should have been better as the basic structure has always been there to provide enough – there is so much of the same as far the franchise is concerned; mostly like a free-hit in cricket. Well, at least we do have some of the old style entertainment with some new elements added, which would work well enough up to an extent. The franchise lives on to fight another day. But fight against better new stand-alone murder investigation thrillers like John Luther, Anjaam Pathira, Forensic and Antakshari is not easy.

Release date: 12th June 2022 (Netflix); 1st May 2022 (Theatre)
Running time: 164 minutes
Directed by: K Madhu
Starring: Mammootty, Mukesh, Jagathy Sreekumar, Soubin Shahir, Anoop Menon, Saikumar, Renji Panicker, Dileesh Pothan, Asha Sharath, Kaniha, Prasanth Alexander, Malavika Menon, Malavika Nair, Ansiba Hassan, Ramesh Pisharody, Santhosh Keezhattoor, Sudev Nair, Jayakrishnan, Swasika, Prathap Pothen, G Suresh Kumar, Ravikumar, Rajkumar Sreekumar, Harish Raj, Idavela Babu, Arjun Nandhakumar, Krishna, Chandunath, Azeez Nedumangad, Sajipathi, Aniyappan, Kalabhavan Jinto, Maya Viswanath, Lukman Avaran, Sminu Sijo

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@ Cemetery Watch
✠ The Vampire Bat.

Bro Daddy

Vampire Owl: Do you know that Uncle Dracula used to be called by the same name?

Vampire Bat: As far as I can remember, that was Uncle Bro.

Vampire Owl: Well, I guess it varies by vampire and the century of existence.

Vampire Bat: The existence is the crime. You are not to speak about it.

Vampire Owl: I am talking about the undead existence without the human soul.

Vampire Bat: Well, that should be acceptable, as the absence of the evil human soul is much appreciated in our realm.

Vampire Owl: What do you think about our decision to watch this movie?

Vampire Bat: Well, with the Corona virus at its peak, the fact that they didn’t release this movie in theatres is to be appreciated.

Vampire Owl: Yes, a superstar movie in the theatre means a super spreader.

Vampire Bat: It seems that the producer and director of this movie are sensible people. Let other movies take the credit for being super spreaders.

[Gets a vegetable pizza and three cups of black tea].

What is the movie about? :: Eesho (Prithviraj Sukumaran) and Anna (Kalyani Priyadarshan) have been good friends since childhood, and have carried over the same as a romantic relationship in such a manner that they even started living together in Bangalore without anyone having any clue about it. Their motherly figures Annamma John (Meena) and Elsy Kurian (Kaniha) wish to have the two youngsters married to each other, as they belong to a similar social status, being part of rich and influential families of the area. Even their friends and relatives find the possible marriage alliance to be an interesting one. The fathers John Chacko Kattadi (Mohanlal) and Kurian Maliekkal (Lalu Alex) are not that interested in the same because latter used to be in love with the former’s wife during pre-degree days. But the two remains good friends, and Kurian handles the advertising matters of Kattadi’s business. Kattadi’s fame is rather unmatched, as they have lot of business ventures, mostly focusing on Kattadi TMT steel bars. Kurian is into the advertising business, while Eesho is working at an advertising company in Bangalore.

So, what happens with the events here as we just keep looking? :: Everything seems to go smoothly around here. But there are secrets which needs some cover up, as both Anna and Annamma are pregnant, and John and Eesho don’t want anyone to know about it as of now. It seems that now there is the need for a plan, so that the two can get married, and the function can happen smoothly, and later, they can talk about the pregnancies and related stuff. For the same, the two need to get married as soon as possible, with the blessings of Kurian and Elsy. But Kurian is not really fond of Eesho as latter finds the former’s advertising company to a cheap one in comparison to the multi-national company where he has been working. Yet, it seems that Kurian won’t disagree to the words of John, but there is the need for much more of plans to come. Eesho would still need to get into the good books of Kurian, and for the same, he would also need to use more than one of his skills. As Elsy also comes to know about the pregnancy, all of them will have to come together, and make sure that Kurian will be happy about this alliance – will he be the happy one too?

