Tag Archives: south india

Pluto

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Vampire Owl: I remember naming one of my dogs with this name.

Vampire Bat: I do not remember you having any dogs. You had a black cat.

Vampire Owl: Yes, but it lived as a dog. It barked and howled.

Vampire Bat: What did you expect? It was originally from the werewolf lands.

Vampire Owl: But when the smart cat says it is a dog, you have to listen.

Vampire Bat: Why should you? It was never even a vampire cat.

Vampire Owl: Black cats are always immortal. Ask the witches.

Vampire Bat: Even the demons do not accept them as their people.

Vampire Owl: You mean to say that black cats are not connected to the other dimensions?

Vampire Bat: Not even that much connected as Uncle Dracula on a Halloween night.

[Gets a paneer biryani and three cups of Sikkim tea].

What is the movie about? :: Vicky (Neeraj Madhav) is the representative of the new generational youth who has no job, but one cannot say that he has not tried enough – his failures are not fully due to his foolish decisions, but are also the results of circumstances. Most of his attempts at business involves his friend Jose (Subin Tarzan), but all of them fails one after the other, much to the dismay of his father Raghavan (Saheer Mohammed) who has lost too much money in the process. His brother Naveen (Nihal Nazim) is considered to be the smart, intelligent, working, money-earner of the house though as he also keeps reminding everyone that he passed his degree while his elder brother did not. Vicky’s attempts at clearing PSC also reach nowhere, making his girlfriend and veterinary doctor of nearby pet clinic, Meera (Aarsha Chandini Baiju) disappointed, as she feels that there are no more chances for him to come out strong and successful. But she continues to help her by providing cash for his attempts on each occasion.

So, what happens with the events here as we just keep looking? :: Meera gets into a clash with Tiger Thambi (Aju Varghese), a rich gangster who breeds dogs unscientifically leading to their shorter lifespans or at least some serious diseases. He is supported by Mallan (Vineeth Thattil David) and a man of science always busy with experiments known only by title Professor (Dinesh Prabhakar). She also remains good friends with Vicky’s younger sister Jomol (Nimna Fathoomi), an eccentric and comic-obsessed girl who frequently invades his personal space to test out her costumes which ranges from Harley Quinn to a simple alien. But this is when he comes up against Pluto (Althaf Salim), a real alien whom he accidently brings home instead of Jose after being drunk on the nearby beach. Realizing the danger of exposing Pluto to authorities or media, Vicky decides to secretly keep the extraterrestrial visitor with him, as he also hopes that the alien would possess some special powers which he can use to his advantage.

And what more can happen around here with strange things waiting to come up? :: Keeping an extraterrestrial creatures hidden in his household proves near impossible with household members keeping on coming to his room, but he manages to do so in the name of studies as he has to clear his degree before all mercy chances provided by the university are finished. Thambi also comes to know about the presence of an alien after he gets an alien device left behind by Pluto. Vicky had just come out of some big trouble due to a juice marketed by him causing food poisoning to a huge number of people after it was provided as drink for the participants of a marathon race, and finds it difficult to keep the alien who only drinks alcohol as food. Pluto manages to learn Malayalam with an English-Malayalam dictionary available online as he had already studied English during an earlier contact of his people with humanity. Vicky finds out that Pluto has no real superpower that they could use, but comes to know that his ship actually could do something, but is now located at the bottom of the sea after an unexpected crash. Can both of them be of help to each other and can they survive Thambi and the government officials searching for alien?

The defence of Pluto :: A full science fiction comedy has not been part of Malayalam cinema and this innovation and attempt at variety needs to be appreciated. Leading the way, Neeraj Madhav seems to have taken over nicely from that character in the fun fest Adi Kapyare Koottamani as the clueless youth, a role that suits him very well. The combination of Neeraj Madhav and Althaf Salim provide genuine feel-good moments along with the humour. The supporting cast also works with the humour really well, from the friend played by Subin Tarzan and the Nimna Fathoomi with a cute side added here. Aju Varghese plays the antagonist with a funny side really well, and has some fine moments which we will remember for the humour from talking with spicy flavour in his mouth to being Shikkari Shambu. Aarsha Chandini Baiju also adds to the humour so well, and she once again shines in a role which does not challenge her. The chaotic final moments deliver some big laughs and fun ends well, and even leaves scope for a future sequel. The movie can be considered silly fun that has not really come to this part of the world for some time.

