Aadhyarathri

What is the movie about? :: Manoharan (Biju Menon) never really had the best of times during his childhood and youth, with everything reaching the worst situation, having his elder sister eloping with someone in the village, and his father having a cardiac arrest at the same time. Even though the marriage at his home didn’t happen, he take the profession of a marriage broker after he fixes a wedding ceremony and saves the bride’s family from humiliation. For two decades, he continues in the same profession, and there is no wedding ceremony in the area happening without him playing a part in it. He is the first person who comes to anyone’s mind when they think about wedding, and sometimes even other significant functions which are part of people’s life. Along with the same, he also runs a tutorial college for the local students.

So, what happens with the events to follow? :: Manoharan is that kind of a person who has everything planned as far as relationships are concerned. He knows which boy will be suitable for which girl, and for the same, he supports only arranged marriage. Any case of falling in love is strictly opposed by him, and all the youth from the area are afraid of his interventions in their possible love affairs. It is during these times when he gets a chance to arrange the marriage of Kunjumon (Aju Varghese), the richest man in the village, and Aswathy (Anaswara Rajan), a modern, educated girl of the village who lives in Bangalore – the combination was always a risky one, but as Manoharan was always a godfather-like figure to Aswathy, he takes the risk. But it is not that easy to get this one done, and the question arises if he will fail in arranging a marriage for the first time.

The defence of Aadhyarathri :: The humour used in this movie is simple, and the message is indeed to ask the girl’s consent before fixing marriage, a case which would have worked better if it had released about ten to twenty years ago. The movie has its own feel-good factor to add to the same, and it is a simple movie with no pretensions, going through everything directly. The visuals are nice, and the setting contributes to the same very well. The nicely created situations make sure about it, and we have another movie for the family audience with jokes that can be accepted by everyone. During these Pooja holidays, you need a movie to look forward to with family, and this might be the right one, staying above the bigger hyped Onam releases like Love Action Drama and Ittymaani too. Also, look out for the Kuttanadan Baahubali dream song which is really attractive.

The claws of flaw :: The movie does feel a little outdated, as these are those days when the youth takes their own decisions with ease, and parents are on the backfoot in almost everything. These are also those days when parents keep agreeing to what the children want because there is just one kid or two, and they want to get them all that they wish for. With a new generation of children and youth, this movie might not serve much, and can focus on only a small number of people in need in a world when people fall in love indiscriminately and set their former lovers on fire. The movie has to work in a world in which almost everyone of the generation has a boyfriend or girlfriend, and therefore struggles. It also feels incomplete with some characters being lost and others serving no purpose. There is also the lack of focus on the progress of the narrative. Sometimes, it feels that parts of it is just forced.

The performers of the soul :: Biju Menon is once again at ease playing this kind of a role. Vellimoonga, Rakshadhikari Baiju Oppu, Swarna Kaduva, Anakkallan, Salt Mango Tree – all these had him playing the commoner’s role and handling the light-hearted humour in the leading role with ease. Here too, the movie is dependent on him to do what he has been doing the best, and the same is handled with the skill that he possesses, and has once again displayed without stepping back. Anaswara Rajan, after Udaharanam Sujatha, Evidey and Thanneer Mathan Dinangal makes fine impact, even thought not that much as we have seen in the two previous movies. Other than that song on the ship, she doesn’t have really have much of memorable moments in the movie, and someone elder would have been the best for this role. At the same time, it is to be noted that there is no romantic angle to the main character, which is to be appreciated.

Further performers of the soul :: Anu Sithara’s cameo seems totally unnecessary, and that is one scene added to prove a point in an easy way instead of proving it through the progress of the story itself, and it seems that she was chosen to assert the same in an even bigger manner. Aju Varghese does a nice job in the movie, and does the exact amount of comedy as it was needed – there is no overdose here even though the tendency was always there. Manoj Guinness is the one who plays the sidekick role here, and he is fine at most parts of the movie, even though some of the comedy is surely lost. Sarjano Khalid of June fame has a dull character to play here, and does less. Biju Sopanam has some funny moments to add, and Pauly Valsan does the job well as expected while Vijayaraghavan does another interesting role to fine impact. But it is to be noted that not all characters get their due.

How it finishes :: Coming from the director of the much appreciated Vellimoonga, and having the same leading actor, the expectations were very high, and this one does come close on many occasions. Still, it does fall short in comparison, and is no match for that movie which had everyone in love with the flick. Vellimoonga had set things in motion enough to make way for a good number of movies with similar theme, and Biju Menon himself had played so many of such roles. This one won’t have that much of an impact, but with Pooja holidays around, the family audience might be very much interested in this particular flick. It doesn’t seem to attract that many people right now, but in the next two days, that number should increase, and the movie should do well enough, even though not like its earlier superior relative, Vellimoonga.

