Castle Freak

Vampire Owl: This is certainly not the castle that I know.

Vampire Bat: Not all castles are related to vampires.

Vampire Owl: Yes, but I was expecting at least this one to be related in some way.

Vampire Bat: I wouldn’t question your right to be disappointed.

Vampire Owl: Disappointed at the time of Corona virus. It is two levels of sadness.

Vampire Bat: Well, all viruses will have to meet the end, one day or the other.

Vampire Owl: Yes, except for those viruses which makes people zombies.

Vampire Bat: I am sure that the apocalyptic event was postponed until further notice.

Vampire Owl: We might see it coming as a Corona virus variation some day.

Vampire Bat: You can surely use a computer virus in your head as of now.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: Rebecca (Clair Catherine) and her boyfriend John (Jake Horowitz) used to have some good time wasting their time, until a terrible car accident which was caused by latter leaves Rebecca blinded, and things wouldn’t be the same any more. But things seem to change for the better, as she is contacted by a real estate agent, Marku (Genti Kame) who tells her that she has inherited a castle in Albania from her mother Lavina Whateley (Kika Magalhaes) who had left her for adoption. Rebecca is interested in solving the mystery behind the death of her mother, who is supposed to have whipped herself to death, while John looks forward to selling the castle, and earn a good amount of money which would help them to have a better future. There seems to be sinister secrets about the castle, as she begins to have terrible nightmares, while the two also find out strange memories of a forgettable past within the stone building.

So, what happens with the events here? :: John also invites their old friends to the castle, even though it is not something Rebecca needed to see, considering their past which was full of alcohol, drugs and that one fatal accident which had her losing eyesight. What they don’t understand is that things are not that easy or direct as it seems, as they are being stalked by someone who seems less human, and more like a creature. Rebecca does realize that early enough with her ears set on the walls, but it is not easy for anyone else to believe in the same. They also find Necronomicon, the book of spells around there, and it only points out to the possibility of something too old and beyond their understanding in there. Shelly (Emily Sweet) who is still in love with John wants to claim him back as she returns with his friends who find out connections of the castle with monstrous entities from the past known as the Great Ones. Now, things can only get worse, as they understand.

The defence of Castle Freak :: The best advantage of this movie is its setting, which is beautifully Gothic in nature, with scope of horror being placed almost everywhere – the beginning scene itself is a sign of what can follow later. There is the idea of creepiness which is follow here, and the scenery is also as beautiful as the world is terrifying. It is also nice to have everything coming together towards something which we hadn’t imagined in the beginning, as the sinister plans quickly turn into more than what had met the eye before, towards something not of this world. The similarities to Lovecraft’s The Outsider are there, and in the end, the movie also seems to connect to a world of terrifying creatures reminding us of his own tales of horror. The movie makers seem to have made this with a low budget, and it has certainly been managed really well. The first flogging scene, murder of Shelley and the open space ritual can be considered as the three scenes of unexpected quick shock.

The claws of flaw :: There was surely some scope for improvement around here. We have such a grand setting in here, and it is only fair to expect more out of it. There could have surely been some more scares in here, as many occasions seem to be all prepared to come up with something, but suddenly leaves that behind. We also see that the blood and gore stuff go a little bit over the board with the violence really climbing over the usual limitations. There are many occasions when this one doesn’t seem to be the movie for everyone, with it taking many steps to make the film more and more weird. The quality of graphics is also quite low when we consider all those demonic elements coming into the picture. The movie is also quite slow in getting into the action after that first scene, as we get to the present – the party moments and the initial moments of the couple at the castle take a little bit too long to get things going here. The ending could have also been more polished with bigger and more terrifying moments supported by possible twists.

