Tag Archives: terror

A Woman Called Mother

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Vampire Owl: Why is this particular woman only called a mother?

Vampire Bat: Maybe it is a name in another language which means mother in another.

Vampire Owl: Or calling a mother not a mother is usual among some humans.

Vampire Bat: And yet it is a horror movie with a mother.

Vampire Owl: There was that movie called Mama with such a theme, right?

Vampire Bat: Yes, but I would not find any relation between the two.

Vampire Owl: The human worlds are never really related to one another.

Vampire Bat: It is a good reason to hate one another for the humans.

Vampire Owl: Is hate another word for humanity?

Vampire Bat: Human hatred is infinite and eternal, like Uncle Dracula’s curse and Frankenstein’s madness.

[Gets a Munnar white chocolate and three cups of Vagamon tea].

What is the movie about? :: Yanti (Artika Sari Devi) goes through a severe psychological breakdown after her husband leaves her and their children and files a divorce. She becomes desperate to claim her independence and provide for her family which is now financially broken. She moves to a new area with her two children, her teenage daughter Vira (Aurora Ribero) and her younger son Dino (Ali Fikry) to a rural town where she plans to open a stylish and advanced new hair salon. Her two children are not confident about the same, as this shop is opened right beside their home which is far away from the roads and town area, seemingly in the middle of nowhere. It is indeed a peaceful place for a home, but not the right place for a salon as Vira keeps asserting. Yanti invites different people of the town to the salon, and her children do notice a certain amount of seductive nature in that invitation. Then all of a sudden, the move seems like a blessing, as people seem to come in big numbers to her new venture.

So, what happens with the events here as we just keep looking? :: The success of the salon brings them a lot of wealth, which interests them, but Vira has not been feeling well at the place which feels as strange as what has been happening with her mother’s business adventure. She sees some shift in the mother’s behaviour and she seems to be doing something strange in the bathroom, lying in the bathtub. Then, she also sees someone else, a shadowy figure with her mother, mostly reflected in the mirror. Yanti is also seen drinking a lot of milk for no reason, while a certain cruelty and brutality when preparing meat can also be seen from her side. Dino had also felt something while trying to explore an abandoned house nearby with overgrown vegetation as part of her attempt to take a video for the social media. Unlike Vira, he feels that it is safe inside the house until he sees his mother both inside the house and outside on the streets at night. But as their room is not bathroom-attached, they might need to walk around at night. Now, what might be the problem with the mother and how can this terrifying situation be solved?

The defence of A Woman Called Mother a.k.a. Dia Bukan Ibu :: The movie places the characters nicely inside the house and the salon making them ready for all the horror which is to come, with the rest of the world only adding less to the scares in comparison. As the mother’s evil presence grows to be more menacing, the danger is even more felt in a world of terror. The focus here is not only on the fear of the supernatural which is ready to unleash itself on the family, the real-world tragedy of a broken home, financial devastation and the immense burden placed on single parents. With the trauma already there much earlier, we see the horror as the extra addition to what is already there. The final moments nicely show the unleashing of pure evil, but we already see the signs of the same in a bathtub and the actions of the mother with shadows and darkness nicely complementing all of these without hesitation. The imagery of horror that we have here catches our attention, and being a fine atmospheric horror is the movie’s advantage.

The claws of flaw :: The movie drags quite a lot as we look at it – there is the time taken to get into horror action, and even after that there is some drag. The middle part drags significantly as the story takes so much time revealing what is actually going on – this would test the patience of viewers looking for clues early itself. The idea in the movie is also not new, and it is not extended that much to provide a new divergent feeling. The movie’s best moments also fall apart after starting very strong. A number of characters of the movie that fails to go relevant also goes through a struggle. The blood and gore might upset some people as it is rather evenly distributed around here, and focused on animals, which can also be found not good for a number of viewers. The supernatural is also not that much explained here. We keep feeling that there is more to this, and enough has not provided around here related to the world of terror. Then we remember that there were many repetitions, and still there was not enough provided here to make the narrative’s movement through the inner evil smoother.

The performers of the soul :: Artika Sari Devi’s performance as Yanti remains something to be appreciated. There is more than one side of the character that she displays around here. She shows the shift from a broken, grieving mother to a feral, unpredictable and possessed monster of pure evil incredibly well. Her work brings the scares and makes the whole thing deeply terrifying to watch with the help of some mysterious gestures and expressions. The bathtub scene and the last moments with her coming in a bloody dress would be two moments which would be remembered as classic additions to an otherwise dark movie which depends on quick scares. Aurora Ribero comes up with a performance to remember as the young woman who does a fine job in understanding that there is something wrong with her mother, and she plays a character with confidence and determination which has us rooting for her. We would feel that she would make a great scream queen in horror movies someday. Ali Fikry has his moments, and the brother-sister moments add well to the side of drama.

How it finishes :: If you are looking for a a highly unsettling piece of psychological domestic horror, this might be the one, even though it is never near perfection in any way. There are so many moments which could have been better, and it is only safe to say that there were so many occasions which could have been dealt in a better way. There are indeed those moments when it falters under its own weight with the repetitions. Furthermore, it treads incredibly familiar territory for anyone already well-versed in Indonesian occult cinema. The movie had made some good impact in the Indonesian Film Festival too, and deserves a watch for its divergence from the usual. Indonesian movies have had some fine horror added here and there which have kept us wondering why more industries could not follow this particular path. It is the one reason why this movie came to the movies to be watched list early. Its availability in JioHotstar was another reason, and this one does not disappoint the audience who loves to have some variety in horror.

Release date: September 25, 2025
Running time: 119 minutes
Directed by: Randolph Zaini
Starring: Artika Sari Devi, Aurora Ribero, Ali Fikry, Fara Shakila, Khiva Iskak, Sita Nursanti, Dian Sidik, Husein Al Athas

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@ Cemetery Watch
✠ The Vampire Bat.

Psycho Killer

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Vampire Owl: So, they have finally used the exact title for a smart killer.

Vampire Bat: Being psychotic is not a new thing for humans.

Vampire Owl: If this movie was in the vampire world, it would be psychic not psychotic.

Vampire Bat: Our world has its own dose of psychic vampires.

Vampire Owl: Doctor Sleep, I think, was inspired by them visiting the human world.

Vampire Bat: Vampires visiting human world have more similarities to Byzantium.

Vampire Owl: Yet, the human world remains too close to cruelty as their reality.

Vampire Bat: Brutality is the first step to becoming a human. It has always been so.

Vampire Owl: Whenever the word psycho is used in relation to any species, it points to humanity.

Vampire Bat: Uncle Dracula tried long reasoning with them and banned them within minutes.

[Gets a savala vada and three cups of Ooty tea].

What is the movie about? :: Satanic Slasher (James Preston Rogers) has been terrorizing multiple districts of USA for quite some time, murdering people who seemed to be random victims as he never really chose one place at a time. The scenes of murder were identified as places of unparalleled terror where even police officers fear to go. He had received the name from the media and public due to the occult symbols he had left behind at the crime scenes and his brutality seemingly reflecting the hell which he had written about at the areas where the murders took place – Satan worship was the only common thing. Jane Archer (Georgina Campbell) is a highway patrol officer who finds her husband, a police officer, being murdered by Slasher as his identity was almost discovered by the man. She becomes obsessed with finding and bringing the man to justice if she cannot kill him, and with memories of her husband and expecting their first child, she decides to go on a hunt much to the dismay of her relatives and the co-workers who understand that they cannot stop her, whatever they say or do.

So, what happens with the events here as we just keep looking? :: She feels that Slasher could be a murderous Satanic preacher who held his own people hostage and then killed them in a famous case of mass murder, but is someone who was supposed to have died some time ago. The other option is that someone who is a big fan might have taken over the identity, especially someone who is interested in Satan worship and hopes to go full evil as a demon of destruction to please the devil, the signs clearly being there in the death scenes. She also finds out that Slasher murdered a female pharmacist in a small town around and had raided the pharmacy for a number of antidepressants and other drugs. Despite her getting no support from the FBI which had taken over the case from the police, one of the officers Becky Collins (Grace Dove) provides her the route of his attacks and the fact that he had never taken the drugs to sell them, and could have only used them for himself. She also adds that he had also attacked a librarian and some books were also reported stolen from the local library.

And what more is to happen here as a demonic serial killer is on the hunt? :: Slasher also kills a couple facing a car breakdown whom he finds on the way, and gets into a church and kills the parish priest there after asking for a confession, and drinks his blood. But he is not satisfied as he keeps looking for answers. As Jane finds him staying in a motel and tries to restrain him all by herself as FBI provides no support, he attacks her and beats her up before throwing her out of the room, knocking her out before fleeing. Slasher decides to speed things up and goes to a mansion owned by a Satanist cult which is run by a strange man, as they replied to a secret Satanic advertisement with codes which was given by him after committing a murder. Slasher uses them to find a man whom he has been looking for, and despite them accepting him as one of theirs, he finds their ways hedonistic as the Satanic members go on naked sexual acts pairing up random men against women for unleashing their carnal desires in the name liberation and liberalism against all limits of morality. He decides to do something that he feels will open the gates to hell. But can he do that all by himself? How many more will die in the process?

The defence of Psycho Killer :: Georgina Campbell as Jane Archer comes up with a brilliant performance, as we feel the determination related her, and how well she does a woman on vengeance as much on duty and mourning. James Preston Rogers as the slasher is a strong presence, and never losses the power of the psycho killer on a mission. The grim, bloody and dark atmosphere of the movie works really well as the visuals suit the serial killer mode as much as the demonic level nicely. The brutal murder of the hedonists in the Satanic mansion might be one of the best moments in the movie as it has a certain amount of poetic beauty to it. The next classic moments come by the end of it, as the attempt to open the gates of hell got a terrifying vibe to it, with hidden implications, even though not a real intervention of supernatural in store. The evil here can be really felt as there is the Satanist and anti-God vibe to it; the depiction of the same is exactly as we have seen in the movies and news here too – the need to do evil is rather too strong here.

Positives and negatives :: The final moments provide that fine twist related to the idea of hell, and it is indeed a smart move but people will still feel that this is a deviation from the serial killer mode which was to go on a full psychotic murder spree from the shadows. There could have also been more action in the final moments and a supernatural twist would have also done more. The Satanic cult tropes, bloody aesthetics and the atmosphere for fear still stays well here. Malcolm McDowell’s role is also worth noting as Satanic leader, but one feels that he could have been there for more. The same is the case of Grace Dove and Logan Miller who leaves rather too early. Then, the Computer Generated Imagery show some struggle at times too. The blood and gore, despite never over done for a slasher movie, might not be comfortable for everyone. Its release also went unnoticed, as we look when it really came out for the viewers. If it was not for its entry into JioHotstar, I would have never known about it either.