The claws of flaw :: The movie does not make the best use of the idea, even after so many directions where the movie could go, and there was scope for more humour and further references to aliens, superheroes and other planets instead of talking about just alcohol and exams. The premise was something with great scope, and only a part of it is taken here. The situation might not appeal to all kinds of audience, as its silliness and new generation style of innovation is not for everyone. The pace also slows down as we look at it in parts where nothing much happens – the humour is also not that effective throughout its run. As the alien does not leave scope for complex visual-effects spectacles due to the simple humorous model, the potential of the sci-fi backdrop feels not that there to be taken. After all science fiction can provide a lot of humour from within, and aliens have been providing the same in Hollywood for a long time as we remember.

How it finishes :: Malayalam movie industry has its first full-run attempt at science fiction comedy for the viewers here. As a lighthearted experiment in the form which is rarely explored in Malayalam movie industry, it deserved some appreciation when it was released, but the truth remains that I never knew such a movie released until it came to Amazon Prime Video. By placing an extraterrestrial visitor within a regular Kerala household, it keeps away from the heavy science-fiction tropes to keep the whole thing cute and feel-good, while the protagonist also relates to the new generation as well as the one before. It is surely one movie which is better than the ratings which it has received, and having such a harmless fun movie during a weekend to watch with family is just simple joy, and we should only remember to appreciate the movie makers who think differently even if its for humour. This is a kind of movie for the whole family, and the kids are also going to love the same.

Release date: 30 July 2026
Running time: 132 minutes
Directed by: Adithyan Chandrashekar
Starring: Neeraj Madhav, Althaf Salim, Aarsha Chandini Baiju, Aju Varghese, Nimna Fathoomi, Subin Tarzan, Vineeth Thattil David

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.

Dark

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Vampire Owl: We are the true people of the dark and stays further in darkness.

Vampire Bat: Darkness has been our ally for many centuries.

Vampire Owl: There is no light that has taken away our darkness.

Vampire Bat: We have traditionally been against the spreading of light.

Vampire Owl: Light has created more scope for evil as humans can see in it.

Vampire Bat: Yet, humans are blind to goodness and honesty.

Vampire Owl: These had ceased to be considered qualities of humans long ago.

Vampire Bat: Well, evil has always been easy to find among humans.

Vampire Owl: There is a famous quote attributed to Dr. Frankenstein related to the same.

Vampire Bat: Mr. Frankenstein has no quotes relevant to us. We should only refer to Uncle Dracula for interesting and useful quotes.

[Gets a chicken curry puffs and three cups of Yercaud tea].

What is the movie about? :: Vignesh (Ajay Karthi) is a rationalist who tries to live life in his way, just arrived in Chennai from Bangalore for a few months for his work. Despite his family’s attempt to interfere, he decides not to stay with his uncle living in the city, and looks for a place to live near his office, even though he can also take the work from home option if necessary. While facing many problems due to his bachelor status, high rent and temporary nature of stay, he comes across a two-storied house offered at an unusually low rent by an elderly landlord who lives in the ground floor, Karunakaran (K. Bhagyaraj). Despite the owner’s warnings that the house has a terrible reputation due to three youngsters committing suicide there, Vignesh decides to take the option, believing in his faith in rationalism over everything else. There he also meets Karunakaran’s young daughter Priyadharshini (Anchana Nethrun) who does not show an interest in talking to him, and the father also shows no interest in introducing her as he is only bothered about having someone stay in the house for some time.

So, what happens with the events here as we just keep looking? :: While Karunkaran finds this three-month stay of Vignesh as an option to have people believe that there is no problem with the house, as different people had run away from the rented upper floor complaining about ghosts or some terrifying presence which haunted them. The whole neighborhood had considered the area to be a haunted one, but Karunakaran assures him that he had seen no ghosts there despite being always around, and still tells him that he can leave – the rationalist in Vignesh still decides to stay and even opt for more of work from home option. But soon Vignesh experiences sleep paralysis, terrible hallucinations and bizarre apparitions, and comes to know that one tenant there had killed the other two and set himself on fire, as he see burned people and moving shadows all around. The television gets switched on by itself and keeps playing the same song and the same books keep falling down the shelf and more follows. Now, he wonders if he remains sane, but further feels that he might in grave danger – can he escape from this terror?