Performers of the soul :: Clair Catherine leads the way as the blind protagonist really well, and it is a controlled, realistic performance, something which is not easy to find in a horror movie. She can be seen here as more or less a stoic one, accepting her fate without complaining, but still can’t help being curious herself. One would want to see her in more horror flicks or thrillers. Jake Horowitz provides pretty good support too. Genti Kame suits the mood of the place really well, as the story moves forward. Kika Magalhaes as Lavinia Whateley is the one who sets things in motion in the beginning, and she does that really well with a very creepy start that might bring the early shock to some – she has that kind of looks which suit her character’s background. Emily Sweet plays the usual kind of role in a horror movie, but she makes it interesting in her own way – she could have more of the genre and be the perfect scream queen, even though stereotypical in nature. The unknown entity also has the creepy performance to do, which is indeed the usual thing.

How it finishes :: Castle Freak is the kind of horror movie which comes out of nowhere to score above expectations, and it comes out of the usual horror movie list, deviating on the repeated style. It has the Lovecraftian influence, and there is another movie of the same name which came in the 1990s, which people around here seems to have missed. The movie is somewhat disturbing with its content, and therefore not recommended for all types of audience. This is not for those people who get disgusted with such content, and are looking for those flicks to watch with family members. If you feel aversion for any kind of the usual old style slasher horror content, you would have to keep away. Otherwise, it is certainly an interesting watch for people who are tired of these usual movies on ghosts, vampires, zombies and werewolves. These have been the years of one freak virus, and so we can take this particular freak too.

Release date: 4th December 2020
Running time: 106 minutes
Directed by: Tate Steinsiek
Starring: Clair Catherine, Emily Sweet, Kika Magalhaes, Chris Galust, Jake Horowitz, Klodian Hoxha, Elisha Pratt, Genti Kame, Klodjana Keco, Omar Shariff Brunson Jr

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@ Cemetery Watch
✠ The Vampire Bat.

Svaha

Vampire Owl: Another Korean movie. You are going international very often.

Vampire Bat: Well, there is the need for more movies for lock-down as far as vampires are concerned.

Vampire Owl: You still haven’t watched everything from Hollywood.

Vampire Bat: That can surely wait. There are many types of movies in different languages, from all parts of the world.

Vampire Owl: You have become a movie explorer beyond borders, haven’t you?

Vampire Bat: Exploration is a pure vampire trait, driven by blood. It is either a place or a movie, and it won’t matter what.

Vampire Owl: The quality of the wanderer and explorer has been inherited by all vampires in and around the castle.

Vampire Bat: About this movie, I feel that we are going to be reminded about another Korean movie, The Divine Fury, as this one also has demons.

Vampire Owl: But I do see a difference in pattern here.

Vampire Bat: Yes, they are not the same in soul, as the type is different.

[Gets a whiteforest cake and three cups of ginger tea].

What is the movie about? :: In the beginning, a few minutes show the existence of evil in the countryside, as something strange begins to happen there, making people worried. Back in the city, Pastor Park (Lee Jung-jae) is someone who spends his time trying to expose those religious groups which are involved in illegal activities, and he specializes in finding similar cults which have deviated from the main-stream religions, and are using the name of religious denominations to achive something sinister. He is paid for doing this by the heads of different religions, and the latest one is a cult group known as Deer Mount, supposed to be a Buddhist group, but does not worship or adore Lord Buddha, but others. This makes the Buddhist leaders interested, and they ask him to find proof, because it is certain that they might be having some kind of scripture, which will be the key to understanding where they stand, and how much they are different from Buddhism.

So, what happens with the events here? :: The result of the search is that they found out the existence of some edited versions, and also those parts which are never heard of before, giving a strange feeling with its content. There is something like a Book of Revelation, talking about beasts trampling the snakes and protecting the light. The Buddhist monk who is with them is not able to find the exact meaning, and what all these are about, and need to contact an expert. Meanwhile, Chief Hwang (Jung Jin-young) investigates the murder of a child and the main suspect might related to the same Deer Mount cult. As the suspect commits suicide, there seems to be no link to take this case forward. There is a much darker secret related to whatever has been happening around. It can now be traced and moved to a village where a family had two children, a girl and a thing, the latter being kept outside the house, locked in a shed. So where does all these lead?