The defence of Bro Daddy :: The movie depends on humour and feel-good, as well as a certain amount of drama to keep itself going. Whenever it seems to go down, the cast nicely lifts it up. There is some nice humour that comes in between, and this one is kept close to family even though there was the opportunity to go for ridiculous jokes like Ittymaani: Made in China. The messages that the movie provide are pretty good too. It shows that family is indeed important, and a small adjustment made in career won’t matter – as long as you have a job at what you are the best at. It is a fine message for a new generation which keeps on changing jobs for better salary, leaving families behind. The movie also keeps the whole thing light-hearted, never choosing to explore the dark side of all of these, and the emotions, even though present are kept in such a way that there is no exaggeration of the emotional side – it just provides what is required with a simple feel-good family movie that keeps one entertained without making one think too much. Well, it was always moving towards the happy ending, we know.

The claws of flaw :: There is a certain amount of predictability in here, as expected from this kind of a movie. There are so many sequences which seem to progress the way we can guess. We also come up against a certain amount of lagging in between. A certain amount of lag can also been seen related to the revelation of things. The length is a little bit more than what was required. If the event management idea was removed, that would have helped the movie further. The beginning hadn’t impressed that much with the common jokes added, and more of life in Bangalore could have only done the movie favours. There is also too much focus on the luxury home visuals, seemingly trying to help an architect or the seller of a house. It does feel like the idea is to go and come up with life of the richest, giving the feeling that almost everyone else do not exist. The world itself is different around here, like being part of an alien planet. Some of the characters whom we see around also feel wasted, as the focus is indeed on the members of two families only.

The performers of the soul :: The movie does have a long list of memorable cast, something which is not often seen related to a family comedy drama. Mohanlal leads, and he does the same with the kind of role which audience has loved him doing. Prithviraj and Kalyani plays the usual youngsters in love, without anything new added around here, except for maybe the cuteness quotient. Lalu Alex is once again the father of the leading lady, and it is something he has done a lot in the past, even though most of similar roles have gone to Renji Panicker following Om Santhi Oshana. He shows that he still maintains the expertise in this kid of roles. Meena is once again looking good with Mohanlal, like it was in Drishyam, Drishyam 2 and Munthirivallikal Thalirkkumbol. Kaniha is also as notable as the rest as the mother of the leading lady. Jagadish does have a notable role here, while Soubin Shahir’s role to add some quick humour is only partially affective. Mallika Sukumaran once again drops in as the typical old mother figure, a role which would go to her with ease every time. Unni Mukundan, Nikhila Vimal and Kavya Shetty have cameos.

How it finishes :: This is the second directorial venture from Prithviraj Sukumaran after one of the biggest films in Malayalam cinema, Lucifer, which still remains strong in our minds, with the next one coming in 2023 in the form of a sequel. With Mohanlal and Prithviraj joining forces again, this was a movie which was much awaited. It has the skill to deliver as the humorous feel-good movie with effectiveness. There will not be grandeur associated with it, as things are kept simple, keeping it within the predictable lines throughout its run. The cast has elevated the same by adding humour in their own ways, and keeping it close to life. In one way or the other, the movie seems to stand on the exact opposite path of Sara’s which would have dealt the whole episode in a different manner, but Bro Daddy takes the path which the families would to see, and the one which might feel rather selfless in nature. But one can only wonder what it means to be selfless in a chaotic, brutal world? When was the last time we had a society with humans who were not selfish?

Release date: 26th January 2022 (Hotstar)
Running time: 160 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Prithviraj Sukumaran, Kalyani Priyadarshan, Lalu Alex, Meena, Nikhila Vimal, Kaniha, Soubin Shahir, Jagadish, Kavya Shetty, Unni Mukundan, Mallika Sukumaran, Sijoy Varghese, Antony Perumbavoor, Jaffar Idukki, Joji Mundakayam, Charle

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@ Cemetery Watch
✠ The Vampire Bat.