How it finishes :: The movie maintains the aesthetic of horror as a psycho killer going the Satanist way provides the extra, but one also feels that the final product does not go to the psychological thriller mode which was also there for the taking. This is still a classic finish with some moments to remember in between, as we see a kind of slasher with nostalgia which brings something to stay with its divergence which is not from the basic elements, but to bring something new. The movie surely had so much scope as a slasher which could make it big here, as the idea would feel still relevant in this world rather than where it really released. For all the die-hard slasher fans of 1990s thriller aesthetics, it will always remain the right watch for us. When most of us remember that we were all fans of Evil Dead, I Know What You Did Last Summer, Scream and other franchises from quite some time ago, this one should begin another franchise – the ending happens in such a way that there is scope for sequel. A slasher fan would find it better not to read too much of those negative reviews and go for a sequel if it finally gets released.

Release date: 20th February 2026
Running time: 91 minutes
Directed by: Gavin Polone
Starring: Georgina Campbell, James Preston Rogers, Malcolm McDowell, Logan Miller, Grace Dove

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@ Cemetery Watch
✠ The Vampire Bat.

Pumpkinhead

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Vampire Owl: I would accept this one as part of the vampire team.

Vampire Bat: There can never be a pumpkinhead vampire.

Vampire Owl: Dr. Frankenstein had once created a creature out of a pumpkin.

Vampire Bat: Mr. Frankenstein can create only be a creature and can create none.

Vampire Owl: Frankenstein can only be a creature of supreme intelligence.

Vampire Bat: Do not transform him into an alien now.

Vampire Owl: He is not of this realm, and therefore he is an alien, the smartest among them.

Vampire Bat: He is not worthy enough for any designation.

Vampire Owl: You are talking about the greatest scientist of twelve realms.

Vampire Bat: He is the one pseudo-scientist that I would avoid.

[Gets a masala bonda and three cups of kadak tea].

What is the movie about? :: A thirteen-year-old boy named Sam (Bean Reid) who was forced to leave his friends and relocate from New York City to a small village with a seemingly perfect and peaceful farming community called Redhaven with his family. The story of the village points to Palmer (Kevin McNulty), who is known as a generous, friendly old farmer who is the descendant of those agriculturists who saved the town by creating agricultural success out of nowhere at a time when everything was failing in the land and crops were dying. The people of the village have been spreading the word that it was achieved through hard work and advanced farming techniques and the villagers celebrate the same through a harvest festival. During this festival, Redhaven’s unmatched prosperity in compared to the area around them continues to be celebrated as the award-winning crops which are sold in bulk and at high prices throughout the neighbouring villages are remembered in Palmer’s lands. But Palmer keeps people away from his farmhouse, which he keeps away from the village folk, but everyone surrounds the area around the farm where he has kept the celebrations alive.

So, what happens with the events here as we just keep looking? :: Angry about his move to the strange place which seems to have nothing for him, and chased away from the farmhouse by Palmer while looking at a strange pumpkin, Sam decides to steal a massive pumpkin from the farmer’s restricted area just to make the man feel bad about it. The police begin to start searching about the same as a case was registered, and the farmer who was held at high regard by the village gets all the condolences. Sam’s elder brother Finn (Seth Isaac Johnson) finds out about the same, and with hope for the best about the family’s relationship with the village where they have to spend rest of their lives decides to return in back at that night itself, even though Sam remains unhappy about the people of the village and its lack of facilities compared to every place he had stayed before. But Finn who reaches the farmhouse is attacked by some unknown force, and some vines which capture him, take him right into the sand.

And what more is to follow here as things seem to show tendency to get further complicated? :: The next morning, as he cannot find his elder brother anywhere, Sam keeps searching for Finn, but is not able to find him. As he keeps searching for him, he remembers that he was going to Palmer’s house to return the pumpkin, and with his only friend from the area which he had just found, Becka (Adeline Lo), he goes on searching, only to be thrown out of the farmhouse by Palmer. As he tells his mother Cassie (Kendra Anderson) about his elder brother going missing, but he discovers that she does not remember Finn and according to her, such a person never really existed in their memory even as an acquaintance. He brings photos of them together, but she does not see her elder son and asserts than Sam is her only child and they came to the village as a group of two in their car. Becka tells him that children have gone missing from the village before, and none of the adults seem to remember them. She tells him not to waste time with adults of the village anymore, and only an outcast named Rusty (Matty Finochio) might be able to save them. At the same time, the scarecrow in the field seems to look at them. Can they find the secret behind the missing children soon enough or will more of them go missing?

The defence of R L Stine’s Pumpkinhead :: The movie’s biggest point is the scarecrow monster itself, which brings effective scares. The creature’s unnatural and unsettling movements create genuinely unsettling visual scares, and rises a long way above CGI using an actor. The idea of children being erased from the memory and even proof of their existence disappearing makes a scary point here further away from the usual horror. Despite the scares, this one remains a horror which stays within its borders, making it watchable for everyone, and still does enough justice to the genre. The presence of ancient evil makes sure that a high level of danger is always there to unleash chaos into unsuspecting people. The kids do a great job, and the pairing of the leading children works effectively, and the final villain reveal also blends in well. The visuals are nothing less than stunning, as the autumn imagery and the small-town harvest festivals with pumpkins, all with that orange shades provide a stunning look here, and in this case, even the night view has a certain charm as much as the horror that stays. The climax twist feels classic and should inspire a sequel.

The claws of flaw :: This is that kind of a movie which we had not heard about until it was released on Amazon Prime Video, and when something goes unnoticed by the horror enthusiasts, that feels strange. Some of the acting in the beginning does feel like a struggle, especially with the first few moments never really bringing much of an interest. The weak beginning might decrease the number of people who watch movie to its more interesting parts. The main character if written better, would have helped the process in those early stages, and the protagonist being a little more likeable would have surely served the purpose better. The people who look for strong and extremely terrifying moments will be disappointed, as the movie never really goes for something huge. One would also feel if something other than the scarecrow and some vines within a farmhouse could have been added to extend the strength of horror, as the idea of an ancient evil rooted on Earth and nature would have endless possibilities. The supporting characters are not given enough according to the situation either, and our hope to see the pure evil unleashing itself is lost.

How it finishes :: R L Stine’s Pumpkinhead stays different from other horror movies as a work on screen which can be watched by the whole family, never really taking it to the next level – it can be a good thing of something bad, as it limits the movie, but keeps it accessible to everyone. The scares are still effective enough, and staying within a drawn line of control, it can still call for all kinds of audience. Its power as a highly effective, atmospheric gateway horror movie cannot be questioned at all. It balances the spooky nostalgia of 90s horror with modern style, making it a perfect entry point for younger audiences who are looking for horror entry while remaining entertaining enough also for those usual horror fans. It can also be said that the horror here is not just physical, but psychological as the memory of a loved one disappearing also adds on here. The feeling is more or less like folk-horror as centuries-old ancient horror comes out of nowhere with unsuspecting people playing along with the evil plans. Now we will see what can come in this franchise if there is a sequel – there should be more evil to unleash here.

Release date: 17th October 2025
Running time: 90 minutes
Directed by: Jem Garrard
Starring: Bean Reid, Seth Isaac Johnson, Adeline Lo, Kevin McNulty, Bob Frazer, Matty Finochio, Troy James

<<< Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Drop

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Vampire Owl: I remember that I once dropped bomb in the land of zombies during a lockdown.

Vampire Bat: It was a magical orb; you don’t call it a bomb.

Vampire Owl: In our worlds, the orbs replace the bombs.

Vampire Bat: We are no longer using that magic in our lives.

Vampire Owl: The dark magic has still spread enough in the realm.

Vampire Bat: Such evil has been limited to the lands of the northern witches.

Vampire Owl: Dr. Frankenstein had ended the witches by himself.

Vampire Bat: Mr. Frankenstein won no science vs magic battle.

Vampire Owl: Frankenstein will end all unnecessary magic with the use of science.

Vampire Bat: Now you know why Uncle Dracula banned him.

[Gets a sweet puffs and three cups of Kodaikanal tea].

What is the movie about? :: Violet (Meghann Fahy) had been suffering as she was unable to leave her alcoholic and abusive husband despite her being a therapist herself. But this had changed as the man committed suicide, but she was blamed for it, and people often told the stories about her killing her husband as she was unable to suffer his atrocities anymore, as even the neighbours could not stand the man. On an eventful day, after finishing daily work, she is startled by a metre reading man knocking on her window and she had guided him to the back of her home. Later, Violet decides to leave her young son Toby (Jacob Robinson) at home in the care of her younger sister Jen (Violett Beane) and go for her first date after the death of her husband. Jen makes sure that her sister wears the best clothes and manages to find her true love this time and get married to lead a good life. With everything set and with the best wishes of her sister, Violet reaches Palate, a grand restaurant at the top of a skyscraper for a date with a photographer named Henry (Brandon Sklenar), whom she has been messaging through a dating app.

So, what happens with the events here as we just keep looking? :: As Henry is late, she spends some time at the bar and meets Richard (Reed Diiamond), a little elderly man waiting on a blind date, Matt (Jeffery Self), a server on his first day at the restaurant, Cara (Gabrielle Ryan), the friendly bartender, Phil (Ed Weeks), the restaurant’s pianist, and Connor (Travis Nelson), a young man waiting for his sister. Henry reaches, and as they start their date, Violet begins receiving messages on her mobile phone through a short-rage texting system. These messages from this unknown user starts with memes which gradually become more threatening. Henry tells her that it could only be someone seated in their section of the restaurant as the range would only be that much. Despite Violet trying to ignore the drops, the crisis elevates as the unknown person asks her to check her home security cameras. As she checks for the same through camera, she finds Jen being knocked out by a masked man who locks Toby inside a room, and she is warned against telling everyone about it, as the boy would be killed if anyone comes to know about it.

And what more is to follow here as lives seem to be at stake with time running out? :: The messenger tells her that only by careful actions, her son will be saved, and warns her against leaving from the restaurant, as she is to continue her date. When she moves, it seems that the man knows, and as she moves into the toilet, she finds hidden cameras near the wash, and the same was also seen on the side of her table. She pretends to be scared of heights and ask for the table to be moved from their location with the city view to anywhere else. Henry manages to have the same done with the help of the staff, but she is forced to come back as the messenger asks her to return to the same seat or her child would die. They return to the same table, which the staff says was particularly chosen for them through a call, but both of them remember none of it. The messenger further instructs Violet to find a camera in Henry’s bag kept on a side and destroy its SD card. Violet manages to complete the job and finds out that Henry, who works for the city mayor, has photos which would serve as evidence against the man. But this would not be the last thing she will have to do to save her son. How long can she survive like this?