The defence of Svaha: The Sixth Finger :: A Korean movie with a difference never stops being interesting, and this movie is no different. This one is also a complex tale regarding a series of murders of young school girls, and it is as interesting as the mysterious and spiritual side which it deals with from the other side, connecting to the killings which has been occuring through years, not being a new thing. The movie has its thrills regarding the same, and there is also a philosophical side to the movie, as the main character does have things to wonder about. The scary elements are there, but they do not run throughout the movie – they can be seen in moments though. The Divine Fury, another Korean movie was cent percent direct about the whole thing, but this one takes a divergent path to reach its destination, and therefore leaves some ambiguity, even while catching the interest of the viewers in style.

The claws of flaw :: The complexity of Svaha: The Sixth Finger will not be that appealing to everyone, as it throws in more characters into the mixture of things, making things even more complex. Everything just gets too tight at times, and some characters just seem to be there for the sake of it, not being defined well enough. The diverging story-line also has some problem in coming back together, and we are bombarded with one thing after the other, which makes us struggle to follow it at times. The characters provided for support are too many, and we do forget a good number of them, even though they don’t come up with a bad performance or anything. The movie should have also known to present its idea in a better way, even though it is entertaining and exciting as of now – after all, there seems to be a lot of things going in the background, and everything needed to be in the front, strong and clear in soul.

Peformers of the soul :: Lee Jung-jae as Pastor Park is the main character in the movie, and one person whom the audience is supporting from the beginning itself. He gets the special focus once he is introduced, and never does anyone rise above him. Park Jung-min as Na-han gets the significance later, but soon becomes a very important character that stays for long. Lee Jae-in’s character is also a notable one, and we see her at many points of the movie, which are all moments that will remain in our mind. Jung Jin-young as Chief Hwang gets a little less as far as the time spent on the screen is concerned, even after being introduced much earlier, seemingly with more importance. There is also some good support from Lee David as Joseph, the one who supports Pastor Park throughout, even though he is a bigger believer than the pastor is. There are so many other characters and all of them do manage to contribute by their own.

How it finishes :: Svaha: The Sixth Finger is that kind of a movie which has so many ideas, and brings them all from different directions on you, without pausing at any moment. It never losses focus in doing that, and only gets richer in ideas as it moves forward. As it gains in complexity, it doesn’t really use its strengths to the advantage, and it is where the movie losses control in some parts, but that is not a problem here, with the movie coming back stronger when needed. What runs under the movie is surely strong enough, and the variety in treatment of the subject also comes into the picture – it never ceases to be interesting, as we all need to unveil this mystery and understand the terror which has been going through here, underneath everything that is clearly seen. The result is that we have one more Korean movie which brings something different for us to watch, from many kilometres away from that nation.

Release date: 20th February 2019
Running time: 122 minutes
Directed by: Jang Jae-hyun
Starring: Lee Jung-jae, Park Jung-min, Lee Jae-in, Jung Jin-young, Lee David, Jin Seon-kyu, Ji Seung-hyun, Min Tanaka, Cha Sun-bae, Hwang Jung-min, Jung Dong-hwan

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@ Cemetery Watch
✠ The Vampire Bat.

Metamorphosis

Vampire Owl: Do you know that some of the vampires in our group are having a great metamorphosis these days?

Vampire Bat: Vampires are having metamorphosis nowadays? I thought that it was more or less of a werewolf thing.

Vampire Owl: Yes, it used to be. Only the zombies and witches had a small share of the same in the recent past.

Vampire Bat: So, vampires are becoming more or less similar to those people.

Vampire Owl: Yes, but our metamorphosis is rather different in comparison. We metamorphose into something greater, or rather magnificent.

Vampire Bat: Aren’t we magnificent creatures already?

