Intrusion

Vampire Owl: So, who is the real intruder around here?

Vampire Bat: Freida Pinto plays the one who goes through the intrusion.

Vampire Owl: I remember her from some of the interesting films of past.

Vampire Bat: Freida is indeed better than almost every Bollywood actress here.

Vampire Owl: Bollywood has never been known for quality in acting.

Vampire Bat: It has never been known much for the plot either.

Vampire Owl: There is nothing that I want in a movie than a good plot.

Vampire Bat: Well, they can give a good story, but not a good plot.

Vampire Owl: Well, they are limited in talent due to acting being family business.

Vampire Bat: You don’t inherit all skills just like that.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Breast cancer survivor and immigrant from India, Meera Parsons (Freida Pinto) and her husband, architect Henry Parsons (Logan Marshall-Green) have moved from Boston to an isolated area of New Mexico, as latter had designed a new house using all her skills. Meera continues to be concerned about the possibilities of cancer returning, as she finds something near her breast while showering. She tries to keep things secret from her husband, even though he has been very supportive and has made sacrifices throughout his career in the past. At night, after having dinner outside, they return only to find their home being broken into. Detective Stephen Morse (Robert John Burke) suspects that it is someone they knew as the laptops and mobile phones are the only things which are missing from the house. As they are basically in the middle of nowhere, there is nobody to call for some quick help, and he finally installs some security cameras to be sure.

So, what happens with the events here as we just keep looking? :: Meera has another check-up and finds out that there is no signs of cancer returning, much to relief of both of them. But they wake up at night due to some strange noise, but they are not able to turn on the lights. He goes to check on the generator and finds out that it has been smashed. He finds out that there are intruders in the house, while Meera is tied up and gagged. They manage to escape with the men being shot down, while the intruders are also supposed to be responsible for the disappearance of a girl named Christine Cobb (Megan Elisabeth Kelly), all of them coming from the same family which lives in a poor neighborhood. Two of them died in the spot while the remaining person died later in the hospital. Meera remains in trauma after the incident, but Henry asks him to move on, as the last person also dies in the hospital. Meera wonders if there is something wrong, considering the way Henry was dealing with the situation, but there might be more than what meets the eye about the same. Will the two stay together after knowing the whole truth?

The defence of Intrusion :: The movie works as an effective mystery work rather than going the full thriller mode. There are secrets in here, and they are revealed as the movies progresses firmly. The location is really good, and we have the feeling of that this could be a perfect place for some strange and mysterious things to happen. We keep wondering if something is behind all of these, at all times, as clues are given to us at regular intervals. There is also the reflection of human inherent evil, even on people who are supposed to be not the bad guys. The tendency to be evil is shown as always there. The human mind is a paradise for evil, and as one goes through different situations, divergent ways of evil are released, as seen in this movie through seemingly perfect people. Most of the times, it looks like a standard, decent effect, even though it wouldn’t claim for a lot, with enough awareness on its own existence, and where the strengths lie. It goes on in a straight forward manner, with out ups and downs.

The claws of flaw :: The movie could have been made in a more thrilling way in comparison to how it has progressed as of now. We do have a guess about the twists which are to come in the end, and there are clues which we can understand better than the main character can. Even with its shorter run-time, the movie still feels long, as things do not pick up the pace at any moment, until the final revelation and realization. It doesn’t use the home invasion elements to advantage either, and the surprise element could have been strengthened, maybe with the use of better elements of shock. There could have been those moments which raised the level of the movie, but this one just manages to go on at the same level at all times. The movie doesn’t have enough to go this long, and one and a quarter minutes would have been enough for this one. One would wonder how this one would work if some more effects were added here, with lighting or with the sounds at night. There was chance for some horror elements, especially as this has the psychological elements – the home invasion could have easily been scary enough to make an impact.

The performers of the soul :: Freida Pinto has things in control here, and we know that she is capable of more than the usual Bollywood actors and actresses, most of them being there just because of their parents, uncles, aunties and grandparents. It is nice to be in quality movies and come up with a role of relevance every time, she seems to continue to do the same again and again. This movie is completely about her, as it is up to her to discover the secrets about what has been happening around here, especially a few things which are not going to make her happy in any way. This is something that good actresses rarely get in Bollywood, and she has another work to remember, rising above the overall strength of the movie itself. Logan Marshall-Green plays the next important role, and it is the one other role of significance that is there throughout the movie. The other characters are of very low significance, and one person who becomes important in the end is Megan Elisabeth Kelly, played well for a very short period of time.

