Brother’s Day

What is the movie about? :: Ronnie (Prithviraj Sukumaran) is your average handsome guy next door, leading a catering service, taxi, hotel and restaurant run at Fort Cochin by Joy (Kottayam Nazir). His sister Ruby (Prayaga Martin) has been paralysed from waist down, and is undergoing treatment at an ayurvedic centre. He is helped by Munna (Dharmajan Bolgatty), a chronic bachelor spending his leisure time looking for a suitable match so that he can get married at least this year. During a wedding reception, he meets Jema (Madonna Sebastian), the daughter of George (Spadikam George) who is getting married at an old age after his wife left him. Even though their initial introduction is rather messed up, they become good friends later. Ronnie and Jema have their own saddening stories to tell, but both find happiness visiting the old age homes and spending a few moments together.

So, what happens with the events to follow? :: He is also comes across Chandy (Vijayaraghavan), a businessman whom he meets by accident and lands in the police station as well as the hospital. He become good friends with Ronnie, Jema, Munna and Joy after a series of incidents. Ronnie is also introduced to Santa (Aishwarya Lekshmi), Chandy’s beautiful daughter who seems to be a cheerful and energetic young lady from outside, but seems to be holding a secret or two. They also come across Thaneesha (Miya George), a woman whose wedding ceremony was cancelled, and is searching for the reason behind her father’s suicide. Then there is Shiva (Prasanna), a mastermind behind many events involving the rich families and politicians of the city. The question remains about how these people are linked, but their paths are going to cross at some point.

The defence of Brother’s Day :: The movie which begins in a happy, funny mood, gets to the darker mood in the second half, even though there are traces of the same already seen in the beginning, right after the opening credits, and also in parts during its early run. The early comedy is nice, and unlike some of the other movies which pretend to be entertainers using cheap and vulgar jokes, there is none of such kind here. Then we have the twists happening, the suspense, and we also see how the characters and events come together nicely. The songs are good, and the background music is catchy. There are some fine visuals to go with the same too. Unlike the other movies which deal with the similar themes, there is no over-use of style here, and it also maintains a direct approach rather than trying to keep projecting the protagonist as the great hero all the time. The importance given to the antagonist is nice, and the use of red herring and foreshadowing are worth mentioning.

The claws of flaw :: It can be seen that some of the characters do disappear in the second half, and at least some them deserved to have a better role in the latter stages. There could have been some investigation going on here too, with the missing parts being found out rather than revealed. The second half of the movie goes in an entirely different path in comparison with the first half – even though movies like Drishyam also did the same, the core had remained the same in that case. The movie could have also been better if the small details were taken care of, and if there was not that much of predictability in the final stages. The movie also reminds one of the flicks like Mikhael and The Great Father with the dark mood and the kind of problems as well as the antagonists that the main characters have to deal with – but this one has the same one step better, and has a comic side which those movies completely lacked. There is also some violence to make some people uncomfortable.

The performers of the soul :: Prithviraj goes through the movie smoothly with his character – there is a certain special quality in his movies, as 9, Ranam and Koode had something more than what a usual Malayalam movie would have; not just with the settings, but with the feelings that it reflected on the audience. This one is no exception. Dharmajan handles the comedy with ease here. Vijayaraghavan’s character is a mixture of many things, and we see him doing what he has been doing the best once again. Vijayakumar plays another police officer role in his usual style. Kottayam Nazir and Shivaji Guruvayoor have lesser roles to play here. At the same time, Prasanna makes a fine, menacing villain, psychotic in nature and with no remorse even when he sees possible death in front of him. The presence of such a strong, and mysterious antagonist leaves the movie with further effects.

Further performers of the soul :: Madonna Sebastian was so close to becoming the main heroine of the movie, but then comes Aishwarya Lekshmi to take away the honours. This is still Madonna’s best after that fine introduction in Premam. Aishwarya has a similar character as she did in Varathan, as she is stalked by a different figure this time, something which she can’t ask to go away. In the second half, Madonna passes the heroine tag to Aishwarya, and towards the end, the latter handles it very well. Prayaga Martin and Miya George are just sidelined as their characters are rather minor. Both don’t have any sequences together even though each get about fifteen minutes each in different parts of the movie. Even with four heroine-like figures present in the movie, there is no real romantic angle for the protagonist, which is a good thing considering how the overall mood of the movie changes at the interval, and through the second half.

