Author Archives: Dr. Tennyson

Bethlehem Kudumba Unit

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What is the movie about? :: Ashley Thankachan (Mamitha Baiju), a confident young student from Mundakkayam, moves to Angamaly to pursue studies as her family faces financial difficulties due to her father being a full-time drunkard who does not go for any job without creating any problems. The family settles down in a rented home as her mother takes charge of the home-related activities for the family of four. There is also a dispute with their family which makes it almost impossible to sell their ancestral house and land back in their hometown. He finds new friends at the location and finds Justin Davis (Nivin Pauly), a bachelor in his mid-thirties who lives in the nearby house. He is well-known and liked in the neighbourhood and runs a catering business, and he is known to help others who go through any struggle. She also meets Justin’s brother Joel Davis (Sangeeth Prathap) who spends most of his time trying to make a successful short-film with his lover Sayoojya (Parvathy Ayyappadas) as the main heroine while keeping their relationship a secret. Justin’s nearby and work-related friends Baiju (Suresh Krishna), Printo (Shameer Khan) and Glixon (Roshan Shanavas) also make themselves known at the same time.

So, what happens with the events here as we just keep looking? :: Then there are the Moreli sisters who are the cousins of Justin, Riya Moreli (Meenakshi Raveendran), Sri Reshma Moreli (Srinda) and Renju Moreli (Sreerenjini), who become best friends with Ashley – they become part of various activities of Bethlehem Kudumba Unit, a church-based family unit which also serves as a creative inspiration for various activities. Glixon develops a certain romantic interest with Ashley who does not show any interest in him, but develops feeling for Justin who has remained a bachelor after the death of his fiancée many years ago, and had only recovered from depression a few years ago with his catering business becoming successful against all odds. He has been serving as a leading participant in different activities of the area since then. Justin’s aunty, Sister Cicily (Bindu Panicker) finds out about Ashley’s love for him, which comes as a surprise, but he finds out that he has the same feelings for her. But the age difference and her parents’ other plans for her seems to come as a hindrance between them. Can their love survive this upcoming crisis?

The defence of Bethlehem Kudumba Unit :: We note that the age-gap dynamic between the two characters is treated with mutual respect and clarity without providing any uncomfortable feeling. The interactions also feel natural and not like something forced on the characters as part of the acting process. Their original age gap is reflected as part of the tale, unlike those movies in which older so-called superstars playing younger men and teenage heroines playing older women to bridge the gap between their lifespans. Along with the main cast, the support is also really strong with this one. The music nicely supports the movie, and there is a certain amount of nostalgia related to the talk about the past, as many of us feel close to the hero who has had a sad past. The humour nicely comes out of situations, as ego clashes and awkward family interactions easily create them, while some natural and common silliness also adds to the same. The emotions are still maintained in a strong manner, and we see that the romantic side remains cuter than ever.

Positives and negatives :: One could still feel that the tale could have had more depth to the proceedings, with the world outside the main characters also getting some more attention. But the simplicity remains a positive quality of the movie. Yet it seems to end quickly, but it serves the feel-good well as we look at it. The light-hearted feeling remains in such a way that even when there is a big fight going on, there is no real feeling of danger; we enjoy the same, as there is always a humorous side at work. The movie’s service as an Onam flick can never be questioned as it embraces the perfect mood so well – the other movies releasing with it can still have the audience who could not get tickets for this one, and those films which changed dates of release can be glad to have escaped from this competition. The fine frames here capture the lovely feeling of a suburban Kerala parish neighborhood unit. Underneath the comic side, the film explores the family expectations, the social awkwardness around non-traditional relationships and generational friction which always exists, and the same is also done without being too preachy or melodramatic.

The performers of the soul :: After Sarvam Maya, Nivin Pauly once again returns to the kind of role in which we have loved him, moving out of the Baby Girl and Prathichaya movies which came in between in thriller mode. Another return to top form with a classic and effortless feel-good/rom-com performance has us interested. Meanwhile, Mamitha Baiju delivers a grounded, expressive and confident performance which stays close to realism. Their chemistry feels more natural than ever, and the same keeps the movie going strong. Some of the dialogues used by them and situations in which we see them in life feel like natural part of life, and there is no artificial feeling about them – most of the romance we see in many other movies had not much real about them, for the Gothic often felt more realistic than them. Unlike her previous one hundred crore movie with Naslen, this one has her in a realistic world which is close to our life, and we remember that the earlier movie was more about silliness than anything else, with improbable situations. We know that Operation Java and Kho Kho were the earlier movies in which she had our attention, and here, the level has gone higher.

Further performers of the soul :: The movie’s standout performer as far as humour is concerned is Suresh Krishna, who has moved out of those serious and antagonistic roles to bring the kind of characters whom we remember during those happy and funny moments in life. His humorous moments will stay with us for quite some time, and it is also a character whom we would love to have around. Sangeeth Prathap once again has a fun role, and he repeats his good work in a territory which seems to work so well for him. Roshan Shanavas also has his fun moments, and the humour starts early for him in this movie and goes on well. Shyam Mohan’s work is also worth a lot of attention, and he shines very well in those final moments and the humour about him keeps the final moments going. Vinay Forrt also brings more effectiveness with a defining character. Srinda and Meenakshi Raveendran comes up with the characters we would remember too, and it is always nice to see the latter around for more as she our favourite from that acting reality show.

How it finishes :: Bethlehem Kudumba Unit is that return to the feel-good that we have always wanted, especially with the one leading actor who has been an expert in the same. As far as the director Girish A D is concerned, he gets his best movie so far with this one, and pushes Thanner Mathan Days to the second spot, with Premalu being pushed to the third, and Super Sharanya in comparison, is nothing but a shadow that comes alive only when that forced final romantic track is not active. Here, he has achieved the pinnacle of normal and realistic feel-good rooted in simplicity. As a lighthearted, warm and realistic family rom-com with breezy comedy, this one is clearly the winner of the Onam season. Without jokes made with bad intention or poor intent, this one is that kind of a film which is suitable for all kinds of audience. Despite a strong emotional side, the movie’s feel-good with the lighter elements keep it working all the time as humour thrives with ease. The quick one hundred crore collection is a reflection of the same, and as family audience do not have that much of a choice during this festival holiday season, the movie should continue to do well.

Release date: 21 August 2026
Running time: 155 minutes
Directed by: Girish A D
Starring: Nivin Pauly, Mamitha Baiju, Sangeeth Prathap, Vinay Forrt, Suresh Krishna, Shyam Mohan, Roshan Shanavas, Bindu Panicker, Srinda, Meenakshi Raveendran, Sreerenjini, Shameer Khan, Priya S Babu, Parvathy Ayyappadas

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✠ The Vampire Bat.

The Calendar Killer

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Vampire Owl: I was once called the Calendar Vampire.

Vampire Bat: It is quite an absurd name for a vampire.

Vampire Owl: I am an owl who has a calendar collection. So, that works.

Vampire Bat: What does a centuries-old vampire who lost track of time do with a calendar?

Vampire Owl: I am aware of the passage of time and dates.

Vampire Bat: I would always doubt your awareness.

Vampire Owl: Is it because I admire the work of Dr. Frankenstein?

Vampire Bat: What Mr. Frankenstein is doing is more like the lack of work.

Vampire Owl: I would appreciate Frankenstein the scientist all the time.

Vampire Bat: As someone who keeps killing dead people through experiments.

[Gets a sweet samosa and three cups of Darjeeling tea].

What is the movie about? :: Jules Tannenberg (Sabin Tambrea) works at a telephone helpline service which has the limited duty of talking to people walking home alone, especially women, and help them to go on and make sure that they reach home or their immediate destination safely. He is someone who was only recently widowed, after his wife committed suicide and had also lost two of his three children at the same wretched hour. He has successfully completely a good number of walks through phone with possible victims, saving many from harassment. One day, he gets distressed call from Klara Vernet (Luise Heyer) who seems to be in a lot of panic. Klara tells him that she was targeted by a psychotic murderer known only by the media-provided pseudonym, Calendar Killer. This particular killer who had risen to a celebrity status through social media and new channels is known to mark his victims’ death dates in advance on the walls of their homes with a horrifying ultimatum, “Him or You” which means that one among the husband and wife will be murdered, unless one partner kills the other.

So, what happens with the events here as we just keep looking? :: As Jules attempts to keep her calm and guide her through phone, he suspects that there is domestic violence involved, and more details about her is revealed. She tells him that her husband Martin Vernet (Friedrich Mücke), a high-ranking state official has been subjecting her to years of domestic violence, some of them psychological in nature, which has led her already struggling mental health to get worse. Klara was running away from him as Martin had tied her up in the middle of a secret club and punished her in front of everyone else on the day of their wedding anniversary. She had left her six-year-old daughter Amelie (Romy Miesner) with a young babysitter named Vigo (Shadi Eck) and was afraid that she would loss custody of her daughter as her declining mental health had led to her being admitted to psychiatric institutions. Now with a killer also on her back and with her husband refusing to believe that there is a psychopath, she has no hope – but can this hope be revived through that phone call or will the killer take a life?

The defence of The Calendar Killer :: The run-time of a little above one and half hours is very much favourable to the movie which keeps the pace going. The cold and wintery aesthetic paired with the midnight deadline facing murder or death, creates some genuine suspense in the first half, as there is uncertainty, haunting and some surprise waiting to arrive for the viewer. The camera work by Christian Huck plays a big role in making the whole thing captivating – the settings and darkness had become allies of the movie from the early stages itself, and we are aware that there is something unexpected and sinister not just with the psychopathic killer, but also about other people. The scenes in the club comes as big revealing moments about the characters and that becomes the first surprise delivered. The final twist related to the murder is quite a big surprise for the audience who might not have guessed that multiple shocks were coming that way as people seem to be someone else in unexpected masks. The strong emotional performance of the leading lady adds to the overall quality of the movie and keeps us further interested in the proceedings.

The claws of flaw :: The movie does seem to lose its way at times, seemingly deviating from its most important elements. The focus which should have been on the psycho killer often wanders here and there as if never sure about which direction it should be heading. We can see a number of far-fetched coincidences which seems to be forced into the proceedings and then there are those illogical character choices which keeps the movie further confused. The exaggerations are also there, and we wonder if the leading protagonist is really crazy due to some of her choices and actions. Then there is the attempt to balance a usual serial killer with a psychopath on the hunt with a serious domestic abuse trauma narrative, which gives both sides some struggle. The exaggeration of domestic struggle flashback into the intentionally weakened psycho killer tale will have the audience in peril on many occasions in between, and if it was not for the performance of the lady in the lead, would have never connected well like we have here. Then there are also some characters that never gets the due.

The performers of the soul :: Luise Heyer clearly leads the way and plays the victim to a state of near-perfection. The excels in those moments of sadness and pain, and shows the pain of being under a dominant and influential partner who takes advantage of her. At the same time, she shows the determination that such a character gains when facing even bigger trouble, and fights herself to keep her soul instead of having her revenge. The emotional weight of the terrified, exhausted mother stays at full strength with her – we can feel her anguish at her present and the past as flashback works even better. At the same time, Sabin Tambrea comes up with a dual-layered performance which shows a higher level of calibre. There is a certain emotional side to him and the journey through multiple layers has our attention. Martin Vernet’s work also brings a certain impact as we never see the performance getting any weaker. Rainer Bock also remains solid throughout the run-time. Andreas Döhler also has a memorable quick role here.

