Driving Licence

What is the movie about? :: Hareendran (Prithviraj Sukumaran) is a superstar who is in no shortage of fans, gaining all success with continuous superhit movies breaking one box-office record after the other. He is a typical, arrogant, billionaire star who doesn’t care about people in general. His love for cars is well-known, but as nobody had asked him for a driving licence for a long time, he had lost it somewhere, and the shooting of the climax required the licence. For the same, he attempts to get a new one issued by Motor Vehicle Inspector Kuruvilla (Suraj Venjaramoodu) who is a die hard fan of the star. Even though Kuruvilla is a lot interested in meeting the star, things don’t turn out so well with media coming to know about the superstar driving all these years without a driving licence. Hareendran is particularly angry about this being flashed on the news.

So, what happens with the events here? :: At the same time, the other big superstar on the big screen, Bhadran (Suresh Krishna) is trying to get some success with his movies, as it is Hareendran’s movies which get all the attention and the best of theatres. He tries to exaggerate this problem between the two, and is successful up to an extent, as the news is everywhere on all television channels. At the same time, there is the attack on Kuruvilla’s family, and further problems between Hareendran and the producer of the movie, as he wants to leave to the United States with his wife for her treatment before completing the film. But he would really need that driving licence, but because of the confusion and humiliation which he had faced due to the superstar, Kuruvilla is reluctant, but with his contacts, the arrogant Hareendran would try to force him out of his options.

The defence of Driving Licence :: The movie has two people in different fields set against each other, with certain background humour working well all the time. Some of the scenes seem to stand apart, and the interval punch is very good. Some of the situations are nicely created, and well acted too. The visuals are pretty good to add to the same. There are some elements of the evil of blind celebrity worship and the celebrity attitude being shown here, even though the focus is not that much to be seen. The common man’s plight is shown, even though heroism is once again left to the superstar. The focus is partially on different aspects of the society, and there are some messages to be taken home. The whole thing is kept simple, and there are no pretensions here, as many things are shown as they should be, even though the deviations can’t be denied.

The claws of flaw :: It is sad to see that the movie deviates from what should have been its most important message, against the fanatic fans – here, the movie takes the most extreme level, as the so called superstar talks in support of his loyal fans who almost murdered a police officer in an extreme case of crowd frenzy. The superstar’s rich and filthy arrogance is allowed to win over the common man with ease, which is a shame, because the movie without a second thought chooses to go against everyman with its support for violent fans and arrogant superheroes. Some characters are of no use too. Even though the movie focuses on the mood of Christmas, there is nothing much in there to reflect the same. Some parts of the film just looks not needed. There is also a problem with the movie’s flow, and it bothers everyone that it is only the good everyman character who gets beaten up, and all the evil people around him are shown in better light, and spared the rod.

The performers of the soul :: Prithviraj Sukumaran after his highly underrated thrillers as the lead, Brother’s Day and 9, has the superstar to play, and it doesn’t become difficult for him at any moment. It is the kind of star who is shown as the bigger superstar of the industry, and that gets done rather easily. Playing the roles of actors in movies, the extra performance which is to be put in seems to be rather less in almost every case. Suraj Venjaramoodu continues to impress in the emotional sequences, and the comedy as usual, comes natural to him in this movie too. We have been witnessing much of such skills in the last few years rather than sticking to the humorous side. The roles of simple common men have been coming very fine to him. The child actor Adhish Praveen also comes with a nice performance as the child who wants his father to win against the giant superstar at least once.

Further performers of the soul :: Mia George is the heroine who gets more dialogues, and has some funny moments of her, as she shines in a role which brings the laughter in a simple manner. Deepti Sati, the other heroine does look beautiful, and has less to do – but the purpose is served well in her case too. Salim Kumar plays a kind of cameo which becomes relevant in the end, but is irritating during most of its existence. It was good to see Lalu Alex there doing a fine job, and we need to see him more in the industry. Idavela Babu and Vijayaraghavan play two irritating characters from the movie industry. Major Ravi and Shivaji Guruvayoor have some smaller roles to play too. At the same time, Suresh Krishna is really funny in his avatar, and the same can be said about Saiju Kurup too. Nandhu has a memorable tole to play here too.

How it finishes :: Driving Licence could have been a better movie if it had shown the courage to show evil as it is. But the movie hesitates in doing the same, and finds the rich celebrity and his fans abusing and almost murdering a common man to be okay – maybe they did the same to satisfy their large number of fans, but it cannot be considered as a fair thing. The good start of the movie should have been better maintained, especially in the second half – the ending should have been better too. Still, as these are holidays, it is easier to have these kinds of movies running in the theatres, as we have that kind of family audience who have come out to enjoy the Christmas vacations. So, this works for some simple fun, but could have been more with its premise. After all, getting a driving licence never ceases to be a thing of interest.

Release date: 20th December 2019
Running time: 135 minutes
Directed by: Jean Paul Lal
Starring: Prithviraj Sukumaran, Suraj Venjaramoodu, Mia George, Deepti Sati, Lalu Alex, Suresh Krishna, Arun, Idavela Babu, Vijayaraghavan, Salim Kumar, Saiju Kurup, Adhish Praveen, Major Ravi, Kalabhavan Navas, Sohan Seenulal, Nandhu

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Aadhyarathri

What is the movie about? :: Manoharan (Biju Menon) never really had the best of times during his childhood and youth, with everything reaching the worst situation, having his elder sister eloping with someone in the village, and his father having a cardiac arrest at the same time. Even though the marriage at his home didn’t happen, he take the profession of a marriage broker after he fixes a wedding ceremony and saves the bride’s family from humiliation. For two decades, he continues in the same profession, and there is no wedding ceremony in the area happening without him playing a part in it. He is the first person who comes to anyone’s mind when they think about wedding, and sometimes even other significant functions which are part of people’s life. Along with the same, he also runs a tutorial college for the local students.

So, what happens with the events to follow? :: Manoharan is that kind of a person who has everything planned as far as relationships are concerned. He knows which boy will be suitable for which girl, and for the same, he supports only arranged marriage. Any case of falling in love is strictly opposed by him, and all the youth from the area are afraid of his interventions in their possible love affairs. It is during these times when he gets a chance to arrange the marriage of Kunjumon (Aju Varghese), the richest man in the village, and Aswathy (Anaswara Rajan), a modern, educated girl of the village who lives in Bangalore – the combination was always a risky one, but as Manoharan was always a godfather-like figure to Aswathy, he takes the risk. But it is not that easy to get this one done, and the question arises if he will fail in arranging a marriage for the first time.

The defence of Aadhyarathri :: The humour used in this movie is simple, and the message is indeed to ask the girl’s consent before fixing marriage, a case which would have worked better if it had released about ten to twenty years ago. The movie has its own feel-good factor to add to the same, and it is a simple movie with no pretensions, going through everything directly. The visuals are nice, and the setting contributes to the same very well. The nicely created situations make sure about it, and we have another movie for the family audience with jokes that can be accepted by everyone. During these Pooja holidays, you need a movie to look forward to with family, and this might be the right one, staying above the bigger hyped Onam releases like Love Action Drama and Ittymaani too. Also, look out for the Kuttanadan Baahubali dream song which is really attractive.

The claws of flaw :: The movie does feel a little outdated, as these are those days when the youth takes their own decisions with ease, and parents are on the backfoot in almost everything. These are also those days when parents keep agreeing to what the children want because there is just one kid or two, and they want to get them all that they wish for. With a new generation of children and youth, this movie might not serve much, and can focus on only a small number of people in need in a world when people fall in love indiscriminately and set their former lovers on fire. The movie has to work in a world in which almost everyone of the generation has a boyfriend or girlfriend, and therefore struggles. It also feels incomplete with some characters being lost and others serving no purpose. There is also the lack of focus on the progress of the narrative. Sometimes, it feels that parts of it is just forced.

The performers of the soul :: Biju Menon is once again at ease playing this kind of a role. Vellimoonga, Rakshadhikari Baiju Oppu, Swarna Kaduva, Anakkallan, Salt Mango Tree – all these had him playing the commoner’s role and handling the light-hearted humour in the leading role with ease. Here too, the movie is dependent on him to do what he has been doing the best, and the same is handled with the skill that he possesses, and has once again displayed without stepping back. Anaswara Rajan, after Udaharanam Sujatha, Evidey and Thanneer Mathan Dinangal makes fine impact, even thought not that much as we have seen in the two previous movies. Other than that song on the ship, she doesn’t have really have much of memorable moments in the movie, and someone elder would have been the best for this role. At the same time, it is to be noted that there is no romantic angle to the main character, which is to be appreciated.

Further performers of the soul :: Anu Sithara’s cameo seems totally unnecessary, and that is one scene added to prove a point in an easy way instead of proving it through the progress of the story itself, and it seems that she was chosen to assert the same in an even bigger manner. Aju Varghese does a nice job in the movie, and does the exact amount of comedy as it was needed – there is no overdose here even though the tendency was always there. Manoj Guinness is the one who plays the sidekick role here, and he is fine at most parts of the movie, even though some of the comedy is surely lost. Sarjano Khalid of June fame has a dull character to play here, and does less. Biju Sopanam has some funny moments to add, and Pauly Valsan does the job well as expected while Vijayaraghavan does another interesting role to fine impact. But it is to be noted that not all characters get their due.

How it finishes :: Coming from the director of the much appreciated Vellimoonga, and having the same leading actor, the expectations were very high, and this one does come close on many occasions. Still, it does fall short in comparison, and is no match for that movie which had everyone in love with the flick. Vellimoonga had set things in motion enough to make way for a good number of movies with similar theme, and Biju Menon himself had played so many of such roles. This one won’t have that much of an impact, but with Pooja holidays around, the family audience might be very much interested in this particular flick. It doesn’t seem to attract that many people right now, but in the next two days, that number should increase, and the movie should do well enough, even though not like its earlier superior relative, Vellimoonga.

