Bhoothakaalam

Vampire Owl: So, the title could mean the days of the past as well as the days of the ghost.

Vampire Bat: It is a nice play on the words being used here.

Vampire Owl: Do you think that Malayalam movie industry can have good horror anymore?

Vampire Bat: Well, horror is the only reality of life. So, it is always possible.

Vampire Owl: You mean to say that the realistic tendencies of the industry can help.

Vampire Bat: Yes, what is life, but a collection of horror of reality?

Vampire Owl: I can’t disagree. I once heard the story of the devil finding the burning hell as a better place to live in comparison to Earth.

Vampire Bat: Well, you know what humans are capable of. They have already made their world a place worse than hell.

Vampire Owl: So, who are the real monsters?

Vampire Bat: Humans are the real monsters, from the day of birth itself. You should see how they torment their own people.

[Gets a chicken biriyani and three cups of elaichi tea].

What is the movie about? :: Vinu (Shane Nigam) is a D.Pharm graduate who is living with his mother, Asha (Revathy) in what seems to have been a very unhappy household since the death of Vinu’s father post leaving a lot of money to be paid back for the loans which were taken. His grandmother dies after living most of her life on the bed after a terrible stroke which she barely survived, and the life of mother and son which was full of negativity only gets worse after the demise. Vinu has been looking for a job for a long time, but as he is focusing on getting some work in his field, and is also trying to keep the search close to home, he is not really able to make any progress with that. Depression seems to come naturally to him, as well as his mother, who is a school teacher for small children. Asha is also hesitant to send him anywhere distant, especially to go for a job which is not directly related to the course which he studied. She also temporarily losses her job, as she ends up hitting a child accidently.

So, what happens with the events here as we just keep looking? :: The mother and the son continues to have arguments over the past, present and future, as Vinu decides to find a job outside Kerala or even India at some hotels where his friends are working. Asha finds him as a rather useless person, as she originally wanted him to study MBBS, and they had spent a lot of money related to that too. But soon, things get worse, as Vinu feels that he was locked within a room by his dead grandmother, who moves around in the wheel chair. Asha feels that he needs counselling, but he doesn’t agree. George (Saiju Kurup) who runs a counselling centre comes home to help him, but Vinu is not happy about it at all, as he feels that he is being marked as an alcoholic and drug addict. George also feels that the sleeplessness might also be a reason, along with the mental problems which runs within the family. Vinu is in love with Priya (Athira Patel), but has stopped returning her calls, as he does almost nothing, while staying in his room, or in front of the television. But he continues to see and feel things – can this mean something else?

The defence of Bhoothakaalam :: Starting off as a movie which seems to have characters with some mental problems related to trauma, it smoothly enters the horror mode after some time. With many options being left behind, one can make different guesses about what actually happened. The minimum elements are used effectively, and the atmosphere of the house also brings a certain amount nostalgia – like our old houses which had mosaic on the floor along with some old style furniture as well as spaces on the wall. The darkness and shadows are pretty much effective in bringing the scares, and there is much to be felt about the possible presence in the house – they contribute to reaching a point where the title can be justified. The emotional side is also very much working, and there is much of the feelings going through here. Even with all the terror coming from outside, there is also the presence of the depressing past related to regret which continues to haunt everyone – the memories can be disorienting enough, as we move forward through a world of chaotic mind here too.

The claws of flaw :: Bhoothakaalam often restricts itself in the use of horror, except for the finally fifteen to twenty minutes when the film is finally allowed to unleash itself, bringing all the elements which it had in store, but didn’t use early enough. It does take its own time, and one feels that it is moving too slowly during that period of time. There are movies which slowly gets stronger, like Come Play, In Fear and It Follows, and one might feel that this might not feel that new with the early slow movement. The mind could have been given better focus, and the presence in the house could have also been better explained, thus leading to a better final finish. It is surely not that scary as some people seem to talk about it – there is something to be frightened about, but not that much as what the reviews exaggerate here, for only those who haven’t watched Hollywood horror movies at all can be that scared about it. After all, these are not the days when people are scared of ghosts that much, because humans have proven themselves to be more evil, each and every time. Ghosts have to be a special kind of scary to rise about human demonic acts.

The performers of the soul :: Shane Nigam continues his work more out of Kumbalangi Nights rather than the other movies, as he once again plays a similar youth who doesn’t really have a job for a multitude of reason, even though he is better educated this time. Revathy’s work continues to be a thing of quality, as he plays a mother role with a difference. There are moments which rises above the natural so well. James Eliya seems to be the man with logic, and has his moments of advice. Jilu Joseph has a small presence as a psychiatrist, as it is Saiju Kurup who deals with the counselling more, and even finds out a few secrets about the house – one would have loved to see more actions being taken by him here. Manju Pathrose plays the usual nosy neighbour, a role which is quite short. Valsala Menon played the grandmother, and that was the role which also lasted for only a few minutes as the movie continues to focus on the mother-son duo for almost all the time. Athira Patel is more or less the Mamitha Baiju of Operation Java coming in here as the seemingly forced love affair which in this case doesn’t reach anywhere in comparison.

How it finishes :: When we think about ghosts and past, the first movie which comes to our mind is Guillermo del Toro’s Crimson Peak, a Gothic romance horror which was not watched by that many people in this part of the world. But the past that haunts this movie is more or less related a good number of other horror movies, with one haunted house as well as a psychological side, both complimenting each other, sometimes from a distance, and at times, getting close enough and going through one another in style. Bhoothakaalam doesn’t hesitate to combine its elements, and then come up with the defining moments in the final stages of the film. This is surely a good deviation from the usual horror movies that we have in the Malayalam movie industry, and just like some of the other Sony LIV movies which released in the last few months, like Madhuram and Kaanekaane, this one also has a strong emotional side to go with. Well, you can also have some interesting horror with relationships running emotional in the background, for the ghosts are better and truer with their emotions than the fake humans.

Release date: 21st January 2021 (Sony LIV)
Running time: 105 minutes
Directed by: Rahul Sadasivan
Starring: Shane Nigam, Revathy, Athira Patel, Saiju Kurup, Manju Pathrose, James Eliya, Jilu Joseph, Valsala Menon

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@ Cemetery Watch
✠ The Vampire Bat.

The 8th Night

Vampire Owl: Another Korean horror film with monsters? That sounds good.

Vampire Bat: Korean movies have some fine monsters.

Vampire Owl: I wish that I could invite a few of them here.

Vampire Bat: Monsters are not allowed here. They are considered the same as werewolves and zombies.

Vampire Owl: But dead monsters are allowed.

Vampire Bat: Well, we do give them honorable burial in the cemetery.

Vampire Owl: Why would a monster come here to be buried?

Vampire Bat: We are now promoting burial tourism.

Vampire Owl: Now you are giving those kinds of ads?

Vampire Bat: Yes, the ads are very popular now.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: A long time ago, a monster roamed free, and intended to create eternal suffering for humans. Unable to kill it, the Buddha was finally able to stop the monster by taking out its eyes, coloured black and red. The red eye continued fighting, and when the Buddha was finally able to stop the red eye, he placed it along with the black one in different caskets. He buried one eye in the great hills of the Far East, and the other eye he buried in the great deserts of the Far West, hoping to make sure that these would never meet and bring the monster back. In the year 2005, a professor Kim Joon-cheol (Choi Jin-ho) wants to prove that the Buddhist myth is real, and finds one of the eyes in the India-Pakistan border. But he is disgraced, and people don’t believe in him. The media makes fun of him, and the authorities say that what he has with him is forged. This angers him, and after many years, he still wants to let everyone know that he was telling the truth.

So, what happens with the events here as we just keep looking? :: He reawakens the monster’s red eye, and open the gates of hell, in an attempt to prove that the Buddish myth real, thus also making people realize that he is not a liar. Monk Ha-jung (Lee Eol), a protector of one of the caskets, understands that the red eye has reawakened, as he alwso wakes up from his meditation. He asks another monk Chung-seok (Nam Da-reum) to seek Park Jin-soo (Lee Sung-min), a construction worker who was banished from the monk community – the one who is supposed to be born to stop the eyes’ reunification. All these were foretold, and the prophecy is to be fulfilled – if the eyes are united, on the eighth night, the monster will be unleashed, and it will unstoppable. At the same time, Detective Kim Ho-tae (Park Hae-joon) is also working in the case of the strange corpses that the red eye leaves behind after its grand awakening. But are these people good enough to stop the evil which seems to possess so many people and murder many of them?

The defence of The 8th Night :: The movie has some good divergence with its myth as well as the horror that it brings. There are also the characters who have some interesting past to go with the present, and are defined by past, present and future. The mythological elements about the monster works really well, and its effectiveness only increases as the movie goes forward. There is a certain amount of quality which has been maintained in its use of properties. It uses the settings of the city quite well to gaining advantage in horror. One would initially have the doubt about what a horror movie can do with two eyes lying apart and coming together at some other point of time – how can random eyes be horror? Well, this one answers the same quite well, and has a number of moments which bring some divergent horror, different from what we expect and what we have been seeing. The idea of the ancient prophecies and monsters is used effectively here as the journey never gets less interesting.

Positives and negatives :: The movie could have had more grandeur in the establishment of the characters and terror which is unleashed, and some moments don’t contribute that much like it was intended. It also gets very complicated at times, and also a bit slow in some moments. There is a lot of mystery about what has been happening around here, and with this kind of a monster, you have absolutely no idea what can happen next – it keeps us guessing as well as thinking. There are some shots which are so good and effective that they stay with us for long enough. They have captured the essence of nature, as the movie goes forward with its battle between good and evil too. The eerie feeling which this movie provides, might seem different than the usual, that we would get elsewhere. South Korean movies are pretty much rich in providing some symbolic horror, and this one also does try to deviate from the normal and most traveled course of action for the best. The movie also has some service as an investigative thriller – we know how the spirits and real-life investigations of crimes go together, like in the case of Malayalam movie, Cold Case.

The performers of the soul :: Lee Sung-min whom we have known from Hit-and-Run Squad leads the way as the man who is part of different missions, having violence and non-violence on two different sides, none of them leaving him, as he serves as the guardian. He has moments as he comes out of the past to face the present, in an attempt to the save the future for everyone in this world. It is a solid work that suits the personality that we see here, strong and with better different abilities than an average monk would possess. Park Hae-joon plays the detective, and he does that in a convincing manner, even though he remains a foolish believer in science and logic only. A detective in a movie dealing with magic and myth might feel out of the place, but he does make sure that it is not the case here, and there is a lot to be done from his side too. Kim Yoo-jung plays the female character with most screen presence, and she makes another interesting character of significance. Choi Jin-ho plays the man who begins all of these, and one can only wish that his scenes were more chaotic in nature too. Nam Da-reum is the usual apprentice who doesn’t know enough until he changes in the end.

