A Working Man

Vampire Owl: We are all working all the time, you know.

Vampire Bat: Everybody including Uncle Dracula knows that you do no work at all.

Vampire Owl: I work at my own office within my room.

Vampire Bat: You know that there is no business firms allowed in the Dracula Castle.

Vampire Owl: This is just me showing my skills making blood milk shake and blood cake.

Vampire Bat: Do you even know the sugar levels of vampires of the castle?

Vampire Owl: It is approved by Dr. Frankenstein and his medical company.

Vampire Bat: Mr. Frankenstein has never been a real doctor who can do that.

Vampire Owl: Frankenstein has presented and published a research paper on vampire blood sugar and was appreciated for the same by different universities.

Vampire Bat: I have heard that they were promised infinite amount of money just to accept the abstract and let him present it.

[Gets a paneer samosa and three cups of Kodaikanal tea].

What is the movie about? :: Levon Cade (Jason Statham) is a retired Royal Marines Officer, now working as a construction foreman in Chicago, leaving the United Kingdom after his service and settling down in the United States as his American wife had committed suicide, and his father-in-law Jordan Roth (Richard Heap) who had settled down in the same city does not allow him to see his only daughter Merry Cade (Isla Gie) as he is known to suffer from PTSD and has been struggling to gain custody of his daughter. Levon maintains a close friendship with the family who employs him at the construction site – Joe Garcia (Michael Pena), his wife, Carla Garcia (Noemi Gonzalez) and their daughter, Jenny Garcia (Arianna Rivas), as they consider him as one of their own. One night, while Jenny is out at a bar, enjoying with her friends, she is kidnapped by two Russian traffickers who randomly choose their victims from the night club, the ruthless mercenaries known by the names Viper (Emmett J Scanlan) and Artemis (Eve Mauro).

So, what happens with the events here as we just keep looking? :: Joe and Carla report the case of their missing daughter to the police, but they are unable to find any leads, and do not seem to keep this anywhere close to priority. Desperate to find their daughter, the parents who know about Levon’s military past, offer him money to find Jenny, but he refuses to do anything about it, as he feels that his past was responsible for the death of his wife and hostility of his father-in-law who has always been a pacifist. But after consulting his former friend and comrade in arms in the military Gunny Lefferty (David Harbour), decides to what he does his best and follow his heart, as he had once promised Jenny to watch and protect her, making sure that no harm would come upon her. As he decides to use his best skills for the purpose, follows the bartender who was there at the time when Jenny went missing, and finds connection to Russian mafia which has been involved in human trafficking in the past. He finds out that the situation is more complicated than he thought. Can he find more clues and reach Jenny before time runs out?

The defence of A Working Man :: Watching this movie, one feels that this is a movie well set for Jason Statham to come up with all the action, and the same is asserted again and again as the movie progresses and gets close to the end. The action sequences are excellent and staying within the willing suspension of disbelief limits. It was best seen with that beginning fight scene and it just gets bigger in the final scenes as there is a lot to be done. We see something to root for the protagonist every moment as the film progresses – there is also an emotional touch to the main character, and we connect to the same with the feelings rightly felt. There is also that feeling of nostalgia that runs through in the movie reminding us those other earlier movies that we have seen before. The stylish and immensely evil Russian mobsters to a biker gang leader sitting on a literal throne in a basement with his black-wearing people, the variety of villains that make quite some impact. The visuals are quite nice, with different settings nicely used for the situation.

The claws of flaw :: The movie feels like a Taken-inspired weaker version with search for one woman who has taken by drug traffickers often forced into prostitution, as even the less appreciated Malayalam movie Karam doing better than this particular one. Yet, one feels that the danger is not that much felt here with the kidnapped woman, as she seems to be too comfortable with the same even when in so much of a terrifying situation as part of her captivity. For some reason, we do not see facing that much of a terror, and she seems to be more military-trained than even the main protagonist – this is where the other movies dealing with the same premise dealt with the situations much better. Even the search for the woman seems to be lagging, as the pace comes down. Then those fast cuts and shaky camera work during the quick action makes things feel rather strange, and leaves a lot to be desired. The title of the movie is also never really justified as the construction work never really gets the attention again.

The performers of the soul :: Jason Statham once again does what he does best as he has a strong physical presence, charm, as well as nice fight scenes including hand-to-hand combat and some shooting to go with it. Starting with a construction site fight and finishing after a full set of climax battle sequences keep us satisfied. It is once again asserted that he is the man for this kind of a job, after Liam Neeson did the same multiple times with his one series of movies starting with saving his daughter from human traffickers. Being a part of The Mechanic and one among of Hobbs and Shaw battling in Fast and Furious series had made us hope for him even in Hitman: Agent 47 which would have been perfect for him. After John Wick and friends in a chaotic murder spree universe, he remains seemingly best choice for this kind of worlds. Arianna Rivas as Jenny Garcia does not get much except for those last moments when there seems to be a fight forced on her – in a movie focused on her kidnapping, she is just not shown enough. Then the antagonists seem balanced, rightly there to be menacing enough.

How it finishes :: This remains an interesting movie, even though nothing much new in its content, and reminds us of many other movies in the past. The movie gains the advantage from Jason Statham as the main character, and even when there is not much to raise the level in the narrative, the man takes the movie straight up to another level. But we cannot help feeling that he could have done more if the search was better arranged and if the danger was really felt except for the kidnapped not shown much after being kidnapped except for the end, and due to the hero quickly going through the villains without that much of a difficulty as one should be having when facing a mafia, The emotional side with daughter works, but not with the kidnapped one as we rarely feel that she is in trouble, and yet we feel that the poor mafia members are really in bigger trouble – this is something which should not have happened in a movie like this which does not go over the line with its action. Well, the fight scenes work really well, and keeps us interested, and we are thrilled to see the happenings on the screen; often that much is enough for the genre, but not for a second watch on any day.

Release date: 28 March 2025
Running time: 116 minutes
Directed by: David Ayer
Starring: Jason Statham, David Harbour, Michael Peña, Jason Flemyng, Arianna Rivas

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✠ The Vampire Bat.

Eenie Meanie

Vampire Owl: This sounds like a nice name which we can use for a new vampire.

Vampire Bat: How can a vampire be called by such a name in our realm?

Vampire Owl: It is still better than being called Vampire Owl I and Vampire Owl II.

Vampire Bat: So, there is a second vampire who is an owl?

Vampire Owl: We have to be ready for all possibilities in a world of chaos.

Vampire Bat: A world of chaos can only use a chaotic name.

Vampire Owl: That would scare legends like Dr. Frankenstein away.

Vampire Bat: Mr. Frankenstein already have a scary name for himself.

Vampire Owl: Frankenstein is a name given to legends these days.

Vampire Bat: Uncle Dracula has been fed up with that name for some time due to those illegal and ridiculous experiments involving lightning, which have caused power shortage in the castle.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Edie Meaney (Samara Weaving) had a troubled past which included being pulled over by police while driving her drunk parents who had drugs in their possession, and had ended up crashing the car. Then, as she was aged fourteen, with her mother dead and father paralyzed after the accident which was meant to save them from being arrested, had to go through a series of abusive foster homes, and was almost sold to sexual slavery, but was saved by John (Karl Glusman), a young criminal with whom she had also fallen in love, and stayed together for about fifteen years. Edie and John had carried out multiple robberies for the ruthless mob boss Nico (Andy Garcia), who had nicknamed her “Eenie Meanie”. She was known for her driving skills which had helped them a lot during the most complicated situations, something which had made her the favourite driver of the group, and her getaways have been iconic. Even her rival driver Perm (Marshawn Lynch) had a high opinion about her.

So, what happens with the events here as we just keep looking? :: In the present, Edie has left her life as a getaway driver a long way behind, and had finally found the emotional courage to break up with John. As she works at a bank to support herself in going to college and get a degree, she becomes stuck at the bank counter during a robbery and is hit on the head to be knocked out. At the hospital, she finds out that she is pregnant with the child of John. Even though there are many advice for her to mind her own business, Edie goes and visits John, who is being interrogated by Nico’s men, and after surprising them, reluctantly uses her driving skills to save him. John had kidnapped Nico’s card counter man Leo (Randall Park) for a certain activity, and as he takes them out of the hiding place, ends up killing him much to the dismay of Edie. Once again pulled into the criminal world, this time being pregnant, she gets a call of Nico and him as well as his right-hand man George (Mike O’Malley) provides her with an offer.

And what more is to happen here as one man would dictate the terms? :: This offer would involve stealing a car containing three million dollars in cash, which is to serve as the prize for an upcoming poker tournament at a casino in the state. Only this could cover their losses due to the death of the man and this would be the one thing that could keep John alive at least for now. After getting a new car with the amount provided by Nico, they go and see Chaperone (Jermaine Fowler) as instructed, but he finds John to be liability who slows down both Edie and the mission, but she remains adamant that he is an integral part of the mission, and it is not just because he had helped him a lot in the past when she had no hope. She asserts that he also has the same kind of skills within him, and has helped a lot with the earlier missions, and that leaves the doubts behind for the time being for them. With some help from casino staff, the Dodge Charger which is to be given as the prize with three million inside is replaced with an identical model which is ready to drive as soon as the cash is loaded into it. But can Edie manage to take it out when everyone’s watching?

The defence of Eenie Meanie :: The movie rest on the shoulders of Samara Weaving, without doubt – her style, dialogues, charisma, dry humour and screen presence, all rises all the way above the whole movie, and rarely do we such a work which feels better than the film itself, and as we remember her performance in Ready or Not, we do feel here that she has always been ready, and eternally ready to shine in action movies. Whenever the movie gets weaker due to its lack of anything special, she becomes the one special ingredient. Elle Graham who plays her younger version had also made an early impact. Then, it can be seen that the heist and getaway driving sequences are nicely shot. During these moments, the high-speed thrills look polished and fast-paced. The humour works at times, and we see some elevation here and there. The second half shows a clear upgrade from the dumb beginning moments, and all the memorable moments are right there. Andy Garcia remains solid as the crime boss. Then the movie has its good looks.

The claws of flaw :: The movie feels elongated with not that much of a content to stretch it to the final run-time which it has achieved. Karl Glusman is playing a strange man who is good for nothing, and the main character for a past, remains attached to the person, and one cannot stop being bothered about it – there are not many things absurd than this which seems to cause everything that happens in the movie. One can only wonder if such a step will be taken by a smart modern woman in any case, as there is always limit to everything. The movie also seems to try too many things, some of them unnecessary – there is a pregnancy storyline, family estrangement and a number of unnecessary characters, which leaves the main heist plot feeling rushed and most of the things seem to wait till the end, even when there were so many opportunities to keep planning and talk about the same in between. There was much to be done to add right towards the action and even humour, and the emotional side just goes not useful at all. Some of the scenes including the first meeting of the two former lovers stay ridiculous.