Release date: 4th October 2019
Running time: 130 minutes
Directed by: Jibu Jacob
Starring: Biju Menon, Aju Varghese, Anaswara Rajan, Sneha Babu, Manoj Guiness, Ashwin Jose, Vinod Kedamangalam, Sarjano Khalid, Sree Lakshmy, Prasad Muhamma, Shiny T Rajan, Naseer Sankranthy, Biju Sopanam, Pauly Valsan, Vijayaraghavan, Anu Sithara (cameo)

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Brother’s Day

What is the movie about? :: Ronnie (Prithviraj Sukumaran) is your average handsome guy next door, leading a catering service, taxi, hotel and restaurant run at Fort Cochin by Joy (Kottayam Nazir). His sister Ruby (Prayaga Martin) has been paralysed from waist down, and is undergoing treatment at an ayurvedic centre. He is helped by Munna (Dharmajan Bolgatty), a chronic bachelor spending his leisure time looking for a suitable match so that he can get married at least this year. During a wedding reception, he meets Jema (Madonna Sebastian), the daughter of George (Spadikam George) who is getting married at an old age after his wife left him. Even though their initial introduction is rather messed up, they become good friends later. Ronnie and Jema have their own saddening stories to tell, but both find happiness visiting the old age homes and spending a few moments together.

So, what happens with the events to follow? :: He is also comes across Chandy (Vijayaraghavan), a businessman whom he meets by accident and lands in the police station as well as the hospital. He become good friends with Ronnie, Jema, Munna and Joy after a series of incidents. Ronnie is also introduced to Santa (Aishwarya Lekshmi), Chandy’s beautiful daughter who seems to be a cheerful and energetic young lady from outside, but seems to be holding a secret or two. They also come across Thaneesha (Miya George), a woman whose wedding ceremony was cancelled, and is searching for the reason behind her father’s suicide. Then there is Shiva (Prasanna), a mastermind behind many events involving the rich families and politicians of the city. The question remains about how these people are linked, but their paths are going to cross at some point.

The defence of Brother’s Day :: The movie which begins in a happy, funny mood, gets to the darker mood in the second half, even though there are traces of the same already seen in the beginning, right after the opening credits, and also in parts during its early run. The early comedy is nice, and unlike some of the other movies which pretend to be entertainers using cheap and vulgar jokes, there is none of such kind here. Then we have the twists happening, the suspense, and we also see how the characters and events come together nicely. The songs are good, and the background music is catchy. There are some fine visuals to go with the same too. Unlike the other movies which deal with the similar themes, there is no over-use of style here, and it also maintains a direct approach rather than trying to keep projecting the protagonist as the great hero all the time. The importance given to the antagonist is nice, and the use of red herring and foreshadowing are worth mentioning.

The claws of flaw :: It can be seen that some of the characters do disappear in the second half, and at least some them deserved to have a better role in the latter stages. There could have been some investigation going on here too, with the missing parts being found out rather than revealed. The second half of the movie goes in an entirely different path in comparison with the first half – even though movies like Drishyam also did the same, the core had remained the same in that case. The movie could have also been better if the small details were taken care of, and if there was not that much of predictability in the final stages. The movie also reminds one of the flicks like Mikhael and The Great Father with the dark mood and the kind of problems as well as the antagonists that the main characters have to deal with – but this one has the same one step better, and has a comic side which those movies completely lacked. There is also some violence to make some people uncomfortable.

The performers of the soul :: Prithviraj goes through the movie smoothly with his character – there is a certain special quality in his movies, as 9, Ranam and Koode had something more than what a usual Malayalam movie would have; not just with the settings, but with the feelings that it reflected on the audience. This one is no exception. Dharmajan handles the comedy with ease here. Vijayaraghavan’s character is a mixture of many things, and we see him doing what he has been doing the best once again. Vijayakumar plays another police officer role in his usual style. Kottayam Nazir and Shivaji Guruvayoor have lesser roles to play here. At the same time, Prasanna makes a fine, menacing villain, psychotic in nature and with no remorse even when he sees possible death in front of him. The presence of such a strong, and mysterious antagonist leaves the movie with further effects.

Further performers of the soul :: Madonna Sebastian was so close to becoming the main heroine of the movie, but then comes Aishwarya Lekshmi to take away the honours. This is still Madonna’s best after that fine introduction in Premam. Aishwarya has a similar character as she did in Varathan, as she is stalked by a different figure this time, something which she can’t ask to go away. In the second half, Madonna passes the heroine tag to Aishwarya, and towards the end, the latter handles it very well. Prayaga Martin and Miya George are just sidelined as their characters are rather minor. Both don’t have any sequences together even though each get about fifteen minutes each in different parts of the movie. Even with four heroine-like figures present in the movie, there is no real romantic angle for the protagonist, which is a good thing considering how the overall mood of the movie changes at the interval, and through the second half.

How it finishes :: As Brother’s Day finishes as a fine entertainer touching all aspects, it can be said that Kalabhavan Shajon books his seat as a director for many more to come – an interesting debut can be seen here, and he also makes a cameo appearance as the police officer in the end. Even though there can be opinions that it could have been a better thriller, this one is strong enough as it is, and maintains the comic side so clean and elevated that, it brings the lower level but self-proclaimed big entertainers like Amar Akbar Anthony and Kattappanayile Rithwick Roshan to shame with those little moments of fun. Brother’s Day has a full entertainer packed in there, and even though the family audience won’t be that happy with the violence, the rest can easily go through the same and celebrate Onam. As long as you are expect the Malayalam movie industry to have its necessary turns, you will like this one enough. Happy Onam and continue enjoying the vacations! 🙂

Release date: 6th September 2019
Running time: 164 minutes
Directed by: Kalabhavan Shajohn
Starring: Prithviraj Sukumaran, Madonna Sebastian, Aishwarya Lekshmi, Prayaga Martin, Miya George, Prasanna, Aima Rosmy Sebastian, Vijayakumar, Vijayaraghavan, Dharmajan Bolgatty, Maala Parvathi, Kottayam Nazir, Spadikam George, Ponnamma Babu, Shivaji Guruvayoor, Kochu Preman, Anil Murali, Jayasankar Karimuttam, Vinod Kedamangalam, Kalabhavan Shajohn (cameo)

Also check the reviews of other Onam releases, Ittymaani and Love Action Drama.

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Porinju Mariyam Jose

What is the movie about? :: Porinju (Joju George), Mariyam (Nyla Usha) and Jose (Chemban Vinod Jose) used to be close friends from childhood days itself. Porinju has been in love with Mariyam since then with the support of Jose. She continued her studies at school even though her friends dropped out, and found one or two reasons to meet Porinju every time. But because of her dead father’s opposition, she has been keeping Porinju waiting. Porinju is the butcher of the village while Jose did even smaller jobs to support his family which included his father, brother, wife and daughter. Both of them never really missed a chance to enjoy life though, with some local alcohol and cigarettes. They are much loved by the people of the village, as they look forward to the local church festival to have the best of fun. Mariyam has been the village’s money lender since her father Varghese’s (Nandhu) death.

So, what happens with the events to follow? :: Set in one of the villages in the outskirts of Thrissur town in the 1980s, there is a lot of focus on the church festival which forms the basis of everything. It is during such a festival that something happens, which changes the equation. As Prince (Rahul Madhav), the young blood of the house of the rich and powerful Iype (Vijayaraghavan) falls for Mariya, chaos errupts. As he grabs her backside, Jose is there to beat him up, only to find the members of Iype’s family beating him up together. Porinju who has been in good terms with Iype decides to help his friend, but this fight doesn’t end there. Prince is a typical spoiled brat who wouldn’t stand being beaten up by someone of lesser social status, as he decides to return during the next festival, and teach Porinju and Jose a lesson, much to the dismay of Iype.

The defence of Porinju Mariyam Jose :: It can be clearly seen that Porinju Mariyam Jose is not a typical mass masala movie which is often expected when knowing about a premise like this. There are some fine introductions in the beginning stages, and we come to know about the incidents in the movie from the common village people themselves. The spirit of the age and people are nicely captured here, and the setting is nothing less than catching one’s attention. The action scenes are violent, but feels realistic with the intensity that surrounds it. There are some thrilling moments, and we have the funny sequences here and there. The romantic side remains emotional, and we feel its effect that would go through decades and into the grave. The touch of realism keeps this movie apart from the other movies from the same director, and we become part of this world with ease.

The claws of flaw :: There might be the feeling that Porinju Mariyam Jose is more suited for the time period of 1980s and 1990s, but I would say that it wouldn’t have this much of a beauty if it was presented then. A certain amount of stretching can also be seen in the second half, and the story doesn’t rise to go further away from the usual stuff – there is no special ingredient regarding that. This movie could have actually had more, with other happenings of the village, and a solid reason for all these twist of events. The messages could have been stronger, and this never-ending cycle of violence could have been given a pause at some point. Some people might say that this is not as good as the veteran director’s earlier movies, but I would consider that to be a case of personal opinion, because this movie’s case is to be considered separately, like a deviation.

The performers of the soul :: Joju George had greatness written all over Joseph, and here is back with another lead role, and something else to remember in a different way. He had also won the National Film Award – Special Mention for that flick which is considered to among the best emotional investigative thrillers of all-time. As we also remember two other emotional roles from him in Virus and June, it can be seen that this movie explores another side of him with the character of Porinju. The man here plays a lovable character even though he is always there in the middle of the fights. The emotional moments once again has the best here, and we see that the same touch our hearts again, and the ending does provide that Joseph-like feeling for us. From the release of Joseph itself, we have been aware that there is really nothing that Joju can’t do, and only he can make it better each and every time.

Further performers of the soul :: As a movie which thrives with its performances, Joju is not the only person who serves as the lighthouse, the fixed mark and guiding light to this movie. Nyla Usha, who is best known for Punyalan Agarbathis, was not to be seen in its sequel Punyalan Private Limited, but we did see her in Lucifer. We knew how well she could suit this role from the trailer itself. She plays a strong character, and she does that with so much ease, and makes us believe the same with a realistic side. Chemban Vinod Jose is a master of many things, as he had proven with the award winning Ee Ma Yau, but that was just one part of it. He blends into some roles so well that we feel that he is providing another flawed character to be loved by all. Vijayaraghavan plays the man caught between two loyalties very well that we feel for him, no matter what he does. Rahul Madhav’s role is rather small, and with too weak an antagonist, he serves okay.