The defence of Dark :: The movie focuses the most on psychological tension, and the same also helps in adding further to the overall red herrings, which finally ends in that effective twist. There is also no meaningless romance or humour added here that would have devastated the mood as we consider the fact that the movie is based on mood rather than anything else. The background score and some quick appearances of scary visuals keep us going, and keep the genre going with its classic values. The movie never really extends its stay either as less than two hours make its existence right within the time-period in which we have the attention. The premise was too good, and the first scene had really caught our attention, followed by a second level of terror, making us wonder how well the world can be determined from there. We can feel the possible eternity of horror with the early shock and scares being provided. There is that feeling when something terrifying is to jump out of darkness and create that memorable experience.

The claws of flaw :: The movie could have been more direct and the confusion that it creates in between blurring reality and thoughts, and connecting them with horror, does not work that well at all times. It often gets down to the familiar haunted-house formulas with the random strange noises, forced nightmare sequences and a tragic past which does not use the best advantage. The pace keeps varying, with some moments feeling rather strange, and often not suitable to go through the flow otherwise. The police investigation is also not given that much of a focus despite that being the source of information about the past. One still keeps wondering why a perfect closure was not given for the tale, and the ghost just seems to have been unleashed and left so to act too strange, even though there were many direct methods for the creature to unleash itself and do its work. A few better moments from the distant past could have also served well. This kind of movies should have always had the power of a detailed past, but the same is not served here – the twist also comes in a little too smooth manner.

The performers of the soul :: Ajay Karthi has us going through the horrifying journey with him, as he carries the full weight of the film. He shows a certain amount of physical and mental deterioration from the confident rationalist to a man caught in a supernatural web from where escape seems almost impossible – the change from a confident professional young man into an insomniac pushed to the edge of hopelessness and sanity is shown naturally. The pain of going from one extreme to the other is nicely reflected through his performance. Anchana Nethrun brings the surprise here, as she becomes the centre of a tragedy as much as going through the core of horror. Her performance shows some vulnerability and a certain amount of melancholy as the tragic history of the house slowly comes to light. The emotions work strongly whenever she is around, as the abiding sadness keeps creeping in. At the same time, Bhagyaraj brings the strength of a veteran older generation to the horror narrative, while serving on the realistic side. Natarajan Subramaniam brings the feeling of enquiry to the same.

How it finishes :: This happened to a surprise good horror that came out of nowhere, as we did not even know about the release of such a movie – yet, it falls short of where it should have reached in the end. The movie feels ambitious and could have been something like Demonte Colony with sequels as an expansion could serve really well, or at least move on the Pechi mode. The strong and emotional performances along with the quick shocks in the darkness almost got it there, but in the end, had it limited in scope. The pace problems with some predictability, and the limits of setting, without that much focus on the psychological side by the end, has us asking for more. The scary side surely had some fine initial push, especially with those moments in the beginning. With better focus on the world and by spreading the evil, this can still gain more through some well-made sequels. The attempt at divergence and experimentation that comes though are to be appreciated here, and other movie industries also need more attempts at horror.

Release date: 3 July 2026
Running time: 110 minutes
Directed by: Kalyan K Jegan
Starring: Ajay Karthi, Anchana Nethrun, Natarajan Subramanian, K Bhagyaraj

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@ Cemetery Watch
✠ The Vampire Bat.

Paathirathri

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Vampire Owl: I see a movie about midnight here.

Vampire Bat: I do not think that this movie is about vampires drinking blood at midnight.

Vampire Owl: Yes, I know we are supposed to prefer the witching hour over midnight.

Vampire Bat: Witching hour has now been copyrighted by witches.

Vampire Owl: They cannot have that. They already have infinite access to all magic.

Vampire Bat: They control most of the demons of our realm.

Vampire Owl: There was a time when they only controlled animated skeletons.

Vampire Bat: According to the new pact, they have transferred them to necromancers.

Vampire Owl: Necromancers have always animated dead bones.

Vampire Bat: These are perfect skeletons, and not those created out of random bones.

