Chhorii

Vampire Owl: More of interesting horror to be unleashed?

Vampire Bat: Yes, Dybbuk was a remake from our world, and this one is remade from another language and industry.

Vampire Owl: Some good original horror is always in need.

Vampire Bat: Horror can be original only in a limited way, as it is universal.

Vampire Owl: Unless we become the one true horror.

Vampire Bat: We are never truly into horror.

Vampire Owl: So, we are not into our true nature.

Vampire Bat: The normal terrifying vampire has already been abolished.

Vampire Owl: You mean that there is no normal anymore.

Vampire Bat: Normal is not real as of now, not in our realm.

[Gets some French fries and three cups of white tea].

What is the movie about? :: A pregnant woman is chased in a sugarcane field by unknown forces, and with nowhere to go, they force her to cut their womb. Later, in a city, Sakshi (Nushrratt Bharuccha) is pregnant, and works in an NGO, and lives with her husband Hemant (Saurabh Goyal), who is in trouble for not returning a loan in time, with his business failing. His partner had also disappeared with the money. He feels that he is being stalked by people who needs the money back. She is happy with her work and regarding life in the city, but things don’t get any better with the cash which was borrowed. As people start threatening them, with Hemant even getting beaten at times, this makes the city no longer a safe choice for living. They are given twenty four hours to return the money, and make the decision to leave for their driver’s village which is located in a very remote area, and has a good number of sugarcane fields. Three hundred kilometres away, and a lot distant from civilizations, there are only five houses in the village.

So, what happens with the events to follow? :: It seems that almost nobody comes there, even by mistake. They have to walk a long way through the sugarcane fields, and after almost losing the way multiple times, reach the area which has no network coverage and almost no shop. There, they meet Bhanno Devi (Mita Vashisht), the driver’s wife, a very orthodox woman who seems to be a person completely belonging to that particular village in more than one way. Hemant leaves the place soon enough, to find a solution to their financial problems, and the two women share a bond with each other. What Sakshi doesn’t understand is that there is more than what meets the eye with the people there, as much as the supernatural. Therefore, the fight will be against the dead, the undead and the living to save her world. But is it possible for her to face such terror in a weakened state? Do they have further secrets which needs to be unveiled for her life to be saved from what seems to be doom in waiting?

The defence of Chhorii :: Chhorii adds to the list of horror movies which are part of a human infested, virus infected world, which is not less terrifying than any film which one will get to see. The atmosphere here is really good, and it is really shot here to create the perfect situation for horror. It looks scary enough during the day time, and in darkness, it is something more. Being at the middle of nowhere, with no place to go, is terrifying enough, and there is more here to add to the same. It is certainly a scarier world than the lifeless modernity or a haunted house, with or without the presence of the supernatural. The presence of the children here adds to that eerie feeling more, for we are never hopeless about the terror of some demon kids. The background story which serves as the flashback gets things to be really interesting. The film also has a social message which runs through the background and comes strong in the final moments of the film.

The claw of flaw :: The movie can feel somewhat stretched for one’s liking, as it does feel long with much of time being consumed without a lot happening. With a shorter length, this could have been much more effective, adding a certain amount of crispiness here and there. The language spoken by the villagers can also be difficult to understand, leaving us to look out for the subtitles at regular intervals. The tale could have also been more straight-forward, without leaving the mysterious elements behind. The message also arrives late, and if it had released much earlier, the effect could have been more. The stereotyping and the predictable elements are also allowed to run strong around here. The scary elements could have been more, using the atmosphere to more of an advantage – there were so many moments which could have used better scares, and combined them with the atmosphere. The present world asks for a lot more horror than the pre-Corona world, as people have changed a little too much for everyone’s liking.

The performers of the soul :: The movie is very much centered and focused on Nushrratt Bharuccha. She is very much comfortable in playing the pregnant city woman who ends up in a village, all alone. She deals with the horror genre really well, and it would be nice to see her in a similar role with city horror at some later point. As this film is a remake of a Marathi horror film which released a few years, there would be comparisons, also related to the performances – only those who watched the original can comment further on the same. We know that Mita Vasisht from different movies in the past, and this one is no exception for her, as she runs through the whole thing without holding back. Pallavi Ajay, even though silent throughout the film, makes a strong presence. Yaaneea Bharadwaj plays the one ghost whom we would like for most of the time, and there seems to be a lot of work being put in there. Rajesh Jais plays the man with a mystery to him very well. Saurabh Goyal also does more than what his character seemed to be up to, in the beginning.