How it finishes :: The movie in based on a German novel, Sebastian Fitzek’s Der Heimweg, and any comparison to the same can only be done by those who have actually read it. This psychological thriller makes the most of its small runtime and claustrophobic premise even while maintaining a little too many flaws than one would want it to have. The message about domestic violence keeps struggling and often pulls the psychopath down with, but in the end, it manages to come out strong enough to make the whole thing better. The final surprise saves the movie despite the ending just happening with ease. Anchored by Luise Heyer’s memorable vulnerability and emotional side as well as Sabin Tambrea’s surprise strength that takes a divergent path, the film nicely uses the real-time tension against a bleak and wintery setting. The usual phone-helpline narrative with a twist keeps this unsettling world interesting for us. The struggles in between can be often forgotten as the world holds together. The movie is available on Amazon Prime Video to take your free time.

Release date: 16 January 2025
Running time: 97 minutes
Directed by: Adolfo J Kolmerer
Starring: Luise Heyer, Sabin Tambrea, Friedrich Mücke, Rainer Bock, Andreas Döhler, and Romy Miesner

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@ Cemetery Watch
✠ The Vampire Bat.

Hell in Paradise

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Vampire Owl: You think that hell can be loaded into paradise?

Vampire Bat: Maybe a little bit of space can be reserved for the same.

Vampire Owl: Yes, even Dracula Castle has space for a portal to hell.

Vampire Bat: You are talking about that strange experiment by Mr. Frankenstein.

Vampire Owl: Dr. Frankenstein comes up with the perfect experiments every time.

Vampire Bat: Yes, the frank man always makes a mess of things.

Vampire Owl: You know that he is a man of science with divergence.

Vampire Bat: The only divergence he has is from the path of science.

Vampire Owl: It is possible as he is also a man of history.

Vampire Bat: The only history he knows is about himself.

[Gets a poori masala and three cups of Yercaud tea].

What is the movie about? :: Nina (Nora Arnezeder) is a young single woman living in Marseille of France, struggling to make the ends meet as she also has to support her separated mother, Sam (Maria Bello). She becomes aware that she cannot go on like this forever, and while looking for financial stability and a new beginning at a new place, Nina accepts the position of a receptionist at a grand five-star luxury island resort in the Maldives which seemingly own one side of the sea. The place is considered to be one of the prestigious luxury destinations of the local owners who are part of a royal family and they control a lot of assets of the nation through different business ventures. When she arrives, the resort appears to be a beautiful sanctuary of turquoise lagoons and extravagant villas, with just tranquility all around. Nina quickly integrates into the daily routine, interacting with the wealthy international clients with ease due to her mother being American and she having a good accent and expertise in English.

So, what happens with the events here as we just keep looking? :: She becomes good friends with her roommate Valeria (Joséphine de La Baume) who is from another Asian country as well as the resort’s general manager – a local man, Azaan (Alyy Khan) who appreciates her work. Tariq (Shubham Saraf) who takes care of the boats of the resort and also manages some cooking in the background also becomes good friends with her as he understands her confusions being in a kind of nation to which she has no familiarity with. As the nation blend the common law with Sharia law with all citizens required to be Muslim, she had to be careful as a foreigner who does not believe much in religion. As only the resort islands serve alcohol and pork as well as allow her to wear bikini or even the usual clothing she used to wear in France, she stays there for almost all his life in Maldives, and is surprised to see people using drugs inside the resort even though it is not legal and if possessed in huge quantities, can even lead to death penalty.

And how well can she earn well and remain happy while away from home? :: The divide between the ultra-rich guests and the invisible migrant workforce that keeps the resort working is noted by her, but they are all happy as they are paid well, and the tourism of the nation remains its strong and most valued side. Her happy moments take a twist when Nina is asked by resort management to step outside her receptionist duties and keep a watchful eye on three young children whose mother does not want to care for them and creation a situation there in front of her helpless husband who calls for the family to stay together and enjoy their time. Nina tells everyone that she has no experience with children and is not trained for any similar kind of job, but is forced to take the job as four staff members had taken the day off. The children are unruly and justifies why their mother wanted to get rid of them, and a girl child manages to move away when Nina was taking care of the smaller kid and she drowns in a pool. This leads to her being targeted as the only person responsible for the death, and as the country’s laws are not favourable to single women who do not wish to marry and have children, she finds herself taken advantage of, and facing prison – can she survive?

The defence of Hell in Pradise :: Nora Arnezeder holds this character right on her shoulders, and she delivers a grounded performance which has us supporting her and hoping for her to escape this torture which feels continuous. Her journey from a hopeful expatriate to a desperate fugitive as she suffers the psychological toll of isolation and anxiety makes her the one person whom we keep supporting from till the end. After some of the sweeter moments which come in the beginning, the tension just rises above them all. As the movie progresses, we feel her anxiety and we know that there is something going on to trap the protagonist with all the blame on her, as her doubts never feel like outside reason. With the moments of further danger, we keep more immersed in the tension. The beauty of the world keeps us interested, and there is a certain need to travel to the island that arises early. The display of parents who cannot look after their own children is a reminder to all of us not to trust such fathers and mothers are to be looked at with contempt with the need for random people to look after their kids.

The claws of flaw :: The movie is slow to get going, and in the end, it seems to bring a very quick end out of nowhere, as the protagonist seems to find a way all of a sudden, and the ending moments also lack some clarity – the character change is a little too quick as she manages to be someone so smart and capable when she is at her lowest point. This makes one feel it is a strange mixture which never really mixes everything in the right quantity and one can also wonder about the balance. The film also forgets its strengths and deviates at times, making one wonder if it is every going to reach anywhere as repetitions are there and we keep seeing similar things again and again. A wrongfully accused protagonist trying to save herself is a common cinematic formula and there is not much of an innovation at work here. A number of characters also feel one-dimensional and there is a certain amount of predictability about them. The useless moronic parents are also not given the hatred that they deserve, and such people always deserve to be shown as the true evil representations, much above those who try to save their names.

How it finishes :: Hell in Paradise is an interesting movie not just with its tale of being caught in a nation one is not familiar with, but also with some incredibly beautiful visuals which will make us fall in love with Maldives, and also has us feeling exactly like the protagonist in trouble, with the film’s situations making us wonder what we would do in such a situation. We feel what the protagonist feels facing the unknown laws of unfamiliar lands, as being in a nation with severe restrictions except for as a tourist will have us tensed. The movie’s service as a high-tension thriller that takes a nightmare scenario works for most of the time. It successfully taps into the primal fear of being trapped in a foreign justice system with no friends or influence, completely at the mercy of wealthy and corrupt institutions which discriminate you and make you a criminal for gender and foreign nationality. On another day, this could be even worse, but this protagonist does have some hope in the end against all odds, even though that seems more manufactured than anything else – to add to it, you have Nora Arnezeder who delivers this as one of us.

Release date: 26 November 2025
Running time: 102 minutes
Directed by: Leïla Sy
Starring: Nora Arnezeder, Maria Bello, Alyy Khan, Joséphine de La Baume, Shubham Saraf, Ranjit Krishnama

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@ Cemetery Watch
✠ The Vampire Bat.

Beast Race

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Vampire Owl: I think that they are talking about the races held by werewolves.

Vampire Bat: Werewolves are not the only official beasts in the world.

Vampire Owl: Humans call us beasts, but they are mistaken.

Vampire Bat: For some humans, beast is a positive thing.

Vampire Owl: I heard that demons and witches unleash beasts.

Vampire Bat: Those are just rumours spread to scare people around.

Vampire Owl: You think that even shadow demons don’t have beasts?

Vampire Bat: The shadow demons are beasts themselves.

Vampire Owl: They are also immortal, aren’t they?

Vampire Bat: We know that demons are forever, towards infinity.

[Gets an onion uthappam and three cups of Kodaikanal tea].

What is the movie about? :: Many years have passed, and Rio de Janeiro tries to survive with some grand transformation occurring in the area after the disappearance of the sea around it. With the whole world feeling the effect of strange natural phenomenon, the city becomes an entity separate from any kind of universal brotherhood or globalization. The climate change and disasters have changed the division between the rich and the poor, making it even worse for the latter, with no resources and no way of living. The wealthy elites who control everything and go on with their days in luxury, while the poor struggle to survive in the slums and their known world which have turned into wasteland areas. To control the people from rioting, the rich and the influential bring back Brazil’s traditional illegal animal lottery which was present in one way or the other in different formats, and transforms it into a deadly, high-stakes sport called the Beast Race. This game replaces animals with humans wearing animal tattoos and masks, and are called by the names of the creatures whom they choose to represent.

So, what happens with the events here as we just keep looking? :: In the game, the runners who take on animal alter-egos like Pig, Horse, Lion, Bull, Eagle, Cat etc have to race through lethal obstacle courses across four elimination stages set in urban or rural areas and maybe even forests. The ultimate winner earns a grand fortune along with the fame and respect. But every runner must offer a loved one as human collateral to enter the, and if the runner loses or dies, their collateral is condemned to the mysterious, dreaded place called Coast of Hell where they are experimented on, unless being bought by one of the elite wealthy people to be one of their slaves, but that comes at a very high price. The game is managed by Abu (Rodrigo Santoro), a former champion runner who won the race so many times and with relative ease that he went on to become the game’s mastermind, and holds a high status among the elite class who treat the runners as their disposable playable characters in the running game. He gets to make many decisions which are even frowned upon by the rich and the influential.

And what more to follow here in a world of races with lives at stake and a revolution in waiting? :: Mano (Matheus Abreu) is the biggest opponent of the idea of this game, as he leads a rebel enclave in a zone. He keeps fighting against the games by taking out racers who attempt to take the easy path through his territory as the race usually takes place around the perimeter area. Mano’s plans for revolution against elite class and the game is shattered when the boyfriend of his younger sister, Dalva (Thainá Duarte), secretly enters the race and is forced to offer her up as his human collateral. This means that Mano needs to replace the weak boyfriend who seems like someone who could lose in the initial rounds – he does the same, and takes the alter-ego of the Cat. Nadine (Isis Valverde) takes over as his player, guiding him as his eyes, as she joins in for the first time. She is also determined to take control from the usual winners and emerge as the new leading player by making her runner win, as she herself was a slave who was bought by an elite class man and used for his pleasure until reaching this level. As Nadine and Mano work hard to prove a point, will there be a change in a world of hopelessness?

The defence of Beast Race :: The apocalyptic world here has been built with a difference, and the dystopian touch also has our attention. The parkour moves through what seems to be more or less dangerous obstacle courses across apocalyptic environments makes this creative and highly entertaining. The world has been nicely built and we see the environment undergoing the needed variations for the world after the apocalyptic situation. There is a lot of action around, and we do enjoy the same, especially with some nail-biting finishes during the game. Matheus Abreu as Mano makes an impressive journey as the runner despite the beginning stages not seeming to do that much. The most notable character is Isis Valverde as Nadine, one of the most solid performances in a movie of this genre; the kind of character that we should see in Hollywood movies too – she might be the best thing about this movie, as we see her coming out of nowhere. Rodrigo Santoro as Abu becomes one of the smartest villains you might ever see. Thainá Duarte also has her moments around here.

Positives and negatives :: There are many classic moments which this movie could have had, but it often hesitates to take the extra risk and does not fully work on the rebellion against the rich and the influential – maybe the same is kept for a possible sequel in the future. A number of characters feel side-lined, and the final big rebellion never really arrives. The romantic side arrives late, but works when it makes an impact related to the need for revolution from a shared post. That earlier setting for the rebellion goes unanswered, leaving the climax feeling more like an unfinished pilot for a developing franchise rather than one movie which starts and ends with itself. Some of the ideas of the movie feels only partially unexplored as there is no further development of a few elements which decides the seriousness and danger of the movie. The true nature of the Coast of Hell is never really revealed and the much broader politics controlling the game are left unresolved, as we keep wondering about how slaves come up in the ranks in a world which deprives even the common citizens of their rights.