The defence of Drop :: The movie is powered by a fine performance from Meghann Fahy who drops the anchor with a performance that requires some fine skill, as she has to continue fighting against all odds with control over her actions as much as the emotions. Brandon Sklenar also provides some fine support here as he plays the next significant character. These characters are placed in a situation which does not go much about one and half hours, and with such a short run-time, the movie leaves one with no wasted time. There are some nice situations which feels more real than the others. The anxieties about digital life and surveillance feels very much real as we never really move away from the same, no matter how much we feel that this would not happen to us. The suspense and thrills we feel here are more like taken right out of a world that we know. There is also that emotional side related to the life of the main character. Then there is the stunning world of the restaurant with a view and the tension that something big is going to happen any time soon, and the audience are prepared for the same.

The claws of flaw :: When we think deeply about the movie, we can’t help feeling that the villain’s plan depends on the near-impossible, requiring the best of timing and perfect surveillance that stretches the willing suspension of disbelief at times – this happens in such an area where immense possibilities are there, and just going for the same in the usual manner and then trying to hide the evidence would have been the better options however we look at it. The idea that the main character, despite being a person with skills related to the mind decides to stay with her abusive and alcoholic husband who does not have the right state of mind makes us wonder what kind of skills she has in her field of psychology. The flashback which goes there is not that much either, and we never really go that deep into past, and yet there is so much of talk about the same. Then the finish seems to be done in a hurry as the revealing is done and then the chase happens as if they were just put there to end the film as soon as possible.

How it finishes :: Drop takes advantage of the fear of being watched digitally with no idea of who is doing the same; it is indeed one of the scariest feelings that one could have, as this has become an inevitable part of our life in one way or the other. Meghann Fahy carries the same tension while not really out of the character’s long trauma right on her shoulders. Her performance that stands apart makes sure that the emotional stakes feel raw and very much human, even when the technology around her tries to take over. It is to be noted that all of these happens in the restricted space of the top floor of a skyscraper where the restaurant is situated. There, it expertly turns an everyday social setting into a terrifying nightmare, and for the same, it needs the applause, as some of us might think twice about talking to a digital stranger too. It could have still become something more, but it chooses not to, as the terror lies a little too much in the messages and a video cam rather than on the main location in real space, and we should have had a little bit more of the main character’s past and a less quick journey in the final stages. But we have everything that ends well, and we are left with messages, which is very much fine.

Release date: 11th April 2025
Running time: 95 minutes
Directed by: Christopher Landon
Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jeffery Self, Ed Weeks

<<< Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Eesha

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Vampire Owl: Looking for recent horror movies, we have to go into another industry.

Vampire Bat: Well, not all industries have all movies exactly as they project for outside world.

Vampire Owl: I think that the best movies are those which are not known to many people.

Vampire Bat: True. They do not release the best movies in the theatres.

Vampire Owl: Yes, the theatres are for heroes who fly and beat up thousands of people.

Vampire Bat: They do even worse things, and it is strange for our world, not for theirs.

Vampire Owl: Can’t one of these movies become highest grossers instead of that mass masala?

Vampire Bat: Well, mass has the advantage because theatres are for the masses.

Vampire Owl: Yes, strange humans and their love for the mass thing.

Vampire Bat: This is the exact reason why humans are not allowed inside the Dracula Castle. Even the worst of the witches or fully drained zombies would not let them in.

[Gets a Chicken curry puffs and three cups of Wayanad tea].

What is the movie about? :: Kalyan (Thrigun), Naina (Hebah Patel), Vinay (Akhil Raj Uddemari) and Aparna (Siri Hanmanth) are four youngsters who try to find the truth behind supernatural situations and expose fraudulent spiritual leaders who try to extort money out of unsuspecting believers – they find out that the easy targets for spiritual practitioners are those who feel that evil has possessed their own people or homes or maybe even believes that some curse has been unleashed, and death or hell awaits them. As they were childhood best friends, and Vinay and Aparna had managed to get married some time ago, and is expecting a child. But this has not stopped their plans to expose more people who are involved in spiritual practices and they become well-known for the same in the city. But they extend their plans to go for something much bigger, far away from their city, but Aparna is hesitant about it. But with the support of the rest, who are firm believers in rationalism, they set out to investigate the case of Aadidev (Babloo Prithiveeraj), a former neurosurgeon who has turned into a spiritual healer.

So, what happens with the events here as we just keep looking? :: Aadidev has been treating individuals who claims to be afflicted by supernatural forces at an ashram which he found in a remote village in the border between Andhra Pradesh and Odissa. He had left his job as a reputed neurosurgeon who conducted so many surgeries which saved many lives after the death of his wife. The friends find a video of the woman before his death and feels that she was just mentally disturbed and the attempt at exorcism killed her. As they travel to the remote area on the border of two states through a twisted road on the hills, they almost meet with an accident when coming against a motor-bike carrying a family, but the woman who was sitting on the back of the vehicle dies as she falls down the cliff. But the friends remain unaware of the same as they reach their destination. When they reach the ashram, they are attacked by a strange man, but Aadidev saves them. But the friends call all of these to be staged with paid actors and Aadidev faces such strong lack of belief for the first time.

And what more can happen in this world of faith against another one which lacks the same? :: This makes him take the friends to an abandoned house in the middle of nowhere. He tells them that the place is haunted with spirits and after three days of living there, the friends will start believing in life after death. The friends accept it as a challenge, but he tells them that it is no usual place, as there have been so many deaths including murders and suicides right in the building. He also has his disciples write some incantations for protection along with leaving a few religious and spiritual items there. He also asks them not to cross a certain area which would take them out of his protection and the same would be extremely dangerous. They do not really care about the same as they find the spiritual man to be a fraud who uses the faith and belief of the locals to his best advantage – they feel that he had chosen this particular way of life as it seemed as the easier and influential job through which he could earn the most with the least efforts while taking no real risk. Can the friends stay there for three days and come back alive or will they lose all their rationalism and might even be killed by the evil spirits who roam in the area?

The defence of Eesha :: The movie has some very impressive visuals which serves the purpose or horror very well. The darkness, shadows, and the shades give the film an eerie, high-quality visual beauty of horror. The atmosphere is nicely created and some fine settings serve like a special boon here. The background score nicely supports the same. The beginning itself had nicely set the mood here. Babloo Prithviraj’s work is a big bonus here, and we see that even though not on the side of the protagonists, he scores so well that we like him from the beginning even when the heroes talk about him. Hebah Patel as Naina plays the biggest sceptic of the movie really well, and she reminds us of the actions and talks of Gayathrie Shankar playing Meena in the Tamil horror movie called Pechi, but there is no similar twist for this one. Siri Hanmanth as Aparna has her moments, while the male cast seems to be more in support with the two women seemingly deviating into their thoughts well. The dramatic twist which comes in the end remains a strong one, and it is something which make on think, and is not limited to one world.

The claws of flaw :: The movie leaves too many gaps in the tale as it seems to have some trouble about understanding what it really wishes to achieve. There is a certain amount of confusion about the dead person’s spirit coming back as revenge instead of anything else, but then the situation of the four friends explained in the end does not seem to match with the same leading to multiple confusions in the thread that binds all of them. Then the rationalist friends also act a little too strange even when they see things that could make even the most sceptic people believe in all of these, and after exploring so many fraud cases, they cannot seem to feel a difference here, as the act of being brain dead makes it appearance at times, but we knew that this was coming, but they surely manage to solve some of those problems in between, not aggravating the whole situation in any manner. Adding more cases and their comparison with this, as well as revealing the modus operandi of the friends to such situations, would have made the whole thing more interesting; yet we just have them just going through the whole thing with no real plan.

How it finishes :: The movie manages its horror with a difference, and the deviation from the usual can also be seen around. It can be considered a visually striking, technically superior horror film that feels like being pulled down by its own ambitions to make it more twisted than it should have been, especially considering the overall mood going on another path. When the standard paranormal terror strikes with that divergent twist, the narrative struggles to get them together. The concept of a rationalist group facing the consequences of their arrogance is still interesting, but the overlapping of reality, hallucinations and spiritual possession often asks for more, but we are happy with what we get here. One can thank the mood, background scores, and high-quality visuals which brings that creepy experience, as we horror fans get the horror we have always wanted. After all, for a horror movie, it is more about what is one the screen, and what experience we are going to have, with hope for fear more than anything else.

Release date: 25th December 2025
Running time: 127 minutes
Directed by: Srinivas Manne
Starring: Thrigun, Hebah Patel, Akhil Raj Uddemari, Siri Hanmanth, Mime Madhu, Babloo Prithveeraj

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✠ The Vampire Bat.

Predator: Badlands

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Vampire Owl: They used to call vampires by the title predators.

Vampire Bat: Those times are over now, with a specific set of books and movies.

Vampire Owl: You should know that there is always a chance to reclaim that position.

Vampire Bat: As far as I know, predator is not really a position.

Vampire Owl: It could be the side title of a vampire.

Vampire Bat: You know that these predators are aliens, don’t you?

Vampire Owl: Dr. Frankenstein has told us that there is information which shouldn’t be revealed.

Vampire Bat: Mr. Frankenstein, in the form of a fake doctor, tells nothing of relevance.

Vampire Owl: You know that he inspired a book and so many adaptations.

Vampire Bat: That was the imagination that served, not the person.

[Gets a paneer puffs and three cups of Wayanad tea].

What is the movie about? :: Dek (Dimitrius Schuster-Koloamatangi) is the smallest member of his clan on the planet Yautja Prime, and is considered too weak to be among the predators. To prove that he is better than most of his kind, Dek plans to hunt a creature known as the Kalisk, an apex predator on what is often called the death planet – the world far away known as Genna. Kwei (Mike Homik), his stronger elder brother tries to prepare him for his battles as much as he can. But their father Njohrr (Reuben de Jong) appears all of a sudden and asks Kwei to kill his brother as he is a shame to the clan of fierce warriors. But Kwei refuses only to be killed by their father, but not before he sends his brother to the death planet so that he can prove his worth by hunting and defeating the feared creature. He reaches the planet, but realizes that this is no easy task, as the planet itself has that kind of flora and fauna which makes it very difficult to survive, as danger is hidden in almost every spot around there.