How it finishes :: As Brother’s Day finishes as a fine entertainer touching all aspects, it can be said that Kalabhavan Shajon books his seat as a director for many more to come – an interesting debut can be seen here, and he also makes a cameo appearance as the police officer in the end. Even though there can be opinions that it could have been a better thriller, this one is strong enough as it is, and maintains the comic side so clean and elevated that, it brings the lower level but self-proclaimed big entertainers like Amar Akbar Anthony and Kattappanayile Rithwick Roshan to shame with those little moments of fun. Brother’s Day has a full entertainer packed in there, and even though the family audience won’t be that happy with the violence, the rest can easily go through the same and celebrate Onam. As long as you are expect the Malayalam movie industry to have its necessary turns, you will like this one enough. Happy Onam and continue enjoying the vacations! 🙂

Release date: 6th September 2019
Running time: 164 minutes
Directed by: Kalabhavan Shajohn
Starring: Prithviraj Sukumaran, Madonna Sebastian, Aishwarya Lekshmi, Prayaga Martin, Miya George, Prasanna, Aima Rosmy Sebastian, Vijayakumar, Vijayaraghavan, Dharmajan Bolgatty, Maala Parvathi, Kottayam Nazir, Spadikam George, Ponnamma Babu, Shivaji Guruvayoor, Kochu Preman, Anil Murali, Jayasankar Karimuttam, Vinod Kedamangalam, Kalabhavan Shajohn (cameo)

Also check the reviews of other Onam releases, Ittymaani and Love Action Drama.

@ Cemetery Watch
✠ The Vampire Bat.

Pokkiri Simon

What is the movie about? :: Simon (Sunny Wayne), known more as “Pokkiri” Simon after the name of the Vijay movie is the leader of the Vijay fans association of the locality. His two best friends, and members of the association are “Hanuman” Biju (Jacob Gregory) who spends most of his life’s time trying to become Vijay’s bodyguard, and “Love Today” Ganesh (Sarath Kumar) who has the nickname after one of Vijay’s earlier movies. They spend almost all of their time, talking about Vijay’s movies and celebrating whenever one of his movies get a release in Trivandrum. On the other side, there are Surya fans including “Singam” Suni (Sajid Yahiya) who continue celebrating the latest sequel to Singam. There is also some compeition between them, and the gang of Vijay fans lead by Beemapally Noushad (Saiju Kurup) who has his own fan association based around the mosque. Both of them tries to make the best out of ten year celebration of Pokkiri, and lands in the police station.

So, what happens with the events to follow? :: Landing in the police station is nothing new for them, as SI Sathyan (Baiju) finds it easy to catch them for making nuisance all around the theatre in the name of fan club based activities. The one to save them each and every time is CI Alex John (Dileesh Pothan), a police officer from a rich family having an eye on politics. Simon’s father Yesudas (Ashokan) is also a police man, but just like his mother and sister, has not much of an opinion about him. Simon and his friends who do no job, and wanders all around the locality as considered to be nuisance rather than anything else. The only thing Simon manages to do outside the friends circle in the fans association, is to write random PSC examinations, including the police tests to satisfy his father. The only thing they wait for is to watch another Vijay movie – without the same, there is no life for them.

And what else is to follow with the fan adventures? :: The parents of Simon have lost hope in him getting a job, and they wish to get him married. But the problem is that he wants to marry only the girl whom he saw whistling during a Vijay movie. Simon soon finds her again while playing cricket on the beach. Deepa (Prayaga Martin), who is the daughter of a rich sea captain, is the girl whom he wish to marry. Using the plans from a former scientist of ISRO, Seetha Raman (Nedumudi Venu) who turns out to be a Vijay fan too, Simon tries to get her attention, and finally manages to win her love. But things are not that smooth, as there are people like Arjunan Pillai (Shammi Thilakan) and Indran Pillai (Marshal Tito Wilson) who are running all kinds of criminal activities in the city. The young blood of the fans association manages to make both of these brothers angry, and it is no more about sweet love.