How it finishes :: The movie maintains the brainless fun mode pretty well, but the slow progress does not help the same too much. The tale also does not seem to add anything too interesting in its narrative, and holds back with its action which arrives too late. The final moments do come up with what it was required to do, but it feels rushed, after all those talks in between. There is some poetic justice delivered right there. Then there is Samara Weaving who makes this feel so much better, and as she shoulders this, the quality itself feels very much improved. There is always hope when she is around, and we see the level of the movie elevated, and this much she achieves with that strange character that takes decisions against her own ideas and plans. The ending stays closer to reality, and most of it was something we waited to see happen. There are many thoughts about how this one could be improved. We would expect a more fast-paced full action thriller with a nicely planned heist, but that much is not reached. This one serves as an entertainer in Jio Hotstar which we can watch for time-pass.

Release date: 22 August 2025
Running time: 106 minutes
Directed by: Shawn Simmons
Starring: Samara Weaving, Karl Glusman, Jermaine Fowler, Marshawn Lynch, Steve Zahn, Andy Garcia, Randall Park, Mike O’Malley

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✠ The Vampire Bat.

The Bhootnii

Vampire Owl: Bollywood continues to have its ghosts, I see.

Vampire Bat: There are rarely the kind of ghosts that we accept among us.

Vampire Owl: Yet, even in human world, ghosts are real.

Vampire Bat: Let their ghosts be theirs and ours be as we need.

Vampire Owl: Dr. Frankenstein once researched on a new ghost realm.

Vampire Bat: Mr. Frankenstein can research on nothing that really exists.

Vampire Owl: Frankenstein can do anything when provided the scientific equipment.

Vampire Bat: The only thing he can get is a ban from Uncle Dracula.

Vampire Owl: Scientists like him will rise again with new paranormal inventions.

Vampire Bat: Pseudo-scientists who claim to create life from lightning are not included.

[Gets a set of idli and three cups of Vagamon tea].

What is the movie about? :: In the campus of St. Vincent College, there is a particular strange tree known as the “Virgin Tree,” which is believed to grant true love to everyone who prays under it on a Valentine’s Day. But on the day of Holika Dahan, a student mysteriously dies, and people say that it is claimed by an evil spirit and that the tree as well as the area around it remains haunted. Shantanu (Sunny Singh) who is heartbroken after a recent breakup, creates a mess around the Virgin Tree, asking for true love while threatening to give up his life. He does not know if there was a result to his prayers, but the truth is that his earnest plea awakens Mohabbat (Mouni Roy), a vengeful and obsessive spirit bound to the tree. As Mohabbat’s obsession grows, she begins to haunt anyone who has a chance of coming between her and Shantanu, as she takes a human form in front of him, making him fall for her. Sahil (Sahil Arora) and Nasir (Aasif Khan) are his two best friends who are surprised that he is having a new girlfriend all of a sudden.

So, what happens with the events here as we just keep looking? :: Shantanu’s longtime friend Ananya (Palak Tiwari) comes back to the campus after a programme and tries to help him get better after the earlier heartbreak, but quickly becomes a target for the spirit who understands that she has always been in love with him despite never accepting the same. As strange things continue to happen in the campus, and a few days after protests erupting in relation to a student’s suicide, the management is forced to find a solution, and they call a former student who has been dealing with similar problems all around India, a para-physicist Krishna Tripathi known only by the name Baba (Sanjay Dutt). He reaches the campus, and while seeing the protests against the tree, understands that the problem is not with the tree doing anything, but with some evil presence tied to the tree wandering around on campus. As the spirit begins to set an example with Ananya whom it captures with its never-ending vines, can she and other students be saved in time by Baba?

The defence of The Bhootnii :: The movie has some good humour all around, and the same works above most of the other horror comedy works with only a few exceptions in Bollywood that manage to raise the level. The performers also seem to be good with the humour and the leading ladies also with the romantic side added to the comic side. Sanjay Dutt remains a towering figure of the same, as he is the one name among the cast which we who watch only the big movies of Bollywood can recognize with ease. As Mouni Roy plays that demonic presence with conviction and Palak Tiwari becomes the cutest romantic interest around, we feel the danger and the need to do something soon for the characters, as scares take over from the humour. The setting of the college is really good, and the atmosphere has been nicely built around here. Except for the tree, the institution looks lovely as much as lively. There is a certain amount of Gothic-like beauty in here which makes one feel both the horror and romance suitable for this particular world. Then, the final moments leading to the end is nice with a twist which leaves us with a fine feeling.

The claws of flaw :: The movie does not keep away from being silly, and this particular silliness would keep the audience wonder if it is going the wrong way. There are moments when we feel that this is not going to end well, and some of the jokes get nowhere. Despite setting the horror, humour and romance mood well in the beginning, there is a struggle right after the first dance song, and then the situation gets better only when Sanjay Dutt faces the ghost for the first time and leads an escape – there is quite some time in there between the beginning and this, which is one-fourth of this, when things seem to be less interesting. Some of the special effects could have also used some more attention. The “true love” idea does not work at all, as we keep feeling that the same is far-fetched element in this one. The idea of love being misunderstood as friendship is also a little bit too old for this age. Considering the loss of pace in between, it is only safe to say that the movie could have indeed been a shorter one.

The performers of the soul :: Sanjay Dutt as Baba is the character who has to save everyone, and he plays the strong slayer of ghosts well, and reminds us of those whom we have been seeing in Hollywood, but this time with an emotional twist. There is no problem with him playing this particular character, as it suits his looks and the efforts here are surely working. Sunny Singh as Shantanu remains stable in a role where he has to be the campus lover affected by a ghost, and that also works well for him. Mouni Roy does a fine job as the spirit, and she manages to show the multiple sides of the ghostly presence with beauty, charm, terror and even a little amount of humour, as there is that stunning appearance that makes an impression every few minutes after the first introduction. This is the first movie I am seeing her around in a big role, and this is a memorable one indeed. I am also seeing Palak Tiwari for the first time in a movie, and she scores with a certain amount of cuteness and humour added with romance or even when facing the horror. One has to say that she suits well for this role, and she is indeed an actress who deserves more big roles as most of the other Bollywood actresses would overdo this one, but she maintains grace.

How it finishes :: While watching the movie, I could not stop wondering if this could be a sequel to Adi Kapyare Kootamani, a Malayalam movie with so much humour and a little bit of horror coming up in the final few moments, and there is no shortage of trees and search for true love there either. But we know that such a sequel could be a lot better with the fine ending maintained there. Back to this one, it works more as the comedy and less as the horror flick, something which we have seen throughout the Bollywood attempts at the same, from Stree, Munjya, Thamma and even those sequels of Bhool Bhulaiyya which might have lost the focus. Some of the horror elements of these movies were also unintentional horror in one way or the other. As far as our movie here is concerned, it is that horror comedy with romance that tries better than other movies of the same genre which do not have a franchise to go with it. With some stunning visuals and classic moments of humour established through one-liners and somewhat good scares, this one catches our attention despite somewhat losing its way in between.

Release date: 1 May 2025
Running time: 130 minutes
Directed by: Sidhaant Sachdev
Starring: Sanjay Dutt, Sunny Singh, Mouni Roy, Palak Tiwari, Aasif Khan, Sahil Arora, Meherzan Mazda

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✠ The Vampire Bat.

Psycho Killer

Vampire Owl: So, they have finally used the exact title for a smart killer.

Vampire Bat: Being psychotic is not a new thing for humans.

Vampire Owl: If this movie was in the vampire world, it would be psychic not psychotic.

Vampire Bat: Our world has its own dose of psychic vampires.

Vampire Owl: Doctor Sleep, I think, was inspired by them visiting the human world.

Vampire Bat: Vampires visiting human world have more similarities to Byzantium.

Vampire Owl: Yet, the human world remains too close to cruelty as their reality.

Vampire Bat: Brutality is the first step to becoming a human. It has always been so.

Vampire Owl: Whenever the word psycho is used in relation to any species, it points to humanity.

Vampire Bat: Uncle Dracula tried long reasoning with them and banned them within minutes.

[Gets a savala vada and three cups of Ooty tea].

What is the movie about? :: Satanic Slasher (James Preston Rogers) has been terrorizing multiple districts of USA for quite some time, murdering people who seemed to be random victims as he never really chose one place at a time. The scenes of murder were identified as places of unparalleled terror where even police officers fear to go. He had received the name from the media and public due to the occult symbols he had left behind at the crime scenes and his brutality seemingly reflecting the hell which he had written about at the areas where the murders took place – Satan worship was the only common thing. Jane Archer (Georgina Campbell) is a highway patrol officer who finds her husband, a police officer, being murdered by Slasher as his identity was almost discovered by the man. She becomes obsessed with finding and bringing the man to justice if she cannot kill him, and with memories of her husband and expecting their first child, she decides to go on a hunt much to the dismay of her relatives and the co-workers who understand that they cannot stop her, whatever they say or do.

So, what happens with the events here as we just keep looking? :: She feels that Slasher could be a murderous Satanic preacher who held his own people hostage and then killed them in a famous case of mass murder, but is someone who was supposed to have died some time ago. The other option is that someone who is a big fan might have taken over the identity, especially someone who is interested in Satan worship and hopes to go full evil as a demon of destruction to please the devil, the signs clearly being there in the death scenes. She also finds out that Slasher murdered a female pharmacist in a small town around and had raided the pharmacy for a number of antidepressants and other drugs. Despite her getting no support from the FBI which had taken over the case from the police, one of the officers Becky Collins (Grace Dove) provides her the route of his attacks and the fact that he had never taken the drugs to sell them, and could have only used them for himself. She also adds that he had also attacked a librarian and some books were also reported stolen from the local library.

And what more is to happen here as a demonic serial killer is on the hunt? :: Slasher also kills a couple facing a car breakdown whom he finds on the way, and gets into a church and kills the parish priest there after asking for a confession, and drinks his blood. But he is not satisfied as he keeps looking for answers. As Jane finds him staying in a motel and tries to restrain him all by herself as FBI provides no support, he attacks her and beats her up before throwing her out of the room, knocking her out before fleeing. Slasher decides to speed things up and goes to a mansion owned by a Satanist cult which is run by a strange man, as they replied to a secret Satanic advertisement with codes which was given by him after committing a murder. Slasher uses them to find a man whom he has been looking for, and despite them accepting him as one of theirs, he finds their ways hedonistic as the Satanic members go on naked sexual acts pairing up random men against women for unleashing their carnal desires in the name liberation and liberalism against all limits of morality. He decides to do something that he feels will open the gates to hell. But can he do that all by himself? How many more will die in the process?

