The Wolf Hour

Vampire Owl: I am not happy about the fact that the werewolves are getting more attention.

Vampire Bat: It is pretty much clear that they are not referring to those creatures.

Vampire Owl: I don’t think that it could be about other wolves.

Vampire Bat: I don’t see why not. You can refer to animated or survival movies.

Vampire Owl: There is only one kind of wolf which is interesting for the movie-makers.

Vampire Bat: The season of the werewolves is over. They have lost it.

Vampire Owl: Such monsters are never out of the equation.

Vampire Bat: They survived in both Underworld and Twilight because the movies had vampires playing the bigger roles.

Vampire Owl: I have news that they are looking for something more.

Vampire Bat: Well, I can assure you that it is not about this particular movie.

[Gets a pineapple cake and three cups of white tea].

What is the movie about? :: June Leigh (Naomi Watts) is no longer what she used to be, as she lives alone in a small apartment in the middle of the city, in the shadows of the books she had written a long time ago, and some of her words had turned her family against her – the rebellious nature had made her an outcast, but she still lives in the apartment owned by her grandmother who is no more. The year is 1977, and there are lots of uncertainties, especially in the neighbourhood where she is living. It is not supposed a nice place for a good-looking lady to live alone, as she is indeed troubled by many things, and the feeling that she is being stalked is just one of them. There seems to be looting and other acts of criminal activity, including arson and murder happening at parts of the neighbourhood, and June keeps herself inside the apartment room at all times, only meeting a grocery delivery boy named Freddie (Kelvin Harrison Jr) whom she trusts to take the trash outside without having to get out or take it down with a rope.

So, what happens with the events here? :: She is supposed to finish her manuscript and publish a book, because she had taken an advance, but that doesn’t really happen as expected, with her burning many pages which she had written. She calls her old friend Margot (Jennifer Ehle) who genuinely tries to help her with the needed support along with some money, but she turns her away soon enough. There is someone who keeps calling her on the buzzer at all times, but doesn’t respond, and she feels that someone wants to break in. She tries to call the police, but Officer Blake (Jeremy Bobb) who comes there is not interested in treating it as a genuine threat. But she can’t stop feeling something terrible happening outside, and even though she wants some money from the publishers, decides to stay inside the room. But things are getting more terrible outside, and with her psychological problems also seemingly getting worse, she would need to think about it deeply and come up with a solution.

The defence of The Wolf Hour :: Naomi Watts’ perfect one lady show makes the movie itself rise above all the possible limitations in a world of confusion and chaos running through the background. The atmosphere created here is also prefect, and we live with the lady within that room, and it nicely maintains two out of the three classical Aristotelian unities of place time and action, with only the second one moving out of line. It does have one principal action and you will find that it exist in a single physical location, the apartment which the protagonist never wants to leave – the only other places we see are in the television interviews of the same person coming in as a flashback, and after the end of action. You have the opportunity to go through the life of a strange, eccentric writer, proving yet again that the most creative writers and other artists can have a certain amount of madness in them, or the society might think so. You also see how Naomi Watts rises to become the character with such ease that we can’t expect anyone else in her place here.

The claws of flaw :: Even though there is the idea given, this is not really that mystery thriller with a touch of horror to go with it. You will feel a little bit misguided regarding the same, as drama keeps on having the upper hand. But whenever the movie struggles, and it does on a number of occasions, there is Naomi Watts to lift it a long way up, and it seems to have made the tale go lazy at times. The movie title also leaves the people confused, and even the description for the film given in different websites are not really accurate, as it stays away from the soul as well as the essence of the movie. It is also quite slow, and you have to admire the leading actress’ skill in not letting us feel the drag much. There could have been many more things in this film, and the fear could have been more real and close to life – there could have been someone psychotic behind the main character or even something supernatural in nature, but this film leaves all of those possibilities behind to make this one just the drama and nothing else.

Performers of the soul :: Naomi Watts is once again brilliant in playing this kind of a role. She had been in an isolated area during a deadly winter storm in the highly underrated thriller movie Shut In which had a twist to remember – the feeling of being stalked or haunted was there too, but here, it feels more psychological, and it gives her more opportunities as almost everything in this movie is about her, even more than any other previous flick. If you go further back, you had Funny Games, where she was taken hostage by psychopaths, and the danger was real at that time. So, she is no stranger to the genre or with playing with this kind of setting – the same is reflected really well here too. Well, for someone who was in The Ring and King Kong, this one is smaller kind of danger, but the scope for performance never gets small. Jennifer Ehle who plays her friend also contributes nicely when she is there. Among the other characters, Kelvin Harrison Jr plays his role nicely to be noted the most, and others also follow in this all-Naomi movie focusing on each element of her.