The defence of Pokkiri Simon :: There are some funny scenes here which will work, thanks to the long line of interesting cast managing to keep things strong. There is also the reference to Vijay movies, along with something for Pulimurugan. One can be sure that those who follow Vijay movies will find this one more entertaining, and so will those who watch Tamil movies very often. Yes, the fan stuff scores. There is also that part of the story that goes on like the common man’s life, and you will find one final twist waiting for you. If you like Amar Akbar Anthony, I am sure that you will have no problems in finding this one good enough. This movie also follows the same pattern, with the life of the common people with some comedy in the first half, and the second half having a twist, when the unexpected person becomes the villain; from being one of the best among good people in the flick, as he joins the other villains who have been there – in this case too, it is related to a missing girl.

The claws of flaw :: The movie’s weakest point is the romantic angle, and the same never really gets going. One can safely say that it even stumbles on many occasions even without starting to get better. The songs also suffers the same fate. There was the feeling that this movie would also focus on the good deeds done by fans in the name of their favourite stars, but that is not there – instead, they do the comparison of stars to gods as a justification which might be the strangest that you would ever get. It is rather bizarre during these days when superstar godmen who reflect gods get convicted. There are also many characters who don’t get what they deserve, as they exist and go on without making the desired impact. The people who don’t follow many movies, and don’t watch much of Tamil cinema will have less to take home. Also, you will find that the movie could have managed all its elements, bringing them together in a better way. It could have been a better movie to become a better tribute to Vijay.

Performers of the soul :: The friendship of the three characters played by Sunny Wayne, Jacob Gregory and Sarath Kumar is undoubtedly better than the same shown in Amar Akbar Anthony. The latter two takes it more on the funny side, while Sunny Wayne is very good playing the main character. He has provided us some good work with Annmariya Kalippilaanu and Alamara, but for some reason, they don’t go on to stay at the theatres like some of those overrated movies with no content do. Marshal Tito Wilson from Angamaly Diaries is also there, playing one of the two antagonists, and he is surely a strong point here, joining Shammi Thilakan who scores on the evil side. Dileesh Pothan is a perfect addition as the police character who impresses with his different side, and Baiju and Ashokan plays two different cops in support well. Prayaga Martin only has a character existing there to be part of that bad romantic side, and she never gets in form – in the end, she disappears like Namitha Pramod in Amar Akbar Anthony. Before that, there are some terrible moments for her, including one song.

How it finishes :: Pokkiri Simon should be a must watch for Vijay fans, and for the rest, it could provide some time-pass. Following the pattern of Amar Akbar Anthony more than any other, we can also see a little bit of Kattappanayile Rithwick Roshan mode in here. There are those jokes, and also the dialogues which are from Vijay’s popular movies. The director’s previous movie, Darwinte Parinamam was also an underrated movie, and this one also has elements of silver lining even when the clouds are dark, but it isn’t lifted high enough from there. If you are a fan and you can relate to this, that would be great, for there seems to be an attempt to make this one a colourful and quick entertainer. One thing is for sure, and it is that unlike those movies which have claimed to do great with similar cast, this one surely manages to do better – Pokkiri Simon does that for the fans.

Release date: 22nd September 2017
Running time: 146 minutes
Directed by: Jijo Antony
Starring: Sunny Wayne, Jacob Gregory, Prayaga Martin, Sarath Kumar, Dileesh Pothan, Nedumudi Venu, Ashoka, Baiju, Shammi Thilakan, Marshal Tito Wilson, Bitto, Thara Kalyan, Saiju Kurup, Pradeep Kottayam, Sajid Yahiya, Rohni, Vijay Menon, Tanuja Karthik, Sinoj Varghese, Anjali Aneesh, Jude Anthany Joseph, Hena, Sudeep Kopa, Govindan Kutty

PS: Velipadinte Pusthakam, Adam Joan and Njandukalude Naattil Oridavela seems to stay on… 🙂

@ Cemetery Watch
✠ The Vampire Bat.