How it finishes :: Intrusion manages to be interesting enough with Freida Pinto at the centre. There is no questioning her skills at any moment, but some opportunities are being missed out, as you look around here. Not to be confused with Intuition, which is a Spanish thriller, this one would focus on the location more than anything else to gain what it wants. It also provides the much known idea again, that things are not really what they seem, especially with the rich and influential people who wear the masks. Even though engaging in its own slower path, one has to remember that this is not exactly the home invasion movie or psychological thriller that you would expect, as this one has its own deviations. The short description and divisions into categories won’t do this one complete justice, as categorization needn’t be that exact. But you watch this one for Freida, and enjoy another ride which brings the surprise. After all, different tastes call for different kinds of surprises.

Release date: 22nd September 2021 (Netflix)
Running time: 92 minutes
Directed by: Adam Salky
Starring: Freida Pinto, Logan Marshall-Green, Sarah Minnich, Robert John Burke, Yvette Fazio-Delaney, Clint Obenchain, Mark Sivertsen, Megan Elisabeth Kelly, Hayes Hargrove, David DeLao, Brandon Root, Bonita King, Josh Horton

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@ Cemetery Watch
✠ The Vampire Bat.

Wonder Woman 1984

Vampire Owl: It has been too long since we wanted to watch Wonder Woman.

Vampire Bat: I thought that we wanted to watch Black Widow more.

Vampire Owl: Yes, that too, but this is a sequel, and we will end up forgetting the first film.

Vampire Bat: Well, it is like we have almost completely forgotten Avengers too.

Vampire Owl: Nobody forgets the Avengers.

Vampire Bat: Everybody forgets everyone, not just Avengers. It is only a matter of time.

Vampire Owl: Vampires have their memories towards eternity.

Vampire Bat: Not at all vampires. There are levels.

Vampire Owl: Levels like in Super Mario?

Vampire Bat: Not exactly. But existence for a long period of time matters.

[Gets some french fries and three cups of grape juice].

What is the movie about? :: In 1984, Diana Prince (Gal Gadot) works at the Smithsonian Group in Washington DC, and in a flashback, we see that when she was little, she had taken a shortcut to win a tournament among the Amazons. There, Antiope (Robin Wright), the general of the Amazon Army had told her there are no shortcuts, and everything has to achieved with honesty, and her mother, Hippolyta (Connie Nielsen), the queen of Themyscira had agreed on the same. Even though Diana is doing the usual kind of job in the 1980s, she is also going through the superhero stuff. In the same city, Barbara Minverva (Kristen Wiig) lives, and as a new recruit to The Smithsonian, meets Diana. Barbara is not popular at all, and she feels that nobody likes her. People usually walk around her as if she doesn’t exist, and she is highly disappointed about that kind of treatment with even her name being forgotten.

So, what happens with the events here? :: Barbara becomes friends with Diana very soon, and they notice one item, a stone that contains a Latin inscription which claimed to grant the holder one wish. Barbara wishes that she becomes as good as Diana in all ways, while Diana wishes that Steve Trevor (Chris Pine) comes back to her. They see both wishes being fulfilled very soon, as Barbara finds herself stronger and sharper, as well as liked by everyone around her – she finds out that even her body structure has undergone some change, and she is no longer the clumsy person she used to be, along with finding herself able to lift heavy objects. At the same time, Steve has returned as his soul has possessed another man (Kristoffer Polaha) whose original form can be seen in the mirror reflections. The confusion of entering a new world is with Steve, but with Maxwell Lorenzano (Pedro Pascal) trying to get that stone, it will be the least of their problems.

The defence of Wonder Woman 1984 :: We do feel that the original essence of Wonder Woman is maintained up to an extent, even though it is indeed faded when do a comparison with the previous film. There are some fine action sequences, even though we should have had more grandeur. The best fight is the one in the White House, and showing the helplessness of superheroes making connection with the audience works most of the time. It manages to keep its level high enough among the other DC movies if we make more comparisons with more. The characters in the film are nicely linked with the tale’s progress, and how it finally sets things well for a possible sequel later. There is the message that goes against selfish motive, and going for your desire without thinking about others – against those people who are completely into their ambitions as if people around them do not matter. The setting of 1980s also work really well, and there is a lot of background here that works nicely.