How it finishes :: The movie seems to show a certain dark side of living through the 1970s in the Unites States of America, especially in the urban area – it is something that would be different even if we consider the scenario in our world in this part of the world, because we remember the 1990s to be much different from the situation we have now. It makes us feel the danger, as well as the imagination of the main character, and we can feel the strange thoughts of the character running through there. We get to have a deep character study of a woman with a magnificent past, someone who let her insecurities take everything out of her, and it becomes another stage of bildungsroman for her, even though quite late in her career. The Wolf Hour is to be watched while taking the same into consideration, instead of what is seen or what is heard – what you might have thought about the film earlier won’t count as you go through this journey as it is indeed different from your thoughts about a mystery thriller.

Release date: 6th December 2019
Running time: 99 minutes
Directed by: Alistair Banks Griffin
Starring: Naomi Watts, Emory Cohen, Jennifer Ehle, Kelvin Harrison Jr, Jeremy Bobb, Brennan Brown

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@ Cemetery Watch
✠ The Vampire Bat.

Noor

Vampire Owl: The only Noor I know is from the 1997 Malayalam movie, Chandralekha.

Vampire Bat: That character was Nooruddin.

Vampire Owl: Yes, but saying the name will be like asking for a hundred rupees.

Vampire Bat: It doesn’t matter. If you get one hundred rupees, keep it.

Vampire Owl: But what would I do with human money in our realm?

Vampire Bat: Well, you can start a coin museum. We already have different kinds of museums and one more will do nicely.

Vampire Owl: That is surely not a bad idea. My zombie minions can always do with some extra business when not trying to take over the world.

Vampire Bat: Isn’t it yet proven that they can’t take over the world at all?

Vampire Owl: No, because I have taught them to be positive in their life, or rather in their undead existence.

Vampire Bat: Now I know what is going wrong with a few brainless zombies.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: Noor Roy Chaudhary (Sonakshi Sinha) is a girl in her late twenties, worried about so many things, and her weight being more than her Twitter followers is just one of them. She feels that she is the step-daughter of her father, and the cat Dimpy is the real child, as he cares a lot for the cat. She feels that there is nothing good going on in her life, as she spends most of her time in the traffic, and can’t afford anything much, with her salary being lesser than what she has been spending in the last few months – the potholes meant that she had to keep changing the tyres of her Tata Nano, and she also ends up quitting smoking to cut the costs. Her job as a journalist has her disappointed all the time, as she thinks that she is more of a joker than a journalist. She keeps sending her resume to CNN and BBC so that she could escape from the meaningless journalism which she is doing.

So, what happens next? :: Shekhar Das (Manish Chaudhary), her boss used to be a journalist whom everyone admired – all young journalists wanted to be like him. After his marriage to Lavina Kapadia (Suchitra Pillai), he had received his father-in-law’s news agency, and had settled in as the boss, and had no more courageous journalist action. It is there, at The Buzz that Noor also worked as the junior correspondent. She runs a show called Mumbai Believe it or Not which she finds to be pointless. She gets to talk to different people in the city, like someone who walks upside down and another one who never removes her helmet – she wants to do something like the problems local fishermen are facing due to a new coastal road and the problem with sewers. Also, she is worried about her weight, and doesn’t believe that any good and decent guy will fall in love with her, considering that hiring a hitman to kill someone is rather easier.

And what is to follow with this adventure? :: Her best friend in the city is Zaara Patel (Shibani Dandekar) who doesn’t listen to anyone else, and has been trying to motivate her since school days. Saad Sehgal (Kanan Gill), her other friend is now at London, and these childhood friends are all that she got. Her favourite sentence is “I hate my life”, and the maid at the place Malti (Smita Tambe) is the only other person whom she regularly talks, other than her friend and her father (MK Raina). It is then that she comes across Ayananka Banerjee (Purab Kohli) who has been a CNN reporter working in the Middle East during the wars, and the two gets close. It is then that she gets an idea about something more – an exclusive news which could turn things around for her. But will that happen, or will she remains the same and keep blaming herself for not doing it right?