Fukri

fukri-2

Vampire Owl: What about Fukrey?

Vampire Bat: I don’t think that there is a relation between the two. That one was a coming of age comedy film.

Vampire Owl: You mean just like Premam.

Vampire Bat: The genre is rather too vast. People who have no idea about that genre were blaming Premam for being close to its category.

Vampire Owl: Yes, some people even praised Blinglore Days for downgrading Premam.

Vampire Bat: It is Bangalore Days.

Vampire Owl: Whatever it is, our concern should only be about the nights, right?

Vampire Bat: It is the presence of the day that makes sure that there is night.

Vampire Owl: Yes, but we all have our preferences, don’t we?

Vampire Bat: Yes, as long as the night has darkness.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Lucky (Jayasurya) and Franklin (Bhagath Manuel) are best friends who are also engineering dropouts looking forward to making some quick money. For the same, they try many things. One day, they end up complicating things so much that they have to keep running from people. During his adventures in making easy money, he meets Nafsi (Prayaga Martin) and Sana (Salini RT) who needs someone to act as an elder cousin to bail them out of some trouble which they had due to bunking classes for watching a Salman Khan movie first day first show. There, posing as their cousins, they come across their real cousin, Ubaid (John Kaippallil), and ends up telling a lie that Lucky is the son of Ali Fukri (Lal) who is the son of Sulaiman Fukri (Siddique). Sulaiman and Ali has a long gone past, which has left them as terrible enemies who wouldn’t hesitate to beat each other up if there was a chance.

So, what happens next? :: Despite being hostile to his son, Sulaiman the patriarch, isn’t angry with his grandson. But Aliya (Anu Sithara) whom Lucky meets on his way back from the college, reveals that Ali has no son, and she is his only daughter. She asks him to get into the Fukri mansion posed as Ali’s son, and there is also an opportunity to be there at Ali’s wife house. Ali had married a Brahmin girl which was one of the many reasons for the problems with his father. Aliya provides enough details for Lucky to be at both places, and during his stay there, he solves almost all his financial debts. As Lucky is in love with Nafsi, he feels that this could work in favour of him in more than one way. At the same time, he decides to unite both families as well as the father and the son. But one day, Ali returns, and he is certainly not happy with it – he wishes to destroy all happiness in Fukri family, and one has to wonder what would happen next.

The defence of Fukri :: There is the presence of comedy, and the jokes work most of the time, and at other times, we have to make ourselves believe that there is some fun stuff going on. The songs are mostly okay, but there is nothing much to remember for long. It is still nicely done for the family audience, and without any bad joke added here and there and hurting no religious or community sentiment, manages a clean work – it needed someone like our veteran director to do the same, even though it is surprising that he had chosen to go through such a safe path with no risk taken. Even though it stays for more time that it should have, lasting above two and half hours, we don’t end up complaining about the length. Denied its release during the Christmas season due to the theatre owners’ strike, this one has a festival mood too, with all the colour and style that we see around. This might be the right choice to spend the time you have in extra.

The claws of flaw :: The main problem with this movie is that it has the kind of idea that has been tried again and again so much. It is certainly an old wine in a pot which he seems to have borrowed from a number of older movies – he has just added a little bit of flavour, and so we know that we have seen this before on lots of occasions. From the beginning itself, it is so predictable, and one twist with the daughter might be the only exception. The first half is rather brainless with comedy thrown in here and there, and the second half has a little bit too much of melodrama and it ends as if they had to force an ending out of nowhere. There is a little too much of Udayapuram Sulthan here, with one son trying to unite families from Hindu and Muslim families posing as someone else; his father was the main problem-maker there too. Posing as the cousin was the main idea in Dilliwala Rajakumaran too, and Kaaryasthan also had the protagonist trying to unite families – the examples are many, and it is a rather outdated idea for these times.

