Mohan Kumar Fans

What is the movie about? :: Mohan Kumar (Siddique) used to be a huge superstar until he lost the race to the younger stars. He does believe that it was the result of black magic done by his rival actors. After a long gap, he does get a role to play in a critically acclaimed movie, for which everyone feels that he will get an award. His daughter Sreeranjini Mohankumar (Anarkali Nazar), is an interior designer who wishes to be a singer, for which she tries her luck in different reality shows. Krishnan Unni (Kunchacko Boban), is a youngster who is also trying to make it big as a playback singer. They meet at a reality show, and he is also sent to work for Mohan Kumar as the driver by Prakash (Mukesh), his old friend and a struggling producer who is trying to make a film with Kripesh aka Aghosh Menon (Vinay Forrt), a young superstar who is extremely arrogant, and thinks that he is above everyone. Krishnan Unni and Sreeranjini start competing in the reality show, mostly as a team, and Mohan Kumar also becomes fond of the young man who is there to help him.

So, what happens with the events to follow? :: Kripesh continues to try to make a name in the industry, as his fame rises, and tells everyone that his living together partner Brighty Menon (Deepa Thomas) is a sisterly figure, and fakes different events in which he is shown as a man with love and respect, raising his popularity even higher with PR work. When Arun Rajeev (Adil Ibrahim) and Prakash approaches him with a new film script, his demands only get higher. Meanwhile it is just another downwards journey for the former star, as the critical acclaimed film is taken out of the theatres much to the dismay of Mohan Kumar, who felt that he was going back to that stardom with all the appreciation he received, even more than Kripesh who was originally supposed to be the hero, but was sidelined in front of his fantastic performance. After a fight with Hamsa Randathani (Nisthar Sait), his name is nicely taken out of the Kerala state awards final list, but there is still hope for National Awards – yet, it is to be seen if they can find a way to take it to Delhi with time running out, and a lot more to be done.

The defence of Mohan Kumar Fans :: The movie’s messages are strong, for it is against the vanity and arrogance which has been going on in the film industry. The lack of quality in the visual media is also shown, and it also displays YouTube, Instagram and other social media as what it is, showing how celebrities use fake videos or good for nothing videos just to gain popularity, while skilled performers and quality actors don’t get the recognition they need. Well, if one actress stand outside her home and take a video, it gains so many viewers and appreciation, and it more or less shows the same. Well, you know that literacy means the ability to read and write, and with so many videos being preferred over written content, one has to wonder if it is because of the lack of literacy among people. Our YouTube-Instagram loving celebrities in the film might be suffering from that illiteracy too. It is shown with very nicely prepared humour with fine satire, and the feel-good factor is also high around here. The songs are just okay, and it is not short of some touching moments.

The claws of flaw :: As this movie makes fun of a certain group of people and says the truth about them, such people won’t like it – especially the blind superstar fans, creators of nonsense in YouTube and Instagram as well as those so called celebrities who try to become popular by fake means. For others, they will surely like the film, but they won’t be able to dismiss the fact that this should have had more depth with its content. Mohan Kumar Fans is that kind of a film which could have taken each of its strong elements into another level, but it is certainly not able to do that because it has chosen to travel through a safe path – the feel-good side can always get you over the line, but if you stick on to that, and play safe, it is like aiming for run-a-ball in an IPL match when there is good chance for stroke-play. Maybe, they did so because there was not much of a competition in the theatres with less number of big Malayalam films being released and less number of people watching in the theatres – but that would just be an excuse if we think so.

The performers of the soul :: This one comes after the director’s films which have maintained the feel-good factor at some point, starting with Bicycle Thieves, my least favourite film in a long time, the definite improvement in Sunday Holiday, the bigger improvement in Vijay Superum Pournamiyum and now this film, which also has Asif Ali in a cameo, making all these films Asif starrers. Well, you know that who else was there in all these movies, and it is Siddique, with his biggest role in this movie, as he is the real protagonist here, with everything centered around him, and all things being about him only. It ultimately becomes all about the positive message that is spread through his life, and in that, this movie races ahead of all among the director Jis Joy’s movies, except Vijay Superum Pournamiyum, which was much more ahead in the race. Siddique, the veteran actor, nicely stays at the core of the film, and manages everything in his usual style. If this much was done in a feel-good film, you can guess how much more could have been done if this was a serious tragedy.

Further performers of the soul :: Kunchacko Boban outside the thriller mode of Nizhal and Nayattu, does have his moments, as he is indeed the hero here, trying to keep the main character happy and ready to take the risks just for the sake of the man. Anarkali Nazar is a lovely addition here, as we see her for the first time, and despite the introduction not being that great, we see that the emotions work really well for her. Among the rest, it is Vinay Forrt who stays with us the most, with one of the best satires on the superstars who can’t really act, but tries to get mileage through videos posted in YouTube, Instagram or any social media. As video medium attracts the illiterate and those who find it difficult to read English, these celebrities get more attention that they need, and being as fake as the character he displays here, their first option will always be YouTube to fake their life in front of the blind fans, who will share the same in social media, displaying their foolishness as much as they can. After Saroj Kumar, his Aagosh Menon strikes gold with the satire.

How it finishes :: Mohan Kumar Fans does take an approach which the movies like Driving Licence didn’t have the courage to take. Instead of taking the side of the common man, it had stood with the superstar and his fans. This movie is courageous in that case, taking the side of the common people, and it focuses on the gracious actor instead of the dumb superstar, the dumbness of the latter nicely shown throughout the film, and it also shows everything fake that has been running through YouTube. We keep seeing those celebrities doing YouTube videos, and we know that they are all fake, but there will always be those people who watch such nonsense posted by such people who are only looking for fame. Well, if a celebrity post any nonsense on YouTube, everyone wants to watch that, and if something sensible is posted on YouTube by the common man, you know how it is left unnoticed – it is such an age, when quality is not rewarded, a common problem with the visual media in comparison to the written one. This is the same reason why people who are looking for easy paths to success without hard work won’t like this flick. For others, this works in varying levels of interest, mostly on the higher levels.

Release date: 19th March 2021 (Theatre), 21st May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Jis Joy
Starring: Kunchacko Boban, Anarkali Nazar, Siddique, Mukesh, Sreenivasan, Saiju Kurup, Vinay Forrt, Ramesh Pisharody, TG Ravi, Alencier Ley Lopez, Major Ravi, Joy Mathew, Krishna Shankar, Adil Ibrahim, Sudheer Karamana, KPAC Lalitha, Deepa Thomas, Srikant Murali, Anjali Nair, Prasanth Alexander, Sreelakshmi, Sethu Lakshmi, Nisthar Sait

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@ Cemetery Watch
✠ The Vampire Bat.

Varane Avashyamundu

What is the movie about? :: Neena (Shobhana) is a divorced mother who is living with her daughter Nikitha (Kalyani Priyadarshan) in the busy city of Chennai. As Neena had eloped from home and married, the only relative who comes to see them is her uncle Manuel (Lalu Alex) while her husband lived far away from them. While Neena works as a teacher of French language, Nikitha also supports herself with a job, and is looking for a groom in a matrimonial website all by herself. Those whom she finds as match include Alphonse (Siju Wilson) and Aby (Rahul Rajasekharan), a Motor Vehicle Inspector and an NRI respectively. In the same block of apartments where they are living, Major Unnikrishnan (Suresh Gopi), a retired army officer also lives alone. He is known for his anger management issues due to which he often gets into trouble, and is disliked by the people living near him.

So, what happens with the events here? :: Bipeesh (Dulquer Salmaan) is the new resident at the apartments, beginning his stay with an argument with Nikitha over their two-wheelers. Nikitha is not fond of him as well as Unnikrishnan who also buys a dog which is almost as huge as him. Major Athmaram (Major Ravi) who was also in the army tries to solve Unnikrishnan’s anger management issues by sending him to his friend who is also a doctor – Doctor Bose (Johny Antony). Unnikrishnan is someone who had managed to climb Mount Everest during his youth, and is also someone who participated in the skirmishes at the Indo-Pakistan border. But he finds it difficult to mingle with people, especially with ladies. The kids of the apartments particularly hate him for his rough attitude. As he tries to change his behaviour, he ends up getting closer to Neena, which changes the lives of Nikitha and Bipeesh as well. But what does it mean for his anger?

The defence of Varane Avashyamundu :: The movie runs on its cast which is an enviable one. It has one generation of veteran performers in the form of Suresh Gopi and Shobhana, and another generation with Dulquer Salmaan and Kalyani Priyadarshan, making it something which everyone from more than one generation feeling the need to watch it. The focus being on the elder stars is the best thing about this movie, as it works really well with the tale to connect with everyone. The funny moments work really well, and the credit for the same rests mostly with Suresh Gopi, supported by Johny Antony. The setting of the apartments in the middle of a city, and people going through their flawed, but interesting lives is nicely shown here. There are some messages given, and most of the time, it is about life and relationships. But, it should have had more depth, in more than one way.

The claws of flaw :: One trouble that Varane Avashyamundu seems to face is that it doesn’t have a script to match the cast that it possesses. It had to be better focused on what it was doing, and the same would have allowed us to go beyond that initial drag with ease, and that ending which seemed to be rushed, even though it cannot be termed terrible. The predictability is always there, as we know which direction this is heading – there is no need for any special skill for the same. The need to put the feel-good factor into place would always be a priority, considering the fact that this movie’s competitors were all focused on other genres including the year’s first big hit Anjaam Pathira which is clearly on the other side with the shades. The movie doesn’t have memorable songs or music, and it could have also been shorter, removing some scenes. Even some characters seemed to be rather unnecessary here.

The performers of the soul :: If there is a question about the leading performer in the movie, that is not the leading young pair – it is Suresh Gopi who makes the retired army officer a joy to watch. We had last seen him in My God, and here we have him doing the comedy and emotions exceptionally well, and his character and the changes undergone are too good. Shobana adds to the charm here, and her combination scenes with Suresh Gopi as well as Kalyani. Urvashi also has a memorable role to add here. But at the same time, Dulquer Salmaan doesn’t have much of a screen time – his character is also one which doesn’t suit the overall mood of the movie, and the romance here is also half-baked, seemingly built on fake emotions and therefore lacking in strength. Johny Antony is the next person to bring the comic side alive, while Siju Wilson and Major Ravi also have a few similar moments. Meanwhile, Lalu Alex is there with another usual, but memorable kind of role.