The defence of Noor :: The movie goes on a realistic path, and there is nothing that goes beyond the lines drawn regarding the same. We feel the protagonist’s problems, no matter how silly they will sound, and they are possible in the case of so many people. The first half is really good, with some humour, and there are also those moments which are there to stay. The credit for the same goes to Sonakshi Sinha who makes this character work so well. Her dialogues, expressions, and the incidents in life make things go on smoothly, and we keep enjoying the light and sweet moments around. There is everything going right with this character with those scenes. If you don’t read too many reviews which keep saying that this isn’t right, and that should have been like something else, you will know that this movie is close to life as it can get – most of the blame put on this movie seems to be more due to some prejudice rather than anything else, even though the movie does have its problems. Still, there are messages, and the feel-good factor.

The claws of flaw :: Noor could have been big, and there is no doubt about that. There was scope for almost everything that could have stayed, from big thrilling moments to those big funny scenes, all contributing very well to the movie in totality. There are also those silly scenes which get rather too much of an attention. There are also those final moments, which seem to have finished the movie without trying that much – maybe there was a rush without that much of a thinking. Things get rather too comforable there, and we are left to witness the curse of the second half, which has attacked Bollywood so much, and is without any plans to stop at any time. One has to wonder why it gets a step down from the moment the first half stops. When there seems to be the chance to get deep into the bad practices in the medical field, the movie just takes one step back, and then when getting close to the bad guy, there is another step taken back – strange things happen in the second half. Then there is too much of party.

How it finishes :: One thing that Noor makes one feel is like that of the Malayalam movie Mili. There is a lot in common between the two despite having entirely different personalities. Also, in certain reviews, there have been people judging the character, without thinking about the fact that it is the role, and this is a person who has her own problems – some people are even against her thoughts, and it is not like they say that it is badly done, but coming up with the idea that it is wrong. It is a strange judgment of people when you see it. We surely have some strange people who come with their own strange ways of hating a movie. This flick is based on the novel Karachi, You’re Killing Me! by the Pakistani journalist and writer Saba Imtiaz, which was also her debut novel. She has also developed the script for this movie, and any comparison can only be done by someone who has gone through both the movie and the novel.

Release date: 21st April 2017
Running time: 116 minutes
Directed by: Sunhil Sippy
Starring: Sonakshi Sinha, Shibani Dandekar, Smita Tambe, Kanan Gill, Purab Kohli, Manish Chaudhary, Suchitra Pillai, MK Raina, Gareth Lawrence, Nikhil Khurana, Indraneel Bhattacharya, Sippora Zoutewelle, Ajita Khanna, Yulian Shchukin, Avantika Akerkar, Sunny Leone (cameo), Diljit Dosanjh (cameo), Badshah (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Nerve

nervee-2

Vampire Owl: I was playing this online game. You should also try it.

Vampire Bat: Don’t you know that I no longer try these things?

Vampire Owl: But this is very much interesting.

Vampire Bat: I have gone through many more interesting things in the past.

Vampire Owl: You know, there is this game. You get missions, and you need to finish them.

Vampire Bat: It sounds familiar.

Vampire Owl: Yes, it should. There are so many people playing this game. Look, there is even Mr. Werewolf Anger playing it.

Vampire Bat: This reminds me of a movie.

Vampire Owl: This game is more than that.

Vampire Bat: Just watch this movie, and you will know.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Venus Delmonico (Emma Roberts), known to her friends as just “Vee”, spends her time with a small group of friends in an island outside the limits of the city. She wishes to leave her home for studying further in the city but doesn’t want to leave her mother alone after the death of her brother. Venus’ best friend is Sydney (Emily Meade) who is a popular girl around, thanks to an online reality game which goes by the name Nerve. In this popular game which has its gamers enlisted as players or watchers, the latter assigns tasks to the former, and accomplishing the same will bring money and fame to those involved. There is always the chance to become more and more famous in the online world, and this opportunity to become popular is used by most of the youth who has nothing better to do with their life. It is a network which keeps getting bigger and bigger.

So, what happens next? :: This game collects one’s personal data and comes up with three rules: all objectives are to be recorded on the player’s mobile phone, all of the earned money are to be revoked if a player fails or declines a dare in the middle of it, and a player is also not to report anything related to the game to the law enforcement. But the real names of the players are never revealed to the public. It remains anonymous, but the game knows everything. Venus who is rejected by her crush J.P. (Brian Marc) as Sydney proposes in her name, decides to become popular like her and the lover who never happened to be one. The one option that seemed to be easy for her, is to get to play Nerve as a player, and be watched by millions of players all around the world, and the two top players with the most points also get to battle each other to win the game.