How it finishes :: The 8th Night has the ability to rise beyond the typical horror story that we have, with all the monsters coming out of hell, as it establishes the myth, and follows it up with enough horror to go with it. With an investigation which is nicely managed, this one goes forward in an interesting manner. There is the message about destiny, and the roles that one is supposed to perform in this world, as well as something about where conscience comes into play. With the visuals adding to the mystery and horror, we know that this could be another classic horror flick like Train to Busan and The Wailing, which could rise above the rest many years ago, and the later arrivals like Svaha, Metamorphosis an The Divine Fury. You are never really short of some interesting Korean movies to watch, and The 8th Night is the film which you can add to the list of what can be recommended to the horror fans. This is also not to be confused with the Malayalam movie, 7th Day which deals with another investigation of murders.

Release date: 2nd July 2021 (Netflix)
Running time: 115 minutes
Directed by: Kim Tae-hyoung
Starring: Lee Sung-min, Park Hae-joon, Kim Yoo-jung, Nam Da-reum, Choi Jin-ho, Park Se-hyun, Lee Eol, Kim Han-sol

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Girl

Vampire Owl: I can feel the presence of something divergent here.

Vampire Bat: The divergence of humans are mostly foolish though.

Vampire Owl: The foolishness of humanity has brought the world to this situation.

Vampire Bat: And also their greed and hatred which know no bounds.

Vampire Owl: Can we trust the humans related to anything?

Vampire Bat: About cheating and murdering others of their kind, for sure.

Vampire Owl: When was the last time you met a good human being?

Vampire Bat: They don’t really have angelic creatures out there.

Vampire Owl: Angels have become myths everywhere.

Vampire Bat: There are no myths that have not becoming reality at some point of time, at least in this particular realm.

[Gets a vegetable cutlet and three glasses of pista shake].

What is the movie about? :: A young lady known only by the name Girl (Bella Thorne) returns to her small hometown after a long time. She does have the feeling that something is not right there, and she actually came there with the intention of murdering her abusive father. He had earlier written a letter to her mother, threatening to kill the middle-aged lady, and Girl hopes to set things right, as she goes to the village with hatchet in her possession. Even though her mother knows the address of her father, she doesn’t give her the same, telling her that she doesn’t really need to know it. But that doesn’t stop Girl from looking for the person everywhere. She manages to keep a doubting sheriff away, and also keeps the people at a bar further away from her while finding the address of her father in the phonebook at the place. But, much to her shock, she finds her father already murdered. She tries to report the murder to the sheriff, but is able to connect nobody with her mobile phone. There seems to be no range more mobile phones anywhere in the small town out there.

So, what happens with the events here as we just keep looking? :: She is finally able to connect to her mother from the bar in the town, and inform her about the death – she only wishes her daughter to come back home, but Girl really wants to know who killed her father, as she considered it to be her duty to commit the murder. She continues to try and find the sheriff, but there is nothing good coming out of the same, as he never really appears anywhere, not in his office, bar or the church. When she finally finds the person, things are not like she had imagined. The death of her father has something more than what she thought, and there is a mystery related to the last letter which he had sent to her mother. There is a lot of money also related to the same. They tie her up and threaten to torture her until she reveals where the money is, but it turns out that she didn’t have any idea that there was any money involved with her parents. They wouldn’t believe the fact that she came there to kill her father, and has no idea about him having any money with him.

The defence of Girl :: There is a certain amount of deviation related to how things go on around here, and it is not your usual kind of film which has the female looking for vengeance for an abusive father for her mother, as it would feel in the beginning stages. There is more to the film than what meets the eye, and there are some twists in waiting here. We feel that there is something about Bella Thorne with a hatchet, and that suits an image like nothing else, even though there are not that many action scenes around here related to that. A determined lady with a hatchet in her hands can make you believe in the scope here. She is more or less like Jamie Bernadette in I Spit on Your Grave: Deja Vu, not with the particular details, but with the determination on her face. The atmosphere created by the small town is really good, even though we were always looking for more related to that. The film successfully brings the feeling of a hidden danger at parts of this particular world which is visually beautiful with scenery, but has more.

The claws of flaw :: The film here is just too slow to become a thriller, as picking up the pace seems to be difficult for the flick at all times. Even when there were many different chances to speed up at different intervals, the movie doesn’t really take them. Drama takes over the thrilling side at too many occasions, but on many occasions, we would have preferred it to be the other way around. Even with its twists, it takes some predictable turns in between, and that wouldn’t have been expected with a film like this. There could have been more action around here, with more fighting, chasing and maybe even more murders in the countryside, for the setting could have added to that well enough. This is the kind of a small, remote town which could have more secrets to reveal, and more mysteries to bring to light than this. The violence could have also been smarter, not with too much gore, but done in a balanced way, but here, it just goes off and misses out on scope.

Performers of the soul :: Bella Thorne is the Girl here, and without a name for her character, there is the feeling of something special being about her – she does the job really well here too. The determination and a certain about of fury that is within the character is nicely portrayed by her, and one would surely love to see her in a horror movie at some point of time. She excels at the simple fight scenes, with a hatchet in her hands, from the laundry to the final outdoor fights. The Girl portrayed here is surely different from anyone whom we have seen in a leading role, looking at the past. She gets mystery unveiled all by herself, and Bella Thorne proves to be brilliant in what she does here. Chad Faust and Mickey Rourke makes pretty good villains out here, but they are not used to be the best advantage, as we see a lot more of scope related to them, with chances of being terrifying menace being laid down there. Elizabeth Saunders has only a small appearance, while Lanette Ware is more memorable here. Glen Gould also leaves a little bit of something to remember.

How it finishes :: Girl can feel like a slow movie for many, as it does get into action late, and doesn’t speed up even when the twists and thrills come up, and yet, it is a pretty good drama and thrills mix which can be watched mostly due to Bella Thorne, the leading lady who has done a remarkable job. This is all about her, and we follow her into a world which is not that familiar, unless we are in a horror movie. Even though slow moving thrillers with elements of drama are not that preferred, we have had movies like Ivide and Ranam doing some good job here too. Movies like these are not to be avoided for their slower pace, but are to be appreciated for how well they have gone through the same, and managed to come out strong. You take the French thriller The Swarm, Norwegian thriller Lake of Death or the Spanish thriller The Paramedic – you see that they do their jobs, even at such slow pace. Well, we need our thrillers to go through all paths, especially the less traveled ones.

Release date: 20th November 2020
Running time: 92 minutes
Directed by: Chad Faust
Starring: Bella Thorne, Chad Faust, Elizabeth Saunders, Lanette Ware, Mickey Rourke, Glen Gould

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Sacrifice

Vampire Owl: Vampires have always been against sacrifices.

Vampire Bat: Yes, sacrifices are now limited to the Northern Witches.

Vampire Owl: You mean to say that the Draconians don’t do sacrifices anymore.

Vampire Bat: Yes, it has been an outlawed practice throughout the realm.

Vampire Owl: Yet, they didn’t officially declare it so. Illegal sacrifices are still happening.

Vampire Bat: The Land of the Vampires shall have no part of it.

Vampire Owl: They even put up some posters inviting vampires for blood moon sacrifices.

Vampire Bat: We never accept the invitations of the Northern Witches. I am sure that they are completely aware of that.

Vampire Owl: You still cannot blame them for trying so hard.

Vampire Bat: The borders have been left open for too long these days. We need to have some control there.

[Gets some tapioca chips and three glasses of blackcurrant shake].

What is the movie about? :: Isaac Pickman (Ludovic Hughes) and his pregnant wife Emma Pickman (Sophie Stevens) travel to a remote island which is part of Norway, all the way from United States of America. After his mother’s death, he is hoping to claim a surprise inheritance which has come to his attention. The place is extremely beautiful, and there is so much of lovely scenery around. It would have been a perfect tourist destination for anyone from any part of the world, and also a great eco-tourism holiday. The home is also located by the same of a charming lake, which gives the feeling of being in a magical world. Some of the paintings at home seem to bring something back to the memories of Isaac, as they go on living as normal as they can. The locals don’t seem to like the British who manipulated the Nordic language and the Americans who claim that Christopher Colombus discovered America. They come up against a fight which Isaac seems to lose miserably, but when they realize that Isaac is from around there, they turn rather friendly.

So, what happens with the events here as we just keep looking? :: They also meet Renate Nygard (Barbara Crampton) who is the local sheriff – she wants to know about his father and his murder on that night when Isaac left Norway for the United States of America. Isaac understands that the police feels that his mother murdered his father, and lied to him that he had left him as he found a new family. The sheriff provides some updates about Isaac’s family after calling them for supper – they also come up against Astrid Nygard (Johanna Adde Dahl), the sheriff’s beautiful daughter. As they make their seemingly vacation-like visit, the couple discover some dark secrets which are related to the family. Then the sinister events that happen around there have other directions to follow. This seemingly charming trip turns into a nightmare without warning as Isaac and his wife comes across a secret pagan cult that worships a deity based on the sea and its waters. Astrid’s brainwashing of Isaac only makes things worse. Emma understands soon enough that the people have something more to provide than what meets the eye.

The defence of Sacrifice :: What catches our attention the most around here is the visuals, as the natural beauty is almost everywhere, from the smallest detail to a world of nature’s visual splendour – add a few beautiful people around to go with the same, among which Johanna Adde Dahl stands apart, and has her moments rising out of a lake which would have been iconic in cinema if this film was more popular. Along with the usual things of beauty, these moments from her might be the creepiest thing of beauty like nothing else that we see – one would also wonder here, whether she is of this world or a human manifestation of an ancient demon, as she appears with the northern lights from the freezing waters of the lake, naked and with only a few words of mystery. There are mysteries that runs through the movie, and it also has some scares going on with it, mostly related to the location itself, and related to the waters that surround the water and imprison its people. The mystery here does live on, and doesn’t depend on the ending to provide that usual conclusion.

Positives and negatives :: The movie might feel slow, and a little bit predictable at the final moments, but the slow descend towards horror is not to be considered a negative. Just like the film Castle Freak and the direct adaptation Color Out of Space, this is also closer to the definition of Lovecraftian horror which focuses on the incomprehensible and the unknowable. Even though there might be some shock and gore added to the newer films which take these features, this one is without them. Our movie here thrives on the mystery, as we don’t know what is real and what is not, for there are so many dreams and nightmares around here, with the cult not really showing what it is really about, and what Johanna Adde Dahl is all about, whether she is a figment of one’s imagination or a human representation of the goddess that they worship. It doesn’t have much of the special effects to go with it, and also hesitates to have that huge an ending, but it leaves the scope for a sequel, and we can always hope for the Lovecraftian world to find new life in everything around.