So, what happens with the events here as we just keep looking? :: As Dek losses most of his weapons and tech while fighting the forest, he comes across Thia (Elle Fanning), an advanced, but damaged Weyland-Yutani Corporation android, whose team of synthetic soldiers was destroyed by the Kalisk while on a mission. She had lost her body from the waist downwards and with the help of Dek, manages to free herself from her predicament and supports him against the incoming trouble, and guide him. He ties her to himself as she had no legs and faces the dangers while moving forward through the treacherous terrain. Soon, while on a hunt, they are joined by a friendly creature that Thia names Bud. The creature marks Dek with her saliva and accepts him as her clan as he defeats two creatures which were on their trail. But he tells them that the one thing that matters is the trophy, and that it can only be gained by killing the creature. Despite Thia telling him that back on Earth predators like wolves have the alpha that protects the pack, he remains adamant that he would be the alpha who kills the most and not the one who protects.

And what more could follow in this world of unmatched danger? :: Thia understands that Dek only understands revenge and is looking forward to prove that he is worthy against all odds. It is then that Thia’s twin android and the expert hunter Tessa (Elle Fanning) is found and revived by Weyland-Yutani androids and is repaired at their main base. She is warned that she would be decommissioned and replaced if she fails her mission. She finds out that she is with an alien creature that would remain a threat to their mission. With a new Weyland-Yutani team, Tessa begins searching for Dek’s group, and finds his crashed ship which has the arms and ammunitions which interests her including those which belonged to his brother. Thia who reaches the area where she was ambushed, finds enough of the technology to connect herself to her body parts below the waist. But at the same time, she understands that Tessa and her group is coming, and the creature is also nearby. A big fight seems to be on the cards. Now, who will survive and will the fight be worth it?

The defence of Predator: Badlands :: The movie surely has some good action, and fighting is all around, from surviving a dangerous jungle with strange flora and fauna to fighting android robots with advanced weapons. The battle against the apex predator and the final battle requires special mention along with that fight of Thia with her body separated into two especially of the waist below has an innovative as much as funny side to it. There are also some funny lines to go with the fight, but that does not bring the quality of the battles down, as we see the big creatures being destroyed and getting attacked by nature itself in all its grandeur. The movie never ceases to be a spectacle, as the scope is a lot, with alien planets including desert lands and dense forests – the creatures are nicely created and detailed, with the possibility of danger nicely felt. It would have been a movie more for the theatre than for Jio Hotstar as we enjoy the beauty of the worlds on the screen, as we would have in computer games like Mass Effect and Unreal Tournament, or Star Trek works.

Positives and negatives :: Elle Fanning as Thia stands apart as one of the best android robotic characters of all-time, something which we see this good only in the Alien movies – Prometheus, Covenant, Romulus etc have known this Weyland Corporation more than any other, and the cross-breed of franchises has been clearly shown here with this particular presence. Her other character in the form of antagonist pales in comparison as this one keep scoring all the time. Dimitrius Schuster-Koloamatangi makes this particular Predator work well according to the situation, and the bonding works nicely. Other humanoids become rather irrelevant here. The movie also provides the message of being together and coming back strong as the underdog, but in the process, loss some of the qualities of Predator franchise, seemingly getting closer to the Guardians of the Galaxy, Thunderbolts and Suicide Squad. There seems to be the easy way taken at times, especially after that grand fight at human side in the end. The characters are still well-developed to keep us further interested.

How it finishes :: Predator: Badlands releasing on Jio Hotstar was something quick that we did not realize that the same had happened. This quick release was pretty much needed though, as we looked forward to watching another live-action movie featuring the classic alien or predator. There are those action sequences which justify its release, and despite the predator character undergoing a little too much of a transformation, works really well. The final scenes leave scope for a fine sequel, and we all hope that it will be served well. Until then, we enjoy being transported to a world of charm and danger, but certainly that of beauty in a planet far away. After all, when people were after Terminator, its sequels and others, we were the ones who stuck to Predator as the one classic science fiction thriller that we would remember. After all, we are all in a world of the hunted and the hunters. There is no escaping the same. The idea of hunters developing a conscience is never a bad idea despite changing a little too much of the core idea.

Release date: 7th November 2025
Running time: 107 minutes
Directed by: Dan Trachtenberg
Starring: Elle Fanning, Dimitrius Schuster-Koloamatangi, Reuben de Jong, Mike Homik, Alison Wright, Cameron Brown, Rohinal Narayan

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✠ The Vampire Bat.

Silent Night

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Vampire Owl: We have always wished for silent nights in favour of vampire activity.

Vampire Bat: Vampires have always hoped for silence to keep on hunting, that too in a flash.

Vampire Owl: For vegetarian vampires, we do hunt really well.

Vampire Bat: We have hunted evil better these days.

Vampire Owl: Yet, humans consider us to be evil.

Vampire Bat: There will never be bigger evil than humans. Their evil returns every time and rises like a phoenix.

Vampire Owl: Well, we are yet to find a good human during our visits to their lands.

Vampire Bat: But serial killers are too easy to find, especially on the 11th day of terror. We are watching them at all times.

Vampire Owl: They call these people psychos, but this cruelty comes natural to them.

Vampire Bat: There are always much bigger modes of cruelty among humans. Just make a call on the vampire phone.

[Gets some tacos and three cups of taro tea].

What is the movie about? :: On a Christmas evening, a child is seen traveling by car with his parents from his grandfather’s place and their vehicle is seen as stopping on a remote road. A man dressed as Santa Claus arrives in another car and murders Billy’s parents in front of him. The killer, who is also stabbed, is revealed to be Charlie (Mark Acheson). As the child comes into physical contact with Charlie, an electrical surge appears to pass between them, and there seems to be something which has passed on from the dying killer. As the child grows up, known to the society as Billy Chapman (Rohan Campbell), he is seen as taking over the duty of committing murders while wearing the costume of Santa Claus during the Christmas season. The idea goes like this – during each Christmas, he begins hearing Charlie’s voice urging him to punish people who have been evil, and from then he would need to commit a murder for each day leading up to Christmas. There will be no failure to follow this particular procedure.

So, what happens with the events here as we just keep looking? :: After committing a quick murder at a motel, Billy escapes from the scene to avoid suspicion and arrives in the town of Hackett. There he becomes instantly interested in the beautiful, but angry lady of the town Pamela Sims (Ruby Modine) and her father Dean Sims (Lawrence Brown) who runs a gift shop. He gets a job in the same shop, and gets closer to Pamela, finally beginning an intimate relationship. But he never really losses his skill in murders as new victims is found and killed without remorse. A local police officer and Pamela’s abusive ex-boyfriend Max Benedict (David Tomlinson) is not happy about Billy being around her, and also develops suspicions about the new person moving into the town after which too many murders happen at the same place. But it is revealed that there is some other series of incidents happening in the same area, with little kids going missing one after another. There is a suspected abductor referred to as “the Snatcher”, but it is to be seen how the incidents go on as Christmas gets closer.

The defence of Silent Night, Deadly Night :: The slasher horror mode activated very quickly with this one, not really wasting that much time. The protagonist here is a tragic anti-hero who is forced to go through what he does, rather than the usual supernatural or psychotic villain, and that surely brings a change from the usual. There is time spent in exploring his trauma and motivations, which makes the character more relatable. To add to it the same, there is a mythology, supernatural elements and mystery involving missing children. The horror effects work well with the blood and gore, as one would expect from a slasher horror movie, and deaths become natural part of the film with ease. The killing are also justified for a change, instead of making the whole thing random or a case of revenge like some other flicks. The holiday mood can also be felt with the Christmas elements around, and the ending nicely supports a sequel which could have further variety with the kind of serial killer it develops with the finish.

The claws of flaw :: Silent Night, Deadly Night feels absurd even for a slasher horror movie with its content which does not innovate, or chooses not to bring some nice creative elements. There were many moments which it could have made more interesting, especially by adding usual elements of the genre which have been going through a classic path for a very long time. The question about what special elements this one brings or what it brings as part of the genre, would need better answers here. There is also a certain amount of extra complication that comes with some of these additions here, and the background tale with the mythology is not that much thought about. There is the slow pace and drag that comes in between, and the romance is also not going too deep, and never being emotional enough. The strange ideas are not that much explored, and we feel the need during regular intervals. Many viewers could feel that there is something missing around here, as the movie seems to just go on as it wishes to, and thinks not that much about connections.

The performers of the soul :: Rohan Campbell makes the main character memorable, and worth being the Christmas killer that we would need to follow. There is something more than a serial killer or a murderous psychopath about him, as more aspects of the character are nicely shown by him. A man with a deeply damaged childhood and never-ending emotional conflicts also with the trauma and violent impulses, remains safe in his hands while going through vulnerability and terrifying menace. Ruby Modine makes her character interesting, and there is something about the same all the time, and might have even more to contribute later in a possible sequel – there is a lot that a scream queen in a slasher can do. There are violence and darkness in her, which she manages to display with a charming ease. Her scenes bring some of the most emotionally grounded moments to the movie, and elevate the whole thing. Mark Acheson has a more unusual role, but contributes nicely to the film’s dark and supernatural elements.

How it finishes :: This serves as the second remake of the 1984 film with the same name, after the 2012 reimagining of the same. The audience who enjoys traditional slashers focused mainly on the brutal kills and other elements may find the added mythology and the strange emotional storytelling distracting, as deviation from the usual ideas is surely present here. This is not your classic old slasher of nostalgia and memories for sure. But those who are willing to accept its strange mix of genres are likely to find a surprisingly engaging work with a divergence. Despite not sticking to a classic tradition, it remains a solid Christmas horror film that will probably appeal most to a certain kind of audience. One would guess that making it interesting for all kinds of viewers was never really the idea with this one. Still, we are having the slashers in this world which is going after nonsense because it pretends to be funny, and that much is hope with feathers. Something more sinister might still be coming in a sequel.

Release date: 12th December 2025
Running time: 96 minutes
Directed by: Mike P Nelson
Starring: Rohan Campbell, Ruby Modine, David Lawrence Brown, David Tomlinson, Mark Acheson

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✠ The Vampire Bat.

Anaconda

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Vampire Owl: So, we are back to having some snakes around too.

Vampire Bat: We have been the fans of some nice anacondas in the past.

Vampire Owl: Do you think that there can be a vampire anaconda?

Vampire Bat: We do not take snakes in the vampire team anymore.

Vampire Owl: What section of the vampire rule book says so?

Vampire Bat: The new set of rules will be coming up soon.

Vampire Owl: Dr. Frankenstein approves of such vampires for sure.

Vampire Bat: Well, Mr. Frankenstein is the only man who knows nothing.

Vampire Owl: Frankenstein is a man of great knowledge.

Vampire Bat: Uncle Dracula knows the man a little too well to allow him here.

[Gets a kadai paneer dosa and three cups of Peermade tea].