So, how do things go from here? :: Her first mission, what they call in the game as dare, is to kiss a random stranger at a diner for five seconds. Venus chooses to kiss Ian (Dave Franco), who spends his time reading her favorite book, Virginia Woolf’s To the Lighthouse. He sings to her revealing that he is also playing Nerve. Interested in the two, the watchers add the dare to go together into the city. But things only get complicated after that, with newer dares added – there are more difficult ones coming, and with the total number of viewers, Venus and Ian gets to the top two places, much to the dismay of Sydney who was the star in their circle. Jealous of Venus being popular than her, Sydney attempts to take more risks, and almost falls to her death. But the watchers are not finished, and they have more plans for the players – will Venus go on or quit? What is the past that Ian is hiding? How will Sydney react to this?

The defence of Nerve :: There is a fast-paced thriller in store in the form of Nerve – there is no dull moment, and from the moment this movie begins, to the end, we are cent percent interested in what is to happen next. The movie also nicely presents the terrible beauty which is present in the form of another reality online, which has caused more trouble in the last few years than during any other period of time – the message is surely to unplug from that different mirage of a reality which is not really anything close to even a distant reality. The thrills are working without doubt, and that too continuously here. What works more than the rest is certainly the pair of Emma Roberts and Dave Franco – the former manages to work the role of the teenager who wishes to bring the attention really well, and the latter with more or less the same motive – not only does the watchers of the game find them a good pair, as the audience of this movie must feel the same too. The movie also looks great on screen.

The claws of flaw :: Nerve could have surely been darker and more threatening with its world, for we all know that the reality about the virtual world can only get much more worse as time progresses – after all, we are having a generation that is interested only in pleasing others, and getting more and more attention, no matter what happens to their own people. Even as it is based on a 2012 novel of the same name by Jeanne Ryan, there could have been more dares added into this one, along with more freaky incidents happening – as a movie, it could have used all that, even though nothing can be said about the book without having read it. The movie could have also used a few faces for Nerve, and justice could have been better served to those unknown names using the game. The scope was further for this movie, and we could have always had a bigger and darker thriller with this one going a safer path.

How it finishes :: Nerve is clearly a reflection of what happens in the current world which is dominated by all kinds of social media which begins from Facebook and Twitter. The strength of online games is another thing which is visible. In a world which has been so much affected by an online world which affects the reality in a way which makes it too difficult to come back, Nerve has a message for each one of the viewers. Nerve is the kind of movie that is certain to make one think, and it is a clear reflection on how bad a simple game can get, and how much lawlessness can be present online – it doesn’t really matter how good or educated a person is, as it is eternally easy to be evil without a face; the movie shows exactly that! As we see all those online abuses happening all around, you know that the nature of the internet is bringing the worst out of people on most occasions. Nerve is just its next stage. Lets be prepared for the worst to happen.

Release date: 27th July 2016
Running time: 96 minutes
Directed by: Henry Joost, Ariel Schulman
Starring: Emma Roberts, Dave Franco, Emily Meade, Juliette Lewis, Machine Gun Kelly, Miles Heizer, Kimiko Glenn, Samira Wiley, Ed Squires, Brian Marc, Eric D’Alessandro, Marc John Jefferies, Casey Neistat

nerve

@ Cemetery Watch
✠ The Vampire Bat.

Chapter 32 Verse 23

32-23 (2)

***Full title in Malayalam: 32aam Adhyayam 23aam Vaakyam. Translated into English for convenience because of the length.

Vampire Owl :: I thought that you were going to watch something else.

Vampire Bat :: Yes, but I decided to promote Malayalam movies which are getting caught in the web of the movies in other languages. It is the responsibility of each and every Keralite to make sure that the Malayalam movies are saved.

Vampire Owl :: That sounds so awesome. What were you going to watch otherwise?

Vampire Bat :: It is what comes after ABCD.

Vampire Owl :: Okay, you mean EFGH.

Vampire Bat :: What? No, not all.

Vampire Owl :: Then is it IJKL or MNOP?

Vampire Bat :: No. What is wrong with you? It was ABCD 2!

Vampire Owl :: Well, in that case, I feel that this is an interesting decision.

Vampire Bat :: Yes, lets see.

[Starts the car].