How it finishes :: The first half of the movie is indeed better than the second, when things get kind of slower and predictable. Maybe a little bit more of an effort could have made everything better, but we can say with confidence that Porinju Mariyam Jose jumps far ahead of the director’s last few movies with ease. One can also have no doubt about the fact that this movie thrives on its performances with the best possible cast for each role. We are taken to that world of rivalry and revenge, as we also become part of it. Porinju Mariyam Jose is a movie which is there to stay in the mind for long – it doesn’t have to pretend to gain that recognition. It is a movie which is there to stay, and go on strong until the Onam releases try to take over, but as of now, special appreciation is needed for this movie which is kept family-friendly even with the different themes which could have been explored in another raw manner.

Release date: 23rd August 2019
Running time: 130 minutes
Directed by: Joshiy
Starring: Joju George, Chemban Vinod Jose, Nyla Usha, Sudhi Koppa, Sinoj Varghese, Rahul Madhav, TG Ravi, Swasika, Vijayaraghavan, Salim Kumar, Malavika Menon, Kalabhavan Niyas, IM Vijayan, Sarasa Balussery, Nandhu, Jayaraj Warrier, Disney James

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Thattumpurath Achuthan

What is the movie about? :: Achuthan (Kunchacko Boban) is a favourite of the villagers, and as a Krishna devotee, is close to the village temple and its committee. He has only good opinions about him in the village, and is considered to be someone who is more than just helpful to others. But one day, while trying to help his friend, he lands in trouble, and is branded a thief. The Sub Inspector of Police Justin John (Kalabhavan Shajohn) does let him go, but as he is branded in one way, things don’t go that much positive with him – his wedding ceremony is cancelled, and he also losses his job. With his best friend, he tries to have his revenge, but that also becomes another problem for him. His honesty remains under the shadow of doubt, but while reading a letter intended for Lord Krishna, everything changes for him, and becomes the first big twist in favour of him.

So, what happens with the events to follow? :: The letter is about a girl known by the name Jayalakshmi (Sravana), written by her mother Girija (Bindu Panicker). It is a request to Lord Krishna about saving her daughter from her former lover who keeps threatening her about a few photos and videos which they took together when they were in love. A few twists lead Achuthan to their house, and while hiding on the top of the house, decides to help them. But it is not that easy, as the person who is tormenting them is not the usual lover seeking her to be back with him – there is more to that person than what is known. With Jayalakshmi seeking to end her life, Achuthan has not more than a few days to work something out, or things will go beyond his control. Can the simple village man be good enough to outsmart this engineering graduate from a reputed college outside Kerala and bring hope to this family which has been hoping for a miracle for a long time?

The defence of Thattumpurath Achuthan :: There is strong feel-good factor in this movie, and there is also some magic realism to give it a little bit more as a special ingredient even though not at the best possible dose. Kunchacko Boban seems to be nicely suited to this role in more than one way, on many occasions. He has things working out in his favour all the time, and has the grand support that he need. It has a certain amount of magic realism in store too, as we see the presence of magic in the otherwise usual world. The movie has divinity in parts, and the dreams coming true forms the major part of it – the same also adds to the visuals in a beautiful way. There is also the reflection of certain foolish love which can be seen with the immaturity of the female lead’s character, coming right out of the college days. The movie also has a very nice ending to come, after a little struggle by the latter part.

The claws of flaw :: The music in the movie is a big let down, and it is irritating to see that it keeps coming again and again, even when we don’t need it at all – it is as if there is an attempt to prove something, or as if it is nice to have more songs in a flick like this. But having songs for the sake of having them, and not having them as good enough, won’t do a movie any good as you can see here too. Magic realism could have also been better used in this movie, and we know what the same can do, like we saw in the magical movie, Amen a long time ago. Even the Nandanam fun mode couldn’t be repeated in this movie, and neither could it have the Pranchiyettan and the Saint mode. There is the presence of exaggeration too, and a few things are rather too convenient. A lot more is often expected when there is a Lal Jose movie, and the Kunchacko Boban combination leaves more desired.

The performers of the soul :: Kunchacko Boban leads the way here, as he has a role similar to that of his previous flick, Johny Johny Yes Appa. He has a family to save in this movie too, and goes under the name of a thief once again. He did the same role in Shikkari Shambhu, his best flick of the year. So, this role comes as no challenge to him, and the romantic side is here to serve him once again. A good-hearted man from village was perfectly shown by him in the movies like Kochavva Paulo Ayyappa Coelho and Jamna Pyari, and when we have him in such a role, there is the assurance that things will keep a minimum level. After Pullipulikalum Aattinkuttiyum, Lal Jose – Kunchacko Boban combination is being brought back, and everyone was sure that it couldn’t be that bad. It is the trust in that combination that has been tested here, and has managed to work pretty well.

Further performers of the soul :: Sravana, a new face plays the role of heroine, but has very less to do here – she has less number of dialogues, but seems to be a talent for the future, as Lal Jose does find a new heroine each and every time. There is a long list of actors and actresses who are from the reality show Naayika Naayakan, among which I could identify Venkitesh, Meenakshi and Malavika. It is surprising that none of the so called websites specializing in Malayalam cinema or professional reviewers have given clear details about the cast, and it is something which we common movie viewers cannot find out without outside help. Johny Antony brings some fun while Nedumudi Venu is underused. Kalabhavan Shajohn also has his moments in this one, especially related to the comic side. Adish Praveen does a nice and cute job as the child with his dreams becoming reality.

How it finishes :: For the Christmas season, it seems that a certain amount of divinity is becoming part of the movies of the times, with no barriers among religions. As the Onam season never really had any celebration or release of new flicks, this is the season that could bring the best for Malayalam movie industry – note that the Pooja season also had to have an early harthal. So, even though the last movie of Lal Jose, Velipadinte Pusthakam couldn’t blend into the mood of 2017 Onam, this one, even though not during Onam has a part of Christmas in it. As a nicely suited movie for the family audience, Thattumpurath Achuthan has enough fuel to stay in the race until the end of the holidays this year and right into the next year. It only needs the family audience to have the power and keep it running. No matter how it turns out to be, I wish you a Merry Christmas.

Release date: 22nd December 2018
Running time: 142 minutes
Directed by: Lal Jose
Starring: Kunchacko Boban, Sravana, Kalabhavan Shajohn, Hareesh Perumanna, Vijayaraghavan, Johny Antony, Nedumudi Venu, Seema G Nair, Meenakshi, Malavika Krishnadas, Veena Nair, Sethu Lakshmi, Irshad, Adish Praveen, Bindu Panicker, Biju Sopanam, Santhosh Keezhathoor, Thara Kalyan, Amina, R Vishva, Thejus Jyothi, Venkitesh VP, Roshan Ullas, Siddhi Vinayak, Kochupreman, Anil Murali

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Johny Johny Yes Appa

What is the movie about? :: The movie tells the story of three brothers, Peter (Tini Tom), Johny (Kunchacko Boban) and Philippose (Sharafudheen). Having a strict award-winning teacher of the nearby school as their father (Vijayaraghavan), there is a struggle in living upto the expectations. Johny ends up being the father’s favourite son by choosing a twisted path to success, and the result is that Peter suffers. In the end, Peter is thrown out of home, and Johny maintains the image of a nice guy even though he is actually a skilled thief. Johny becomes active in social activities and the good image is maintained, especially in the church where he is a very popular person. But during the nights, he continues to steal, and gives no clue to the police regarding his presence in those robbed houses.

So, what happens with the events to follow? :: At the same time, Johny is in love with his childhood friend Jaisa (Anu Sithara) who has decided that she would marry him only. Even though her education is only until the ninth standard, her father Chavaranprackal Jose (Kalabhavan Shajon) is so rich that he could buy most of the educated men in the town as possible grooms for his daughter. But she is desperately in love with Johny, much to the dismay of Jose who doesn’t consider the man to be worthy. Everything goes according to the plan until he comes across Adam (Sanoop Santhosh), Nandana (Anikha Surendran), Amala (Mamta Mohandas) and Sujatha (Lena). It is then that things begin to change, and there is the twist of fate that would mean problems for the image he has kept for so long. It would mean that he has to come up with something special, but can he?

The defence of Johny Johny Yes Appa :: The movie has a high amount of dramatic irony in store, as nobody knows about the secrets of this particular person. As a family-friendly movie, it has that kind of jokes, and there is the deviation towards bringing a message or two too. The jokes are working, and we have the same in a regular dose especially in the first half. The emotions also run strong, and the family audience will be able to connect to that too. The songs are pretty much okay with this one. We also see the small twists here and there, and some good visuals support the flick well enough. There is no problem here that would prevent the family audience from taking over this movie, even though Kayamkulam Kochunni is still running extremely strong, all set to go over the big movies like Premam, Oppam and Drishyam, even though Pulimurugan has set that seemingly unattainable score with the box-office collections of Malayalam movies.

The claws of flaw :: The movie seems to deviate a little too much in the second half, seemingly changing the whole things a little too much than one would expect. There are times when one ends up thinking if this was one complete story or combined from different things, creating a Frankenstein monster with technology added to the whole thing in the end. It is the director of Paavada and the script writer of Vellimoonga who have joined forces here, and the expectations were high with this one too. But we can see that so much is not there, even though the improvement from Kunchacko Boban’s earlier movie of this month, Mangalyam Thanthunanena is clearly visible. We could have used better story with a better protagonist whose actions made better sense. The thief whom we cheer for could have better defined qualities, and we wonder why his world doesn’t fly high as it should have.

The performers of the soul :: This movie depends on Kunchacko Boban to keep things going smoothly, and to provide it with that effect that can bring all those family viewers in. His best of the year was Shikkari Shambhu which was a fun-filled entertainer with all needed elements. But other than that, it was quite a dull year for him even though Panchavarnathatha did come close. Kuttanadan Marpappa struggled to fly high enough, and rest of the movies were not even close to being memorable. It is to the same list that this movie brings some more of light as the attempt is to keep the darkness away. Kunchacko Boban has no problem at all, as far as this particular movie is concerned. He goes through this one with ease, as not much is asked. He also has that kind of a character which gets the right amount of claps in the end, no matter what path he travels earlier.

Further performers of the soul :: The one who scores big in this movie is indeed Tini Tom who has the funny as well as the emotional sides going strong for him. It has to be noted that he was there in three movies with Kunchacko Boban this year itself. He does the work naturally here, and so does Veena Nair who plays his wife. Mamta Mohandas has only very less time to be there. Anu Sithara has the role done really well, and she seems to suit this kind of characters so well. Sharafudheen makes the funny side seem so easy, coming right out of the villain role in Varathan. Kalabhavan Shajon and Abu Salim add even more fun to the whole thing. Anikha is back again after The Great Father, but doesn’t contribute much. Lena is solid again after Aadhi and Ira. Nedumudi Venu seems to be there just for the sake of being present, giving us only a few minutes of him. Sanoop Santhosh of Philips and the Monkey Pen fame does leave a mark again.