Performers of the soul :: Sophie Stevens does a great job as the pregnant woman who is caught among things that she doesn’t seem to be able understand. She is the only one who feels that there is something strange around there, and the feeling of being alone in a terrifying world. There is fear and helplessness being portrayed, after the beauty and bliss earlier. Ludovic Hughes’ descend into madness is also portrayed well, as it is an even better performance from him in the final stages of the movie. Barbara Crampton remains solid throughout the movie as one character who seems to know almost everything, and also does decide most of the things around there. Johanna Adde Dahl has our attention more than anyone else, even with very less dialogues spoken – the creepy beauty that she brings makes sure that there is something terribly divergent about the movie, as she her appearance out of the lake is one of the most magical moments in the film, unclothed and supported by the magical aura of the nothern lights, with the scope to be iconic if the movie gets more popularity later. She has her dialogues only then, and they enchanting as much as creepy in nature.

How it finishes :: Sacrifice is a surprisingly interesting film as you look at it, and the same suits more than just the genre of thriller. Brought into a Lovecraftian world, it is your need to understand this kind of a thriller, horror or drama, and what kind of a universe it would be depending on. For those who are looking for usual horror and thrills might not be that happy about it, but that is indeed a problem with their understanding, with expectations for a usual Annabelle, The Nun, The Conjuring, Sinister or Insidious. This film is much more than that, as it transports us to this particular world which boasts of both beauty and creepiness – the strange universe is something that we can cherish, with a few things to keep us guessing. After all, such an isolated world might be completely free from Corona virus and certainly free from its newly formed mutation which threatens to conquer the world again, Omicron. As we fear more pandemic induced lock-downs, keep looking out for some good films while you can. Christmas is on its way, and as the grand celebrations arrive, you stay safe.

Release date: 22nd October 2020
Running time: 87 minutes
Directed by: Andy Collier, Tor Mian
Starring: Barbara Crampton, Sophie Stevens, Ludovic Hughes, Lukas Loughran, Johanna Adde Dahl, Jack Kristiansen, Erik Lundin, Dag Soerlie, Ingeborg Mork Haskjold, Edwin Roseth-Oye, Annika Josefine Stromblad, Balder Bjorke

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Joseph

What is the movie about? :: Joseph George (Joju George) is a retired police officer spending his time with alcohol and cigarettes. He doesn’t have much time for the outside world except for some of his friends from police department, and lives alone in his house. He is a brilliant police officer who never really managed to use his skills to the best effect. He has suffered losses in his family life too, with his daughter Dayana Joseph (Malavika Menon) being lost to an accident a few years ago. He is separated from his wife Stella (Aathmiya) who is now married to Peter (Dileesh Pothan). When Stella meets an accident and dies, it sends him into further depression, as he had always loved her, despite not being able to express his feeling well enough. As an expert investigator who still helps the police department with finding clues to twisted cases, he feels something strange when standing near the place where Stella had the accident.

So, what happens with the events to follow? :: Joseph finds a few things to be out of place there. He tries to read all the reports together, but is able to feel that this is more or less a planned incident rather than an accident. He calls his friends in the police department who are also retired, and Sudhi (Sudhi Koppa) who was a senior of his daughter in the engineering college, and is now working in the cyber wing. The result is that Joseph finds something shocking behind all these. There is one link between everything, and the roots go deep, and long. To solve this mystery and bring those behind the crime to justice, he would have to travel through those paths less traveled, and take that kind of a risk which someone else wouldn’t even think about. So the question remains if he is ready to do that, and can his friends support him in the same?

The defence of Joseph :: There are many other movies, and then there is Joseph. The movie thrives on the strength of its emotions, and with its investigation, there is even more. There are some twists to follow, and the music nicely supports the mood as well as the elements of mystery that goes right through. The songs are pretty good, and we are sure to enjoy listening to them. There is also one thing that we can value the most, and it is staying close to reality. Joseph has no exaggeration, something which similar thrillers with superstars would have. As there are no superstars who want to beat up their villains, we have a story here which is very much believable. There is no action here, and the police officer here does nothing physical – he is just the smart one, and yet not the perfect one in any way. He is with his flaws, and he is an everyman police officer in whom we can find someone whom we know.

Positives and negatives :: Considering the mood of this movie, it is Memories that we remember before any other movie, with one protagonist, a police officer who has lost his wife and child looking forward to solve a murder mystery or two. The next movie that it reminds us of, is Angels, a movie which had its own twisted ending – something we were not expecting at all. The idea in that movie as well as that of Apothecary can find the reflections here. There might be certain doubts about the genre, as the movie goes on between more than one of them. People can feel that the flashbacks were somewhat longer, but they are all beautiful – almost every moment of this movie has beauty in one way or the other. The visuals are nice, and the feeling of terror that is shown is real, that too without showing anything disturbing with blood and gore.

The performers of the soul :: Joju George is indeed the biggest asset of this movie, as he comes up with a terrific performance as the protagonist, the man with the scar who has lost almost everything he held close to his heart. There is abiding sadness on his face which strikes the hearts of the audience very hard. There is a beautiful scar that he leaves in our souls, and it is due to a performance that stays with us for long. With his career best performance, he has our admiration, and the choice for the protagonist here is perfect, with no seeking perfection to become a hero – Joju’s police officer is the common man, and someone whom we can relate to, because he is not in the sky, but on Earth. From the beginning to the end, we are into his journey, from those simple moments in life to the complex times. Along with the same, we also carry the weight of his emotions, as the character gets so close to the depth of our souls. We, with our waxen winged hearts, like Icarus, burn in the fire of those emotions, and we are delighted about the same.

Further performers of the soul :: Dileesh Pothan, the master of Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum is one the other side, showing the enduring sadness from another side, and he contributes with the same as does the rest of the supporting cast. Irshad and team bring nothing less than some wonderful support. Aathmiya also has a memorable performance in there as the wife, and it is also an emotionally touching role from her side. Malavika Menon has a rather small, but notable role here. Johny Antony is once again good in the role of a priest after doing the same in Shikkari Shambhu. You also notice how solid Sudhi Koppa is once again – we had seen the range of his performance in Paippin Chuvattile Pranayam, and here he plays a solid police officer in the cyber wing. His character can actually have a spin-off – I might be asking for a lot, but that is certainly a nice possibility.

How it finishes :: Joseph is that kind of an emotional investigative thriller which will stay with you for so long, and the melancholy that it provides will stay strong. The sadness that this movie possesses has the power to take over you too, as the feelings of the protagonist here are the same as any other common person would have. There is a certain amount of skill in the way in which the whole thing is presented, and we have the kind of protagonist who stays close to life rather than go for the exaggerated heroism. The way in which the whole story is built, will have you interested in each moment, and as the final scenes point to something that needs our attention, everything comes together and we have the best Malayalam movie of the year so far – Joju George can be proud of this one.
Release date: 18th November 2018

Running time: 138 minutes
Directed by: M Padmakumar
Starring: Joju George, Dileesh Pothan, Madhuri Braganz, James Elia, Sudhi Koppa, Johny Antony, Idavela Babu, Irshad, Aathmiya, Malavika Menon, Jaffer Idukki

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Oru Kuprasidha Payyan

What is the movie about? :: An orphan, Ajayan (Tovino Thomas) was doing different kinds of work, and finally he settled down in a Restaurant named Paradise with Jineesh (Balu Varghese), his good friend who is also with him. He does almost every job in the restaurant, and has the special duty of bringing idli from Chembakam (Saranya Ponvannan) to the restaurant – it is something that he has to do early morning. At the same time, Jalaja (Anu Sithara) who also works in the same restaurant is in love with him, and soon their attraction towards each other grows further. But things change for the worst when Chembakam is murdered by an unknown assailant. The local police investigation doesn’t reach anywhere, and crime branch is assigned the investigation after the protests from people. The new police officer in charge of the case is Simon George (Sujith Shankar) who has an envious record with the number of solved cases.

So, what happens with the events to follow? :: Simon is determined to solve the case in one way or the other, and the local people seems to know nothing much about what could have happened on that night of murder. It is then that they interrogate Bhaskaran (Alencier Ley Lopez), a drunkard who comes up with a strange and baseless accusation. Simon decides to develop on the same, even though there is not much truth in it. Soon, Ajayan finds himself framed for the murder of Chembakam. Simon makes sure that he confesses to having committed the murder, after days of torture. Everything is perfectly planned by Simon, and against Ajayan, the famous lawyer Suresh Narayanan (Nedumudi Venu) is set to appear. The court has the junior lawyer Hannah Elizabeth (Nimisha Sajayan) fighting the case for Ajayan as her first case. This one wouldn’t be the case she wanted to begin her career, but she decides that it is her best chance.

The defence of Oru Kuprasidha Payyan :: The movie deals with a variety of themes and we alienation, society’s labels, human emotions running high, and more, as the movie goes through its journey reflecting the contemporary society itself. It is a struggle of more than one person, even though it is just one person whom we see. Everyone has something to prove as well as a few things to lose, and more than one worlds collide in proving the point – the movie shows the same nicely, and never does it back down from showing the people as they are, and the society as it is, with no exaggerated character. The movie has some nice courtroom scenes with nothing overdone there. We also have some twists with the proceedings, and the struggle of a lone man without hope is not something that has reflected in our world so well, just like the abuse of power, prejudice and opportunism go along with the movie well.

The claws of flaw :: With this movie coming from the director of the critically acclaimed movies like Thalappavu and Ozhimuri, the expectations were certainly high. Such a level of movie isn’t here, as another path is taken. The first few minutes of the movie were also not really needed, because a quick entry to action is always the best in a flick like this, and that could have made this movie just above two hours – an appropriate length, and also very quick with its proceedings. The court room scenes are the movie’s strength, and therefore, being there early would have done the movie more favours. The film also chooses a middle path, not going for the mass audience, and not going the exact other way either, which means that it won’t be for all, but is meant mostly for those who are looking for a believable and good cinematic experience. Still, we feel that it ends too soon without that expected grandeur in the end.

The performers of the soul :: Tovino Thomas is back at the top again, after his Theevandi and Maradona, both having a great run as well as some nice opinions as he reflected this generation of youth with two tragic flaws in both cases, even though none of them lead to his fall. Well, Mayaanadhi, just like Guppy was that movie which set a wonderful fairy-tale kind of path for him, which seems to be at the strongest point right now. You remember him doing secondary roles in Ennu Ninte Moideen, Charlie and Style in succession, but you see where he is now – there is that display of simple and human emotions which is there better than ever this time. The emotional side is nicely handled, and he plays the character that is the representative of someone who has nobody to help, and as the character says, there is always someone from above who will be there to help.

