Trapped

Vampire Owl: Aren’t we all trapped? Isn’t that the reality of our world?

Vampire Bat: How are you trapped? You are wandering all around.

Vampire Owl: I am talking about being trapped in this body and this world.

Vampire Bat: Oh! So, you want to be dead and meet Lady Death to be with her again.

Vampire Owl: Yes, it is kind of like that. There is that certain need which doesn’t go away.

Vampire Bat: You do no the consequences of the same, don’t you?

Vampire Owl: Will I be locked in the top floor of the vampire castle like this particular person ended up?

Vampire Bat: No, unless you make the mistake of locking yourself in. I am sure that you can get out through the keyhole, invoking your inner vampire anyway.

Vampire Owl: Dude, my vampirism is rather inside out.

Vampire Bat: Well, you have to find your true inner vampire, and it is now or never.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: Shaurya (Rajkummar Rao) is not the most popular person in the company which he works and has very less number of friends. He has problems talking about his love to Noorie (Geetanjali Thapa), but finally when he manages to do the same, they are together – now the problem remains that they need to get married before she is forced to marry someone else. But before that, he needs to find a house for them live in, and he is just not able to do that with his small salary – both of them don’t earn enough together, and can’t afford to give advance to renting a new house in the locality. There seemed to be many choices earlier, but soon, he seemed to be running out of options, and as the clock seems to be moving so fast, he is prepared to be settled with anything. It is then that he gets what he wants, and feels that this is all going to work fine, but little does he know that it is only going to mess up everything further.

So, what happens next in the movie? :: The new place that he gets to stay is a room at the top floor of an apartment which is newly built, and is at a great height. It is not used for living, as there is some legal issues with its construction, and a case is pending at the court. It stands tall in the city, with no people within and around, as only one old security guard is there to look after the whole thing, and doesn’t really care what happens. So, renting out this place seems to be too easy for the young broker (Yogendra Vikram Singh) who is only happy to gain anything from the same. So, without letting the guard know about it, he just moves in with the essential things without telling his friends or anyone at the company, even his own lover. After he falls asleep, he wakes up late next morning, and in a hurry to get to his lover, goes out, and runs back to get his mobile which he had forgotten – but he had left the key outside the door, and ends up getting locked inside.

And what is to follow with this adventure? :: He finds that his mobile is on low battery, and quickly tries to make calls, but soon the battery gets to zero power, and it turns out that there is no electricity there either. There is no water supply either, and his attempts to break the lock as well as the door itself fails. He tries shouting, but nobody hears him from that far away, and his attempts at writing down things on a cardboard box reaches nobody – even when it reaches someone, it is taken only as a prank as everyone knows that nobody lives in the flat which is plagued by a court case. As days go on, he begins to have hallucinations, and decides to take more desperate measures to ensure his own survival. But the question remains how long he can go on like this, with no chance to communicate to the outside world about his hopeless situation, which gets more and more desperate every day? There is the need to act quickly, or he is done.

The defence of Trapped :: You will find Trapped in its own divergent mode to be effective right from the first moment all these things in the flat begin. This genre is not really something that brings our movies into the confort zone, neither does it do the same for the audience, but this one seems to have got the balance here. You feel the need to get the protagonist out as much as he does for himself – being a common caught in a terrible situation, his tale connects to us better than the others. It also shows the situation in a busy city where nobody cares for the others – it is to be noted that the nobody never really cared that the protagonist was missing and didn’t care to come looking for him – it is all work and nothing else in a busy world which has so less for the common man. We have that there will be hope for more at some other times, but there is none. Rajkummar Rao is undoubtedly the star here, as he makes things better every second, starting from that door getting locked. Geetanjali Thapa has a cute and smart presence in this one when she is there.

The claws of flaw :: The movie does have its slower moments in the middle, and the beginning actually feels rather too ordinary and interesting – it takes getting locked inside an apartment to make things interesting. One also wonders why people never really noticed the fire even in the night – something like that is possible in an abandoned building, and it had to be checked for, no matter where you are – these days, people are suffering from the terrible lack of curiosity, or are they not? It also reminds us of a number of survival thrillers, and you know the names without second thoughts, as they are that good. This won’t come close to being there with them though. It is also the same reason why you would want more with this movie, with more efforts to escape, and what else can be tried differently in an effective manner. The songs are not that interesting, but they are not to focused on.

How it finishes :: When you consider how well this movie seems to have been done, one can only wonder why it doesn’t get to release here with some publicity – we know that even if it is a good movie, the cast wouldn’t matter that much – we know how some of those Bollywood superstar movies run here without much of an audience leading to shows getting cancelled again and again, finally disappearing from the theatre list in less than a week. This type of movies need to have its trailers and posters all around here, and after getting that needed attention, can get to be watched by more people. Serious survival horror has had less attention in our world, and other than Warning which was taken from the much popular Hollywood movie, there is not much being even remotely close to being known to the public. We could have always used more, and it is surely nice to have this one around here. I am sure that we are going to have more of such divergence in the future, like there was with movies like Phobia and Raman Raghav 2.0.

Release date: 17th March 2017
Running time: 105 minutes
Directed by: Vikramaditya Motwane
Starring: Rajkummar Rao, Geetanjali Thapa, Yogendra Vikram Singh, Rahul Dutta , Malay Garg, Girish, Patrick Graham, Rajiv Khanna, Hawk McNab, Hardik Mehta, Rahul Patel, Anup Rupanwar, Shiladitya Sen, RN Shukla, Vivek Soni

@ Cemetery Watch
✠ The Vampire Bat.

Phobia

Vampire Owl: I hope that she doesn’t have vampirophobia. I really hope that she doesn’t.

Vampire Bat: I believe that the exact term for the same is sanguivoriphobia.

Vampire Owl: What? Who on Earth comes up with such strange names? Who even gets that at first attempt?

Vampire Bat: Well, they call it the fear for blood eaters.

Vampire Owl: How can someone actually eat blood? And we are vegetarian vampires; we have suitable replacements instead.

Vampire Bat: It doesn’t count. Humans are masters of generalisation, and they create opinions based on that.

Vampire Owl: We should have a phobia of them instead – unless they are all dead.

Vampire Bat: You are in no position to call an event which causes human extinction. They have to cause their own downfall.

Vampire Owl: It is something that I have always believed in.

Vampire Bat: Just make sure that Wonder Woman won’t murder you after naming you Ares, the God of War.

[Gets three cups of special tea with Tiger biscuits].

What is the movie about? :: Mehak Deo (Radhika Apte), a talented artist who is quite popular with her friends, attends almost every party in the town, becoming more of the popular girl in the city. But after being molested by a taxi driver on a terrible night, she develops the worst of agoraphobia, which keeps her away from public places and large groups, as she keeps herself inside the house and mostly in her room. Living in the same house as her sister Anusha (Nivedita Bhattacharya), it gets worse for everyone, as her actions remain more and more uncontrollable and unbearable for all. With the eccentric and unpredictable nature affecting Anusha’s little kid too, they all feel done with helping her, because it seems to be of no use, and Mehak herself doesn’t want to be treated, staying inside home without making an attempt to go out for months.