How it finishes :: This is the season of the thieves, and Johny Johny Yes Appa joins Kayamkulam Kochunni and Aanakkallan to make more than one theatre full of thieves and nobody else, unless there is Halloween and one serial killer joins the team. There has always been one thing about Kunchacko Boban, and it is certainly what brought us to watch this flick. His movie would be something to watch for the family audience every time, and even this time, the focus is on that group only. The fight is still more this time, and the flick would struggle to keep going. But it is still a safe bet, and the weekend should have more for this movie with the family audience being a stronger presence during this week with the Sunday as a bank holiday. There could have been more with this one, but there is just enough, as you would notice easily.

Release date: 26th October 2018
Running time: 144 minutes
Directed by: G Marthandan
Starring: Kunchacko Boban, Anu Sithara, Tini Tom, Kalabhavan Shajon, Sharafudheen, Mamta Mohandas, Vijayaraghavan, Veena Nair, Geetha, Sanoop Santhosh, Lena, Abu Salim, Nedumudi Venu, Jaise Jose, Anikha Surendran

@ Cemetery Watch
✠ The Vampire Bat.

Aravindante Athidhikal

What is the movie about? :: The movie is set up in the area around the Mookambika Temple in the Udupi district of Karnataka. Abandoned by his mother in the temple premises at an early age, Aravindan (Vineeth Sreenivasan) was adopted by Madhavan (Sreenivasan) who made sure that he grew up to be an energetic and educated young man. Madhavan and Aravindan are running a lodge near the temple, and are trying their best to keep up with the rising competition in the name of religious tourism and spiritual journeys, a case in which religions and regions and competing which each other to bring new holy places into the picture. Meanwhile, Girija (Urvashi) and her daughter Varada (Nikhila Vimal) arrives as his new guests at the lodge. Due to some unexpected circumstances, Varada’s performance at the temple is delayed, and in the mean time, Aravindan and her become very good friends.

So, what happens with the events to follow? :: As a few days pass and she has to leave due to the death of her uncle, Varada feels that Aravindan should give up simply waiting for his mother and start searching for her – Varada herself takes it as her duty to find her with the help of some of Aravindan’s friends. While practising at Sreejaya Nair’s (Janaki Subramaniam) dance academy at Kumbakonam, she is still looking for clues to find the one lady who abandoned her child at the sacred place, and never really looking back. But the question remains if it is easy to find such a person with no solid clue except for some drawings which Aravindan has been preparing since childhood. Well, Varada is not someone who could be disheartened that easily, and will come back to Mookambika for their team’s performance, and there will be at least one good news for Aravindan. What could that be, in the sacred lands?

The defence of Aravindante Athidhikal :: The movie is perfectly targeted at the family audience rather than anyone else, and the whole thing seems to be well directed towards the particular direction. The music is very good and suits the mood of the movie, as it supports the emotional side, and brings us to that final feel-good factor. There are some nice shots of Mookambika and its surroundings, and we feel the mood of the sacred town more than once. We have some interesting characters too, some who wishes to fly on the wings of hope, and others just keep the hope at home, for without it, there might be no tomorrow. As President Snow says in The Hunger Games, it is hope that remains the only thing stronger than fear – we need it, and people decide on how much. Well, there is no shortage of hope in a holy town. With some simple funny moments and the strong emotional side, this movie gets home without trouble.

The claws of flaw :: The story might feel a little outdated for some people, as old wine in a new bottle, but if that wine is still not that bad, one has to wonder why the audience wouldn’t like to have some. The movie also ends rather too soon, and we know that it is the finish when the credits start rolling. We could have also had more with its core tale, which can go beyond the usual stuff, but that attempt is not made here. With a holy town in the middle and the same made colourful, maybe we could have had things to go a level further up – but the movie is satisfied with just this much. There is no dramatic twist that awaits you in this movie, as it keeps the journey straight and simple, or rather too direct for some people. If you are looking for that extra dose of melodrama, it is not going to be there because we see the attempt to have things going closer to reality than anything else.

The performers of the soul :: Vineeth Sreenivasan and Sreenivasan plays the family again, and even though adopted this time, they are no less father-son in effect. Both have their roles nicely matching them, and got their characters as no challenges, doing well at all moments, whether it is about adding some extra fun moments or to contribute to that deep emotional side. Well, we always have certain minimum expectations when the two come together, and it is once again proven that the duo has the strength to keep the whole thing close. These are times when the family movies are needed, and there are no people better than these two to do so. The presence of the family audience in the theatres is more due to the two being there rather than anything else. Urvashi is there with some fun moments after some break, and Aju Varghese along with Bijukuttan further contributes to the funny side with ease.

Further performers of the soul :: Nikhila Vimal has come back to Malayalam movie industry after Love 24×7, and it feels great to have her back at a time that we seem to need someone like her – she has the type of skills that are above the usual actresses that we have here, most of them seemingly here due to recommendation or by having someone in the cinema field. Nikhila stands tall with her performance here, and each moment, whatever it deals with, she scores. She is a wonderful talent that all of us need here, rather than in another industry. After her introduction, it is more about her rather than anyone else. Sreejaya Nair is a nice addition to this tale, and in between, we have Vijayaraghavan, Premkumar and Kottayam Nazeer contributing to the fun. Baiju and Sneha Sreekumar are there for initiating the comic side, as we see in the beginning. KPAC Lalitha is again there playing a mother figure.

How it finishes :: Well, Aravindante Athidhikal is that kind of a movie that is determined to touch your heart, and also leave a smile on your face in the end. It is the feel-good movie that can rise above the others due to its ability to keep things direct and enjoyable throughout its run-time of two hours and two seconds, a length that leaves no chances to drag in between. It is rather surprising that this movie had less publicity compared to the other movies released on the same day, Avengers: Infinity War, Uncle and Thobama. Well, Panchavarnathatha and Mohanlal are still running too. You are not going to regret watching Aravindante Athidhikal on the big screen, and watching with family would be a wonderful experience – well, this is the holiday season, and watching this one with family might be the right choice. After all, feel-good never leaves our industry, as there is always more of the kind.

Release date: 27th April 2018
Running time: 122 minutes
Directed by: M Mohanan
Starring: Vineeth Sreenivasan, Nikhila Vimal, Aju Varghese, Sreenivasan, Prem Kumar, Vijayaraghavan, Urvashi, KPAC Lalitha, Baiju, Sneha Sreekumar, Bijukuttan, Sreejaya Nair, Kottayam Nazeer, Shanthi Krishna, Devan

@ Cemetery Watch
✠ The Vampire Bat.

Punyalan Pvt Ltd

What is the movie about? :: Joy Thakkolkkaran (Jayasurya) was going through a good run with his business of Punyalan Agarbathis, until a series of misfortunes strikes his life, beginning with the death of his wife Anu Joy (Nyla Usha) due to complications related to delivery. It is soon followed by the bank sequestrating his business due to his inability to repay the loan taken. This leaves his best friend and right hand Greenu sharma (Aju Varghese) on a journey to the Middle East in search of a job. Abhayakumar (Sreejith Ravi) is still left there as his driver, and Advocate Peerthanesh (Dharmajan Bolgatty) is his lawyer and the new best friend. They plan to create a new venture, and this would be Punyalan Water, a substitute for the usual mineral water in Kerala, made in an innovative style. But his problems are only beginning, against the system, including the road transport corporation and the city corporation itself.

And what is to follow in this particular adventure? :: As the system seems to stop himself from becoming the businessman that he has always wanted to be, a bankrupt state awaits him. But he decides to fight against it. This would bring him face to face against Shakthan Rajashekharan (Vijayaraghavan), the Chief Minister of the state whose fate is to be decided by the upcoming by-elections, as one seat at Thrissur is all that matters in a close call with the total number of MLAs. With Joy’s challenges going viral in Facebook, and his ideas becoming popular with the common man, the Chief Minister is forced to come live on Facebook, and make a declaration, that would lead to the sequence of events, which have the strength to change the path in the elections. But the question remains if Joy’s new adventure in the business field can be successful in one way or the other!

The defence of Punyalan Private Limited :: There is some motivation to be taken from this movie, regarding the need for the public to be aware of certain things in a democracy, including their own power. At these times when there is so much of debate on so many things both in the state and the centre, this movie becomes very much relevant. There is some humour which has been powered by sarcasm, even though some jokes just go around aimlessly reaching nowhere. At the same time, the movie keeps coming up with more and more ideas, and uses its cast to make things better. You see that the idea here is a much needed one for these times, even though not that strong with how it is executed, with the courtroom scenes also not being strong or funny not going on a path like Jolly LLB. If you liked Punyalan Agarbathis, I don’t see why you shouldn’t watch Punyalan Private Limited here. There is the feel-good factor, and some nice visuals of Thrissur too.

The claws of flaw :: One will notice that there is more dialogues and less action in this movie, and you will also notice that most of the things here might not happen at all, under any circumstance – the common man’s chance is rather too far away. There is also the lack of strength with many arguments around here, and a smart twist doesn’t happen with the protagonist – even when there was the chance to bring the big surprises, they are not there to be seen. The much needed depth is missing here with the tale, something which a political satire could claim to have, in order to reach better heights. The idea was rather limitless, but what comes on the screen is not. We also see the lack of any memorable female character in this movie, as only one who comes close to being the female lead is Arya herself during her short presence as a reporter. Nyla Usha’s character is dead, and Rachana Narayanankutty is replaced by Dharmajan as the lawyer.

Performers of the soul :: Jayasurya is once again the one who leads the way, and he has this character played with ease. No matter how the movie fares at the box-office, this character is certain to remain with that strength which it has always had, for that much is clarified with this performance. Sreejith Ravi and Dharmajan are the ones we are supposed to look out for here, as far as the comedy is concerned, and they do deliver, but the same level is not managed until the end. Aju Varghese is sadly limited to a few video calls here, as he arrives and leaves through video chatting. Meanwhile, Vijayaraghavan shines on the other side, as the politician who is interested in nothing other than playing political games to stay glued to his Chief Minister seat – it is something which he has played before with success as we all know, but it suits him very well this time too. As I have already made it clear, there is no female character worth mentioning other than the one Arya plays.