Mamangam

What is the movie about? :: Mamangam, a grand fair used to be held on the banks of Bharathappuzha in the north of Kerala has a history that is written in blood. It had great economic, social and political significance, along with being a religious festival associated with the temples. There, the Zamorin ruler of the Kingdom of Calicut challenged other regional kingdoms to oppose his supremacy. There were the suicidal warriors from Valluvanad region who dared to oppose him and make history. But they would mostly die fighting against the powerful army of Zamorin, and only left those messages of bravery and honour for their people to cherish. It becomes their right to die as a soldier in the battlefield, and inspire more to follow their path through martyrdom. The last Mamangam fair was held in 1755, and this movie comes up with a memorable one before that.

So, what happens with the events here? :: Chandroth Panicker (Unni Mukundan) is the latest addition to that list of the suicidal warriors known as Cheverukal, attempting to challenge Calicut’s Zamorin’s authority again. His mother, wife and sister are unhappy about the decision, but they can do nothing, as for him, it is a decision made by the gods. It is then that the son of his sister, the young Chandroth Chanthunni (Master Achuthan) also joins him to join Chaverukal, much to the dismay of the whole family. They have the tale of Chandroth Valiya Panicker (Mammootty) who betrayed their tradition ahead of them, so that they should go on with that they have been training for – to end Zamorin which is the best thing to do. On the way, they have to stop at the abode of Unnimaaya (Prachi Tehlan) and Unni Neeli (Iniya), after being attacked by Zamorin’s men. There is a long way ahead of them, but they will need some help to get anywhere close to success.

The defence of Mamangam :: There are not many movies which we have waited for so long like Mamangam, except for some which are still to be released. Malayalam movie industry always needed good historical movies other than those which keep talking about the British – The Colachel War has been long forgotten, despite it being a landmark. Considering the same, Mamangam has taken the pain to bring something with a difference. The visuals are all grand, even better than some of those overrated movies seemingly belonging to a similar genre. The beauty out there is not limited to the background, but to almost everything in particular. The action sequences are all very good, especially in the final moments, which are breath-taking, leaving one wishing for more. The message goes on against revenge, and that it is not something healthy to pass the same through the generations – forgiving and forgetting do have better meaning.

The claws of flaw :: The movie is a little bit too long, and its extra dose of dialogues make it feel even longer. It does seem to repeat the same thing multiple times, and deviates from the idea of action and adventure associated with the title. Even though the “Mookkuthi” song makes some impact, the rest of the songs are not up to the mark. The presence of a mentor character doesn’t add much to the otherwise direct and straightforward movie, and the feminine version of the character is a bad and unnecessary diversion. The lack of completeness is evident, as the movie struggles to live up to its theme and story on many occasions. The final scene after the mamangam fight also feels unnecessary, as there could be nothing bigger to be added. A movie like this should offer something better, and one is left to wonder why it is becoming more and more difficult to make movies based on Kerala History, even those which are set at a time period not even five hundred years into the past.

The performers of the soul :: Mammootty was part of one of the best movies of the year, Unda, and now he is back with the movie with we have all been waiting for. As we all know, he is no stranger to historical movies and epic stories which tell the tales of heroes of the past, and this was time that he had another one to add to that list. Still, one has to wonder why he went for that exaggerated dance and some ridiculous comedy with another side of that character – this kind of ridiculous moments are not suitable for this kind of a movie, not for a historical epic action movie. Unni Mukundan does a fine work here, and his controlled performance is worth the appreciation. Master Achuthan comes up with a wonderful performance at the same time. It is him who catches our attention the most, and he excels in the action sequences even more. The last scenes are nothing less than magnificent, and it belongs to him completely.

Further performers of the soul :: Prachi Tehlan comes up as the leading female presence in this one – the former netball and basketball player has no trouble in the less amount of role given to her. Iniya provides her support, even though not much is needed from her side. At the same time, Anu Sithara and Kaniha has even smaller roles here, most of the time sticking to some dialogue or tears. There are also other actresses here including Maala Parvathi and Kaviyoor Ponnamma, but the female characters here are rather insignificant in the movie plan at work. Siddique has a villainous role here, and even though done quite well, it is not the kind of antagonist that we are going to remember for doing the terrifying job. Sudev Nair, even though nice, is wasted in a role which makes no difference to story at all – the character doesn’t add anything significant to the whole thing, for even otherwise, things could progress in the same manner without any trouble at all.