Further performers of the soul :: Anu Sithara is one actress who has done very well in the industry with certain charm, but never really managed to go beyond a certain level with her movies, as almost all of them couldn’t rise to become the flicks which they promised to be. She has a smaller role here compared to what we thought, but she is really good in this avatar. It is very much a suitable one, as she proves. Beginning with a lead role for the first time in Thondimuthalum Driksakshiyum, Nimisha Sajayan also couldn’t get a movie of that level after that. But Nimisha is too good in this movie in which we can see the struggling junior lawyer seeking to give her best, perfectly placed in her hands. Sujith Shankar’s police officer is a solid one, and so is Nedumudi Venu’s lawyer lacking in humanity.

How it finishes :: With Drama and Kayamkulam Kochunni still running in the theatres, Oru Kuprasidha Payyan makes a grand entry into the shows, promising to be something special considering the fact that it comes from the director of movies like Thalappavu and Ozhimuri. Malayalam movie industry surely needs some thrillers, as those days of Drishyam and Memories seem to be long gone. We are in need of more thrillers like Oru Kuprasidha Payyan which doesn’t just have the murder investigation in there, but also something hidden behind the real scene. A mirror to the contemporary society is another recommended factor in cinema, and it is exactly what Oru Kuprasidha Payyan becomes, in part. There is more than what meets the eye to Oru Kuprasidha Payyan, and it is why the flick shall endure and won’t yield to the rest of the flicks currently running in the theatres.

Release date: 9th November 2018
Running time: 145 minutes
Directed by: Madhupal
Starring: Tovino Thomas, Anu Sithara, Nimisha Sajayan, Dileesh Pothan, Alencier Ley Lopez, Siddique, Balu Varghese, Saranya Ponvannan, Shwetha Menon, Nedumudi Venu, Sukanya, Sreelakshmi, Maala Parvathi, Sujith Shankar, Sudheer Karamana, G. Suresh Kumar, Madhupal

@ Cemetery Watch
✠ The Vampire Bat.

Adhura

Vampire Owl: It has been long enough since you reviewed a short-film.

Vampire Bat: I would say that the frequency of movie reviews at Movies of the Soul has decreased overall, and it is not just with the shorter versions.

Vampire Owl: I have found you to be too far away from cinema these days than ever.

Vampire Bat: Yes, I have been busy. There has been other work in between.

Vampire Owl: But I am glad that we are back to watching movies as it used to be.

Vampire Bat: This is just a small break, and you can’t expect me to review movies as much as I used to be.

Vampire Owl: I am sure that this short-film has proven to be an inspiration to bring you back to the movie reviewing world, and there will be more to get you back.

Vampire Bat: It is somewhat true. But even then, that would depend on the availability of time.

Vampire Owl: Still, you remember that we have found more in short-films than the rest.

Vampire Bat: With Bengali short-films, I am sure that I can find more.

[Gets some banana chips and three cups of Munnar tea].

What is the movie about? :: It is the time of Durga Puja at Kolkata, as the City of Joy prepares for the festival. It is on one of those days that Sudipto (Praveen Srivastava) couldn’t help noticing a beautiful girl on the other side of the road where he awaits his friend to arrive on his motor-bike to provide him a ride to his office. He keeps finding the girl at the same place at the same time, and she is revealed to be Mira (Amita Bharat). As days pass, he feels that he has fallen in love with her at the first sight itself, and soon, he feels the need to gets closer to her, and desperately wishes to express his feelings for her. His friend, Bunny (Dhruv Jha) is a mutual friend to them both, who has feelings for her too, but decides to sacrifice his own feelings for Sudipto. Soon, he decides that it is time for him to propose, but then, there is a twist that awaits him.

The defence of Adhura :: Based on the Micro Story, One Rainy Day by Reetwika Banerjee, the movie is nicely brought together as an interesting short-film. With a good cast and a lovely song in between, the movie nicely brings the romantic side to full strength. It has that kind of a romantic side which some movie can only bring with a full-length. We remember that the movies like Ennu Ninte Moideen and Annayum Rasoolum took about three hours to show that there is romance out there, especially in the eyes of the male lead. This short-film takes only a few moments to do the same. We can see that the male lead, Praveen Srivastava has done an excellent job in that case – the feelings, from innocent love to heartbreak that tends to follow. The rest of the cast, Amita Bharat, Dhruv Jha and Ajoy Chakraborty, all feel so natural, something for which many bigger short-films struggle with the cast.

Soul exploration 1: The irony of love at first sight :: The story has the strength inside to keep the romance going, and nicely takes it to that final twist. It is the love at first sight, that takes on through that beautiful song, and into those final moments of agony. It is more of less the futility of what is often reflected in the feelings of infatuation that can be seen here. As love develops for beauty without knowing a person, the result, as it is always possible, could be disaster. There is the feeling of romance, but it is only half-baked, as we go deep about what has caused one to fall in love. We see the same with the protagonist, who is innocent in his dreams, but fate has that special to be more cruel that one can guess. It assures that there is no such thing as love at first sight which can stay, and there is no strength in such romance that is built on weak pillars of infatuation.

Soul exploration 2: There is no seeing behind the masks of others :: People are rarely those whom we think that they are, and most of them have a twist in waiting for us. We think that things are straight forward as it seems, but they are not. You see people with many faces, like personalities in Split, or a terrible secret to hide like in Pet. The mask that a smile brings is stronger than any other. There are not many people who are not wearing masks, and it is the tendency that comes out of innocence to believe that the masks are real faces. True love has it difficult during these days, and it is sad to say that even friendship has to struggle to find the right one. Sometimes, we are just not that good to see through people, and love is just one of those things that take the sight away from us – for, people always say that love is blind, and some others learn how bad the blindness is.

How it finishes :: Adhura might feel a little long for a few, but its shots make sure that they have our attention. Simple and yet immediately catching our attention, this one has all that it takes to keep things strong throughout its run-time in its story. You feel that you have watched what could be the perfect, cute, love story, but then you know that you have been slowly moving towards a twist which was destined to turn things upside down. This surely has the firepower to go full movie, with necessary elements added – maybe something in the lines of Premam with different stages of realization of the protagonist. With such a good cast, maybe it could go ahead of a number of other movies which have dealt with a similar theme as a full movie.

[Walks into the balcony with another cup of tea].

Vampire Owl: So, I see that this is your first review of a Bengali movie of any kind.

Vampire Bat: Yes, and the fourth one that I have watched.

Vampire Owl: Interesting. I remember that you also started reviewing movies in foreign languages this year.

Vampire Bat: Yes, this has been an interesting year. Just like the last year, so many things happened around here.

Vampire Owl: Who would have thought that Take Off would be our favourite movie of the year?

Vampire Bat: A lot of things including this review were not on our list. I am sure that there is more to come this year with more than two months left.

Vampire Owl: I can already say that you are going to review more Bengali movies.

Vampire Bat: That would depend on the permission given by time.

Vampire Owl: Time is a fraud. He would never stop for us.

Vampire Bat: Unless, we go so fast that it would make us feel that he has almost stopped.

[Walks into the silence of darkness].

Watch the movie Adhura here:

Release date: 24th September 2017
Running time: 19 minutes
Directed by: Abhijit Sinha
Starring: Amita Bharat, Praveen Srivastava, Ajoy Chakraborty, Dhruv Jha

<— Go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Moonnamathe Vazhi

Vampire Owl: You mean to say that there are three paths rather than two. It is indeed a strange world.

Vampire Bat: Yes, there is more than just the opposites – more than just life and death, good and evil, heaven and hell, black and white and so on.

Vampire Owl: Yes, there is time just before death, there is the neutral side, there is the purgatory and you also have grey in between.

Vampire Bat: Yes, there is more to it than what we usually have.

Vampire Owl: So, where does the third path lead this time?

Vampire Bat: Well, we are going to find that out soon. Lets watch it very carefully.

Vampire Owl: Is there the smell of romance?

Vampire Bat: It is just the biriyani. Remember that you had asked for it earlier.

Vampire Owl: Oh! Never mind then.

Vampire Bat: Biriyani is also love though. A lot of people have fallen due to this desire for the food item that couldn’t be resisted.

[Gets some vegetable biriyani and three cups of ginger tea].

What is the movie about? :: Lenin (Rahul KP) is a taxi driver in Cochin who is in quick need of money as his mother is in the hospital and requires urgent surgery – there are also pending bills which are to be paid. He asks for loan from a lot of people, but none of them, including his good friends provide him with the amount – some don’t have the money and the others are just reluctant to provide with the same. He already has some loans which are to be repaid, and with this situation, he has been wandering around everywhere to find whatever money he can arrange. He decides to keep going, and tells the staff at the hospital that he will be returning with enough money, and it is going to happen soon. But he is still aware of the truth that there is no real hope and falls asleep in the car. It is then that a girl calls his taxi for a journey to Kakkanad and around.

So, what happens next? :: This girl Nadiya (Veena Nandakumar) is living at Palarivattam who is facing financial problems, and the house of her parents where she had spent her childhood is going to be taken over by the bank. She asks her brother as well as her grandfather for help, but even as they are rich, has no plan is saving the old house. It would also mean that Nadiya would have no place to stay. She has no more hope, and wishes to end her life. It is during his search for help that she enters the taxi and life of Lenin. While they go through the journey together, certain truths about life is revealed, as we witness how it flies without direction, like kites on the sky. The hopelessness of common man gets to find hope by random acts of kindness, and togetherness, which becomes the reason to live at a time when fate plays a sadistic game.

The defence of Moonnamathe Vazhi :: With some of the beautiful music and some great visuals of Cochin and its surroundings, there is more about this movie than you feel in the beginning – it has quite a slow start when you look at it; but there is no denying that we remain interested all the time with what is one the screen and what we listen to. The movie’s progress is so smooth, and very much real that we keep going with the flow, like mermaids in an ocean. There are so many good moments, and dialogues in this short flick that we do feel the need for a longer movie, not ending this with the run-time just over half an hour – we want this to go on and on, as we have already loved its protagonists. The feeling that the final moments provide is also too good, and we are left with the same feeling for quite a long time even after the movie finishes. A simple, realistic tale with love is often so hard to find.

Soul exploration 1: Life and its collection of sadistic twists :: There is this thing about life coming under the effect of fate – the jokes that it plays on us are rather too many. If personified, it is nothing less than Grimm Reaper with his scythe. But being the one who likes to play, fate only chooses to make it slow, as Joker would say, guns are just too quick. We look for hope to escape from this play, but it is difficult to find, and it is just to faith that we hold on. It is when we hold on that there is something worth living for in the end, as it is depicted in the movie, and if we give up, it is the game of fate which is for us to lose. As the protagonists in this movie finally get the directions in the last moment, we realize what it means to stay in the struggle, and follow the righteous path. Poetic justice should follow, no or at another point.