Soul exploration :: There are so many things that the movie criticises, including the terrible condition of the roads, lack of safety for women, irritating situation brought by demonetisation, troubles in beginning a new business venture, pathetic attitude of politicians and the influential towards the common man, compulsory national anthems in cinemas, dumb social media trending, misuse of public funds, inability to eat or drink what one wishes to, hypocritical approach towards public cleanliness, exploitation in the name of taxes and tolls, laziness of the government authorities in doing their jobs and many more. The idea seems to be to criticise almost all parties, the politicians as villains who don’t care about the public at all, and it doesn’t begin or end with one person or one party, in one state, or at the national level. The movie takes on almost everyone, from one end of politics to the other.

How it finishes :: Punyalan Private Limited has been the movie that so many people have been waiting for, after the success of Punyalan Agarbathis, and while the sequel to Aadu Oru Bheekara Jeeviyanu has been a much awaited one for the new generation, this movie is something which everyone, especially the family audience have waited for. It is also surely a waiting long above an over-hyped, over-slow-motion, copied flick’s sequel which has all style and zero substance, recently being talked about rather too much that needed, in those troll pages. This has actually been a little too long a wait, and Punyalan Private Limited has surely delivered something even when the void stared at it, but not that much as one would have wanted to, after this long period of waiting. But, when we look at the two movies separately, this one surely is close enough to the first one, and it gets there without that much of a trouble.

Release date: 17th November 2017
Running time: 129 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Aju Varghese, Dharmajan Bolgatty, Vijayaraghavan, Guinness Pakru, Sreejith Ravi, Prem Prakash, Ponnamma Babu, Sunil Sukhada, Vinod Kovoor, Guinness Pakru, Vishnu Govind, Jayaraj Warrier, Arya Rohit, Sathi Premji

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Sherlock Toms

What is the movie about? :: P.L. Thomas (Biju Menon) a.k.a Toms is a big fan of Sir Arthur Conan Doyle’s Sherlock Holmes, and has spent a lot of time reading the novels, not known to be interested in studies. With a certain amount of skill being displayed by him to solve problems, he had managed to end up exposing Sugunan (Kalabhavan Shajohn) a teacher who was cheating on her wife with another teacher, while solving a mystery of some missing money. He was expelled after that incident and also trying to cheat in examinations. But he makes a grand return, and manages to do well, even qualifying for the Indian Revenue Service though his need was to join Indian Police Service to solve case. After being persuaded by Father Kunnel (Saju Kodiyan), he decides to take IRS and not go for PSC. It doesn’t satisfy him, and is also very disappointed to be married to Rekha (Srinda Ashab) who hates his friends as well as his inability to earn enough money by bribery or in any way.

So, what happens with the events to follow? :: Toms and Rekha go on with regular fights, and as each day passes, her hatred for him grows, but is not ready to sign the divorce papers, not happy with the possibility of him leading a better life in her absence. She believes that he isn’t worthy of his position, coming from a lower level in the society and mingling with local, illiterate people. Toms is not interested in making money or fame, as he only wants to be a sharp investigator like Sherlock Holmes, his childhood hero. For the same he gets a transfer to a new department, and has himself after a certain financiers. Shiny Mattummel (Miya George) is a reporter who covers almost everything that happens in and around the city, to that extent that people believe that she is at more than one place at the same time. The two find themselves in the opposite sides, as Toms’ attempt at a raid is messed up. Now he has to make things better, and for the same, he wishes to suicide.

The defence of Sherlock Toms :: There are some jokes that work in this movie, but one has to wonder if that, as well as the final twist would be enough to make it compete with Tharangam, Udaharanam Sujatha and Ramaleela, all three having their own fans. It is actually very good to have had that final twist, or all these things would have provided a wasted feeling. The family audience would love this movie in parts, and the assurance can only be partial because the movie changes in mood too often – it is is sometimes comedy, at other times drama, and there is also the presence of the elements of a suspense thriller, even though none of these are used to their full strength. The beginning stages of the movie are actually the ones most close to the title of the movie. Who wouldn’t wish to watch the tale of a boy who grew up reading Sherlock Holmes stories? Well, even I was one. Biju Menon is certainly the savour for this movie, as for many others.

The claws of flaw :: Sherlock Toms just seems to try so less with its material. There is one Indian Revenue Service officer who is as smart as Sherlock Holmes, and there is no attempt to make the best of the same. There is no Biju Menon becoming Sherlock Holmes, and investigating unsolved mysteries with some smart moves which would make everyone jealous. There is also not enough funny moments for a Biju Menon movie. To add to the same, there is one flawed wife character whose existence is only as much justified as an impaled zombie looking to eat anybody’s brains, and a number of cliches. [Spoiler Alert] The one movie that the second half of Sherlock Toms reminds the audience about is Man on a Ledge with Biju Menon being Sam Worthington and Miya George being Elizabeth Banks. It is not a direct copy like Anwar from Traitor or Cocktail from Butterfly on a Wheel as there is the different back story and comic side, but the idea actually deviates too much into what we have already seen. [/Spoiler Alert].

Performers of the soul :: Biju Menon who has had simple, family movie success with flicks like Rakshadhikari Baiju Oppu, Swarna Kaduva, Salt Mango Tree and Vellimoonga to go into the list of feel-good solo hits with messages, has no problem in dealing with this role too; the movie is a lot dependent on him, and he delivers, even when the movie is sailing through troublesome waters. Both leading actress of this movie has to go through a deep struggle. Srinda Ashab has her character that badly shown that at some point we feel that all the roles which she has done is going to vanish with a certain dose of irritating moments which stay till the end – its not really funny. She had such good work in Njandukalude Nattil Oridavela and Parava. Meanwhile, Miya has another struggle going on, which is to escape from having that less of a presence on screen as in Memories and Anarkali. But she manages to go through her role with ease, with not that much demanded there. When we look closer, both of their characters don’t do much constructive, but they are mandatory.

Further performers of the soul :: Sherlock Toms is another movie in which heroines have so less to make an impact, and it is not just them who are restricted – instead the weight is put on the shoulders of Biju Menon. The next significant character would be Salim Kumar though, along with the team of Noby Marcose, Dinesh Prabhakar, Molly Kannamaly and others by his side. Kalabhavan Shajohn brings fun to what might be one of the most terribly written characters of a school teacher – he rises to make it better. Another person who is full fun in this movie is Suresh Krishna, as he brings something whenever he is present on the screen. Hareesh Perumanna contributes with some nice little funny lines, and so does Kottayam Nazeer who combines forces with him. Saju Kodiyan and Vijayaraghavan are effective with some fun here and there during their smaller presence. There is no shortage of characters introduced in this movie, even when they are of not that much contribution.

How it finishes :: Most of us would have expected Sherlock Toms to provide us with more, which is one of the reasons for some disappointment. This one just manages to do fine, but is never really close to those expectations generated with Shafi returning to the helm after the big laugh riot blockbuster which was Two Countries, joining forces with the evergreen comedy side of Biju Menon. Sherlock Toms is that kind of a movie which can be watched for some time-pass, without expecting too much. If you expect the movie to bring something extra, or out of the box, you will have not much to be satisfied about. The movie is the usual Biju Menon model movie, but with deviations which make the movie lesser of that kind. There is no variety being tried, but there are some changes in the path, and people can feel that they are not the kind of changes that they had wanted.

Release date: 29th September 2017
Running time: 147 minutes
Directed by: Shafi
Starring: Biju Menon, Miya George, Srinda Ashab, Salim Kumar, Noby Marcose, Vijayaraghavan, Suresh Krishna, Anu Joseph, Kalabhavan Shajohn, Nelson, Hareesh Perumanna, Saju Kodiyan, Dinesh Prabhakar, Vijayakumar, Molly Kannamaly, Kottayam Nazeer, Sohanlal, Rajesh Paravoor

@ Cemetery Watch
✠ The Vampire Bat.

Tharangam

What is the movie about? :: Padmanabhan Pillai a.k.a. Pappan (Tovino Thomas) used to be the Sub Inspector of Police working in the traffic department until getting suspended on an unfortunate night during a special operation not approved by the department, along with his good friend and subordinate officer Joy C (Balu Varghese). This incident which lead to the death of their senior officer Antony (Manoj K Jayan) has them wandering around the city in need of money, as they need to pay Ittimani (Alencier Ley Lopez) a sum of five lakhs. Their senior officer Sivadasa Menon (Vijayaraghavan) assures them that he will do all that he can to get them back in the uniform. It is him who come up with a special duty for them, which could bring them some money as part of an unofficial investigation. With things not being that great with his girlfriend Malini a.k.a Malu, Pappan decides to take the job, as some easy money with less risk is not that much of a bad idea.

So, what happens with the events to follow? :: This unofficial investigation is provided to them by Tharian Mathew (Shammi Thilakan), who offers them a lot of money to find what is going on with his wife, Omana Varghese (Neha Iyer) who owns a restaurant chain in the city and its surroundings. He suspects that she is having an affair, and wishes to divorce her after finding proof of her adultery. As the two friends go on their newly discovered adventure, they only find out that something is strange with the people that she meets, but there is no proof of her having an affair. But when they are watching her, someone else is watching them – Christopher Luke (Sijoy Varghese) is the man after them, and then there is their earlier enemy from the failed operation, Siju (Saiju Kurup) who comes in their way. There is so much going on with their lives that the whole thing seems to be messed up. Can they make the necessary changes to make things better?

The defence of Tharangam :: There is something different in the way this movie begins and ends, and even though the same is not something seen before, it has never been this fresh. It is a fine experiment as far as Malayalam movie industry is concerned – with the hero and a lot of characters surrounding him, and add all the fun, you will find something like Aadu Oru Bheegara Jeeviyaanu here, as our heroes as well as more than one teams of villains are looking for one thing that goes missing. The movie also has a strong side of fantasy to go with the real incidents, even though they are only related in a few occasions. There are messages about people being responsible for their own fate, as God provides them with a number of choices in their life, as one little act of kindness or cruelty, can change everything. There is a lot of dark humour present in this one too, as it nicely deviates from the usual foolish comedy which could have been served here with the subject on another day.