Vampire Owl: Magnificence is no longed counter in the same terms. We are using a new unit to measure it.

Vampire Bat: But, a metamorphosis now is not something that we can afford.

Vampire Owl: Yes, but Doctor Frankenstein has discovered a different method which is cheaper and of a better quality.

Vampire Bat: Mr. Frankenstein! I know that there was someone like him behind all these happenings in the castle.

[Gets an onion vada and three cups of mixed tea].

What is the movie about? :: The movie begins with an attempted exorcism on a young girl who is tied to the bed inside her room. In the beginning, things seem to go on without much of a trouble, and the demon seems to be a weak entity, listening to all the prayers in Korean and Latin, not taking over the girl’s actions or words. But all of a sudden, it turns violent, leading the girl’s mother to come in, making the priest lose his control over the incantations as well as the demon, which takes the girl to the window, making her suicide. But before commiting suicide, the girl and the mother of the girl, both mocks the priest, and tells him that they are as old as God, and the Supreme Power has forsaken him, all these being the will of the Almighty. The priest who is originally named Joong-Soo (Sung-Woo Bae) decides to leave priesthood after being blamed for the girl’s death, but the diocese and his superiors do not approve of it.

So, what happens with the events here? :: As Joong-Soo who has struggled to keep the memories of the demons away, his brother and family moves into a new home in the countryside. Gang-goo (Dong-il Sung), his wife Myung-joo (Young-nam Jang) and the children, Sun-woo (Hye-Jun Kim), Hyun-joo (Yi-Hyun Cho) and Woo-jong (Kang-Hoon Kim) have a bigger home at the countryside with a lot of space both inside and outside, but things do not go as expected in the new place, as there is there is something strange going on there. The problem start with their neighbours itself, and there seems to be something weird going on with the person who is staying at the place too. There is undoubtedly a demon out there who is taking possessing people and taking the shape of humans. The family only has one person to turn to now, but if that person can do the exorcism or not is something that is to be seen.

The defence of Metamorphosis :: Being a movie about demons and exorcisms, it does have that, even though there is a certain shortage for sure. The power of exorcism is shown in the beginning as well as the end, and there is some fine display of creepiness with the neighbour’s house and the talk of the demons. It has blood nicely used, and having the evil entity more powerful than everything has more to be lost in this flick. Well, this time, the demons go personal, and it has more powers than one can imagine, making the idea of defeating it rather difficult and complex, especially with a failed exorcist trying to do the same. The scares are there, but there are limitations considering the fact that not many things scare people these days. The demons don’t have the belief in them coming from people in the modern world, but the movie does manage to rise above it, thanks to the visuals and the performances.

The claws of flaw :: It seems that the Korean film industry is trying a little too hard to find its perfect exorcist movie, just like the zombie movie was found in Train to Busan – the signs can be seen in this movie, where it struggles at times to keep it as what the flick was supposed to be. When you have a shape-shifting demon in your pocket, you are supposed to make more out of it, especially with the scares regarding who is who, and more like who is the demon and who is not. It was that demon who could have had its origin stories and had the strength to keep the whole thing creepy throughout its presence, but that is not done here. The movie also doesn’t use the protagonist’s guilt that much, and comes up that creepy scene in the shower, another one over the bed and another one in the dining room, all of them needing a boost to rise above the usual. Yes, cliches are going to be found here, and repetitions too.

Peformers of the soul :: Metamorphosis, as many other horror movies, has to depend on its demons and exorcists more than anything else. With the demons, it remains safe as usual, as they never stops doing what they were to do in a world of horror and demonic presence. Sung-Woo Bae plays the priest and the exorcist, and we see that he makes a fine priest in the movie, working through the terror very well. Dong-il Sung plays the father figure really well, with the concerns over his daughter worked nicely. Young-nam Jang plays the mother, and that is also done well enough. Among the children, Hye-Jun Kim stands out, as she plays the responsible elder sister, and she also gets to be part of more of the exorcism – she is the believer and the one with most faith than anyone else. Yi-Hyun Cho plays the younger sister who is not the kind of person who is happy with the family, and that also works out well. The rest of the cast adds on well too.