The defence of Psycho Killer :: Georgina Campbell as Jane Archer comes up with a brilliant performance, as we feel the determination related her, and how well she does a woman on vengeance as much on duty and mourning. James Preston Rogers as the slasher is a strong presence, and never losses the power of the psycho killer on a mission. The grim, bloody and dark atmosphere of the movie works really well as the visuals suit the serial killer mode as much as the demonic level nicely. The brutal murder of the hedonists in the Satanic mansion might be one of the best moments in the movie as it has a certain amount of poetic beauty to it. The next classic moments come by the end of it, as the attempt to open the gates of hell got a terrifying vibe to it, with hidden implications, even though not a real intervention of supernatural in store. The evil here can be really felt as there is the Satanist and anti-God vibe to it; the depiction of the same is exactly as we have seen in the movies and news here too – the need to do evil is rather too strong here.

Positives and negatives :: The final moments provide that fine twist related to the idea of hell, and it is indeed a smart move but people will still feel that this is a deviation from the serial killer mode which was to go on a full psychotic murder spree from the shadows. There could have also been more action in the final moments and a supernatural twist would have also done more. The Satanic cult tropes, bloody aesthetics and the atmosphere for fear still stays well here. Malcolm McDowell’s role is also worth noting as Satanic leader, but one feels that he could have been there for more. The same is the case of Grace Dove and Logan Miller who leaves rather too early. Then, the Computer Generated Imagery show some struggle at times too. The blood and gore, despite never over done for a slasher movie, might not be comfortable for everyone. Its release also went unnoticed, as we look when it really came out for the viewers. If it was not for its entry into JioHotstar, I would have never known about it either.

How it finishes :: The movie maintains the aesthetic of horror as a psycho killer going the Satanist way provides the extra, but one also feels that the final product does not go to the psychological thriller mode which was also there for the taking. This is still a classic finish with some moments to remember in between, as we see a kind of slasher with nostalgia which brings something to stay with its divergence which is not from the basic elements, but to bring something new. The movie surely had so much scope as a slasher which could make it big here, as the idea would feel still relevant in this world rather than where it really released. For all the die-hard slasher fans of 1990s thriller aesthetics, it will always remain the right watch for us. When most of us remember that we were all fans of Evil Dead, I Know What You Did Last Summer, Scream and other franchises from quite some time ago, this one should begin another franchise – the ending happens in such a way that there is scope for sequel. A slasher fan would find it better not to read too much of those negative reviews and go for a sequel if it finally gets released.

Release date: 20th February 2026
Running time: 91 minutes
Directed by: Gavin Polone
Starring: Georgina Campbell, James Preston Rogers, Malcolm McDowell, Logan Miller, Grace Dove

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@ Cemetery Watch
✠ The Vampire Bat.

Cheekatilo

Vampire Owl: So, another Telugu movie after quite some time in between.

Vampire Bat: There have been long gaps between movies except English and Malayalam.

Vampire Owl: I thought we had enough Hindi movies in there.

Vampire Bat: Yes, but due to some reason, these OTTs are more into series and not movies.

Vampire Owl: Any work should end in a few hours and should not be stretched.

Vampire Bat: Yes, we are forced to wait for an infinite time to have the next episode.

Vampire Owl: Keeping people waiting for so long. Absolutely ridiculous.

Vampire Bat: The wait is never worth it when we have other things do in life.

Vampire Owl: Still, the blind and dumb fans will have other ideas.

Vampire Bat: No wonder Uncle Dracula said no to any more humans turned into vampires. Dracula Castle has no place for nonsense.

[Gets a blueberry cake and three cups of Munnar tea].

What is the movie about? :: Sandhya (Sobhita Dhulipala) has been working as a journalist in one of the leading television channels in the city. She has been looking forward to report and talk about crime in the city and bring the less explored areas to light. But when the crime report which she was going to read is changed by her superior to bring a sexual and illicit relationship to the scene, she protests and submits her resignation, much to the shock of the Managing Editor and surprise of her co-workers. The intern who has been working under her, Bobby (Aditi Myakal), is still happy though, and she asks her to begin a crime podcast. Bobby finds Sandhya as a true journalist among TRP seekers and her role model in the field. Sandhya also asks Bobby to join her. But soon, Bobby is found tied up, raped and murdered while her boyfriend is also tied up and murdered in her apartment. Sandhya tries to solve this case with the help of her boyfriend Amar (Vishwadev Rachakonda) with whom her marriage has already been fixed by their parents despite him being two years younger than her.

So, what happens with the events here as we just keep looking? :: The police inspector in charge of the investigation, Rajeev (Chaitanya Krishna) does not like her and her boyfriend trying to poke their noses right inside his case file and crime scene. But Sandhya manages to find her own clues and points to a man through his podcast, but it turns out that he was only the man who stole Bobby’s earrings, and a phone call from the killer reveals that more murders are to follow soon enough. Another police officer named Ananditha (Isha Chawla) is assigned the same case, but Sandhya is not ready to leave the case and connect it to similar rape and murders which occurred in the villages on the outskirts of the city. As she seems to connect the dots, the police officers are not that impressed, especially after her previous framing of another man, and her podcast and hashtag campaign seem to make the killer angrier. Can the police or Sandhya stop the killer in time, or will similar incidents keep happening to keep the common people in terror?

The defence of Cheekatilo :: Here is another murder investigation that works, and at no point does the movie losses its strength. The twists are there to come, and the thrills are sufficient. Along with the same, the movie remains a thoughtful critique of how society and ratings-driven television handle crimes, with focus on the need for trauma, healing and empathy for victims. The focus on the past of the serial killer is also something worth mentioning. The mood is nicely built with the atmosphere as much as an initial scene which serves a time period much earlier as it lets us know what is to expect in a classic manner, and the sound effects and music used work really well. There is no attempt to overdo anything for the fans, and maybe the release on Amazon Prime Video helped the purpose – the Hindi dubbed version which we watched could also serve the purpose well. The movie is also not that long, staying at two hours, which would be the best choice. The film actually came as a pleasant surprise, as we had not heard about its release and were looking for a new thriller movies and this one just came out of nowhere.

Positives and negatives :: The movie does seem to drag a bit with many tales and some repetitions here and there. The romance is also almost completely lost in the totality of things. We keep trying to find the love, but we get the killings, and as it is a thriller, we say that it will do for now. The red herrings work, and they remain constant reminders of the extra effort being put in here, and the predictability is lessened right there. Even though the final revelation is effective and brings the surprise really well, the motive feels too quickly explained by a very fast backstory, thus making the climax giving the feeling of being prepared in a hurry. But the same surprisingly works, and it is because the willing suspension of disbelief never really leaves us, and the flow is still there towards that surprise and the motive. There is also the feeling that there is something missing on the side of the characters, with some of them never really keeping us interested. Some of them might be responsible for making us feel deviated from the main thing here.

The performers of the soul :: Sobhita Dhulipala delivers the best performance of the movie, with a certain command over the narrative. As she plays a true-crime podcaster who gets personally entangled in a murder investigation, this one becomes all about a grounded investigation that never goes out of her control as far as acting is concerned. We have seen he in her first movie, Raman Raghav 2.0, and therefore we know that she is no stranger to psycho killers and brutal murders happening around her character with a true psychopath on the hunt and a police officer also on a grand search. Her subtle facial expressions and body language nicely brings her internal conflict into the picture, as the character also has the trauma from childhood to go beyond. She blends is as the podcaster as well as the journalist with remarkable ease. Vishwadev Rachakonda as Amar makes the lover believable, but not without those shades which work nicely in the process. Chaitanya Krishna as Rajeev makes a fine police officer. Isha Chawla as Ananditha is the other police character, and that works well too. The rest also works along nicely.

How it finishes :: The movie stands strong with its core and the thrills and twists which follow, as we have something which goes well like Memories, Dheeram, Anjaam Pathiraa, John Luther, Forensic etc with its investigation. This is almost among my favourite Telugu movies, as there is no overdose of anything here, going on a path which never tries to satisfy the blind masala fans, as we have seen in many other Telugu movies. This one goes on a fine path which we can accept without much trouble, as the balance is maintained with the investigation always leaving something for us, even in the form of interesting red herrings. As we see that this movie released on Amazon Prime Video, one can be sure about the blind fans of the theatres never really creeping in, and the same might have helped the purpose a lot. With the movie’s atmosphere and the smooth journey, it feels like a movie made in the further south, and even with some predictability and seemingly strange deviations, there is the feeling that we have watched a fine murder investigation thriller with some messages to go with it.

Release date: 23rd January 2026
Running time: 126 minutes
Directed by: Sharan Koppisetty
Starring: Sobhita Dhulipala, Vishwadev Rachakonda, Chaitanya Krishna, Esha Chawla, Jhansi, Aamani, Ravindra Vijay

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✠ The Vampire Bat.

The Whisper

Vampire Owl: Have you heard about vampirism spreading through whispers in the wind?

Vampire Bat: Vampirism is supposed to spread only by biting.

Vampire Owl: Dr. Frankenstein knows about scientific vampirism.

Vampire Bat: Mr. Frankenstein does not know science or vampirism.

Vampire Owl: Well, we only have one scientist and he is Frankenstein.

Vampire Bat: It is a shame that we immortals are to trust a duplicate from another realm.

Vampire Owl: He is the original certified scientist who is also a half-vampire.

Vampire Bat: Still, you shall find the vampires of this movie as stranger.

Vampire Owl: I do not see why they would not be strange in comparison.

Vampire Bat: You cannot expect all vampire depictions around the world to be the same.

[Gets a thattu dosa and three cups of Ooty tea].

What is the movie about? :: Lucía (Ana Clara Guanco) has fled from her home with her young brother Adrian (Marcelo Michinaux) as the situation in their home with their father Victor (Luciano Cáceres) would need them to follow a family vampire tradition. Victor has always been telling them that Adrian is just like him and will turn into a vampire, but Lucia who cared for her little brother did not listen to the same. Leaving Victor behind, they arrive at a secluded mansion deep into the woods seeking refuge and hoping that one day, they will have normal lives. But this attempt to stay normal is shattered when a cat which lives in the area brings them a human finger, revealing the fact that there is something terrifying going on in the area. There are movements around the house at night and something keeps triggering the car alarms, while the switches and electricity are not working properly either. The night seems to be difficult to go through, but she keeps asking Adrian to keep the headsets in his ears and forget all of these, while a group keeps kidnapping girls to kill them on camera and then sell the snuff videos for financial gains.

