Author Archives: Dr. Tennyson

Ice Road: Vengeance

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Vampire Owl: I have always thought about creating an ice road in the realm.

Vampire Bat: An ice road would not be that smooth a path for vehicles.

Vampire Owl: We just hover over the ice with our vampire levitating skills.

Vampire Bat: In that case, you can ask the vampire sorcerers to create a magical path.

Vampire Owl: No, too many magical witches on the way who could devastate the path.

Vampire Bat: Well, all the magic does not belong to one particular group.

Vampire Owl: Yes, like Dr. Frankenstein uses that magic of science.

Vampire Bat: Mr. Frankenstein will never know true science.

Vampire Owl: Frankenstein’s science is beyond all vampire limits.

Vampire Bat: We will know more about the same when Uncle Dracula addresses one of the great vampire gatherings again and make declarations.

[Gets a fortune cookie and three cups of taro tea].

What is the movie about? :: Mike McCann (Liam Neeson) a seasoned ice-road trucker, is going through a certain amount of survivor’s guilt after the death of his younger brother, Gurty McCann who (Marcus Thomas). Despite the best efforts of his psychologist, he is not able to find anything positive in life. After some days, to honour Gurty’s last wish, Mike decides to travel to Nepal so that he can scatter his ashes on the top of Mount Everest. As he reaches there, there is something going in a village further away from Kathmandu, in Kodari. There, local people keep opposing the construction of a huge hydroelectric dam that would affect the access of water supply from the river, which is the biggest dream and grand project of the nation’s leading industrialist Rudra Yash (Mahesh Jadu). Rudra is determined to make this happen one way or the other, and decides to kill the members of the family who refused to send the lands to them – Vijay Rai (Saksham Sharma), the youngest member of the family is chased by goons through the town.

So, what happens with the events here as we just keep looking? :: While standing in front of protests, Vijay understands that his grandfather was murdered by Rudra’s henchmen by pushing his bus off the huge cliff using a truck killing so many other passengers, thus making it look like an accident, as nobody else was around. Mikes finds his guide to travel to the top of Everest as some guy named Dani, but later realizes that it is Dhani Yangchen (Fan Bingbing), half-Nepali and half-Malaysian who had reached the top of the mountain many times. They join a group of passengers aboard a bus known as Kiwi Express which goes through the Road to the Sky, a narrow, high-altitude mountain pass. An American professor who had recently delivered a talk in the nearby university, Evan Myers (Bernard Curry), and his daughter Starr Myers (Grace O’Sullivan) also get into the bus along with a few others. But soon, Vijay is attacked by two strangers with guns and they knock out the boy while hijacking the bus, asking the driver to go through another route so that they can take him to a location according to their plan. Now, can the bus be saved?

The defence of Ice Road: Vengeance :: All the action at Kathmandu around the Himalayas makes sure that a visually unique and stunning background is achieved, and there are moments with this landscape which makes the situation even better. The visuals keep us hoping for such a journey through Himalayas or any other snow-covered mountains, especially as we rarely see any snow around. The quick pace of the movie makes sure that we are always in an action thriller, even those dialogues seem to support the same. Almost everyone among the cast seems to be fully powered for action, and there is something about their fight for survival which keeps us wishing them the best against all odds. Different types of people coming together to save themselves and defeat the villains never gets less interesting. There is a certain amount of humour and the emotional side is also there up to an extent. The nostalgic, old-school formula which reminds us of those 1980s and 1990s action flicks working so well here keeps us more interested. In the end, it is all about saving a village, and that matters here.

Positives and negatives :: The movie nicely makes use of the available elements from its cast to the visual world that surrounds everyone. It might not become the perfect action thriller without those huge action sequences, but we always have enough. Even with a message about nature and conservation of environment ready to come to the front, it never does the same, and leaving with the same does not happen at all. There are also moments when the movie feels like going the silly way, but with some willing suspension of disbelief, the same is handled well. Even though this one remains visually stunning, the Computer Generated Imagery is not used to the best advantage. The journey through ice road is rather less in this one too. The ending scene is lovely, but it seems a little bit forced. The action just before that was grand, but could have been quicker in execution, and the danger in the end should have given a riskier feeling, especially with a group with rich and powerful people with control over police chasing the people in the bus. Yet, the thrills remain there and the fights continue to be effective.

The performers of the soul :: Liam Neeson once again does the job, and like in Taken, A Walk Among the Tombstones, The Grey and Non-stop, goes through the difficult times to make it better. Nobody does it better than him when playing an aged hero with a past which has more tales to tell than people can think about. Fan Bingbing as the mountain guide Dhani Yangchen is a strong lady lead who can hold her own side in the narrative, and there are some fine fight scenes for her to excel. Amelia Bishop also plays a mercenary villain who gets a lot of action for herself. Grace O’Sullivan’s character is also played well as the significance of this one is also there at all times. Bernard Curry’s work is short-lived as the character is the first one to be killed. Marcus Thomas as Gurty McCann makes some presence through the flashbacks which come to the screen at times. Mahesh Jadu plays an antagonist who is menacing enough, Monish Anand’s supportive villain also has his moments. Geoff Morrell’s character adds some initial fun too. Saksham Sharma as Vijay Rai manages the role just as expected.