How it finishes :: Another interesting movie about demonic possession comes into the picture with Metamorphosis, and it is something which you can depend on, because it mostly follows the usual pattern, but is not without some divergence here and there. It can be considered as that kind of a movie which stays close to Hollywood flicks like The Conjuring, Annabelle, The Nun, Insidious and The Vatican Tapes, but still manages to bring something which the regular English movie won’t dare to bring, unless it is something like It Follows, Lights Out, Don’t Breathe or The Autopsy of Jane Doe – the movie which could show full divergence. Metamorphosis is the kind of movie which can at least give the usual horror movie with demonic possession horror, even if you don’t like the deviations brought about here, and so the movie makes a safe title to watch among the rest. But you are most probably going to find it to be something more, depending on your taste.

Release date: 21st August 2019
Running time: 113 minutes
Directed by: Hong-seon Kim
Starring: Sung-Woo Bae, Dong-il Sung, Young-nam Jang, Hye-Jun Kim, Yi-Hyun Cho, Kang-Hoon Kim, Se-hee Kim, Jeon Mi Do, Kwi-seon Kim, Dae-han Ji

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@ Cemetery Watch
✠ The Vampire Bat.

Up and Down

up&down (3)

We all get stuck in the lift. Those who haven’t are the ones who are waiting to get stuck there. Two years after the release of his Thalsamayam Oru Penkutty, this director has returned with what is listed as a psychological thriller – Up & Down: Mukalil Oralundu, which deals with the same issue. But I would not say that it is psychological, as it is more of a murder investigation; a suspense thriller of the recent Mumbai Police model, but the style resembles Banking Hours 10 to 4. But this surely has a good advantage over that; the advantage of the powerful base plot which forms the undercurrents. But the question would be about how it surfaces and faces those ships and boats, the critics and the common man who watches them after watching Neram, English and Mumbai Police in the other theatres. The more famous movie review sites doesn’t seem to have taken this one well, but as long as I am concerned, this is surely above average, and this successfully entertains more than any other Malayalam movie after the age of Amen. Even with its flaws, and the times when sharks become little crocodiles, this wide sea of thrills manages to make an impact on the viewers.

The whole thing happens in the tallest building in the city, a flat where a major event is taking place at the top, that is the twenty fourth floor. There is a lot of preparation going on, and there are many important guests arriving on the day. But it is not in a room, in a hall or at the premises of the flat that the story takes place, as the film is a story of eight people and a kid who gets stuck in the lift on a day when there is a major program there. The trapped people include the lift operator of the flat (Indrajith), the city police commissioner (Ganesh Kumar), the flat’s builder and a major businessman (Baiju), his wife who is a dancer and is dressed for an item in the program (Remya Nambeesan), an alcoholic writer and a stoic personality with a “Carpe diem” attitude to life (Prathap Pothen), an IT professional who plays the role of Godse in a drama for the program and also the secretary of the residents association of the apartment (Rejith Menon), his girl friend and the one in charge of the program (Sruti Menon), a former NRI from the United States who play the role of Mahatma Gandhi for the program’s drama item (Nandhu) and a little kid (Master Devaraman).

The writer keeps telling everyone that he reached there early morning; the kid keeps enquiring about his mother (Meghana Raj) and the lift operator himself tells the police commissioner about his doubts on the missing person. They are on their way to the top of the flat for the program when the lift gets stuck. The man who comes to repair the lift is an alcoholic (Koch Preman) and this delays the process further. The lift has a lot of problems, and this time, it causes bigger trouble as the function has to begin, and soon the writer has chest pain. They also find that there is a dead body on the top of the lift, and the police commisioner guesses that one of the people in the lift is responsible for the murder. He pledges to find the real victim before the lift is opened. But the question remains if it is possible in such a small space with so many people being related to the murdered person in one way or the other. The talks and actions of the people in the lift keeps on raising more and more suspicions. Even the investigator and the most respected people in the lift doesn’t seem to the kind of righteous people who can’t commit a brutal murder. Slowly, a good number of secrets are revealed, which would change their lives once they get out of the trapped area.