So, what happens next? :: Shaan (Satyadeep Mishra), Mehak’s good friend decides to help her, and gets her to an apartment which is empty for now after its previous occupant decided to move away. He hopes that this change, and life alone will be better for her, and she will start longing to meet people after this. At the new place, she seems to have some visions, and she feels that there is something sinister about these particular visions. She has two neighbours there with whom she gets to talk often, one of them being Nikki (Yashaswini Dayama), who is a graduate student who lives on the flat on the right, while on the left side, there lives Manu (Ankur Vikal) who had anger management issues and is using laughter to fight the same. The latter used to be in a relationship with a woman called Jiah Khurana (Amrit Bagchi) who had left the place.

And, what is to follow next in the adventure? :: It turns out that Jiah was living in the same apartment in which Mahek is living right now. Knowing that the girl had disappeared without telling anyone, and that there is no clue of where she is, Mahek begins to feel that there is a big mystery behind the same. She comes up with the idea that an angry Manu had killed Jiah and has hidden her body in his apartment. Mehak also feels that her visions are from Jiah’s spirit which is trying to tell her something about the demise. Shaan feels that this is all part of her disease, and that she is having so many hallucinations. Her psychiatrist (Faezeh Jalali) also confirms that Mahek’s condition is worsening every day, and there is not much that can be done unless she is taken to a mental asylum. But Nikki is curious, and decides to help Mehak in finding the truth behind the missing girl. Now the question remains about what really is the truth here.

The defence of Phobia :: There is one thing about which you can be cent percent sure, and it is that Phobia won’t be like any other movie which you have seen in Bollywood, and in psychological horror, it explores more territories, and most of these areas are divergent. The story is nicely presented right from the beginning, and it keeps you wondering what is happening, and what is to follow. The visuals nicely match the overall mood of the movie, and there are some scenes which are particularly great and deserves our attention. Radhika Apte is once again too good, as you would expect her to be – she is that kind of an actress who has more in store for us than anyone from Bollywood, and it is a fact that you just can’t ignore. There are moments from her which you are going to remember for so long. The next one to make the impact is Yashaswini Dayama who keep the curious college girl act going on very nicely.

The claws of flaw :: One can say without doubt that Phobia is not a movie for everyone; I am sure that it might have already been established by many others in one way or the other which randomly talking about the flick. There are also logic flaws in this movie, and her living alone in the flat is nothing less than strange, and having a knife near her when she goes into the virtual reality is rather comfortable. The way in which the mystery is finally solved is also rather strange, when it could have taken a rather direct approach. The climax had potential to be something more, and for some reason, it chooses not to live up to the fantastic build-up in the first half, and finish the movie on a high. The audience is left clueless on a lot of occasions, and more scary moments could have been built regarding the neighbour and other residents of the apartments. When you have an apartment where someone with a mental problem living alone, there is always scope for more.

How it finishes :: Phobia demands that you take things differently, and get your thinking procedure to go another way, which has almost no relation with a regular Bollywood movie; all that those movies are, this movie is not. It is where movies like Phobia and Raman Raghav 2.0 scores, and it is also what we strive to have. Otherwise, Bollywood can only focus on biopics, and tales inspired from real life incidents like Neerja, Rustom and Airlift, which they need to keep the ship sailing in the right direction. It is during such times that this movie does go against the flow, and what we can do is to appreciate the effort and watch this movie without second thoughts about how it will make us feel, and how well it can relate when we haven’t watched similar movies before.

Release date: 27th May 2016
Running time: 99 minutes
Directed by: Pavan Kirpalani
Starring: Radhika Apte, Yashaswini Dayama, Satyadeep Mishra, Ankur Vikal, Nivedita Bhattacharya, Amrita Bagchi, Faezeh Jalali, Salone Mehta, Arush Nand, Dinyar Tirandaz, Amit Kumar Pandey, Malhar Goenka

@ Cemetery Watch
✠ The Vampire Bat.

Raman Raghav 2.0

What is the movie about? :: The movie makes it clear that it is not about Raman Raghav a.k.a. Psycho Raman who was a famous serial killer, who unleashed terror in the city of Mumbai in the 1960s. About fifteen years later, another serial killer named Ramanna (Nawazuddin Siddiqui) who seems to follow the same kind of methods, starts his work in the same city. His way of operating is rather strange, and the police has not much clue about what his operations are. His list of victims only get longer, and it also includes Ramanna’s own sister, Lakshmi (Amruta Subhash) who is living with her husband (Ashok Lokhande) and their only son. She reluctantly lets him stay and cooks him food, only to get into an argument with the family. She leaves the place and comes back to take their money as well as kill them all one after the other.

So, what happens next? :: Ramanna is not the kind of person who has any kind of remorse for his actions, and he is surely not the kind of man who thinks twice about what he is to do. He is the worst kind of serial killer whom one could have on their trail. Even after being caught by the police and questioned, there is nothing that comes out of him, and he even escapes with the help of some local boys, thanks to the natural acting that comes to him. ACP Raghavan Singh (Vicky Kaushal) is in charge of the investigation, and has no real clue until finding the photo of Ramanna on the scene of crime, where Ramanna had murdered his sister. He figures out that the man whom they had apprehended a few days earlier has some kind of connection with these brutal murders which have been happening all around the city, keeping the residents terrified.

And, what is to follow next in this tale of terror in the streets? :: Even as he puts a tough cop act all the time, and seems to be righteous cop looking after criminal when someone looks from outside, Raghavan Singh is a a troubled person in his mind, having an unparalleled addiction to drugs, and has an even more terrible anger management issue. He is in a relationship with Smrutika Naidu (Sobhita Dhulipala) at whose place she is staying. It is another terrible relationship that they are having, with him forcing her to have more than one abortion after she keeps getting pregnant as he has his way as he likes. He also has no shame in beating her, but she stays faithful to him, and refuses to go home even after her family hopes for her return. Raghavan gets obsessed with catching Ramanna to such an extent that his issues deepen, and Ramanna at the same time, keeps an eye on the investigating officer – where does this game end?

The defence of Raman Raghav 2.0 :: The dark and terrifying avatar is given more and more life as the movie progresses, and then there is the other side which gets rather scarier. You feel the power of darkness in this movie, and there is so much of energy throughout the flick, thanks to the two main performers. It successfully makes you depressed and leaves you disturbing, with not much hope in the world of chaos. Humanity is surely capable of terrible things, and a lot of these capabilities are there right from the beginning, and are further powered by upbringing and the society. We keep wondering what is to happen next, and we are always interested to know how it all ends, or reach a new beginning. It takes only one serial killer to inspire more, and lets hope that Ramanna becomes our Hannibal to bring more of such movies which can prove to be even better. The final twist is something that breathes life like no other.