So, what happens with the events here as we just keep looking? :: She finds the worst when they find a girl being killed by some masked people on the camera on the collar of the cat. She checks for information online and finds out that many girls have been kidnapped from the area and one of such incidents happened on the road that goes in front of their home. She feels that they could be attacked any moment, and as she takes a file out of the camera and plays it on her desktop computer, she realizes that the house has been entered and they had tried to take her, but her brother had gone missing. Desperate to save him, she goes out and finds the men killed by her brother who seems to have bitten them and even turned one of them into a ruthless vampire. As they try to escape from the rest of the members of the group, she finds herself and the boy kidnapped and tied up in a warehouse. As she is unable to come up with an explanation what had happened to the other gang members, the group focusing snuff videos, decides to make her their next victim as they strip her down to her bra and panties and chain her to a bed to brutally kill her on the camera. Can the siblings escape in time?

The defence of The Whisper :: The tale of a brother and sister escaping an ancient family curse while also fighting a group of criminals makes such an interesting premise with a lot of possibilities, often endless and most of time very interesting. The isolated home with woods creates a bleak, eerie atmosphere that keeps viewers engaged while being emotionally attached to the brother and sister. The abiding sadness which surrounds the character of Ana Clara Guanco will keep us emotionally attached to her. An air of melancholy surrounds her at all times, and the depth of the same is reflected not just on her face, but in her movements which feels more motivated by perpetual sadness rather than fear. A crime thriller, supernatural horror, family drama and mystery come together towards the same here. The visuals of the setting are nicely captured to increase the tension and the feeling of danger. One can also note how well the cat in the movie serves the purpose, and how the initial scenes had set things in motion. The darkness has been effectively used as the movie’s ally too.

The claws of flaw :: The non-linear path which is taken here does not serve the purpose that well. The psychological side does not work that well here, and the terror could have also been shown in a more detailed manner with the cruelty felt even more. The slowness of the movie could also be seen as a concern as the movie brings down its pace a lot in the middle, which basically makes us feel that nothing much is to happen here and there would be just some forced ending to follow. The multiple ideas and genres followed here, despite having something in each, might not satisfy everyone as it goes through all of them without full focus on anything. Some subplots could have also been better explored and some character development for the characters other than the protagonist would have been much appreciated. Even the other two clearly named characters could have had more focus, but as Ana Clara Guanco does a brilliant job, most of it is just forgotten and not claimed as a big problem. The fights could have also been shown in a better manner and the vampire attacks misses out on fangs and claws while there were so many opportunities for the same.

The performers of the soul :: Ana Clara Guanco as Lucía does that kind of a work which we will remember for her being that tragic heroine who is ready to make the ultimate sacrifice for her brother. For him, she is ready to leave her home and all possibilities of a better life, moving to the middle of nowhere with no assurance of doing any better for herself and she does not even care for her safety. She plays the sibling whom every little brother would wish for, and the same is done in a believable manner. It can be seen that she runs to save him when he seems to be in some kind of trouble and when there is some problem, she tries to protect him with all her life. This reluctance to bring any harm to the boy lands her under the knives of a butcher, stripped to her underwear and chained to be hacked to death brutally in front of a camera. In the end, she would have to make the ultimate sacrifice and as the tragic heroine, embrace the worst. It is a very emotional performance which is there to stay. Luciano Cáceres as Victor has more than what we think he has to do, as he brings a lot more as the movie goes towards the end. Marcelo Michinaux also plays some good work as the little brother. The rest just have to follow the flow.

How it finishes :: The idea of escaping a violent world, stumbling into a world of snuff films and confronting a terrifying family curse at the same time is an idea that had a lot of scope. This definitely works, but one cannot say that it is at his best of strengths, and losses the power at regular intervals in between. This is still another interesting vampire movie and the one movie which it reminds one the most is Byzantium, but that was a more superior movie in all aspects; this one can only follow with most elements. Throughout the movie, we are still reminded that vampirism is one of the lesser evil that we can encounter, and there is always the bigger evil, which comes from humans who might know no way to stop themselves from turning pure evil. We are reminded that evil always finds a way and being attacked by a vampire is the least of your problems as human horror is always ready to be unleashed as darkness becomes more of their ally than that of any known nocturnal creature from myth or reality. With an emotional side, this one brings that particular reminder well, as we watch this one Amazon Prime Video.

Release date: 22nd January 2026
Running time: 100 minutes
Directed by: Gustavo Hernández Ibañez
Starring: Luciano Cáceres, Ana Clara Guanco, Marcelo Michinaux, Darío Lima, Horacio Camandulle, Rasjid César, Joro Gorfain, Machu Gutiérrez

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@ Cemetery Watch
✠ The Vampire Bat.

Mr. X

Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

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@ Cemetery Watch
✠ The Vampire Bat.

Scream 7

Vampire Owl: So, we have one more Scream as a part of an infinity.

Vampire Bat: Well, you just cannot stop the Ghostface from keeping on coming.

Vampire Owl: The serial killers of Hollywood never stop the process.

Vampire Bat: The serial killers never really stop, do they?

Vampire Owl: I am surely not asking them to stop.

Vampire Bat: Well, serial killers should focus on killing only evil humans.

Vampire Owl: That would be a lot of such victims if you ask me.

Vampire Bat: I hope that none of the victims turn into vampires.

Vampire Owl: I see no humans worthy enough for that.

Vampire Bat: Well, they know that death is only the beginning; so they will try.

[Gets a ulli vada and three cups of Kodaikanal tea].

What is the movie about? :: Two lovers visit the original Ghostface killer’s home as a horror tour only to find themselves killed by someone wearing the same mask. The Ghostface also sets the house on fire and leaves. Meanwhile, Sidney Prescott (Neve Campbell) is married to the police chief Mark Evans (Joel McHale) and is living a happy family life in Pine Grove, Indiana. She also named their elder daughter after her old friend, and this daughter Tatum Evans (Isabel May) is trying not to have any memory of her mother’s terrifying past come to her. Everything seems to get into track with a successful café already under their ownership until Sidney gets a video call from a scarred Stu Macher (Matthew Lillard) who announces that he is going after Tatum and is outside the theater where she is rehearsing for her upcoming play with her friends. Sidney informs her husband and arrives with the police but Ghostface escapes after killing Tatum’s best friend Hannah Thurman (Mckenna Grace) and another friend who has been helping with the play’s background work.

So, what happens with the events here as we just keep looking? :: Their neighbour Lucas Bowden (Asa Germann) tries to help, but his mother Jessica Bowden (Anna Camp) is suspicious about them as she feels that trouble follows the family and her son who follows these stories of murders could also end up being a suspect for absolutely no reason. On the same night, Ghostface comes right out of Sidney’s attic and after a fight with the family, knocks Mark unconscious. Sidney takes Tatum to a safe room and uses the room’s alternate exit to go and get help. But Ghostface who finds the movement on the other side of the wall, tries to stab both of them right through, but fails in the same, only to face Mark again. As he tries to run away, is hit by the car with Gale Weathers (Courteney Cox), Mindy Meeks-Martin (Jasmin Savoy Brown) and Chad Meeks-Martin (Mason Gooding), the three survivors of former attacks of Ghostface. After removing the mask, Sidney recognizes the killer as Karl Gibbs (Kraig Dane), a murderer who escaped from a nearby mental institution who was earlier at their café.

And what more can happen here with a serial killer on the loose? :: Sidney visits the mental health institution, where supervisor Marco Davis (Ethan Embry) recognizes Stu as a mental patient that had no memory and lived in the room next to Karl, and tells them that those two were best friends. He further adds that the man was only recently released, and Karl who was a true psychopath had left the hospital following him. Sidney does not want Tatum’s boyfriend Ben Brown (Sam Rechner) to help her, as she distrusts him due to her own personal experiences. Mindy, Chad, Ben, Asa and Tatum joins Chloe Parker (Celeste O’Connor), another friend of Tatum in a tavern to discuss possible plans to find out who the killer is. But the only thing they end up finding out is that almost everyone is a suspect. At the same time, Sidney reluctantly agrees to be interviewed by Gale on live television to make Stu interested in the situation, only to leave the interview as she is asked too many questions about her children whom she wants to protect. At the same time, Mark is brutally attacked by the Ghostface, and soon, the killer calls and reveals what he is going to do. Can any of these people stop the person in time?

The defence of Scream 7 :: The movie starts really well, and the first one itself is a fine kill with some nice scares here and there with surprises that quickly come out of nowhere. But it is only the beginning, as many murders follow, and the first one had really set the mood for this flick. Neve Campbell as Sidney Prescott and Courteney Cox as Gale Weathers brings the old model slasher nostalgia back as the original characters come strong and stays right at the centre. Isabel May is the perfect addition here, and with her around, we can be sure that this scream queen legacy will live on for long – she gets in here with such an ease that we feel her to be a long-time part of the franchise. Some meta-horror humour along with smart references to horror tropes keep the movie working further. The final twist works as the suspense is not something that one would guess with ease. The Ghostface remains an antagonist that will continue to impress us with moments and this is one serial killer who needs no supernatural support with so many characters taking on that mask, and that works really well here too.

The claws of flaw :: The movie got rid of Mckenna Grace too early, and as we look at her as a future scream queen who was part of Ghostbusters: Afterlife, Ghostbusters: Frozen Empire, Malignant, Annabelle Comes Home and others needed a bigger spot in this horror franchise than just get killed by the Ghostface in a minute or two. The repetition that we have been seeing in the franchise continues with this one, and so many things keep happening again and again. The motivation of the killers does seem to be rather unconvincing, weak and strange in character. Then there are those characters which are not developed, and most of the side-characters miss the strength, with too many deaths occurring too quickly rather than everything happening as part of the development of the story. The dependence on nostalgia does not let it go for something bigger or to bring too much innovation, and one can only keep wondering what more can this franchise bring in a next movie if it comes, for this is like a franchise that seems to stretch towards eternity.

How it finishes :: This movie is surely better than the predecessors except for the first few movies which set the whole thing very well. The slasher mode works well here with that nostalgia attached to it, but does not get the innovation working here due to that overdependence on a past which remains the core of the movie’s present and future. The Ghostface remains an image that we will remember for long, and even its parody would remain scary enough – the movie seems to know its advantages and focuses on the same without taking much of a risk; the world is direct here without any complications. This would be a light, nostalgic slasher experience which seems somewhat set to pass on the baton to a new generation with the introduction of the daughter character to the scene, but how it would turn out is yet to be seen. This is like that eternal slasher movie which gets new characters behind that well-known mask, and with this one, we know that there has just been enough again, and any more expectation from the fans would be a demand, but not a right. May our favourite Halloween season mask live on.