What is the movie about? :: Jeff (Terence Yin) is a poacher who has been going through hunting adventures for very long, and is looking for something bigger this time. He focuses on tracking the legendary Crimson Anaconda which would make him so rich that he would not have go on a hunt again any time soon. He arrives in a forest to find the snake. At the same time, a circus in China is failing like many others. Lan (Nita Lei) leads the show with her performance called Naked Escape which is a water-escape act supported by water-escape. She has an underwater escape routine inside a large glass tank where she is tied up and thrown, and her friendly pet python is also part of the act. Li (Xingchen Wang) wishes to be the leader of the show as she performs high-flying acrobatic acts along with some balancing stunts, and often follows a seductive mode to keep the audience interested. Jiao (Gang Wang) plays the strong man of the circus with some heavy lifting and a boy Peng (Zirun Wang) who performs in a monkey outfit. As the audience catches that the monkey is not real, they also find out that the strong man is not carrying that much weight as it falls on them.

So, what happens with the events here as we just keep looking? :: According to the audience, Li’s performance is considered to be not enough and Lan’s performance is considered to be cheating as despite being called Naked Escape, she is fully clothed. As the circus is sold and the new manager Jin (Shaohang Xu) takes over, he is revealed to be someone with a past of working with the crew earlier in a lower role. Li is quick to try and seduce him while Lan decides to leave the circus immediately. According to him, there is a new show set in Thailand, and they have to travel on a boat through the rainforests of the country. After a lot of discussions, Lan decides to return, much to the dismay of Li who had hoped to be the charming leader of the show. While on the river, she almost succeeds in being the face of the circus by providing sexual favours to Jin but is disturbed by Wei (Hao Wu) who has been added as a zombie surprise to the circus, and is forced to put her clothes back on. They are stopped on the way by the waterway facing a block with some strange crates in the river.

And what is to follow her in the world of humans and snakes that follow? :: The group would need to turn away from the path and take a much longer route, which would take them a few more days to arrive, but their new manager is completely against the same. He tells them that they need to reach there within the stipulated time or they will keep losing money, as the show really need to start when required. He still hides the truth that he does not intend to do have any show, but sell the organs of the performers as part of his deal with the traffickers, as it was how he had become rich after leaving the circus. They decide to destroy the crates using a dynamite, but as they destroy the same with an explosion, a number of snakes from the crates fall into the boat, and Li is almost killed with snakes fall on her and runs through her clothes, only to be saved by Lan using a hose. Jin who is chased by snakes is saved by Jeff, and it turns out that he is looking for his anaconda in this particular jungle only. He also saves Jiao who gets a tiny snake inside his ear. He earns everyone’s trust with ease, but Lan remains doubtful. Now, are they going to be hunted be anaconda or will Jeff get to the snake even if he has to go through them?

The defence of Anaconda: Cursed Jungle :: The movie delivers some simple fun which reminds us of some of those older movies dealing with the same kind of situations. There is a believable location nicely built here, and we realize the same quick enough. The humour here is very much working, and the two ladies lead the way very well. Nita Lei and Xingchen Wang plays two contradicting characters, and this adds to the overall comic side of the movie, and the character of the former makes her the perfect scream queen to face some unlimited horror. The scares work with a certain amount effectiveness, especially with the quick snake attacks. The feeling of danger can be felt throughout the movie as nothing other than snakes seem to have a say in the jungle or even in the river right in the middle. Terence Yin also makes a strong, sinister villain that never seems to step back from his mission. One keep feeling that the change of setting and characters from the Americas to the South-east Asia has only helped the franchise. This reboot of the movie can be said as something which has saved the franchise.

Positives and negatives :: The movie feels too short, but it is also its advantage as there is no dull moment in there. Along with the action and the use of snakes, the movie uses its fine greenery to the advantage. The snakes do not look that perfect all times especially with its movements and attacks, but it might be the best we have had with giant snakes in a long time; there are moments when the snakes look some extra believable, as we feel that China has used the budget much better than any other nation not just with this particular movie, but also with a few others. Then there is that scope for sequel too, and with the leading lady surviving as expected, the same would be a great watch. Still, we keep wondering why the movie did not use the special skills of the circus-based characters here, and at least the art of escape and acrobatics could have been put to the best use, even though not in the highest form. There are also those predictable ideas of horror happening around here, with some repetitions, especially as it seems to follow that usual horror formula – yet, the same remains entertaining as much as interesting.

How it finishes :: This movie is the first of its franchise which is not in English, and is also the shortest among those films. As it introduces new types of anacondas to the franchise, the young cast from China nicely adds some fine humour as much as the action. This world of the snakes is nothing less than realistic while staying within the world of horror. As the fear is generated effectively, we are only glad to see the Anaconda franchise back running as we keep wondering if Lake Placid will also return soon with the Jaws. This is that kind of movie which will also bring some nostalgia back to us, as the many movies of this franchise has kept coming to us through Times Now channel. Whenever we think about a creature movie, this might be the first thing that comes to our mind, unless it is full in water, as sharks often take the first spot. With the scope to wander through both water and land, this snake, with a team of many others, serves the purpose really well. Then you also remember that there is nobody better than the Chinese to come up with a surprise classic with so much grandeur, something which was done earlier with The Wandering Earth.

Release date: 23rd January 2025
Running time: 84 minutes
Directed by: Xiang Qiuliang, Xiang Hesheng
Starring: Terence Yin, Nita Lei, Xingchen Wang, Gang Wang, Zirun Wang, Shaohang Xu, Tat-Wah Lok, Paul Che

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✠ The Vampire Bat.

The Gorge

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Vampire Owl: I know such a gorge at the end of the vampire world.

Vampire Bat: It is the border of the known vampire lands.

Vampire Owl: Where do we reach if we cross that?

Vampire Bat: They call it the whisper to infinity.

Vampire Owl: There is no infinity in this world. Everyone ends.

Vampire Bat: Our immortality is subject to market risks. It is not the same for everyone.

Vampire Owl: You are talking about the vampire elders.

Vampire Bat: There could be creatures lurking under the border gorge.

Vampire Owl: Yet we leave that area unprotected.

Vampire Bat: Well, if any zombie is going to fall into it, let it better be underneath rather than at the surface. The shadow demons have already crossed over to the surface from the shadow world.

[Gets a paneer samosa and three cups of Wayanad tea].

What is the movie about? :: Levi (Miles Teller) is former United States Marine Sniper who is recruited by a mysterious woman for a special mission which requires his special skills as a record-breaking sniper on the enemy lines. He is taken on a flight to a remote location where he gets down on a parachute in the middle of nowhere. There he meets Drake (Sope Dirisu), a former British Royal Marine corporal, who was in charge of guarding a tower on the west side of a gorge. He explains that the location is kept hidden from the outside world by powerful cloaking antennas and he is not supposed to talk to the outside world about it. He adds that both the west and east towers are armed to contain some strange, monstrous creatures within the gorge, which they have nicknamed “The Hollow Men”. There is also the warning about “Straydog”, an unknown emergency protocol. He talks about the towers’ history which had that battalions of soldiers sent into the gorge in the late 1940s and none of them had ever returned. Drake who leaves the gorge is picked up by helicopter, but is not taken home as he is shot dead.

So, what happens with the events here as we just keep looking? :: Drasa (Anya Taylor-Joy), a Lithuanian sniper who is involved in covert operations assigned by the Russian forces gets a special offer for a year. Her father Erikas (William Houston) who was once associated with KGB, is now dying due to cancer asks her to go on despite Drasa not feeling that good about so many sniping killings from a distance. The offer that she gets is the same as what Levi had received from the mysterious person whose name is revealed to be Bartholomew (Sigourney Weaver). She is given charge of the eastern tower opposite Levi’s tower, fully armed and meant to stop the creatures coming out of the gorge, a position which has been held by so many people throughout the last few years. Levi who suffers from nightmares coming right out of his trauma tries to live by the rules including the ban on having any contact with the person on the other side. But Drasa contacts Levi with a writing which tells him that she does not care and that it is her birthday. With a birthday wish and following contact, they keep fighting the creatures coming up from underneath along with a lot of continuous talks getting them close to each other. But the secrets of the gorge might be the end of them, or will they survive this?

The defence of The Gorge :: The movie’s world is the first thing that catches our attention, as it is really well-created. The feeling that the two towers with horror in between keeps us excited from the beginning itself. A certain romantic side and the feeling of danger keep making an impact from two sides, while there are many heart-warming sweet moments as well as the surprising terror, making the two sides of the coin work so well in balance. The first point of contact between the two snipers is one of the most charming moments that one would ever see, and the quick twist see the danger, and then we see some more of those lovely situations which stay in our minds. The on-screen chemistry between the two is something that lasts since the first point of meeting itself, through the dangers, between all the shooting and explosions and more. As this one blend sci-fi, horror, action, thriller and romance in an unusual way, there is so much of freshness added here and we keep feeling the same throughout its run. The mysterious gorge setting, visual effects and creature and underworld designs are nothing less than classic in nature. What lies beneath gets the best of design as much as the view of the top.

Positives and negatives :: The movie could have had more moments of romance, and the cuteness factor often leaves too early. But we see that the action scenes are so engaging with romantic possibilities never leaving either. The final moments seem to get to that end too early and the climax gets a little bit predictable with a quick finish. Even though the background tale is nicely revealed and remains strong, it is not something new or that innovative – yet, they have made the whole thing look so good and made in a way in which it will remain strong and interesting. The birthday and dance moments are the cutest moments of the movie, and there is also that satisfying lovely ending which would make you hope for a sequel with these two. The battle underneath definitely makes the whole world gain in strength, and such a world could not be made with such quality and style in another movie. The setting itself is the one thing which made this happen. If these protagonists of the movie are not the most likable ones around as they set new meanings for long distance relationships, one can only wonder what else can be.

The performers of the soul :: The movie thrives on its performances as the leading cast make the whole thing so lovely and believable. We have known Miles Teller from Divergent, Insurgent and Allegiant making a trilogy, and that version of Fantastic Four which is not remembered in compared to two other more famous ones. Here, he comes up with a performance to remember for very long. Meanwhile, Anya Taylor-Joy is so lovely in such a way that she stays in our minds like a beautiful memory of a lost world. She was someone who started so well with her first flicks, The Witch and Morgan, followed by being a part of Split and Glass, and she made Furiosa: A Mad Max Saga a movie known as much as for her performance as it was for the action and world building. We know that she is also part of the Dune series, and we are sure to have more of her around. She could be the perfect Resident Evil protagonist, but Umbrella Corporation’s people seem to have other ideas even with reboots. She could also be in an Underworld reboot with the action skills. These two protagonists share such an onscreen chemistry that it is the viewer who falls in love. The two are just remarkable also in the action sequences as they were with those cute moments of romance together.