The claws of flaw :: There is no doubt that we had expected more from a movie like Raman Raghav 2.0 with its cast and the people who are the helm. We feel that a certain amount of hollowness do exist at times, and this one isn’t that much focused on what we would have been hoping to see with a police officer after a serial killer – this one has almost nothing about the investigation about the murderer. More focus could have been on the characters, and they could have had origin tales, even at the cost of the movie going longer – there are some parts of the movie which could have been cut down to provide space for more of the tale. This kind of movies should have more action, thrilling sequences and deeper story-line which should make us wish to remember the tale more than once; but the focus of Raman Raghav 2.0 seems to be rather a little too much divergent. Then there is the violence – nobody is a role model here.

Performers of the soul :: There is Nawazuddin Siddiqui and Vicky Kaushal doing a fantastic job in this movie, which surely keeps things going strong. We keep wondering when we will see more of them with movies which get the wider release here. If it was more about the former in the beginning, the latter of Masaan fame takes it to the next level in the second half towards the end. You will also notice Sobhita Dhulipala and Amruta Subhash, as two actresses who brings some great performances in two of the best sequences of the movie. The one thing about Bollywood is that these names which are not regularly talked about as superstars are the real actors and acting stars – I really hope that their movies get release in every theatre here rather than those which brings the crowd; if I was running a theatre, I would run a special show for sure, no matter how much of box-office collection such movies are to bring.

How it finishes :: The movie leaves one with the message that everyone has the tendency to be bad, or rather evil, as it is the inherent evil in man which has more certainty to it than anything else. It is the situation that brings the worst out of people, whether they are branded good or bad. The hopeless state of humanity is directly or indirectly reflected in this movie, which struggles to find goodness which seems to fade away further and further as the flick progresses, and by the end of this, we have lost almost all hope in mankind – it is the ultimate truth, right? We do our best, and still we live in a society which is all about money and power, and the need for it as well as the possession of it, will only turn more people against each other. Evil is so easy, right? Being good is so difficult, especially with a new generation caught inside more than one kind of addiction. Raman Raghav 2.0 has that kind of protagonists, and we know that there is a good chance that we are all going to die an early, terrible death considering where the world is going.

Release date: 24th June 2016
Running time: 127 minutes
Directed by: Anurag Kashyap
Starring: Nawazuddin Siddiqui, Vicky Kaushal, Sobhita Dhulipala, Amruta Subhash, Vipin Sharma, Ashok Lokhande, Harssh A. Singh, Anuschka Sawhney, Hitesh Dave, Rajesh Jais, Kalidas Parthitan, Rhea Pagar, Arun Singh

@ Cemetery Watch
✠ The Vampire Bat.

NH10

nh10 (1)

Vampire Owl :: I heard you were not anywhere close to here, and just a few hours ago, you were watching a movie here?

Vampire Bat :: Yes, I was on a trip, but now I am here, and I am back after watching NH10.

Vampire Owl :: I saw the SMS and thought you were travelling through NH10.

Vampire Bat :: You make too many guesses. You even read conclave as con-cave, and delegate as Delhi Gate. You need to think about this seriously.

Vampire Owl :: Yes, we owls find our own meanings and spellings rather than be dominated by any bat community. Do you know what the werewolves are doing these days?

Vampire Bat :: Don’t you think that we are too divided instead of becoming one Night Creature nation?

Vampire Owl :: Yes, the werewolves were the first to invent the Wolfine tapioca chips maker, which is one of the reasons why they think they are a superior community.

Vampire Bat :: First to invent what?

Vampire Owl :: You won’t understand. It is a complete wolf thingy. I am still working on it with the experts.

Vampire Bat :: Can you just go and watch this movie which I recommend?

[Leaves for the tea shop].

What is it about? :: Meera (Anushka Sharma) and Arjun (Neil Bhoopalam) are part of the metropolis and have their lives among the skyscrapers. But after an incident involving a number of unknown men at night, Meera is traumatized and even gets a gun for protection. But as they go on a trip to make up for the trauma, things only get worse. As they stop at a restaurant, a woman asks Meera for help. But she refuses and the unidentified girl and her lover are soon taken away by a group of goons despite Arjun trying to interfere. As they continue on their trip, Arjun notices the car of these people and gets out of the car to follow them hoping to scare them with the gun and thus stop them, despite Meera’s protests. But things change as they witness a case of honour killing, and it is then they are the ones who are hunted, and there might not be enough bullets in the gun for all villains.

The defence of NH10 :: This is like the first full horror slasher movie of India with a message. The movie keeps asking the question if people are actually safe beyond the lands where law has a role to play – are women safe? Does the weak or the less privileged ones, both men and women has a role to play in a society which is becoming more violent and mindless even in a modern world? How long is the list of the modern age subaltern? Is there a certain kind of automatic mindwashing that goes on which makes one hate the other religion or community? Shouldn’t human life be the most valuable thing and not rules or community/religious beliefs? Yes, the questions are endless. What this movie also brings is some violence which mostly stays off the screen, which is actually a nice idea. The thrills are always present and the twists also arrive to make the desired impact. This is also realistic for most of the run-time.

The Claws of Flaw :: The movie’s ending is rather dull, with just some adrenaline rush and everything finishes with the revenge. I did feel that it should have been better thought out and executed in a more interesting manner than quickly going through it. There are also some dumb actions done by the characters, about which I won’t talk much to give too much of the idea out. The songs are ridiculous, and it is totally unnecessary in a movie like this – why would they even think about putting music in between is totally beyond my comprehension, and if those songs were at least good for something, we could have at least be happy to listen to them separately. The darkness doesn’t look that good too, and it could have been better handled with some of the camera shots.

Performers of the soul :: Anushka Sharma manages to come up with a fantastic job and this is the kind of role that I haven’t seen her playing before. She has that scared look on her face for most of the movie, and then there is the anger, frustration and the moment when she knows that she needs to have that revenge – she looks so good. I haven’t watched all her movies, but I find it easy to say that this might be her best performance, and that much is the mark that she leaves on us. Yes, I can’t claim perfection, because there are dumb things that her character does, just like the others – something that the horror slasher movies cannot live without; Hollywood has its horror character doing similar things. She is too good here, and the rest of the characters seem like those of lesser power.

Soul exploration :: The question asked here is about the difference between what is built as an utopia in the cities and the dystopia outside the boundaries of the metropolis, that we see as a universe of development. Are we looking to divide the known world into two, one of development and the other hardly seeing any? I have been thinking about the same during a number of visits that I have made around India – why is the gap too much? Shouldn’t the difference in development be not that much? Shouldn’t we strive to fly high above the differences? And honour killings in this century – it is a strange world, indeed as there is absolutely no honour in killing. Human life should be the most valuable thing of them all. There is no substitute for it; each person has the right to life, no matter how he lives his or her personal life.