The claws of flaw :: A movie on Wonder Woman can always be better, and there is no doubt about it, for we know what happened in the first film. There could have been more fight scenes around here, and the action could have been bigger. The last fight with the two characters in strange costumes makes things rather weird instead of making everything better in quality. Cheetah should have been a case of terror much earlier as the only character worthy of giving a fight, and should have really had a costume to go with the villainy. The fun that superhero movies usually have, and the dark side that the DC films have had, are not here to make the impact on both sides. The film only gets more and more predictable in its run, and its more and more so by the end. There are moments when CGI doesn’t look that good, especially when the protagonist in the air. There are moments when the movie also feels stretched, and this time even the cameo between credits feel unnecessary.

Performers of the soul :: Gal Gadot, as we always know does remain the strength of the movie, even though there is the feeling of tiredness here in comparison to original Wonder Woman and Justice League. She manages this role very well, as we would expect her too, and the feeling that Wonder Woman brings is different from Marvel’s Captain Marvel – a feeling which is not always easy to manage, but is done really well here. Among these lady superheroes, the gap between Wonder Woman and Captain Marvel is rather too high, with latter as a character is not the person we love. Kristen Wiig does make a pretty good villain character as she handles the spirit, but not much of a Cheetah that we had expected, despite the first half of the movie had her nicely set, even though in a predictable manner. Pedro Pascal does well as the villain who causes the big trouble. Chris Pine returns, but despite everyone having needed the same, this is short-lived.

How it finishes :: This version of Wonder Woman doesn’t match up to the original, and that point is made clear very early into the movie itself. Well, we are sure that it is not possible to match the skill of Marvel here, but we did expect an exception in this case, which didn’t happen though. There was the chance of making some great action sequences here, but they are limited, and Cheetah itself could have been further grand. When we consider the grand scheme about the last movie, this one surely trails behind. But with the entertainment that the movie provides, it is always nice to have another superhero during these times of trouble. The film also has its moments, and we get this on Amazon Prime Video at a time when we are in lockdown. During these times of COVID-19, stay at home, and thus stay safe. After all, entertainment keeps more people at home than anything else. At the same time, let us hope for a better tomorrow.

Release date: 16th December 2020 (United Kingdom), 25th December 2020 (United States), 15th May 2021 (Amazon Prime Video)
Running time: 151 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Kristen Wiig, Chris Pine, Pedro Pascal, Robin Wright, Connie Nielsen

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<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Passengers

What is the movie about? :: It is a long time into the future with space technology being very much capable of almost anything that has been dreamt about right now. It has reached a state of near perfection that science is now something that cannot fail to deliver the promises which are calculated and made, no matter what the circumstances are. There is the highly advanced spaceship named Avalon which is transporting around five thousand colonists and a crew of two hundred and fifty eight suspended in hibernation pods to the new colony far away in space, the planet Homestead II through a journey that is expected to take one hundred and twenty years. Just thirty years into its journey, the ship comes across an asteroid belt, and despite keeping the shield strength at its highest, hits one of the huge projectiles, and faces multiple errors, all of it the ship repairs by itself while on autopilot, but there is the connection to pod number 1498 which gets struck hard, and the system is unable to repair the same.

So, what happens next? :: This problem awakens the passenger in hibernation inside the pod, a mechanical engineer named Jim Preston (Chris Pratt), ninety years earlier than he was supposed to wake up. After the early briefing and classes, he realises that he is the only one awake, and it is too early considering the fact that he was supposed to wake up only four months before the ship made landfall – at this rate, he was only going to age and die before the ship reached its destination. He tries sending a message to Earth, but not only does it prove expensive, the same is going to take nineteen years to arrive at the home planet, and the earliest reply is estimated to take fifty five years. He tries getting inside the pod again, and even repairing the pod using the instructions and his own technical skills, but there is no hope there. He tries to contact the people responsible, but the only people whom he gets to speak with are the machines and all he receives are automated answers.