Further performers of the soul :: Kalyani Priyadarshan has her first Malayalam movie, and Marakkar: Arabikadalinte Simham will be the next. As the daughter of the renowned film director Priyadarshan and the popular actress of her time Lissy Priyadarshan, her debut was long overdue. The other star children had already arrived, and we know what nepotism can do to you, as it was proven with the star kids, even though not that much as it has done with Bollywood. At least in the case of Malayalam movie industry, the sons and daughters can act, and often even excel in what they do, a case which have made the industry rise above the usual brainless acts of Bollywood. Kalyani is no exception either, as she nails her emotional and funny moments. Often reminding one of Bhagyalakshmi Prabhu who plays Meenakshi in Thatteem Mutteem especially with KPAC Lalitha around, she gets to be perfectly fit in this family feel-good stuff.

How it finishes :: Anoop Sathyan, son of the veteran film director Sathyan Anthikad is at the helm of this movie. He is known to have served as assistant director at Malayalam film industry and have also directed independent documentaries. There is a certain Sathyan Anthikad touch that can be seen in this movie, and the same can’t be denied, especially in a feel-good movie directed by his son. It is just with the setting that the difference can be seen – otherwise the model is more or less the same. A shift from the village to the city can be felt more, as it is a change from a very rural setting to a very urban metro setting. But the characters are shown in a simple and lovable manner as we have seen in those rural settings, which make this movie a fine watch for the family audience. There is no question about what the one clean family movie can be, with a modern setting.

Release date: 7th February 2020
Running time: 145 minutes
Directed by: Anoop Sathyan
Starring: Suresh Gopi, Shobana, Kalyani Priyadarshan, Dulquer Salmaan, Urvashi, Lalu Alex, KPAC Lalitha, Johny Antony, Siju Wilson, Major Ravi, Sarvajith Santosh, Meera Krishnan, Sreeja Ravi, Rahul Rajasekharan, Wafa Khatheeja Rahman, Krishna Chandran A Nair, Vidya Menon, Aravind Venugopal, Theni Murugan, K Gopal, Nalsen K Gafoor, Lal Jose (cameo)

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Ittymaani

What is the movie about? :: Ittymaani (Mohanlal) was born in China to Malayali parents who settled down in the Eastern nation because his father was a martial arts expert. After spending a childhood close to the Forbidden City, they return home, his father begins a Chinese restaurant and catering services at Kunnamkulam in Thrissur district of Kerala. Ittymaani himself adds more to this business including creating duplicates of almost everything he wants to, as it was a popular thing happening in the town itself. With Sainuddhin (Dharmajan Bolgatty) and Sugunan (Aju Varghese) for help, Ittymani continues his business as well as some commission programmes which become part of it. He is happy with his life, even though he never even came close to being married, much to the dismay of his mother Theyyamma (KPAC Lalitha). He does agree for marriage, but even after seeing more than thirty girls, there is nothing positive coming out of the procedure.

So, what happens with the events to follow? :: Ittymaani is also in charge of the church committee, but things are messed up when Joji Pothen (Hareesh Parumanna) takes revenge on him for rejecting his sister Lissie Pothen (Honey Rose). But with the help of his old friend who becomes the new vicar, Fr. John Paul (Siddique), he manages to get back some of his pride. But it is at the same time that the extremely wealthy Plaamoottil Annamma (Raadhika Sarathkumar), their neighbour and good friend has a heart attack. She has been a widow for a long time, and has lived alone for a long time with her sons and daughter having left her in the name of their jobs and childrens’ education. They tell her that they would come and see her soon, but nothing happens – even when Annamma lands in the Intensive Care Unit, they leave everything to Ittymaani and go for a pleasure trip, leading to the worsening of her condition. Ittymaani decides to help her, but how can he?

The defence of Ittymaani: Made in China :: There is a certain amount of humour in this movie which keeps it going, and even though there are actors working for it throughout the film’s run, there is also a certain amount of the same from other more serious characters. There is also the message about how parents are treated by the sons and daughters once they get old, and after the children get well-settled with their own kids in the city. It also becomes a tribute to the old parents abandoned in such a way, as the reference is there even when the movie is not referring to the same; we have to forget those jokes made in bad taste though – in the end, there is also a full strength preaching regarding the care that the elderly people deserves. The movie does stick to the Onam festival mood though, as this is also a kind of movie that the family audience wants to watch during vacations – it could be reflected in the number of people who came to watch the movie too.

The claws of flaw :: The movie does have that tendency to reveal the saint out of the protagonist in the end, as it is a heart attack which becomes deus ex machina too – Its a little bit like Madambi where the main character is misunderstood, even though the golden heart is revealed to the audience a little too early this time. A number of characters are also wasted in this movie, and some of them are played by some fine actors, which is disappointing. Some of the jokes are also disappointing, and one could have avoided them to make this one feel more appropriate in relation to the message that it wanted to convey. The movie had to live up to the cause, but it never tries that. The movie is also too long, and with not much of an interesting story in there, it has to depend on comedy all the time. The drag that the movie shows in the middle part makes the whole setting go less interesting. There are also no good songs in between to bring a better mood.

The performers of the soul :: Mohanlal once again has himself as the centre of everything, and all the other characters make way for him, as he finds something out of this lesser tale. With his character being highly popularized with much hype, the audience was also banking their hopes on him. But this is certainly not a challenging role, and also for KPAC Lalitha, this mother-son combination comes easy. Madhuri Braganza plays her younger version with no trouble, after that touch with Joseph. Raadhika Sarathkumar doesn’t get that much of a lead even though the movie soon gets centred around her. Aju Varghese and Dharmajan Bolgatty get to add some fun as usual, but some jokes seem to be rather cheap and missing the mark. Kailash and Swasika do have some little moments of humour to add here too. Hareesh Perumanna is the other actor to add to the comic side, but his role is also side-lined.

Further performers of the soul :: As far as Honey Rose is considered, there is nothing more decorative than she is, contributing nothing to the movie, other than being there for about ten minutes, half of the same being in video chat – even during the rest of her moments in the movie, she has very less to speak. If this is not a cameo, one would wonder what it is – another actress, a model could have done the job, serving the ornate purpose. It wouldn’t have been that difficult with Viviya Santh being there in the cast, with not much to do. We see the need for the actress to be on the screen and act disappearing, and that is disappointing. There are also many other actors and actresses whom we might miss if we miss a few seconds of action on the big screen. The actors like Saju Navodaya and Salim Kumar are restricted in the same fashion, and Sunil Sukhada gets even lesser moments. But thankfully, Siddique gets his due yet again, as he once again shines in the priest role, and has some fine scenes of comedy.

How it finishes :: The movie does struggle hard to get to its message, and goes through the journey with a certain amount of humour, and a part of it going the wrong way. But it is still an entertaining movie considering the fact that it has a good number of moments to cheer for, and a message for the society coming in the end. Even though Love Action Drama also focuses on the funny side, it never felt trying to be serious or logical, but Ittymaani is trying a little bit too much to be dealing with something serious, and it is a serious challenge to its quality of completeness, as the story itself never really becomes a whole. Still, as it is Onam, we get to see movies like this one, and enjoy them to the fullest, leaving with a mood of celebration – after all, the students get only eight or nine days for holidays during this Onam season. I wish you all a Happy Onam, do watch all these Onam releases in the theatres along with those which have carried on from earlier, like Porinju Mariyam Jose and Thanneermathan Days!

Release date: 6th September 2019
Running time: 158 minutes
Directed by: Jibi Joju
Starring: Mohanlal, Honey Rose, Madhuri Braganza, Swasika, Raadhika Sarathkumar, Aju Varghese, Johny Antony, Dharmajan Bolgatty, Salim Kumar, Sijoy Varghese, Saju Navodaya, Sunil Sukhada, Siddique, Hareesh Perumanna, Kailash, Vinu Mohan, Aristo Suresh, Sethulekshmi, Saju Kodiyan, Anjana Appukkuttan, Asokan, KPAC Lalitha, Rajesh Paravoor, Antony Perumbavoor (cameo)

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Mikhael

What is the movie about? :: George Peter (Siddique) is the rich and notorious don of the area who is known to run the family business as well as criminal activities of the city and its surroundings with such energy and enthusiasm that he doesn’t hesistate to kill even police officers according to his will, the latest of them being N Sreenivasan (Kishore) who dared to arrest him in front of the public. When a new investigating officer Easa (JD Chakravarthi) is appointed in his place with Issac (Suraj Venjaramoodu) to assist him, the hunt for the mafia ruling the city gets stronger. It is then that the headless body of George is found along with his right-hand man, brutally murdered. Then the man who mediates between two rival gangs, Patrick (Kalabhavan Shajohn) is also shot by someone. This brings trouble with gang wars ready to break out.

So, what happens with the events to follow? :: With George’s brother Marco Jr (Unni Mukundan) coming to the scene, and Francis Davi (Sudev Nair) from the opposite gang trying to have his own vengeance, the police department is kept on his toes. All these seem to point to one man, doctor of the nearby Starcare hospital called Mikhael John (Nivin Pauly) who seems to have a long story to tell about his family and how it came across George. He is the man who seems to be responsible for the death of George and Patrick, but the question remains about what Marco Jr will do about that, with going to police and assuring law and justice, not being an option for him. Easa and Issac will be happy to see the rival gangs fighting each other, or someone murdering the gangsters, but how long can the police department keep away from the scene? Will there be vengeance and can there be justice?

The defence of Mikhael :: The movie is high on style and action sequences, but one can note that it never really goes too far, as it keeps away from elements like flying villains, hero who knows everything before it happens, and all. The music is mostly good and at times excellent, with very few exceptions that we can notice. There are those mass elements, but they are kept in control unlike The Great Father and Abrahaminte Santhathikal which had the same director’s hands firmly on them in one way or the other, or Masterpiece which had so much of the same – the heroism as well as the whole story itself is far more believable, and has better and smarter twists with this one. The thrills are present all the time, and the emotional side works pretty well. The visual style is very nice, and the same rises above the rest. The dialogues are powerful, and Mikhael is a movie that doesn’t hesitate to come up with some moments which are above a normal movie in the industry.

The claws of flaw :: There are times when style gets over substance in this movie too, as The Great Father and Abrahaminte Santhathikal also did. We also see too many similarities with former, with a school being at the centre of attraction, and one girl who is dear to the protagonist – fighting for her becomes the priority for the protagonist. The slow motion could have been reduced, and the interest in sunglasses for some characters continues to be strange. The first half also takes some time to get into the main idea, and we also see the presence of predictability here, with the protagonist and antagonist coming close to facing each other. The ladies don’t have much to do in this movie either, except for the girl who sets everything moving. You can see that some moments were added just for the sake of adding them, and inspirations from foreign movies are certainly there.