How it finishes :: Last year, in another December, on almost the same date, we had another Malayalam movie set in the past trying to make history – Odiyan. It was not that much of a successful attempt, but that was certainly a sign. We have more signs here, even though we are still far away from having that right historical movie. There is the need to improve, as Mamangam goes on through its journey. There is a better understanding of history and the reflection of the same required, and one can only hope that things could reach further level with the genre. A fine depiction of Colachel War might be the solution, but we haven’t heard about anyone trying for such a case. Until then, we have these movies which have the potential for greatness, but fall short in the process. But we would need to watch these, with all the splendour which is displayed on the big screen.

Release date: 12th December 2019
Running time: 157 minutes
Directed by: M Padmakumar
Starring: Mammootty, Prachi Tehlan, Unni Mukundan, Master Achuthan, Siddique, Anu Sithara, Kaniha, Mohan Sharma, Tarun Arora, Iniya, Maala Parvathi, Neeraj Madhav, Idavela Babu, Manikuttan, Kaviyoor Ponnamma, Suresh Krishna, Sunil Sukhada, Meghanathan, Manikandan Achari, Baiju Ezhupunna, Jayan Cherthala, Sudheer Sukumaran, Vishnu Marakkal, Abu Salim, Sudev Nair, Nandan Unni, Valsala Menon, Nilambur Ayisha

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@ Cemetery Watch
✠ The Vampire Bat.

Lonappante Mamodeesa

What is the movie about? :: Lonappan (Jayaram) runs a watch repair shop in the small town of Manjapra near Angamaly, and Shameer (Hareesh Perumanna) is the one who does all the repairing jobs there. Lonappan doesn’t get much of an income from the shop, but he is not able to close it because it is family property. He is unmarried, and also has 3 unmarried sisters (Shanthi Krishna, Nisha Sarang & Eva Pavithran) – as they are not getting married, he is also not thinking about getting married. He is someone who used to be called “Tolstoy” for his story-telling abilities when he was a child. But the situation at home had forced him to stop his studies and take over watch repairing business. He is not satisfied with the same, and doesn’t even try to make things better. The watch repair shop remains exactly in the same shape as it used to be earlier.

So, what happens with the events to follow? :: One day, Lonappan has a get-together with his former classmates from nearby school, and he realizes that he is the only one in their class who couldn’t get settled down. His old friends Kunjootan (Dileesh Pothan) and Neelima (Kaniha) are married, and they have settled down with good jobs in the Middle East, even though Lonappan was supposed to be the smartest of the students in their batch. The confidence given by the two makes him wonder what he can do differently to achieve success. There is frustration in his mind, but that doesn’t stop him from trying a few things differently much to the dismay of his sisters who find his actions to be strange and hopeless. Now the question remains if he can find success in his life. Whether his newly found plans will work or not, will be revealed only in the future.

The defence of Lonappante Mamodeesa :: The protagonist nicely becomes an example of people who couldn’t get to become what they wanted in life because of circumstances, and what was imposed on them by family and relatives. It is a case that is quite common, and it is a situation that too many people have faced in India, especially in Kerala – the rise of engineering was only one of such cases. With the feel-good elements, it is something that we can’t hate, and as a reflection of an everyman character, it is something that we don’t want to avoid. The emotional side is strong at times, and we can stay close to the life of the main character. It is up to the character to go through another baptism to bring the change to his character, and it is baptism by fire that can make sure about it.

The claws of flaw :: The movie is certainly confused about how it is going to bring about the change in the protagonist. The quick ending makes that clear, as we wait for something special to happen, but there is no such thing. The music is not memorable at all, and some of the characters in the film are not even needed. The subplots are not that much there, and some incidents don’t really have purpose. The transformation of the protagonist is not shown in the best way, and the movie is lacking in comedy, even though there were many chances for the same. Even the leading lady is wasted without being given much of a chance to keep staying on the screen. There are so many opportunities being wasted here, as we know that this was meant to be more. Lasting for just more than two hours, this feels longer because of missing the path on different occasions.