How it finishes :: At a time when life is full of horror, especially with humans mostly choosing the evil paths, the requirement for horror films never ends. The one movie that we remember while watching this is the English film, In the Tall Grass, with the environment, and also about an Indonesian film, Impetigore. This movie is also a reminder of humanity’s evil side, and it tells us that humans are always more evil than ghosts, going after their selfish needs all the time. There is so much of evil being repeated in our world, and the movie, even though focuses on the crimes on women, one has to say that the Corona virus infected world has seen too much of the same being done on different unsuspecting people. The film enters the world which has lost its humanity, and repeats its own favourite mistakes – the basic idea that human beings cannot be trusted, will only find a repetition here, as ghosts do have more quality than those who walk on Earth claiming as the superior living species.

Release date: 26th November 2021 (Amazon Prime Video)
Running time: 129 minutes
Directed by: Vishal Furia
Starring: Nushrratt Bharuccha, Mita Vashisht, Pallavi Ajay, Yaaneea Bharadwaj, Rajesh Jais, Saurabh Goyal

<— Click here to go to the previous film review.

<— Click here to go to the previous horror film review.

<— Click here to go to the previous popular film review.

@ Cemetery Watch
✠ The Vampire Bat.

Freaks

Vampire Owl: It has been very long since we had a German film to watch.

Vampire Bat: You could have always watched German movies at will.

Vampire Owl: Well, we should watch them together as part of vampire brotherhood only.

Vampire Bat: You know that I am not always available.

Vampire Owl: Still, you are here now and ready for films.

Vampire Bat: I have been available only as part of my requirement to sign into Dracula Castle.

Vampire Owl: You only need to be here as much as you can. We can always find some worthy vampire horror time.

Vampire Bat: You can still watch as many movies as you want at the castle with the Vampire Crocodile or the Vampire Alligator.

Vampire Owl: You know that they watch films underwater.

Vampire Bat: Well, you asked them to watch a movie with you on the top of a mango tree.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: The movie begins with a quick flashback showing a destroyed area of a school, a crying child and blood as well as a destroyed building which seems like a school. The child is really upset, and we are quickly taken to the present where the rest of the action takes place. Now, Wendy Schulze (Cornelia Groschel) has grown up, and is living with her husband and son, while working at a diner. She seems to have some psychological effect of that incident as a child, and she is taking some pills which were prescribed by her psychiatrist, but mostly, everything seems quite normal. One day, she meets a homeless man named Marek (Wotan Wilke Mohring), and that brings a deviation to her life. His advice to her is to stop taking those pills which are prescribed to her, and he also reminds her that she is one of them, even though Wendy has no idea what is happening – she is quite shocked to see him jumping off a highway bridge only to be run over, but he is the same on the very next day, alive and seemingly even stronger.

So, what happens with the events here as we just keep looking? :: Wendy does feel that there is something fishy about everything that has been happening around her, and decides to stop taking the pills, as he had advised. When she is attacked after leaving her shift, she discovers that she has some special powers, and uses them to get rid of the attackers with ease. Her colleague Elmar Mund (Tim Oliver Schultz) notices some of her skills, and as he also has similar powers, they have to work together to find the secret behind these superpowers – it seems that the government has been watching them, and there is more to it than what meets the eye. There could be a vast conspiracy behind all of these, and getting to the bottom of it would require more than one or two superpowers. Is Wendy good enough to live up to the new powerful lady reputation that she has gained, or will some sinister forces have the upper hand? What role does the other people with superpowers have to play, and why is the government so much interested in this?

The defence of Freaks :: Freaks acts as an origin story for a superhero franchise, like Gundala did in Indonesian, and it seems that there is a lot of scope in that. This movie does build up very nicely with that, and the first few moments are really good at doing the same. The music is really good here, and there is something beautiful about the same too. It could really support the superhero stuff when its at full strength with a sequel. The setting is also good, and very much suitable for the superhero stuff here, and there are some beautiful shots too support the same too. There is also some fine humour being added here, and this feels like something nicely managed with less special effects and graphics. New superhero movies are always welcome, and this one has an ending which calls for some more films to follow in a possible long franchise. The world has always been in need of its superheroes, and you even got Shazam! earlier and accepted the same.