How it finishes :: Those who watched The Running Man are sure to be interested in this one, and there is a certain amount of divergence related to this one too. This also serves as the Latin American version of The Hunger Games, even though that much of a huge fight and talk about rebellion is not around. This is also one movie which makes us feel why we cannot have such a movie in regional film industries of India too, as the end of the world could exist with divergence in all parts of the world, and could develop divergent dystopias. The movie here does the best during its high-octane parkour sequences and survival races, anchored by strong environment and surprising performances which rise in level later. The movie’s success in creating an entertaining, dystopian and post-apocalyptic spectacle that pushes the boundaries makes us interested. This was actually discovered surprisingly on Amazon Prime Video, and it is available in multiple languages including English and Hindi. You should give this one a try if you have loved this kind of worlds and survival games.

Release date: 17 March 2026
Running time: 124 minutes
Directed by: Fernando Meirelles, Rodrigo Pesavento, Ernesto Solis
Starring: Matheus Abreu, Rodrigo Santoro, Isis Valverde, Bruno Gagliasso, Seu Jorge, Grazi Massafera, Leandro Firmino, Silvero Pereira, João Guilherme, Anitta

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<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.

Supergirl

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Vampire Owl: I have heard some strange things about this movie.

Vampire Bat: The trailer itself was rather strange for a superhero movie.

Vampire Owl: I was wondering if this was really a superhero or a girl calling herself super.

Vampire Bat: There is nothing super about humans or their alien friends.

Vampire Owl: Yes, you are talking about chaos and destruction caused by them.

Vampire Bat: Devastation, explosion, annihilation, end of the world, everything awaits.

Vampire Owl: It is great that they have remained without their immortality.

Vampire Bat: Still, there is no shortage of infinite hopelessness in them.

Vampire Owl: I see no point in any alien trying save the humans.

Vampire Bat: You should know that vampire elders voted for human extinction three million nine thousand eight hundred and eighty-seven times in history.

[Gets a sambar vada and three cups of Ooty tea].

What is the movie about? :: Zor-El (David Krumholtz) who was a leading scientist in the planet of Krypton along with his wife Alura In-Ze (Emily Beecham) and a number of people who had chosen to follow him, had moved to Argo City in the centre of the planet, during an event which destabilized the core of the planet leading to its destruction. A forcefield around city and its surroundings, going some distance down, had saved it from the explosion of the core. But it is discovered that the separation of Argo City from the planet had exposed a mineral known as Kryptonite which is slowly killing the citizens through a certain kind of radiation which affected their cells. After Alura dies due toto Kryptonite poisoning, Zor-El decides to send their daughter Kara (Milly Alcock) to Earth with their pet dog. As she reaches Earth, she meets her cousin Kal-El (David Corenswet) who was sent to the planet before the explosion of their planet’s core. After a series of events, Kara decides to go on with her life partying on planets with red suns where she can get drunk unlike Earth with yellow sun which heals her and takes her dog Krypto with her.

So, what happens with the events here as we just keep looking? :: As she parties in celebration of her twenty third birthday, she stops at the planet Holzherr. There she finds Ruthye (Eve Ridley) who is the last survivor of her family who were murdered by Krem (Matthias Schoenaerts), the leader of a merciless bandit group known as the Brigands who haunts the galaxy as space pirates and human traffickers. Ruthye who is assisted by Kara to retrieve her family sword follows her and requests her assistance so that she can kill the man responsible and have her vengeance, but the Kryptonian is not interested at all. Krem who follows them takes Kara’s ship to escape from the planet as his spacecraft was destroyed by Ruthye’s parents. He shoots Krypto with a poisonous dart when he tries to stop them and the dog is left with only three days to live. Kara decides to go after Krem to get the antidote which only their race possesses, and is forced to keep Ruthye as her companion in the journey. They find an alien mercenary and bounty hunter named Lobo (Jason Momoa) who is also chasing the bandits – can they complete their mission in time?

The defence of Supergirl :: There is always something about a superhero movie which has a vulnerable superhero, whether it is with the psychological side and physical side as the person tries to get through different kinds of trouble in life. The idea of having the superhuman go on a journey of self-discovery surely works, and the funny side also comes effective at times. The action is surely interesting, even though not on that huge a scale – the fight in the flight and the final battle do have the power to keep things interesting though. But the interplanetary journeys work well, like it did in Thor: Ragnarok, and does not make her feel like the miserable Captain Marvel who gets more irritating and is more alien than anyone from another planet could be. The fact that there is not that much of the irritating dog in this movie keeps things better. The movie moving from Metropolis cityscapes to an intergalactic revenge quest across alien worlds has the divergence that we have been looking for, but has been missing in this particular universe. The world-building surely has taken some skill, and we see that the same has been given a lot of attention. Then we feel that a new movie with both the super people is going to be grand.

The claws of flaw :: The movie struggles to keep the superhero model alive on a lot of occasions as there might be an identity crisis coming in here and there. One keep wondering if the main character had that much of a trauma to be irritating to the people around her, and the dog even becomes another name for irritation. If it had any more screen-time in a superhero movie about humans, aliens and different plants, that would be seriously disturbing, but this one escapes the same by a few minutes. The struggle related to balancing the dark themes of vengeance, trauma and heavy drinking) which comes against the silliness and the comic book action can be seen around. Some of the settings of the movie also shows some weaker designs of not much of an interest. A number of characters are not seen like having much of a development to think about. Then there are the first few minutes of the movie which does seem to make it interesting at all; this was another one of those films which we wonder if we can finish or have a positive opinion about, after we watch the beginning with the girl and the dog.

The performers of the soul :: Milly Alcock, seems to handle a different kind of Supergirl really well, even though never the kind we wanted or expected in this universe – we had a feeling what to expect from the Superman movie for sure. She is surely fun, even when the character does not walk the path needed for such a character as we would think about. But it is still a lot better than having a too-powerful and no physical or psychological weakness psycho-hero in the form of Captain Marvel. There is surely some fine development of her character despite that dumb beginning to the flick. She surely fits in as this version of Supergirl, and we see her doing so well in the middle part of the movie. The world’s most super irritating dog is also there, and as it is not there for the full run after that character being paralyzed, we can safely go with the humans now. Jason Momoa also makes a fine impact here even though we would have always loved him more as the Aquaman ruling the oceans with Amber Heard by his side as Mera. Eve Ridley as Ruthye Marye Knoll also brings some additional fun around here. Matthias Schoenaerts as the villain remains effective too.

How it finishes :: Despite the movie not becoming a success, and going rather too low with the box-office collections, one has to feel that it is not of such low level. It might not have that superheroic quality as one would expect and there is no doubt about it. But it is still better than Superman which released earlier, and seems to have more work done around here. This one is indeed ambitious, non-traditional comic book adaptation that gets into a darker sci-fi territory, and the feeling of danger is surely more and realistic than in Marvel, which used too much of the funny side as it made its superheroes, especially Thor, feel like a buffoon. This movie here might not be a universal crowd-pleaser and has surely fallen a long way from the status of a commercial blockbuster, But Milly Alcock’s performance in the second half of the movie and the central dynamic with the new-found partner traveler offer a fresh look here. Yet, one would think that if the earlier universe had continued with its existing strength, the world would have survived better, or at least if a parallel universe was unlocked before this one.

Release date: 26 June 2026
Running time: 108 minutes
Directed by: Craig Gillespie
Starring: Milly Alcock, Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet, Jason Momoa

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@ Cemetery Watch
✠ The Vampire Bat.

Mortal Kombat II

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Vampire Owl: So, it is that time of the year when we fight against them all.

Vampire Bat: We do immortal combat and do not fight mortals.

Vampire Owl: Why should we immortals engage in immortal wars?

Vampire Bat: We have had our immortal war moments in the last few years.

Vampire Owl: But zombies disintegrate, werewolves live and die. Where are the immortals?

Vampire Bat: The shadow demons are immortal, and our fight is with them.

Vampire Owl: They have not reached the realm yet, as far as I know.

Vampire Bat: The tunnels connecting our realm and the shadow world are active.

Vampire Owl: You mean to say that there is activity down there?

Vampire Bat: Yes, vampire scouts are expecting a surprise attack soon.

[Gets a ghee podi masala dosa and three cups of Munnar tea].

What is the movie about? :: Shao Kahn (Martyn Ford) had defeated and killed King Jerrod (Desmond Chiam) as part of the final battle against Edenia, and took Queen Sindel (Ana Thu Nguyen) as his new queen but completely under his control. Later Shao train Jade (Tati Gabrielle) whom he found in a slave pit, and he also has Kitana (Adeline Rudolph) who is the daughter of Jerrod and Sindel by his side, as he also keeps her ready to fight on his side. Many years later, with the tenth Mortal Kombat tournament is about to happen, Quan Chi (Damon Herriman) revives Kung Lao (Max Huang) and Kano (Josh Lawson) as they are in need for more warriors to serve their purpose. While Kung Lao becomes under their control, Kano remains the same, greedy and selfish, not able to be controlled by anyone. Meanwhile, Lord Raiden (Tadanobu Asano) and Sonya Blade (Jessica McNamee) approach a former Hollywood star who has lost his roles with his age, Johnny Cage (Karl Urban) to recruit him as their fifth champion alongside Sonya, Liu Kang (Ludi Lin), Jax Briggs (Mehcad Broks) and Cole Young (Lewis Tan).

So, what happens with the events here as we just keep looking? :: But as he understands that he stands no change against fighting to conquer Earth with superpowers, and knowing that he could just die in the arena with ease, Johnny refuses to participate. Even though he returns to Earth, he is drafted into a battle with Kitana who wins the same with ease, but she does not kill him even though Shao Kahn asks her to. At the same time, Sonya is taken into face Sindel whom she ends up killing after some initial difficulty. Jade discovers that Kitana is working as a spy for Rayden, and captures her with the help of her guards while returning from Earth and presents her to Shao Kahn. Feeling betrayed and angry, he orders for Kitana to be tied up in the centre of the city for everyone to see her as a dishonoured traitor on display with chains stretching her arms and legs. Jade asks her to seek forgiveness from Shao Kahn, but she refuses and chooses to stay in bondage. The resurrected Kung Lao travels through the path in which Kitana journeyed to Earth and wounds Raiden, allowing Quan Chi to take his power into an amulet, which they bind to Shao Kahn.

And what more can happen here as end seems near for Earth and its people? :: This process makes Shao Khan immortal, but Raiden is almost killed in the process. Johny and Sonya are defeated by the attacking fighters who are quick to knock them unconscious, and at the same time, the second round had begun and three fighters were already at the battlegrounds. Liu Kang and Kung Lao face off against each other, and despite the former trying his best to reason with the former to return as Earth’s hero, the fight continues – Liu Kang is forced to kill Kung Leo by throwing him to his own bladed hat. Jax who fights with Jade also finds it easy to defeat her as she stands no chance against his strong mechanical arms, but he spares her life as Kitana had asked for the same earlier when she visited them. Cole fights and almost kills Shao Kahn, but his wounds heal instantly, shocking him. Shao Kahn who calls for the Scorpion blood brutally kills him and throws his body away, keeping the competition between two worlds close. With Shao Kahn being invincible and Raiden on life support, and running out of fighters, can Earth be saved from invasion?

The defence of Mortal Kombat II :: Calling all the attention to himself, Karl Urban steals the show nicely with this one. He had some fine action movies failing despite being so good, most notable one being Dredd, but this stays strong to avoid that fate. He nails this character and it is the one character that stays strong and also brings the fun. The fight choreography has also managed to be better, and it feels so much like a real arena fight, and the gaming nostalgia nicely comes back here. As fans of this one game which kept us so much interested in multiplayer as much as single player with so many options, this nostalgia keeps us interested at all times, as the danger gets ready to unleash itself on our world. There is the violence which stays close to the game, as we feel the shades of those fatalities which seems to be straight out of the game. The new characters and situations also add the epic dark-fantasy scale that can inspire a sequel – the world-building has been top class and more can follow in the franchise.