The performers of the soul :: It is up to Nivin Pauly to rise and stay at the top, and he manages to do that well – still, his best moments were when his character was a family man, with vulnerability, but it was surely nice to see him in a different avatar, extending what he showed in Action Hero Biju. He does show that he is good at them all, and in a movie which has substance rising over style will surely have him shining better. There are the two qualities of Michael shown by Christina Rossetti with her poem on the angels – service & strength, as doctor & martial arts expert here. One the other side is Unni Mukundan who plays the main antagonist towards the end, and we remember him playing just the opposite in the movie Style – with Tovino as his villain; here he has to face the same thing, even though stylish as he is, with less space on the screen, and not getting the best of dialogues when there was scope for a lot of the same. He should have been given the opportunity to be a more menacing villain rather than showing the muscles. The Luciferesque qualities are seen better with Siddique’s character as Satan against Michael, the leader of heavenly angels – the one who chooses to reign in hell & go against all norms, establishing his own pandemonium. He is the Satan that Milton would keep in his Paradise Lost.

Further performers of the soul :: At the same, Siddique becomes that villain who anyone could have wanted to be – evil and sadistic, going on to reach a state which is nothing less than mentally sick. His ways of tormenting or even finishing off his opponents, and even his dialogues are with that kind of terror that an antagonist can always dream about, and a protagonist can have nightmares about. The girl who played the main character’s sister, a name which hasn’t been known through the early cast list on internet or posters, Navani Devanand also needs some applause as she gets everything right in this movie – she could be a talent to look out for, in the future. She nails all emotions perfectly, whether its anger, sadness or joy. Shantikrishna, Babu Antony, Kalabhavan Shajohn, Ashokan, Baiju and KPAC Lalitha are left with not much to do here. Manjima Mohan as the heroine doesn’t really have anything to do either, and even Reba Monica John who is there for a few minutes leave better impact. JD Chakravarthi, Sudev Nair and Suraj Venjaramoodu get their nice moments though.

How it finishes :: The whole story of Mikhael here has an allusion to the archangel Michael, the leader of the archangels who lead the battle against Satan, a.k.a. Lucifer and his forces who rebeled against God. As a protector and a fighter against evil, this image is reiterated here by giving the same name to the protagonist, and the images of the angel being shown on multiple spaces – the opposite can be seen through the images displayed in the room of the antagonist. The whole movie is about how the brother becomes the guardian angel for his sister, vanquishing the evil forces – with the same, we have the style, all the action, thrills and twists which keep coming at regular intervals; surprisingly, there is also the presence of some funny side. This one might not be the favourite for the family audience, but is surely one nice entertainer which successfully defends its territory within the genre.

Release date: 18th January 2019
Running time: 150 minutes
Directed by: Haneef Adeni
Starring: Nivin Pauly, Unni Mukundan, Navani Devanand, Manjima Mohan, JD Chakravarthi, Sudev Nair, Babu Antony, Suraj Venjaramoodu, Siddique, Renji Panicker, Shantikrishna, Kalabhavan Shajohn, KPAC Lalitha, Amal Shah, V Jayaprakash, Kishore, Reba Monica John, Baiju

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Vijay Superum Pournamiyum

What is the movie about? :: Vijay (Asif Ali) represents a generation of young men who were forced to do engineering even as they want to do something else. He struggled hard and finally managed to pass the exams after multiple efforts. But his dream is to become a chef and for the same, he keeps trying. But his father Chandramohan (Siddique) is convinced that he shouldn’t do cooking after studying engineering, and gets him a job in a call centre. He meets Reshma (Viviya Santh) there and falls in love, only to end up realizing that she was cheating on her – his expression of his anger becomes viral on Youtube, and he also losses his job. His parents feel that the only way to make him responsible is to get him married to a rich and educated girl who would also be able to provide him with financial support. Finally, they find such a family and a girl.

So, what happens with the events to follow? :: This leads them to the house of Venugopal (Renji Panicker) who wishes to see his daughter Pournami a.k.a. Pinky (Aishwarya Lekshmi) married as soon as possible. Being an MBA holder and wishing to become a successful entrepreneur, she has the record of failing in every business she tried to begin, and in the process, losing the money her father invested in her ventures. As the two meet and talk, the door of the room which was being repaired, gets closed and is automatically locked. As the two are locked inside with the carpenter being called for, they are left with a few hours to talk about their past, present, future and ambitions. This talk changes the journey of life for both of them. They don’t find them as good match for each other and are not in a mood to marry soon, but destiny has other plans.

The defence of Vijay Superum Pournamiyum :: Remake of a Telugu movie Pelli Choopulu starring Vijay Devarakonda and Ritu Varma which is also known to have a Hindi remake called Mitron, Vijay Superum Pournamiyum does manage to make it completely Keralite with its moments nicely reflecting life easily. The feel-good elements work nicely, and the movie is light-hearted throughout its run, despite having moments which could have driven it through another path. The first half is full of fun, and the second one comes with an emotional touch as expected. With a simple plot, the characters are of interest right from the beginning itself. There are things that you can relate to, and it is a fine watch for the family audience in more than one way. The messages are good, and these also go for all kinds of audience of the present age.

The claws of flaw :: The second half, except for the final moments, doesn’t have the fun as the first half had. The radio talk sequence also could have something better to replace it, as it made things look too easy in the end. There is too much of a journey on the expected path, and the divergence could have been shown in a better way. There is the confusion, inability to talk about one’s love for each other, business deals relating to wedding and more, all of them going in a predictable manner. After the food truck business started, there was actually scope for more too. The songs are okay, and there is a nice one; the background music is good enough to give the feeling – there are those strange and ridiculous dance sequences in one song though, which don’t even come close to being funny. There are times when the movie seems to get into the melodrama mood, which was kind of out of place. Well, this is the first big Malayalam movie of the year, and you can expect more every time.

The performers of the soul :: Asif Ali plays the immature youth unable to do anything positive in life, and lacking confidence – it is something that he does with ease and in a believable way. We remember how he did the confused young man roles in the movies like Thrissivaperoor Kliptham, Avarude Raavukal and Adventures of Omanakkuttan. The irresponsible youth role was safe with him even in the earlier movies like Kavi Uddheshichathu..? and Anuraga Karikkin Vellam. Aishwarya Lekshmi coming out of the Njandukalude Nattil Oridavela, Mayaanadhi, Varathan trio of big hits critically appreciated, does another fantastic job in portraying the lady who is set to leave a mark – she is once again a long way ahead of the rest, getting into her role so well. She has all those moments in control, no matter what is thrown at her.

Further performers of the soul :: Siddique and Renji Panicker handles the father roles here really well, with former going through his familiar territory nicely and latter doing what he has been doing so well since Om Shanti Oshana – the father who is very much caring for his children and supports them in more than one way. Another father figure who is there for a lesser amount of time is Devan who has not a lot to do. Aju Varghese has only a smaller role, but it is significant, and the funny side is strong during his presence. Balu Varghese and Joseph Annamkutty Jose support with enough jokes to add to the fun too. Shantikrishna has another mother role which she continues after the recently released Ente Ummante Peru in which she was there only for a few minutes. Darshana Rajendran also has some friendly, cute support in store for the protagonists. Then there is KPAC Lalitha doing the perfect grandmother yet again.

How it finishes :: As the third movie that united Jis Joy and Asif Ali as director and leading actor, following Bicycle Thieves and Sunday Holiday, this movie was expected to have something special in store. Bicycle Thieves was a dumb movie with foolish twists which were not needed, but Sunday Holiday had nice feel-good factor in store. With Vijay Superum Pournamiyum too, it was the same thing that the audience expected, and it is the same that they received, but in an even better package. Njan Prakashan is still running in the theatres with strong feel-good elements and Ente Ummante Peru had no shortage of the same; Thattumpurath Achuthan despite lagging behind had also tried the same – in this season of feel-good supported by Christmas and New Year, Vijay Superum Pournamiyum has its own high position to be proud of.

Release date: 11th January 2019
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Balu Varghese, Aju Varghese, Aishwarya Lekshmi, Siddique, Darshana Rajendran, Devan, Joseph Annamkutty Jose, KPAC Lalitha, Maya Menon, Renji Panicker, Shantikrishna, Austin Dan, Viviya Santh, Shaheen Siddique, Rajesh Sharma, K. S. Chithra, Harisanth Sharan

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Njan Prakashan

What is the movie about? :: Prakashan (Fahadh Faasil) is someone who is looking for easy money instead of going for the profession that he is skilled in – the job of a male nurse in one of the hospitals in the state or even the nation doesn’t seem to appeal to him, as he wastes his days doing nothing useful other than complain. His hope for a better job sees some light when he once again meets his former lover Salomi (Nikhila Vimal) who studied in the same nursing college. He was consistently avoiding her as she wasn’t that rich as he expected her to be. But the information that she is leaving for Germany to work at a salary of above three lakhs, his love for her quickly returns to him. He hopes to marry her and go to Germany, only to divorce her and marry someone from a rich and reputed family later. For achieving the same, he begins showing his love towards her and her family in different ways.

So, what happens with the events to follow? :: Now known as PR Akash after changing his original name, he is determined to leave for Germany, whatever happens. He seeks the help of his father’s former student Gopalji (Sreenivasan) who is a labout supplier, and even learns German after shifting to the city. For achieving his German dreams, he even pretends to be an orphan and secretly marry Salomi at the register office. He even tries and succeeds in getting the remaining cash which is needed for her to leave for Germany. Everything seems perfect until her father lands in the hospital. Twist of fate lands him at another place, as a male nurse to a rich child Tina (Devika Sanjay) who has been an eternal pain to her nurses until they left, and he also comes across Shruthi (Anju Kurian) who is struggling to keep her life going after the death of her father. For him, Germany no longer is the option or the dream.

The defence of Njan Prakashan :: There are some wonderful performances to power this movie, and along with the same, it also holds a mirror in front of the society – it is more or less a satire, as we see more than one people you know in the form of Prakashan. Our protagonist is someone who is not willing to work hard thus choosing any chance for easy money, complaining about one thing or the other, being sceptical and jealous about others, and more. We do meet people having these qualities often, which is why the movie becomes a reflection of those around us. The movie as a satire is funny, but not throughout, and it leaves us with some questions, along with invoking the emotional side slightly as well as brutally. As the movie reaches the end, it becomes that morality tale which has the lesson being taught as it finishes. The second half of the movie is top quality, racing ahead of the first, towards glory in the end with the climax and beyond.