Release date: 4th October 2019
Running time: 130 minutes
Directed by: Jibu Jacob
Starring: Biju Menon, Aju Varghese, Anaswara Rajan, Sneha Babu, Manoj Guiness, Ashwin Jose, Vinod Kedamangalam, Sarjano Khalid, Sree Lakshmy, Prasad Muhamma, Shiny T Rajan, Naseer Sankranthy, Biju Sopanam, Pauly Valsan, Vijayaraghavan, Anu Sithara (cameo)

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Brother’s Day

What is the movie about? :: Ronnie (Prithviraj Sukumaran) is your average handsome guy next door, leading a catering service, taxi, hotel and restaurant run at Fort Cochin by Joy (Kottayam Nazir). His sister Ruby (Prayaga Martin) has been paralysed from waist down, and is undergoing treatment at an ayurvedic centre. He is helped by Munna (Dharmajan Bolgatty), a chronic bachelor spending his leisure time looking for a suitable match so that he can get married at least this year. During a wedding reception, he meets Jema (Madonna Sebastian), the daughter of George (Spadikam George) who is getting married at an old age after his wife left him. Even though their initial introduction is rather messed up, they become good friends later. Ronnie and Jema have their own saddening stories to tell, but both find happiness visiting the old age homes and spending a few moments together.

So, what happens with the events to follow? :: He is also comes across Chandy (Vijayaraghavan), a businessman whom he meets by accident and lands in the police station as well as the hospital. He become good friends with Ronnie, Jema, Munna and Joy after a series of incidents. Ronnie is also introduced to Santa (Aishwarya Lekshmi), Chandy’s beautiful daughter who seems to be a cheerful and energetic young lady from outside, but seems to be holding a secret or two. They also come across Thaneesha (Miya George), a woman whose wedding ceremony was cancelled, and is searching for the reason behind her father’s suicide. Then there is Shiva (Prasanna), a mastermind behind many events involving the rich families and politicians of the city. The question remains about how these people are linked, but their paths are going to cross at some point.

The defence of Brother’s Day :: The movie which begins in a happy, funny mood, gets to the darker mood in the second half, even though there are traces of the same already seen in the beginning, right after the opening credits, and also in parts during its early run. The early comedy is nice, and unlike some of the other movies which pretend to be entertainers using cheap and vulgar jokes, there is none of such kind here. Then we have the twists happening, the suspense, and we also see how the characters and events come together nicely. The songs are good, and the background music is catchy. There are some fine visuals to go with the same too. Unlike the other movies which deal with the similar themes, there is no over-use of style here, and it also maintains a direct approach rather than trying to keep projecting the protagonist as the great hero all the time. The importance given to the antagonist is nice, and the use of red herring and foreshadowing are worth mentioning.

The claws of flaw :: It can be seen that some of the characters do disappear in the second half, and at least some them deserved to have a better role in the latter stages. There could have been some investigation going on here too, with the missing parts being found out rather than revealed. The second half of the movie goes in an entirely different path in comparison with the first half – even though movies like Drishyam also did the same, the core had remained the same in that case. The movie could have also been better if the small details were taken care of, and if there was not that much of predictability in the final stages. The movie also reminds one of the flicks like Mikhael and The Great Father with the dark mood and the kind of problems as well as the antagonists that the main characters have to deal with – but this one has the same one step better, and has a comic side which those movies completely lacked. There is also some violence to make some people uncomfortable.

The performers of the soul :: Prithviraj goes through the movie smoothly with his character – there is a certain special quality in his movies, as 9, Ranam and Koode had something more than what a usual Malayalam movie would have; not just with the settings, but with the feelings that it reflected on the audience. This one is no exception. Dharmajan handles the comedy with ease here. Vijayaraghavan’s character is a mixture of many things, and we see him doing what he has been doing the best once again. Vijayakumar plays another police officer role in his usual style. Kottayam Nazir and Shivaji Guruvayoor have lesser roles to play here. At the same time, Prasanna makes a fine, menacing villain, psychotic in nature and with no remorse even when he sees possible death in front of him. The presence of such a strong, and mysterious antagonist leaves the movie with further effects.