Release date: 27th February 2026
Running time: 114 minutes
Directed by: Kevin Williamson
Starring: Neve Campbell, Isabel May, Jasmin Savoy Brown, Mason Gooding, Anna Camp, David Arquette, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Mark Consuelos, Tim Simons, Matthew Lillard, Joel McHale, Courteney Cox

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@ Cemetery Watch
✠ The Vampire Bat.

Dridam

Vampire Owl: We have been looking for similar police investigation movies.

Vampire Bat: Malayalam surely has the best investigation thrillers.

Vampire Owl: If this was in any other language, the twist would be to mass masala.

Vampire Bat: If it was Bollywood, there would also be special item dance too.

Vampire Owl: That would be as far away from reality as possible.

Vampire Bat: Well, Bollywood and reality never really come together.

Vampire Owl: I guess that they are very much against reality.

Vampire Bat: Their audience also has that kind of a taste, it seems.

Vampire Owl: I would give away my eternity to save myself from things like Singham franchise.

Vampire Bat: It is one franchise that I would never wish to remember.

[Gets a vegetable cutlet and three cups of Yorkshire tea].

What is the movie about? :: Vijay Radhakrishnan (Shane Nigam) gets his first posting as Sub Inspector in a rural area where there are usually not many problems and DYSP Alex Jacob (Mathew Varghese) feels that it is a good place to begin due to the peaceful atmosphere and wishes him all the best. A civil police officer there, Vidya Jayachandran (Saniya Fathima) becomes immediately romantically interested in him, and the same love interest is supported by a little more senior officer Remya Surendran (Krisna Prabha), as they attempt to get into his good books and gain a marriage alliance for Vidya. Due to Vijay’s lack of experience, the senior police constables Krishnan Kurup (Shobi Thilakan) and Balan Nair (Kottayam Ramesh) are there to help and advise him. The other supporting policemen in the station are Sathyan M (Dinesh Prabhakar), Anand Manoharan (Nandan Unni) and Bibeesh A (Vinod Bose) who are locals and going through usual problems of the village. Vijay starts off well in the village well with some simple problems.

So, what happens with the events here as we just keep looking? :: Vidya who is a karate black belt, manage to get the attention of Vijay, and the police station seems like a happy place in the beginning days. But soon, problems begin to show up. People discover a severed hand followed by the rest of the corpse which shocks the villagers who face such a situation for the first time. Then there is a robbery in the nearby finance company and a number of people have also gone missing, and they are all suspects and those who have been holding a grudge against the company for a long time. The situation does not seem to be ideal for Vijay as the media as well as the superior officers call for the change of investigation lead, as he seems to be too inexperienced and a junior by all means. It is during the same time that more dead bodies are found, while Vijay and Balan are also attacked while discovering a body in a remote area. As Vijay finds himself in further trouble every day, the locals also turn against him, there are protests to the police station. Can he solve this mystery in time or will he be suspended or transferred?

The defence of Dridam :: The movie takes on a realistic path throughout its journey despite deviating in the last few moments. The whole journey follows an interesting pattern while never really trying to overdo the procedure of investigation despite chances being always present. Until the movie nears the last few minutes one never really has a real clue about the grand plotting behind all of these, and the suspense is indeed nicely maintained and the twist works, as it is not just one turn of events related to a person or two, but is really much more. What lies beneath is more than what people usually guesses with these kinds of movies. The visuals are really good, and as we had seen in Sambhavam Adhyayam Onnu, the setting really plays a major factor here too, and if that was about how forest plays along, this is about a small town surrounded by greenery goes on with the strange situation; in both situations, one police station and its people remain more important than anything else. The cinematography and background score supports this mood despite that initial feeling that there is so much good around here.

The claws of flaw :: The beginning stages spends quite some time in establishing characters and the setting, and the mood is never brought there. The movie seems to go full action in the last few moments, and despite how realistic they try, we feel that it is an impossible flight in the end, and that there has been a little too much of freedom taken with the same. There is that certain change with comes and seemingly struggling to manage that transformation as one might feel that it is not the same movie in the beginning and the end. Sometimes in between, the audience might feel that this is just going on and on without any major clue being followed, with the thought that this investigation might reach nowhere with repetitions seemingly happening too often and without attempts to think beyond limitations. Some of the characters can also be seen not being that developed, and a few seems to be there just for the sake of being there. There are also some situations which are not that explored. Some moments seem to be there to stretch the movie, as not much is gained there.

The performers of the soul :: Dridam has Shane Nigam leading in a police role, and it is not something new to him, but this might be the one where he has to lead more, considering the overall cast. He excels in the role of a young police officer who is placed in a situation from where problem-solving is too difficult. The performance here is restrained, and as the role demands, showing no overdose in a matured performance which could make even some senior actors feel the need to play a police officer in control. The character’s simplest characteristics are brought to light really well by him, from determination to frustration and the sides of the person and professional. Shobi Thilakan’s police role here is something to be admired, as he manages a seemingly usual, but multiple layered role with ease. Krishna Prabha has a smaller, but notable role which is managed well. Nandan Unni, Dinesh Prabhakar and Kottayam Ramesh perform their parts without any complication. Bitto Davis, Prashant Murali and Mathew Varghese come up with dependable supporting performances as they seem to blend into this world really well. A special mention goes to Saniya Fathima who is a lovely surprise and contributes so well to the situation.

How it finishes :: Dridam has a rather lesser known presence in the theatres during its release, as it never really managed to catch the attention of the common audience, and I remember never really hearing about the movie when it released, unlike those other police investigations from Memories to Anjaam Pathiraa and Forensic, all of them releasing with some fine hype; even John Luther which was a surprise entry had everyone talking about it, and Abraham Ozler had nicely followed the lead. In between, there was Kooman. Unlike those other movies, this one has to depend a lot on the main actor, and Shane Nigam makes sure that a certain strength is maintained here. We can call this one a well-crafted investigative thriller that moves on as an engaging mystery with grounded performances and more of realistic portrayal of police work, with twists also added. But the slow pace and the strange changes to the journey by the end might not satisfy everyone. It required to do better in moments, and appeal to the audience more with situations to remember, but there is not that much around here as this one goes on without trying to take the risk with big variations beyond the procedure. Jio Hotstar makes sure that you give this one a try.

Release date: 8th May 2026
Running time: 128 minutes
Directed by: Martin Joseph
Starring: Shane Nigam, Saniya Fathima, Shobi Thilakan, Krishna Prabha, Nandan Unni, Dinesh Prabhakar, Kottayam Ramesh, Bitto Davis, Prashant Murali, Mathew Varghese.

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@ Cemetery Watch
✠ The Vampire Bat.

Pretty Lethal

Vampire Owl: There is nothing more lethal than vampires, not even werewolves who crawl in.

Vampire Bat: These people are referring to ballerinas in a fight.

Vampire Owl: I have always felt that vampires need ballerinas around for positive influence.

Vampire Bat: Don’t we fight enough in other forms?

Vampire Owl: We should never be that short of options in a world of chaos.

Vampire Bat: At least this is on Amazon Prime Video for reference.

Vampire Owl: I think that I am going to learn dancing outside too.

Vampire Bat: You remember the dancing fight of Jumanji too?

Vampire Owl: Yes, that has inspired me to develop my fighting steps. I am issuing a red notice.

Vampire Bat: You do not need to learn any more fighting as there no wars or encounters in our realm right now.

[Gets a parippu vada and three cups of Munnar tea].

What is the movie about? :: An American ballet troupe is honoured to be part of a prestigious international ballet competition in Budapest. This invited team consists of their leading dancer Bones (Maddie Ziegler), a rich and selfish Princess (Lana Condor), very religious and prude Grace (Avantika Vandanapu), kind-hearted and helpful Zoe (Iris Apatow) and her dumb and mute sister Chloe (Millicent Simmonds), and their proud and highly supportive teacher, Thorna (Lydia Leonard). The group is not that fond of each other, but gets together with their dancing routine really well. A series of confusion in their travel arrangements and also at the airport ends them in a bus which also gets broken down near a small town, from where transportation seems to be difficult to get in a short notice. They move into the town, hoping for a place to stay the night until the bus is repaired or some alternate mode of transportation is arranged by the authorities. A man from the town invites them to the Teremok Inn which served as a fine hotel and restaurant.

So, what happens with the events here as we just keep looking? :: The place is under the control of Devora (Uma Thurman), a former ballerina who also runs a small crime family. While taking Chloe to the toilet, Thorna sees Devora brutally torturing a man in her office, and feels that the situation is not safe for the girls. She tries to call all the girls so that they can leave, but Pasha (Tamás Szabó Sipos), who is the son of another crime lord who collects money from the area, shoots her on the head as she pushes him away when he tries to make sexual advances to her. When Princess threatens to call the police, Devora takes the corpse away and has the girls locked in her basement. She also burns their passports and cellphones, as she feels that nobody knows that the girls are in the inn or even this particular town. Bones tries to run away, but is knocked out and dragged downstairs by her legs. At the same time, Chloe who was in the toilet, unaware of the situation, continues to be friendly with the people around her, and even gets the offer of a tattoo.

And what more can happen as there seems to be something more terrifying coming up? :: While Chloe becomes friends with Devora’s son Artyom (Krisztián Csákvári) over the tattoo for which she waits in the room, an unconscious Bones is tied up. Devora’s right-hand man Osip (Miklós Béres) drugs and tries to rape Grace, only to find himself killed by the girls, as Bones escapes from her bondage. Princess (Lana Condor) tries to escape all by herself, but as she finds their teacher being chopped into pieces by a man known by the name Doktor (Gábor Nagypál), returns to them, as they go searching for Chloe. As the girls find themselves surrounded by Devora’s henchmen, they come up with dance moves with razors blades stuck in their shoes and taped to their fingertips, doing well enough to mortally wound the henchmen, surprising everyone in the building. Devora asks for Pasha’s father, the dreaded crime lord Lothar (Michael Culkin) to come there by himself before any deal could be made, and reminds Doktor to be prepared to deal with corpses of ballerina girls. Can the girls do well enough to survive as further evil is unleashed on them?

The defence of Pretty Lethal :: This is one movie which quickly gets into action, and the whole 10o minutes of run-time is used well to create maximum impact. The use of dance training as a lethal weapon works really well here, and each actress is so graceful in their movements. When this dance choreography meets some violent action, we have the feeling of class all around. There is also a lot of energy and style related to the proceedings. Even though everyone has similar significance here, Maddie Ziegler as Bones remains the one who remains closes to a protagonist as a leader-kind figure, and comes up with a splendid performance with a lot of energy that seems to come from within, making her a perfect action star. Avantika Vandanapu plays the next notable role, and the Tarot-star blends in incredibly well. Millicent Simmonds of A Quiet Place fame makes this one count, while Iris Apatow and Lana Condor also join well. Uma Thurman has a strong presence as the revenge-seeking antagonist who moves on between different shades while Lydia Leonard’s character is missed too soon.