[Gets a paneer puffs and three cups of Kandy tea].

What is the movie about? :: SI Jancy Kurian (Navya Nair) is the new Sub Inspector of a rural police station on probation, who is struggling with a certain amount of confusion as a beginner while also trying to cope with her personal life which is close to breaking down due to the possibility of a divorce, despite them having a much-celebrated love marriage some time ago. Her personal life keeps her detached from social life and her approach to different cases is also hampered due to her fear of being alone in life as they live separate from their families after the love marriage which came out of a college relationship. Civil Police Officer Hareesh N V (Soubin Shahir) is also facing divorce and is going through a custody crisis with his wife, who keeps asserting that their daughter should stay with her at all times. The inability to talk to his daughter and the hostility of his wife also starts affecting Hareesh as he becomes not interested in working with women. But on one night, due to a sudden requirement of leave for another policeman, Jancy and Hareesh are forced to team up for a night patrol together.

So, what happens with the events here as we just keep looking? :: On the same night, as they travel near the forest, they see a car parked in a suspicious manner among the greenery. As they approach, they see a man running away and the woman in car drives the vehicle away. They chase the man who jumps into a swamp area and vanishes. Hareesh tells Jancy that there is no point in doing anything now as the person would have gone through the swamp to the other side and escaped. At the same time, they get a call about a girl committing suicide and Hareesh tells her to just leave as this is just irrelevant search that could lead them to trouble. Returning to the swamp out of guilt and worries, she is shocked to find the area recently covered with sand and wonders if someone could be under the sand. This further affects her daily actions, as she wonders if someone was dead and buried due to them. He talks to Hareesh about the same, but he dismisses these concerns and adds that the man would have escaped at that point itself.

And what more is to happen as further complications arise? :: Her anxiety increases as her husband in a complicated relationship with her leaves home after resigning his job, just after leaving her a letter. As the swamp was covered illegally, the court orders for the swamp to be reverted to its original form due to environmental concerns, but it is then that a corpse is found from under the ground. The dead body is identified to be that of a well-known journalist and investigative reporter Ansar Ali (Sunny Wayne), who was reported missing on the night when the two cops had seen the unknown figure. After checking multiple cameras and conducting unofficial investigations, they understand the woman who was with Ansar, his former college mate Anjali (Athmiya Rajan). But as she is the daughter of the DYSP, Suresh Kumar Menon (Achyuth Kumar), and he would make sure that nobody would know that she was with a married man among the trees and swamps in a car, and Anjali is also not interested in talking to anyone about it as it would devastate Ansar’s marriage and reputation as a leading journalist. As Hareesh and Jancy were there at that time and with the same proven through their walkie-talkie and mobile locations, they become easy targets to be framed for this murder. Can they escape from this situation and find the real culprits?

The defence of Paathirathri :: Navya Nair comes up with a highly controlled performance as SI Jancy Kurian, as she shows the physical and emotional strain of a woman balancing a troubled personal life and a demanding job, but tries hard to maintain both. Soubin Shahir also balances both, but he is more of a police officer than a husband in this one, but the conflict is nicely shown by him too. Their chemistry on screen can also be considered as one of the film’s highlights. With the support of their performances, the movie goes through the fatigue and psychological burdens beneath the police uniform and this brings an engaging, realistic rhythm which never goes for an overdose which would keep it realistic to the core. The visual are interesting and suitable, as the foggy landscape is beautifully captured to create a moody, tense aesthetic that suits this world of mystery. The tension is always there and so is the mystery which is never really solved until the very end, which provides that much needed twist.

Positives and negatives :: The movie could have had a little more of conviction with its content, as we see this never really providing the feeling that there is danger around. Even though the pace is fine, there are moments when it could have been increased further. The movie does not have that much to go to a length about two hours. But we can see that Harisree Ashokan and Indrans who come only in small roles could also make a fine impact. Athmiya Rajan who is best known for Joseph, does incredibly well too, and she is one underrated actress whom we should be seeing more often in movies, and there is some stoicism in her character here which find close to life. Ann Augustine also nails her role in a way that we would remember her with a certain amount of melancholy of the character which we notice realistically. When the emotional and personal side of the police is shown instead of showing them as machines on case, one can feel that this goes the realistic path. The final twist is surely working, and we are able to connect with the main characters who feel real. The investigative side could have been more powerful though.