How it finishes :: The Gorge is the one movie which comes out of nowhere to make a huge impact while blending its genres as it hesitates to be limited to one thing or even two. While the film’s mystery leads to some genuine suspense in the first half, the later revelations and action-filled climax keep the movie at the same level, while never losing the romantic side in the process. The blend of romance, horror, action, thrills and impressive visuals make it a worthwhile watch with some genre-bending science fiction. The combination of Miles Teller and Anya Taylor-Joy is something that we will remember for a long time, as the movie keeps itself emotionally strong, with no dull moment at all. I would consider this movie as one of those rare flicks which appealed to us as part of all genres which it represented. The same is not an easy job, but it has been achieved with such ease, thanks to the performances. I would recommend this for fans of different genres and almost everyone, and I would have loved to watch this one on the big screen.

Release date: 14th February 2025
Running time: 127 minutes
Directed by: Scott Derrickson
Starring: Miles Teller, Anya Taylor-Joy, Sigourney Weaver, Sope Dirisu, William Houston, Ruta Gedmintas

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✠ The Vampire Bat.

Mr. X

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Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

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✠ The Vampire Bat.

The Mummy

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Vampire Owl: We already know a good number of mummies.

Vampire Bat: They are not talking about Mr. Frankenstein’s friend here.

Vampire Owl: Dr. Frankenstein’s friends are legends are we have always known.

Vampire Bat: You are still calling that Frank a doctor, when he has never been one.

Vampire Owl: You are still doubting the scientist’s greatness in an inferior world.

Vampire Bat: He is the scientist who invents things which were already invented.

Vampire Owl: His variations are very significant in vampire progress.

Vampire Bat: Well, whatever he does, he would never be a vampire.

Vampire Owl: He is still a leading candidate on the list.

Vampire Bat: The best he can become is a mummy or a demon.

[Gets a uzhunna vada and three cups of Vagamon tea].

What is the movie about? :: Charlie Cannon (Jack Reynor), an investigative television reporter and his wife a pregnant nurse Larissa Cannon (Laia Costa) are living in Aswan in Egypt for about a year before planning to go back to the United States. Katie Cannon (Natalie Grace/Emily Mitchell) and Sebastián Cannon (Shylo Molina/Dean Allen Williams) are their two children with whom they make a happy family with the children all ready to go back to their grandmother settled in New Mexico Carmen Santiago (Verónica Falcón). But one day, Katie who is playing outside finds a woman (Hayat Kamille) identifying herself as the mother of the girl whom she used to meet and play with, Layla Khalil (May Elghety/Aisha Laouini). She uses candy to lure Katie away from the premises before kidnapping her. Charlie tries to chase her, but loses them in an unexpected sandstorm. He and Larissa report the kidnapping to the police, and are assigned an English-speaking junior detective, Dalia Zaki (May Calamawy). She tries to help them, but her seniors feel that it is some family matter and they are responsible for the child going missing.

So, what happens with the events here as we just keep looking? :: In the cellar, the woman has a black pyramid with a black basalt sarcophagus containing mummified human remains. There is no clue about these people for the police, and the couple are forced to leave for the United States and live with Carmen. Years later, they go through a peaceful time with their son and the third child Maud Cannon (Billie Roy) as well as Carmen. Back in Aswan, a cargo plane carrying the same sarcophagus crashes, and inside the police find Katie wrapped in parchment inscribed with an unknown ancient language. Katie, who is in a catatonic state and inflicts self-harms, is taken to a hospital and her parents are informed about the situation. Dalia feels that this is one of the cases related to human trafficking, as many people were taken in and out of Egypt in pyramid pieces ancient coffins due to a history which goes a long way back. But as the girl goes back home, she no longer remains anywhere close to her past or even as a child. Now, the question remains about what has happened to her and what secret she brings.

The defence of Lee Cronin’s The Mummy :: Unlike that series of movies which we have known for some time, this is a darker and more intense horror style related to a mummy, and is not your regular dead wrapped in bandages coming alive. There is no chance for a sword fight here, and the focus here as left a long way from action, focusing completely on horror, and even with another movie titled The Mummy which came separately, the same was not really achieved. But this one becomes a worthy one with that name, and it often makes us feel an Evil Dead model, but with a Sinister model ancient fear ready to be unleashed, making this journey divergent and yet in a model which one would anticipate a horror movie with evil rising out of nowhere to do well. The fans of supernatural horror will not stop appreciating the film’s frightening moments and suspenseful sequences that raise its level. Along with the horror, there are emotions, and in front of the invincible, there is helplessness, and then there is that finish which would bring the whole thing to an end, as this world of fear gets the journey with the final moments that it deserved. We are once again reminded of the evil from the children with inherent evil.

The claws of flaw :: If one would keep looking for some big-time grand action with people fighting the mummies of Egypt with the usual weapons or fists are going to be disappointed, as this one never gets to be that kind of a movie. The movie is also not that quick to get to the interesting part, and we also feel that the narrative style could have been better, and some of the characters might have been better if they were more sensible within a world of horror. The supporting characters could have managed better attention, and the darkness could have been used better in the movie. The Pyramids should have also been given more focus here. The comparisons to other movies will also be there as we keep having the feeling that we have seen some of these before. The horror also gets repetitive and predictable at times, and we keep wondering how too much focus on the past could be avoided, and how the ancient could be mixed with the world shown in the movie. More of the film should have also been set in Egypt.

The performers of the soul :: Jack Reynor comes up with a compelling lead performance as he balances fear, vulnerability and determination as a father while facing supernatural terror. He keeps searching for the secret behind the incidents which led to the crisis that threatens his family and goes to any end to save his daughter. All the feelings are very well depicted around him. Laia Costa as the mother and wife makes the personal stakes feel much more, as she handles the emotional side really well. May Calamawy as the detective provide solid performances and at the same time, adds credibility to this world which is more about horror – for her character, it is her duty and the trust of others that matters, as he goes through a supernatural case and puts her life on the line. There are lots of moments that strike with her around, and along with her, another Egyptian actress who scores the best is May Elghety who blends in with that vulnerability and seemingly some regret from the character so well. Verónica Falcón does well and could have been given a bigger role and more to do against the evil force. The kids come up with some classic performances too.

How it finishes :: It can be said that the movie successfully reinvents the iconic monster for a horror-loving new generation by choosing a darker and more horror-driven approach above the earlier action-adventure model which had very less scope for fear generation. The focus on atmosphere, suspense and psychological terror successfully brings a chilling and unsettling cinematic experience which will inspire further movies with similar ideas focusing on mummies or something similar from even pre-historic ages. Still, we do feel that the movie could have had better pacing and more character development for lesser characters, along with something that transcends through to a newer age added. A deeper exploration of the film’s mythology and a more detailed examination of the ancient curse could have further enriched the story and made this one worth so many movies in a franchise which could even have a prequel – for now, this is all we know about the movie, and we still hope for a sequel. After all, horror is not limited to The Conjuring, The Curse of La Llorna, Annabelle, The Nun and team to score, and this one also brings some nostalgia from those old movies with same title.

Release date: 17th April 2026
Running time: 133 minutes
Directed by: Lee Cronin
Starring: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Verónica Falcón, May Elghety, Shylo Molina, Hayat Kamille, Billie Roy, Lily Sullivan

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✠ The Vampire Bat.

War Machine

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Vampire Owl: I am sure that they are talking about.

Vampire Bat: We are not war machines, for we are simple friendly neighbourhood vampires.

Vampire Owl: There was a war in the realm, and we fought many battles.

Vampire Bat: The magical wars do not make us war machines.

Vampire Owl: Still, you have to agree that we are not friendly at all.

Vampire Bat: Well, we have been friendly with the vampire elders.

Vampire Owl: Vampire elders are just respectable seniors who cannot be fought against.

Vampire Bat: Still, most of the new generation vampires are not friendly with them.

Vampire Owl: The new generation was never meant to respect elders.

Vampire Bat: Well, we have already witnessed the highest level of new generation disrespect. And we know that it keeps happening each and every day.

[Gets a masala bonda and three cups of Munnar tea].

What is the movie about? :: 81 (Alan Ritchson) attends RASP to earn and assignment to a battalion of the consolidated 75th Ranger Regiment, and meets others who wishes to be part of it and are assigned similar numbers. He was hoping to be part of the group with his brother, but both were attacked by insurgent groups in Afghanistan during a mission and only he had survived, despite sustaining heavy injuries. He was also awarded a medal which make him look like a war hero to other despite his guilt of surviving alone. 15 (Blake Richardson) who is an young man who does not care about anything immediately feels that 81 has the immense pride that keeps him apart, while he himself gets into trouble for unruly behaviour as the funny young man of the whole camp. 7 (Stephan James) attempts to get closer to 81 who continues to be not open to anything personal in nature and makes no conversations with others. The group that includes 60 (Keiynan Lonsdale), 57 (Daniel Webber), 44 (Alex King) and 109 (Jack Patten) gets to the final around along with 81 who almost drowns while giving up during an exercise.

So, what happens with the events here as we just keep looking? :: The seniors have their doubt about 81’s mental state despite him doing physically well after coming back from that life-threatening injury. They feel that he should go back and attend some long sessions of counselling, but as he refuses to do so, they make him the leader of the final group. He had opposed to that idea from the beginning, but this time, there is no choice during the final exercise known as the Death March, which serves as a simulated mission in the nearby forest to destroy a classified aircraft and bring home a pilot. It is then that the reports on television talk about a suspected asteroid flying past the planet and slowly breaking off into pieces which move away from each other. But the same is dismissed are irrelevant as the team set on their mission, only to find a strange flight-like machine on the location and sets off the explosives. But it does not harm this particular machine which rises and begins an attack, surprising them. They do not have any contact with the base and are stranded there without any strong weapon as they are running simulation. What kind of other-worldly thing has come up with this attack?

The defence of War Machine :: The fights in the movie are really impressive, with some classic shots, but never really overdoing, and staying close to a reality of make believe, keeping the willing suspension of disbelief exactly where we wish to see it. There are the believable combat scenes and large-scale explosions, giving the action a realistic feel rather than that usual overload of alien unreality. The blend of military action and science fiction never really gets out of control as both are combined really well and without any doubt seemingly arising about the progress. There are not many alien movies which have managed to be this realistic in nature. The emotional side also works surprisingly well here. The alien machine is nicely designed and we see it working in a pattern which remains as much interesting as it catches our attention. The truth that during an invasion by an advanced alien civilization, humans never really stand a chance, and that they have no real superheroes to save them is asserted well, while focus still on the possibility of a sequel which could make some fine advancements here.