How it finishes :: NH10 doesn’t seem to have attracted that many audience here, but that shouldn’t define the quality of this movie. That may be because this was not the kind that they had expected. It has been some time since I watched a movie at the theatre, and tomorrow, it is to be a month since I have reviewed a movie here – I couldn’t let that happen, and so here is the review. This is also the last day on which I can watch this movie because it will change here on Friday and no remains of this movie shall be left here. I would suggest that those who still have this movie at their nearby theatres do give it a try, because it shows that there is promise coming from this year, as we have already watched and were impressed by Baby. It is not flawless, but it is a good and interesting deviation from the regular Bollywood – you don’t get to watch movies like this too often.

Release date: 13th March 2015
Running time: 115 minutes
Directed by: Navdeep Singh
Starring: Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval

nh10

@ Cemetery Watch
✠ The Vampire Bat.

Warning

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There are only two Hindi movies which I have watched on the first day, first show in a multiplex. The first one was Aurangzeb, and the second one is this movie. This is also the first Hindi movie and the second Indian movie which I am watching in 3D, and there are n prizes for guessing which was the first, for it was the first 3D movie from South India as well as from India. Did this movie deserve my attention? Well, I thought that this was going to be India’s answer to Jaws or Deep Blue Sea. But later, it was revealed that this one is more of an Open Water inspired flick. But while watching the movie, it clicked that this was mostly Open Water 2: Adrift. So, there was the need to watch India’s first underwater 3D thriller a.k.a the first of possible shark movies in the future. The reasons to go for the first show were many, but I have to be clear about something, which is the fact that this is surely more entertaining than Open Water 2: Adrift, but I wouldn’t use the word “better”, for that is highly debatable. I would recommend this with confidence for those who haven’t watched the original. Well, I watched this one for a ticket worth eighty rupees and this is more than just worth that money. Forget the critics who are going to bash this one, my dear friends, just know that we need this movie, and we need variety.

Yes, they are obviously not right about this one, or may be they have their own personal reasons for not liking it, but from a neutral point of view, this is a copy which has been well recreated. If we make a comparison to that original, that may have had other things for support including being more realistic and being the first one to come to light, this one has entertainment, and some surprisingly above average performance from the cast who are quite unknown for me. It looked like they had tried very well. From an unbiased viewpoint, what does one expect from a movie like this, and what is there that this movie doesn’t provide? There is no denying the fact that there might not have been this movie without the original, and there are no big surprises added to the same except for some typical Bollywood melodrama. The movie is thrilling, and engaging throughout. My dear cynics, please try to find the positives, and the name of the movie is not Open Sea 2, its Open Water 2, as I have noticed that mistake in some of the reviews, so if you are going to watch the original, please don’t remain misinformed and search for Open Water or Open Water 2: Adrift.

I have never been that much of a fan of Open Water franchise as I was the fan of Jaws and Deep Blue Sea. But Warning surely keeps the common man interested. There can be the typical argument that there is nothing that really happens except for them staying in water for most of the time, and the most probable theory that there is not much added to the original. Well, let me tell you a few things, Zinda was a fine little brother of Oldboy and the Malayalam movie Cocktail was a good twin brother to Butterfly on a Wheel, even as the Prithviraj starrer Anwar couldn’t be a good brother to Traitor even as there is an attempt to create a difference and be a worthy brother. In that case, Warning is a very good brother to Open Water 2: Adrift, and may be the bigger of the two twin brothers. So what should I do more? Should I go to 1579 and get the much needed blessings from Philip Sidney writing An Apology for Poetry and do the same for this movie if and only if this movie doesn’t get the attention as the harbinger of change into Indian movie industry? Or should I be Alexander Pope or John Dryden and cast a web of support poetry for this work which no spider has managed to weave even in its most gigantic form?

May be I shall go back to 1821 and meet Percy Bysshe Shelley instead. Well, lets not deny the fact that the Vampire Bat belongs to all ages, but that age of literature is far gone now, and he is just a nocturnal creature who doesn’t own a time machine. Now he stands before this movie called Warning, which deserved a better first day first show in the multiplexes than just a few people sitting on the corners of the small world of what they called Screen Nine. Did our movie lose out in marketing, I would wonder. No, this doesn’t have adult-rated comments or bed-room scenes which seems to be necessary these days, but it does have guys who remain shirtless, and women in bikinis. Well, the viewers need that, and no wonder Phata Poster Nikhla Hero is having a tough time compared to the movies like Grand Masti. Well, Warning has its own skin show, but none of them desperate enough and thus keeps the adult certificate away. It has a group of good looking people among its cast, and the best thing is that they can act too. I might have missed this one for Elysium which released here on the same day, and I guess I shall end up having watched both.

Gunjan Dutta (Madhurima Tulli), Anshul Chobey (Varun Sharma), Sabina Sanyal (Manjari Fadnis), Aman Puri (Sumit Suri), Taranjit Bakshi (Santosh Barmola), Deepak Sharma (Jitin Gulati) and Jeanine Getaux (Susana Rodrigues) are the seven friends who are having some great moments on a yacht in Fiji as part of a get-together. Deepak is Sabina’s husband and Jeanine is Taran’s girlfriend who remains the eye candy for the group much to the jealousy of Gunjan, and the only married couple has brought their baby daughter Sara with them. As the guys follow the girls into water in the middle of nowhere in the sea, Taran throws Sabina into the sea to get rid of her fear for being in water along with jumping himself, not before pushing the button to lower the stairs into the water. But is then known that his friend had already pushed the button for bringing the stairs down and himself pushing on it has brought it up instead. They are caught in the water with only a dog left on board which also jumps into water as a result of their attempt to catch its attention. Gunjan tries to stand on their shoulders and climb up, and they also try making a rope with their clothes and sending her up, but she falls down to cause injury, the blood bringing the attention of sharks, as the baby cries from the yacht.

The movie’s cast is basically about the seven people who are stranded in water, and even as they are not familiar faces, all of them has performed fine considering the situation which they are up against. Suzana Rodrigues is the undisputed eye candy, and even as Manjari Fadnis seems to be the typical character who gets all the attention, it is Madhurima Tuli who has the more significant roles to perform, along with staying pretty and gorgeous throughout. She looks particularly good with that short hair cut. She is the one who makes the first attempt to safety and she herself is chosen for the next, and it is her who takes that risk of being dead or saving them all just before the final moments of the movie. In many ways, her character is more dynamic than all the others out there, and one might have to say the same thing about beauty. The cinematography is incredibly beautiful and there is the lovely Fiji right before your eyes after what you saw in 3G and Table No. 21. The 3D is also fine even as the need for the same is questioned on some occasions, but there is no question about the beauty of the visual imagery that is generated, as well as on the music and the songs.

So what can we make of the title Warning? There is no real warnings given out in the movie, and so we can conclude that it is more about being warned about those people who shall intentionally give negative reviews about this movie. Warning is a tale of survival which was never tried in Bollywood, and it has to appreciated for the efforts so that some better and original ideas shall come up later. We have approved Go Goa Gone, and it is time we give scope for the other genres which are unknown to this part of the world. This is the time to get rid of the stupid masala action movies, adult comedy entertainers and ridiculous romantic retardness and grow up to variety which needs some imitation in the beginning which can later be developed into original ideas. It is shot in an amazing manner underwater and there is suspense built slowly and steadily, and it has done its duty to the original. Yes, we can blame its predictability, and most of us know the story already, but this movie is a welcome change as well as welcoming change, and if we deny it the right to be a success, we bombard ourselves with typical romantic bullshit, adult comedy and masala action, and in a few years, we will have only ourselves to blame for nonstop nonsense.