The claws of flaw :: Tharangam doesn’t go through the path which the common audience would expect – the trailer had given less idea about what it was going to be in totality, but even then, this seems to have deviated a lot, and will not leave the viewers with the usual and expected kind of experience for them to cherish. Maybe, they could have shortened the fantasy side, and maybe even limited the same to a few dialogues. The romance also disappears earlier than one would expect. There are opportunities of humour being lost, and there are moments when the audience can feel lost. The two cops could have handled the whole thing with lots of funny moments, but such an attempt is not made, as this one tries to bring one thing after the other, creating a mixture which not everyone can take home. The divergence is a fine thing, but the doubt about where to go with the same, is rather strange when we look deep. It is the story that needed to rise more when needed.

Performers of the soul :: It is nice to see Tovino Thomas coming up with different types of roles, as he could do with the two big movies Godha and Oru Mexican Aparatha, as well as that much respected movie on the internet, Guppy. But we know that his best is still to come, and that can even go bilingual. We see him go through the comic side rather easily. Balu Varghese supports him well, even though one wonders why there is no big memorable comedy sequences in this movie even there was more than one chance. The “Luketta” call from the two is just one of them. The one person whom we miss early is Manoj K Jayan, who has only a few minutes of presence there. Dileesh Pothan surprises us in his avatar and is very good with the same, even when the movie could have gone on without extending that sequence a little too much in the beginning.

Further performers of the soul :: Santhy Balachandran makes a much memorable debut here, and she has some very nice moments as well as dialogues in the movie – one can be sure that there are miles ahead for her in Malayalam movie industry. We keep feeling that she is capable of more if provided the bigger roles. One is going to find it hard to believe that this is her first movie. The other new face, Neha Iyer is also strong with her character into which she seems to have dived deep – there is more than face to this character, which she reflects with skill. Saiju Kurup has another character who catches our attention with ease, as he had in Pokkiri Simon, Njandukalude Nattil Oridavela, Adventures of Omanakuttan and Alamara earlier. Sijoy Varghese is strong with the negative side of the character throughout his existence in this movie. Alencier Ley Lopez, Vijayaraghavan and Shammi Thilakan get rather shorter, but important roles in this movie.

How it finishes :: Tharangam is that kind of a movie which you can either love or hate, and there is also the option to stand in between – it is more of a movie of the audience, as each viewer can have a separate opinion regarding the same. The level of enjoyment regarding this movie is different, as you notice those simple things which affect your opinion. We know that crime comedy thrillers are not that easy to bring to the common audience, and this one has surely tried hard to do the same, even with those flaws. Dhanush has also made his Malayalam debut as a producer with Tharangam. It has been on the list of much awaited movies for quite some time, and one song with Tovino Thomas and Santhy Balachandran had brought further need to watch this movie as soon as possible. Now, we have this one for Pooja holidays, and if you like movies like Aadu Oru Bheegara Jeeviyaanu, there is a good chance that you will like this one too, and the overall quality of Tharangam feels more – be ready for some experimentation on screen. I will leave you with the wonderful song from the movie.

Release date: 29th September 2017
Running time: 153 minutes
Directed by: Dominic Arun
Starring: Tovino Thomas, Balu Varghese, Santhy Balachandran, Neha Iyer, Dileesh Pothan, Sijoy Varghese, Alencier Ley Lopez, Vijayaraghavan, Manoj K Jayan, Shammi Thilakan, Saiju Kurup, Sanju Shivram, Unni Mukundan (cameo)

<—Click here to go to previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Rakshadhikari Baiju

Vampire Owl: This character reminds me of myself during my early days.

Vampire Bat: You mean the days before you became a vampire.

Vampire Owl: No, my early days as a vampire apprentice.

Vampire Bat: I have heard that you performed really bad during those days.

Vampire Owl: No, I had balance in all aspects of life just like this man in the trailer.

Vampire Bat: I don’t see how this can be termed as balance.

Vampire Owl: Well, my case was all about balancing everything in life with so much skill that I managed to develop just from the inside.

Vampire Bat: There is no balance in life; one thing goes the right way, and something else losses the way.

Vampire Owl: I am actually writing a book on it, with special thanks to you.

Vampire Bat: That is an action completely against balance.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Baiju (Biju Menon) is everything for a group of people at Kumbalam, a region which is commonly considered as a part of an extended Kochi, but still retains its simple, village-like life. Surrounded by the Vembanad Lake, the place is connected at both sides by bridges, which is slowly and steadily transforming the lives of the people there. Here, this man leads a group of youngsters who are part of a cricket team which has been trying to win local tournaments, but not with that much success – it hasn’t stopped them from trying though. The team’s members include Manoj (Deepak Parambol) and Unni (Aju Varghese) among the others. Manoj has fallen for a girl in the neighbourhood named Rose (Anagha L K Maruthora) who also seems to have some interest in him, while a co-worker, Sreekala (Krishna Padmakumar) has fallen for Unni who is not interested in her and is looking for a girl to marry all around the state.

So, what happens next? :: His lack of interest in his job despite being in government service doesn’t make his wife Ajitha (Hannah Reji Koshy) happy, and the same is the case with his parents. He also spends money from his pocket to help his friends in need, and is the major force behind leading a boy in his team to Ranji trophy and later into an IPL team. Despite avoiding all the responsibilities at home as well as office, he is still a loved man everywhere. Being an irrigation department official and also a patron of the Kumbalam Brothers Club will keep him going through a journey which started when he was just a kid, along with George (Dileesh Pothan) and other friends of him, who have all settled outside India or at least outside Kerala. But he remains in his hometown, doing the same things as if it is to go on for eternity – but how long can these continue during a time when modernisation comes up, and who all will be with him?

The defence of Rakshadhikari Baiju :: There is an abundance of humour in Rakshadhikari Baiju, and it is no surprise with the cast that we see here. With the simple things that could happen in anyone’s life, the tale progresses nicely, even as there is nothing like Chinthavishtayaaya Shyamala unlike expected at one point. With the performances and events, things just seem natural here, with nothing artificial added. The message that the movie provides is also something for this age, when children try to replace the outdoor sports for computer games and more and more of mobile gaming – the movie asks its viewers to encourage outdoor sporting events which will improve the health of an upcoming generation, and also to save those free spaces, the green open grounds with trees in villages and towns. There is also that feeling of nostalgia that will come back to us seeing all these happenings. A realistic tale about common people is always better than a fake story claiming to be realistic, whether it is about a slow love story that will take an eternity to finish doing something or related to a tale filling a town with criminals who love pork.

The claws of flaw :: What surprises one the most is that there are villains in the movie, and along with one coming right out of a modern world which has no real face, there is another one played by Padmaraj Ratheesh, which goes absolutely nowhere – there never seems to be any need except for one funny sequence or two which works due to Biju Menon’s comic timing. There is also the love angle added with the character named Rose, which is also pretty much wasted just as our protagonist’s own love story flashback that comes into the present. Without these, the movie would have saved a lot of time, and the extra length of the movie could have been cut down to make this a very good entertainer with no dull moments; but here we see those sequences which are not really needed. The simplicity of the movie also needed more of the touch of feel-good and nostalgia to power it to the next level, and the same is also not there.

Performers of the soul :: Biju Menon once again becomes what the character needs him to be, and this role is no surprise for sure. Just like he did in Vellimoonga and Swarna Kaduva, he uses the simple incidents in life to evoke laughter, and he is well supported here. Aju Varghese keeps doing what he does the best, and provides the fun-filled support. Deepak Parambol does the role that could be of the second hero fine enough, despite his character losing way by the end. It is Hareesh Perumanna who has some of the funniest moments in the movie though, and his character has the comic side strong and written all over. Dileesh Pothan has only his presence for only a few minutes though, and still there is a lot of fun with his sequences starting with the dialogue about having changed by being rich. Hannah Reji Koshy whom we had seen for the last time in Darwinte Parinamam has a nice stay here as the leading actress too.

How it finishes :: This is one of those lesser hyped movies which can stay long just by being the movie that everyone can watch and enjoy, somewhat close to what Vellimoonga did even if not being that much of a force, considering the fact that families only have Sakhavu as the newer movie that is left to go for, Puthan Panam being pretty much a clear terrible movie, and also having an ‘Adult certificate’. The Great Father and 1971: Beyond Borders should also be there along with the undisputed best Malayalam movie of the year so far which is Take Off, but our movie starts a new innings here with not much of a challenge for a week which is in the safe zone. If you liked the Biju Menon starrers Vellimoonga and Swarna Kaduva, there is no doubt that you will like this one too, and so this one is a safe bet; there is a little bit of Anuraga Karikkin Vellam feeling in this one too. Simple, and without complicating things, the movie here stays close to life, and also allows the viewers to take the messages home.

Release date: 21st April 2017
Running time: 162 minutes
Directed by: Ranjan Pramod
Starring: Biju Menon, Hannah Reji Koshy, Aju Varghese, Deepak Parambol, Hareesh Perumanna, Dileesh Pothan, Padmaraj Ratheesh, Alencier Ley Lopez, Janardhanan, Indrans, Vijayaraghavan, Chethan Jayalal, Vishal Krishna, Aabid Nassar, Ambika Mohan, Nebish Benson, Krishna Padmakumar, Anjali Aneesh, Anagha L K Maruthora, Sankar Induchoodan, Sasi Kalinga

@ Cemetery Watch
✠ The Vampire Bat.

Ezra

ezra-2

Vampire Owl: Malayalam movies have always needed more horror movies.

Vampire Bat: This has come after a long wait too.

Vampire Owl: Do you remember the last time we really loved a Malayalam horror movie?

Vampire Bat: I am not sure about that. We have been loving the Hollywood horror only.

Vampire Owl: I heard that it has a little bit of Jewish culture in Kerala.

Vampire Bat: And that it was also going to be dubbed into more than one other language?

Vampire Owl: I hope one or two vampire languages are added.

Vampire Bat: I am sure that this one will be different. It is evident from the poster and also from what people talk about it.

Vampire Owl: Ghosts need to be shown different, because they are all not the same.

Vampire Bat: Well, maybe this is the answer to the prayers of many such spirits.

[Gets the tickets with masala tea and caramel popcorn].