The performers of the soul :: Jayaram is the one family favourite actor whom we love to in roles like this. But it is a disappointing truth that except for last year’s Panchavarnathatha, there hasn’t been a movie which could rise above average status since Nadan and Lucky Star in 2013. Daivame Kaithozham K Kumar Akanam, the other movie of 2018 was a big pain, and we can be glad to see that this movie comes close to bringing the glory back up, even though it never really manages to do that in the end. Jayaram surely has returned to form, being at his comfort zone, playing a character which brings him no real challenge. Playing a commoner who has to go through many struggles, something related to family and at other times related to personal life wouldn’t bother him at any moment, and we can see the lovable Jayaram model on a number of occasions, and it brings us hope that things can get only better.

Further performers of the soul :: Anna Rajan with the Angamaly Diaries and Velipadinte Pusthakam fame plays the female lead, even though there is not much there for her to make an impression. Eva Pavithran who was last seen in Rockstar, Nisha Sarang of Uppum Mulakum fame, and Shanthi Krishna who had made a comeback with Njandukalude Nattil Oridavela are there as the three sisters of the protagonist, doing a fine job. Hareesh Kanaran is there to bring the comic side to good effect, but we can see that it is limited – the opportunity for comedy itself is not that much there to be taken, and it is wastage of his skills. Kaniha is there just for the sake of being present. Dileesh Pothen has some nice moments for us to remember, as he does that each and every time he comes on the screen. Alencier Ley Lopez’s priest role is also something that goes limited. Joju George, after the greatness of Joseph, gets a role to be forgotten.

How it finishes :: A return to family track can be seen for Jayaram with Lonappante Mamodeesa, and we know that there is hope for more. The main idea is about dreams and how people are often unable to reach where they wanted to be, or where they deserve to be – the power of the twist of fate is so. This one appeals more to the family audience that anyone else, and goes the predictable way to bring the feel-good factor. The focus on feel-good for success has let something else go missing though – we remember how Njan Prakashan, Ente Ummante Peru, Vijay Superum Pournamiyum, all tried feel-good with fine effect within a gap of one month. Even though this one wouldn’t live up to that level, it also goes on to make it count in the list of movies belonging to the same category, and striving to get into the minds of the family audience.

Release date: 1st February 2019
Running time: 135 minutes
Directed by: Leo Thaddeus
Starring: Jayaram, Anna Rajan, Eva Pavithran, Joju George, Kaniha, Hareesh Perumana, Shanthi Krishna, Alencier Ley Lopez, Dileesh Pothen, Niyas Backer, Nisha Sarang, Innocent, Sneha Sreekumar

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@ Cemetery Watch
✠ The Vampire Bat.

Drama

What is the movie about? :: Rosamma John Chacko (Arundathi Nag) has always had a desire to be buried in Kattappana, next to her husband, at their own parish cemetery where their ancestors were buried. But as she is in London with her youngest daughter Mercy (Kaniha), she is afraid that she can’t go back home if she is dead, as none of her children are in Kerala or even India. Mercy who used to be a nurse, is married to Dr Mukundhanunni (Shyamaprasad) who is a reputed cardiac surgeon in London after falling in love, and they are settled in United Kingdom with their two little children. Her eldest son Philip (Suresh Krishna) is a millionaire settled in the United States of America while her second son Benny (Tini Tom) is now in Australia with his wife who is a nurse. Her another daughter Ammini (Subi Suresh) is a nurse working in Canada, and has been living there with her jobless husband Anto (Johny Antony).

So, what happens with the events to follow? :: She also has her youngest son whom she loves more than the others, and Jomon (Niranj S) who is living in Dubai has no say in anything. His presence at United Arab Emirates itself is at the mercy of his good friends. So, with her sons and daughters in the United Kingdom, United States of America, United Arab Emirates, Australia and Canada, she is found dead on her bed while asleep. So, now the question remains about her funeral. The idea to which almost everyone agrees to, is that she is to have a funeral at London. For the same, the two elder brothers assign Dixon (Dileesh Pothan), a funeral director who runs his own funeral services in partnership with Rajagopalan (Mohanlal). The desire of the sons to have their mother’s funeral programme to be grand gives Dixon the idea that this is his chance to make it big.