Release date: 27th September 2013
Running time: 109 minutes
Directed by: Gurmmeet Singh
Starring: Madhurima Tuli, Manjari Fadnis, Santosh Barmola, Suzana Rodrigues, Varun Sharma, Jitin Gulati, Sumit Suri

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@ Cemetery Watch
✠The Vampire Bat.

Go Goa Gone

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In this world touched by the vampires of the last century and dominated by the not-at-all scary pseudo-vampires powered by works like Twilight, zombies have been forced to take the back-seat. Some would say that it is deserving to be so, and that is al they need, but without solid proof. Still, it would not be wrong if one says that this is more of a racist prejudice against a species which is on its very first stages of understanding the new world after being dead and back as a new person with a little brain as big as a vampire fang. We had seen Zombieland, the 2009 zombie comedy movie making enough fun of the poor creatures of the grave who are just trying to listen to their basic instinct of survival, that is to feed. So, what happens is that instead of finding a flesh and blood substitute for them with the use of what is at their hands, the so called heroes just murder them, not always on self-defence, sometimes as a routine thing. In Zombieland, our heroes take an extended road trip across the United States in an attempt to find a place free from the zombies, and Go Goa Gone is also a trip, and it is another zombie comedy, thus starting a number of similarities there. They should end when they both get positive critical reviews and become good commercial success stories – our movie has to go a little more to be sure about it, but for now, and from what it seems to be, it is surely on its way to becoming a success by all means.

Zombies are typically depicted as mindless, re-animated corpses with a never-ceasing hunger for human flesh and at times for the flesh of a few other creatures, with a special liking for human brains which tastes more like fried rice, and with blood added to it, they have enough flavour. A vampire is basically a re-animated corpse that is believed to rise from the grave at night to suck the blood of the unsuspecting humans; this never-ceasing thirst for human blood and at times the blood of some other creatures, with a special liking for fresh blood of beautiful women which tastes more like strawberry shake with a blood topping. Forget the vampires of Twilight, as they don’t count – they are just mutated humans with superpowers which can only be maintained by drinking human blood; a case of just random parasites of the world. The zombies can trace their popularity to Mary Shelley’s Frankenstein, while the vampires can trace theirs to Bram Stoker’s Dracula. It is basically John Polidori’s 1819 work, The Vampyre that got the vampire into the spotlight, while Mary Shelley’s 1818 work had already got the world’s first official zombie for the common man to understand. Did he eat human brains? No, but he did eat the brains of his own creator, and that is nothing less than cannibalism in an intellectual manner. Thanks to 28 Days Later and the never-ending series of Resident Evil movies and games, the zombies have finally found their address, in a different way, but not by losing their identity as in Twilight – not by choosing to sparkle rather than being what they really are.

It is known that they are both undead supernatural humanoids who hunts humans to please their instincts. In return, both are usually killed by burning or decapitating. They are both originally the creatures of the night and the undisputed rulers of the grave. The infection is spread and more of their kind is created by biting and infecting the wounds. They usually lack souls and are on the side of evil on a long scale which stretches from pure good to pure evil. zombies can walk in sunlight; vampires can only come out at night. But while zombies continue to decay and continues to lose their body parts, even as they won’t really mind it, vampires are preserved with their looks for eternity unless destroyed by an outside force. The zombies work solo even if they come in hordes – they don’t use nature, creatures or other fiends for help. The difference in looks and the food habits is evident. While zombies move slowly, vampires are incredibly fast. The violence in zombies is passive, but disheartening, as in vampires, it is active and still precise enough with the fangs on the neck of the victim. As zombies continue their mindless walk, vampires can use intellect as well as the superpowers, may be even shape-shift into animals like bats. Whatever is said, they are both still dead, but still moving, and they belong to the other side of the mirror, no matter how much Twilight try to make them assimilated.

Considering the movies like I am Legend and 30 Days of Night, there is surely a mixing of the two in history; forget Underworld‘s vampire-werewolf combination, this is more like that feasible undead combination. The origin through the death of the supreme evil men is one theory, but a virus infection seems to be more suitable to the age these days – zombies have been enslaved to this notion for more time than expected, while vampires also got themselves the scientific side with Daybreakers. Zombies are still scarier than vampires for the new age fans, as the latter have been portrayed in a romantic light not only in Twilight, but also in True Blood. Well, everybody needs their own dose of fear, and if vampires and witches can provide them no more, one has to turn to the zombies. There is always more than one side to horror; for more than it scares you, it rather prepares you for the worse which is to come. In the case of a horror comedy, it does the same without the problems of being that much scared. When Evil Dead didn’t release in India, it was a clear lose to the common horror fan. Whatever the reason might be, it is a clear case of absolute cruelty to a movie watcher to which many people should be answerable. Our movie is horror, comedy and the much needed experiment in this field for a movie industry which hasn’t really ventured to such a world before. Therefore, it is my privilege to welcome all of you into this world of zombies which is closer to the world of vampires than Twilight and True Blood.

The movie is the story of three friends, Hardik (Kunal Khemu), Luv (Vir Das), Bunny (Anand Tiwari). The first one needs a break from work, the second one a time away to deal with his break-up, and the third one has a presentation in Goa, which means that the first two accompany the third so that they can utilize all the facilities which are available to the more nerdy of the three as he goes for the presentation. In Goa, the whole scene takes a wrong turn when Luv meets the gorgeous Luna (Puja Gupta) in a violet bikini at the swimming pool and loses his broken heart once again. She introduces herself as one of his many facebook friends whom he rarely knew, and invites him for a special Russian party at an island not too far away. The party is hosted by a supposed-to-be-Russian guy named Boris (Saif Ali Khan) who is launching a special party drug, a prototype from Russia during this bash. The three friends have good time at the party. But what happens is that almost everyone on the island seems to turn into zombies on the very next day. Bunny even ends up telling a zombie girl to brush teeth before they meet up. As they slowly realize the hell that has come down on the island, Luv talks about saving Luna, to which Hardik replies that he will buy him a better Luna; the Kinetic Luna is always memorable isn’t it? They find Luna and are almost killed when Boris arrives in time to save them. Now, they have to survive, kill some dead people and get out of the island.