Further performers of the soul :: Madonna Sebastian was so close to becoming the main heroine of the movie, but then comes Aishwarya Lekshmi to take away the honours. This is still Madonna’s best after that fine introduction in Premam. Aishwarya has a similar character as she did in Varathan, as she is stalked by a different figure this time, something which she can’t ask to go away. In the second half, Madonna passes the heroine tag to Aishwarya, and towards the end, the latter handles it very well. Prayaga Martin and Miya George are just sidelined as their characters are rather minor. Both don’t have any sequences together even though each get about fifteen minutes each in different parts of the movie. Even with four heroine-like figures present in the movie, there is no real romantic angle for the protagonist, which is a good thing considering how the overall mood of the movie changes at the interval, and through the second half.

How it finishes :: As Brother’s Day finishes as a fine entertainer touching all aspects, it can be said that Kalabhavan Shajon books his seat as a director for many more to come – an interesting debut can be seen here, and he also makes a cameo appearance as the police officer in the end. Even though there can be opinions that it could have been a better thriller, this one is strong enough as it is, and maintains the comic side so clean and elevated that, it brings the lower level but self-proclaimed big entertainers like Amar Akbar Anthony and Kattappanayile Rithwick Roshan to shame with those little moments of fun. Brother’s Day has a full entertainer packed in there, and even though the family audience won’t be that happy with the violence, the rest can easily go through the same and celebrate Onam. As long as you are expect the Malayalam movie industry to have its necessary turns, you will like this one enough. Happy Onam and continue enjoying the vacations! 🙂

Release date: 6th September 2019
Running time: 164 minutes
Directed by: Kalabhavan Shajohn
Starring: Prithviraj Sukumaran, Madonna Sebastian, Aishwarya Lekshmi, Prayaga Martin, Miya George, Prasanna, Aima Rosmy Sebastian, Vijayakumar, Vijayaraghavan, Dharmajan Bolgatty, Maala Parvathi, Kottayam Nazir, Spadikam George, Ponnamma Babu, Shivaji Guruvayoor, Kochu Preman, Anil Murali, Jayasankar Karimuttam, Vinod Kedamangalam, Kalabhavan Shajohn (cameo)

Also check the reviews of other Onam releases, Ittymaani and Love Action Drama.

@ Cemetery Watch
✠ The Vampire Bat.

Kuttanadan Marpappa

What is the movie about? :: John Paul (Kunchacko Boban) is a photographer, and his studio is the best in the area. Even though he is from the Kuttanadu area of Alappuzha which is surrounded by water, he doesn’t know how to swim, with a certain fear for water. His mother, Mary Paul (Shantikrishna) is in full support for him, and tries to keep a happy face despite the problems of her life, and her husband having committed suicide a few years ago. John has fallen in love with many girls in the past, right from his childhood days – his lover at school had only gotten married a few years ago, but his biggest tale of love was with Jessy Ummen (Aditi Ravi), a dentist for whom he arranged fake degree certificates. He had always thought that what we had with her was true love, the kind of love which would bring a sleeping beauty to life with a true love’s kiss.

So, what happens with the events to follow? :: But that idea had to change with the arrival of Peter (Ramesh Pisharody), an NRI who intends to return to London after marrying the girl of his dreams. It turns out that the girl of his dreams is none other than Jessy whom he wishes to marry and take back to England. Jessy’s father and Panchayath President Ummachan (Innocent) has no problem with choosing between John and Peter, as he hopes that by working at London, she would earn enough money to pay him back the cash which he had spent for making her a BDS doctor. Marrying off his daughter to a photographer would make no sense to him. Only Jessy’s love for John stands between Ummachan and his dreams of getting the money back. But can the love of John and Jessy stand the test at a time when the former will be without a place to live in a few days?

The defence of Kuttanadan Marpappa :: There are some funny moments in this movie, and there is that final revelation which will satisfy a good number of people in the audience – Kattappanayile Rithwick Roshan had that kind of a twist, as we remember. Kunchacko Boban has a good combination with Dharmajan with the comic side, and the romantic side with Aditi Ravi is also charming in the setting that we have here. We often feel that this is more or less a classic tale of problems in love, told in a different way, with a different setting. The visuals of the area are nicely captured, and we feel the beauty of the place to be close to being part of a fairy-tale. There is something about this world that will satisfy our needs to watch some of the best of backwaters. You have the chance to see Kuttanadu with all its beauty here, with Venice of the East scoring.