Positives and negatives :: Those who are looking for full-strength, well-planned scheduled tournament of fights in order would be disappointed. Some characters could have also developed further with better understanding of new worlds and fights occurring in a variety of settings. There could have also been adventurous journeys to serve the purpose. Even though the tournament gets active, there is not much of a fight among the audience or something that is shown continuously as grand battle. The movie’s female leading fighters Jessica McNamee and Adeline Rudolph are just too good too, and their fights are admirable. Jessica would have done nicely to have more fights too, while Scorpion and Sub-Zero not with the best glory might keep people wondering. This happens even when the characters do not undergo that much of a development. There is also no real terrifying character, as the terror is not built that much, as the game might be the scarier and more effective thing compared to the movie as many other gaming adaptations from Hitman to Resident Evil, Silent Hill, Monster Hunter and Doom.

How it finishes :: The movie takes the live-action franchise further forward, delivering a sequel that is sharper in moving through what fans expect from a computer game adaptation. It delivers a thoroughly entertaining spectacle with action that levels up from the predecessor in an even better world. The change of protagonist also seems to have served the movie well, even though one big tournament fight with him would have been nice. The nostalgia that we feel related to this franchise is also really a lot, and we never are never really out of it – I remember traveling so many kilometres to play a version of this game as it could only be played on Pentium IV Processor and above with a GeForce Card. Quan Chi’s double knee stomp was a favourite as he jumps up and keeps on walking on the opponents, then Scorpion and Sub-Zero also remained. We might never have a game based on some of the classic titles like Unreal Tournament and Age of Empires, and so we enjoy what we have, as it has been well-set before us. We might have missed it at the theatres, but the need to watch this one never really left us.

Release date: May 8, 2026
Running time: 116 minutes
Directed by: Simon McQuoid
Starring: Karl Urban, Adeline Rudolph, Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks, Tati Gabrielle, Lewis Tan, Damon Herriman, Chin Han, Tadanobu Asano, Joe Taslim, Hiroyuki Sanada, Martyn Ford

<<< Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Thudakkam

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Vampire Owl: Do you remember how long it took for us to watch another movie in the theatre?

Vampire Bat: Yes, I remember that the last movie we watched in the theatre was Anomie.

Vampire Owl: And it was Sarvam Maya before that.

Vampire Bat: That is like one movie in every three to four months.

Vampire Owl: Going by this rate, we will only watch one more movie this year.

Vampire Bat: Unlike those days when we watched like two movies a weekend.

Vampire Owl: Yes, hundred plus movies in one year at theatre used to be natural then.

Vampire Bat: Do you know how that would have cost now in rupees?

Vampire Owl: Yes, two-hundred-rupee ticket for two people for one hundred movies.

Vampire Bat: Forty-thousand rupees in one year – too much to spend for the cinema when nobody really reads these reviews in this hopeless world of meaningless existence of ours.

[Gets some cheese popcorn and three cups of masala tea].

What is the movie about? :: Meenu (Vismaya Mohanlal) is an independent and happy young woman who has only recently moved to an isolated high-range estate region the Idukki region in Kerala. She is a graduate who has been appearing for many government examinations, but not managing to clear any of them. Her father Ravi (Sai Kumar) was only recently transferred to the area as the village officer who is very punctual with his work. Meenu also has memories of a trauma that goes a long way back, as she had lost her mother, and her father is not able to walk without a stick, even though he is still extremely good at his work. As soon as they arrive, she makes some good friends at the new place including the neighbours and locals whom she sees on the way. With the help of Pauly (Pauly Valsan), an elder lady who lives nearby and after befriending Sariga (Nilja K Baby) who is a nurse from the nearby hospital, she manages to find a place to teach children of lower classes. More and more families become willing to send their children to her due to her charming nature and happy way of going through life.

So, what happens with the events here as we just keep looking? :: One day, she travels to Cochin to write another one of those examinations, and Ravi is shocked to find her not returning home even after so much time into night. He receives one call from her during which he is scolding a man for his deeds, and then the mobile phone is switched off, scaring Ravi, who calls her friend who also wrote the same examination, but is not able to connect to her. He rushes to the police station and meets CPO Vijayan (Jaffar Idukki) who promises to do everything in his power to help him. But CPO Baijudev (Gibin Gopinath) who has no respect for public or women deduces that Meenu might have eloped with someone. It is revealed that Meenu was stalked by a man named Jithu (Ashish Joe Antony), a criminal who is known for the most violent crimes all around India. But it is revealed that she had manage to evade the criminal and reach home, but it seems that it won’t be the end of the problem as it would come after her. Meanwhile, Meenu’s neighbour and teacher of local school, Joseph (Kottayam Ramesh) is targeted by his own brother Esthappan (Bobby Kurian). As danger lurks around them, can they survive?

The defence of Thudakkam :: The movie’s biggest advantage is its first half, as it has the world so well-set with the first few scenes. The initial scenes are a reminder of the terror which is to follow, and when the antagonist is nicely established there, we know that there will be some real danger and it will be inescapable without the best efforts. This only keeps getting more terrifying as story moves forward, and the fear generation is at the highest until it reaches the best point during the interval. As the villainy is established before anything else, the mood sets in without much of a problem. The use of darkness in the purpose also has to be appreciated, as moments of fear are created. The atmosphere with that technical side and action with that require gore on both sides need to be appreciated. The movie’s take on harassment, stalking, victim-blaming, and above all, drug abuse will leave a message or two. It can also be seen that even the lesser-known supporting cast members do some fantastic job, whether it is about the local unruly youth on the side of the road or the twin girls who are worried about getting home in time. The music also forms the movie’s effective side.

The claws of flaw :: The movie has its struggles in the second half and manages to undo a number of things it establishes in the first half. One of them is indeed that extreme fear factor surrounding the antagonist who is left without having much to do after that post-interval punch. The predictability in the second half is surely too high, an we wonder if movie can go anywhere else than force that unfair advantage to the protagonist, and for the same, a cameo is added as the needed motivation, that too with a fight which comes out of nowhere. The emotional side is not that effective either, and even at the most emotional moments, there seems to be a little bit of lag, and in second half, the focus seems to be not in the existence of the narrative, but in the journey towards that pre-determined, speeded-up ending which could have been better planned. The final fight scenes also seem to go like a cliché with the person who gets beaten up and one the floor remembers something from childhood and stands up, and during the same time, the villains are just sitting and waiting for the protagonist to stand up and finish the initiation into fighting position, then do not even come together at the person. Even the final dialogues feel late by a few years.

The performers of the soul :: The movie is indeed the one thing Vismaya Mohanlal on his debut makes better with her charm and a type of work which would have been less effective if any other star kid of our time was doing this – the rest who does anything similar would only be nepo kids, but our protagonist is skillfully made a classy one from the beginning itself. The way in which she handles the action needs a lot of appreciation. Then on another one of those days when an antagonist outperforms everyone else, Ashish Joe Antony on his first full-movie role, delivers a performance which shines with the least dialogues which even adds to terrifying presence of the character. Bobby Kurian also serves well as a supporting villain. Sai Kumar’s fatherly figure is a man of reason, and along with the characters of Kottayam Ramesh and Manoj K Jayan, forms the voices which make sense in a movie in which most people seem to work according to their egos and prejudices. Mohanlal’s cameo is fine, but one can only wonder it was needed in the film, maybe it is still a yes for the blind fans, and our producer Antony Perumbavoor also comes in right there as expected. Nilja K Baby in a smaller role catches our attention too.

How it finishes :: The movie can be considered as an effective beginning, as the title suggests, for the daughter of the legendary actor and the son of one of the best-known film producers of Malayalam cinema industry. The same has been delivered well as they come up with shining colours, and we appreciate the quality of their work, even though the level of this movie coming down in the second half and its rushed climax with cliches remain sad considering how big a start it had managed and pushed through in the first half towards interval. The emotions could have worked better and the ending should not have brought this much predictability, and yet we enjoy this movie and that early effect is there to stay. This one will be seen as an entertaining theatrical watch for action fan even without being a memorable or groundbreaking entry here. If the title really has some significance, this is only a beginning, and there is more to come, with a sequel or a spin-off, for there can be an improvement on this – a Drishyam model series of movies, maybe? After Drishyam is an inspiration for such extensions in multiple languages.

Release date: 7 August 2026
Running time: 137 minutes
Directed by: Jude Anthany Joseph
Starring: Vismaya Mohanlal, Ashish Joe Antony, Sai Kumar, Manoj K Jayan, Bobby Kurian, Mohanlal, K B Ganesh Kumar, Miya George, Sijoy Varghese, Pauly Valsan, Nilja K Baby, Sivadas Kannur, T G Ravi, Jaffar Idukki, Chippy Renjith, Dinesh Prabhakar, Gibin Gopinath, Aadukalam Naren, Nsihanth Sagar, Kottayam Ramesh, Gilu Jose, Jaya Kurup, Antony Perumbavoor, Vijaykumar Prabhakaran

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.

Uyir

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Vampire Owl: I had some high expectations about this one.

Vampire Bat: But we waited for its release on Jio Hotstar to be sure.

Vampire Owl: And here we are here again to watch another investigation.

Vampire Bat: I do like the cast very much with this one.

Vampire Owl: We love it when they have performers over the superstars.

Vampire Bat: Yes, in the world of super stars, mega stars, power stars, young stars and whatever.

Vampire Owl: Stars kill every movie industry, don’t they?

Vampire Bat: We can agree about that towards infinity in a world of chaos.

Vampire Owl: How many movies with investigation can still stand the test of time?

Vampire Bat: As long as they have psycho killers, serial murderers and such interesting people.

[Gets a plate of paneer tikka and three cups of Sikkim tea].

What is the movie about? :: Probation SI Ajeeb (Roshan Mathew) is working in his first police station which seems to be located in a comparatively peaceful area. He is leading a happy life with Shehna (Athulya Chandra) with no children and memories of a past in which he had lost his sister in a train at a very long age. Though Ajeeb works hard and tries to be a good husband, he is quietly haunted by his childhood trauma of losing his younger sister and has panic attacks whenever he hears the sound of passing trains – he never travels in trains anymore; even when there is no direct buses, and during times when he has to travel more distance taking a longer path, he chooses to travel by road. His biggest support is his experienced colleague ASI Joy (Baiju Santhosh), who with his wife Molly Joy (Divya M Nair), a couple who is waiting for their first child and undergoing treatments which do not seem to work for them. He advices Ajeeb on cases as he is more experiences than him, even though not higher in rank.

So, what happens with the events here as we just keep looking? :: Ajeeb finds himself with his first major case which is rather sensational in nature when the decomposed body of an unidentified woman is found in an abandoned local well. Ajeeb begins digging deep into the case despite his seniors’ doubts about his capability. They identify the dead person as Shobha (Shruthy Menon), a migrant worker from Karnataka who had moved to Kerala with her husband and two young children, and started living in the border area. But her husband and children seem to be missing, but after some more digging deep into the situation, Ajeeb and Joy track down Shobha’s husband, Raju (Vinod Sagar) in Karnataka with the help of the local police there. As Raju offers emotional stories and conflicting statements related to their lives and those incidents which changed their lives in between, police face different complications. They will need the help of a Mumbai police officer, Keerthi Deshpande (Saiyami Kher) in this to their surprise too. Can the two policemen find a solution here in time?