Kunal Khemu and Vir Das has complimented each other and has done a great job as the extremely lazy guys who argue so much about who will pick up the remote control andchange the television channel. They drink, smoke and run after girls with no interest in their works. They create the major part of fun in the movie, mostly with their lines. The third friend Bunny, played by Anand Tiwary, is just the opposite, as he is the nerd and he never gives an opinion otherwise. Saif Ali Khan steals the show from the moment he makes his first shot at a zombie. The Russian gangster is surely going to be a model for many characters in the future. He says “I kill dead people” and delivers. Along with the two friends in crime, he gets more of the better lines. He is an excellent zombie slayer and I hope he slays Twilight vampires too. Puja Gupta plays the gorgeous lady lead, and her arrival in the violet bikini marks the beginning of the twist, which would be complete on the very next morning. She transforms from the hot girl to the damsel in distress and then to the shotgun-murderer of the zombies by the end. She is undoubtedly a great addition to the beauty of Goa. Look out for the pool scene and when they take refuge in an abandoned house and try to figure out if one of them is really a zombie with question about Uganda and Mathematics. Go Goa Gone is undoubtedly a clever movie, and it is evident in the execution rather than everything else combined.

A week had the movie 3G as the big release, and here, two movies starting with alphabet G – 2Gs were the big releases from Bollywood, and this one would surely eclipse the other – after all, this movie has three Gs while the other has only one. Zombies would approve that it is reason enough for their success, running a full-time of 111-Nelson. The fun begins from the start itself, and it never ends; with the ending it has got, I would be looking forward to a sequel. This movie is what the Malayalam movie Kili Poyi could have been; with the heroes wandering around in Nee Ko Nja Cha style, the zombies add to the fun which is to be expected when the youth goes to Goa after a break-up and work-tension. Go Goa Gone is unlimited fun, and not your logically superior movie, but it still comes up with a strong message against the use of drugs. They have managed all of these and brought them together in such a manner that there is lots of blood and gore, and the zombie terror, still it is incredibly funny. The references to the movie Evil Dead, and the vampires and zombies of Hollywood just adds to the fun. Overall, it is non-stop entertainment without brains – for all the brains have been eaten by those zombies who are as hungry as any of the non-Twilight vampires a.k.a the real vampires.

Release date: 10th May 2013
Running time: 111 minutes
Directed by: Raj Nidimoru & Krishna D.K.
Starring: Saif Ali Khan, Puja Gupta, Kunal Khemu, Vir Das, Anand Tiwari

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@ Cemetery Watch
✠The Vampire Bat.

Table No. 21

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There are times when one has break the narrative and the flow, and come up with something which he missed in his writing, something which deserved to be there, but faded into the void even before threatening to make an impact. This would need a flashback and some scratching of the memories, and here comes one movie which was left out thinking that it was released in 2012 while remembering the dates from February when this blog was started, but actually the date was 4th January 2013 – but considering how good a movie it is, there is the need for it to be present here, and here I add this one to the middle of the others, almost like inserting the past into the present even as 2013 as a whole could be considered the present. This can be more considered as a guest, or a former tenant who couldn’t stay in the house enough to make it known to the neighbours and the people of the town or village. Well, Table No. 21 is much more than a simple tenant – it is more of an owner of its own genre, something which would be revealed more as we progress. Welcome to the group, forgotten movie – for you are to be remembered in this post with a status as good as the others, as belonging to the present, for you deserve it; this is more of a honorary status.

I am being lenient on this one considering my ignorance which was inflicted upon this so brutally, even as the brutality affects not even Mickey Mouse. The question would be more like how much brutal this movie can be – and how cruel the game master can be. Well, this is about a game, and that much should be certain for everyone who has read something about the movie. The unemployed couple Vivaan (Rajeev Khandelwal) and Siya (Tena Desae) gets a chance to visit Fiji. To add to the glory of visiting the beautiful islands, it is their wedding anniversary. But all the beauty tends to take a wrong turn as they encounter Mr. Khan (Paresh Rawal), the owner of the resort who invites the couple to take part in a live game show named Table No. 21 which offers a breath-taking amount of 10 million Fijian Dollars as the prize money – something which would convert to crores of rupees. The rules are simple – a total of eight questions will be asked regarding their personal life for which they have to answer truthfully with an yes or no, and have to do the task assigned to each question. They are not allowed to quit in the middle of the game, and neither can they skip a question or its related task. Their mobiles are taken away and are surrounded by cameras and henchmen.

The questions first seem very easy to answer and the confidence level reaches new heights for the couple, as if they were made for this game and all their financial needs are soon to be met. Their doubts about this is an idea to make fun of them, slowly vanishes. The first question about their love and the task to kiss in public was of no trouble. The question concerning them knowing each other and the task of Siya eating non-vegetarian is also of not too much difficulty. The question concerning manipulating others and the task of instant manipulation creates no tension even if it leads to slight suspicions which they leave behind thinking about the huge amount of money which awaited them. Then comes the difficult parts, the need for blood which is the first dangerous and life threatening situation of the game, as Vivaan answers he would go to any extent to save his love – the point is that here he has to fight his tendency to faint at seeing blood to save her by filling a bottle full of his blood and use it as a key to unlock a glass cage short of oxygen. Even in an unfamiliar territory, as the need had arisen, the task is completed right in time.

The question of love continues, and the task involves shaving Siya’s head to which they protest, but is brought back into the game by threatening, with the lady ending up with a shaved head. The next question is about domestic violence, and Siya is asked to return a slap she recieved from him with full force, a point when they realize that the master of the game knows more about them than they thought, even the most personal details. The task involving Vivaan vandalizing a random car puts him in trouble as he gets beaten up as well as getting almost caught by police, and what it does worse is when he asks help and thus breaks the rules landing his wife in trouble. He arrives in time to save his wife, but that is not the last of the troubles, as the game goes on, the situation becomes even more strange and horrible, and they realize that their past is being reminded in a horrid manner. But the true realization comes only the end, and it is where the game master is justified and the hidden truth of the past is revealed to the audience. But this revelation never overpowers the thrills and the social message, as the balance is successfully maintained. An another message could be said to be against the greed and never-ending avarice, the desire for easy money and also about the meaninglessness of reality shows.

Parwesh Rawal seems to have the movie working like a flawless machine with his performance as the game master. He is the most hospitable resort owner, the sadistic manipulator and a loving father, three in one. Even as he has the second personality during most of the movie and may be before the horrid twist happens to the game, there is no loss of the power of trio in himself. Rajeev Khandelwal does his character in a rightly truthful manner. There is no exaggeration of the personality and there is nothing unnecessary added to it; the simplicity in complexity attributed to the character is lesser only to that of the game master – he traverses from the inflictor or pain to the vulnerable one at the recieving end. Tena Desae as Siya – has blended in well from the beach, bikinis and love to fear, anxiety and absolute horror. From having a shaved head to being in one of the worst situations for a damsel in distress at a strip club, from the passionate and loyal lover to losing her character and trust, from the photogenic lady in bikini to the oppressor who became the oppressed, it is quite a powerful performance adding to the strength of the film. There is no flat, static character among these, for they have all gone through the much needed changes.