The claws of flaw :: Njan Prakashan could have been more natural and it would have been as good as Maheshinte Prathikaaram – instead, this one has been polished, and certain cliches have been added, with the progress being more or less in an old format. The repetitive mode of comedy is rather strange considering the fact that these moments have a lot more to contribute to the overal quality of the movie. The first half of the movie is kind of dull in most parts, with jokes being present at times, and it doesn’t work at some points either. If the first half was reduced in length and more was added to the second, that would have helped the movie further. There is also the absence of some good songs, which should be the selling point of such flicks. We also see no attempt to capture the beauty and tranquility of the villages, as the same could also been positive addition to the movie. The talk about migrant labour population also gets nowhere in the end.

The performers of the soul :: Fahadh Faasil is once again the man to look out for, as there are shades of Maheshinte Prathikaaram in his character, and the same is combined with the other side of his character in Thondimuthalum Driksakshiyum. Fahadh easily manages this role with every ingredient that the character needed, and it comes as no surprise for us, considering the variety he has been bringing until his last movie, Varathan. We see him excelling in the natural fun moments as well as those strong emotional moments. The change that comes within the character is also nicely displayed by him, and is complete by the end. He also gets to show some shades of his character in Oru Indian Pranayakadha, the earlier combination between him and the same veteran director. The role from Carbon should also be coming to one’s mind as part of those different, yet similar faces of the man who has shown us many faces on the big screen.

Further performers of the soul :: The two heroines of the movie are Nikhila Vimal and Anju Kurian. Nikhila who had her first lead role in Love 24×7 was last seen in another wonderful performance in Aravindante Athidhikal. Anju’s lead role in Kavi Uddheshichathu was a memorable one. The former leads the first half while the latter influences the second. Both are perfectly suited for their roles, and we look forward to seeing them in more movies. Devika Sanjay who plays Tina in this movie with her debut, makes her first one grand, without doubt. She is someone for the future of the industry without doubt. The different shades of a lone school girl is nicely portrayed by her. Sreenivasan remains strong throughout the movie, even though one would feel that his character could have been a lot funnier consider the role and the setting.

How it finishes :: Ente Ummante Peru, Thattumpurath Achuthan, Pretham 2 and Njan Prakashan have been the Christmas moves, and all of them have been doing pretty good, with Odiyan also staying there. Well, the best of the year, Joseph is not finished yet, and we know that there are so many options out there. Among these movies, Njan Prakashan surely has an advantage, because of how it ends, and regarding how it can be connected to the common man’s life. As the year comes to an end, there are things that we need to make sure about, before taking those new year resolutions. Njan Prakashan is that kind of a movie which helps one to do that with ease. The change that needs to happen, is clearly shown in this flick, as we look forward to another year, a better one, with better us.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Nikhila Vimal, Anju Kurian, Sreenivasan, Aparna Das, Aneesh G Menon, Sabitha Anand, KPAC Lalitha, Veena Nair, Manjula, Manjusha, Jayashankar, Munshi Dileep, Devika Sanjay, MG Sasi, Shania D’Souza

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Aravindante Athidhikal

What is the movie about? :: The movie is set up in the area around the Mookambika Temple in the Udupi district of Karnataka. Abandoned by his mother in the temple premises at an early age, Aravindan (Vineeth Sreenivasan) was adopted by Madhavan (Sreenivasan) who made sure that he grew up to be an energetic and educated young man. Madhavan and Aravindan are running a lodge near the temple, and are trying their best to keep up with the rising competition in the name of religious tourism and spiritual journeys, a case in which religions and regions and competing which each other to bring new holy places into the picture. Meanwhile, Girija (Urvashi) and her daughter Varada (Nikhila Vimal) arrives as his new guests at the lodge. Due to some unexpected circumstances, Varada’s performance at the temple is delayed, and in the mean time, Aravindan and her become very good friends.

So, what happens with the events to follow? :: As a few days pass and she has to leave due to the death of her uncle, Varada feels that Aravindan should give up simply waiting for his mother and start searching for her – Varada herself takes it as her duty to find her with the help of some of Aravindan’s friends. While practising at Sreejaya Nair’s (Janaki Subramaniam) dance academy at Kumbakonam, she is still looking for clues to find the one lady who abandoned her child at the sacred place, and never really looking back. But the question remains if it is easy to find such a person with no solid clue except for some drawings which Aravindan has been preparing since childhood. Well, Varada is not someone who could be disheartened that easily, and will come back to Mookambika for their team’s performance, and there will be at least one good news for Aravindan. What could that be, in the sacred lands?

The defence of Aravindante Athidhikal :: The movie is perfectly targeted at the family audience rather than anyone else, and the whole thing seems to be well directed towards the particular direction. The music is very good and suits the mood of the movie, as it supports the emotional side, and brings us to that final feel-good factor. There are some nice shots of Mookambika and its surroundings, and we feel the mood of the sacred town more than once. We have some interesting characters too, some who wishes to fly on the wings of hope, and others just keep the hope at home, for without it, there might be no tomorrow. As President Snow says in The Hunger Games, it is hope that remains the only thing stronger than fear – we need it, and people decide on how much. Well, there is no shortage of hope in a holy town. With some simple funny moments and the strong emotional side, this movie gets home without trouble.

The claws of flaw :: The story might feel a little outdated for some people, as old wine in a new bottle, but if that wine is still not that bad, one has to wonder why the audience wouldn’t like to have some. The movie also ends rather too soon, and we know that it is the finish when the credits start rolling. We could have also had more with its core tale, which can go beyond the usual stuff, but that attempt is not made here. With a holy town in the middle and the same made colourful, maybe we could have had things to go a level further up – but the movie is satisfied with just this much. There is no dramatic twist that awaits you in this movie, as it keeps the journey straight and simple, or rather too direct for some people. If you are looking for that extra dose of melodrama, it is not going to be there because we see the attempt to have things going closer to reality than anything else.

The performers of the soul :: Vineeth Sreenivasan and Sreenivasan plays the family again, and even though adopted this time, they are no less father-son in effect. Both have their roles nicely matching them, and got their characters as no challenges, doing well at all moments, whether it is about adding some extra fun moments or to contribute to that deep emotional side. Well, we always have certain minimum expectations when the two come together, and it is once again proven that the duo has the strength to keep the whole thing close. These are times when the family movies are needed, and there are no people better than these two to do so. The presence of the family audience in the theatres is more due to the two being there rather than anything else. Urvashi is there with some fun moments after some break, and Aju Varghese along with Bijukuttan further contributes to the funny side with ease.

Further performers of the soul :: Nikhila Vimal has come back to Malayalam movie industry after Love 24×7, and it feels great to have her back at a time that we seem to need someone like her – she has the type of skills that are above the usual actresses that we have here, most of them seemingly here due to recommendation or by having someone in the cinema field. Nikhila stands tall with her performance here, and each moment, whatever it deals with, she scores. She is a wonderful talent that all of us need here, rather than in another industry. After her introduction, it is more about her rather than anyone else. Sreejaya Nair is a nice addition to this tale, and in between, we have Vijayaraghavan, Premkumar and Kottayam Nazeer contributing to the fun. Baiju and Sneha Sreekumar are there for initiating the comic side, as we see in the beginning. KPAC Lalitha is again there playing a mother figure.

How it finishes :: Well, Aravindante Athidhikal is that kind of a movie that is determined to touch your heart, and also leave a smile on your face in the end. It is the feel-good movie that can rise above the others due to its ability to keep things direct and enjoyable throughout its run-time of two hours and two seconds, a length that leaves no chances to drag in between. It is rather surprising that this movie had less publicity compared to the other movies released on the same day, Avengers: Infinity War, Uncle and Thobama. Well, Panchavarnathatha and Mohanlal are still running too. You are not going to regret watching Aravindante Athidhikal on the big screen, and watching with family would be a wonderful experience – well, this is the holiday season, and watching this one with family might be the right choice. After all, feel-good never leaves our industry, as there is always more of the kind.

Release date: 27th April 2018
Running time: 122 minutes
Directed by: M Mohanan
Starring: Vineeth Sreenivasan, Nikhila Vimal, Aju Varghese, Sreenivasan, Prem Kumar, Vijayaraghavan, Urvashi, KPAC Lalitha, Baiju, Sneha Sreekumar, Bijukuttan, Sreejaya Nair, Kottayam Nazeer, Shanthi Krishna, Devan

@ Cemetery Watch
✠ The Vampire Bat.

Uncle

What is the movie about? :: Shruthi (Karthika Muraleedharan) is a young lady on her way back home, to Kozhikode from Ooty, where she has been studying, on a day which has strikes and protests written all over it. The violent protesters are everywhere in Ooty and Coonoor, destroying public property and attacking private vehicles according to their will. After getting into a fight with her best friend Sam (Ganapathi), she is looking for a way to get home, and gets on the path of Krishnakumar (Mammootty), a rich businessman who is an old friend and former classmate of her father, Vijayan (Joy Mathew). He offers her a lift to Kozhikode as he is also going that way, and as she knows him well enough, she accepts, even though not without some initial hesitation. This begins a journey that would last many hours, and they get along quite well throughout the trip.

So, what happens with the events to follow? :: Vijayan and his wife Lakshmi (Muthumani) are worried about her safety, especially the former who is not a fan of the character of his good old friend known for being with many women and being under the influence of alcohol for most of the time. But they think that their daughter would be back before it is night, but as darkness falls, it turns out that they have only reached some kilometres away from the checkpost will stay closed until next morning. A small accident with a truck and the frequent stops for taking photos only delay things further. Now, the two have to stay somewhere until next morning, and the concerns of Vijayan rises to a new level. Krishnakumar is known to have divorced his wife, and is suspected to have some relationships which wouldn’t be acceptable to the society – the car is also chased by two young men on a motorbike; is there danger awaiting Shruthi?

The defence of Uncle :: The issues that Uncle deals with are more or less relevant, not just in one area of the country, but everywhere, in varying levels. The cases of moral poicing and having never-ending doubts about a man and woman traveling at night or to deserted places – no questions are lost here. There are the reflections of prejudice, strange judgment, unnecessary fear and more, which are more or less present in almost all of us. The movie also has some good visuals and a fine song which is to stay on for long. It is also a movie of infinite opportunities, a case which Thanos himself would take for his infinity gauntlet – you know this idea, which is difficult to work on, but if done correctly, can give the results better than any other. Maybe, at another point of time, another movie will develop this for another age, in a better and smarter way. We can see the signs of such possibilities here itself at some points.