What is it about? :: Ann (Mia George) is a journalist at Cochin and her husband Freddy (Govind Padmasoorya) who is working at the United States returns home only for a few days with a small break from work and expecting a promotion. They are celebrating their first wedding anniversary and gets a book as a present from a friend. As Freddy is having a lot of free time while Ann is at work, he starts reading that book and instantly begins to have a certain liking towards the work. He begins to imagine the life of the protagonist as his own, and it affects his personal life. Ann and their family friend Ravi (Lal) feels that he is somewhat losing his mind. But as he gets more interested in the incidents of the book and its number twenty three, he finds a few things from his past and will also uncover another mystery which has been unsolved for years.

The defence of 32aam Adhyayam 23aam Vaakyam :: The visuals are very good with this one. The movie explores the 23 enigma for the first time in Indian movies as far as most of us know, but there is still doubt it. As everything gets connected to the belief, this becomes one of those movies which tries to be different, and also choose to make an attempt on things which are not common in the Malayalam movie industry. The plot is good, and has scope. Still, it is an obvious risk, but a fair step in the right direction, and even if this might not work as much as expected, there is the hope for more of similar attempts. Also, you have to like how everything comes together as the movie gets near the end. The suspense is successfully maintained, and coming from a new team, this needs to be applauded. The songs are also pretty much okay and background score is nice.

The claws of flaw :: The movie doesn’t focus that much on the 23 enigma which was supposed to be the main point. Even the title of the movie itself is revealed to be relevant only in the end with the Holy Bible. The sequences which show the fiction from the book are quite bad. It was quite unnecessary, and one can guess what such things can be to audience if there is a chance to check how Natholi Oru Cheriya Meenalla turned out to be. It was like just adding to the drama in a ridiculous way instead of boosting the thriller side. There are moments when the movie also seems to struggle to make the point. There are no scares using the big number enigma and the first half struggles to get to the point. There could have been some horror elements added related the “number”. I haven’t watched the movie The Number 23, and so I won’t be the one talking to you about similarities and differences between the two flicks.

Performers of the soul :: Govind Padmasoorya manages to do his role well enough, except for those moments inside fiction where the same can’t be said. It was a world of disaster inside that imaginary world anyway. There is the need to expect nothing exceptional though. Mia George is very good here even though the focus was almost completely on the protagonist. The journalist role is something which seems to automatically suit her right from Memories despite the fact that there has been no movie based on media for her yet. Lal has a smaller role which he manages to do well in his usual style. The movie is basically around the leading actors, and so the contributions from the rest was always going to be less. But there is not much lost in the acting department.

Soul exploration :: The movie’s plot can be seen as an attempt for the protagonist to go through a novel and at the same time find his own past, with the support of incidents helped by fate. In the end, not only will the man have known the truth, but also would have become a better person. There is murder, but that which happened very long ago, and this movie would have worked even without that, because what matters more is a secret and also a belief which are searched and brought to light. This not about romance, and neither is it about a murder mystery. The story is about the mind rather than a sequence of thrilling events. It is sad that the same point is not really brought on the screen with its full energy, and it doesn’t make full connection with the audience as it was clear in the theatre. But the idea is the right one.

How it finishes :: 32aam Adhyayam 23aam Vaakyam could have been big if the idea was better transformed on the screen, but it isn’t. Still, the movie has enough to go on till the end as an okay thriller. The Malayalam movie industry has been regularly coming up with average or above average thrillers for quite a good amount of time, and it is time to move back up to the level of Drishyam and Memories. This year is struggling to have better Malayalam movies as a while despite the big success of Premam and the nice little wonder which was Mili. I would like to hear about something the Hollywood movie The Number 23 from anyone who has watched it. May be the makers could have chosen the number thirteen because it was a more accepted one. But for now, lets try and watch the variety with this movie and see what they have tried differently, can’t we?

Release date: 19th June 2015
Running time: 116 minutes
Directed by: Arjun Prabhakar, Gokul Ramakrishnan
Starring: Govind Padmasoorya, Miya George, Lal, Arjun Nandakumar, Sunil Sukhada, Sasi Kalinga, P.Balachandran, Balachandran Chullikkad, Rahul Karthik, Sreejith Pokkan, Gowry, Sasha Gopinath, Sharan

32-23

@ Cemetery Watch
✠ The Vampire Bat.

Gone Girl

gonegirl (3)

Vampire Owl :: Which girl is gone?