Soul exploration 2: A new path that opens when least expected :: There is always more than one, or two paths ahead of us, but we don’t see that many. Death is always the easy option, and it has been the harbinger of relief and peace for so many people who decided to embrace it instead of life, which has been the tougher choice to make during turbulent times. It takes courage to move on, and only when we go on through the road that we see more of the diverging paths – it is only then we can take that road that we really need to travel through. Here, the path also has that side of love, even though it is not that visible – what we see more is the kindness and empathy which runs right in the middle of this flick. It is the same feeling that we had seen in London Bridge, a less appreciated realistic love story. So, it happens here.

How it finishes :: The short-film undoubtedly has a wonderful cast, starting with Veena Nandakumar who is going to make her big industry debut with Kadam Katha which stars Joju George, Vinay Forrt, Roshan Mathew and Renji Panicker. In the debutant director Senthil Rajan’s flick, she is supposed to be playing an MBBS student. It was great to have her here, as she looks amazingly good in this role. At the same time, Rahul who plays Lenin brings a serene and wonderful performance. The movie rests on the shoulders of these two, and combined with all those elements which makes the right short-film, Moonnamathe Vazhi is the one thing which you shouldn’t miss on Youtube. It was released by Media One television channel earlier last month.

Release date: 8th June 2017
Running time: 32 minutes
Directed by: Gopakumar GK
Starring: Veena Nandakumar, Rahul KP, Pala Aravindan, Girija Venugopal, Saina Kakkattil, Simi Sethy, Akhilesh KT, Shaji Nalpadi, Vineeth Thoyakkavu, Akhil Vishnu VS, Rajith Anirudh, Soorya Panicker, Afsal, Baby Carolin, Master Benchamin, Master Nihaal Saade

Watch Moonnamathe Vazhi here with all its beauty:

@ Cemetery Watch
✠ The Vampire Bat.

Lakshyam

Vampire Owl :: When did this one release? I never knew.

Vampire Bat :: This one is more like a silent assassin. Not many people are aware of its release.

Vampire Owl :: I pity the humans; even we who live in another dimension are aware of this release.

Vampire Bat :: The humans are all after one movie only; they bring the hype for one movie, call it the greatest of all-time, and then bring it down.

Vampire Owl :: That seems to be quite the thing that humans do everytime. They even have that subspecies called fans for the same purpose.

Vampire Bat :: It also has a further subspecies, abusers, also known as the haters.

Vampire Owl :: Like they abused everyone who didn’t like the movie that much, and also those who didn’t watch the movie.

Vampire Bat :: Yes, for them, everyone needed to appreciate its greatness.

Vampire Owl :: That makes no sense, because everyone makes the effort; some people just have so much budget, and being rich, they have to struggle less.

Vampire Bat :: A fan is a fan. Read like, an idiot is an idiot.

[Gets the tickets with tea and cheese popcorn].

What is the movie about? :: There is an accident near Peermade involving a police jeep, and it is revealed that the vehicle was carrying two convicts who seems to have escaped after the crash. Vimal (Indrajith Sukumaran) and Mushtafa (Biju Menon) are the two former prisoners, now out in the forest. The former is accused of murdering his own girlfriend Shalini (Sshivada), a crime to which he has confessed. The latter is a small-time thief who has been trying to make it big, and was caught accused of having stolen a Rolex wrist-watch, of which there is no proof except for the fact that he was there when it was stolen. Handcuffed to each other, the two will require mutual help to survive, but one happens to be a rich orphan with only one relative in the name of a brother who is in the United States and doesn’t care; the other had a mother who killed his father, and now he is alone.

So, what happens next? :: So, both have to make it through the forest, and goes on with the journey after being chased by a bear and almost being bitten by a snake. Due to the tough circumstances, Mushtafa thinks about going back, as there is no clear evidence of him being the thief and he could get away at some point. But Vimal is adamant, and offers Mushtafa, a total amount of five lakhs if he stays with him through the tough journey, let him escape the police, and find the one who had actually murdered his girlfriend. Mushtafa finds the offer interesting because it was five lakhs that he wanted to make, to begin a new life with a mobile shop and leave his troublesome past behind. With the police after them, and a forest which seems to be never-ending, will they finally be able to find the real murderer and bring him to justice, as time runs out?

The defence of Lakshyam :: There is the certainty of thrills about Lakshyam, when it is present, along with a certain suspense factor, and nobody can deny the same here, even with those troubles which make way. We also have some humour, especially with Biju Menon around. The visuals of the forest are nicely captured here, and we get to see the world from the top, as if in a game such as Age of Empires: Age of Kings with those trees, rivers and small people all around; birds flying in different directions too. The song in this movie is also good, and well taken, even though not anything that would make the big difference. The movie is also successful in making us believe that something huge is on the way right at the beginning. The movie also becomes a distant morality tale in the end, with all things being solved, even though not without some trouble as expected. The message is more about the second chance, which is provided as a reward for goodness.

The claws of flaw :: You are certain to ask if the movie has used all its possibilities as a thriller of this kind – it is far behind in making the best use of the same. Even a certain amount of humour is done in a bad taste, something which is disappointing considering the potential of the two actors here, and the possibility with this situation and environment. The comic side was also something that managed to begin so well, but doesn’t really manage the same throughout the run. The main suspense is also revealed too early, and the potential places to insert the thrilling elements were not looked at. Coming from the pen of the man behind Drishyam, the remake Papanasam and Memories, we surely have expected a lot more with this one, even though this surely has the advantage over his last effort, Oozham. With Mummy and Me, Detective and My Boss, it was a faultless resume for Jeethu Joseph, and even Life of Josutty had held on – one wonders what is happening with the same.

Performers of the soul :: Biju Menon once again leads the way, and his comic timing is exceptional as usual – even otherwise, he never goes back, and there is not even a sign of the same. There is cent percent safety concerning him handling this particular role. We are also glad to see Indrajith back here, as he is one actor who has so many good movies in his pocket, and remains very much underrated – there is no hype surrounding him, and he delivers each and every time. Sshivada’s role is once again limited, as in the ridiculous movie Inspector Davood Ibrahim, and becomes nothing like Su Sudhi Vathmeekam – but she surely has a few charming moments, not something that is expected to stay for long. The supporting cast is also so small, and the most famous name in that list, Shammi Thilakan also has so much less to do. In a movie that has almost every scene with one of these characters, and three quarter of the movie with these two together, the rest just had to keep going on.

How it finishes :: Biju Menon is coming right out of three family movies which were not less than entertaining with the humour; Rakshadhikari Baiju Oppu, Kavi Uddheshichathu? and Swarna Kaduva. Indrajith’s last three movies were Vettah, Amar Akbar Anthony and Kohinoor, all being multi-starrers, his big surprise as the sole hero coming in the form of Angels. Both seems to have been choosing very well with their last few movies, which have kept us interested in their flicks that go on to be good enough for minimum guarantee. With the name Jeethu Joseph is added, Lakshyam also stays somewhere there, even though not as much as expected. The thrills are here and it should keep you interested at moments. As a movie with not much of a hype, Lakshyam making a pretty much okay run will surprise not just one or two people, but all who were looking forward to other movies. The big challenge to this movie’s existence, CIA, will still be there as the one with the hype.

Release date: 6th May 2017
Running time: 120 minutes
Directed by: Anzar Khan
Starring: Indrajith Sukumaran, Biju Menon, Sshivada, Kishor Satya, Shammi Thilakan

@ Cemetery Watch
✠ The Vampire Bat.

Masaan

masaann

What is it about? :: Set in the city of Varanasi, this tale separates into two, bringing two stories together. One of them is the tale of Devi Pathak (Richa Chadda) with her boyfriend checking into a hotel room, but the police also follows them. As the police inspector tries to record their faces in his mobile phone, the scared boy locks himself in the bathroom, and in fear of humiliation in front of his family and friends, commits suicide much to the shock of Devi. But her trouble doesn’t end there as her father Vidyadhar Pathak (Sanjay Mishra) and herself are blackmailed by the corrupt police officer (Pankaj Tripathi) who demands what seems to be a huge amount of money for them, for not leaking her video into Youtube and other social media. As she keeps switching the jobs and running away from people, things just don’t get any better.

So, what is it about the second tale? :: The next story is that of Deepak Chaudhary (Vicky Kaushal) in the same city of Varanasi, hailing from a low caste that deals with the burning of corpses. But he wishes to go beyond the restrictions of his caste, and studies Civil Engineering at a polytechnic college. He soon meets and falls in love with Shaalu Gupta (Shweta Tripathi), an upper-caste girl. Even though it takes time, she accepts his proposal. Even though he does find the courage to tell her about his caste and what his people do, she doesn’t hesitate in going forward with the relationship. She asks him to stay focused and look for camus placements to get a good job – she would accept him as his husband even though her parents won’t, as long as he has a job. But there is a twist waiting to wreck havoc in their lives too, and the question remains if Deepak can get himself out of the depression.

The defence of Masaan :: The biggest advantage of this movie is that it sticks to the common man and a town rather than going for the ultra-modern city life and its people – this one has also told the story in a realistic way without adding those usual Bollywood flavours. One can safely say that Masaan is a long way above a usual Bollywood movie. It works so well emotionally because its characters are not people wearing colourful dress and jumping around with loads of money, and still complaining about their “zindagi” which is not enough. These are not about the kind of spoilt people who blame their past and their parents for what has gone through in their lives – instead, these are responsible people, ready to fight, which is why we fall for them, and we want them to win – there is no moment in this movie that we don’t feel for them, as we go through the tragedy of life which still has hope here and there.

Claws of flaw :: This is not for the usual Bollywood fan-people who support movies which make no sense; this one stays away from that, and uses the real world instead of the exaggerated visions of life – it is not a flaw, but for some people, that means no entertainment. Yes, the movie is pretty much slow, and it won’t have people dancing to strange party music – I would certainly thank God for that. Maybe the ending could have brought something more, even though hope is still there at the finish, stretching its arms towards our protagonists. Finding fault with Masaan is not an easy job; unless you are the masala entertainment seeker who wish to label this one as not interesting and even boring – but trust me, as both these are not the things that we relate to this movie, even when we are sleepy. Masaan is that good, and its nice philosophical claws point towards a reflection of perfection rather than the flaws.