The defence of Uyir :: There are not many movies which can bring humanity to a tale of more than one murder and following investigation, but this one takes that and places the same at the right place to keep the interest of the family audience alive, it seems. As this is supposed to be inspired by actual police records of Kerala, everything feels grounded and realistic, and the last few moments feel very much close to heart. There are not many investigative movies that touches the heart, but this one does, even though the same is achieved a little late. The policemen are shown as common men, even though the women police officers could have also had something to do like the movie Dridam which had more balance and a higher level of danger and twists associated with it. The feeling of mystery is still maintained right from the behind. The character detailing is nice, especially with the main character, who is played to perfection by Roshan Mathew with classic support from the rest of the cast. At the same time, the message of humanity works, and the journey here is without exaggeration close to realism.

The claws of flaw :: The story here drags during the middle by trying to force suspense and twists into a story that seems to be more or less like an emotional character journey rather than anything else. Some of these twists do not seem to belong here at all, and the investigation also seems to be done randomly without much trouble. The melodrama often gets out of control, and we often think why this is going the emotional path when finding the killer was of so much significance. The final few minutes feel like the weakest as the movement from a usual murder mystery to a human-centric drama goes through a struggle, especially with the search being just a random thing of no real significance, even with the humane side. The way in which the pace goes down so many times, and the way in which the police keep focusing on a person, who keeps on becoming the centre of attraction again and again with one thing or other – it feels like repetition for sure. Everything seems more like coming to the police directly, and after they complicate things, the situation seems to be solved rather easily too, and then they extend the same to add more complications.

The performers of the soul :: The movie thrives on a brilliant performance from Roshan Mathew, who seems to make a police officer that we would remember. He is once again not a hero that one needs to remember for the superhuman acts, but as a flawed police officer, the kind that we have always loved as one among us. The emotional conflicts of the character are shown nicely too, and we have Athulya Chandra in the wife role, as the two share beautiful chemistry with underlying love and support which runs through their marriage with understanding. Athulya might be one of those actresses who had less number of main roles in major movies than she deserved, as she carries a certain amount of life even when playing this character who never really had that much to work with. Baiju Santhosh’s Joy is also a character whom we would all love, and he handles the same with a serenity that everyone should love see. The star of Kismat, the highly underrated Shruthy Menon also comes up with a work to remember with her return, and Vinod Sagar remains solid. Vineeth Thattil David, Santhosh Thrivikraman and Saiyami Kher are also police officers who catch our attention so well with their realistic work.

How it finishes :: As Roshan Mathew brings both restraint and emotional depth to his character carrying the film’s themes of guilt, remorse, empathy and redemption effectively, we have the movie’s mood and aim served well. The question still remains if this was the aim which the audience would have had considering the fact that this a movie revolving around one murder or two, along with a murderer on the loose manipulating the police. The thrills are kept at the minimum, and we feel that there was the scope for many engaging sequences with chance of bringing chaos always present against all odds. One can safely say that drama gets to be a lot above the thrills and the investigation itself, which would always be considered strange as we look at the genre here. We keep thinking if it is what we wanted, and a strange feel-good factor that creeps in to bring a conclusion with a happy ending in a journey which is rather personal than part of the case, would not bring the best for everyone for sure. Well, this is not your highly engaging, highly paced, intelligent and twisted police investigation for sure.

Release date: 26th June 2026
Running time: 138 minutes
Directed by: M Padmakumar
Starring: Roshan Mathew, Saiyami Kher, Baiju Santhosh, Athulya Chandra, Shruthy Menon, Vineeth Thattil David, Santhosh Thrivikraman, Vinod Sagar, Shaju Sreedhar, Divya M Nair, Srikant Murali, Mahesh Shetty

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

A Working Man

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Vampire Owl: We are all working all the time, you know.

Vampire Bat: Everybody including Uncle Dracula knows that you do no work at all.

Vampire Owl: I work at my own office within my room.

Vampire Bat: You know that there is no business firms allowed in the Dracula Castle.

Vampire Owl: This is just me showing my skills making blood milk shake and blood cake.

Vampire Bat: Do you even know the sugar levels of vampires of the castle?

Vampire Owl: It is approved by Dr. Frankenstein and his medical company.

Vampire Bat: Mr. Frankenstein has never been a real doctor who can do that.

Vampire Owl: Frankenstein has presented and published a research paper on vampire blood sugar and was appreciated for the same by different universities.

Vampire Bat: I have heard that they were promised infinite amount of money just to accept the abstract and let him present it.

[Gets a paneer samosa and three cups of Kodaikanal tea].

What is the movie about? :: Levon Cade (Jason Statham) is a retired Royal Marines Officer, now working as a construction foreman in Chicago, leaving the United Kingdom after his service and settling down in the United States as his American wife had committed suicide, and his father-in-law Jordan Roth (Richard Heap) who had settled down in the same city does not allow him to see his only daughter Merry Cade (Isla Gie) as he is known to suffer from PTSD and has been struggling to gain custody of his daughter. Levon maintains a close friendship with the family who employs him at the construction site – Joe Garcia (Michael Pena), his wife, Carla Garcia (Noemi Gonzalez) and their daughter, Jenny Garcia (Arianna Rivas), as they consider him as one of their own. One night, while Jenny is out at a bar, enjoying with her friends, she is kidnapped by two Russian traffickers who randomly choose their victims from the night club, the ruthless mercenaries known by the names Viper (Emmett J Scanlan) and Artemis (Eve Mauro).

So, what happens with the events here as we just keep looking? :: Joe and Carla report the case of their missing daughter to the police, but they are unable to find any leads, and do not seem to keep this anywhere close to priority. Desperate to find their daughter, the parents who know about Levon’s military past, offer him money to find Jenny, but he refuses to do anything about it, as he feels that his past was responsible for the death of his wife and hostility of his father-in-law who has always been a pacifist. But after consulting his former friend and comrade in arms in the military Gunny Lefferty (David Harbour), decides to what he does his best and follow his heart, as he had once promised Jenny to watch and protect her, making sure that no harm would come upon her. As he decides to use his best skills for the purpose, follows the bartender who was there at the time when Jenny went missing, and finds connection to Russian mafia which has been involved in human trafficking in the past. He finds out that the situation is more complicated than he thought. Can he find more clues and reach Jenny before time runs out?

The defence of A Working Man :: Watching this movie, one feels that this is a movie well set for Jason Statham to come up with all the action, and the same is asserted again and again as the movie progresses and gets close to the end. The action sequences are excellent and staying within the willing suspension of disbelief limits. It was best seen with that beginning fight scene and it just gets bigger in the final scenes as there is a lot to be done. We see something to root for the protagonist every moment as the film progresses – there is also an emotional touch to the main character, and we connect to the same with the feelings rightly felt. There is also that feeling of nostalgia that runs through in the movie reminding us those other earlier movies that we have seen before. The stylish and immensely evil Russian mobsters to a biker gang leader sitting on a literal throne in a basement with his black-wearing people, the variety of villains that make quite some impact. The visuals are quite nice, with different settings nicely used for the situation.

The claws of flaw :: The movie feels like a Taken-inspired weaker version with search for one woman who has taken by drug traffickers often forced into prostitution, as even the less appreciated Malayalam movie Karam doing better than this particular one. Yet, one feels that the danger is not that much felt here with the kidnapped woman, as she seems to be too comfortable with the same even when in so much of a terrifying situation as part of her captivity. For some reason, we do not see facing that much of a terror, and she seems to be more military-trained than even the main protagonist – this is where the other movies dealing with the same premise dealt with the situations much better. Even the search for the woman seems to be lagging, as the pace comes down. Then those fast cuts and shaky camera work during the quick action makes things feel rather strange, and leaves a lot to be desired. The title of the movie is also never really justified as the construction work never really gets the attention again.

The performers of the soul :: Jason Statham once again does what he does best as he has a strong physical presence, charm, as well as nice fight scenes including hand-to-hand combat and some shooting to go with it. Starting with a construction site fight and finishing after a full set of climax battle sequences keep us satisfied. It is once again asserted that he is the man for this kind of a job, after Liam Neeson did the same multiple times with his one series of movies starting with saving his daughter from human traffickers. Being a part of The Mechanic and one among of Hobbs and Shaw battling in Fast and Furious series had made us hope for him even in Hitman: Agent 47 which would have been perfect for him. After John Wick and friends in a chaotic murder spree universe, he remains seemingly best choice for this kind of worlds. Arianna Rivas as Jenny Garcia does not get much except for those last moments when there seems to be a fight forced on her – in a movie focused on her kidnapping, she is just not shown enough. Then the antagonists seem balanced, rightly there to be menacing enough.

How it finishes :: This remains an interesting movie, even though nothing much new in its content, and reminds us of many other movies in the past. The movie gains the advantage from Jason Statham as the main character, and even when there is not much to raise the level in the narrative, the man takes the movie straight up to another level. But we cannot help feeling that he could have done more if the search was better arranged and if the danger was really felt except for the kidnapped not shown much after being kidnapped except for the end, and due to the hero quickly going through the villains without that much of a difficulty as one should be having when facing a mafia, The emotional side with daughter works, but not with the kidnapped one as we rarely feel that she is in trouble, and yet we feel that the poor mafia members are really in bigger trouble – this is something which should not have happened in a movie like this which does not go over the line with its action. Well, the fight scenes work really well, and keeps us interested, and we are thrilled to see the happenings on the screen; often that much is enough for the genre, but not for a second watch on any day.

Release date: 28 March 2025
Running time: 116 minutes
Directed by: David Ayer
Starring: Jason Statham, David Harbour, Michael Peña, Jason Flemyng, Arianna Rivas

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✠ The Vampire Bat.

The Devil’s Mouth

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Vampire Owl: At least the devil is doing better than the humans these days, I think.

Vampire Bat: Maybe the devil should go to Earth and leave hell for the humans.

Vampire Owl: Isn’t it where most of the humans are going sooner or later?

Vampire Bat: I am expecting the angels of heaven to be very lonely.

Vampire Owl: Do you think that there will be space in hell for this many humans?

Vampire Bat: Hell is infinite and eternal, and with separate circles.

Vampire Owl: So, it is the same as what Dr. Frankenstein had discovered.

Vampire Bat: Mr. Frankenstein is a man of infinite circles of nonsense.

Vampire Owl: When did infinity start coming in circles of Frankenstein?

Vampire Bat: He has always needed them as he would be going to hell as a human too.

[Gets a paneer paratha and three cups of Darjeeling tea].

What is the movie about? :: Five friends from the United States, Sara (Kathryn Newton), Max (Lala Condor), Greg (Gavin Casalegno), Adrienne (Tommi Rose) and James (Nico Hiraga) are on a trip to South Asia, now visiting the beaches and going through underwater journeys in Thailand. As they are enjoying the open tropical waters off the coast, they do not realize that Sara is diving in the water, and as they ask for the boat to be moved to the land as Max feels that she is in the shower. Left alone, Sara is swarmed, and stung by aggressive jellyfish in all parts of her body, rescued later, but is left in pain. Max is supposed to be the one in control of the trip and also the one who said that everyone was aboard before the boat was taken forward, which leads to some tension, but Sara and Max are back together as best friends in no time. The friends are back together, and as they continue to feel that something is in the saltwater of ocean due to seeing dead fish and turtles cast ashore on beaches, they sign up for a guided swim through a fresh water remote cave system known as The Devil’s Mouth.

So, what happens with the events here as we just keep looking? :: This early incident leaving Sara as damsel in distress does manage to keep a rift between them right before they enter The Devil’s Mouth cave network, and despite Sara trying to keep up with the excited team against her pain and in spite of Max trying to tip the guide to take better care of her friend, there is some disagreement. While Sara asks for the easy way through the tunnel without that much of it submerged in water, Max who has always been the leader opts to go for the highly submerged red route, and Sara, despite her fears, agrees to the same. The team is led through a path which had its water level only somewhat come down from being fully submerged in a previous storm. They go through different caves which are interconnected through passages flooded with water, some of them even having salt water from the nearby ocean. But they soon find one of the divers who went before them dead, and within minutes finds themselves hunted by a shark which seems to have come in from the ocean during the flooding with nowhere to go as the tunnel lost its connection with the saltwater. Now, can they survive the creature sensing blood all around?