The claws of flaw :: There are occasions when one has to wonder if Kuttanadan Marpappa is a confused movie, in the model of Oru Cinemakkaran and Role Models – it seems to try too many things, and by doing the same, it also has the audience wondering where it is heading. There is so much colour, and the costumes look rather strange for most situations. There is one song which has the leading actor and actress dancing with strange steps and costumes, and the lyrics itself seems weird – the need for such a song was surely not there, especially with the video. This song itself is a reflection of the movie’s confusion, and we also feel a certain amount of drag within its tale. There seems to be an eternal struggle within this one, and a lot of things are more or less not really suited for the mood of this movie. As a whole, it seems to have collected certain items from different places, and scattered them.

The performers of the soul :: Kunchacko Boban being the lifeline of this movie is no surprise, as he plays another romantic character – nothing really changes with that one. He has another familiar role in control and has to do no wonders, coming out of his last flick, Shikkari Shambhu. Aditi Ravi, the star of Alamara had only smaller roles in the later big movies, Adventures of Omanakuttan, Udaharanam Sujatha, Lavakusha and Aadhi, which has been rather surprising. With acting talent, she is surely far ahead of many other actresses who have been performing in leading roles. She undoubtedly leaves her mark in this movie, and this would be compared to a few other roles; the kind of roles which would bring discussions about a certain kind of behaviour in love. The two does make a fine pair, and lets see if we can see more movies with the two together.

Further performers of the soul :: Shanthi Krishna had made a grand return with Njandukalude Nattil Oridavela, and we see her doing amazingly well with the lighter side as well as the emotional moments – she reflects that kind of a mother whom a young son or daughter dreams to have. The girl who played the sister of Aditi’s character also requires special mention, as she handles things so naturally and with a certain charm. Dharmajan has his moments of fun in this one as usual, while Hareesh Perumanna, for some reason, is underused, and so are Innocent and Salim Kumar. Aju Varghese does bring some laughter in the role of a priest. Ramesh Pisharody has some fun to provide, and so does Dinesh Nair, but we see that their characters are overdone, going beyond what was needed on a number of occasions. Soubin Shahir is there for even lesser period of time.

How it finishes :: There is not that much to be loved in Kuttanadan Marpappa, but for the family audience, this would be a good way to spend the weekend, as it would be for the youth. Without much of focus on the story, and leaving romance behind after some time, this seems to be that movie which tries to make the best use of the Maundy Thursday – Good Friday – Easter season with its special and catchy title, as well as by adding the kind of actors and actresses whom families would prefer. With Vikadakumaran being another movie which seems to have a similar plan, it is to be seen how well the plan can work. As of now, all movies seem to have pretty good viewership, and it will be the Easter Sunday which will decide the winner in this battle of movies, as Pacific Rim: Uprising, Poomaram, Hey Jude, Black Panther, Aadhi and Ira still stays at the theatres.

Release date: 29th March 2018
Running time: 140 minutes
Directed by: Sreejith Vijayan
Starring: Kunchacko Boban, Aditi Ravi, Shanti Krishna, Innocent, Aju Varghese, Salim Kumar, Ramesh Pisharody, Dharmajan Bolgatty, Noby Marcose, Vinod Kedamangalam, Dinesh Nair, Hareesh Perumanna, Soubin Shahir, Tini Tom, Kochu Preman. Mallika Sukumaran

@ Cemetery Watch
✠ The Vampire Bat.

Jomonte Suvisheshangal

jomontesuviseshangal

What is the movie about? :: Jomon (Dulquer Salmaan) is the youngest son of a very rich businessman named Vincent (Mukesh) who hails from the city of Thrissur. The big family is Vincent’s other success story along with his huge business empire and assets – it includes Laly (Muthumani), Alphonse (Vinu Mohan) and Jessy (Rasna Pavithran) as well as their spouses who are all successful people in life, along with Jomon who is considered as the son who is born to spoil the name of the family along with all the money that he keeps squandering. He successfully continues the procedure, as he finishes the trouble-making with a sentence that ends with “still I love you” to his father. There is no shortage of people who think that he is good for nothing though, as he even misses his sister Jessy’s wedding function after he meets his old friend Mushtaq (Jacob Gregory) and spends time at a bar with him at Coimbatore, ending up in the police station.

Where are things heading for? :: It is during these times that Jomon falls in love with Catherine (Anupama Parameswaran) which changes the attitude of his family members towards him, as she is from one of the richest families around, and her parents have business established in various parts of the Middle East. They get really close until one day, Vincent miscalculates one of his business deals, and has his biggest failure in life. Everyone blames Vincent for the terrible decision he made, but Jomon doesn’t. He stands with his father, and hopes to reclaim at least most of what was lost. For the same, he relocates with Vincent to Tirupur in Tamil Nadu, and meets Vydehi (Aishwarya Rajesh) who helps him and vice versa. It was easy to go forward in the early stages, and now the question remains about how he can get his father to return to his lost glory, as that world is miles away.