The movie rests on the three, and if we add the next two important characters, the whole suspense would be lost. As the clues, there is the college were these two met and fell in love and there is the case of ragging. There is no loss of intensity in that flashback story too. The bottomline of the movie is its message that ragging is not a joke, but a crime. The title of the movie comes from the article 21, on the protection of life and liberty. The message is as powerful as the movie, and the use of flashbacks has worked perfectly to suit the overall mood of the movie, and the whole game is more or less a recreation of their cruel deeds at the college as the seniors. Even the uneasy silence and the absence of descriptions in the movie makes an impact and the whole setup which leads to one powerful social message is the ultimate triumph of the movie. But, the message is not used as a propaganda. A joke is no joke that causes harm to others and having fun at the expense of others is both a sin and a crime – this is the best way it can be summarized. The injection of reality into unreality in a sincere manner as to create the feeling of truth – it is surely not something many horror movies desire to achieve and not something any popular horror movie has come up with so far.

The greatest advantage of this movie is that it surprises you – right from the beginning to end; almost every moment has a certain amount of unpredictability associated with it, sometimes with the twists of plot and sometimes with the performance of the cast. There are lesser moments when it would seem that this one has lost its gasoline, but then it comes up with an alternative fuel which takes over and makes this one run better. The biggest of the twist comes up with the social message which is the most striking element of the movie and how it is unveiled is a method of slow, step by step ignition leading to the big catastrophe of ultimate success. There was rarely a moment when the movie was not ahead of the audience, creating that element of spooky suspense, and by the end, one comes to know how much ahead it really is, in a world where the suspense horror movies never really got its due – suffering from a typical horror movie rights violation due to some too-natural or never-natural romantic love stories which never really deserved to be called movies; therefore this is your welcome break and not to be missed even for a chance to go to Mars and be imprisoned by the Martians virtually created by the lies of science which people adore and would never cease to believe.

Release date: 4th January 2013
Running time: 108 minutes
Directed by: Aditya Datt
Starring: Paresh Rawal, Tena Desae, Rajeev Khandelwal, Dhruv Ganesh

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@ Cemetery Watch
✠The Vampire Bat.

3G

The Vampire Bat’s desire for horror has been getting stronger and stronger every day. The procedure of watching Murder 3 actually accelerated it to the maximum and therefore 3G was not to be missed. Silent Hill: Revelation 3D, The Cabin in the Woods, House at the End of the Street or The Haunting in Connecticut 2: Ghosts of Georgia never came to the theatres here. There was no question of The Woman in Black. For Paranormal Activity 4, they might have had an early heart attack. But unfortunately, Piranha 3DD did arrive as pseudo-horror. The only hope was to adjust with the Resident Evil and the Underworld series as horror even as they could no longer fit into that category. This ridiculous attitude towards horror might be the worst thing about the theatres and malls around here, as they don’t really mind the local language horror movies, not checking if they are any good. At least 3G made it to most of the theatres around here, even if it is no material of Silent Hill quality. The silence of depression which every horror fan faces around here needs to be treated, and therefore, this review is going to be quite lenient – there will be no hard measures taken on this movie and it will be given a free pass in many departments.

“Wherever you go i am there: Gadha Jam” said Mohanlal in the 1989 Malayalam movie Vandanam. Here, it is a mobile phone which says the same. It is an advanced phone for a spirit to try and infect, with touch screen and 3G facility. The movie begins with a guy murdering his girlfriend stabbing her through the right eye right after proposing to her in an abandoned area. Then the screen shifts to a stylish opening credits shown in a very innovative way in the beginning. There is the mention of the billions of phone users in the world. It also talks about the large number of phantom calls which are received worldwide which cannot be traced. Here, these calls are related to spirits of the other world trying to connect to this world. That did sound a little overreaching for me, but that also gave a push both to the expectations and the skepticism. This is the beginning of an ambitious plot and we might be talking more about its ambiguity later, but for now lets get on with it.

The 3rd generation of mobile telecommunications technology makes way for Sheena (Sonal Chauhan) who comes out of the saline water of Fiji in a red bikini; and that much talked-about scene ends with a not-so-happy conversation with her lover Sam (Neil Nitin Mukesh). But all the minute problems are solved as he comes to Fiji to be with her, losing his mobile in the process and initiating the “Kaise Bataaoon” song. There are surely in love, but are always interrupted, first by Sam’s own hallucinations which makes him see demonic faces not only on others, but also as a ghost – something which interferes with their relationship. The second stage makes him near-possessed and almost makes him strangle Sheena in her bath tub and also to take his own life by hanging. Then the spirit seems to take over him completely. To add to it, there is a video of a girl getting murdered inside the phone while strange sights and voices happen on the outside. The attempt to get rid of the phone has already failed, as it came back from being deposited in the sea as well as being broken into pieces. That should have been expected when there are dead people involved.

Neil’s territory is divided into two, one of a passionate lover and the other of the possessed. His performance as the former is never under doubt and the as the latter is incredible at times and okay on the other occasions. One of those moments is when he is seen possessed over the bath tub of his lover and the other when he asks a priest, “Have you forgiven yourself?”. The moments are strange, but effective enough. There is also a scene of bloody murder which is strange, but still powered by his thrilling performance. Sonal has the supporting role, looking gorgeous and playing the character who hesitates to leave her lover despite of the haunting that happens around him and inside his mind. She never looks less than stunning throughout the movie. Her presence here only does the movie good, even though it is surely not for giving a big performance that she is there. I wouldn’t guess that people were expecting something else around here.

This movie is less of a thriller and more of a horror flick, and in that case, this one is far ahead of any of the movies in Bollywood. I would not deny that Murder 2 and Murder 3 were better in wholeness, but the fact remains that 3G better in parts. But, the problem is that this lack of wholeness makes this one inferior to the other two I mentioned. Still, the advantages of 3G includes its ability and its use of that ability to successfully generate the visual and audible fear supported by good use of sound effects & camera, in a much spookier way compared to its predecessors. The creepy environment is successfully created even in the presence of two of the best looking people on the screen, and the attention successfully shifts more to the horror elements than them. The fact that things get kind of absurd and fails to make much sense as a movie with its weaker logic still makes it good in parts. 3G certainly has its moments of horror glory, but there also those of extreme stupidity creating moments of unintentional comedy. This is more of a minor oasis in the desert of romantic comedies and mindless action for the starving horror fans in India.

There was a lot of scope for this movie, but the ghost who tries to be Miss India and a grown-up version of The Ring girl at the same time, along with the fluctuations in the story has left the audience with more to ask for. There is a certain absence of intellect as well as the presence of ambiguity throughout the movie, even as the first half rarely explains anything. The best not-so-hot, not-so-intimate scene in the movie still came in the first half, when our hero is playing a game of car race in a taxi in the mobile and with a crash in the game comes a car crash in real life, as they land in the hospital with the spirit mobile which is left unscratched. Well, watch it for Neil Nitin Mukesh’s depiction of two personalities, the possessed and the unpossessed, the dazzling beauty that is Sonal Chauhan and the interesting concept of horror which hasn’t been tried this effectively in Indian movies. There is also a message against porn in the movie, and the presence of a hidden message against the effect of technology in our lives, especially that of the mobile phones. I hope you can recollect that much remembered scene from The Ring when Samara crawls from the tv and kills Noah with fear. Nobody crawls out of the mobile though, as the ghost is both inside and outside; but keep that in mind.