This one is more of Meghana Raj’s movie than anybody else. She is present in most of the flashbacks where the core of the movie is revealed. It might also be Ganesh Kumar’s best police role ever. Indrajith has very little to do as the serious lift operator who never has a moment of happiness in life. Prathap Pothen has the most interesting role in the movie, as an alcoholic who enjoys his life without worrying about the past, present or future. He provides the best comic relief with Nandhu. In many ways, this might be one of the most interesting intellectual alcoholics, a reminder of the wise fools of William Shakespeare (that was a little far-fetched) who provides those funny lines as well as the words of wisdom. It is the strangeness of his character that works the best in a situation of being trapped in such an environment. His character is most well-drawn, and the rest are just a little less developed. Some of them really don’t have any interesting character traits at all. The presence of flat characters subtract some points from the situation, and the scenes outside the lift losses in comparison to what happens inside the lift.

So where does the 2010 American supernatural thriller film come into the picture? No, The Night Chronicles: Devil doesn’t really come into the scene here. It had the supernatural within modern city life while this one has the usual crime within the modern urban life. There is no people getting killed one at a time, and there is surely no devil. The only common thing is the lift and the only similar event is the people getting trapped in the lift. So there is no place for Lucifer, Beelzebub, Satan or whoever he is. But in a world where the humans can do his job better than him, who needs that personality from the depths of the pain’s own abyss called inferno? There are satan’s little helpers who are both intellectually and spiritually better people of evil than the prince of darkness and eternal pain. Well, this one is successful in building that tension which remains there for most of the time. It is close to being brain dead in the end due to its attempt to come up with something strange and the requirement of another twist, but still, considering the fact that we have seen much worse Malayalam movies, and the greatest disasters of the Malayalam movie industry, this is not at all a bad thing in its glory.

The movie would have been better if the creators had simply forgotten about everything outside the lift and there were more incidents inside rather than the outside. That would have been more of the psychological piece as expected. May be the makers thought that the common movie watcher of this world who hasn’t watched movies like Buried might not stand a chance if they had to face with a monotonous environment such as a plain lift. The need for some colourful factors always comes to the scene when entertaining crowd-puller movies are considered. The movie’s subtitle “Mukalil Oralundu” would signify God, but there is no such direct involvement. The operation of the lift can be related to that divinity, but it is not something that can be directly connected. If the title means the dead body on the top, that would make more sense, but that would turn the usage into a rather funny thing. The more interesting thing might be about considering the lift as a character, which works as it wants itself to. Such a thing can’t be avoided even if that factor is also not explored. The supernatural clearly takes the backseat when the not-so-natural human beings takes control and leads the way.

To be frank, I have been waiting for this one for quite a long time, as the release date was changed from 17th May to 24th May; something unusual for me to long for a movie which had no special cast or nothing to boast about – I was impressed by the trailer and this being a thriller added to the longing. But the movie doesn’t seem to give what the trailer conveys to the viewer. The mystery should have been a little more bifurcating for my mind if it was so. But here, the mystery is straight, but still strange. This suspense works very powerfully throughout the first half and the movie soars high despite of some small troubles, and goes through with half of the second half without too much trouble, but it is the end that fails to justify the means. It was as if everything was made just to make the end happen, or the finish was just made for the movie to end. It is somewhat uninspiring, but everything else throughout the movie is worth all the attention. It might not be what one expect after watching the best of the world, but with the limited resources, it has been turned into something which can be watched for the fun and thrills, especially that first half which keeps one guessing about what happens next, or what can’t happen next.