The claws of flaw :: The characters do not develop that much here, and we never even have the names of the main characters, which is strange, as at least the first name could have helped us to connect with them more. Some of the characters seem to be left there to die rather than to live inside the story. The predictability is there as we feel the aliens coming to Earth earlier, and the progress seems to reveal who all are going to survive and how this cannot end here with bigger scope only coming later. There is some loss of strength in between, and it is regained only a little later in the second part. A better focus on the other members of the squad, the supporting characters, would have helped better. The beginning stages do feel like there is something missing, and the power to satisfy the genre is also not there to be taken in the early stages. The story could have also had something special to make things better during the initial stages of soldier training which never really advances as we think it would – those moments seem to be just a random addition to make things get somewhere better.

The performers of the soul :: Alan Ritchson who leads the way comes up with a commanding performance as the central character, as he adds both physical intensity and screen presence to this particular role which demanded them. His portrayal lands an anchor for the film’s action-heavy narrative and keeps the strength felt whenever he is around. The emotional side is also handled well by him showing the loss as well as the bonding related to brotherhood. The movie always has something about him, and despite having so many characters around him, keeps the focus right there. Jai Courtney has only a small presence here, and we would miss having any more of the same later. Stephan James plays the second most important character to make an impact, and we see him developing into an important character soon enough. Blake Richardson brings the humour in a movie which mostly lacks in the same. Dennis Quaid also has his moments as we see how the movie progresses.

How it finishes :: This happens to be that science fiction action thriller focusing on an alien invasion that succeeds primarily through its strong but realistic action sequences, impressive but believable visual effects and some good performances from the leading cast which serves the emotions and the need for adventure really well. Even though it has that alien invasion to focus, it never really losses itself here in the process to create something like the usual movies of the genre. It only occasionally relies on familiar genre conventions, and manages to do enough for the fans of both military action and science fiction. Despite its shortcomings in some character development and often struggling with the narrative depth, this remains a fast-paced and engaging watch that serves as an enjoyable entertainer that could be watched on a fine weekend for some nice fun. After all, we have waited so long for an alien invasion to happen, but all that we are left with in real life is humans fighting each other due to different strange reasons, and we never really reached an end to that human violence itself. At least we see aliens making an impact in movies and considering the current situation, one has to wonder on which side most humans will be when there is that invasion.

Release date: 6th March 2026 (Netflix)
Running time: 107 minutes
Directed by: Patrick Hughes
Starring: Alan Ritchson, Dennis Quaid, Stephan James, Jai Courtney, Esai Morales, Keiynan Lonsdale, Daniel Webber, Alex King, Jack Patten, Blake Richardson, Steve Nation, Robert Rabiah, Patrick Hughes

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✠ The Vampire Bat.

Whistle

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Vampire Owl: I have a doubt whether these people are fans of Chennai Super Kings.

Vampire Bat: I am sure that there are not talking about a normal whistle.

Vampire Owl: All whistles are normal enough for the undead.

Vampire Bat: You mean to say that even dead whistling through life is normal?

Vampire Owl: Well, if death decides to do so, who am I to complain?

Vampire Bat: You should remember that it is still not normal behaviour.

Vampire Owl: If you include Chennai Super Kings, it will stay normal.

Vampire Bat: You should understand that we Chennai fans do not blow an Aztec Death Whistle.

Vampire Owl: Let there be death whistles to all the opponent teams.

Vampire Bat: I am sure that you will be banned from all IPL stadiums soon enough.

[Gets a paneer pakoda and three cups of Wayanad tea].

What is the movie about? :: Mason Raymore (Stephen Kalyn) leads his basketball team to victory despite having visions of burning man, but after the celebrations, finds himself caught by the same man, and the teammates find him burning to death in a shower, to the surprise of everyone. A few months later, a new transfer student Chrys Willet (Dafne Keen) gets to use Mason’s old locker and finds a strange skull-shaped whistle. After a fight over the locker, Chrys is sent to detention by their teacher Mr. Craven (Nick Frost), along with her cousin Rel Taylor (Sky Yang), Mason’s old teammate Dean Jackson (Jhaleil Swaby), Dean’s girlfriend Grace Browning (Ali Skovbye) and the smart girl of the particular institution Ellie Gains (Sophie Nélisse) who also has diabetes. Mr. Craven who finds and confiscates the whistle after discovering that there is some Meso-American, probably Mayan antique value about it, just blows the whistle out of curiosity post the feeling that the writing is Mayan. Soon, as a chain smoker, he finds a strange apparition that somewhat looks like him which gets on to him and crushes his lungs.

So, what happens with the events here as we just keep looking? :: Later, the detained students who meet at a pool also has Grace blow the whistle, whose sound causes everyone who listens to the same to be haunted by apparitions which are revealed to be themselves in a brutal, tormented form which looks very less like themselves. The next day, as they go back to the educational institution, they realize that Craven’s death is reported as extreme stage lung cancer, but they realize that there was no sign of any illness on him when they last met. Chrys and Ellie later meet Mason’s antique-collecting grandmother Ivy Raymore (Michelle Fairley) to return the whistle, but she gives it back to them while saying that it is a centuries old Aztec death whistle carved with the phrase “summon your death” instead of “summon the dead” which they had thought. She adds that anyone who hears the whistle becomes stalked by death and is soon killed by a manifestation of their own body just before dying. As they understand that Mason was to die by burning at some stage of his life and Craven by lung cancer caused by excessive smoking, Grace dies after rapidly aging into an old woman, and Dean is later killed in a manner resembling a motor accident. Now, can they stop it in time before anyone else dies?

The defence of Whistle :: When you take horror our of some Aztec whistle, there is the feeling that not much can be known about it, and therefore escape is to be near impossible. The early coming of death in the exact same way as destiny has planned is something innovative, and a twist on death coming to us in multiple brutal ways. The atmosphere created by the movie is really good, and we see some nice spooky thing coming out of nowhere every time, as being visually engaging seems to be a skill around here. The death sequences remain creative, with the addition of old-age apparition as much as the other brutal death modes. The mystery elements of the movie continue to stand strong, and we see the power of death not being a gentleman, thus not making Emily Dickinson with her poetry not that agreeable. There is no complication with the basic idea and with the characters and the quick pace, will be appealing to the new generation from the beginning itself. They mystery remains mysterious and sets tone for an even bigger sequel, if there is a chance.

The claws of flaw :: There are moments which make one feel that there are missed opportunities which could have easily been taken to elevate the movie. There was always the chance for more, with the scares as much as with the imagery. The supernatural elements taking the form of a future death could strike terror like no other. The appearance of apparitions could be scarier with some extra blood and gore, with more frequent appearance also possible. The middle part feels like a little deviating as the characters do make some strange decisions, yet it is not something we have not seen in other horror movies where the some characters die early, some others refuse to listen and often make the dumbest decisions; these have become a regular part of the genre, but this movie could have deviated from that formula as it had already taken some divergence with the premise and a myth that goes a different way. The idea also seems to move on and on, and the possible solution also seems a little too predictable.

The performers of the soul :: Dafne Keen who has been known for Logan, The New Mutants and Deadpool & Wolverine, has the lead in this particular horror flick, and we already know the kind of intensity she has displayed as a mutant and therefore would have no doubt about her possibilities in a horror movie. Her performance remains the highlight of the movie. Then there is Sophie Nélisse of 47 Meters Down: Uncaged which had its own sharks to bring the horror underwater – this time, she does an even better job. The two becomes a fine team together, and keeps on moving the story with defiance against death and its methods. Ali Skovbye is another lovely addition here, and becomes the person who set things in motion for friends, scoring more in a run against death than anyone else. Sky Yang plays another interesting character well, while Jhaleil Swaby comes next with some fine moments. Percy Hynes White plays a negative character with further shades of evil later revealed, and that surely works. Michelle Fairley nicely adds to the mystery of the movie, while one would feel that Nick Frost and Stephen Kalyn are missed too early.

How it finishes :: Bringing variety in horror has been one of the most difficult tasks of these times, and the movie has managed to do so, seemingly taking an extended inspiration out of something which is not that well-known or followed. After all, there is a lot of scope with different kinds of horror as part of separate myths and legends, like the franchise having Stree, Munjya, Thamma and others had in India, and remains relevant throughout the world, as just the vampire legends would do the job. This movie takes itself beyond the usual world of The Conjuring, Annabelle, The Nun, Sinister, Insidious, Evil Dead and similar flicks to create innovative horror from an idea from the past. The full effectiveness of the same might not be there to be taken at all times, but this one remains something to be remembered for going through that divergent route, and make the whole thing work well enough. Well, we never have enough of horror in a world of chaos which can have nothing more than hopelessness and death – if death comes in many forms beyond Final Destination, we also take them into our hearts and hope for the human suffering to end.

Release date: 13th February 2026
Running time: 100 minutes
Directed by: Corin Hardy
Starring: Dafne Keen, Sophie Nélisse, Sky Yang, Jhaleil Swaby, Ali Skovbye, Percy Hynes White, Michelle Fairley, Nick Frost, Stephen Kalyn, Conrad Coates, Mikayla Kong, Lanette Ware, Christine Sahely, Dina Pino, Izaak Smith, Vicki Kim

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Together

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Vampire Owl: We, the vampires have been together for an eternity.

Vampire Bat: I am sure that there is more about togetherness in this movie.

Vampire Owl: So, you think that there is not enough of the same among us.

Vampire Bat: Togetherness is not something that can be evaluated.

Vampire Owl: At least the movie is on Amazon Prime Video to be evaluated.

Vampire Bat: I wonder about the kind of supernatural present in that movie.

Vampire Owl: Should I consult the parapsychologist Dr. Frankenstein on the matter?

Vampire Bat: When did Mr. Frankenstein graduate in psychology?

Vampire Owl: He has so many graduations that we will never know all of them.

Vampire Bat: This Frank needs to be reported to Uncle Dracula for his fake degrees.

[Gets a podi masala dosa and three cups of Kodaikanal tea].

What is the movie about? :: A man has been searching for a missing couple with his two dogs. But after the unsuccessful search, he finds the dogs fused together as one. A few days later, Tim Brassington (Dave Franco) and Millie Wilson (Alison Brie), a couple going through an emotional path, and at the same time, latter finds a job of teaching elementary school English. Tim has been trying to make his mark as a musician, but has not been himself since the memories of his dead parents have been haunting him. Millie proposes to Tim at a going away party held by their friends but, he shows some hesitation which makes them further ponder over their relationship. As Millie meets her new co-worker Jamie McCabe (Damon Herriman), he tells them about the interesting walking trails near their home that goes deep into the woods and remains a beautiful view. While hiking through such path, they fall into an underground cave and decide to camp inside for the night due to the rain getting heavier. Tim drinks from a pool of water but Millie does not.