The need for horror has reached its highest point right now. Unless, the multiplexes and regular theatres do not hesitate to show the bloody movies of International horror standards, there will be no satisfaction for the common horror fan. The movies like 3G, Murder 3 and Table No.21 might serve as satisfactory thrillers or sources of horror which might give a small, but certain amount of relief. If one thinks about Dracula 2012 3D in Malayalam, no lets just leave the literary works alone; for they are to be more classics than just horror and the vampire life would just be like a random Twilight unless the soul of the work makes it way to the screen. Well, how can you reach the heart even when you cut incredibly deep if there is none? How can you influence the brain if it is already frozen and unavailable? 3G doesn’t really appeal to the brain, but for the heart, it is another story. It won’t really matter how this one would turn out to be, but there will be no stopping the horror genre. If the best horror movies are brought to the theatres, that would be incredibly satisfying, or otherwise there is 3G.

Release date: 15th March 2013
Running time: 120 minutes (estimate)
Directed by: Sheershak Anand-Shantanu Ray Chibber
Starring: Neil Nitin Mukesh, Sonal Chauhan, Mrinalini Sharma, Asheesh Kapur

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@ Cemetery Watch
✠The Vampire Bat.

Murder III

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The Vampire Bat has never been the fan of the original movie, Murder – but he was forced to change that one opinion to think about following the series with Murder 2. That made sure that this was going to be a series which has the worst in the beginning itself. It doesn’t matter how good people might think it was, it was never a good copy from Hollywood. The second was more close to glory as Prashant Narayanan came up with one of the best performances witnessed for such a long time. It was both gruesome and awesome at the same time. Then, the question would be about Murder 3 right now and the answer might be somewhere in between the first and the second of the series. It could never rise upto the second, but still creates a better impact than the first. It is supposed to be the remake of the Colombian thriller The Hidden Face, but at no point does it gives a feeling that it does not belong to this part of the world, for it has been changed well enough. It might still seem to defy logic, but that is something which is to be forgiven to attain the maximum effect of the needed horror.

Any disappointment about the movie has to be left to the first half, which is a little strange – it has a photographer who has turned alcholic after losing his girlfriend, along with his new girlfriend. He is a young man who just lost his future wife and has brought another one out of nowhere; not really inappropriate for the Murder series, but still something which tells the viewer a little about the protagonist, the new-age Icarus whose interests are as unlimited as his ambitions. He has his wings, but the question might be about the path through which he is flying, and also about his other interests while moving so close to that fire-starter who can burn more than just a few things of wax. He might have to think again about all these, and it is doubtful when he will have the opportunity to do so. Meanwhile, his first girlfriend is more of the one who sacrifices her own interests. Now that would make the question of her leaving him obsolete. That is a fact which would keep the cops on his tail, investigating about his hands in her disappearance. But knowing them as a loving couple, not many would doubt his involvement in her absence.

His second girlfriend is more of a Lady Icarus, from one angle, even as she is shown more as a sympathizer in the first half. There is no point where one can be sure about this one character though. She is not really a static character, but still not someone whos progress can be easily traced. There are events happening all around, indicating the presence of some supernatural force and a mystery that surrounds the protagonist. Most of it just seem to happen just for the sake of frightening, until most of the twists and further explanations are done in the second half of the movie. It brings light to what lies inside the shadows of a world which looks too simple from outside. It brings two worlds and combine them into one; there is one inside the mirror and the other outside; both human, one free and the other imprisoned – but the souls of both might be in their own prison. One of them is not seen and the other is there for everyone to see. A reversal of roles is a possibility which is attempted soon enough, what lies beneath the depths of the hearts of two women and one man is difficult to know.

The whole story revolves around the three people and the love triangle. While the first half almost made a mess of it with a kind of “romantic horror” or “horror romance” which was neither here nor there, the relations get intense and further explained in the second half. It suddenly surprises and even shocks the viewer out of nowhere, at a moment when it seemed to be running out of everything. It starts climbing from there, towards a good, justified climax and a fine finish. That wouldn’t make the first half bad though, as it never really failed in a collateral manner even in the beginning stages as some might have thought it to be. There are shades of what might happen in the second half right from the beginning itself. The essence of mystery never leaves the little world of this movie. It leaves some scratches for the audience to be in the hunt for the mystery. The creepy house and the strange surroundings are supported by a bath tub, bathroom sink and the shower acting in a supernatural way.

The most exciting question of the movie would be if there is a murder which would justify the title? The second movie had lots of bloody murders, but this one is more of a psychological murder. There is the murder of faith and trust, and there is the possiblity of one or two murders which might have happened in the end – that is an ambiguity, an ending which could be interpreted in more than one way. It might be an end with the death of two, death of one and the imprisonment of the other, or with nothing too bad happening in the mansion. Love continues to be a matter of life, death, horror, mental disorder and everything else, and its role is above the supernatural yet again. It might reach even bigger heights of the mind in a possible Murder 4. What we see in the movie is that redemption is attained by the ones who has taken them out of the attention of fake, carnal love. The rest are left to feel the heat. Well, there is beauty to the heat, and gorgeousness to the horror – not one, but two; for there is no way to deny that.

Sara Loren and Aditi Rao Hydari has made this one more of a movie centred on two women, almost entirely different, but still has their lives centred on one man. The former keeps the first half running with her stunning looks while the latter runs the second half. The female characters run from sympathy to seduction and possessiveness to torment, a journey which is independent from one another, but not entirely separated in the sequence of events. Both of them begin as simple victims to an infatuation which drives them to one man and the creepy mansion. It is only a matter time before the love-birds would be no less than the vultures of selfishness. As it continues to bring more and more questions into the heads of the viewers, the more successful it becomes. But still, there are the missing parts, for the movie has its own low points where its horror becomes kind of laughable. But that is something worth forgiving for the total effect, especially for the minutes towards the end of the movie.

Thinking about the most talked-about side of the movie, this is not exactly the erotic thriller. There is sensousness and the scarcity in the department of clothing could be taken into account. But this actually takes the elements of relationships and mental status to the new heights instead of the physical relationships. This time, it gets closer to the emotions even if the skinshow never loses its role in the movie. The philosophy might be mostly hidden, but the absence of a true villain or a true hero is the evidence of the fact that this is more open to the discussions than ever, unlike the previous two movies of the series. That adds to the absence of Emraan Hashmi as a new thing to the series. In simple words, what Murder 3 has done is that it has provided some proof that there is hope around here for the horror genre even without ghosts and serial killers; there is future in many forms, and this future is more than just stunning.

Release date: 15th February 2013
Running time: 120 minutes
Directed by: Vishesh Bhatt
Starring: Randeep Hooda, Aditi Rao Hydari, Sara Loren, Rajesh Shringarpure, Shekhar Shukla

murder3 copy

@ Cemetery Watch
✠The Vampire Bat.