Release date: 24th May 2013
Running time: 115 minutes (estimate)
Directed by: T. K. Rajeev Kumar
Starring: Indrajith Sukumaran, Meghana Raj, Prathap Pothen, Remya Nambeesan, K. B. Ganesh Kumar, Baiju, Nandhu, Sruti Menon, Rejith Menon, Master Devaraman, Kochu Preman, Vijayakumar

up&down copy

@ Cemetery Watch
✠The Vampire Bat.

Django Unchained

djsng

The Vampire Bat knew only one Django and was planning to give him knighthood for being such a wonderful coffin-dragger. It would have been an awesome feeling to have one’s own coffin. What about the awesome graves where he could have worked with the Ghost Rider with a stylish motor-bike or a horse-on-fire burning bright? This bat has always dreamt about those coffins, graves and wastelands along with ghost towns. But he could get none of them in this one. Still, there were those strange horses which were not really on fire. May be this new breed of horses could go to school and end up as smart toothless people. Well, they would still be highly vulnerable to being shot by the new Django who can shoot like a gun’s ghost in a human-spirit form who has come back to seek revenge. The number of vengeful spirits never seem to throw the Vampire Bat into that bloody abyss of nonstop boredom, as he had so much of those intolerant revenge stories that he could see only one side of this world which is full of evil and supposed-to-be-evil followed by glorified revenge full of blood and scattered body parts which might have brought the most evil vampire and the most stupid zombie into that Ring girl’s well of eternal shame.

What the Vampire Bat had was a Mango Icecream so that it could rhym with the movie, and that was indeed a success and would later prove to be an even better experience than the movie itself. The movie starts with the shots of several male slaves being chained and transported to work in a possible plantation which run on slave labour. Among the slaves is Django (Jamie Foxx), who has been sold away from his wife, Broomhilda (Kerry Washington) – a name which the Vampire Bat heard as many things other than this certain one. They encounter Doctor King Schultz (Christoph Waltz), a German dentist and a bounty hunter in the shades of an abandoned area on the way. After getting rid of the trouble from the slave owners, Schultz offers Django his freedom and a reasonably good payment in exchange for helping him track a number of people whom he has been tracing as part of his hunt. After they find and hunt down the targets, Schultz continues with Django as they do the same work. During this period of time, Schultz trains Django in the art of bounty hunting and on using a gun with efficiency.

After collecting a number of bounties and surviving with ease, they go on to free Django’s wife Broomhilda, whose current owner is Calvin Candie (Leonardo DiCaprio), the charming and stylish, but cruel owner of a plantation in Mississippi. They come up with a certain plan to make a big offer for one of the slave fighters of Candie, who fights till death, a offer which he can’t refuse. This catches both the curiousity and attention of the slave owner and he immediately agrees. But the seemingly flawless plan which was so close to success is shattered as the expressions of the two lovers raise the suspicions of Candie’s loyal and senior slave, Stephen (Samuel L. Jackson) who finds out that Django and Broomhilda know each other very well and that the sale of the slave fighter is just a trick meant to hide another big plan which lies beneath. This is where all the fun ends, and the death of Schultz would leave the Vampire Bat with nobody to root for. From this, the age of boredom begins. There are stupid shootouts and ridiculous explosions, with the presence of “the people of the night cooling glasses” and “the strangest of the strange horses”. The nonsense would reach a new level and ends with a ridiculous smile.