Vampire Bat :: No, it is the name of the movie.

Vampire Owl :: Really? But you are going to a theatre which almost froze us to death last time.

Vampire Bat :: Yes, but it happened only once.

Vampire Owl :: Dude, only a Vampire Penguin can stand such cold. I think they are trying to start a new mortuary freezer at the theatre in collabration with the nearby hospital.

Vampire Bat :: Have you ever been to a mortuary?

Vampire Owl :: Yes, once when I was looking for a zombie to provide assistance to my owlification. Couldn’t find one though. I was freezing to death; no wonder there are no zombies in this part of the world. Even the undead dies in that cold.

Vampire Bat :: But people usually want this cold.

Vampire Owl :: It is already raining outside. Why would they want more cold? See, this is why I should not watch this movie and go back to owlification. Watching a movie here would be like watching Frozen without the visual effects.

Vampire Bat :: Be the Gone Owl then. Best of luck.

[Goes into the multiplex].

What is it about? :: Nick Dunne (Ben Affleck) returns home on the day of his fifth anniversary to find his wife missing. The situation does manage to find a lot of media coverage as she is daughter of the parents who wrote a very popular series of books with Amy Elliott-Dunne (Rosamund Pike) at the centre of it, called Amazing Amy. Soon, the media comes to the conclusion as he is the one who is responsible for the same and has murdered his wife, thanks to the revelations of Noelle Hawthorne (Casey Wilson) who says that he was not a good husband and she was pregnant. Nick acts strange and also sounds weird during the investigations making the cops suspect him, and there are also more evidences that point to him. Then there is his sexual relationship with Andie Fitzgerald (Emily Ratajkowski). Finding Amy’s diary and what seems to be the situation of their marriage, it becomes clear that he is in big trouble, despite the sincere efforts of his twin sister Margo Dunne (Carrie Coon) and attorney Tanner Bolt (Tyler Perry).

The defence of Gone Girl :: The movie has two sides, and the first half is entirely different from what is to follow in the second, and the PVR intermission is nicely created. The two halves are rather like two parts, with first one being an investigation of the mystery of the disappearance of a man’s wife, and the second being how it has been working for the wife, and how it goes on as everything comes together in the end. I found the second half clearly superior to the first, and there is a lot of truth as well as entertainment in the latter division. The first half’s mystery as well as the second half’s black comedy nicely compliments each other. This is comparable to the movies like The Girl with the Dragon Tattoo, Enemy and Prisoners with its content. It brings the questions about modern marriage to light and talks about how it has changed in the recent years – the narrative is as good as it can get, and the plot is nicely managed. There is also that power of the performances.

Positives and negatives :: I have heard some people say that the novel is better than the movie, and I do ponder about it, but I don’t think I am going to read the book any time soon. For now, I can say that the movie is excellent. Some people might find the movie’s going forward and backward in time irritating, but I find it nice. It does have a strange twist in the end, and even as it has a certain beauty about it, some viewers might find it ridiculous – yes, some other usual kind of ending could have been the one for normal audience, but we are always equipped to take something different, aren’t we? Then there is the slow start which can take the interest off you, and the extreme length of the movie which has two and half hours taken away from us, making it a total three hours long with those advertisements – too many commercials and trailers, and I was frozen in the theatre by then. Thank God for the intermission we have here, for a long English movie is not what our audience ask for.

Performers of the soul :: Ben Affleck is playing a usual unsuspecting man, and it seems to work for him a lot. There is not much to do there for him to do other than being clueless and making at attempt at being better, but he does that nicely to convince us about his character. It is undoubtedly a good role for him as we wait for him to come back to us as the new Batman. I loved how Rosamund Pike played her amazing Amy, as there is as much mystery about it as well as the awesomeness in the portrayal. There is that moment when she reveals her thoughts, and it is one bloody awesome moment, and there is that thing that he does with the climax, and she is simply perfect right there. Neil Patrick Harris is pretty much wasted in his role which is pretty much a dumb one, and does nothing much. Emily Ratajkowski is there as the most gorgeous person around, nothing more about her character, but she is indeed lovely to watch. I did think that Carrie Coon was very impressive there. Tyler Perry was nice, I liked how he did his job. Lola Kirke and Casey Wilson also do their jobs nicely.