The defence of The Devil’s Mouth :: With the tide rising and oxygen levels dropping inside the cave system, the friends left on the isolated rock shelves where the shark cannot reach, do not find it to be a long-term option, but have nowhere to go in the maze-like chambers – this is perfectly shown here with each scene, and we have an environment which is so well created and maintained with danger all around the corner. The cave diving horror and shark survival are combined nicely here, as the subterranean setting makes it a different battle against the creature. The tight underwater struggles, internal disagreements, secrets and grievances within themselves, all add to the further tension here. The movie is also never really that long, and this length feels perfect for the total run-time. The signs of the same was established early enough, and that too in open water, with the attack of the jelly fish as much as being left alone in the middle of the sea – these are also basically the kind of horror which are scary enough even without huge fangs.

Positives and negatives :: The movie’s caves are among the best that you might ever see, and when you put a shark in there, it is just glorious. One then remembers that some fine foreshadowing has always been there, and all would lead to just disaster. The final moments when the protagonist lures the shark with herself as a bait is among the best of the movie, and when the characters try to escape from the shark at a ledge, and when they move through tight tunnels, we are all kept in the highest level of tension. We see that the situation places us in a world from where escape is almost impossible by logic with water all around, and the shark being able to thrive in both freshwater and saltwater settings. This also means that there is less visibility, and we can keep feeling the need to have more light around – keeping on looking at the darkness is not the best thing we can do around here. There is some repetition here and there with what the characters are doing, even though the same remains enjoyable.

The performers of the soul :: Here, we have Kathryn Newton once again doing what she does the best, and that is to survive against all odds, as she already did in Ready or Not 2: Here I Come, and had managed to get out of that Ant-Man and the Wasp: Quantumania level which was rather lower in comparison to where she stands now as a grand scream queen in the making – she seems to be surviving everything in a convincing manner, and here, she remains a lovable character, and it is her for whom we keep rooting for, as she knew that something bad was going to happen all the time, and in her senses, tries to avoid the worst, even though she has to finally give in to her friends. She is the survivor whom we would all love to have, maybe in a sequel to The Shallows. She is one young actress who seems to be bringing a certain amount of completeness. Lana Condor whom we would best recognize from Alita: Battle Angel, Pretty Lethal and X-Men: Apocalypse, also comes up with a memorable role, and it is another work that we are going to remember here. Tommi Rose also has some work that we will remember. Nico Hiraga as James might be one selfish character which is done well. Then, Gavin Casalegno also comes up with the needed.

How it finishes :: It can be seen that the movie maintains a certain amount of balance around here with a shark attacking in a flooded cave with nowhere to go – the horror gets more of the strength here with the same, while tensions also run related to the past among the characters. We have already seen the sharks and friends running strong in 47 Meters Down, Deep Blue Sea, Killer Whale and more, but this one takes a divergent and interesting approach with the same. Anchored by strong performances from Kathryn Newton and Lana Condor, the movie also focuses on the deteriorating, toxic friendship and further focuses on the terrifying situation rather than the shark. The predictability does not push this aquatic survival flick that much down, as the tension never leaves us and the lovely leading character always have us rooting for us, with the empathy right there to be taken home. I would consider this to be a surprise charm as one of the best shark movies in some time, and its release on Amazon Prime Video has left the same accessible to more of us who choose OTT over the theatres.

Release date: 29 July 2026
Running time: 104 minutes
Directed by: Jeff Wadlow
Starring: Kathryn Newton, Lana Condor, Gavin Casalegno, Nico Hiraga, Tommi Rose

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@ Cemetery Watch
✠ The Vampire Bat.

Heart Eyes

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Vampire Owl: So are the hearts in the eyes, or eyes in the heart?

Vampire Bat: If there is a serial killer around, does that really matter?

Vampire Owl: Yes, we need to understand the killer first.

Vampire Bat: You know that human serial killers cannot kill vampires, right?

Vampire Owl: Well, they can always cut our heads off.

Vampire Bat: Most human serial killers just keep stabbing.

Vampire Owl: We should just let them come. They have good necks.

Vampire Bat: I heard that you were allergic to blood.

Vampire Owl: It is never too late to have some blood shake in life.

Vampire Bat: Well, this one happens on Valentine’s Day and the colour surely matches.

[Gets a paneer samosa and three cups of Vagamon tea].

What is the movie about? :: For the last few years on every Valentine’s Day, a serial killer known as the Heart Eyes Killer who is short named HEK by the media, has targeted different couples in different American cities. This year, the killer is known to have murdered two couples in Seattle and a wedding ring which has the initials “J S” is also found at one of the crime scenes where the couple was murdered in some of the most brutal ways possible. The case is taken over by the detectives Zeke Hobbs (Devon Sawa) and Jeanine Shaw (Jordana Brewster), who are nicknamed Hobbs and Shaw after the famous Fast and Furious spin-off movie starring Dwayne “The Rock” Johnson and Jason Statham in which there was so much of action with the two. At the same time, in the same city, Ally McCabe (Olivia Holt), a marketer for a jewelry company who just had a break-up, accidently meets a stranger Jay Simmonds (Mason Gooding) in a restaurant, and is ridiculed and almost fired by her boss Crystal Cane (Michaela Watkins).

So, what happens with the events here as we just keep looking? :: Ally’s strange ad campaign with doomed couples is detested by almost everyone due to the recent murders of lovers by the serial killer who had just started murdering in the city. Crystal calls upon a freelancer accomplished in the same field, and it turns out to be Jay much to her surprise – she is supposed to work with him and create a whole new ad campaign. On the same day, Jay invites her to dinner that night, asserting that it is not really a Valentine’s Day date despite the date being February 14th. He further suggests that it may give them further inspiration for the campaign which they have to work with together and succeed. Ally agrees despite the killer already at work for the season of the Valentines, as she desperately needed the job after the break-up. But after reaching the restaurant and post a few minutes of talk, they are not happy with each other and gets out, but as Ally sees her ex-boyfriend, she kisses Jay and introduces him as her boyfriend because her old love already came with a new girlfriend.

And what more is to happen with a brutal murderer on the hunt for lovers on Valentine’s Day? :: Ally and Jay reconcile over that act and he takes a taxi to her home, where he helps her break in to her home after she realizes that she had forgotten her key, and he cuts his hand in doing the same. Ally helps with his wound upstairs, as she was someone who had dropped out of medical school. All of a sudden, the Heart Eyes Killer jumps out of the cupboard and attacks them. After a chase, he knocks Jay out as Ally keeps running. Detectives Zeke Hobbs and Jeanine Shaw who found no other killer, but found the killer’s mask and weapon with Jay, and they arrest him, shocking Ally who had returned to the area after hearing the police siren. The police take Jay for questioning at a police station, and there both Hobbs and Shaw show that his initials match those on the previously found ring and also shows proof that he was in the same cities at the same time during HEK’s previous attacks. But soon, the power goes out and a masked figure with a weapon comes out, revealing the heart symbol on the eyes and begins his killing spree. Can the new partners and police escape without being killed?

The defence of Heart Eyes :: The chemistry of Olivia Holt and Mason Gooding is what drives the movie so well, with humour, taking part in action, and adding the unexpected romance at times as everything comes when a serial killer is on the hunt, making the whole thing very interesting. At the same time, the movie gets into the gore easily and killings begin, while romance keep ending, and even for the protagonists, the focus is less on love and more on a classic escape act which is followed by more running and fighting with a murderer ready to get into act. With the nice humour working so well, we see the rom-com and slasher modes switching each other one, and at times existing at the same time, keeping the whole thing enjoyable. All these happen within a short run-time and the final scene throws a fine punch, and there are some nice twists that lead to the same. Among the police characters, it is Jordana Brewster who steals the show, and that seems to be evident from the early scenes and the police station moments.

Positives and negatives :: The final twist may have given some clues early itself, and we see them coming quite early, with one at the police station itself, and another at the crime scene – there are not enough red herrings to keep the twists away. Most of the supporting characters also get not much to do, and the bloody side with all the violence will not make everyone happy, especially when coming in between romance all of a sudden without warning. The movie still manages to keep its level, even when it is short of romance or short of killings, and that comes a surprise with this not being among the best-known slasher movies. The killings do work as one would expect from this kind of a movie. The visuals serve the purpose right from the beginning too. Michaela Watkins adds some nice humour right from her first moments. Gigi Zumbado should have been there for more, as it was really fun when she was around – the disappearance only to appear in the end does not serve the character that well. Yoson An’s work surely came as a fine surprise too.

How it finishes :: I had left this one behind without watching for some time as the idea did not feel that interesting, but coming back to it on Amazon Prime Video was surely worth it. Even though it feels like old-style slasher at times, there is also that fresh feeling around. There is a certain cuteness with romance and humour on one side and we also see that unlimited terror on the other side. Fans of the slasher genre would surely appreciate the inventive, bloody kills which keeps happening from the beginning to the end, often in innovative manner. The movie is indeed self-aware and has such a fine cast. There is also that scope for sequel that we see by the end of the movie. If you are looking for a fun movie in the weekend with friends, you will love the cute little romance against a backdrop of creative carnage, then you also get surprised with the rising quality around here. You can see a chaotic, self-aware energy in this wildly entertaining ride, as long as you do not dig too deep around here. Heart Eyes could get into your list of favourite killers, and can go the Scream, Halloween and I Know What You Did Last Summer mode accompanied by the newer Psycho Killer and others.

Release date: 7 February 2025
Running time: 97 minutes
Directed by: Josh Ruben
Starring: Olivia Holt, Mason Gooding, Gigi Zumbado, Michaela Watkins, Devon Sawa, Jordana Brewster

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@ Cemetery Watch
✠ The Vampire Bat.

Masters of the Universe

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Vampire Owl: Aren’t we the true masters of the universe?

Vampire Bat: I do not think that they are talking about the vampire universe.

Vampire Owl: Every universe requires its own masters.

Vampire Bat: We already have Uncle Dracula here.

Vampire Owl: Yes, even Vampire Elders are there, but they are all symbolic heads.

Vampire Bat: So, you consider us as the true masters.

Vampire Owl: Well, this is the only working universe, isn’t it?

Vampire Bat: The only true universe with relevance, yes.

Vampire Owl: And the only realm without the pure human evil.

Vampire Bat: The human evil has already reached our borders. There is not much of magic left that seems to stop it.

[Gets a thattu dosa and three cups of Munnar tea].

What is the movie about? :: Adam (Nicholas Galitzine) works in human resources, while keeping on searching for a certain sword and lives with his only friend Hussein (Christian Vunipola) in Oklahoma City. People think that him keeping on searching for a sword and telling everyone a specific story about his escape from another planet are parts of his nerd madness which he always had since he was a kid. The search for the sword would affect both his work and social life, as he even tells the same story when on a date. Obsessed with finding the sword due to his memories about being part of another strange world in which he lived as the prince and had come to Earth with a magic sword, Adam receives an anonymous tip in the form of a text message that the sword is located and he reclaims it at a comic store, running away with it. But the next day, he is arrested for stealing the sword, but the police car is stopped in transit on the highway when a strange creature attacks them and halts the traffic. The ape-like creature turns out to be Beast Man (Gary Martin) who had come from another world and chases Adam.