How it finishes :: Paathirathri remains a movie which needed a better attention that it managed to get, as realistic police investigations with focus on emotions of the focus is very much rare in the industry even though flawed cops like those of Memories, John Luther, Abraham Ozler, all are still there and hunting psychopaths. The mystery here does not point that much to danger and fear generation though. But we see that clear sense of empathy for people with some power trapped in a flawed system which allows those with even more influence to take advantage of them and even ruin their lives forever. Despite the thoughtfulness and the competence in a real world that we see here, the narrative does struggle at times. For those who are looking for a slow-burning, performance-driven work focusing on the vulnerabilities behind the people in uniform, this works, even in a slower pace. After all, we are not making those dumb Bollywood police movies which turn into a universe which has ridiculous buffoons as police officers, and have lady cops who are even dumb and brainless as Lady Singhams.

Release date: 17 October 2025
Running time: 128 minutes
Directed by: Ratheena P T
Starring: Navya Nair, Soubin Shahir, Sunny Wayne, Ann Augustine, Athmiya Rajan, Harisree Ashokan, Indrans

<<< Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Lockdown

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Vampire Owl: Are we going to watch another movie about corona virus lockdown?

Vampire Bat: I do not think that this would have the lockdown at the core.

Vampire Owl: I thought so because it is too late for anything related to that.

Vampire Bat: Well, such movies have lesser chances of working with the audience now.

Vampire Owl: Yes, there are so many things to deal with other than the past.

Vampire Bat: The opportunities spread towards infinity itself.

Vampire Owl: I remember that Dr. Frankenstein had written an essay about.

Vampire Bat: Mr. Frankenstein is not educated to write that good an essay.

Vampire Owl: Frankenstein is a man of his word and the only one of his kind.

Vampire Bat: Even Uncle Dracula would not agree to that.

[Gets a butterscotch cake and three cups of badam tea].

What is the movie about? :: Anitha (Anupama Parameswaran) has been looking for a job since passing out from an engineering college. Despite being a bright student with good scores at college and in spite of her expertise, she was rejected at so many interviews that it affected her confidence beyond repair. Her father Suresh (Charle) has been working hard to make sure that his family have enough, and hopes that his two daughters do well in life, as he is always worried about his friend’s daughter who had eloped with a local goon and married him despite everyone begging her to stay. Anitha is determined to make her parents proud and will not stop until she gets a job. For the same, she has to stay close enough to home and also opt out of night jobs as her family does not approve of the same. At the same time, there are many local young men who are trying to win her love, but she is only focused on getting a job and earn enough to support her family which also includes her grandmother along with the younger sister and parents.

So, what happens with the events here as we just keep looking? :: Sudha (Nirosha), Anitha’s mother, decides to take special care of their children due to the news about the children of people they know not being happy ones. Anitha’s best friend is Swapna (Priya Venkat) who live in the same city. But as she goes to a party with another one of her friends where she meets a Human Resources Manager of a famous IT company, she ends up being drunk and passes out. She comes to her complete sense only after two days, and continues to search for jobs despite the assurance of an offer letter in a month. Two months later, she gets a call from the company asking her to join. But by then, some time had passed since the first corona virus case was reported in India. As she begins to join, more restrictions are applied, and soon, she begins to feel very unwell. She goes for tests at the hospital, but by that time, the lockdown related to pandemic was being applied, and she could no longer go out. Her health was getting worse, and she was slowly realizing what was happening to her. But with the lockdown enforced, it was too late for her to do anything. Can she survive this?

The defence of Lockdown :: The movie addresses significant issues of the present such as consent, bodily autonomy, unplanned pregnancy and societal judgment. These days, the messages are often not considered with the seriousness that it deserves, but not this time. This is dealt nicely with an emotional side that works so well, mainly due to the leading actress never staying behind with her performance, standing tall, and rising to every moment of relevance in the flick. She particularly excels in the final moments as she fights against all odds when hope seems to fly away from her. The character’s journey feels so real to us due to her memorable performance. The emotions only get deeper as the movie progresses, and the helplessness of the protagonist makes the stakes much higher. The significance of family in a person’s life is also asserted, as we are reminded that the worst can be handled in the family with their support. The music as well as the technical departments nicely work efficiently with the film’s emotional tone and dramatic moments, making sure that the feeling is never lost.