Positives and negatives :: The movie could have used better promotions, as most of us came to know about this one by accident while looking at Amazon Prime Video for new movies. There are also those usual cliches that run through the movie, even though sometimes, it just adds to the overall charm of the flick within the genre. The characters are all interesting even though there is not that much development related to it due to the focus on action – we surely would not mind the same. The movie still maintains some good humour, and that comes out of nowhere to keep us more interested in the proceedings. The viewers can think that this is too much away from being realistic, but when we think about very old superstars beating up fifty people at a time, this is not that much, and the dance steps keep us believing in the world. The choice of setting, and the one particular building and its inside makes another world working like a dream. As the progress is even, there is nothing much lost around here.

How it finishes :: Pretty Lethal is a fun ride which never really stops being entertaining throughout its run; there are no ups and downs as this feels like one complete entertainer of its genre with some fine action and beautiful visuals supported by the actors who shows their skills in this environment really well. Being an entertaining action-thriller with some inventive ballet-based combat would never be easy, but with some energetic performances, this one score very well. If you are looking for some stylish action and don’t mind the movie taking a few things for granted, there is a big entertainer with some moments to remember. After all, we are always looking for someone who thinks differently and creates a movie out of it. This is surely one of them, and it has ballerina getting the central focus, and making an impression like never before – maybe that title could have been used here in plural, but when we look closely, we have that fine weekend entertainer which can be watched with a lot of fun expectation.

Release date: 25th March 2026 (Amazon Prime Video)
Running time: 100 minutes
Directed by: Vicky Jewson
Starring: Iris Apatow, Lana Condor, Millicent Simmonds, Avantika Vandanapu, Maddie Ziegler, Uma Thurman

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@ Cemetery Watch
✠ The Vampire Bat.

Mercy

Vampire Owl: Hope that the vampire elders will have mercy on us.

Vampire Bat: I wonder why you have started caring for the vampire elders.

Vampire Owl: I have a deal which I have to make for them.

Vampire Bat: We have an official Vampire Deal-Maker. You need to do nothing.

Vampire Owl: Dr. Frankenstein had assured of a special scientific deal.

Vampire Bat: Mr. Frankenstein can only make pseudo-scientific deals.

Vampire Owl: Frankenstein is a scientist beyond all infinite understanding.

Vampire Bat: He tried to create life out of chicken fried rice yesterday.

Vampire Owl: Well, it was chicken noodles, and I remember that.

Vampire Bat: It could be even chicken biryani, but that is not my point.

[Gets a paneer biryani and three cups of Yercaud tea].

What is the movie about? :: In the year 2029, the world has changed by a long way. This time at Los Angeles, the Mercy Capital Court while trying to deal with a surge in crime, brings Artificial Intelligence judges for trials of violent crimes, which have been too common in an attempt to keep the general public safe. These AI judges give the defendants enough resources to find and provide all the evidence needed, and they are to prove their innocence in ninety minutes, or in the case of failure, will be executed. Los Angeles Police Department Detective Christopher Raven (Chris Pratt) is the one who finds himself in trouble due to the same new system despite himself having fought for its implementation after his best friend and partner in Los Angeles Police Department, Ray Vale (Kenneth Choi) was murdered, and the killer had walked free after he had hesitated to take a shot when there was the chance to finish off the criminal. He is put on trial for his wife Nicole Raven’s (Annabelle Wallis) murder, and is given not a second more than ninety minutes of investigation with the AI help to persuade the judge AI Judge Maddox (Rebecca Ferguson) of his innocence.

So, what happens with the events here as we just keep looking? :: All the evidence seems to point to Chris having killed his wife, as her blood was found on his clothing and doorbell camera footage places him returning to home from the office just before her murder, and nobody else had come to their house on that day, and their daughter Britt Raven (Kylie Rogers) who came just after he left, was the first person on scene. Chris’s guilt probability is 97.5%, which he needs to lower to 92% to avoid a quick execution. There is also proof for Nicole planning a divorce due to his increasing drinking problem and all the shouting at her that came under the alcohol influence. For the same, Nicole was spending time with another man, Patrick Burke (Jeff Pierre), with whom she had started a romantic relationship, seemingly intimate in nature as they saw each other in hotel rooms. But the man could not be linked to the murder. This means that there is something more sinister in this murder as Christopher knows that he did not commit the crime. But time is less and can he survive?

The defence of Mercy :: The idea of an Artificial Intelligence judge coming up with a judgment in such a short period of time, and thus racing against time, remains something that will keep us glued to the screen from the beginning itself. As we go with the protagonist is bringing together the pieces to solve the puzzle, that works well. The expected themes like surveillance, privacy and effects of technology are surely there to be seen. The use of digital footprints to find someone also reminds us of a familiar world. The constant reminder of an end and such a countdown create a constant tension which keeps the movie engaging. The short run-time delivers everything well, and with much of a complication. There is that feeling of what is next, which is maintained, and with suspense, the twists come into the picture post the thrills. This is why the movie remains constantly entertaining as a movie that sticks to its genre. There is no need to think too much even though the premise with science fiction based on artificial intelligence and just feels heavy; it does serve purpose too. Aristotle would love the maintenance of the three unities with everything happening in the courtroom with the protagonist within ninety minutes too.

The claws of flaw :: The feeling of having seen this idea before will surely be around, as we come across the idea for not the first time, as there has only recently been the movie known as Artificial Justice in Spanish, and we also keep remembering about a Tom Cruise starrer from some more years ago. There is some unrealistic side that comes in even if we avoid the genre, with the willing suspension of disbelief not always getting its due. The ideas of artificial intelligence and justice do not also go that deep, as we are more with the surface level journey here. With such big ideas on paper, maybe the movie could have dived in deeper. The cliches could have been pushed to the side in this new world which deserved better strength. There is also a certain amount of artificiality related to the same, and the pacing remains uneven. The characterization is not that much present to be seen either. The side characters are just present seemingly because there was a need for the main character to gather evidence, and most of the action takes place in the AI courtroom and with live and recorded footages from outside which might leave a few not happy.

The performers of the soul :: Chris Pratt is the man who has to do most of the work here, and he does not disappoint, as most of us had expected. From moving through Guardians of the Galaxy and its sequels as well as the final Avengers movies with more adventures like The Tomorrow War and Passengers in between, he now goes on with more of the thrills, but without the action, and even on the chair, keeps us interested. Rebecca Ferguson of Mission Impossible, Doctor Sleep, Reminiscence and Life fame gets to be the artificial intelligence judge, and the same is managed with near-perfection as the machine who takes the human form and the determination to keep to the rules make the character even more memorable. Annabelle Wallis whose character is killed off earlier has much less to do. Kylie Rogers and Chris Sullivan also have their moments while Kali Reis drops in with some interesting minutes too. Kenneth Choi has something from the flashbacks, and has a character relevant to the chain of events, and so does Jeff Pierre. But we are still very much focused on the two main characters who gets all the screen time.

How it finishes :: The movie keeps reminding us of some the titles which have come in the past dealing with similar ideas, and there has been only a limited expansion of the original ideas. Despite many negative reviews, this is surely one fast-paced artificial intelligence tale which suits the time period, and could be watched with some popcorn on a weekend for some pure fun. After all, we are always looking for such fun in a world which has been missing the same in the name of many other factors including political correctness. Still, we see that certain gap between a powerful idea and its execution. At its core, the concept was so much full of potential in this world, and we can say that the film chooses a subject that could have been even more impactful. This is one of those movies which seems to have had almost no hype in this part of the world, and we feel that with a little more attention, it could have come late to the theatres here, stronger. But this one remains a recommended watch as an entertainer with a fine idea and classic theme.

Release date: 23rd January 2026
Running time: 100 minutes
Directed by: Timur Bekmambetov
Starring: Chris Pratt, Rebecca Ferguson, Kali Reis, Annabelle Wallis, Chris Sullivan, Kylie Rogers

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@ Cemetery Watch
✠ The Vampire Bat.

I Know What You Did

Vampire Owl: Nobody knows what we did last summer.

Vampire Bat: But nobody knows what we did during winter or monsoon either.

Vampire Owl: So, we are not popular enough, right?

Vampire Bat: Why should people know about what we do?

Vampire Owl: Maybe celebrity vampires getting attacked by serial killers is cool?

Vampire Bat: So that you can drink serial killer blood now?

Vampire Owl: Well, we have to keep trying something new.

Vampire Bat: They are just random psychotic humans with same kind of blood.

Vampire Owl: Well, different brands of ice creams taste different.

Vampire Bat: You should remember that we have been vegetarian vampires for long.

[Gets a paneer masala dosa and three cups of Munnar tea].

What is the movie about? :: Ava Brucks (Chase Sui Wonders) returns to her hometown of Southport, North Carolina for the engagement of her wealthy best friend Danica Richards (Madelyn Cline) and her rich and influential groom Teddy Spencer (Tyriq Withers). They are joined by their friends from the past, Milo Griffin (Jonah Hauer-King) and Stevie Ward (Sarah Pidgeon), along with their estranged friend Stevie Ward (Sarah Pidgeon) whom they are meeting after a long time as she faced the death of her father and drug addiction. They decide to see the fireworks of the day, and stops their vehicle on a cliff. There, Teddy stands on the middle of the road while on booze, only to cause a pickup truck to apply sudden brakes and lose control, plunging into the rocks below. Teddy’s father Grant Spencer (Billy Campbell) who is a powerful politician, manages to twist the incident in such a way that the driver had stolen the vehicle and speeding, which caused the accident at the curve which was prone to accidents. The youngsters are not even called for questioning with their presence at the area itself erased.

So, what happens with the events here as we just keep looking? :: An year later, it is seen that Danica and Teddy have broken up, and the former is now in another relationship, soon to be married. The group of friends return to the town to attend the bridal shower of Danica, with the exception of Teddy. Ava reaches last, after having some sexual advances with a slasher podcaster Tyler Trevino (Gabbriette Bechtel). When Danica receives a note “I Still Know What You Did Last Summer”, and after her fiancée is murdered with a note about the past, Ava is forced to turn to Tyler who is an expert in serial killers and psychotic murders. They investigate into the past of the town which had that terrifying history of the killer with the hook which has been mostly erased to support tourism. But they find the new killer in the old costume, and Tyler is brutally murdered. Now, they find themselves in trouble with cops not ready to help them. Can they escape this terror before losing more lives?