So, what happens with the events here as we just keep looking? :: As Adam keeps running, a woman in white comes to the scene, identifying herself as his childhood friend, Teela (Camila Mendes). She tells him that the sword had given her a signal when it was claimed and raised to the sky, seemingly provided the same signal to many others of their planet far away. In this planet named Eternia which was once ruled by Adam’s parents King Randor (James Purefoy) and Queen Marlena (Charlotte Riley), no longer maintains that peace and prosperity after being taken over by Skeletor (Jared Leto), his sidekick Evil-Lyn (Alison Brie) and a number of other evil minions. This loss after being defeated by a cyborg and weapons expert of Skeletor, Trap Jaw (Sam C Wilson) had also left the commander-in-chief of the army of Eterna, Man-At-Arms a.k.a. Duncan (Idris Elba) to severe depression and alcoholism, much to the dismay of his daughter Teela. After training so many people of the planet to defend the evil forces, he along with many others had fallen into disarray after Skeletor took over and unleashed chaos.

And what more can happen in this world of chaos and destruction unleashed by forces of evil? :: It was the Sorceress (Morena Baccarin) who sent Adam to Earth to save him and the sword from Skeletor, and as it was the original home planet of the queen a long distance away from Eternia, safety was guaranteed, but as a child, he had lost the sword only to be found now, triggering alarms all around the universe. Adam and Teela manage to outrun the Beast Man and escape in their spaceship in front of shocked humans who could do nothing but stare. Back home, the resistance forces against Skeletor who are not imprisoned by Teela leaving her defence outpost and bringing a strange man with the sword, imprisons her and Adam along with an alcoholic Duncan and a former combat robot reprogrammed as a cleaning robot, Roboto (Kristen Wiig). But they escape with the help of the robot and keeps the sword with them while the defenders of the resistance are either killed or captured by Skeletor’s forces. As they try to escape them and come face to face against Trap Jaw, it seems to be the end for them, but can they find a way to defeat him and his shooters against all odds?

The defence of Masters of the Universe :: The movie has some stunning visuals with the setting in a beautiful planet. The world is too good with the fantasy model buildings and the environment which makes it feel like a colourful paradise. Nicholas Galitzine makes a fine impact as the protagonist, while Idris Elba brings the fun. But the best impact is made by Camila Mendes as Teela, who remains a stunner in those action sequences with her movement and style, as the only one true character who is a born-fighter continuing to be so at all times. Jared Leto as Skeletor is a villain to remember, and gets the screen-time he missed as the Joker in Suicide Squad. Morena Baccarin who gets back after The Wrecking Crew gets less screen time even as such a significant character. Alison Brie as Evil-Lyn works nicely too as one never sees any evil this cute and strong in magic. The humour in the movie also remains so much fun, and the elements taken from cartoon are nicely placed here without too much darkness ever coming into picture. Adora a.k.a. She-Ra played by Lauren Saliu shown during mid-credits also keeps us interested as the one scene itself seems to bring lot of hope for a possible sequel about which we are still not that sure.

Positives and negatives :: This is a feeling of nostalgia, and as we had the cartoon of the same name running in Malayalam in this part of the world, there is no other superhero who had this much of an influence on us as children. We had to return home early from school and then we would successfully watch this one. In the case of the movie, people might find that this is a little bit too cartoonish and as more for the children, but those would be the people who forgot how they grew up watching this, and if Avengers, Justice League and team could be taken as full action, this could be too. The supporting characters here could have had some more time, while cutting some time from the moments spent on Earth. The final fight is lovely to watch, even though the moments back on Earth coming in between do not impress much. The quality of the computer-generated imagery losses some quality at times, but remains stable and stylish for most of the time. Use of more magic could have made the world look more charming, and even more shown as part of an exploration like in Avatar, as the design here never far behind.

How it finishes :: The lack of some seriousness might be the reason why it had the same effect as John Carter at the box-office, but one cannot forget the fact that it was one fine movie, and one of the best of that year. We can blame the strange movie-watching habits of the biggest markets of the movie which did not even make Pacific Rim a super-hit, but Asia serves that title well. All these movies surely did well in this part of the world, and one keeps wondering if a better trailer could have meant better result for the movie at the box-office. I would surely love to see its sequel with the lady superhero, but one has to wonder if the same would happen when the total collection is considered. But this is sure to do well on Amazon Prime Video, and that should also mean something to everyone. For now, this is a charming adventure and entertainer which does not have a dull moment once the scenes shift to the far away planet. The beautiful spectacle of a world with a classic adventure with battles to remember is not something that we can always see with this much charm. People can find cartoon-faults, but I find this to be something I should have watched on the big screen with all of its big screen splendour.

Release date: 5 June 2026
Running time: 140 minutes
Directed by: Travis Knight
Starring: Nicholas Galitzine, Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, Kristen Wiig, Jared Leto, Idris Elba

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✠ The Vampire Bat.

The Astronaut

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Vampire Owl: I have dreamed about being an astronaut when I was a child.

Vampire Bat: You became a vampire hundreds of years ago. So that would have been long ago.

Vampire Owl: Considering in vampire years, I am still not that old.

Vampire Bat: That explains you being a child even when space travel started its job.

Vampire Owl: I was never thinking about human space travel.

Vampire Bat: You are looking forward to being teleported other realms?

Vampire Owl: Yes, Dr. Frankenstein has created a magical space vessel.

Vampire Bat: You should remember that nothing made by Mr. Frankenstein actually works.

Vampire Owl: It is a wrong accusation by his mortal enemies. He travelled back in time last week and brought proof from another period of time. Even aliens approve of him.

Vampire Bat: I am quite sure that he brought back that ancient thing from a museum and not from the past. It is his time machine that looks more pre-historical than that thing.

[Gets a poori masala and three cups of Wayanad tea].

What is the movie about? :: Sam Walker (Kate Mara) is the daughter of General William Harris (Laurence Fishburne) a veteran military officer who has worked in collaboration with NASA space travel, and has Sam going on another space journey in relation to communicating with extraterrestrial beings if there are any. But as she comes back from the International Space Station, some debris leads to her crash-landing back on Earth. After floating somewhere in the middle of sea, she is finally rescued by the United States Coast Guard and taken to the nearby hospital for recovery, even though not taken out of quarantine for some days. Her fellow astronauts and doctors keep visiting her at the hospital, while William assures her that he is incredibly happy for her, and hopes that she will get well soon for the next mission, with NASA and Pentagon working very closely together in making significant discoveries which would change the world as they know it. She feels that things are just okay as she only got a few bruises.

So, what happens with the events here as we just keep looking? :: Sam does not remember most of the incidents in space, and continues in quarantine for decontamination. She is visited by her husband, Mark Walker (Gabriel Luna) and daughter, Izzy Walker (Scarlett Holmes). But for her own safety, Sam is confined alone to a rural cottage somewhere in Virginia, where diplomats and very important people are supposed to stay in secret when there is some danger with their lives, or just to stay away from media. It is seen that the next house or shop is kilometres away, and the place only has woods on all sides and some meadows in between, with almost no traffic at the closest road passing around. As Sam adjusts to her new lonely situation, she also goes through a series of medical tests to make sure that her mental and physical fitness are okay, with a new journey to the space station coming up. Sam and Mark are having some difficulties trying to cope as a family, due to her frequent journeys to space and the quarantine that comes before and after that. It is revealed that the child is also adopted, as they hoped that it would make things better between them.

And what more can happen here as there seems to be some mystery to be resolved? :: While walking outside and close to the nearby woods, Sam notices that the entire premises have some hidden cameras, most of them directed right towards the home. This makes her wonder about her location, as she had already felt that somebody did open the door and enter during last night, thus also making the floor a little messy. William shows her that the hidden cameras are linked to a certain underground bunker in the house, from where the whole place can be watched in detail. If anyone try to breach the property, it could be known with ease, and there could also be a lockdown which would prevent anyone from getting in. Strange occurrences continue, and later that night, the power is cut off, and the alarm system is triggered, locking her inside the house. A dark creature seems to have entered the home, forcing her to lock herself inside the bunker. Now, it is to be seen if she can survive these nights, and with nothing on the cameras, will people believe her theory that something followed her from back to Earth from space?

The defence of The Astronaut :: The twists in the movie are pretty much unexpected, even though not that interesting, and that surprise takes the movie to a higher level, even though slowly and steadily. The film builds on with a tense, eerie mood with its quiet, minimalist approach to horror, that seems to work for most of the time. The combination of psychological thriller, science fiction and paranormal horror got the arrangement right, as we look at it. The isolated safe house with dark woods all around and continuing psychological tension are effective with the possibility of twists always being present. Kate Mara has things in control here with emotional weight as she moves forward in a world of conflicts. Morgan–Fantastic Four actress seems to have changed a lot, and maybe it is we all ageing together. Her movement to the twists in the end works so well that we even hope for the world to be extended in a sequel at that moment. Laurence Fishburne is a big strong presence here, and his roles like this have remained too good in the past.

The claws of flaw :: The movie drags in between even in a one and half hour movie which deals with aliens – it would not have been that difficult to deal with such a safe topic during normal circumstances of Earth and space. The struggle with pacing feels so much, especially in the second half when it seems to try too much, and yet the narrative keeps its trouble going through. Some of these narrative changes and interesting developments come too fast and leave unanswered questions, as the science fiction elements continue to stay in the background without that much of a detailed happenings on the screen. One keeps wondering why it immediately took that deviation, even though it was the twist that came quickly – there could have been other ways to bring the same to keep on with the route of the overall movie. Sometimes, one would wonder if the combination could have been kept better coherent at all times. The predictability is also present in between, even though not with the final twist.

How it finishes :: This is one of those movies which were less known, and surprisingly, in spite of staying close to the genre, I never really knew about this movie’s existence. Despite losing the pace in between, and narrative also making that struggle, the movie maintains a level, not losing it on the way completely even when there seemed to be the chance. This would mean that the mixed reviews are quite justified, and its journey through Amazon Prime Video might also be complex. For a quiet, atmospheric psychological science fiction with strong leading cast performances and high-level tension coming out of the mood and atmosphere with dark woods ready to pounce upon the terror, this would be the right choice. There is no questioning that kind of an ability around here. But one can see that there are no clear explanations of these alien elements, and the lack of traditional horror thrills would continue to affect the interest of people. Otherwise, this would nicely work for a smooth, slow and steady journey with something coming in the background.

Release date: 17th October 2025
Running time: 91 minutes
Directed by: Jess Varley
Starring: Kate Mara, Laurence Fishburne, Gabriel Luna, Ivana Miličević, Macy Gray, Scarlett Holmes, Reza Diako, Daniel Quirke, Daiana Madeira, Christine Abernathy, Ezrael MacTire, Erin Gill, Gareth Battersby, Aidan O’Sullivan

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✠ The Vampire Bat.

Yakuza League

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Vampire Owl: I am pretty sure that Batman has always been your relative.

Vampire Bat: I do not know how a man’s masked personality relates to me.

Vampire Owl: Every life is a mask, isn’t it? People take so many forms.

Vampire Bat: Humans are never true to the society or even to themselves.

Vampire Owl: We know that humans are evil, so there is no surprise at all.

Vampire Bat: The Vampire Elders were so shocked that they banned the humans.

Vampire Owl: So, Uncle Dracula was never the first one to ban them.

Vampire Bat: He only extended the ban for humans which was already established.

Vampire Owl: I hope that Dr. Frankenstein is not banned anymore.

Vampire Bat: Mr. Frankenstein will not even be accepted.

[Gets an ulli vada and three cups of Wayanad tea].