Performers of the soul :: Richa Chadda has an amazing outing in the movie, as her character makes us feel each moment of loss and sadness, and this one is also one of the stronger character that we have been seeing in Hindi movies – she is not the kind of person who blames her parents for her past and falls in love with everyone around, becoming so ambitious with “zindagi” that she cannot sleep and then needs a therapist. It is a character that we admire, and with this performance, the person we see on the screen gets better. Then there is Vicky Kaushal whose character’s feelings reflect on us so well. His bliss in love and his sadness in separation – all feel so real that we feel the need to get further away from the so called superstars of the industry; the best actors and actresses are seen in realistic movies, in the tales of the lives of common man, and not with those ultra-modern people who creates problems for themselves and needs someone to solve them.

Further performers of the soul :: Richa Chadda and Vicky Kaushal might be two names which not many people here knows, but they are among those real performers who act in the movies which are rather real, and not exaggerated. This is exactly the reason why we need new faces with skills instead of superstars; as it is proven here again that a movie shouldn’t be about the big stars and who they are, for there are only characters who need to be played with the needed features. Yes, there is also Shweta Tripathi as Shaalu Gupta who brings such cuteness to the screen that we begin cheering for the two to get married – she has some beautiful combination scenes with Vicky Kaushal that makes us feel for them, not just within this movie, but rather eternally. The next one who impresses us is Sanjay Mishra, and he is there doing the same throughout this movie. To add to it, the world itself is a character, as we see how it influence the people.

How it finishes :: There is a certain happiness and sadness that Masaan leaves one with. It is the happiness of having watched this beautiful movie, and at the same time, the sadness that we share with the protagonists of this movie who are troubled by what fate or destiny has provided them with. There might have been the tendency to move away from the beauty at the centre of everything, but the movie stays there and becomes a realistic film rather than moving towards that side which is too common in Bollywood. Masaan is a very significant movie as it tells us that there is real skill out there, and the best that comes from anywhere around Bollywood can be found among the movies collecting less at the box-office, and has not much of the so called superstars, both male and female. Masaan shows how good content can get better, and so close to perfection, and it becomes another reason why people need to watch realistic movies more, and leave the usual exaggerated and overrated works behind.

Release date: 24th July 2015
Running time: 109 minutes
Directed by: Neeraj Ghaywan
Starring: Richa Chadda, Vicky Kaushal, Shweta Tripathi, Sanjay Mishra, Pankaj Tripathi, Nikhil Sahni, Satya Kam Anand, Vineet Kumar, Niharica Raizada

masaan

@ Cemetery Watch
✠ The Vampire Bat.

Kismath

kismat

What is the movie about? :: The movie tells the love story of Irfan (Shane Nigam) and Anita (Shruthy Menon) in the coastal town of Ponnani, in the district of Malappuram. Irfan is a twenty three year old Muslim boy from a rich and influential family that has big businesses running in the town, and he doesn’t have a full-time job after dropping out of engineering course; neither does he tries to get one. Anita is a twenty eight year old scheduled caste Hindu girl who is financially not sound, and is a research scholar at the nearby college. They meet after Irfan’s modified motor-bike hits Anita’s mother who was crossing the road. He gets her to the hospital and takes care of her until her relatives arrive. Anita and the other relatives are hostile to her in the beginning, but she understands that there is no mistake on his part. Irfan continues to visit them until her mother discharged from the hospital.

Where are things heading for? :: They see each other on more occasions later, and he also helps her with the project which is related to the mosques of the town. As they realize that love has blossomed and it won’t be supported by anybody in their respective families due to the difference in religions, social status and the negative age difference, they decide to go to the police station for protection. But what they don’t realize is that the police is an integral part of the society, and it doesn’t exist separate from the people of the town which includes their own families. Sub Inspector Ajay C Menon (Vinay Forrt) is not the kind of person who likes to move that much away from the society that he lives in; he refuses to be divergent – he doesn’t approve of this relationship for the same reason. The same is the case of ASI Nair (Sunil Sukhada), as they call for their relatives to arrive at the police station. Now, what happens next means trouble for the young couple.

The defence of Kismath :: The two big movies with similar theme of forbidden love, Thattathin Marayathu and Ennu Ninte Moideen were taken over by the commercial side, and the next talked about flick with inter-caste love story, Annayum Rasoolum was just hours of drag that made us hate the protagonists – it was only when the heroine died in the end that we were relieved, but then too, things were of not much of a purpose. But Kismath has this in control, with fine visuals and depicting usual incidents in a realistic way – there is also a realistic ending. As it is well-executed, we feel the emotional depth, and the two protagonists go straight into our hearts. This one has a five plus years older heroine, and so things were going to be more difficult, as we can see in the proceedings of this movie. We not only get into the lives of the protagonists, but also into the lives of the people of the particular town.

Claws of flaw :: Even though not as slow as the slowest movie in this century’s Malayalam movie list called Annayum Rasoolum, this one is also somewhat slow, which will make it difficult for a good number of entertainment loving fans to stay with this one. There are also the two protagonists who have no job of their own, trying to oppose the families to which they are attached, which was sure to have terrible consequences – a case of bad thinking from their part. It is also strange that even if this movie says that it depicts the life of real life people who faced a situation like this, there is no mention of what happened to them in the end – we never knew such a situation from the news, and so we do wonder how things went with them after watching this movie. The songs are also not that interesting, and a little more of the town outside the police station would have brought more for this movie. There was more scope for this love story, as you will realize when watching it.

Performers of the soul :: Shruthy Menon has the biggest role of her career, and she does her job really well – there is just a controlled performance here, which she does without the emotional overdose which the movies like these tend to have. Shane Nigam, son of Abi, whom we know from earlier movies and has been a popular mimicry artist, is also in control here in his first lead role in a movie – it is interesting to note that he made his acting debut as a grown-up in Annayum Rasoolum which has a similar theme to deal with. The director, Shanavas K Bavakkutty who is also a debutante, has made this one work smoothly, throughout its run. Alencier Ley Lopez continues his form, while Vinay Forrt has the most noticable role, and he does that with ease becoming the Sub Inspector character. Sunil Sukhada is the next one we notice at the police station.

Soul exploration :: This movie is different, that is for sure. It is not an entertainer like the other two movies with similar settings, Thattathin Marayathu and Ennu Ninte Moideen which presented the Hindu-Muslim love stories, and neither is this one like Annayum Rasoolum which was so boring and slow that one would have wanted to jump of a cliff instead of watching that one for three hours – yes, the lesser run-time comes as a boon for this movie, and as it never tries to be funny or stylish, we are without those terrible marketing strategies. What we have here is surely closer to the lives of the common people. We are also able to connect to the protagonists better, and feeling their pain is easier because they are just common people who are confused about what to do when both their families don’t agree to their marriage. So, they go for the option that seems to be safe for them, even though they are not that much informed about how things would go from there.

How it finishes :: Kismath has tried and has become the movie that Annayum Rasoolum should have been. It is solid in what it does, and even when not that fast, manages to be not dragging like Annayum Rasoolum had been. What works for Kismath differently is that it is less of the romantic tale, and it is more of the consequences of love, for what comes after the love story is the trouble, and what they suffer. It is fate or rather the destiny that has awaited the lovers for a long time – it is more of going towards that uncertainty with certainty. This is the kind of movie that you need to watch if you like to go through a simple, yet emotional experience without the melodrama and unnecessary commercial aspects – this is love without those colours, and this the “kismath” that could await more than one person if done without thinking about society, as people will be like that only – there is no change coming.

Release date: 29th July 2016
Running time: 103 minutes
Directed by: Shanavas K Bavakkutty
Starring: Shane Nigam, Shruthy Menon, Vinay Forrt, Alencier Ley Lopez, Sajitha Madathil, Surabhi Lakshmi, P. Balachandran, Sunil Sukhada, Anil Nedumangad, Vijayan Karanthoor, Jayaprakash Kuloor, Binoy Nambala

kismat

@ Cemetery Watch
✠ The Vampire Bat.

Maalgudi Days

maalgudidays (1)

What is the movie about? :: A little girl, Athena Adarsh (Baby Janaki) is going through a state of depression after losing her father to the sea right in front of her eyes. As she spends her time at home staring at the possessions of her father and not talking to anyone, her mother Swathy Adarsh (Priyanka Nair) decides to send her away from home to keep the kid away from the memories. For the same reason, she gets admission for Athena in Maalgudi Residential School which is located in the highlands. But Athena doesn’t make many good friends until she comes up against Milan Joseph (Master Vishal) who is the mischief maker without friends, having a history of being brought up by a single parent and being quite unpopular. They form a gang of two, separate from the other kids around.

So, where and how does the twist of events occur? :: One day, while playing on the ground, the ball goes outside the school limits, and the kids come across an injured man called Zephan (Anoop Menon) who is wanted by the police. He has a mysterious past, and there is not much known about him except that he is an artist. The kids help him with water and food and develops a bond with him, as he leaves for another place, which is according to him towards his own child. The twist of fate happens when the kids gets caught in a situation from which there seems to be no escape. With nobody around to help them, how will they get back to their parents? Does anybody including their teachers actually even know that they are in such a situation?

The defence of Maalgudi Days :: One thing that you should have felt right from the trailer is that there is a certain amount of visual beauty to the locations, and if used well, can create a nice experience for the eyes – it happens right here. The surroundings used here happens to be perfect setting for the movie. Then there is the realistic ending to the movie, using the emotions to the right quantity rather than bringing what would go on to become melodrama. This is also a movie that touches the emotions at the base level, not within that elite level of romance to which reality is never that close. If you wish to support only superstar romance, go for it, but I would rather incline myself towards the sad realities and little goodness in life rather than the exaggerated infatuation. The goodness in this movie touches you on one side, and from the other side, the sad realities of life come in. It is from this ability to touch one’s emotion that this movie can be a favourite for the audience.

Claws of flaw :: Well, a near flawless movie was never expected in this case. The movie was never heavily promoted and never did it generate any hype. It just had an interesting song playing on television and came right into the theatres. It is nowhere close to being among the big movies with its content either, and that problem is solved by creating a fog of innocence which works. But the blind fans will neglect the same, because they can only get emotional when their superstar falls in love and losses his romance – the story of struggles of people never appeal to them. This bloody exaggerated romance seen in movies have made people feel only when the hero and heroine separate, and it will be a flaw, not with the movie, but with the brainwashed audience who are blind to the truth. This movie does have its own struggles in the middle, and a lot of scenes do seem half-baked. The material is not that well connected in between, and not made to appeal to people throughout its run. The first song with graphics was a terrible idea too.