The defence of I Know What You Did Last Summer :: This is another movie that we have been waiting for, as most of the horror fans would agree to the same. It makes a fine use of the underlying terror and a perfect scream queen in the form of its leading actress whom we hope to see in more of horror movies with the same charm and beauty. This look surely suits her more in comparison to how she has looked throughout the internet and seemingly in her earlier works. The hook image remains classic like the Ghostface and Chromehead masks have remained, and darkness is nicely combined with music and silence to create the desired effect here. The final revealing is surely something that has all the strength, and the double twist adds to the same. The connection to the original movie is nicely made, and the scope for sequel is well set, and we really hope that Chase Sui Wonders gets to lead in that movie too, after all, she plays the one character with whom we relate and feels as the movie goes deep. Her friend characters who remain alive would also need to make a comeback, as they worked fine as a team too.

Positives and negatives :: The movie always had the scope for more, going by the traditional slasher standards. Surprisingly, violence and the other traditional elements of slasher flicks do not get to rise that much, even when suspense, thrills and twists get quite something to do. The cast is really good, especially the leading actress who maintains the horror mood and runs through as the scream queen. The rest just follows her lead and there are a few characters who do not get their due. The final moments could have been more intense, even though the twists and turns nicely come together for the finale. These are the kind of movies that we need, the slashers that keeps coming alive even without any dose of supernatural being added to bring back the dead antagonists. After all, humans are born killers, not needing any supernatural to support their cause – the non-believers in God have always been murdering without prejudice, before civilization came into place and rules of man and God set them. So, evil can always find a way and bring death upon all.

The performers of the soul :: The movie is led forward by Chase Sui Wonders who transforms into a perfect scream queen with ease. She is the classic central character who faces danger, screams memorably, survives terrifying situations and even takes the movie to the end, despite a multi-starrer feeling being present at all times. She shines and even surprises the audience at times in what seems to be her first movie which had a release in this part of the world, as part of one of the rare franchises that spread horror with quality an fanbase. Her character is as much nicely presented as it is well-written. In comparison, Madelyn Cline’s character in one-dimensional, and she maintains the same well. At the same time, Sarah Pidgeon makes a fine impact, without doubt. Jennifer Love Hewitt and Freddie Prinze Jr bring further strength to the movie as much as they bring the nostalgia out of the original movies. Gabbriette Bechtel makes an impact in her short stay, while Tyriq Withers and Jonah Hauer-King provide the expected support.

How it finishes :: This return to that world of knowing what we did last summer works really well and brings the nostalgia back to us. This is one franchise which had brought us so many fine scream queens and one serial killer image which inspired many others, and therefore this return was much deserved. After so many years, it is nice to see Jennifer Love Hewitt to extend that nostalgia, even though watching her back in that old movie would mean more – originals would always have that flare despite multiple returns, sequels and reboots. This one reminds the new generation that we had such classic slashers at an earlier point of time, and that Evil Dead, Scream and Halloween are not the only ones that came back, with some of those sequels not making that much of an impact. We the horror fans can safely celebrate this one though, even when we feel that there are moments which could have had more impact and kept that slasher elements projected without seemingly traveling through the safe side. Well, you know that horror can always keep making comebacks, and this is surely one of them.

Release date: 18th July 2025
Running time: 111 minutes
Directed by: Jennifer Kaytin Robinson
Starring: Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Gabbriette Bechtel, Austin Nichols, Freddie Prinze Jr, Jennifer Love Hewitt

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@ Cemetery Watch
✠ The Vampire Bat.

Pennu Case

Vampire Owl: I had seen so many vloggers talking about this movie.

Vampire Bat: The movie surely had some extra hype.

Vampire Owl: But it surely did not do that well in the end.

Vampire Bat: I think that it was not really sure about its own genre.

Vampire Owl: More people are talking about it now after the release in OTT.

Vampire Bat: It is Amazon Prime Video, and so there will be more talks.

Vampire Owl: Well, there is always that talking in the moonlight.

Vampire Bat: You know that vampires cannot walk or talk in the sunlight that well.

Vampire Owl: Still, we always talk better than humans.

Vampire Bat: Humans are the kind of people who talk with wars through weapons of mass destruction and unlimited chaos. Ask your best friend, Mr. Frankenstein or just phone Uncle Dracula himself. Even the Vampire Monkey has written an essay about it.

[Gets a paneer tikka and three cups of Sikkim tea].

What is the movie about? :: Rohini (Nikhila Vimal) is finally caught after years of committing a certain serial runaway bride scam, in which she had cheated many men whom she had married and left right after the wedding day with all the money and ornaments. She was not caught by the police, but by a group of men who were cheated into marriage and left behind, led by Thomas (Irshad) who had started a WhatsApp group for those who had suffered insult and loss of money. They made the way into the wedding function of Subhash (Aju Varghese) who had felt that after so many years of waiting for a suitable alliance, he had found the right bride for him, whom he considered to be too beautiful for his standard, and thus a lucky find. Rohini in this avatar and a new name seemed to be the sweet and understanding village girl that he was looking for. But this arrival of the former husbands and the following fight, which was further followed by police intervention had ruined his hopes by a long way.

So, what happens with the events here as we just keep looking? :: But this was never really the end as others like Vijayakumar (Ramesh Pisharody) and others also follow with their tragic story of being married to Rohini, known by Sindhu at that time, at another point by the name Susan and many more on a long list. The case goes to the Circle Inspector of Police, Manoj (Hakim Shahjahan) who is also on the verge of a wedding about to be cancelled, and he becomes determined to solve this case, in which he feels that there are so many others also involved – planning such big weddings all around Kerala would be difficult for just one person. As he had brought disgrace to the police department due to a video which became viral during a protest, this is seen more as a chance rather than anything else. His police station had not seen any big cases being solved, and his fellow workers also join him. But his superior officers do not trust him, and Rohini’s husbands already keep asking about getting their money back. Can he do the job in time or will someone else get all the glory?

The defence of Pennu Case :: The idea is interesting as much as realistic as we have heard about news of similar things happening in this part of the world multiple times, and with the laws favouring the female, the women who cheated men in this way might have found it easy to get away without that much of problems. By showing the same here, humour also comes into the picture with some fake tears helping the woman to keep everyone on her side. The comic side of this movie does not try to do too much, as it goes through a rather smooth pattern instead of being loud and dumb – the simplicity of humour with usual kind of people all around, makes an impact – the choice of cast also working in its favour here. The movie remains light-hearted, never really going to the dark side, which would be even closer to the truth, and lurking around the corner to avoid an emotional drama of terrifying shades coming in. The length works in favour of the movie as this content goes through exactly that much time it required, at less than two hours.

The claws of flaw :: The movie remains quite a slow one, and the flashbacks could not do it any favour as we try to follow it. In the middle, it seems to have been going in a predictable manner, losing some strength in between. The predictable backstory just escapes with that twist in the end, as otherwise it was traveling towards a certain doom. The idea of not giving seriousness to the situation by the end might also feel somewhat strange, as one would still feel that this certain act of crime and evil is considered funny more because the suffering person is male and the criminal is female – the psychological depth and impact as well as emotional consequences are not really there to be taken due to the world staying surface level, even though it would not be the case in real life as far as victims who go through these are concerned. One would also feel that some characters were given the evil image a little too much, and that the red herring had gone too much beyond control. The investigation could have also been engaging rather than just seemingly following the procedure because there is not other job.

The performers of the soul :: Nikhila Vimal keeps the movie together as the main character who is right there in the middle, working through different roles that the character plays within the movie, with all the varieties. Her character should have seen with the shades better rather than showing so much less outside her own narrative. Hakim Shahjahan’s police officer remains a strong presence throughout the movie, as he is the one determined character that we also support, and even after that twist, his character would have something to offer if there is a sequel made in a better way. Meanwhile, Aju Varghese is there creating a silent impact throughout the film while Irshad was the one who made the final initial impact. Ramesh Pisharody also scores when he is there, even though for a shorter time period. The popular content creators whom we see around social media platform, Jayakrishnan Sreekumar and Sreekanth Vettiyar can also be noted from here, and we see that they are so good in their work in the movies, despite the small roles. P P Kunhikrishnan, Shivajith and Praveen Raja also scores. Anarkali Nazar should have had a bigger role though.

How it finishes :: The movie had created quite an impact online even before its release as the vloggers had it covered well. The serial marriage scammer bride has been part of news for quite some time and had taken rounds in the social media, which makes the whole thing feel more real than ever. It takes some skill to weave a divergent story out of it instead of going through a drama – the twist makes sure that everything comes together and some of the problems in between are solved well. The humour exists smoothly right behind without affecting the story which thrives on flashback narratives getting connecting to the original timeline. The social satire is also present with those small, enjoyable moments and situational humor coming out of nowhere. The movie has taken the necessary steps to keep its world working and get to that twist, without which the tale would have been relatively weak, and the predictability is thus removed. It could have surely been better, but it works well as a humour-twist divergence as of now.

Release date: 10 January 2026
Running time: 112 minutes
Directed by: Febin Sidharth
Starring: Nikhila Vimal, Hakim Shahjahan, Aju Varghese, Ramesh Pisharody, Irshad, P P Kunhikrishnan, Hari Pathanapuram, Praveen Raja, Shivajith, Sreerekha Rajagopal, Aami Thasnim, Sandhya Manoj, Ranji Kankol, Shukkoor, Abin Bino, Anarkali Nazar, Danesh Koliyatt, Jayakrishnan Sreekumar, Sreekanth Vettiyar

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@ Cemetery Watch
✠ The Vampire Bat.

Fall for Me

Vampire Owl: I have heard about vampire penguins falling from the top of Dracula Castle.

Vampire Bat: I am sure that it is not exactly what they mean with the falling here.

Vampire Owl: All other types of falling do not happen around here.

Vampire Bat: Well, this is the kind of falling that happens more to humans.

Vampire Owl: We are not people who watch over the fall of humans.

Vampire Bat: Well, the human falls are just normal and natural in that realm.

Vampire Owl: Such a terrible realm to be born to, if you ask me.

Vampire Bat: Especially if you do not turn into vampires early enough.

Vampire Owl: We should not be taking more human turned into vampires.

Vampire Bat: Well, we also need more workers at the castle.

[Gets a chilli porotta and three cups of Ooty tea].