The claws of flaw :: The movie still remains slow, and sometimes provides the feeling that it is going through the same thing again and again. It seems to bring the same kind of solutions again and again that we feel that the protagonist just has that option which does not happen and therefore need to keep trying one option multiple times. A final answer to what really happened and the right solution is not really provided by the movie as a few things are just left unanswered. There is no real investigation into the same and there is no idea of justice, as the focus only seems to be getting rid of the trouble and move on like nothing happened. The unresolved mystery means that the suspense never gets the strength and a thrilling side never gets stronger than the emotional drama that never stops running underneath story, as it was already established with an elopement and marriage. Then there are also those scenes and dialogues which can feel overly message-driven and meant to preach about a few societal elements. Some of the subplots are also lost in the way as the movie keeps its focus only on the protagonist.

The performers of the soul :: This is a movie of Anupama Parameswaran who delivers an emotionally convincing performance and effectively carries the film. This one is surely all about her as we keep seeing her on the screen almost every minute, and the movie itself seemingly runs for her, based on her predicament from where she keeps trying to escape one way or the other, despite the corona virus and its lockdown affecting her attempts. One keep feeling that Malayalam cinema is yet to have the best of Anupama, as movies like the debut work Premam, then Jomonte Suvisheshangal and The Pet Detective are never enough for someone with her calibre, as she keeps reminding us how good she can perform. Priya Venkat who plays her friend supports really well, and has her moments, as she goes through as one of the best comrades that one could have, standing by her friend’s side against all odds. Charle who plays the father and Nirosha who plays the mother also come up with the emotional performances that we note down. The fatherly affection will be something that we particularly remember. George Maryan, Livingston and all contribute well to support too.

How it finishes :: If you think that this a movie about that nation-wide lockdown with happenings related to that, you are surely going to be disappointed, as it plays only a part, and affects the proceedings from a side, bringing difficulties to the protagonist – otherwise it is not the main thing or the central idea that runs right through the movie. This is still that kind of a work which deals with the main idea well with some messages to take home. It sometimes provides the feeling that it is going the preachy way, but returns to the main thing soon enough. This could have actually gone on to be a conventional thriller, but instead focuses on the emotional and social consequences faced by the protagonist and makes itself more of a drama – in doing so, some of the answers are not provided and the focus is in staying within the tradition and not to deviate too much from it. Considering the present situation of a new generation, it is not really a bad thing, but the level of deviation or divergence will always remain in question as generations pass.

Release date: 30th January 2026
Running time: 119 minutes
Directed by: A R Jeeva
Starring: Anupama Parameswaran, Charle, Livingston, Nirosha, Priya Venkat, George Maryan, Indhumathi, Rajkumar, Shamji, Redin Kingsley, Abhirami, Revathi

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Mr. X

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Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

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@ Cemetery Watch
✠ The Vampire Bat.

Aravindante Athidhikal

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What is the movie about? :: The movie is set up in the area around the Mookambika Temple in the Udupi district of Karnataka. Abandoned by his mother in the temple premises at an early age, Aravindan (Vineeth Sreenivasan) was adopted by Madhavan (Sreenivasan) who made sure that he grew up to be an energetic and educated young man. Madhavan and Aravindan are running a lodge near the temple, and are trying their best to keep up with the rising competition in the name of religious tourism and spiritual journeys, a case in which religions and regions and competing which each other to bring new holy places into the picture. Meanwhile, Girija (Urvashi) and her daughter Varada (Nikhila Vimal) arrives as his new guests at the lodge. Due to some unexpected circumstances, Varada’s performance at the temple is delayed, and in the mean time, Aravindan and her become very good friends.

So, what happens with the events to follow? :: As a few days pass and she has to leave due to the death of her uncle, Varada feels that Aravindan should give up simply waiting for his mother and start searching for her – Varada herself takes it as her duty to find her with the help of some of Aravindan’s friends. While practising at Sreejaya Nair’s (Janaki Subramaniam) dance academy at Kumbakonam, she is still looking for clues to find the one lady who abandoned her child at the sacred place, and never really looking back. But the question remains if it is easy to find such a person with no solid clue except for some drawings which Aravindan has been preparing since childhood. Well, Varada is not someone who could be disheartened that easily, and will come back to Mookambika for their team’s performance, and there will be at least one good news for Aravindan. What could that be, in the sacred lands?