Performers of the soul :: As you might have already noticed, Anoop Menon and Bhama forms the star power of this movie, and are the main actor and actress. Bhama does a fine job, but is present only in a few flashback sequences. Anoop Menon has his moments, and the best of them are in the second half. I am sure that a lot of blind fans would have appreciated their favourite actor in this role, and might spend most of their time praising this movie, if that particular person was acting in this, no matter how bad the performance was. But do not underestimate Anoop Menon who has done a commendable job, and at least once in a blue-moon, try to watch and appreciate movies without partiality. I had to add this to the review because of the conversation which I heard from some of the youngsters sitting behind me. Kids in trouble is a joke to some people, but their favourite hero getting beaten up or losing his romantic interesting is so sad – simply pathetic attitude.

Further performers of the soul :: Why don’t you people take some time to appreciate Anoop Menon choosing to act in this movie of debutantes, and coming up with a touching performance? Is it only with those overrated movies that your loyalty lie? Coming back to the movie, the child actors have done some very nice job here; there is a lot of skill in that age group, as the Malayalam movies which have given significant role of children in the last two or three years have revealed to us. This movie provides enough opportunities to the two child actors, and never hesitates to let them free. They have more to perform here than in a regular movie about children, and they come up strong. Priyanka Nair has a good role here; she was among my favourite actresses before she took that break. Saiju Kurup handles an important role, while Noby manages the lighter moments which are rather less and has least significance in this emotional flick.

How it finishes :: The situation looks rather bleak for the movie considering the number of viewers, but as there have been positive opinions, the number of people for the show will be more in the next few days. But the promotions have been rather less related to this one, and if you have noticed, this one is not present at Wikipedia, making this one more of a movie which is not out of the shadows yet. With the challenge posed by Charlie, Adi Kapyare Kootamani and Two Countries still there and with another possible challenge from the Bollywood movie Wazir, one has to be doubtful about how well it will do in the end, but coming from three debutante directors, this surely needs some attention considering how sincerely the attempt has been made. It surely has that single act of kindness which is supposed to shape the mindset of future generations, that too with one great self-sacrifice – are you ready for it?

Release date: 8th January 2016
Running time: 124 minutes
Directed by: Visakh, Vivek, Vinod
Starring: Anoop Menon, Bhama, Priyanka Nair, Noby Markose, Saiju Kurup, T.P. Madhavan, Irshad, Sathyadev, Abhi Madhav, Anand, Binoy, Janaki, Vishal, Alji Francis

maalgudidays

@ Cemetery Watch
✠ The Vampire Bat.

Lal Bahadur Shastri

lalBS (2)

Vampire Owl :: You are going to watch another historical movie?

Vampire Bat :: No, this isn’t about India’s second Prime Minister.

Vampire Owl :: So, there is not even a Chief Minister in this one?

Vampire Bat :: No, not even an MLA. Its like Bal Gangadhar Tilak consists of Balan, Gangadharan and Thilakan; remember that old joke? So, this one should have Lal, Bahadhur and Shastri.

Vampire Owl :: Disrespectful indeed. I am not watching this.

Vampire Bat :: You have always been looking for an opportunity not to watch a Malayalam movie. So, that is a lame excuse.

Vampire Owl :: Yes, I need this excuse. You sit in there to study, and with the points noted down in the mind, you write them down as reviews. May be someone will valuate it someday and give you a job. Then, I can try not to be distracted and spend the rest of my life not watching movies and always planning to owlify the world.

Vampire Bat :: You don’t need more feel-good?

Vampire Owl :: No, such movies are too cute, plus I need feel-bad or feel-evil. I quit – may be until weekend.

Vampire Bat :: Take the route through the cemetery. Your zombie team is resting there counting the bones. You never really pay them for the work.

[Gets the ticket].

What is it about? :: The movie tells the story of three strangers, whose paths cross on an eventful day in the city of Cochin. All of them are from around Aleppey and meeting each other at Cochin. Lal (Jayasurya) is a simple man with a good heart, still looking for a job at the age around thirty, and travels to the city for the same reason. He is the one who acts as the narrator at times too. Bahadhur (Nedumudi Venu), a former panchayat president, is an alcohol addict with a weakness for women, but spends his time without bothering others. He goes to the city to visit his fellow alcoholic friend who is in the hospital. Shastri (Aju Varghese) is a young man in the farming field who has his own problems in life. He is in the city to get some of his papers passed from the agricultural office. The next significant character who arrives at the same city is Thaara (Sandra Simon) who works as a nurse at a hospital there. A lot of incidents happen following an accident, and by the interval, things get to revolve around a lottery ticket which becomes the major factor in solving all the problems.

The defence of Lal Bahadur Shastri :: Lal Bahadur Shastri makes its entrance into the feel-good genre and make it work. With its simple characters who are like those among the audience, the movie progresses in an interesting way, and keeps the audience interested. Never losing its flow, there is no boring moment here, even as this movie is more of a drama than anything else. The joints of the stories all also nicely done, and the characters fit in there quite nicely, with situations well managed. There are also some heart-touching moments, as the movie successfully manages its emotional side with the needed ingredients, and this achievement also has its cast to thank. The humour is also good, even as more could have been included. There is only hundred percent decent comedy in this one making it an even better choice for the family audience. There is also a light tone running throughout the movie, never letting things go out of control into the darker shades.

Claws of flaw :: Lal Bahadur Shastri follows a predictable path, even as there are little twists here and there. This idea of having different characters crossing their paths on one big day on a big city has been tried on a lot of occasions, including the critically acclaimed Traffic, its successor Friday, and even in Money Rathnam up-to an extent. The beginning is also kind of unnecessary showing Jayasurya’s character grow up – there was never a need, and is of no value to the story. The plot is not thick, as it depends too much on the creation of confusions, and the “just missed” moments which are recreated to bring the needed effects on the story-line. The scope for humour is not fully utilized, especially with Aju Varghese there (his character even talks about having twins nicely reflecting his real self to bring some nice humour). Those who don’t want to watch another feel-good movie with nice morality elements can skip this movie too.

Performers of the soul :: Jayasurya comes up with a controlled show here, as a character which has worked so well for him, like in Janapriyan and Apothecary; the good and simple man from the village has never been a role which was supposed to challenge someone like him who has been proving his versatility for sometime. Nedumudi Venu has a role similar to what he did in North 24 Kaatham, but here it is a character with more flaws. Aju Varghese is once again doing his job, but this one has less comic scenes for him. Sandra Simon has a very good presence in this movie, even as there is not much here to test her – but does well and lets welcome her to the Malayalam movie industry, wishing her best of luck for the future in this field. One would wonder if there is a show stealer in this movie, and it is Master Minon, who won the National and State film awards for the best child artist with his performance in 101 Chodyangal – when we think that the movie is going to be about the three main characters, this kid comes up in the second half, taking his simple first half presence to a new level. Kavitha Nair’s small role is very much notable too. We can also see Noby, Mala and Lakshmipriya in shorter, but memorable comedy roles.

Soul exploration :: The movie focuses on good people and how they are rewarded, despite going through troubles. It has the message that goodness will rarely go unnoticed, and this movie has so many things which seem to work against the reward, but it finally finds the way. There is also an assertion on the need to do the right thing when the time comes, not thinking about the benefits. If the divine will is on your favour, or may be if destiny is awaitings, good things tend to happen. It is a reassuring message given into a world of chaos, in a society where people rarely care about the other, and there are doubts about any divine intervention and the value for karma. This is why Lal Bahadur Shastri is a good effort, and at at time it is cool to be evil, when being good is not considered the fashion, this movie tells the viewers that it is to be done because it is the right thing. Well, how many people think about the same? The only thing people and media care about are things like people who want to kiss, people who want to watch kiss and people who want to stop kiss – when focus should be on something good or productive.

How it finishes :: Lal Bahadur Shastri is strong in the theatres due to the presence of Jayasurya and Aju Varghese. It is actually present in more theatres than one might have expected it to. A major problem should be with its name though, as it is almost impossible to feel that a movie with such a name would be interesting – no creativity in there; otherwise why would someone choose the name of a former Prime Minister of India, and there is the joke which is years old, taking Lal, Bahadhur and Shastri as three names which seems to have influenced the title. Are we short of good titles, and does it seem that each and everyone of them are used? I wouldn’t think so. Nevertheless, Lal Bahadur Shastri has enough power to impress the family audience, and anybody who wishes to have some feel-good experience will surely try to give this one a chance. That should be where this movie should be targetting and winning its battle in the process.

Release date: 21st November 2014
Running time: 110 minutes (estimate)
Directed by: Rejishh Midhila
Starring: Jayasurya, Nedumudi Venu, Aju Varghese, Sandra Simon, Kavitha Nair, Adwaith Jayasurya, Lakshmipriya, Aiswarya Nath, Nandhu, Mala Aravindan, Master Minon, Noby Marcose

lalBS!

@ Cemetery Watch
✠ The Vampire Bat.

Ormayundo Ee Mukham

ormayundoeemukham (1)

Vampire Owl :: Did you say the word soul?

Vampire Bat :: Yes, I said that this movie talks about soul-mates.

Vampire Owl :: Dude, that is totally so evil. Like the souls in The Conjuring?

Vampire Bat :: Not that soul, the one that they say related to romance, like in Romeo and Juliet, Uncle Dracula and Mina Harker in the undead form or even like cardamom and tea.

Vampire Owl :: How disappointing. You should go for it alone then. It doesn’t fit my plans at all. I won’t recommend that for you either, as you are a cynic.

Vampire Bat :: But I can take that. I can have even tea, lime juice and milkshake together. I can take them all together.

Vampire Owl :: Yes, you are the one who watched three movies of entirely different genres at two different malls on one day and survived to tell the tale. Yes, I know that.

Vampire Bat :: Yes, and I repeated that performance.

Vampire Owl :: You have even transformed me into a movie watcher. You are a bad influence. I should go back to my intelligent evil plans to conquer the world.

Vampire Bat :: Yes, do take the shovel to dig up your buried plans.

[Starts the car].

What is it about? :: Gautham (Vineeth Sreenivasan) is a young businessman with an MBA from the United Kingdom, but is struggling with handling his father’s business at home due to his tension, lack of confidence and inability to memorize significant things related to business. His mother Vasundhara Devi (Rohini) struggles to keep the business going all by himself, and helping them in all that, is Gautham’s best friend Apoorva (Aju Varghese). Nithya (Namitha Pramod) enters their world as Gautham is forced to marry the daughter of a family friend as is attempting to make an escape. She is a sand artist and an orphan, with only the support of her sister Neethu (Soumya Sadanandan) and a family friend Dr. John Kuruvila (Mukesh) who is treating Nithya for her short term memory loss. Even as Nithya and Gautham gets really close, she doesn’t remember who he is, when they meet on the next day. Even as his well-wishers warn him against falling with love with her, he is adamant on making her remember him and stay in her mind forever.