Soul exploration :: Gone Girl is a mixture of many genres, as it has its mystery and twist along with humour and crime investigation. There is romance, but one might not want to see that genre at the centre. The movie takes more of a satirical view on the marriages of the modern age, and during the same, black humour is implemented a lot. It also shows how easy it is for the media to manipulate the public opinion and devastate a man in the most disgusting and ridiculous manner, and that it is indeed easy for the woman to put the blame on the man and frame him for her troubles, because the society will always favour a woman as long as she can keep the mask of being in trouble. There will always be at least one stupid person whom a smart one can manipulate. It gives its viewers one more reason why one shouldn’t cheat in a relationship, and your wife might be a psychopath, but you will never know. Both the protagonists are liars, and there lies the strange beauty in the narrative. May be we can put this one into the psychological thriller genre.

How it finishes :: For one second, I thought that this had released here before it did in the United States, and then on the next second, I realized that this month is not October – the time does fly so quickly, and we are indeed coming to the close of this year’s movie watching adventures in less than two months with Christopher Nolan’s already much critically acclaimed Interstellar so close to getting released. Yes, Gone Girl becomes the movie which made a difference in the closing stages, unlike those other movies which were the more awaited ones. Even as I once again almost got frozen to death in the multiplex theatre, it was worth it. Yes, this is one question that I ponder over – why is it too cold in some theatres? What is the need for the same especially when it rains almost every day here? It is a wastage – they should surely keep it low and save some energy rather than creating the mortuary freezer effect which is rather a punishment.

Release date: 31st October 2014 (India); 3rd October 2014 (USA)
Running time: 149 minutes
Directed by: David Fincher
Starring: Ben Affleck, Rosamund Pike, Tyler Perry, Carrie Coon, Kim Dickens, Emily Ratajkowski, Neil Patrick Harris, Patrick Fugit, Casey Wilson, Missi Pyle, Sela Ward, Kathleen Rose Perkins, Lisa Banes, David Clennon, Scoot McNairy, Boyd Holbrook, Lola Kirke, Cyd Strittmatter, Leonard Kelly-Young

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@ Cemetery Watch
✠ The Vampire Bat.

The Fault in Our Stars

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Vampire Owl :: Why do you have a beard?

Vampire Bat :: Do I need a reason for that?

Vampire Owl :: I think you are having a beard because you don’t want anybody to recognize you getting tickets for bad movies.

Vampire Bat :: How bad? I can even stand a movie with a zombie falling in love with a corpse.

Vampire Owl :: They have already made that in Bollywood. I think they put it in the romantic comedy genre and people seemed to enjoy it a lot. A box-office hit. Something worse was made in Malayalam. It was called Annayum Rasoolum. Another hit there.

Vampire Bat :: But this will be good.

Vampire Owl :: If it is good, the show will be cancelled. Nobody will watch it. They only want to watch dumb romance and superstar movies. I heard you watched Pizza in 3D?

Vampire Bat :: Yes, you mean to say you actually read my Facebook status?

Vampire Owl :: Yes, I am making a list of the bad movies you watch. Now go and watch a movie. Meanwhile, I will create an evil plan to owlify and take over the universe.

Vampire Bat :: And that is the evil Vampire Owl prototype.

[Begins the journey].

What is it about? :: Hazel Grace Lancaster (Shailene Woodley) is a cancer patient who is loved and cared by her parents Michael (Sam Trammell) and Frannie (Laura Dern) who decides to send her to a support group at the local church, feeling that she is depressed and need friends. There she meets Augustus Waters (Ansel Elgort) who also had cancer and had to lose one of his legs. They form an instant liking to each other, and soon their relationship develops. As it goes on, things get stuck at Hazel’s favourite novel which doesn’t seem to have a conclusion and she desires to know the ending of this story which is about a cancer-striken girl whose life parallels her. But the author of the book, Peter van Houten has moved to Amsterdam and not replying to fan mails. As Augustus tracks down Houten’s assistant, Lidewij and they finds out that the answer will be provided in Netherlands, they decide to travel to Europe together. Even as she is unhealthier, her parents and Augustus decides to make her dream come through. Through all these, a romance also develops.