What is the movie about? :: Batman (Koichi Yamadera) has come back home after being sent to feudal Japan through a time displacement machine called the Quake Engine. After all of Gotham City’s top criminals who also reach there became feudal lords, he had stopped the villains from altering history and brought them back to Gotham City in the present. But it seems that he would have no time to rest in his own world with something strange occurring around the city. He is surprised to see that the Justice League is no longer there and he cannot find Japan in its location either. He also finds that yakuza are raining from the sky above. He finds out that they belong to Hinomoto, a different Japan from a parallel universe which has placed itself in the sky of the city. He is able to see an interdimensional rift above Gotham City which seems to be part of a plan to invade Earth. As only the people who previously time-traveled can see this particular rift, the others call it a yakuza tornado, a storm which carries them to Gotham City – they deny the other-worldly elements of the same.

And what more is to follow in a world facing imminent destruction through timelines? :: Before he can process this new reality, Batman understands that there is more to this than what meets the eye. Batman and Robin (Yuki Kaji) travel through the rift to Hinomoto, while the other members of the Bat family Nightwing (Daisuke Ono), Red Hood (Akira Ishida), and Red Robin (Yuki Kaji) stay behind to fight the yakuza who have fallen into the city through the tornado. The Bat family are soon ambushed by some more yakuza fighters who are part of the Hagane yakuza clan who took over Hinomoto. They are surprised to find out that the first three big yakuza members who come against them are Zeshika the Emerald Ray (Ayane Sakura), a version of Green Lantern, Asha the Aqua Dragon (Akio Otsuka), an alternate version of Aquaman and Bari the Fleet-Footed (Kengo Kawanishi), a Japanese version of the Flash. The Bat family struggles in the fight with them, but with additional help from the Daiana the Eagle Goddess (Saori Hayami), an alternate Wonder Woman who is the member of an opposing Yakuza clan called Amazone, they manage to escape.

So, what happens with the events here as we just keep looking? :: After leading them safely to the Amazone base, with the help of Harley Quinn (Rie Kugimiya) from Batman’s timeline, Daiana explains the rising power of of the Hagane clan at Hinomoto from the time when the area consisted solely of yakuza families fighting each ither. After a clan leader Deio Domuzu (Kenta Miyake), an alternate version of Doomsday, was killed by Kuraku (Takaya Kamikawa), the new leader and an alternate Superman, the Amazone is the only opposing group left, and they have decided to keep their code of honour and respect. Harley Quinn had escaped with Joker (Wataru Takagi) after hearing about the strange incidents happening in Gotham City. After being ambushed on the way back, Batman is saved by Joker who didn’t want anyone else to kill the bat other than him, but Robin is captured. During the fight, it is revealed that the mastermind behind all of these is Ra’s al Ghul (Kazuhiro Yamaji) who had found the Quake Engine and upgraded it into a Four-Dimensional Origami System, and used it to manipulate certain parts of Earth’s history, creating Hinomoto with the new rulers. With all members of Justice League except Wonder Woman going against him, can Batman stop the new villain intending to capture Earth with the help of Wonder Woman and Harley Queen?

The defence of Batman Ninja vs. Yakuza League :: The art style used here is so interesting as the movie nicely blends the 3D and hand-sketched 2D animation together. There are also the segments that change styles which will have our attention, and when each character is introduced in a different form, it catches our attention, for the Japanese versions of Green Lantern is the best, and that of Aquaman, Wonder Woman and Superman – all feel like made with some smart thoughts as our interest in parallel worlds grow further. This idea of having the most powerful Justice League superheroes on one side and Batman only with Wonder Woman to help him, is more of a terrifying situation for fans of the universe, as Harley Quinn helping Wonder Woman at times and Joker only caring about Batman not getting killed would not mean they can save the world. Well, we know the powers of Superman, Green Lantern, Aquaman and Flash, and so this situation is one of the biggest dangers that the world can have. It is the advantage of the tale, and it is nicely told with a Japanese touch, with everything nicely coming together in the end. The character design is so well matched by the grand action.

The claws of flaw :: There is no tight narrative coherence around here as the movie keeps going through the action which is sometimes too quick and a little bit overdone for some characters without superpowers. The change to the main Justice League characters is not always that interesting when we look closer. The display of power seems a little too much for our interest and quickly going through here and there. There is the explanation of Superman’s power a little too much even for the new version, and instead we are left with less understanding of what has really happened in this universe as the earlier movie release too long ago, and this would feel like a standalone for even the people who watched that one; a recap would have done the universe better especially as the length is not that much already. To make this shorter run-time possible, the movie seems to have gone through some quickened edits too, as we shift the shifts happening at a better speed. One would also feel that the Japanese version might have been the better suited mode for this particular movie.

How it finishes :: The movie does embrace its own existence, as it remains a high-octane return to those classic cartoon adventure, anime tropes and manga aesthetics, as there is more Japanese about this particular superhero journey than American. The comic book nostalgia is nicely reflected here as we take a closer look. The best of multi-stylistic animation comes up with a visual feast that keeps shifting between different versions, none of them deviating from the purpose. The high-level comics superhero battles and the tale of parallel universes go on making an impact. I have always preferred DC’s model over that of Marvel, whose classic superhero power was ruined by the new group of superheroes with the one exception being Thunderbolts, and even DC had itself coming down from Man of Steel by a weakened by a new Superman. Batman Ninja vs. Yakuza League above others embrace the pure joy of Batman going against all odds from start to finish – he is the underdog again, but he stands tall. We see him proving himself not only as Gotham’s Dark Knight, but also the best of a Japanese underworld even when facing the superpowered or the overpowered juggernauts of destruction.

Release date: 18 March 2025
Running time: 89 minutes
Directed by: Junpei Mizusaki, Shinji Takagi
Starring: Koichi Yamadera, Daisuke Ono, Akira Ishida, Kengo Kawanishi, Yuki Kaji, Hōchū Ōtsuka, Masaki Terasoma, Wataru Takagi, Rie Kugimiya, Nobuyuki Hiyama, Romi Park, Akio Otsuka, Ayane Sakura, Kazuhiro Yamaji, Takaya Kamikawa

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✠ The Vampire Bat.

Eenie Meanie

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Vampire Owl: This sounds like a nice name which we can use for a new vampire.

Vampire Bat: How can a vampire be called by such a name in our realm?

Vampire Owl: It is still better than being called Vampire Owl I and Vampire Owl II.

Vampire Bat: So, there is a second vampire who is an owl?

Vampire Owl: We have to be ready for all possibilities in a world of chaos.

Vampire Bat: A world of chaos can only use a chaotic name.

Vampire Owl: That would scare legends like Dr. Frankenstein away.

Vampire Bat: Mr. Frankenstein already have a scary name for himself.

Vampire Owl: Frankenstein is a name given to legends these days.

Vampire Bat: Uncle Dracula has been fed up with that name for some time due to those illegal and ridiculous experiments involving lightning, which have caused power shortage in the castle.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Edie Meaney (Samara Weaving) had a troubled past which included being pulled over by police while driving her drunk parents who had drugs in their possession, and had ended up crashing the car. Then, as she was aged fourteen, with her mother dead and father paralyzed after the accident which was meant to save them from being arrested, had to go through a series of abusive foster homes, and was almost sold to sexual slavery, but was saved by John (Karl Glusman), a young criminal with whom she had also fallen in love, and stayed together for about fifteen years. Edie and John had carried out multiple robberies for the ruthless mob boss Nico (Andy Garcia), who had nicknamed her “Eenie Meanie”. She was known for her driving skills which had helped them a lot during the most complicated situations, something which had made her the favourite driver of the group, and her getaways have been iconic. Even her rival driver Perm (Marshawn Lynch) had a high opinion about her.

So, what happens with the events here as we just keep looking? :: In the present, Edie has left her life as a getaway driver a long way behind, and had finally found the emotional courage to break up with John. As she works at a bank to support herself in going to college and get a degree, she becomes stuck at the bank counter during a robbery and is hit on the head to be knocked out. At the hospital, she finds out that she is pregnant with the child of John. Even though there are many advice for her to mind her own business, Edie goes and visits John, who is being interrogated by Nico’s men, and after surprising them, reluctantly uses her driving skills to save him. John had kidnapped Nico’s card counter man Leo (Randall Park) for a certain activity, and as he takes them out of the hiding place, ends up killing him much to the dismay of Edie. Once again pulled into the criminal world, this time being pregnant, she gets a call of Nico and him as well as his right-hand man George (Mike O’Malley) provides her with an offer.

And what more is to happen here as one man would dictate the terms? :: This offer would involve stealing a car containing three million dollars in cash, which is to serve as the prize for an upcoming poker tournament at a casino in the state. Only this could cover their losses due to the death of the man and this would be the one thing that could keep John alive at least for now. After getting a new car with the amount provided by Nico, they go and see Chaperone (Jermaine Fowler) as instructed, but he finds John to be liability who slows down both Edie and the mission, but she remains adamant that he is an integral part of the mission, and it is not just because he had helped him a lot in the past when she had no hope. She asserts that he also has the same kind of skills within him, and has helped a lot with the earlier missions, and that leaves the doubts behind for the time being for them. With some help from casino staff, the Dodge Charger which is to be given as the prize with three million inside is replaced with an identical model which is ready to drive as soon as the cash is loaded into it. But can Edie manage to take it out when everyone’s watching?

The defence of Eenie Meanie :: The movie rest on the shoulders of Samara Weaving, without doubt – her style, dialogues, charisma, dry humour and screen presence, all rises all the way above the whole movie, and rarely do we such a work which feels better than the film itself, and as we remember her performance in Ready or Not, we do feel here that she has always been ready, and eternally ready to shine in action movies. Whenever the movie gets weaker due to its lack of anything special, she becomes the one special ingredient. Elle Graham who plays her younger version had also made an early impact. Then, it can be seen that the heist and getaway driving sequences are nicely shot. During these moments, the high-speed thrills look polished and fast-paced. The humour works at times, and we see some elevation here and there. The second half shows a clear upgrade from the dumb beginning moments, and all the memorable moments are right there. Andy Garcia remains solid as the crime boss. Then the movie has its good looks.

The claws of flaw :: The movie feels elongated with not that much of a content to stretch it to the final run-time which it has achieved. Karl Glusman is playing a strange man who is good for nothing, and the main character for a past, remains attached to the person, and one cannot stop being bothered about it – there are not many things absurd than this which seems to cause everything that happens in the movie. One can only wonder if such a step will be taken by a smart modern woman in any case, as there is always limit to everything. The movie also seems to try too many things, some of them unnecessary – there is a pregnancy storyline, family estrangement and a number of unnecessary characters, which leaves the main heist plot feeling rushed and most of the things seem to wait till the end, even when there were so many opportunities to keep planning and talk about the same in between. There was much to be done to add right towards the action and even humour, and the emotional side just goes not useful at all. Some of the scenes including the first meeting of the two former lovers stay ridiculous.

How it finishes :: The movie maintains the brainless fun mode pretty well, but the slow progress does not help the same too much. The tale also does not seem to add anything too interesting in its narrative, and holds back with its action which arrives too late. The final moments do come up with what it was required to do, but it feels rushed, after all those talks in between. There is some poetic justice delivered right there. Then there is Samara Weaving who makes this feel so much better, and as she shoulders this, the quality itself feels very much improved. There is always hope when she is around, and we see the level of the movie elevated, and this much she achieves with that strange character that takes decisions against her own ideas and plans. The ending stays closer to reality, and most of it was something we waited to see happen. There are many thoughts about how this one could be improved. We would expect a more fast-paced full action thriller with a nicely planned heist, but that much is not reached. This one serves as an entertainer in Jio Hotstar which we can watch for time-pass.

Release date: 22 August 2025
Running time: 106 minutes
Directed by: Shawn Simmons
Starring: Samara Weaving, Karl Glusman, Jermaine Fowler, Marshawn Lynch, Steve Zahn, Andy Garcia, Randall Park, Mike O’Malley

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@ Cemetery Watch
✠ The Vampire Bat.