The defence of Jomonte Suvisheshangal :: Without much of a surprise, Dulquer Salmaan leads the way as the protagonist, on whom this movie is based right from the title itself – there are messages about family, and there is some motivation to go through it; even as there is not that much visible. There is also some comedy, and the emotional side remains strong in this one, especially around Dulquer and Mukesh. Even with the smaller roles, Indu Thampi and Rasna Pavithran from Oozham get their moments too, even more than the bigger names in the cast. This will work even better for you if you haven’t watched Jacobinte Swargarajyam which has the same theme. The one bigger positive in this movie’s messages is that this one tells the audience to save more while the movie from last year was asking to earn more – it was more reclaiming the glory that was lost, while this one builds another one, something that is different from what was gone. It is also a long way ahead of the disappointing Kali, but is nowhere near that beautiful divergent dream which was Charlie.

Claws of flaw :: There is absolutely no attempt to bring anything new with Jomonte Suvisheshangal, and there is no trying to make things less predictable throughout its run. They have also wasted Anupama Parameswaran in a role which was rather not needed – well, in another Malayalam movie, she gets less time on the screen after the hero sees her inside a church; Premam and now this. Aishwarya Rajesh, despite suiting the character she played, works less as a pair to Dulquer. Another sad thing is that there isn’t enough of a funny side provided for Jacob Gregory’s character, even when there was so much chance, for he is to Dulquer, what Aju Varghese has been to Nivin Pauly. The songs are not that good, even though “Nokki nokki” is something that will do well without being related to the overall progress of the movie. There is also that level that we expect from Sathyan Anthikad, which is not there – that won’t be considered the right thing.

Soul exploration :: The idea of the prodigal son continues here, as the money laundering son comes back to his father – well, he even saves the day. It is not something that we have missed; this is something that a hero would do in a movie without fail. A rather inexperienced son becoming all responsible to help his father when his business faces a crisis, isn’t really a new thing even for the newer team of movie watchers, as we had witnessed the same in the last year’s Nivin Pauly starrer, Jacobinte Swargagrajyam. With Dulquer Salmaan replacing Nivin Pauly, we have a similar tale here; it is Mukesh who replaces Renji Panicker too. But considering both movies as the same will be doing injustice, and we can only consider them to be similar as we look at how things have been proceeding. This thought is something which is often related to real-life incidents, and so Jomonte Suvisheshangal surely has the right to take it as much as any other flick.

Further soul exploration :: Those who have watched both movies won’t find it easy to stop these comparisons coming into their minds. In a movie in which Dulquer once again leaves his home, but this time with his father, one can safely say that the success of this movie does belong to him, as most of the time, it is him or Mukesh that holds the movie together. This one could have actually worked well with its songs and visuals as Jacobinte Swargarajyam did though. As far as similarities and differences are concerned, we have two businessmen whose sons get responsible all of a sudden, one at Dubai and the other at Thrissur, both families Christian, one Orthodox and the other Catholic, both the families having four children, with a more evenly matched gender count here without a mother, the Mercedes Benz being there in both cases – there is also at least one heroine who has less to do in both movies; well, everything ends well too with the handsome son doing the heroics helped by one stranger who gets impressed, whether it is Vineeth Srinivasan or a European lady.

How it finishes :: Being the first movie to release after the theatre strike, Jomonte Suvisheshangal surely had the advantage, and no wonder there were so many people wishing to watch this one on the big screen. Having one day advantage over Munthirivallikal Thalirkkumbol, this one certainly managed to begin well, and also continues to attract the crowds. With a simple story that will appeal to the family audience, both these movies have managed to make sure that things are going on well for Malayalam cinema, even as there was a break after Pulimurugan created that record of 150 crores – well, that one is still running, as you will notice. With no element of boredom, Jomonte Suvisheshangal is also certain to bring some fine moments for the audience. As Munthirivallikal Thalirkkumbol is also doing well, we can expect the theatres to be full with Ezra, Georgettan’s Pooram and Fukri getting ready for release.

Release date: 19th January 2017
Running time: 158 minutes
Directed by: Sathyan Anthikad
Starring: Dulquer Salmaan, Anupama Parameswaran, Mukesh, Jacob Gregory, Aishwarya Rajesh, Innocent, Irshad, Muthumani, Manobala, Rasna Pavithran, Vinu Mohan, Shivaji Guruvayoor, Vinod Kedamangalam, Indu Thampi

jomontesuvisheshangal

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