The claws of flaw :: The focus seems to be lacking in the tale which could have been an efficient thriller, but it never even comes close. There seems to be an attempt to make the audience believe that the girl is in distress, but never does the flick attain success with that. Our protagonist could be an enigma, but never a threat to an innocent girl despite us trying to see it from many perspectives. To bring a message, this one seems to have taken the energy out of everything else, which is rather disappointing – if it was all about coming to those last moments, why stretch the whole thing so much? The movie is so long, but there is not that much of content to stay and keep the viewers engaged. The female protagonist never becomes worthy enough to be of someone whom we could feel for, and the male protagonist never even tries for the same – this is something which drives us away from the characters, and at some point, their fate becomes something of no concern for us, especially when the willing suspension of belief losses the suspension too.

The performers of the soul :: When Mammootty makes a wonderful walk through this movie, you are not surprised – there are elements of his characters in his earlier movies from the golden age of Malayalam Cinema right here, but with the difference that has come through the ages. There is no superhero mode here though, and expect for one final punch which might have been necessary for most of the superstars out there, we see him going through a natural path – the Masterpiece model is dead at least for now, with no slow motion and beating up multiple people who fly around. The dark shades which some of the viewers had expected were missing though, as the breeze is rather light. He is a man with some surprises, as mystery is there regarding his world, but it is never in the dark world, as he keeps himself close to light, without allowing the darkness to creep in.

Further performers of the soul :: Joy Mathew is amazingly good as the father figure, and his worries keep us engaged. We see the emotions of a father very well reflected on his face, as he comes to know more. Muthumani keeps scoring with her dialogues, and the strength continues to be there till the end. Karthika Muralidharan has some cute moments here, and we had seen her doing almost nothing in CIA: Comrade in America – this might be an improvement in parts, but there are moments of overacting which can be considered difficult to bear. It is a saga of ups and downs, and in the same, the level is reluctant to go up after a certain point of time. She can do more, but that much is not there to be seen. She doesn’t look like a minor as mentioned in the movie either. KPAC Lalitha and Kailash story would seem a little strange, but brings some humour, and has the extra content to give the audience something else to focus in between, without the same journey in the car being repeated again and again.

How it finishes :: Uncle is good divergence for sure, but losses some of the territory it gained because of how big it happens to be – it is more or less like the Roman Empire which couldn’t control its territorial gains when the weaknesses were revealed with further expansion of the empire; but there is no questioning the idea behind both of them, and the strength when it was present. But we do have some talented cast members and the premise with a difference, bringing a mirror to the society – it is something that we just can’t avoid, and for the same reason, Uncle deserves a watch. We can always have more of the movies which leaves a message for the audience or reflects the society’s troubles in one way or the other. Uncle is a good sign of better movies to come, and we can hope for greatness in them, or rather the infinity of quality with the industry’s further uprising.

Release date: 27th April 2018
Running time: 144 minutes
Directed by: Girish Damodar
Starring: Mammootty, Joy Mathew, Karthika Muralidharan, Muthumani, Suresh Krishna, KPAC Lalitha, Kailash, Ganapathi, Meghanadhan

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Mohanlal

What is the movie about? :: Meenakshi (Manju Warrier) a.k.a. Meenukkutty is a die-hard fan of Mohanlal who was born on the same day on which the actor’s first movie, Manjil Virinja Pookkal released. Right from childhood, she used to be that huge a fan of the actor that she couldn’t stand anything said against him – she could only be pleased by things related to Mohanlal. After growing up, nothing changed for her, and she is finally married to Sethumadhavan (Indrajith Sukumaran) who has been in love with her since their childhood times at the same classes in the same school. As Meenakshi just goes on watching Mohanlal movies on the first day first show, and fighting with people who speaks against the actor, the marriage itself seems secondary to her. Sethumadhavan who couldn’t even think about not loving her, decides to keep her happy by allowing this strange addiction which goes over everything else.

So, what happens with the events to follow? :: But things only get worse, and Sethumadhavan decides to end his life by jumping in front of a train. There he meets a stranger (Soubin Shahir) who is sitting in the railway station with his dog. Sethumadhavan tells his story to the new friend who seems to be a little crazy himself. The story begins from their childhood when he develops certain interest for Meenakshi, and to their marriage and beyond. Meenakshi’s interests only get stranger, and it gets to the worst situation with her getting pregnant after a long wait, and them losing their child because of her need to watch another Mohanlal movie on the first day first show. But that wouldn’t change her, and after moving to a new place, there would me more to affect their family life in a terrible manner. How can they fight through this struggle which keeps repeating itself?

The defence of Mohanlal :: There is nostalgia being awakened in this movie, as Mohanlal movies had been defining our childhood. We see a fine beginning to this movie, with reference to Manjil Virinja Pookkal in which Mohanlal made the entry as a villain. The song in the beginning is the best of them all, and sets a fine mood for everything. The scenes involving the children are too good, as they grow up watching Mohanlal in his movies, and the youth also has a few moments during its short existence. It is the first half maintaining a certain level that makes sure that people are very much interested in knowing what is to follow. The movie is also a clear improvement from the director’s earlier movie, IDI: Inspector Dawood Ibrahim. The comedy is also better than the earlier fan stuff movie, Pokkiri Simon, even though there is no twist or suspense to this one.

The claws of flaw :: There seems to be not much care given for the story here, as it is rather too ordinary, with nothing innovative happening, even though there was surely the chance for something special. The reflection of fan stuff is also done in a strange manner. The fan thing is more or less irritating at times, and the length of the movie is also a little too much for such a story which never tries to raise its level. The justification provided for extreme fan worship is even stranger, and never does it seem to bring things together – its ending is rather forced to become a happy one, and the reality, as one would expect, can only be much worse. There was the chance to lighten up the nostalgia with each moment of life, but such a plan is never there. This never seems to have the plan to show a normal fan who has controlled love for the favourite superstar. The first half is some fun, while the second half drags on.

The performers of the soul :: Even though we can say that Manju Warrier is perfectly suited for this role, there will be opinions that the character has been overdone, and is more or less irritating for anyone’s taste. Some of the actions of the character just can’t be justified, and providing justification here would do more harm than good. Coming out of C/O Saira Banu, Udaharanam Sujatha and Villain last year followed by Aami, this character has no strength, no matter into which genre we put this one. Yes, there are moments which stay, and the comic side is handled better in the early stages, while the latter moments never even come close. Indrajith had two thrilling adventures last year in the form of Tiyaan and Lakshyam, both taking different paths, and here we have a change again. He seems comfortable in this role, and he plays the helpless husband facing fan nonsense with no problems.

Further performers of the soul :: Meenakshi, known the best for Amar Akbar Anthony and Oppam, makes the childhood moments memorable, with Vishal Krishna of Maalgudi Days and Annmaria Kalippilaanu fame. Shebin Benson and Krittika Pradeep also have some shorter moments of glory, with latter earlier being seem in Aadhi as the girl who admires the leading character. Soubin Shahir provides some fun, but the character never really suits this movie. The same can be said about Salim Kumar who has too short a role, which makes no contribution to the overall story. Even Aju Varghese who plays a major character has the role being given less attention, with ineffective jokes – Hareesh Perumanna is also wasted in a small presence. There are many characters, with faces that can be recognized easily, but most of them seem to be present for the sake of being there.

How it finishes :: This is the movie that needs Mohanlal to fuel it, but it doesn’t deserve the star due to the ordinary stuff that it provides in the name of an extraordinary actor. When you name a movie Mohanlal, there is a certain expectation about keeping a level, but we see that it is the only thing this one tries to focus to bring the fans. We do feel those movies with which we grew up with, and at the same time, we keep wondering if this is the best tribute that was there to be watched. After all, this is Vishu, and we Keralites deserve more. This year had many movies, but as of now, it has been struggling to catch up with the flicks which released last year during the same months. Is this the loss of creativity around here, or because the big ones are yet to come? We will see that, and until then, Mohanlal might be the movie that families can enjoy up to an extent along with some Mohanlal fans, depending upon what you are looking for.

Release date: 14th April 2018
Running time: 140 minutes
Directed by: Sajid Yahiya
Starring: Manju Warrier, Indrajith Sukumaran, Aju Varghese, Krittika Pradeep, Baby Meenakshi, Shebin Benson, Master Vishal, Unni Krishnan, Salim Kumar, Soubin Shahir, KPAC Lalitha, Hareesh Perumanna, Sreejith Ravi, Anjali Aneesh, Siddique, Balachandran Chullikkadu, Pradeep Kottayam, Riyas Doha, Sudhi Koppa, Sunil Sukhada, Manoj Guinness, Sajan Palluruthy, Kottayam Nazeer, Anjana Appukuttan, Praseetha Menon, Sethu Lakshmi, Asha Aravind, Unni Rajan P Dev, Sreya Remesh, Molly Kannamaly, Prithviraj Sukumaran (voice)

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@ Cemetery Watch
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Clint

What is the movie about? :: Edmund Thomas Clint (Master Alok) is the only son of MT Joseph (Unni Mukundan) and Chinnamma Joseph (Rima Kallingal), and was named after the famous Hollywood actor Clint Eastwood, as his parents were his fan at that time. While his mother remained a housewife, his father has been working as an upper division clerk with the government. He loved colours so much that he started painting at a very small age. His work impressed his parents as well as people around, but their decision to accept the boy’s decision to not attend school anymore was considered, and often declared as radical and foolish by so many of his well-wishers. He has been known to be a curious boy who wished to travel and see things, reflecting them on his canvas, and when he couldn’t, he used the descriptions by the people around him and the books given by his father to come up with an idea of how things could really be, as he combined them with his creativity and sharp intellect.

So, what happens with the events to follow in this biopic? :: It is one of Joseph’s friends Mohanan (Vinay Forrt) who appreciates his work the most, among those outside his family. It is when he is getting more and more attention, and even while getting selected to participate in a number of competitions, that tragedy strikes. His doctor and nephrologist Joseph Abraham (Joy Mathew) lets his parents know the terrible thing, that his kidneys are failing, and there might not be many days left before him – they can only try, according to him. Shattered by this news, Clint’s parents’ life won’t be the same again. But they try their best to keep their child happy during his last days. But fate always wins, and there is no chance to stop him – but can they delay the inevitable as much as they can, and bring some hope? There is the certainty of more being painted by the boy, even when being so close to death.

