Balan Vakeel

What is the movie about? :: S Balakrishnan (Dileep) is a lawyer who works under the reputed advocate Pramod Sujanapalan (Arjun Nandakumar). But he hasn’t been able to achieve much in his professional career due to his stammer, even though he was known to be a smart & intelligent person during his college days. His father and mother (Siddique and Bindu Panicker) are concerned about him, but are sure that he can only be a failure in life, with former also being a chain smoker who tries different drugs. His first successful case is that of Ansaar Ali Khan (Aju Varghese), a local goon who is involved in a robbery case. Ansaar doesn’t have the cash to pay as his fees, and therefore provides him with a place to stay at low rent. But this new place has Irumbu Babu’s (Bheeman Raghu) presence, and he considers it to be his own room and wants him to leave. But it will be the smallest of his problems.

So, what happens with the events to follow? :: It is then that his brother-in-law P Mohanan Pillai (Suraj Venjaramoodu) comes up with a plan to make some easy money. He asks Balakrishnan to be a part of it, and she accepts the same reluctantly. He sends a notice to a given address asking for compensation in the name of a woman (Priya Anand) who claims to have been abused by the person at the address. But it turns out that it is the address of the DGP of Kerala Police, KE Eapen (Renji Panicker) who is suprised to get the same. The charge of investigation goes to Indhulekha Marar (Lena) who gets only a limited amount of time to solve the case. Meanwhile it turns out that the person whose name is in the letter is Anuradha Sudharshan (Mamta Mohandas), a woman who is completely unaware of this. There seems to be some conspiracy behind all these. But there is no clue regarding where to begin.

The defence of Kodathi Samaksham Balan Vakeel :: There are the twists in store in Kodathi Samaksham Balan Vakeel for sure, and there is mystery awaiting to be revealed, related to a conspiracy. We also have incidents which seems to reflect reality, but there is the certainty of exaggeration regarding the same. The emotional flashback in the movie becomes effective with the last twist, but otherwise it feels strange, and makes you wait the whole time trying to find something out of it. There is also the presence of a fine cast to support everything out there, making sure that they manage all that this movie can provide. There is some good humour out there, even though not throughout the flick. It is seen more in the initial stages, starting from the introduction of the main character itself. The interval punch is strong enough to make one interested in the second half, even though the first half wasn’t that much there.

The claws of flaw :: It can be seen that there is no attempt to make this movie go through a fully entertaining path, and there is no plan to make this a perfect journey as an investigation thriller either, as this is caught somewhere in between. The jokes are also just partially effective, and we see that the funny side in the name of children hitting older men, people falling on electricity lines and surviving, a drug addict father instead of the usual alcoholic one etc – they are just there for the sake of adding some strange funny side. There is also the presence of some unnecessary mass scenes, and the hero sending people flying around comes in, and the struggling protagonist that we wanted to watch from the trailer is lost. Having such a protagonist beating up people all of a sudden works against the overall mood of the movie, and what we know about the protagonist. The songs are not that good either.

The performers of the soul :: This seems to be a movie nicely made for Dileep, as he has this in control, just like many other movies of the same kind. There is no problem here, as he had played advocate trying to serve justice before in Passenger, and there was Mamta Mohandas there too, with the same name for her character, Anuradha. Well, Passenger is a movie long way ahead of this one, without doubt. Mamta Mohandas is here for a full role unlike what she had in 9. There is not much for her to do regarding the investigation here though, as she is the victim and there is the protagonist to save the day. A little romantic side added there seems to be rather forced though, as this movie could have done without it. The focus on its main idea would have been enough, and trying to play cupid between the main character didn’t do both of them any good.

Further performers of the soul :: Siddique’s father character is kind of strange, but brings the funniest moments of the movie with ease. There is his comic timing that lightens up the movie really well. Aju Varghese is the next person in the comedy department, and it works well for him most of the time too – he does get some memorable funny ones. Suraj Venjaramoodu also has the comedy working in his favour, even though at parts it seems out of order. Priya Anand gets another smart role after Ezra and Kayamkulam Kochunni, but with lesser time spent on the screen. Veterans like Ganesh Kumar and Renji Panicker right there, doing what they do the best in police roles. Another person who shines so well inside the uniform is Lena, who is also there Varikkuzhiyile Kolapathakam, and mystery-solving journey of puzzles which is also running in the theatres.

How it finishes :: For B Unnikrishnan, this movie comes after Villain, which was a smart one for sure. Kodathi Samaksham Balan Vakeel does take the path of Vikadakumaran and Jolly LLB, a trend related to a struggling lawyer whenever the same is the protagonist. This one has its moments of thrills and twists are brought into the scene, but there is not doubt about the fact that this could have done better. There is the fine premise already set, and the idea that has scope for a lot, but it is not utilized in the best way. Maybe we have to wait to get something better out of a story related to courtroom, and we can do that. Until then, lets watch Kodathi Samaksham Balan Vakeel and enjoy the interesting side. For those who wants the more realistic side, there is always Kumbalangi Nights & June running, and seemingly good enough to keep doing the same for a long time.

Release date: 21st February 2019
Running time: 155 minutes
Directed by: B Unnikrishnan
Starring: Dileep, Mamta Mohandas, Priya Anand, Aju Varghese, Siddique, Ganesh Kumar, Renji Panicker, Bindu Panicker, Suraj Venjaramoodu, Saiju Kurup, Vamsi Krishna, Harish Uthaman, Lena, Arjun Nandakumar, Pramod Sujanapalan, Bheeman Raghu, Veena Nair, Pradeep Kottayam, Thesni Khan, Sajid Yahiya

@ Cemetery Watch
✠ The Vampire Bat.