The defence of The Fault in Our Stars :: There are many stupid romantic movies that are thrown at us thinking that we viewers have no brain, and this is one beautiful exception that we have here. It is not an exaggerated display of teenage romance that we have here, and it is not terribly realistic to the core, but it has kept away from exaggeration as much as possible consider the limitations of a movie which is to appeal to the viewers and more people are to know about the feelings that the patients have. The two major characters are beautifully portrayed, and Hazel is awesome. Almost every dialogue and every interaction concerning her catches our attention and we feel for her right from the beginning to the end, and when she replies “thank you” to the compliments that are given to her in a cute tone, it gives a lot of happiness to oneself considering the way she is going through her life. The beautiful young lady gives us silver lining to our life, finding hope with an extraordinary amount of faith while going through pain and being stalked by death, the certain visitor who is being delayed by prayers and medical treatment. The romance is also beautiful, and hundred percent of the soul rather than some retarded movies which only claim to be so.

Claws of flaw :: As the adaptation of the novel of the same name by John Green, the movie might have its points missing out, but I haven’t read the book yet, and so it is not up-to me to talk about that. The movie has certain coating to make sure that it doesn’t go uninteresting to the viewers, and the extra bit of sugar-coated romance added also adds to make sure that the teenagers flock to the theatres – yes, I could see a lot of them dying for more and more romance and left without the satisfaction of seeing what they needed in a stupid romantic movie, but this movie has given them more than enough in my opinion – this is not to be considered as just a romantic movie, and that much we owe to the real people who suffer from the disease. Well, how can we find fault with a wonderfully acted movie having two people trying to live their life in a beautiful manner despite having the knowledge that they are going nowhere other than the ultimate death, or “doom” or “oblivion” as the characters do call the end in a funny way? I guess there is no need to go deep down into it. Romance is actually an intruder into the seriousness, and I wonder how this would have turned out without it – got to have been better.

Performers of the soul :: Shailene Woodley as Hazel is the spirit and soul of this movie and she makes this movie even more than what is should have been. We did see her in Divergent where she matched Jennifer Lawrence – taking Beatrice Prior to the the level of Katniss Everdeen in a lesser movie, but this is an entirely different situation. We love the attitude of her character, and Hazel is not just Hazel, and as her lover calls her, she is Hazel Grace, proving herself to to be in the grace of God or the grace herself by being a wonderful person against all her thick walls of troubles. Ansel Elgort played Shailene’s brother in Divergent, and here she plays the next best character and one has to admire the way both of these characters are written, and these two have played them to perfection. They provide the viewers with some abiding sadness along with happiness and heart-break that comes. But they are within the limits of seeing the beauty of the world. There are two things that the characters do teach us, one is that “The world is not a wish-granting factory”, and the other is that “Funerals aren’t for the dead, they are for the living” – prayers are the ones for the dead, aren’t they?

Soul exploration :: The title alludes to “The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings.” from William Shakespeare’s Julius Caesar Act I Scene II. It has human situation, either good or bad, as the result of one’s own actions rather than by the power of the divine, or that human condition itself such a flawed one that divinity can play no role in it. But it is not true on most occasions, right? There are things beyond our control, and a desire to control our own fate can only be successful up-to an extent or not close to having any success at all. No, it is not our fault that we don’t achieve something or ends up on the losing side. There is always the element of luck or fate, and the existence of God’s grace that changes things. There is indeed the fault in our stars, and there is the society and the world around us that shapes us and define our lives – just too many factors which control our lives on which we sometimes have no knowledge and at other times no control, and things to do fall apart. We are all subject to the fault in the stars, and it is just that for some people, it is less visible on the outside. In some other cases, we know. We have to live through the faults, our characters did.

How it finishes :: Even as there this released last month in the United States, it has the presence here at the right time at theatres with Planes 2: Fire and Rescue 3D not creating the usual animated impact out there – only wish remains that it had more shows. For Keralites, some memory of Akasadoothu inspired by Who Will Love My Children? will be there in this movie and there is the feeling that these movies carry far beyond its own realm of existence on a big screen. The Fault in Our Stars is nicely romantic along with being tragic and still, it creates that effect which none of the movie can really create. We can only hope that people will support beautiful movies like this instead of fake and dumb romantic movies like Humpty Sharma Ki Dulhaniya which attracts audience so much. Unfortunately, for some people, they think that love is all about physical attraction and exaggerated fake romance – Bollywood continues to teach that very long story which it uses again and again without any shame or regret, just with the addition of something on bed. Sadly, such are the movies which come good at this part of the world.

Release date: 18th July 2014 (India); 6th June 2014 (USA)
Running time: 126 minutes
Directed by: Josh Boone
Starring: Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern, Lily Kenna, Sam Trammell, Willem Dafoe, Lotte Verbeek, Mike Birbiglia, John Green (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.