The defence of Clint :: Showing the life of a child prodigy who is known to have drawn over twenty five thousand paintings during his short life of a little less than seven years, here is a certain amount of inspiration in store with this movie, and we get close to life of the little genius on the big screen. Telling the tale of a naturally skilled person, this one nicely explores how he had been doing what was best at. There are some nice visuals and a few memorable moments to go with the same. The setting is very good, and helps to make the movie better. Even though the child is at the centre, there are some familiar names who get to show their skills in the movie too. The best thing about this movie is that it hasn’t complicated things that much when it could have done the same, and it never does concentrate that much on the disease when the usual tendency to do the same. Without that, the movie provides us a pretty good journey through the life of the famous child prodigy.

The claws of flaw :: There is the movie going so close to melodrama, and some moments just seem to be added to bring the cliche stuff in a predictable manner rather than anything else. We also find some dialogues rather too much for the child, and the sequence involving Salim Kumar is rather strange instead of being funny – it is the worst point of this flick. It even has a barber who looks on like a butcher. The movie also drags in between, which is rather strange, because they could have kept things going just with the paintings, and children playing; also those dialogues between father and son, which could have been the highlights of this movie, goes rather restricted, despite the promise shown in the beginning. There seems to be limitations around here, with the story and its moments, for there was scope to bring in more and more, which could have made this movie a big, colourful thing just like the real child in his real life is known to be. There was the need for quality.

Performers of the soul :: It is never that easy to get a biopic related to the life of one special child with amazing skills at a very young age. It was essential to find the right cast, and Master Alok, despite providing us with a few doubts in the beginning, does a fine reflection of the character he plays here. The existential questions do provide him the chance to take it further, as life after death, one’s existence as stars after that, and many other come to him. He has his best moments after getting the disease though, and goes throughout without struggling at any point. Baby Akshara is good support to him, even though some dialogues given to her just go strange, as with Alok on a few occasions, but latter has better control. Children and their world, if given more life with the colours on the canvas reflected into them, would have provided these two something further cute to work with though.

Further performers of the soul :: It is only after the movie gets to come up with a talk with the real life parents of Clint that we get into the movie. After we get in there, it is Unni Mukundan and Rima Kallingal, especially the latter, who gets to work through the pillars of this movie, and hold it together for its protagonist to manage. Both of them provide us with what seems to be an honest attempt at making this work, and their presence makes some of those problems in this movie to be forgotten. They are really good right from the beginning, and they excel at the emotional sequences. There is not that much revealed about their characters, but the two rightly portray what is needed here. The next big role here goes to Vinay Forrt, who is not far behind in his portrayal of the friend and well-wisher. Renji Panicker comes in and contributes in a good, smaller role, but Joy Mathew is indeed the next noticeable one, as he does his doctor act with no problems.

How it finishes :: One can be sure that this is a good attempt at making a biopic on the life of our own child prodigy. But there will still be doubts if this couldn’t be any better. With four movies being there in the theatres from last ten days, including Thrissivaperoor Kliptham, Varnyathil Aashanka, Sarvopari Palakkaran and Chunkzz, along with the leftover movies Basheerinte Premalekhanam, Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum, Clint is going to have a tough time in the less number of theatres it is being screened. With some more, attention, this movie could have competed well, and even won against most of these titles – there can be more from the life of a child prodigy who has gone on to become someone whom we all know. As of now, as this movie stands, it becomes also our opportunity to check this movie, and feel the strength of the life of a little master of colours – it is where this movie has our attention, making an attempt not to be forgotten. I watched this one because I wanted to know, and I wished to see everything alive – don’t you too, for such a skilled child?

Release date: 11th August 2017
Running time: 138 minutes
Directed by: Harikumar
Starring: Unni Mukundan, Rima Kallingal, Master Alok, Vinay Forrt, Joy Mathew, Renji Panicker, Baby Akshara, Salim Kumar, KPAC Lalitha

@ Cemetery Watch
✠ The Vampire Bat.

Varnyathil Aashanka

What is the movie about? :: Pratheesh (Shine Tom Chacko) is a simple guy looking to start a business in or around the city of Thrissur. But usual way of making money doesn’t come naturally to him – he is always looking for the easy path, the shortcuts to his objective. His people doesn’t have a high opinion about him, especially his uncle (Jayaraj Warrier) from whom he takes small amounts of money which he can’t pay back. He also needs money for his new business and has nobody to aid him. At the same time, he has to pay to get back the gold ornaments of his friend Thanima (Gayathri Suresh), which he had used to get money for his needs – she threatens to commit suicide after letting everyone know that he is responsible for her death. Pratheesh even tries pickpocketing, but gets beaten up before escaping. His best friend is Wilson (Chemban Vinod Jose) who also goes through a similar phase, and is looking for some money for family matters.

So, what happens with the events to follow? :: Meanwhile, Shivan (Kunchacko Boban) is a rather experienced thief in the locality. He is known to be very good at his work, and whenever he brings something home, everyone thinks that he has stolen it. Pratheesh, Wilson and Shivan meets up over alcohol, and Gilbert (Manikandan R Achari) from the nearby town also joins them. As they all have their own problems, they decide to solve them all by doing a big heist at the nearby Aishwarya Jewellery owned by Ittoop (Sunil Sukhada). It is something that could change their lives forever, and they plan to do it the simple and effective way, on a twenty four hour harthal night which will have almost nobody on the road in front of the shop. With violence having broken out after the death of a party worker, people have been staying indoor throughout the district, and they decide to use it to their advantage. If things work out right, this would be their one big heist and the last one.

And what else is to happen here? :: Dayanandhan (Suraj Venjaramoodu) is just another guy living nearby, and has been sitting idle at home after the bar where he was working had shut down according to the new liquor policy of the government. His wife Keerthana (Rachana Narayanankutty) goes to work at a nearby textile shop, and he isn’t interested in searching for a new job. They have also taken loans, and as they had married after eloping, there is nobody from their place to help them. While returning home after meeting a friend at Aluva on the same harthal day, Dayanandan comes up against the same thieves, and they decide to shut him up in one way or the other. There are also two policemen, Gireesh (Tini Tom) and Murugan (Dinesh Prabhakar) who arrives at the same location at the same time. This leaves everyone confused, on what is to happen next. Everyone has their own problems to deal with, but this one only gets more twisted.

The defence of Varnyathil Aashanka :: The movie goes through a satirical mode with its content, as it takes on what has been happening in the state during some time. There is a lot of humour happening here with simple incidents, as you would notice – the simple things in life gets packed into more and more humour, and there seems to be no difficulty in doing the same at any point. There are also those reflections and messages to take home, as uses its humour to show the people around us as they are – you see that the thieves are the same, and you doubt if this and that are the same. Never does the movie losses its pace, and you will see that it is always interesting. You also see the power of team work in this one, as this is not limited to one person overshadowing the rest – everyone gets to do their part, and contribute to the tale as well as the overall humour. You are going to be interested in being part of the simple man’s heist without complications, in one way or the other.

The claws of flaw :: Despite providing a reflection of the state of our surroundings and leaving the message, the movie’s final funny and interesting speech will feel a little too lengthy, and the final moments will also seem not matching the whole movie, as it goes without the wonder which was rather expected. There also those moments which seem to defy logic, but in the name of bringing the funny side in a neat way, you will find things to be fair – with the same, it eclipses the other two movies which released on the same day. Still, the movie has a few moments in the first half which will hold it down, but it is just by a little bit. There shouldn’t be the expectations about seeing a big heist movie with this one too, as that can ruin things. On the first day of its release, this one seemed to be rather not hyped, and made way for the rest of the releases, but we see this one getting stronger now.

Performers of the soul :: The movie begins with Shine Tom Chacko’s character, and he gets a fine role here following Tiyaan, which he has done without stumbling anywhere. Kunchacko Boban has brought his character to a fine level, and it is very unlike what he has been doing in the recent past. Suraj Venjaramoodu has another interesting role, which immediately catches our attention right from the beginning – he arrives late and he conquers. There is one final speech that he gets to make further difference nicely and effectively. Chemban Vinod Jose is at his usual best, as he has played the thief in so many other movies, having no trouble with this one. Manikandan R Achari extends the fun which is present like he did with Alamara and Basheerinte Premalekhanam, and has his own moments with the flick. Gayathri Suresh makes one nice cameo at the end, which you will remember. Rachana Narayanankutty is a fine addition too, as you would see here.

How it finishes :: Varnyathil Aashanka battles against Sarvopari Palakkaran and Chunkzz for this weeekend, while the others including Sunday Holiday, Kadam Katha and Thondimuthalum Driksakshiyum are also there from the previous weeks. Its comparisons are going to be to Sapthamashree Thaskaraha and Kohinoor, both having quite a big group of thieves looking forward to the big heist. In comparison, one can place this movie in between the other two movies, as it is better than Sapthamashree Thaskaraha, but not as better as Kohinoor. Certainly a lot better than the other movie of thieves like Bicycle Thieves and Urumbukal Urangaarilla, Varnyathil Aashanka has something that the rest of the flicks of the same kind never had – its ability to use some satire to reflect and make fun of the happenings in the state, and the movie can consider the same as its special quality which makes its stand apart.

Release date: 4th August 2017
Running time: 137 minutes
Directed by: Sidharth Bharathan
Starring: Kunchacko Boban, Chemban Vinod Jose, Shine Tom Chacko, Rachana Narayanankutty, Manikandan R Achari, Suraj Venjaramoodu, Jayaraj Warrier, Sunil Sukhada, Tini Tom, Dinesh Prabhakar, Gayathri Suresh (cameo), KPAC Lalitha (cameo)

<— Click here for the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Sunday Holiday

What is the movie about? :: Unni Mukundan (Sreenivasan) is a lecturer teaching in the commerce department of a reputed college in Aluva, who is more interested in giving lessons about life to his students on Sundays, and also to convert his script into a movie. He has been wandering around with his movie dreams for quite a long time, but nobody has accepted, or even considered reading his script. Nobody even believes that he has a good enough story, and most of the popular directors refuse to see him, consider him as just one of those people bothering them with something which will waste their time. It is during those times that Unni comes to know that a popular and highly successful director, David Paul (Lal Jose) has been admitted in the nearby hospital. He decides to make use of that opportunity, and visit him to tell the story. Even though David is initially reluctant, he decides that it will not hurt anyone to just listen during free time.