Well, Django’s “D” is silent, as he himself mentions, but the movie is anything but that. There is lot of violence and I am pretty much confident that there is the presence of even more violence around as the Censor Board has surely tried hard to make this PG-13 and give it an 18+ Adult rating in India. Django Freeman is evil, not by choice but by circumstances. He has so much body count that would make Count Dracula and Lestat de Lioncourt retire and beg for mercy from a dead wood elf with no teeth. Meanwhile, Doctor King Schultz is of lesser evil, as he works with his white man’s guilt to save one man, and to save the man’s wife, he loses his life. Now, that should balance his life and make it rather neutral or a little aligned to the side of good. But Django is away from redemption. He chooses the path of revenge without remorse, and thus the path to hell and may be even compete for a hell-hot cup of tea from the hands of the devil. He is highly hostile to anyone of another race, the only exception being the man who saved and trained him; he is also hostile to one person of his race, the man who is loyal to the people of the other race. That brings such a huge equation of race into the situation – bombarded to be exact.

Jamie Foxx’s Django is a very good potrayal, even as the character is at no point likeable – he has done well to make it so. There lies his success of showing the forced evil. Christoph Waltz winning the Academy Award for the Best Supporting Actor would be no surprise to anybody who has watched the movie. His character rules the movie, with the witty dialogues, action and lots of fun. He provides some of the best lighter moments, and also does the serious side with an incredible amount of mastery. Leonardo DiCaprio comes up with the power of extreme evil which seems inherent in the character. He should still be remembered for his Inception and Shutter Island, but this one also comes up with a memory leaf. Samuel L. Jackson hasn’t really fallen behind, as his character makes a powerful impression. Kerry Washington also contributes in the expected way, making this a movie of performances rather than anything else. It is here, in the acting department where the movie scores the most, followed by the one-liners which creates a great first half only to be made powerless by the second part of the second half and the climax scenes.

As far as Quentin Tarantino is concerned, this is still inferior to Kill Bill and Inglourious Basterds. Those stand a few Petronas Towers higher than this one. But there is no shortage of blood and violence here too. One has to wonder if these movies should belong to a new bloody genre. There are too many killings and in many sequences, blood and gore has the upper hand and humanity becomes mere spectator in chaos and brutality. There is no sympathy or empathy throughout the movie, especially when the guns take over and spits hell like fire-breathing dragons. Still, its treatment of the racism and slavery could have been better if it was done in a more realistic fashion. Well, not all movies can be “the art”, and this is that moment when the grand wish was to focus more on creating that entertainer which could gross a lot rather than something which could have made humanity aware of the truth. But this shall make the waves, even as not in the way it should have, if thought about from a righteous side – a sad movie for humanity indeed, as even movies like Hostel and Saw knew what was good and evil. Well, one can say that Django Unchained is a true torture porn of the worst level.

The more important of the questions might be about which kind of audience this movie targets. They are surely not for the intellectuals nor for the faint-hearted. The next doubt would be if this is a story of the revenge of a certain race or the story of a pure hearted man of one race helping the man of another race and even facing death in that process. This is surely no respectful treatment of anything, but for the mindless fans with its weird style, glorified violence, senseless admiration and huge historical twists, this might be a treat. There might be disrespect (to which side – or to both?), and there might be too much easiness, but as far as I know, this is a little too much to take as a movie treating such a subject. Satire? May be a little bit, not that much – can we really separate the reality of tragedy to have that feeling? In simple words, one race shedding the blood of others and vice versa – colouring the walls with shades of red is not what I wished for; I would have agreed to the same on some other occasions, but not on this. The movie came to India kind of late, and I am not really unhappy about it, as watching this one late has had its advantages – to hear about it and disagree on many occasions. There is the first half which gave hope, and what follows is not of expectations, and therefore clear thumbs down for the second. Another thing – beware of a drag and length.

PS: My rating for this movie has come down a lot since writing this, but I am not bothering to bring it down just because I don’t want to think about this again. I wish that I had asked only to the right people before watching this movie!

Release date: 22nd March 2013 (India); 25th December 2012 (United States)
Running time: 165 minutes
Directed by: Quentin Tarantino
Starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson, Walton Goggins, Dennis Christopher, James Remar, Michael Parks, Don Johnson

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@ Cemetery Watch
✠The Vampire Bat.