The defence of Aravindante Athidhikal :: The movie is perfectly targeted at the family audience rather than anyone else, and the whole thing seems to be well directed towards the particular direction. The music is very good and suits the mood of the movie, as it supports the emotional side, and brings us to that final feel-good factor. There are some nice shots of Mookambika and its surroundings, and we feel the mood of the sacred town more than once. We have some interesting characters too, some who wishes to fly on the wings of hope, and others just keep the hope at home, for without it, there might be no tomorrow. As President Snow says in The Hunger Games, it is hope that remains the only thing stronger than fear – we need it, and people decide on how much. Well, there is no shortage of hope in a holy town. With some simple funny moments and the strong emotional side, this movie gets home without trouble.

The claws of flaw :: The story might feel a little outdated for some people, as old wine in a new bottle, but if that wine is still not that bad, one has to wonder why the audience wouldn’t like to have some. The movie also ends rather too soon, and we know that it is the finish when the credits start rolling. We could have also had more with its core tale, which can go beyond the usual stuff, but that attempt is not made here. With a holy town in the middle and the same made colourful, maybe we could have had things to go a level further up – but the movie is satisfied with just this much. There is no dramatic twist that awaits you in this movie, as it keeps the journey straight and simple, or rather too direct for some people. If you are looking for that extra dose of melodrama, it is not going to be there because we see the attempt to have things going closer to reality than anything else.

The performers of the soul :: Vineeth Sreenivasan and Sreenivasan plays the family again, and even though adopted this time, they are no less father-son in effect. Both have their roles nicely matching them, and got their characters as no challenges, doing well at all moments, whether it is about adding some extra fun moments or to contribute to that deep emotional side. Well, we always have certain minimum expectations when the two come together, and it is once again proven that the duo has the strength to keep the whole thing close. These are times when the family movies are needed, and there are no people better than these two to do so. The presence of the family audience in the theatres is more due to the two being there rather than anything else. Urvashi is there with some fun moments after some break, and Aju Varghese along with Bijukuttan further contributes to the funny side with ease.

Further performers of the soul :: Nikhila Vimal has come back to Malayalam movie industry after Love 24×7, and it feels great to have her back at a time that we seem to need someone like her – she has the type of skills that are above the usual actresses that we have here, most of them seemingly here due to recommendation or by having someone in the cinema field. Nikhila stands tall with her performance here, and each moment, whatever it deals with, she scores. She is a wonderful talent that all of us need here, rather than in another industry. After her introduction, it is more about her rather than anyone else. Sreejaya Nair is a nice addition to this tale, and in between, we have Vijayaraghavan, Premkumar and Kottayam Nazeer contributing to the fun. Baiju and Sneha Sreekumar are there for initiating the comic side, as we see in the beginning. KPAC Lalitha is again there playing a mother figure.

How it finishes :: Well, Aravindante Athidhikal is that kind of a movie that is determined to touch your heart, and also leave a smile on your face in the end. It is the feel-good movie that can rise above the others due to its ability to keep things direct and enjoyable throughout its run-time of two hours and two seconds, a length that leaves no chances to drag in between. It is rather surprising that this movie had less publicity compared to the other movies released on the same day, Avengers: Infinity War, Uncle and Thobama. Well, Panchavarnathatha and Mohanlal are still running too. You are not going to regret watching Aravindante Athidhikal on the big screen, and watching with family would be a wonderful experience – well, this is the holiday season, and watching this one with family might be the right choice. After all, feel-good never leaves our industry, as there is always more of the kind.

Release date: 27th April 2018
Running time: 122 minutes
Directed by: M Mohanan
Starring: Vineeth Sreenivasan, Nikhila Vimal, Aju Varghese, Sreenivasan, Prem Kumar, Vijayaraghavan, Urvashi, KPAC Lalitha, Baiju, Sneha Sreekumar, Bijukuttan, Sreejaya Nair, Kottayam Nazeer, Shanthi Krishna, Devan

@ Cemetery Watch
✠ The Vampire Bat.