Chapter 32 Verse 23

32-23 (2)

***Full title in Malayalam: 32aam Adhyayam 23aam Vaakyam. Translated into English for convenience because of the length.

Vampire Owl :: I thought that you were going to watch something else.

Vampire Bat :: Yes, but I decided to promote Malayalam movies which are getting caught in the web of the movies in other languages. It is the responsibility of each and every Keralite to make sure that the Malayalam movies are saved.

Vampire Owl :: That sounds so awesome. What were you going to watch otherwise?

Vampire Bat :: It is what comes after ABCD.

Vampire Owl :: Okay, you mean EFGH.

Vampire Bat :: What? No, not all.

Vampire Owl :: Then is it IJKL or MNOP?

Vampire Bat :: No. What is wrong with you? It was ABCD 2!

Vampire Owl :: Well, in that case, I feel that this is an interesting decision.

Vampire Bat :: Yes, lets see.

[Starts the car].

What is it about? :: Ann (Mia George) is a journalist at Cochin and her husband Freddy (Govind Padmasoorya) who is working at the United States returns home only for a few days with a small break from work and expecting a promotion. They are celebrating their first wedding anniversary and gets a book as a present from a friend. As Freddy is having a lot of free time while Ann is at work, he starts reading that book and instantly begins to have a certain liking towards the work. He begins to imagine the life of the protagonist as his own, and it affects his personal life. Ann and their family friend Ravi (Lal) feels that he is somewhat losing his mind. But as he gets more interested in the incidents of the book and its number twenty three, he finds a few things from his past and will also uncover another mystery which has been unsolved for years.

The defence of 32aam Adhyayam 23aam Vaakyam :: The visuals are very good with this one. The movie explores the 23 enigma for the first time in Indian movies as far as most of us know, but there is still doubt it. As everything gets connected to the belief, this becomes one of those movies which tries to be different, and also choose to make an attempt on things which are not common in the Malayalam movie industry. The plot is good, and has scope. Still, it is an obvious risk, but a fair step in the right direction, and even if this might not work as much as expected, there is the hope for more of similar attempts. Also, you have to like how everything comes together as the movie gets near the end. The suspense is successfully maintained, and coming from a new team, this needs to be applauded. The songs are also pretty much okay and background score is nice.

The claws of flaw :: The movie doesn’t focus that much on the 23 enigma which was supposed to be the main point. Even the title of the movie itself is revealed to be relevant only in the end with the Holy Bible. The sequences which show the fiction from the book are quite bad. It was quite unnecessary, and one can guess what such things can be to audience if there is a chance to check how Natholi Oru Cheriya Meenalla turned out to be. It was like just adding to the drama in a ridiculous way instead of boosting the thriller side. There are moments when the movie also seems to struggle to make the point. There are no scares using the big number enigma and the first half struggles to get to the point. There could have been some horror elements added related the “number”. I haven’t watched the movie The Number 23, and so I won’t be the one talking to you about similarities and differences between the two flicks.

Performers of the soul :: Govind Padmasoorya manages to do his role well enough, except for those moments inside fiction where the same can’t be said. It was a world of disaster inside that imaginary world anyway. There is the need to expect nothing exceptional though. Mia George is very good here even though the focus was almost completely on the protagonist. The journalist role is something which seems to automatically suit her right from Memories despite the fact that there has been no movie based on media for her yet. Lal has a smaller role which he manages to do well in his usual style. The movie is basically around the leading actors, and so the contributions from the rest was always going to be less. But there is not much lost in the acting department.

Soul exploration :: The movie’s plot can be seen as an attempt for the protagonist to go through a novel and at the same time find his own past, with the support of incidents helped by fate. In the end, not only will the man have known the truth, but also would have become a better person. There is murder, but that which happened very long ago, and this movie would have worked even without that, because what matters more is a secret and also a belief which are searched and brought to light. This not about romance, and neither is it about a murder mystery. The story is about the mind rather than a sequence of thrilling events. It is sad that the same point is not really brought on the screen with its full energy, and it doesn’t make full connection with the audience as it was clear in the theatre. But the idea is the right one.

How it finishes :: 32aam Adhyayam 23aam Vaakyam could have been big if the idea was better transformed on the screen, but it isn’t. Still, the movie has enough to go on till the end as an okay thriller. The Malayalam movie industry has been regularly coming up with average or above average thrillers for quite a good amount of time, and it is time to move back up to the level of Drishyam and Memories. This year is struggling to have better Malayalam movies as a while despite the big success of Premam and the nice little wonder which was Mili. I would like to hear about something the Hollywood movie The Number 23 from anyone who has watched it. May be the makers could have chosen the number thirteen because it was a more accepted one. But for now, lets try and watch the variety with this movie and see what they have tried differently, can’t we?

Release date: 19th June 2015
Running time: 116 minutes
Directed by: Arjun Prabhakar, Gokul Ramakrishnan
Starring: Govind Padmasoorya, Miya George, Lal, Arjun Nandakumar, Sunil Sukhada, Sasi Kalinga, P.Balachandran, Balachandran Chullikkad, Rahul Karthik, Sreejith Pokkan, Gowry, Sasha Gopinath, Sharan

32-23

@ Cemetery Watch
✠ The Vampire Bat.