How it finishes :: Ice Road: Vengeance is one of those fine entertaining action thrillers which never losses its strength during its journey with a run-time just a little bit less than two hours. This is that kind of a movie which leaves us the feeling of a natural thriller, as it feels close to life due to never overdoing it and the situation related to dam construction and destruction of home and nature remaining even closer to life. There is no extra effort, but we are glad about what we see around. The 70-plus-year-old Liam Neeson trying to climb the Himalayas and also beating up people with a certain amount of struggle still makes it believable while staying on to be a highly entertaining watch which has shots which we will remember. As the movie also has everyone fighting for lives, there is a certain amount of balance here too. As most of us have not watched the previous movie, we cannot really compare this to the first movie, but this is surely that kind of a movie which should have released in the theatres here in style as there is a specific touch that could attract the audience around here.

Release date: June 27, 2025
Running time: 114 minutes
Directed by: Jonathan Hensleigh
Starring: Liam Neeson, Fan Bingbing, Marcus Thomas, Bernard Curry, Geoff Morrell, Mahesh Jadu, Amelia Bishop, Salim Fayad, Saksham Sharma, Grace O’Sullivan, Monish Anand, Shivantha Wijesinha, Rosie Traynor, Seth Kannof, CJ. Bloomfield, Luke Clayson, Sahil Saluja, Anna-Mai Hoek

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.

The Bhootnii

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Vampire Owl: Bollywood continues to have its ghosts, I see.

Vampire Bat: There are rarely the kind of ghosts that we accept among us.

Vampire Owl: Yet, even in human world, ghosts are real.

Vampire Bat: Let their ghosts be theirs and ours be as we need.

Vampire Owl: Dr. Frankenstein once researched on a new ghost realm.

Vampire Bat: Mr. Frankenstein can research on nothing that really exists.

Vampire Owl: Frankenstein can do anything when provided the scientific equipment.

Vampire Bat: The only thing he can get is a ban from Uncle Dracula.

Vampire Owl: Scientists like him will rise again with new paranormal inventions.

Vampire Bat: Pseudo-scientists who claim to create life from lightning are not included.

[Gets a set of idli and three cups of Vagamon tea].

What is the movie about? :: In the campus of St. Vincent College, there is a particular strange tree known as the “Virgin Tree,” which is believed to grant true love to everyone who prays under it on a Valentine’s Day. But on the day of Holika Dahan, a student mysteriously dies, and people say that it is claimed by an evil spirit and that the tree as well as the area around it remains haunted. Shantanu (Sunny Singh) who is heartbroken after a recent breakup, creates a mess around the Virgin Tree, asking for true love while threatening to give up his life. He does not know if there was a result to his prayers, but the truth is that his earnest plea awakens Mohabbat (Mouni Roy), a vengeful and obsessive spirit bound to the tree. As Mohabbat’s obsession grows, she begins to haunt anyone who has a chance of coming between her and Shantanu, as she takes a human form in front of him, making him fall for her. Sahil (Sahil Arora) and Nasir (Aasif Khan) are his two best friends who are surprised that he is having a new girlfriend all of a sudden.

So, what happens with the events here as we just keep looking? :: Shantanu’s longtime friend Ananya (Palak Tiwari) comes back to the campus after a programme and tries to help him get better after the earlier heartbreak, but quickly becomes a target for the spirit who understands that she has always been in love with him despite never accepting the same. As strange things continue to happen in the campus, and a few days after protests erupting in relation to a student’s suicide, the management is forced to find a solution, and they call a former student who has been dealing with similar problems all around India, a para-physicist Krishna Tripathi known only by the name Baba (Sanjay Dutt). He reaches the campus, and while seeing the protests against the tree, understands that the problem is not with the tree doing anything, but with some evil presence tied to the tree wandering around on campus. As the spirit begins to set an example with Ananya whom it captures with its never-ending vines, can she and other students be saved in time by Baba?

The defence of The Bhootnii :: The movie has some good humour all around, and the same works above most of the other horror comedy works with only a few exceptions in Bollywood that manage to raise the level. The performers also seem to be good with the humour and the leading ladies also with the romantic side added to the comic side. Sanjay Dutt remains a towering figure of the same, as he is the one name among the cast which we who watch only the big movies of Bollywood can recognize with ease. As Mouni Roy plays that demonic presence with conviction and Palak Tiwari becomes the cutest romantic interest around, we feel the danger and the need to do something soon for the characters, as scares take over from the humour. The setting of the college is really good, and the atmosphere has been nicely built around here. Except for the tree, the institution looks lovely as much as lively. There is a certain amount of Gothic-like beauty in here which makes one feel both the horror and romance suitable for this particular world. Then, the final moments leading to the end is nice with a twist which leaves us with a fine feeling.