And what else is to follow here? :: Everything seems to be going smoothly, but then, Jomon resists this idea, and asks for a funeral in Kattappana, at the cemetery where his mother had always wanted to be buried. Even though Mercy, as well as Mukundhanunni who is afraid of his mother-in-law’s spirit wandering around the house without attaining peace does agree to the same, none of them has the voice against the elder brothers who decide on it. It is then that Rajagopalan decides to have a say in the process. He feels that the old lady should get the funeral that she had always desired. But Dixon who has taken the advance payment for the funeral function won’t agree to it, and neither will the lady’s sons who got all of these planned very well. So can Rajagopalan find a way to make things happen as well as re-unite with his wife Rekha (Asha Sarath) who had thrown him out of the house in the name of a poem from the famous Chilean poet, Pablo Neruda?

The defence of Drama :: The movie does deal with a situation that could happen very often in future – it is more or less something which has been dealt with in a realistic manner. When we consider the number of our relatives outside India, it makes about twenty five percent, and if it is about someone who is outside Kerala, that can make up to seventy five percent of the total number of people. The movie certainly shows a reality that a lot of people are going to face. The older generation will have their houses and funerals in trouble soon enough. There will be those busy times at some point, when their opinions will not ever come to being something that the new generation will listen to. But it is all based on money, isn’t it? The movie is also a morality tale, with money finally becoming the least important thing. The flick also has some comedy in there, and the visuals when showing England, is pretty good.

The claws of flaw :: The movie seems stretched, without doubt. It does seem too long, and should have been kept short by removing certain parts. Maybe the introduction of Mohanlal could have happened much earlier, and things could have started happening as early as possible. There is also a certain amount of repetition here, and we can see some struggle with the flow. More focus could have been there with the characters, especially the sons and daughters of the deceased lady, and the problem that a new generation of money and career seeking youth gives to the old generation could have been focused better. Also, considering the fact that this movie comes from the director who gave us the flicks like Pranchiyettan and The Saint, Indian Rupee, Paleri Manikyam: Oru Pathirakolapathakathinte Katha, Spirit and Thirakkatha, this is not really the movie that we expected.

The performers of the soul :: Mohanlal doesn’t have any problems with this character as it seems usual and natural for him – there is special to be done or to be divergent. Asha Sarath doesn’t have that much to do here. We note that there are directors here coming in notable roles – Dileesh Pothan, Shyamaprasad, Johny Anony, Renji Panicker, all of them having their interesting moments. Suresh Krishna and Tini Tom plays the two siblings based in United States of America and Australia nicely in their own styles. Kaniha had a rather irrelevant role in Abrahaminte Santhathikal, but here she has a nice role, and has the emotions running strong with this one. Baiju has the funny side to handle, even though the department struggles most of the time. Arundathi Nag plays the corpse for most of the time, but has her moments when not inside the box. Jayaraj Warrier, Shaalin Zoya and Jaffer Idukki got some smaller roles here, but they are notable despite the short stay there.

How it finishes :: How many young men and women go in search of jobs elsewhere, and how many of them remain in Kerala? Do they really settle outside because there are zero opportunities here? It is nice that they show those five nations – United Kingdom, United States of America, Canada, Australia and United Arab Emirates. These are those places where our people will never cease to try to go and work, along with more nations in the Middle East as well as New Zealand. But is it always worth it? You will have to think over that with the situations created in this flick. It does leave one with a few things to keep thinking, and that seems to have the focus over the entertaining side. With the challenge there with Kayamkulam Kochunni, Drama seems to have just enough to keep going, and it seems to be a choice not to try to have more.

Release date: 1st November 2018
Running time: 146 minutes
Directed by: Ranjith
Starring: Mohanlal, Asha Sarath, Arundathi Nag, Dileesh Pothan, Shyamaprasad, Kaniha, Baiju Santhosh, Johny Antony, Tini Tom, Shaalin Zoya, Subi Suresh, Niranj S, Suresh Krishna, Renji Panicker, Jaffer Idukki, Jayaraj Warrier, Shankar Panicker

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@ Cemetery Watch
✠ The Vampire Bat.