So, what happens in the story within the story? :: It is the tale of Amal (Asif Ali), a youngster who has been in love with Sithara (Shruti Ramachandran) ever since they had known each other during childhood. It is a relationship which their families which are related to each other, approves of, but only until Sithara gets a proposal from a doctor, something which neither her parents or the opportunist lady herself wishes to let go. As she immediately chooses the newly found love who earns in big numbers, the jobless young man leaves his town of Thalassery to the city of Cochin, as there is a small job set for him at the place. He reaches there and finds himself selling CDs and DVDs of devotional songs, and at the same time, meets a girl named Anu (Aparna Balamurali) who is also doing some selling door to door. The incidents which are to follow affects his life, and the heart-broken one gets something to cheer him up for the rest of his life.

The defence of Sunday Holiday :: You are sure to find happiness in the little things of joy that the movie brings, and even though its humour is not leviathan or anything, it is on those little things that the same also concentrates. We have some nice visuals of the places, and the city from high up, is always a joy to watch. The combination of Asif Ali and Aparna Balamurali also proves to be a very nice one. There are also messages to take home in this movie, as it tells the audience to forgive and move on, and to be concerned and kind to others. A moment featuring Sudheer Karamana and Siddique explains that the best. The movie also asserts goodness in those people who act more angry and frustrated than loving. The final twist is good, but the fact that this had to be a movie within a movie is more tiring than helping the cause. Well, feel-good surely feels better to have rather than mixing meaningless twists to a tale which can’t take it, and therefore Sunday Holiday will stand tall over the director’s earlier flick.

The claws of flaw :: It is certain that you will find not much which will give you the feeling of freshness here – there is the kind of story with feel-good factor that has been flourishing for years, and it is the thing that Malayalam movie industry has found easy to follow. It is up-to us to wonder why there is no experimentation with the kind of genre which has worked so well even without that much of a budget. Is it because the same is considered the safe bet, and therefore doesn’t require any more attention? The movie also has sequences which contribute so less to the movie, and there are also those characters without whom movie could have gone foward, along with those tales of some which don’t get to be close to where we had wanted them to. The songs also seem to be added more than needed, as with a certain drag in the middle, we feel this movie to be longer than it really is.

Performers of the soul :: We were waiting for Thrissivaperoor Kliptham starring both Asif Ali and Aparna Balamurali, and here we have this one starring both of them. The former is coming out of two underrated movies, Adventures of Omanakkuttan and Avarude Raavukal, both being divergent in their own terms, and had potential for even more – both were not short of fun if you look at them.The latter is coming right out feel-good success stories, Maheshinte Prathaikaram and Oru Muthassi Gadha, playing three roles in two flicks, and awaiting the next, Sarvopari Palakkaran. She played a girl from Idukki, from Cochin (Ernakulam), Kannur (Iritty) in this one and is now set to play characters from Kottayam (Palai), and Thrissur – well, all seems to work so well as far as Aparna is concerned. With shades of her character in the realistic Dileesh Pothan movie, she is the pick here. Asif Ali’s character though, is closer to his work in Avarude Raavukal, and he is natural in doing the same.

Further performers of the soul :: As Asif Ali plays the young man in need for confidence and change, Aparna is the muse that he was in need to write the rest of his tale on the book of life. Shruti Ramachandran of the Pretham fame is also here doing not much, restricted to the beginning and the end of the flick – see does give that ghostly look in the end for sure. Sreenivasan, Lal Jose and Asha Sharath’s characters work outside the tale, which means that they have much less to do except for the beginning, before the interval, and just after the tale finishes. The two actors whom we are sure to notice, and will ask for them to be present more are Sudheer Karamana and Siddique – no surprises there when you remember how it has been working with the previous movies. Bhagath Manuel also gets to do a good role, even though it doesn’t become the sidekick role as much as expected. Dharmajan is in hold of the comic side, and the rest only has to follow.

How it finishes :: Sunday Holiday is surely an improvement for the director who had earlier directed the movie Bicycle Thieves which is more or less a shame for the Italian classic with the same name, something to which almost everyone at the theatres agreed, watching that movie with so much high expectations after positive reviews. With no other Malayalam release, this is a weekend which only has Tiyaan and Thondimuthalum Driksakshiyum from last two weeks giving it some challenge, and therefore, its place should be safe, even without trying that hard. Along with the other two movies having Asif Ali which released last, this becomes another feel-good flick than anything else – I wouldn’t rate this one above those two though, with its problems in the middle part. Still, we all need feel-good movies which leave something for life all the time, and so Sunday Holiday becomes a good movie to watch this weekend, whether it is really Sunday or not.

Release date: 14th July 2017
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Aparna Balamurali, Shruti Ramachandran, Lal Jose, Bhagath Manuel, Sudheer Karamana, KPAC Lalitha, Asha Sharath, Sreenivasan, Siddique, Sunish Kumar, Dharmajan Bolgatty, Vinaya Prasad, Nirmal Palazhi, Sethulakshmi

@ Cemetery Watch
✠ The Vampire Bat.

Fukri

fukri-2

Vampire Owl: What about Fukrey?

Vampire Bat: I don’t think that there is a relation between the two. That one was a coming of age comedy film.

Vampire Owl: You mean just like Premam.

Vampire Bat: The genre is rather too vast. People who have no idea about that genre were blaming Premam for being close to its category.

Vampire Owl: Yes, some people even praised Blinglore Days for downgrading Premam.

Vampire Bat: It is Bangalore Days.

Vampire Owl: Whatever it is, our concern should only be about the nights, right?

Vampire Bat: It is the presence of the day that makes sure that there is night.

Vampire Owl: Yes, but we all have our preferences, don’t we?

Vampire Bat: Yes, as long as the night has darkness.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Lucky (Jayasurya) and Franklin (Bhagath Manuel) are best friends who are also engineering dropouts looking forward to making some quick money. For the same, they try many things. One day, they end up complicating things so much that they have to keep running from people. During his adventures in making easy money, he meets Nafsi (Prayaga Martin) and Sana (Salini RT) who needs someone to act as an elder cousin to bail them out of some trouble which they had due to bunking classes for watching a Salman Khan movie first day first show. There, posing as their cousins, they come across their real cousin, Ubaid (John Kaippallil), and ends up telling a lie that Lucky is the son of Ali Fukri (Lal) who is the son of Sulaiman Fukri (Siddique). Sulaiman and Ali has a long gone past, which has left them as terrible enemies who wouldn’t hesitate to beat each other up if there was a chance.

So, what happens next? :: Despite being hostile to his son, Sulaiman the patriarch, isn’t angry with his grandson. But Aliya (Anu Sithara) whom Lucky meets on his way back from the college, reveals that Ali has no son, and she is his only daughter. She asks him to get into the Fukri mansion posed as Ali’s son, and there is also an opportunity to be there at Ali’s wife house. Ali had married a Brahmin girl which was one of the many reasons for the problems with his father. Aliya provides enough details for Lucky to be at both places, and during his stay there, he solves almost all his financial debts. As Lucky is in love with Nafsi, he feels that this could work in favour of him in more than one way. At the same time, he decides to unite both families as well as the father and the son. But one day, Ali returns, and he is certainly not happy with it – he wishes to destroy all happiness in Fukri family, and one has to wonder what would happen next.

The defence of Fukri :: There is the presence of comedy, and the jokes work most of the time, and at other times, we have to make ourselves believe that there is some fun stuff going on. The songs are mostly okay, but there is nothing much to remember for long. It is still nicely done for the family audience, and without any bad joke added here and there and hurting no religious or community sentiment, manages a clean work – it needed someone like our veteran director to do the same, even though it is surprising that he had chosen to go through such a safe path with no risk taken. Even though it stays for more time that it should have, lasting above two and half hours, we don’t end up complaining about the length. Denied its release during the Christmas season due to the theatre owners’ strike, this one has a festival mood too, with all the colour and style that we see around. This might be the right choice to spend the time you have in extra.

The claws of flaw :: The main problem with this movie is that it has the kind of idea that has been tried again and again so much. It is certainly an old wine in a pot which he seems to have borrowed from a number of older movies – he has just added a little bit of flavour, and so we know that we have seen this before on lots of occasions. From the beginning itself, it is so predictable, and one twist with the daughter might be the only exception. The first half is rather brainless with comedy thrown in here and there, and the second half has a little bit too much of melodrama and it ends as if they had to force an ending out of nowhere. There is a little too much of Udayapuram Sulthan here, with one son trying to unite families from Hindu and Muslim families posing as someone else; his father was the main problem-maker there too. Posing as the cousin was the main idea in Dilliwala Rajakumaran too, and Kaaryasthan also had the protagonist trying to unite families – the examples are many, and it is a rather outdated idea for these times.

Performers of the soul :: There are three people who control this movie with ease – Jayasurya, Lal and Siddique, playing the fake grandson, and the next two generations of parents. The three generations effectively make this one worth our time. Jayasurya still has it easy compared to the kind of roles with which he had surprised us earlier. Lal and Siddique are perfectly suited for their roles, as their looks and style also compliment being the two big characters. Among the heroines, it is Anu Sithara who plays the daughter figure who scores the best – we had last seen her in Happy Wedding. Prayaga Martin pales in comparison, except for the looks – even though she looked even better in Kattappanayile Rithwick Roshan. It was also good to see Bhagath Manuel playing the second fiddle. Joju George is the one person to create the best effect on screen with minimal screen presence.

How it finishes :: There has been something different going on with the Siddique movies in the last few years – Ladies and Gentleman and Bhaskar the Rascal were clearly terrible movies, and even after bringing a combined effort with Lal in King Liar, nothing really changed with that. Bodyguard was an overrated movie too, with similar overrated remakes coming in many languages. And then there is Fukri. Coming directly into this situation, Fukri is definitely is a better flick. As we consider all these movies, Fukri is also the closest to a pretty good family flick which you can watch for the weekend. With Munthirivallikal Thalirkumbol and Jomonte Suviseshangal running in the theatres and Ezra all prepared to release, it is back to the busy times for Malayalam cinema industry after that terrible break due to the strike! Still, this could have been a laugh riot with its premise already established long ago – but that is not the case.

Release date: 3rd February 2016
Running time: 156 minutes
Directed by: Siddique
Starring: Jayasurya, Lal, Prayaga Martin, Bhagath Manuel, Siddique, John Kaippallil, Anu Sithara, Joju George, Krishna Praba, KPAC Lalitha, Sreelatha Namboothiri, Thesni Khan, Reena, Naseer Sankranthi, Salini RT, Sajan Palluruthy

fukrii

@ Cemetery Watch
✠ The Vampire Bat.