And where does things go from there? :: After having tried everything including breaking in to places, Jim gets ready to accept his fate, talking and spending time with Arthur (Michael Sheen), an android bartender on the ship, as well as forcing himself into the areas of higher class passengers and enjoying special privileges. One year goes by, and Jim gets more and more disappointed about his situation, and even thinks about committing suicide, despite finally deciding against it. There is almost nothing new happening out there, and the spaceship just goes on through its path. But one day, while going through the pods, he come across Aurora Lane (Jennifer Lawrence) sleeping in her pod. He watches her profile and video and immediately falls for her, a writer. After thinking deep about it, he makes her pod malfunction, and she also awakens. He tells Arthur not to reveal the truth behind her pod to her.

And where are things heading now? :: Aurora, hopeless at first about the fact that she is going to age and die before reaching her dream destination, goes through the same things that Jim tried, and finally decides to write about her experiences during the journey. Soon, the two become very close to each other. Aurora trusts Jim as the only other person there, and the one last human being she is going to see in her life before she dies. But things don’t go that smooth as expected, and there is no perfect love story coming up here. The secret will be revealed, as Aurora will find out the truth behind her pod failure, and she won’t be the same person after that. At the same time, another pod will malfunction, and the same will awaken Gus (Laurence Fishburne), a Chief Deck Officer. He will reveal a few things about the current situation of the ship, which will threaten the lives of everyone on board. Can the ship be saved from a terrible fate that awaits, and can Jim and Aurora work together for the same?

The defence of Passengers :: Chris Pratt and Jennifer Lawrence are undoubtedly great together – there is a great chemistry going on there. The visuals are nothing less than stunning, and the spaceship is something that will stay in your minds for its splendour not just outside, but also inside. The swimming pool without gravity is among the best. Yes, the space remains amazing, and so do our ship and the leading characters. This is about the two people, their emotions and the space ship – along with all the saving that is needed in the end. Unlike what the reviewers are constantly saying without thinking deeper about there is one act of sacrifice and selflessness that we get to see in the end. Above all, this is also more like the tale of Adam and Eve, with the two protagonists getting to live with themselves, as the spaceship which faces devastation like our planet does, many years later – it can only be told later if the world in space survives, as the rest of the four thousand nine hundred and ninety eight people will get to be born again into a new world.

The claws of flaw :: There could have been better pacing for a two hour long movie, even though it never really brings the boredom to us. It is also not so good that Laurence Fishburne gets to come too late – there is a little too much going on before that, to be exact. We could have gotten this movie to be shorter by at least fifteen minutes, or rather could have had more action rather than extending the lonely life of the protagonist, and the relationship between the two main characters so much. There is even that happy climax which seems to be forced, but as I read some reviews by a few self-proclaimed intellectual reviewers, I feel that that climax and ending is the best, for it should have irritated their stubborn side a lot more. Maybe, you can search for the reviews with a lot of use of the word “selfish”, and then you can find out the flaws which have discovered, or rather created in this movie – most of them don’t really exist if you look at the flick; for I was very much immersed in this movie.

How it finishes :: The reviews on this movie have remained prejudiced, and that is not surprising considering how these people have been degrading the good movies in favour of those particular kind of movies, and try to make these movies score better at the box-office; it has been going on as a trend. The good thing is that a lot of reviewers from India have succeeded in going beyond that prejudice to like this flick. What surprises us the most is that almost all these reviewers who would do the exact same thing when caught up with a situation like this, have chosen to blame the protagonist, as well as the makers of the movie for so many factors related to the same – some people are just too idiotic to take only selected things into heart, when all these have finally come together to save so many lives in the end. We don’t have one selfish person here, but two, as it is evident from the second character, and it is selflessness and sacrifice that wins in the end – lets hope that people who have no idea of love and sacrifice will one day understand that. Well, who needs a more human story in space when there is Interstellar full of science and no humanity? For action, there are the Star Trek movies, Jupiter Ascending, Guardians of the Galaxy and many more. But this one is also worth it! If you liked this, do watch Pandorum.

Release date: 21st December 2016 (USA); 6th January 2017 (India)
Running time: 116 minutes
Directed by: Morten Tyldum
Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Nazanin Boniadi, Andy García, Aurora Perrineau, Vince Foster, Kara Flowers, Julee Cerda, Conor Brophy, Lauren Farmer, Aurora Perrineau, Emerald Mayne, Kristin Brock

@ Cemetery Watch
✠ The Vampire Bat.