What is the movie about? :: Lilli (Svenja Jung), and auditor from Germany travels to the island of Mallorca in Spain to visit her younger sister Valeria (Tijan Marei). There, she is surprised to see that she is engaged to a French man named Manu (Victor Meutelet), and are planning to open a bread and breakfast establishment. The two had also planned to buy his uncle’s property for the same purpose, but for the same, there is the need to sell the property of the sisters’ mother, which was meant to be kept for Valeria’s university education. But Valeria who is too much attached with the idea of starting a life together with a supporting hospitality business that she no longer wishes to study any more. The university dreams just seem to be that of their mother, not hers. Lilli wonders if she was invited there so that her signature is required to sell mother’s property, and is worried that her sister has had too many lovers in the past, and wonders if this one is also temporary in nature, which would bring a new crisis to their world.

So, what happens with the events here as we just keep looking? :: Valeria feels that Lilli is not happy about her, as her own relationships have been going terribly in the last few years. But things get different when Lilli meets up with the local club manager Tom (Theo Trebs) who is also from Germany, both share a romantic attraction from the flight sight itself. Soon, Lilli meets real estate investor Nick (Thomas Kretschmann) who offers an amount of €900,000 for the property, which he considers to be more than what would be given by anyone else, and Valeria along with Manu supports the cause. Nick’s wife Girasol (Lucia Barrado) also tries to make the transactions quicker, and tries to get close to Lilli to make her more interested in them. But Lilli is of the opinion that she requires more time with this, and at the same time, has her relationship with Tom going to an intimate level after he comes to her home to repair a broken pipe, with the rest of her making way for them having sex multiple times.

And what more can happen here as something never seems right? :: She places her trust on him and gets someone else to look at the plot to know exactly how much it costs, and gets an analysis of €700,000 for the property as most of it cannot be destroyed due to its historical past and location. He advises Lilli to accept the earlier offer, and she agrees. But it is then that Bea (Antje Traue), the former lover of Manu comes to their life, and she seems to be obsessed with him, even though Valeria is not that bothered, as she also had many lovers in her life, and she had gone very intimate with most of them, leaving some of the relationships just within a short time. Lilli feels that her little sister is in trouble, and tries to come to the bottom of it. But chasing Bea does not lead her anywhere, but she does comes to know that Manu has not worked in the hotel where he told her that he had prior experience. At the same time, Nick is forcing her to sign the deal, but with her doubt about Manu, will she do that soon enough?

The defence of Fall for Me :: The movie is shot in some of the most beautiful locations that we can get anywhere. Mallorca of Spain has that stylish, vacation-like vibe with scenic locations which keeps us so much interested throughout its run, and also makes us wish to travel, not just to one place, but any similar areas. The romance, deception, scam and relationship revolve around without that much of an overdose, as everything goes on through a simple path with smooth transitions. The twists are not that shocking, but they remain effective due to the performances and the emotional side that has something in store. The lead actors like Svenja Jung and Theo Trebs goes on well, and Svenja feels like too good in this role, as everything including the emotions are so well portrayed – she remains the loveliest part of the movie, and goes through the character’s troubles well as the central character. Then there is Tijan Marei whose performances feel even more realistic as much as cute in the form of a little sister. The romance here is never really overdone, and this is a movie which feels having just enough around.

The claws of flaw :: The movie just moves through what seems to be just the usual process, and the surprises and shocks do not count as among the most effective or memorable ones. It never gets to be that serious or with serious danger. The focus on the story is not really that much as we look closer – it just feels like taken from different earlier movies which deals with similar themes. The thrills go too smooth with the suspense and got enough predictability around. The focus on romance is sometimes not there, and at times, just comes out of nowhere. Some of the decisions of the characters also feel strange, and there is not that much of development among them – even the talks about the past just feels repetitive rather than bringing something special out of them. There is not that much of depth, and the strength of a classic thriller has gone missing. The ending also seems to have been done in a comfortable manner, not thinking about making it suited to bring a memorable finish. The absence of that much thoughts about the movie’s progress can surely be seen here and there.

How it finishes :: The movie seems to be that smooth journey like a journey through some beautiful areas with charming people all around. At a time when traveling has not been that easy in a world of chaos, we can keep wandering through different lands with movies like these which never really misses out on the chance to capture the location. There is romance and we also have those deceptions, and despite seemingly going nowhere at some points, brings the whole thing to an end, even though there is nothing special about it. For going through a tale that does not claim anything huge, but gives enough of a normal tale, this one is a harmless watch. One would feel that the lack of intensity is something that favours the movie in maintaining a cool effect throughout its run that does not feel too long even when it slows down. Getting some German movies on OTT is quite a rare thing, one has to acknowledge the same. We do get one more here, to add to the foreign movies list which has been dominated by Korean, Spanish, French and Russian movies.

Release date: 21st August 2025
Running time: 105 minutes
Directed by: Sherry Hormann
Starring: Svenja Jung, Theo Trebs, Thomas Kretschmann, Tijan Marei, Victor Meutelet, Antje Traue, Lucia Barrado

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@ Cemetery Watch
✠ The Vampire Bat.

Chhorii 2

Vampire Owl: So, we are now going for this particular sequel.

Vampire Bat: We do not like missing out on the horror movie sequels.

Vampire Owl: Yet, this is no Scream, Evil Dead, Don’t Breathe or anything.

Vampire Bat: This is not Conjuring, Nun, Annabelle or anything similar.

Vampire Owl: Is this the kind of sequel that we have been looking for?

Vampire Bat: The first movie had provided a good dose of basic elements.

Vampire Owl: There is no better master of combining elements than Dr. Frankenstein.

Vampire Bat: Mr. Frankenstein combines different types of pseudo-science only.

Vampire Owl: He is a doctor and scientist who keeps winning awards.

Vampire Bat: He do not win them, for he only keeps taking them, mostly from unsuspecting humans.

[Gets a kothu porotta and three cups of Vagamon tea].

What is the movie about? :: Seven years have passed after the incidents of the first movie, and Sakshi (Nushrratt Bharuccha) lives with her daughter Ishani (Hardika Sharma) and her newfound support in the form of Rani (Pallavi Ajay). Inspector Samar (Gashmeer Mahajani) who understood the case thoroughly had arranged a place to stay for them, and he had also arranged a job for Sakshi as a teacher in a nearby school, where Ishani was also given admission through his influence. Sakshi still lives in fear, thinking that Rajbir (Saurabh Goyal) and his people of the village will come back for her and the child, and she also feels that they will always continue to have sinister plans for those who escaped from their captivity. The darkness bothers Sakshi, but her daughter is having a certain skin condition which does not allow the kid to go out in direct sunlight as it burns her badly. The school does not give her exemption though, as she goes to school with enough covering as protection, and enjoys her time in the institution.

So, what happens with the events here as we just keep looking? :: They try their best to make the situation best for the child. But it does not take much time to have everything take another twist, as both Ishika and Rani are kidnapped by people who seem to be from the village. The police chase them and Sakshi accompanies them. As they walk through the area surrounded by corn, things feel unusually peaceful, with no signs of the missing child and woman. Surprisingly, they soon find themselves being stoned by children in the sugarcane fields and they hold back to avoid hitting the kids. Sakshi finds herself hit on the head, blindfolded and dragged by her legs by children to an unknown area, as police is unable to find her within the long and broad field of corn. Sameer knows that time is running out for him, as the villagers might waste no time in getting what they want, which might be something even weirder and scarier this time. Can he and his policemen get through the corn and save the women and child in trouble?

The defence of Chhorii 2 :: As a continuation of the first movie, this one covers a good ground while keeping the world going. The atmosphere is really good here, as the setting works perfectly with sugarcane fields, mysteries and fear coming together. The cinematography nicely supports the same as we are glad about what is displayed on the screen. The attempt to tackle the issues like blind superstitions, child marriage, child infanticide and mistreatment of women along with the horror elements — giving it more depth related to the society and its troubles rather than just jump scares. The movie further establishes Nushrratt Bharuccha as the one Bollywood actress to look out for, above the usual performers who are mostly products of nepotism and never came close to acting, with Param Sundari being the biggest example of terrible acting by an actress. The spooky visuals, especially in underground sequences which includes those realistic maze-like tunnels, are just too good – it feels like a world has been created, and there is a certain innovation with an Indian touch. The aerial shot of the sugarcane fields with the well and other structures is just classic. Then there is that well that works.

The claws of flaw :: The movie still has moments which keep us wishing for more, and wondering if things could have really been different. There are scares which could have been better, and sometimes, the movie just seems to hold back. There was chance of infinity of horror at times, but taking the wrong turn might feel not safe for the people of the movie. There are still so many moments where not much happens, that too in the maze where there was scope for some creatures, supernatural or not. The strength of horror is not maintained throughout the overall run of the movie too, as the monsters themselves are not among the scariest or designed well enough to match up with the strength of atmospheric horror and nicely worked surroundings. The story does not remain strong throughout its run either, as it refuses to keep the interest of the audience at all times. Some characters are not dealt with well enough. The attempt to go to the message often makes it lose the flow of the story and the horror power.

The performers of the soul :: Nushrratt Bharuccha continues to make us feel like she is a perfect addition in this as much as the original Chhorii. We have known her the most for movies like Pyaar Ka Punchnama, but these two movies might be the works for which we will know her the most and we also see how she establishes herself as a Bollywood scream queen. There is also that feeling that she is looking younger and younger, with this one having her with one of the most beautiful looks ever. She shines as the mother as much as the survivor of horror against all odds, with determination overcoming the fear on her face like Hollywood movies could have in their slasher flicks. Gashmeer Mahajani is a strong addition to the main cast as he makes the police officer role work like a dream, never really overdoing according to the usual tendencies. Then there is my favourite performer from that particular family, Soha Ali Khan doing so well. Saurabh Goyal is once again strong with the brutal villainy here.

How it finishes :: Chhorii 2 is that sequel which would have always been on the list of future horror that is to come. Bollywood really needed some strong horror franchises with some nicely built world, and this is one group of movies which can assure the same. Adding some folklore-like elements here and there would make sure that the effect is something more. I would say that I liked this one better than the previous one, with both the evil and the dark world getting a boost here, while not being as preachy as the previous one. There is also more clarity about this one, and the leading actress also gets more to perform due to her being at better health; the added police officer only serves the purpose further. A certain lack of pace and repetitions does bring some struggle, but the overall situation gets itself at a better level than the previous movie. Not all movies get to create a sequel that match the original, and this one does, which serves a reflection of no ideas being lost, and of still having a possible sequel on the list.

Release date: 11th April 2025
Running time: 134 minutes
Directed by: Vishal Furia
Starring: Nushrratt Bharuccha, Soha Ali Khan, Gashmeer Mahajani, Rajesh Jais, Kuldeep Sareen, Saurabh Goyal, Pallavi Ajay, Hardika Sharma, Mukul Shrivastava, Aarifa Siddiqui

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@ Cemetery Watch
✠ The Vampire Bat.