Su Su Sudhi Vathmeekam

SuSuSudhiVathmeekam (4)

What is it about? :: Sudhi (Jayasurya) works as the manager at one of the branches of Karur Vysya Bank at Bangalore. One day, after helping a group of cinema artists to shoot inside his branch, he gets a ride to his hometown with Mukesh (Mukesh), thanks to his old friend Greygon Das (Aju Varghese) who is in the film field. Sudhi talks to him about his life and the interesting incidents related to it. He is a person who has always had a terrible stammering problem. It had alienated him and affected his confidence ever since he was a child. Even when he reaches his youth, he remains a troubled man due to the same. The same disability leads to his engagement being called off, and the people of the village make fun of him even more. But as time progresses, he will manage to rise above his problems and understand that he is better than his troubles.

The defence of Su Su Sudhi Vathmeekam :: If you loved Punyalan Agarbathis, you will surely love this one too; I would consider this one above that flick because our movie here finishes very nicely in a much better way. The feel-good factor is much stronger here because this is more of the common man’s movie. There will be moments when you will feel that this is the story of you or someone you know in a different way. The message is also very clear here, and it will connect with the common man. The fact that the movie is short helps the cause; there is no drag here either. The second half is also better than the first, the movie only improving as it progresses. The emotional side is working all the time and gets stronger in the latter parts. The humour is good when it is present. The songs are okay. It is simple, cute and the right choice for the families.

Claws of flaw :: There is no special ingredient in Su Su Sudhi Vathmeekam. Well, Kung Fu Panda knew that there was no secret ingredient, and this movie also works without the same. There is nothing special with the story as the flick thrives on simplicity and reflecting the common man’s life. More humour could have also been added here too, and more material in the first half. People can also complain about the troubles of the man and his setting to be better shown in another way, asking for more fun or more emotions, but this one takes the middle path. The Punyalan Agarbathis feeling is also there even as this one overtakes that movie in content and presentation. Like what a few people who said about Mili, if you consider the goodness and inspirational stuff as cliche, this won’t be the movie for you; but I believe that they can be infinitely disparate each and every time.

Performers of the soul :: Jayasurya brings a stunning performance here proving his versatility once again. This movie is all about his character and he makes it all about him. The success of this movie will undoubtedly be his success as he thrives, and lives as the protagonist. Whichever be the movie, he has always been there with some exceptional performance – you can do a rewind into his previous movies and clarify the same. With three stages of the protagonist’s life being shown on screen, the man comes in three appearances, clean shaved, with a moustache and with the beard. Like in Premam, this also shows the man in different appearances as the character’s attitude towards others as well as life as a whole changes. This will be his second movie to run with positive opinions at the same time, along with Amar Akbar Anthony.

Further performers of the soul :: You can note that the director Ranjith Sankar has a cameo role in this one. The two heroines in this movie are not that familiar for the Malayalam audience even though only one is the new face. Swathi plays the protagonist’s fiancee whom he was supposed to marry, and the one person to whom he feels really close. If you watch Comedy Super Nite on Flowers channel, you might have noticed her as she was there in one of the episodes. She makes a nice debut as she entered the industry, and there is a certain amount of cuteness right there. The other heroine, Shivada has more to do, and she also has the more inspirational stuff as the speech therapist. She also comes up with a fine performance as the difference maker. Aju Varghese contributes well to the comic side, and Mukesh brings more laughs. Mukesh as Mukesh was actually a very nice move!

Soul exploration :: Su Su Sudhi Vathmeekam inspires you, but it doesn’t ask you to become someone else. The soul of this movie asks you to listen to your own heart and soul rather than the others and society who bring a label for you. The protagonist himself says that everyone is not supposed to become Sachin Tendulkar or Aamir Khan. It is all about us being ourselves, not doing comparisons with others. The movie tells us to be just us, but always to be the best of us, as not to have tried is a terrible thing. If we are not ready to be us, with all the characteristics that belong to us, then what is our significance as individuals? As separate individuals facing different situations, having varying abilities, it is all about making the best use of the talents. This movie is also supposed to be inspired on the real life story of a person. You were inspired by Rani Padmini a few days earlier, and now here is more.

How it finishes :: Don’t expect something huge with a big dose of tings, but as the simple and powerful movie of the weekend, Su Su Sudhi Vathmeekam will provide you with the motivation that is not restricted in any way. It is a path for you to travel in discovering your individuality, and at the same time, realize that everyone is awesome, no matter what disability or trouble is present. Coming from the director who started with Passenger and gave us some really inspiring movies, this one also leaves a mark, and Ranjith Sankar has left the audience with some happiness while touching the emotional side. If you leave the theatre with some positive energy inside, it is the success of the team which brought you Punyalan Agarbathis once again. Once again, you are reminded of what you can do, and why you are also someone who can achieve. You look for goodness and inspiration; you find Su Su Sudhi Vathmeekam.

Release date: 20th November 2015
Running time: 131 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Swathi Narayanan, Shivada Nair, Aju Varghese, Mukesh, Sunil Sukhada, TG Ravi, KPAC Lalitha, Ranjith Sankar, Muthumani, Sarath Das, Irshad

SuSuSudhiVathmeekam

@ Cemetery Watch
✠ The Vampire Bat.

Loham

loham (2)

What is it about? :: Jayanthi (Andrea Jeremiah) has reached Cochin from Mumbai in search of her husband Ramesh (Ashvin A. Mathew). She chooses the taxi of Raju (Mohanlal) as she continues that search. Nobody knows anything about him including his own mother (KPAC Lalitha). Meanwhile, there is certain gold smuggling taking place from Dubai to Calicut/Malappuram and Ramesh who is a customs officer is somehow linked to it. But Raju himself has a special objective which he hopes to accomplish. Meanwhile, another man called Albert (Renji Panicker) lands in Kerala from Cochin and is looking for help in achieving something. At the same time, a group of gold smugglers lead by Unni Mohammed (Siddique) keeps searching for their lost gold.

The defence of Loham :: There are those moments which make the defence, and almost every one of them is related to the twists related to Mohanlal’s character. The first half is surely the superior one, and it surely keeps us very much interested in how these things are going to come together, and the division of the two halves is surely done at the best moment. The funny moments are working and they nicely come to keep the movie more interesting. There is also some criticism of the things happening in the state which is sure to catch one’s attention. The thrills are working, the twists are interesting even though we can’t say the same about how the turns happening at every situation – there are times when the focus could have been at one twist only and build on that. There are some memorable dialogues in Loham too, even though some of them could have used a little polishing.

Claws of flaw :: The audience might feel that this is not what they wanted considering the hype. A better result was expected from the direction of Ranjith. There are moments which make one feel more and more that this is not something new, but consisting of thing that they have watched. The predictability exists here and there. Even though the premise is new, the most common comparisons made should be related to Prithviraj Sukumaran’s two movies, 7th Day and Sapthamashree Thaskaraha. There are too many characters in this movie, and they just keep coming to add nothing special. There are experienced performers doing these roles too, and one has to wonder if they were needed in this movie even though they did their job with ease. The movie doesn’t really finish that well as expected, and the songs are very much forgettable. The pace also has too much variation. The mass moments do more bad than good.

Performers of the soul :: Once again, there is no doubt about who steals the show, as Mohanlal seems to go through this character in his usual style, and due to the same, the protagonist is safe in his hands. There seems to be some moments which seems to be custom made for him, which he manage with elegance. He is surely bigger than this movie itself, and manages to bring that charm to his character which helps to keep the level of this movie higher. Even though it takes about fifteen minutes or a little more for him to come to the screen, he holds things together from his very first appearance. This movie needed him a lot, and he has brought the movie the much needed strength. The support that he gets in this movie is from a lot of people that if you note them down with their performances in detail, you can be sure to have a lot of ink and paper ready.

More performers of the soul :: Andrea Jeremiah is the lady lead in this movie, but she is not Mohanlal’s heroine, and neither does she have anything substantial to contribute to the basic story-line despite what we might expect in the beginning. But she manages to do her job very well – still, one has to wonder if she was needed in her third Malayalam movie for this role which could have been done by one from that long supporting list cast, and they could have done without one character which was not needed? After all, this is no Annayum Rasoolum or London Bridge. Ajmal Ameer, Suresh Krishna, Joju George and others make the team of villains among which the one big performer is once again Siddique who does well at many levels. This is another different role for him, and you have to admire his versatility once again!

Further performers of the soul :: Tini Tom, Sasi Kalinga, Thesni Khan, Muthumani and Shankar Mahadevan are just there for a few dialogues. Manikuttan, Pearle Maaney and Srinda Ashab are there, and you might not even have noticed. Mythili and her character’s flashback in the first few minutes never really gets us interested. One has to wonder if she could have just managed the role of the leading lady and this character could have been cut off. Aju Varghese could have also been better used considering the fact that his character had scope. Even someone with the calibre of Harish Perady has very short screen presence. Abu Salim and Renji Panicker are the two most interesting performers in the team of the protagonist – they make very good impact. Vijayaraghavan does the police role in his usual style easily.

How it finishes :: The long list of well-known cast actually work against the movie at times, as people tend to think that the characters are of more importance, but they never really are. Still, the one person who is not a big name, but still catches our attention is the debutante Niranjana Anoop who provides a cute, natural and lively performance – even though she is there only in a small role and the character having not much for the main plot. We know how big the expectations were related to this movie and what kind of hopes they were. We have been watching so many thrillers these days in different languages, and the number won’t come down. So, the opinions will surely be divided about Loham. But I don’t think that this is not entertaining unlike some opinions, because this surely is an interesting ride despite the flaws.

Release date: 20th August 2015
Running time: 129 minutes
Directed by: Ranjith
Starring: Mohanlal, Andrea Jeremiah, Siddique, Vijayaraghavan, Gauri Nanda, Renji Panicker, Joju George, Tini Tom, Ajmal Ameer, Abu Salim, Aju Varghese, KPAC Lalitha, Suresh Krishna, Mythili, Musthafa, Santhosh Keezhattoor, Muthumani, Niranjana Anoop, Mohan Jose, Thesni Khan, Manikuttan, Pearle Maaney, Srinda Ashab, Soubin Sahir, Smiju Tom Joy, Harish Perady, Irshad, Ashvin A. Mathew, Shankar Ramakrishnan, Sasi Kalinga, Kollam Thulasi, Jayan Cherthala, Shyamaprasad (cameo)

loham

@ Cemetery Watch
✠ The Vampire Bat.