The claws of flaw :: Freaks could have actually been more divergent, and there could have been the idea of bringing more variety to the superheroes. You do feel that you have seen this before, as you are aware of so many superheroes. There are similarities to Split and Glass which we can easily recollect, as superhero powers are suppressed, and the existence of such heroes are also not brought to light. There could have been some innovation in that, as going by the usual path seemed rather unnecessary. A few things are also too direct with this one, and even for an origins story, there is a certain amount of predictability being drawn here. The few moments before the climax are not that effective either, and one does wonder if this could have been better there. Some other superpowers could have also been unleashed here, along with more action. When so many of similar films have already been done, this one should have come up with the divergent ingredient, for it was also immensely possible – you learn from what you already have.

Performers of the soul :: Cornelia Groschel leads the way in the movie, as she does in the poster, and that is done really well. She is very good from the beginning, and her transformation is also worth it. She would make a fine superhero in a costume, and can come up with some fights if there is a sequel for this one – Freaks didn’t have that much of action to boast about. She could have surely used some of it though. At the same time, Tim Oliver Schultz does make a fine villain in the making, and if there is a sequel, that could serve his character really well, as changes to the same possible supervillain can be seen from a distance too. Wotan Wilke Mohring does some solid work as the experienced superhero, or metahuman as often referred to. Nina Kunzendorf plays the usual human antagonist going against humans with ease, and there are moments for her to be remembered too. The rest are lesser characters, even though we know that some of them are going to be very much relevant for a sequel, if there is one.

How it finishes :: It hasn’t been easy to find the best German movies, unlike the case with Spanish, French and Korean which were recommended by so many people. Movies of the Soul has had only three German movie reviews before this, the full-length Kidnapping Stella and Breakdown Forest, as well as the short film named AUFDRUCK. Freaks is a fine addition to that list, and is very much fun to watch. You don’t always need your Avengers and Justice League teams, for you can stick to the lesser ones which are also interesting enough. We have had our mutants, the X-Men who were too good. We can surely have more, and even though those from Bollywood have kept disappointing us, the others won’t. Freaks will serve as an example of the same. We could have superhero movies in all languages, for so much of budget is often not necessary – with Tovino Thomas starrer Minnal Murali also coming to Netflix, the Malayalam movie industry will not be that far away from the genre either.

Release date: 2nd September 2020
Running time: 92 minutes
Directed by: Felix Binder
Starring: Cornelia Groschel, Tim Oliver Schultz, Nina Kunzendor, Gisa Flake, Wotan Wilke Mohring, Frederic Linkemann, Finnlay Berger, Thelma Buabeng, Ralph Herforth

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Lucy

lucy (2)

Vampire Owl :: Cruel people here. How can they delay a Scarlett Johansson movie so much?

Vampire Bat :: May be the Indian censor board was busy. They have been concentrating on chopping things off from Finding Fanny. Even the dialogue that one is a virgin is to be cut off.

Vampire Owl :: So they were having a tough time with Lucy? But it is still given that “A” certificate.

Vampire Bat :: The censor board is making sure that we end up watching adult movies which have children’s content, so that we realize that we have grown up so much.

Vampire Owl :: But people will still think that we watch only adult movies.

Vampire Bat :: I would think that even Home Alone and Baby’s Day Out will be rated “A” if released these days.

Vampire Owl :: They are violent movies. The poor adult robbers and kidnappers are mistreated by kids. It sets a bad example for the new generation. They will not just give an “A”, they will just ban them.

Vampire Bat :: There is a conservative world coming up. I thought they would have at least found “being virgin” as a good thing.

Vampire Owl :: This is why I drop ice buckets at people.

Vampire Bat :: Can we just proceed for that adult movie?

[Goes to the ticket counter].

What is it about? :: Lucy (Scarlett Johansson) is studying and enjoying her life in Chinese Taipei, but she is tricked into working as a drug smuggler by her new boyfriend. But she is captured and a bag of drugs is put in her her abdomen so that she can carry them back home for the drug mafia. But while in captivity, a lot of drugs are released into her system as she is kicked again and again by her captors. As a result, she has improved mental abilities including mind reading, brain control, telepathy, telekinesis and many others, but the indirect result of the same being a possible death in hours. She gets the bag removed from inside her, and contacts the expert Professor Norman (Morgan Freeman) to know what is there for herself and the future of mankind. As time passes, she gets more and more powerful, and easily go through the drug mafia and gets their drug carriers captured. The mafia as well as the police are too weak in front of her, and the question remains for whom she is going to be beneficial and to whom she will turn out to be catastrophic.