Performers of the soul :: There are three people who control this movie with ease – Jayasurya, Lal and Siddique, playing the fake grandson, and the next two generations of parents. The three generations effectively make this one worth our time. Jayasurya still has it easy compared to the kind of roles with which he had surprised us earlier. Lal and Siddique are perfectly suited for their roles, as their looks and style also compliment being the two big characters. Among the heroines, it is Anu Sithara who plays the daughter figure who scores the best – we had last seen her in Happy Wedding. Prayaga Martin pales in comparison, except for the looks – even though she looked even better in Kattappanayile Rithwick Roshan. It was also good to see Bhagath Manuel playing the second fiddle. Joju George is the one person to create the best effect on screen with minimal screen presence.

How it finishes :: There has been something different going on with the Siddique movies in the last few years – Ladies and Gentleman and Bhaskar the Rascal were clearly terrible movies, and even after bringing a combined effort with Lal in King Liar, nothing really changed with that. Bodyguard was an overrated movie too, with similar overrated remakes coming in many languages. And then there is Fukri. Coming directly into this situation, Fukri is definitely is a better flick. As we consider all these movies, Fukri is also the closest to a pretty good family flick which you can watch for the weekend. With Munthirivallikal Thalirkumbol and Jomonte Suviseshangal running in the theatres and Ezra all prepared to release, it is back to the busy times for Malayalam cinema industry after that terrible break due to the strike! Still, this could have been a laugh riot with its premise already established long ago – but that is not the case.

Release date: 3rd February 2016
Running time: 156 minutes
Directed by: Siddique
Starring: Jayasurya, Lal, Prayaga Martin, Bhagath Manuel, Siddique, John Kaippallil, Anu Sithara, Joju George, Krishna Praba, KPAC Lalitha, Sreelatha Namboothiri, Thesni Khan, Reena, Naseer Sankranthi, Salini RT, Sajan Palluruthy

fukrii

@ Cemetery Watch
✠ The Vampire Bat.

Kattappanayile Rithwik Roshan

kattapanayileritwickroshan-2

Vampire Owl :: Why isn’t the name spelled Hrithik Roshan?

Vampire Bat :: Because a change of spelling will make all things right.

Vampire Owl :: I am really annoyed with any bad spelling.

Vampire Bat :: Dude, this is intentional.

Vampire Owl :: Which is why I am intentionally protesting against it.

Vampire Bat :: I don’t understand your intentions.

Vampire Owl :: You only need to get me one cup of tea, vegetable puffs and cheese popcorn. It is a good understanding of intentions.

Vampire Bat :: You needn’t fight for that. You can have them with ease.

Vampire Owl :: A fight is cent percent needed. See, all things are lies. They say there is no money, and see the number of people who are here to watch this movie.

Vampire Bat :: Well, even we are here. It is a crowd-puller as you can see.

[Gets the tickets with tea and caramel popcorn].

What is it about? :: Geo (Siju Wilson) is ditched by his lover Neethu (Swasika) who is about to get married in a grand function. Disappointed and feeling hopeless in losing the girl whom he thought was his true love, Geo decides to commit suicide. But when standing at the suicide point, he finds a letter under a stone which was written by a stranger named Krishnan a.k.a. Kichu (Vishnu Unnikrishnan). He continues to read on, as he finds his whole life there. Kichu’s father Surendran (Siddique) was a fan of Jayan and wanted to become an actor like him, but becomes a failure. So, he decides to make his son a hero in the movies, but seems to fail in that too, as everyone think that Kichu is not fair enough, and there is also a mark on his forehead which gives him only smaller negative roles in movies. But Kichu doesn’t stop trying to reach his aim.