The claws of flaw :: The movie does not keep away from being silly, and this particular silliness would keep the audience wonder if it is going the wrong way. There are moments when we feel that this is not going to end well, and some of the jokes get nowhere. Despite setting the horror, humour and romance mood well in the beginning, there is a struggle right after the first dance song, and then the situation gets better only when Sanjay Dutt faces the ghost for the first time and leads an escape – there is quite some time in there between the beginning and this, which is one-fourth of this, when things seem to be less interesting. Some of the special effects could have also used some more attention. The “true love” idea does not work at all, as we keep feeling that the same is far-fetched element in this one. The idea of love being misunderstood as friendship is also a little bit too old for this age. Considering the loss of pace in between, it is only safe to say that the movie could have indeed been a shorter one.

The performers of the soul :: Sanjay Dutt as Baba is the character who has to save everyone, and he plays the strong slayer of ghosts well, and reminds us of those whom we have been seeing in Hollywood, but this time with an emotional twist. There is no problem with him playing this particular character, as it suits his looks and the efforts here are surely working. Sunny Singh as Shantanu remains stable in a role where he has to be the campus lover affected by a ghost, and that also works well for him. Mouni Roy does a fine job as the spirit, and she manages to show the multiple sides of the ghostly presence with beauty, charm, terror and even a little amount of humour, as there is that stunning appearance that makes an impression every few minutes after the first introduction. This is the first movie I am seeing her around in a big role, and this is a memorable one indeed. I am also seeing Palak Tiwari for the first time in a movie, and she scores with a certain amount of cuteness and humour added with romance or even when facing the horror. One has to say that she suits well for this role, and she is indeed an actress who deserves more big roles as most of the other Bollywood actresses would overdo this one, but she maintains grace.

How it finishes :: While watching the movie, I could not stop wondering if this could be a sequel to Adi Kapyare Kootamani, a Malayalam movie with so much humour and a little bit of horror coming up in the final few moments, and there is no shortage of trees and search for true love there either. But we know that such a sequel could be a lot better with the fine ending maintained there. Back to this one, it works more as the comedy and less as the horror flick, something which we have seen throughout the Bollywood attempts at the same, from Stree, Munjya, Thamma and even those sequels of Bhool Bhulaiyya which might have lost the focus. Some of the horror elements of these movies were also unintentional horror in one way or the other. As far as our movie here is concerned, it is that horror comedy with romance that tries better than other movies of the same genre which do not have a franchise to go with it. With some stunning visuals and classic moments of humour established through one-liners and somewhat good scares, this one catches our attention despite somewhat losing its way in between.

Release date: 1 May 2025
Running time: 130 minutes
Directed by: Sidhaant Sachdev
Starring: Sanjay Dutt, Sunny Singh, Mouni Roy, Palak Tiwari, Aasif Khan, Sahil Arora, Meherzan Mazda

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Ready or Not 2

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Vampire Owl: The thing about me is that I am always ready.

Vampire Bat: You were never really ready in your whole life.

Vampire Owl: I was never ready for human evil; that much, I am sure.

Vampire Bat: Human evil is exactly the same as pure evil as we know it.

Vampire Owl: Pure evil is what humans call what they do not understand.

Vampire Bat: It is exactly what they call each other when time comes.

Vampire Owl: The worst time of humans is considered their best time.

Vampire Bat: They are people of paradoxes and antitheses, aren’t they?

Vampire Owl: Their existence itself goes against their nature.

Vampire Bat: Hell has a special infinite place for them elevated above the eternal fire that burns even further.

[Gets a sweet porotta and three cups of Wayanad tea].

What is the movie about? :: Grace MacCaullay (Samara Weaving) had married Alex Le Domas (Mark O’Brien), the estranged member of the successful Le Domas Family Games company. The other members of the Le Domases starting from his father Daniel Le Domas (Adam Brody) and mother Charity Le Domas (Elyse Levesque) had a deal with a devilish figure to highly improve the Le Domas fortune in exchange for going through a tradition. According to the same, at the midnight on their wedding day, she was asked to draw a game card from a puzzle box, and Grace had got the “Hide-and-Seek” card. She feels that it’s a harmless game, but then the Le Domases had started off hunting her with weapons. There was a violent fight in which she was never supposed to win with family having the weapons and full control of the house. But surprisingly, against all odds, she had ended up being alive during the dawn of next day while the family was wiped out as they failed to live up to the promise.