The defence of Lucy :: Along with Scarlett Johansson’s wonderful performance as the protagonist, the movie can boast about taking that idea which is more of a myth and developing into something big. It has nice special effects and good, controlled action sequences which are taking in a more stylish manner – the whole thing is visually very good, and one has to admit that if the willing suspension of disbelief is rightly implemented and considered as a whole, there is not just a lot of fun, but there is also something for the intellect as it does keep the audience thinking within its own universe. It is difficult not to like Lucy, and no matter how hard you try, that option just isn’t there, unless you are short of the capacity to understand and follow – now that will make you not so human, right? There will always be people who fails to understand, and it is mostly with the bloody audience coming in groups and talking rubbish throughout the movie. It is surprising that they would go on to talk through the slide which tells them not to talk and disturb the movie experience for others.

The claws of flaw :: There is no huge action sequence which has our heroine transforming into the Black Widow and go Avenger on everyone. Except for some gunshots between the mafia and the police, the rest of the action remains of the mind. The movie’s idea of the ten percent of the human brain being used is rather weak in the circumstances, as without it and the supporting clips, the movie could have gone on losing nothing in the process. It is also too short, lasting almost one and half hours and nothing more than that unless you include the advertisements (look out for the awesome Dracula Untold trailer that comes before this if it does). There could have been more time taken here for the finish, and the possibilites of such immense mind power should have been further explored – but this one chooses to be short, but due to the same, drags nowhere. The violence is there, not much, but can be considered unnecessary by a few. The movie also needs the viewers who can use some part of brain when needed, and even in the multiplexes, it is difficult to find such people – they all want mindless action making no sense, right?

Performers of the soul :: Lucy is pure Scarlett Johansson show of the highest quality in a character which brings no challenge to her, and due to the same, she seems to blend effortlessly into that character which reminds the viewer of two others, Carrie White and Jean Grey who possessed similar powers. But Lucy is different because her powers are not part of her, and is causing her own destruction – Scarlett Johansson scores there, as you see her transformation from the victim to the all-powerful entity and also with those emotional elements. Known more for being the gorgeous one and among the sexier women alive, she comes up with an all-round performance here along with looking good. There was Natasha Romanoff a.k.a Black Widow, but this one is all-round all powerful. Morgan Freeman also comes in with an avatar that we can easily identify him with – a man of great knowledge and wisdom, who can be a guide as well as the one who deals with the explanations nicely. Choi Min-sik as Mr. Jang is a nice villain, and Amr Waked is good.

Soul exploration :: Scarlett Johansson needs a movie on Black Widow, and it is crystal clear that she can handle it, as she proves the same with Lucy. Yes, the movie is highly dependant on her, and what Angelina Jolie did for Maleficent, she is doing here. She takes full control of things, and one has to admit that this is a lot better than what Jolie came up with in that twisted fairy tale there. With the only other well known actor being Morgan Freeman, the movie was totally dependant on our superstar lady. It reminds us of Transcendence with its idea about that all powerful person who turns into something beyond human comprehension, and Morgan Freeman was the scientist Joseph Tagger there too. Then the movie is also a bit Carrie, with the central character, the lady getting immense mental capabilities beyond anyone’s comprehension. But this one is a lot faster and smarter than the former, and also quicker and with more happenings than the latter. Our heroine is also Jean Grey, but not being the mutant who is blessed wth powers.

How it finishes :: Lucy comes late to India, but it was never as much a much awaited movie as Teenage Mutant Ninja Turtles which might release on this Friday here, but knowing what delayed Hercules, we can’t be sure yet. Lucy has a much silent sojourn here as not many people knows that it is present in the theatres with less number of shows. It should still enjoy limited success, as it doesn’t go on the Transcendence path and bore us beyond the limits of all kinds of boredom, and at the same time, it has Scarlett Johansson. It is still caught in a competition with The Expendables 3, and the shadows of Guardians of the Galaxy and Hercules, as it runs through the course. For those who wishes to watch a nice Hollywood movie which has its own identity, and even in its comparisons with many other movies, could stay different, there is always Lucy. There was always Carrie, and now there is Lucy, coming up with some improved mental capabilities, being another version of that mutated Jean Grey without the X-Men or any superpowered creature around.

Release date: 22nd August 2014 (India); 25th July 2014 (US)
Running time: 89 minutes
Directed by: Luc Besson
Starring: Scarlett Johansson, Morgan Freeman, Amr Waked, Choi Min-sik, Julian Rhind-Tutt, Pilou Asbæk, Analeigh Tipton, Nicolas Phongpheth

lucy

@ Cemetery Watch
✠ The Vampire Bat.