So what happens next? :: Kichu’s only good friend is Dasappan (Dharmajan Bolgatty) who has always been there to support him, right from the childhood. They can’t stop being jealous of Giridhar (Rahul Madhav), another person who seems to have everything including the looks and money. His neighbour Kani (Lijomol Jose) has been in love with him for a long time, he fails to notice it, as his dream is to marry a very beautiful girl. She still tries to catch his attention all the time. It is when he keeps getting the roles of thieves and criminals that the director James Antony (Kalabhavan Shajohn) provides him with role of a main character in the movie. At the same time, he falls for the rich, beautiful girl who comes to live in the town, Ann Maria (Prayaga Martin). But there are twists waiting to happen in his life, and it is a little bit too early for him to be happy. Will he survive the upcoming tests?

The defence of Kattappanayile Rithwik Roshan :: There is fun in store in this movie, that is for sure, and an attempt at message is made, just like it was done in Amar Akbar Anthony. But this one is a better movie than the directorial debut of the man at the helm, and an improvement in the overall quality. This one also pretends less than the other one, as Amar Akbar Anthony is supposed to have done something gargantuan, but it didn’t, except for pretending to be this and that all the time. Here we have some genuine scenes which invokes laughter, and they are the ones which save the day more than any other. Even though occasionally overdone, most of the characters in this movie are common people with whom we can relate. With them right in the camera, the humour works better than Amar Akbar Anthony which was a little bit of a low class pretender. Kattappana is also well captured. Yes, the message is there to be taken, if you want it.

The claws of flaw :: For some reason, Kattappanayile Rithwik Roshan suffers from a complete lack of brains, something which would surely save it from the zombies, but makes the intelligent viewer feel the pain, for even a movie in the comedy genre like this one can use it to make the funny side clever rather than foolish – but that is a rare thing between the cliches that stretches its arms towards climax and the finish. The movie is also hypocritical in its core, often working against whatever it seemed to convey, a terrible beauty of a quality which Amar Akbar Anthony also possessed. A lot of comedy scenes are repetitions, or something we have heard before – we knew that from the trailer itself with the use of the word “photogenic” which is a comedy that goes years back. The emotional side is also only partially working. The songs are just terrible, and the predictability factor is so strong.

Performers of the soul :: Vishnu Unnikrishnan does a fine job in this movie, and we are glad to see him performing as the protagonist. He has no trouble in going through the different stages of the hero’s career. Meanwhile, Salim Kumar makes a great comeback, and in the flashback scenes, he and Siddique are too good – the two manages to use their years of experience to the best, and makes us laugh. All humour is kept steady by Dharmajan Bolgatty though, and most of his jokes are right on target – the exceptions can be forgotten considering how well he has managed his character with nonstop fun, and even an emotional side that comes in the end. Among the actresses, Lijomol Jose is the pick, and once again after Maheshinte Prathikaram, in this second movie, she is amazingly good as the simple girl. Prayaga Martin doesn’t have much to do, and she is there looking good – no part of the movie is really about her character. Siju Wilson drops in to score too.

How it finishes :: The movie’s first half is cent percent superior to the second half, and we end up hoping for more in the second due to the same. The humour here is the reason why you can go for this movie, and for everything else, there are other movies. If you can go beyond the stereotypes and a certain amount of drag which comes along in the second half, this is surely going to be a fun experience without much to take home, of a better level than Amar Akbar Anthony. I would have liked to skip the final scene though, where Nadirshah makes an appearance – that was totally unnecessary, as it should not have been due to the trust on the audience that he would have casted our hero, but due to the need for bringing a skilled young man as the hero in a good movie – by placing the trust in the viewers, it has gone completely against the overall message of the movie, which is disappointing. But think not about it when you enjoy this entertainer.

Release date: 18th November 2016
Running time: 140 minutes
Directed by: Nadirshah
Starring: Vishnu Unnikrishnan, Prayaga Martin, Lijomol Jose, Dharmajan Bolgatty, Rahul Madhav, Siju Wilson, Salim Kumar, Swasika, Kalabhavan Shajohn, Thara Kalyan, Sethulakshmi, Neena Kurup, Devika Nambiar, Kottayam Nazeer, Nadirshah, Kottayam Pradeep, Jaffer Idukki

kattapanayileritwickroshan

@ Cemetery Watch
✠ The Vampire Bat.