What is the movie about? :: Ranjan Mathew (Prithviraj Sukumaran) is an orphan and a successful professional working in Mumbai. After falling in love with an interior designer Priya Raghunathan (Priya Anand) who is also based in Mumbai, they get married against the wishes of her parents. One and half years later, he gets a transfer to Cochin, and despite Priya’s reluctance to move from the city which had become a part of her, they relocate to the new place, which is a mansion-like old house rented to them upon the recommendation of Father Samuel (Vijayaraghavan) who is not just a priest, but also Ranjan’s uncle. Ranjan’s company is dealing with disposing the nuclear waste from the nuclear reactors in South India, and he is in charge of the operations. Meanwhile, A.C.P. Shafeer Ahammed (Tovino Thomas) is tired of investigating a strange murder in an antique shop which leaves no clue.

So, what happens next? :: As Priya has a lot of free time, she tries to do some interior work for their new house and buys some interesting items from the shop of Moosa (Alencier Ley Lopez) who had managed to bring a few new things of interest from the house of a Jew who died without a heir in the country, as everyone had left for Israel. After getting a box from the shop and opening it, things begin to change, as Priya sees a creepy figure in the mirror as well as the wardrobe, and Ranjan hears footsteps from the roof – and more spooky things follow. As Father Samuel finds Jewish inscriptions on a strange box, he advises Ranjan to consult Rabbi David Benyamin (Babu Antony) who resides in Mumbai. As Ranjan comes to know that Priya is pregnant, he becomes more desperate, but David’s death follows, and now the only hope seems to be in the form of Rabbi Marcus (Sujith Shanker) who has arrived at Cochin.

The defence of Ezra :: There is variety without doubt in Ezra, and the same can be said about the quality displayed in this movie. The visuals are really well-used here to create the advantage, and the darkness as well as some spooky elements are created well with the use of sound effects, and these work really well in the first half to make us interested in the second. There is also a lot in the story told here, unlike the other horror movies, and the creature that this flick chooses here is not among the usual ones, as the myth used is something not many people around here have known before. The use of a perfect setting and antiques happen to be something that works for this flick more than any other horror movie. There is also one twist that happens by the end, even though it is the only big surprise in the movie, and could have been presented in a better way. The songs are good, especially “Lailakame”.

The claws of flaw :: The movie does get a curse, and it happens in the second half, as many other movies – this evil spirit doesn’t really make that much impact as it should in the latter part, and the final exorcism, brings nothing huge. There were so many possibilities with this movie, and the infinite chances are not used at all – it is kind of strange that the movie doesn’t bring the special ingredient; there were so many opportunities and Ezra hesitates to think out of the box, even with a spirit from inside a box. As we see the characters watching The Conjuring 2 on television, one has no doubt about one movie which has inspired this one. But Ezra has so much of hesitation in unleashing the terror – the viewers find so many situations which could have been scarier, but the movie doesn’t seem to find the need to bring huge scares. Also, at one point, you feel that this is the Odette Annable starrer The Unborn, but then it is not; there is just the dybbuk and the pregnancy in common.

Performers of the soul :: In a movie that has Prithviraj as the protagonist, it is him who leads the way – it is the first half that gets the best of him with a simple and rather natural touch to the proceedings – not that much with the final scenes though. Priya Anand makes a Malayalam debut which the Keralites will remember. Sujith Shanker makes a surprising entry here, and in this role, most of us might not even recognise that he is the same person from Njan Steve Lopez and Maheshinte Prathikaram – it is quite solid work. Tovino Thomas, even though he is there for less amount of time, has his moments. Vijayaraghavan is fine there, but Babu Antony’s stay is cut short; the same is the case of Pratap K. Pothen and Alencier Ley Lopez who leaves the proceedings rather too early. Sudev Nair and Ann Sheetal has a nicely created flashback scene which is done fine.

How it finishes :: There is a little shortage of horror movies in Malayalam movie industry, and there is a lot of shortage in the case of good horror movies – the latter is also applicable to the Bollywood film industry too, which is why, for the Indian cinema as a whole, the requirement is for more good horror. There is no need for more drama and more romance – there is too much of the same already, and there is nothing closer to life than horror, in one way or the other. Therefore, Ezra‘s presence is something which has to be appreciated, and despite not using all the possibilities in the scary side, manages to be a horror movie with a difference as far as the Malayalam movie industry is considered. It is evident that the Malayalam movies are back after that break – and each release this year, including Munthirivallikal Thalirkkumbol, Jomonte Suviseshangal, Fukri and Ezra have stayed different from each other.

Release date: 10th February 2016
Running time: 147 minutes
Directed by: Jay K
Starring: Prithviraj Sukumaran, Priya Anand, Tovino Thomas, Sudev Nair, Vijayaraghavan, Sujith Shanker, Pratap K. Pothen, Babu Antony, Alencier Ley Lopez, Ann Sheetal

ezra

@ Cemetery Watch
✠ The Vampire Bat.

Oru Muthassi Gadha

orumuthassigadha-2

Vampire Owl: So, the title is not about the story from grandma.

Vampire Bat: No, it is more about the blunt mace.

Vampire Owl: I guess I misunderstood this one then. I see variety.

Vampire Bat: This one battled with Kochavva Paulo Ayyappa Coelho, Oppam and Oozham which were running at the theatres during that time.

Vampire Owl: And it was there in those multiplexes for quite a long time.

Vampire Bat: Which is why this one deserves more respect.

Vampire Owl: We remember how good Om Shanti Oshana was, from the same director.

Vampire Bat: Yes, just his second movie. Doesn’t that feel like reason enough to watch this one?

Vampire Owl: Yes, a lot more than the other reasons.

Vampire Bat: Lets make it happen then.

[Gets three cups of tea with banana chips].

What is the movie about? :: Siby (Suraj Venjaramoodu) lives in the city with his wife Jean (Lena), daughter Alice (Aparna Balamurali), son Alan (Nohad Shajahan) and his mother, Leelamma (Rajini Chandy). Due to his mothers ill-tempered nature, Siby finds it difficult to find domestic help when he and his wife goes for help, and even his friends are afraid to come to his house. She is always angry towards her daugher-in-law, continuously finding fault with her, and her attitude towards her grandchildren makes sure that Alice wishes to stay in the hostel and Alan wishes to spend more time at the school. Their last hope comes in the form of a Bengali worker who somehow manages to get along with his mother. Even though this is a certain amount of relief, her nature remains the same, and even his boss Anil (Vijayaraghavan) has to face her wrath.

So, what happens next in the movie? :: It is Anil himself who advices Siby to take the whole family to a trip which can make things better. But with his mother not willing to go, they are forced to go on the journey all by themselves. Leelama stays back at home, and she is joined by Soosama (Bhagyalakshmi), Jean’s mother who intends to keep her company. Even though they don’t get along well in the beginning, things change later, and Leelama’s flashbacks are revealed. This leads to her coming with a wishlist, and they going on a trip to find more from Leelama’s flashbacks. After this journey, which will include Alice and her boyfriend Milind (Rajeev Pillai) along with Leelama’s classmate’s grandson Brilly (Jude Anthany Joseph), there are changes coming, not just to her family, but also to those around her.

The defence of Oru Muthassi Gadha :: This movie comes up to provide a message nicely, that too with all its simplicity. It is a similar feeling which was in Om Shanti Oshana, that we have here, and we even see some of the characters from that movie again. That smooth feeling is also maintained in this movie, with no scope for melodrama, and we take this movie in a light-hearted manner too with the needed feel-good. There is energy here, and there are moments which go directly into one’s heart. It is a reminder to us that there are things that can be changed, and we have to try hard enough for the same. It is by looking through another person’s eyes, can we know them better, and it is different for each person from different situations – the movie asks us to try to go through the same instead of judging them all. It also talks about going on with our busy lives along with giving enough care to our parents and grandparents. The movie does look really good with its visuals and there are also some nice songs to go with the same – it also does end well.

Claws of flaw :: This is surely not that good as Om Shanti Oshana, one can be sure about that considering the fun side. Oru Muthassi Gadha does preach, and that might not go well with everyone. There are moments when this movie could have been funnier, and there are points where this one could have been more serious about its message – but this one maintains one path right from the beginning to the end, that is of a light-hearted movie with a message, without moving out of its simplicity to bring something that strikes the heart in a deeper way. There are also jokes that go wrong, and the moments which are overdone, which affects this movie, but only up-to an extent. There could have been more ideas about presenting a grandmother like this, but Oru Muthassi Gadha believes that it had enough of experimentation a little too early, and hesitates to bring more. Well, you do wish for more here considering the main idea.

Performers of the soul :: Rajini Chandy leads the way here as the protagonist, and even as a new face, she has made things work so well, rising above everyone else. Keeping her company is Bhagyalakshmi, without doubt, as she goes on to bring the change here in this movie. There is no real leading actor in this movie, and it is with Rajeev Pillai who is paired with Aparna Balamurali who is back from Maheshinte Prathikaram that some part of it lies, and he also has his funny moments. Aparna is once again good in another role here, or rather two of them. Jude Anthany Joseph also surprises us with some nice funny lines including the “M for Marry” and “Inception” dialogues which are really well-timed – there is something special about those funny dialogues which directors themselves use as actors as long as they do it well enough. To add to that, Suraj Venjaramoodu and Lena along with the whole family really work well together in this flick – its one nice family here.

How it finishes :: Unlike what many people had thought, Sreenivasan and Vineeth Sreenivasan got only smaller roles to do here, but we do remember them. The movie does live up to its trailer, and it is sure to make a very nice choice to watch with family. There are enough messages for the families and the new generation to take home, and Oru Muthassi Gadha is the kind of movie that is sure to be interesting for all types of audience, even without trying to go beyond its limitations – this one has still managed to bring its message in a different way. This movie also makes one wait for more movies from Jude Anthany Joseph, who seems to be the one director whose movies can be watched without second thoughts. Well, this one has a shared universe with Om Shanti Oshana – now that is something which you don’t usually see around here!

Release date: 14th September 2016
Running time: 144 minutes
Directed by: Jude Anthany Joseph
Starring: Rajini Chandy, Bhagyalakshmi, Aparna Balamurali, Suraj Venjaramoodu, Lena, Jude Anthany Joseph, Sreenivasan, Vineeth Sreenivasan, Vijayaraghavan, Renji Panicker, Rajeev Pillai, Ramesh Pisharody, Sathi Premji, Dharmajan Bolgatty, Musthafa, Nohad Shajahan, Bijukuttan, Baby Meenakshi (cameo), Lal Jose (cameo)

orumuthassigadha

@ Cemetery Watch
✠ The Vampire Bat.