So, what happens with the events here as we just keep looking? :: As they wake up on the next morning, Tim and Millie find their legs stuck with each other with some material which looks like glue, but they are able to separate them without much difficulty, and feels that it was some random sticky thing of fungal nature. Tim feels like he is physically and brutally drawn towards Millie, which leads to complicated situations which makes them feel that this is a psychological problem. The doctor that Tim sees also dismisses the incidents as panic attacks and asks him to use some muscle relaxant pills, and reminds him that the place has its charm, but also dangers, as a local couple had also gone missing. Tim looks at the news and also at the social media pages of the couple, and finds out that these particular couple had also visited the same cave, identified by some of the marked bells outside and some signs on walls of the cave. Jamie arrives at their place and welcomes them to the neighborhood, and they have a dinner together.

And what more can happen as the couple seems to be confused in between? :: The couple recounts their experience at the cave, which Jamie explains was a hippie-type church which had some activities which were considered strange for the commonly accepted churches. He adds on that people who got better options moved away to cities with their families, the church was abandoned, and became part of the cave system, as time passed. He adds that this is not a terrifying Satan worshipping cult of anything, and no followers of the same remains there. Even though Millie drops Tim off at the train station for his journey to the city for a musical programme, he experiences another episode of being attracted to her and immediately goes to Millie’s school, much to her surprise, as he gets on to her. This time, she is also attracted to him, but she denies the same, but it the strange attraction would come to her at night too, and the mystery deepens. Can they get out of this as they seem to be getting attached to each other, and this seems to be a problem to which there is no solution?

The defence of Together :: The romantic drama mixed with disturbing body horror is something unusual, and thus provides a fresh feeling that will keep the audience interested. It is nice to see that this becomes a metaphor for interdependent relationships and also signifies the need for togetherness in a relationship rather than keeping on separating each other – as it says in the Holy Bible: “A man leaves his father and mother and is united to his wife, and they become one flesh.” – Genesis 2:24. This seems to be a strange coming together of the same, as at least the same thought process should guide a relationship, as the fusion of ideology will guide them better; something which could often include religious ideology. In this case, everything is shown with that body horror that stays effective, and the fear factor is surely active, and it includes being scared of losing identity. Alison Brie with Dave Franco of Now You See Me and Nerve do manage to bring some real chemistry, as they are also real-life couple, despite the former at times looking much older. Their moments together are very good with a certain amount of love which feels apart, but so much longing to be together, like the body horror itself calls for. Disturbing transformations and dark humour remain effective too.

The claws of flaw :: The movie remains repetitive in parts, and there seems to be moments when nothing much past. There is also a little too much useless time spent in pondering over the past of the main male character when it could have easily gone on with just a small mention of the same, thus making the length of the movie exact as intended. The narrative just goes on the usual path with the couple story while moving towards the fresh twists. The mixture of romance and body horror does not always work the best, and signs can be seen here – some people can even find part of this to be gross, thus justifying its rating in India. Some cringe moments are also present and dialogues get a little too weak at times. The emotional connection could have been also more, as the romantic background is already set. There is also the need for a lot more explanations with this one, as the weird mode keeps on being active. We can see the chance for some people clearly missing out on the idea.

How it finishes :: If you are looking for experimental horror with focus on the body-based terror, this might be the movie for you, as performances and hidden ideas and messages also seem to come in here and there, despite there is nothing too grand about it with moments where the movie just seems like a usual random journey that stays repetitive. Even if togetherness story is your key, this will be your relationship-focused tale with a dark twist, as the darkness would take the whole world to something beyond comprehension. But you are not to look for fast-paced and plot-drive works with this one. But seeing the fusion of the couple, you might not stop feeling that there is the need for togetherness coming from religious scriptures fulfilled right here, whether some subterranean or alien entity is involved in the process. After all, we know that there shall always be too many things that we do not understand, and can stay on the mysterious side; and so we go through this movie, and enjoy the same in moments, with one final shot of togetherness with innovation. Still, the body horror of The Substance remains one of its kind.

Release date: 30th July 2025
Running time: 102 minutes
Directed by: Michael Shanks
Starring: Dave Franco, Alison Brie, Mia Morrissey, Karl Richmond, Damon Herriman, Jack Kenny, Francesca Waters, Sarah Lang, Aljin Abella, Rob Brown, Charlie Lees, M J Dorning, Ellora Iris, Melanie Beddie, Rom Considine, Nancy Finn, Flynn Wandin, Mark Robinsom, Michael Shanks. Sunny S Walia

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✠ The Vampire Bat.

The Housemaid

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Vampire Owl: We have waited for this movie to come in the OTT for some time.

Vampire Bat: And it is on Amazon Prime Video, which is for the best.

Vampire Owl: Well, we all needed our Amazon Prime deliveries.

Vampire Bat: There is no Amazon delivery in Dracula castle.

Vampire Owl: Well, we can always pick them up from the borders of the realm.

Vampire Bat: What we need are very much here, and at best quality.

Vampire Owl: The vampire apprentices are really working hard, aren’t they?

Vampire Bat: We have shifted to magic for doing the work for us.

Vampire Owl: Dr. Frankenstein had invented enough to help with that.

Vampire Bat: Mr. Frankenstein’s pseudo-science actually helps and saves nobody. Frank no longer has enough access to our work.

[Gets a vegetable samosa and three cups of Kodaikanal tea].

What is the movie about? :: Wilhelmina Calloway a.k.a. Millie (Sydney Sweeney) is on parole after committing a murder in self-defence. It is then that she is hired by Nina Winchester (Amanda Seyfried) as a live-in maid, much to her surprise as her criminal records did not stop her from being hired for such a big job after so many rejections. The home also has her daughter Cecelia Winchester (Indiana Elle) and husband Andrew Winchester (Brandon Sklenar) who are surprised to see her around there, but Nina is determined that she should have a housemaid as she cannot manage household work even though Enzo Accardi (Michele Morrone) takes care of the work outside. Mille is given an attic bedroom that can be locked from the outside, much to her surprise, and she tries to get a key for the same. But she is so desperate to keep her job as it is a term of her parole; due the same, she just goes on with the process despite the problems that come in her way, and feels that there is something wrong with Nina and the family seems to be slowly falling apart.

So, what happens with the events here as we just keep looking? :: Mille further learns that in the past, Nina was locked in a mental hospital for a period of nine months for trying to drown Cece in a bath tub under the effect of drugs and for has tried attempting suicide by overdose. Nina is considered mentally unstable by different people, and some of them seems to keep a distance from her too. Millie also finds her to be very angry towards her, and breaks things while keeping on shouting. It could also be seen that Nina says one thing to her and forgets the same later, keeping on saying that Millie decided to do that thing against her instructions. The neighbours consider her to be a dangerous woman, without a family, and has attached herself to her husband who is rich, handsome, and sweet to everyone around. Andrew’s mother Evelyn Winchester (Elizabeth Perkins) is also that high society lady whom everyone revered, and keeps telling the family about a few things which they should always follow without fail.

And what more is to happen around here as a crisis seems to be on the way? :: A similar case occurs as Millie books Broadway musical tickets and a hotel for the Winchesters in one of the richest areas, but later, Nina just denies having given her those instructions, and tells her that she will take the money out of her salary as the tickets are not refundable. But when Nina was talking her daughter to the ballet camp, Andrew tries to cheer Millie up by secretly taking her to the show, and after enjoying dinner together, they check into the hotel. Millie receives a large number of angry texts from Nina, but Andrew, and the two start and intimate relationship in the hotel bedroom. Then, when they return home, and Millie realizes that Nina has found out that she spent ten years in prison for murder. Nina uses this knowledge to make sure that police arrest her on stealing their car, after reporting a stolen car. But this would not be the end of it, as her plans might be more sinister, and the family secrets would mean more trouble. Can Millie survive this?

The defence of The Housemaid :: The movie maintains a certain level, with nice red herrings and the suspense always ready to come out, with thrills going on strong – the performances of the leading actresses are also to be noted, as Sydney Sweeney and Amanda Seyfried blends into the situation really well. Sydney seems to be very close to becoming the next scream queen in a horror movie, and we have seen her capability with thrillers earlier itself, through The Voyeurs. Amanda had a more complicated role, and she maintains a certain amount of skill to go through the transformation of the character. Brandon Sklenar also joins well here. The tension is nicely built, as the viewer gets curious with secrets to be revealed, mind games and twists which might not be the kind that one can predict with ease. There is the feeling that we are watching the kind of thrillers which we had during much earlier times. The dramatic side also works and entertainment is guaranteed, with most of the action set in a big and isolated house which is set far away from the city.

The claws of flaw :: The movie’s ending seemed to be too quick and forced. After that, there is another scene which feels like not relevant at all, as Sydney Sweeney’s character was surely not fit to that situation, and it is not a kind of job that one could take when on the list of police; strange that some fine endings feel the need to be made further complicated by an additional scene – even if it was created to bring hope for a sequel which also would not fit in. The predictability also comes in after the grand twist, and after that, the situation feels just going on and on, and nothing more. There was also the slowing down in between, and seemingly an attempt to divert the movie a little too much. The length of the movie is surely a little too much, as sometimes, time is just lost in the dialogues. With the movie becoming too much filmy, we can also see that the realistic side, despite being present, sometimes losses its charm. The flashback and the explanations are also too long, and the main character, without any prior knowledge of the predicament, seems to guess and thus understand everything with relative ease.

How it finishes :: This particular movie had successfully become more than what is seen on the outside, and we know that movies like this one and Deep Water, as well as Gone Girl, strikes because they have something more than what is seen on the surface. Compared to those titles, this one also ultimately stands as a highly watchable but not the best psychological thriller that leans more towards providing the old-style entertainment rather than focusing on the much-needed depth. Powered by the performances led by Amanda Seyfried and Sydney Sweeney, the movie could create an engaging atmosphere having tension, secrets and dramatic twists. It chooses the commercial side instead of the intellectual, and manages to work well in the same. It still relies on familiar tropes, some predictability and moments of too much talking about the past to reduce the overall impact. But you are sure to enjoy this one because the movie is made in a way that the appeal to the audience would be more, and catering towards the regular thriller fun side is here to be taken home, even if it is from Amazon Prime Video.

Release date: 19th December 2025
Running time: 131 minutes
Directed by: Paul Feig
Starring: Sydney Sweeney, Amanda Seyfried, Nicholas Galitzine, Julie Walters, Alex Wolff

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@ Cemetery Watch
✠ The Vampire Bat.