The defence of Ormayundo Ee Mukham :: The move is cute, and there is no need for summoning an oracle from Delphi to tell you that, as it was evident from the trailer itself. The songs are good and nicely complimenting the movie, even if not that much to remember when standing alone. There is the feel-good factor and it also exists with the power to strike the hearts. The funny side is strong, with Aju Varghese handling things so well, and there are some really memorable moments with him and Soumya Sadanandan, and some more when Facebook, Whatsapp and some of the big movies and its dialogues or even songs are made fun of. Coming from the debutante Anvar Sadik, this is a great start for him, especially when experienced ones struggle a lot – no don’t look at Bollywood, that should be a shocking scene. The cinematography is excellent too. There is also the beauty of love, even as it is overdone with some dialogues, work nicely against the world of dumb new generation pseudo-love which we have to suffer from on many occasions. This one is extremely sweet and successfully delivers the feel-good factor.

Claws of flaw :: The movie seems to have been inspired by the 2004 movie 50 First Dates, but the director here has given the fact that he is influenced by Hollywood romantic movies just before the beginning of this flick. There is also the mentioning of a number of movies in the middle of this, and may be that will keep those who are complaining happy. Well, romance and comedy are two things that can be taken and changed to suit a different world and culture, and therefore, that trouble should be forgiven. This is also quite predictable with not much in the story and struggling to make things happen, especially for those who have watched a lot of romantic comedies from English, especially the Adam Sandler starrer. The end is just what we expect, and there is the extended final moment which shouldn’t have been there. They could have tried harder with this one, as there are moments which seems to be at a loss. There is the weakness of the central portion that this movie has, compared to what happens in the beginning and right after the middle. Yes, there is the stupidity in love too, but that is expected.

Performers of the soul :: Vineeth Sreenivasan wins the show, mostly with his funny side rather than anything else, and his presence in this cute movie is rather like the need for fire inside a fire-breathing dragon, and it is by his presence and his usual style that he has controlled things here, without trying anything different or special. But, if the movie is going to work for a certain extended period which becomes an infinite period of a slice of eternity, the credit for the same should go to Namitha Pramod, and the way in which she has handled her character. There is nothing big as if to slay Smaug the stupendous being demanded there, but she has done the job with so much neatness. Supporting her is Soumya Sadanandan who has done an unbelievably good job, making one wonder if she is a veteran. It felt so natural with her performance, and I hope to see her a lot more on the big screen, as she seems to handle every department so well. Aju Varghese handles the entertainment, and once again comes with a big score.

Soul exploration :: Ormayundo Ee Mukham once again get itself into the true love theme, which is surely something that has been exaggerated again and again, and it similarities to 50 First Dates doesn’t help the cause at all. But it has the nice moments which deals with the same in a better manner than most of the other movies. Well, what was Thattathin Marayathu other than a veil-obsessed young man wandering around after falling in love with a random girl for almost no reason at all? Did Om Santhi Oshana have anything other than a strange infatuation? Well, those two movies were undoubtedly better than this, but we can’t let this one go just because it has inspiration from a Hollywood movie. It takes some brains to adapt something from there to here, especially in the case of romantic comedy, as the definition of the same are different here. It is not really easy to group movies like No Strings Attached, Love and Other Drugs, Friends with Benefits and A Lot Like Love into romance, which would be rather absurd looking from here. We always had the worst of such nonsense in the form of things like Banglore Days.

How it finishes :: Ormayundo Ee Mukham needs an applause for the transformation it has done with the material, and all that the cast has put into it. There is no emotional nonsense which gets into this one either, even when the emotions are on the high – and there is no other dumb fake romance related thing added to it. The movie surely works as an entertainer, and its skill in the use of its resources can be clearly seen. But don’t expect a Thattathin Marayathu at all, and if you have watched 50 First Dates and liked it a lot, may be you won’t like this that much. I am not that much of an admirer of Hollywood’s romantic comedies, as I don’t think it has that much of any real romance at all, almost completely dishonoring what defined the same, and keeping it for Disney and the children’s movies. May be if that wasn’t the case, I would have liked this less; but I am sticking to the old generation romance, and I say that this one strikes one good shot towards the boundary and it is up-to the commentators and the crowd to talk about it.

Release date: 14th November 2014
Running time: 140 minutes
Directed by: Anvar Sadik
Starring: Vineeth Sreenivasan, Namitha Pramod, Aju Varghese, Soumya Sadanandan, Mukesh, Rohini, Lakshmi, Idavela Babu, Bhagath Manuel, Raveendran

ormayundoeemukham

@ Cemetery Watch
✠ The Vampire Bat.

Apothecary

apothecary (4)

Vampire Owl :: My owlification procedure didn’t work yesterday.

Vampire Bat :: Why? You fell into one of those holes which used to be a part of what used to be our roads?

Vampire Owl :: That was last week. This time, I was trying to pronounce the name of this movie so that I can say that correctly at the ticket counter.

Vampire Bat :: The movie name is one of its kind. I don’t think you will need to pronounce it. They will just give you the tickets.

Vampire Owl :: It is okay then. I can’t pronounce it yet. Still working on it.

Vampire Bat :: Never mind. I call it Eco-Pathiri.

Vampire Owl :: That reminds me, I need pathiri.

Vampire Bat :: You need a blood shake.

Vampire Owl :: Yes, that too. Then I will pronounce it correctly.

Vampire Bat :: May that happen in this century.

[Goes to the ticket counter].

What is it about? :: The movie has the protagonist Dr. Vijay Nambiyar (Suresh Gopi) leading a wonderful life as a neurosurgeon and one of the most respected employees of Apothecary Hospital – a super speciality hospital intended for the high class people which charges an incredibly heavy price for the service that it provides. He is known to be someone who is able to have the grace of God in healing people, and has saved the lives of many people who had lost hope. He is married to Nalini Nambiyar (Abhirami), a gynaecologist working at the same hospital and with two kids. Subi Joseph (Jayasurya) is one of the poor and illiterate patients admitted to the hospital, and along with a few others, he is also a contendor for being a guinea pig for illegal drug tests which are going on in the hospital. Dr. Vijay is also forced to agree to the management’s demands for illegal drug tests on patients, but as he himself is admitted in the same hospital after an accident, things change. There will be a lot happening in one man’s mind – no doubt.

The defence of Apothecary :: Along with the wonderful performances from the cast, this movie can also boast about a straight-forward approach in its path. It doesn’t add any masala in its realistic world and keeps things as it should be. As Kung-fu Panda already found out with the dragon scroll, there is no secret ingrediant in this movie, and it is simple noodles. Every extra masala that you add to the movie noodles won’t always give the result that it is expected to give, and there are times when it has to stay real, and even in the imaginations, the movie achieves the same. Its social relevant theme and the message that it carries with pride are among the things that its makers can be proud about. It leaves the audience with thoughts far above what meets the eye, and this stimulation of the intellect should be made mandatory in the movies which end up crossing the limits of buffoonery and they should be chained to the pillar of sense at some point. The whole thing might have been a risk, but it is good to see that the director has chosen this theme and has given out the right message. It might not have been easy, but it is done. The end dialogues are excellent, even when preachy.

The claws of flaw :: The movie drags, and it does so for quite a long time. The movie can be considered too long for its theme and it stretches itself with repetitions which could have been something else. For someone who gave us Melvilasom on his directorial debut, this is a letdown. That movie was something special, one of the best ever made in the history of Malayalam movie industry, and measuring from that perspective, this movie has gone down. Such a comparison was expected as there was the line “from the director of Melvilasom” on the poster, and even as it can be avoided, the hopes remain partially crushed. Then there is that sentimental background music which runs through the movie and keeps coming out of nowhere to make us irritated. It should have been made shorter and to be capable of connecting better with the audience. There had to be a little more clarity on a few things related to the hallucinations and thoughts of our protagonist. There was to be some better editing too. The first part of the second half seems to drag the most, and almost makes this just an art movie.

Performers of the soul :: Suresh Gopi plays the protagonist and easily steals the show in a character that seemed to work for him like a beautiful dream sponsored by a genie. His moments of emotions as well as the preachy side are very much nicely handled. Jayasurya is also there giving life to a character which is simple and at the same time touching for the audience. Subi Joseph is a representative of the common man who comes to the universe of the elite, and it is well done. Asif Ali has a lesser job to do, but he finishes that well. Meera Nandan’s role is also small, but she is very good as Daisy, and the sadness that she displays is so effective for everyone who watches her on the screen. Abhirami has so less to do, as most of the time, she remains crying, but that is still not that much of a lesser job to do. The supporting cast is mostly okay even as there seemed to be some trouble with it as the characters of the doctors were a little too much on the same side which could have been avoided to add some neutrality. In total, it is good to be part of this movie.

Soul exploration :: Here is a special movie for the viewers. Unlike the usual expectation, this is not a medical thriller, but more of a medical drama. It is meant to make people think and there is no doubt about its success in the same. The whole movie is set inside a hospital and a lot of it inside the ICU, like the director’s last movie was completely shot inside a courtroom. It has been all about one building till now. As the earlier movie had talked about the prejudice that was there among the equals, this one talks about the patients’ existence as commodities as hospitals turn into big business ventures looking just for profit. That one had absolutely no drag though. But here, the relevance of the topic is much higher, as it is something of contemporary nature a lot more than anything else. It is just the same as educational institutions becoming places for business – there are always the hospitals. There are basically two types of commodities in our world – the student and the patient, both being good for business, and to be used as a medium to extract money from their loved ones.

How it finishes :: The movie is incapable of surviving in the theatre of much time, and it was evident from the expressions of the common people who were watching it. Surprisingly, they will like fake movies like Bangalore Days, 1983 and Neelakasam Pachakadal Chuvanna Bhoomi is rather a surprise for me though. After the box-office reports come, lets hope that truth won’t have to take that much of a fall, but the sad and depressing fact is that it will. There is no hope for movies like Apothecary in our theatres. It is not because of any other reason – it is because of the attitude of our own audience who are looking for just stupid fun, not even some intelligent entertainment. People ask for entertainment and they are provided the same, most of the time in a very low quality, but surprisingly, people are more than happy with the same. They come and see their favourite stars, sons of the stars or any relative of their favourite superstar on the screen and watch all the nonsense and clap like there is no tomorrow. The hope is just not there for the meaningful movies.

Release date: 7th August 2014
Running time: 150 minutes (estimate)
Directed by: Madhav Ramadasan
Starring: Suresh Gopi, Jayasurya, Abhirami, Asif Ali, Meera Nandan, Thampy Antony, Indrans, Kavitha Nair, Neeraj Madhav, Seema G. Nair

apothecaryy copy

@ Cemetery Watch
✠ The Vampire Bat.