Shajahanum Pareekkuttiyum

shajahanumpareekuttiyum (1)

Vampire Owl :: I am having certain ideas about this movie from the title itself.

Vampire Bat :: Goes back to the history and the movie Chemmeen, right?

Vampire Owl :: Yes, something about love should be there.

Vampire Bat :: And we can also sense comedy.

Vampire Owl :: And it has been more than an year since we saw Amala Paul in a Malayalam movie, I guess.

Vampire Bat :: It is nice to see her on the posters after a long time.

Vampire Owl :: You were a big fan of her second last movie, Mili – I believe.

Vampire Bat :: I don’t see why not. Mili was the one true introvert movie.

Vampire Owl :: And this one should be meant for just some entertainment.

Vampire Bat :: That is exactly my guess too.

[Gets the tickets with tea and cheese popcorn].

What is it about? :: Jiya (Amala Paul) is the single daughter of an ex-military man who owns the Jiya Group of Resorts. One day, she meets with an accident and losses her memory for the last few years. Her fiancee, Ravi (Aju Varghese) is very much disappointed about that she doesn’t recognize him, and searches for a way to solve the problem. For the same, he appoints a private detective Mathews (Suraj Venjaramoodu) to find something from Jiya’s past that could bring back her memory. He manages to do the search in his own strange way, but all he could find out is a clue related to a man whose name starts with “P”. But it is revealed that there are two such men who claims to be Jiya’s lovers – Pranav (Kunchako Boban and Prince (Jayasurya).

So what happens next? :: There seems to be no chance of Jiya getting her memory back. Both Pranav and Prince tries their best to get their love stories to Jiya, and at the same time, Ravi makes attempts to make her interested in him, but fails each and every time. While Pranav seems to be a rich businessman with interest in arts and music, Prince is more like a local goon who creates trouble and shares Jiya’s interest in cars. They have different versions of tales which includes her falling in love with them. The parents leave the answer to this question to Jiya. So, the question remains about who is her true lover, if there is one? One of them seems to have a more complicated intention for claiming to be her lover – who is he and what is he looking for?

The defence of Shajahanum Pareekkuttiyum :: There is some amount of fun in store here, that is for sure. There are references to Thalapathi, Manichitrathaazhu, Titanic, DrishyamInnale and Ennu Ninte Moideen in the movie too, and they are very well done to evoke laughter. Some of the best ones include Suraj’s Manichitrathaazhu introduction, Aju’s promise as Moideen and the reflection of the incidents of Innale. The cast is nicely used to bring out the funny side, and one can be sure to find some laugh here and there. The movie remains bright and happy though, with no serious or emotional sides. There is also an attempt to bring the twist in the end, and it only somewhat effective. If you are looking for some fun without much of logic during the weekend, Shajahanum Pareekkuttiyum might be the movie for you; in that way, it works great.

The claws of flaw :: The story of this movie is everywhere; it begins somewhere and ends at some other place, with not much of a development in between except for adding those funny elements. Even with such a funny side, there are not many of the moments which are actually memorable – we will find them, and we are just to forget them. There was lot more potential with this story to add more comedy, and the plot itself could have been something worth remembering. Some jokes are also not that effective; they are not done in a way to maximize the effect. There are also a number of meaningless scenes in this movie, especially with stories being told within, and the songs are not that interesting either. There is a certain lack of standard with the proceedings which is clearly visible at times.

Performers of the soul :: Kunchacko Boban and Jayasurya comes together again with a comedy movie after Gulumaal and Three Kings – even though I did like those two movies more than this one, this also remains a funny addition to that list. They do the job really well, but the ones who bring more of the laughter are Aju Varghese and Suraj Venjaramoodu; the former has some of the best moments, and the latter nicely raises the fun level of this movie. Amala Paul, with her next Malayalam movie after Lailaa O Lailaa and Mili, doesn’t leave that much here, as most of the entertainment is carried on their shoulders by the team of four. She is there more as the centre of attraction, and the focus of everything which happens around her character and the memory loss. Nikki Galrani’s cameo in the end was rather unnecessary too.

How it finishes :: So, with the two names immortalized in love don’t really get the romantic side going in this movie, as it is just for some simple fun without logic that we can watch this particular flick. You will find almost no romance here, even though it is what the movie is supposed to be about, even though in a funny way. It becomes another movie to bring the memory loss of the heroine to the space, and the movie makes fun of itself too – Ormayundo Ee Mukham might be the last movie to bring the same. This will be another interesting movie to watch with family, along with Karinkunnam 6s which has gone the inspirational way. There is something about watching movies like these – you can neither like them so much, but neither can you hate them; there will be just enough in them for everyone in the end, for so much is somehow managed.

Release date: 6th July 2016
Running time: 142 minutes
Directed by: Boban Samuel
Starring: Kunchacko Boban, Jayasurya, Amala Paul, Aju Varghese, Lena Abhilash, Suraj Venjaramoodu, Vijayaraghavan, Sunil Sukhada, Vinaya Prasad, Kalabhavan Shajon, Rafi, Nadirshah, Irshad, Nikki Galrani (cameo)

shajahanumpareekuttiyum

@ Cemetery Watch
✠ The Vampire Bat.

Vettah

vettah (1)

What is the movie about? :: The City Police Commissioner, Sreebala IPS (Manju Warrier) is investigating a case about one missing actress and her old friend; the possibility of a kidnap and a murder is there, and all signs lead to one man only, Melvin Philip (Kunchacko Boban) who claims that he killed both of them and has buried the corpses at a certain location which he cannot remember. Further questions don’t reveal much as he keeps repeating one particular part of his tale. ACP Xylex Abraham (Indrajith Sukumaran) helps Sreebala in the case, and is troubled by his own family problems. The story of Melvin goes back to his own life, and his relationship with his wife Sherin (Kaadhal Sandhya) after an inter-faith marriage and the loss of their daughter, finally leading to the death of her too.

So, where does the investigation go from there? :: Here, during the questioning, Melvin talks to the police officers about trust and its role in life. With the case of Melvin, it is not incident of two people missing that comes to the light, but many facts which were rather hidden. There is the case the accident of Sreebala’s father (Vijayaraghavan), the relationship between Xylex and his wife as well as a lesser known past of Melvin, all coming to light, and each of these being connected to the other, the past to the present and the future, all things being revealed as the story progresses towards the end. So, will Sreebala and Xylex find the missing people, and are they really dead as Melvin says? Is Melvin really the culprit, and has he killed these people or is he just some random person who lost his sanity after the death of his wife and daughter?

The defence of Vettah :: The mind game factor remains the core of the movie, as manipulations make the most impact around here; the intelligent entertainer comes to the picture here. There is nothing of masala here though; for there exists no comedy and no action sequences at all as the brain game keeps going here. The final twist is a working one and does justice to the rest of the movie. The suspense is maintained well throughout the movie and we will keep guessing about how it will go towards the end. As this one released without a trailer, and a lot less known about the flick, there was a certain amount of mystery surrounding this one, and that brings the surprise to light. There are also some messages related to how the world works, as the movie takes one through the darker side where justice is rather difficult, and revenge becomes the more realistic option. The visuals are also very good.

Claws of flaw :: I am pretty much sure that a lot of people will have problems in following this movie due to its choice of following a different and more complex path. Some people would surely ask for more explanations, and if you miss some points, you will miss a lot. The movie also leaves a few occasions without making much impact, even though the moments could have been better. There is also a certain amount of slowness that you feel in here, and the pace could have actually increased better in the earlier stages too. A number of scenes could have been avoided or presented in another way, but it still works in the way that we see them. The story of each main character could have been separately developed, and that of Indrajith’s character could have used a lot more of ideas too. There is nothing much in the music.

Performers of the soul :: We haven’t seen Kunchacko Boban as someone with this much negative shades on that many occasions; and he has managed this one really well – he comes up with the biggest score here. There is a certain amount of wicked beauty about his character on a number of occasions, and it works really well for him. His smile is something that gives you the clue about what you are witnessing, which is part of a bigger plan, and it has the nice dark side waiting to unleash itself. It is a lot his movie rather than of any other. The idea that many people might have had earlier with the investigation belonging to the two police officer characters will take a u-turn related to this one. It is Kunchako’s biggest and the most interesting role in a commercial movie for a long time. He makes a lot happen here in style.

Further performers of the soul :: Manju Warrier has a good run in the first police role in her career, and the one role which remains serious through the run-time – it also becomes her only full serious role during her return, as Vettah allows no comedy as it goes direct and is strictly a serious flick. Coming right out of Rani Padmini and Jo and the Boy which were heavy in messages as well as Paavada which had her in a special appearance, she leaves a mark with the first flick with her as the leading actress. Beginning her second innings with How Old Are You?, I will say that she has had a very good run which continues – there is too much jealousy on the same as far as the fans of the rest are concerned though, which explains a certain amount of dislike or hate. Well, she is surely a lot better than the other other fake lady superstars who claim such a title!

How it finishes :: The final lead here, Indrajith Sukumaran is solid, but the character is left to less importance, and that is a case of something interesting gone missing. The one sad thing here is that with his demise, Vettah will be Rajesh Pillai’s last movie, and it is a terrible loss to the Malayalam movie industry. His Traffic was undoubtedly one of the best with the narrative, and also brought an amazing change at a time when Malayalam movie industry had more terrible movies than the good ones. His Mili was also one of the best of its kind, the only real movie to bring the introvert opinion to light in the right way – it was so good that it bothered a lot of people who couldn’t stand seeing an introvert as the leading character; which is why I consider it as the one righteous movie which gave voice to the lesser shown “others”. We will miss the visionary director.

Release date: 26th February 2016
Running time: 114 minutes
Directed by: Rajesh Pillai
Starring: Kunchacko Boban, Manju Warrier, Indrajith Sukumaran, Sandhya, Deepak Parambol, Rony David Raj, Prem Prakash, Vijayaraghavan, Kottayam Nazir, Baby Akshara Kishore, Baby Nandana Sajan, Akash Keralan, Jith Pirappancode

vettah

@ Cemetery Watch
✠ The Vampire Bat.