So, what happens with the events here as we just keep looking? :: After that success, Grace is taken to the hospital by the cops who arrive at the scene. She is handcuffed to the bed as the police does not believe anything that she says, and they feel that she might have brutally murdered everyone in the family and tried to get away with it when the cops arrived on the scene. They decide to keep her handcuffed and take her to the police station as she has a lot more explaining to do in prison. It is then that Grace’s estranged sister Faith MacCaullay (Kathryn Newton) arrives at the hospital as she got the information with her phone number being added in the mobile phone as the only emergency contact of Grace. The two sisters were separated for some time as Grace left her when Faith was only fifteen years old. When the cops try to take Grace to the police station, they are attacked by the members of the satanic group, but they are wiped out as they try to kill her outside the game. A group of members of the cult arrives to take Grace to their mansion to begin the next game with her, and they also take Faith with them.

And what more can happen here as many deaths seem to be certain? :: The two sisters wake up in a room of a giant mansion; both their arms and legs tied to chairs and their mouths gagged. There they find the twins Titus Danforth (Shawn Hatosy) and Ursula Danforth (Sarah Michelle Gellar) who represents the Danforth family after murdering their father upon his wish as he found himself too weak for another game – it was the most powerful family which held the high seat of the council which controlled most of the world, and now there was going to be a fight for the seat due to what she did. Grace would be set free and the four remaining families must kill her before dawn to acquire the high seat which would leave worldwide power to person who murders her. Grace refuses to participate, but when the families put the knife on Faith’s neck, she agrees, and both sisters are sedated and thrown into the middle of a golf course around the mansion, handcuffed to each other. Now it is to be seen if they can survive against this incoming attack from the heads of each family.

The defence of Ready or Not 2: Here I Come :: Samara Weaving feels like a perfect scream queen, and that return in the blood-soaked wedding dress is a stunner. The addition of Kathryn Newton as her sister in fighting, brings more fun and the chaotic survival partnership is more than just memorable – it is very much unlike her character in Ant-Man and the Wasp: Quantumania which was not something to remember much. Kathryn shows that she is also the scream queen as much as an action star, and she also adds a lot of humour to the movie. The movie gets into action-comedy and horror-comedy mostly because of her interactions with her sister character and those around her. A movie with her fighting vampires, zombies or demons would be delightful whether it’s as a scream queen of horror or in a demon-hunter in action. The two sisters fighting together brings some fine scenes, and the final moments with the satanic terror is worth mentioning too. The whole atmosphere of the movie with huge mansion in the front and a hidden satanic world underneath creates an impact.

Positives and negatives :: The movie has that kind of a supporting cast who manages to come up with a fine job too. Sarah Michelle Gellar and Shawn Hatosy are just too good, while Elijah Wood and Maia Jae come up with moments to remember. The kills here are memorable, and even though we see a lot of blood around, the violence remains under control, and the splattering blood do not make it unbearable for a younger audience; a perfect example of how to keep creative carnage within the perfect limits. The movie could have had more villains around here with a bigger backstory, as this movie never feels too long with its content, and we are only looking for more and more as time progresses. The use of a demonic presence and the satanic cult create effective danger around there, as it is not just a few fighting families that the sisters need to escape from. Even if they get out of the yard, they cannot be sure what would happen next. The supernatural and the influential spread all around the world would have a lot to say about their plans being ruined. The movie could feel like some originality lost, and the final resolution would feel too easy. Some big scares could also come in here and there.

How it finishes :: Most of us never really had the chance to watch the first movie when it released in the theatres, as it never really graced us around here, but with the OTT option available, this one came to Jio Hotstar pretty much quickly. This one picks up right where the early movie left us. This one does a fine job in expanding the universe from a single terrifying family to a massive battle for global supremacy with many devil-worshipping elite dynasties hunting the woman in trouble and also her sister who almost becomes collateral damage in a world of chaos. It is indeed a highly entertaining sequel to a movie which was watched by a smaller number of people as it was a sleeper hit which never really managed many theatres, and the same can be said about this sequel in this part of the world too. A chaotic, bloody energy has been maintained here, and with two sisters fighting against all odds with influential families carrying weapons coming after them. This reminds one the movies like Breakdown Forest and The Hunt, and remains a true entertainer with a fine leading cast of two.

Release date: 20 March 2026
Running time: 108 minutes
Directed by: Matt Bettinelli-Olpin, Tyler Gillett
Starring: Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Elijah Wood, Shawn Hatosy, Néstor Carbonell, David Cronenberg, Kevin Durand, Olivia Cheng, Varun Saranga, Dan Beirne, Nadeem Umar-Khitab, Masa Lizdek

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Paathirathri

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Vampire Owl: I see a movie about midnight here.

Vampire Bat: I do not think that this movie is about vampires drinking blood at midnight.

Vampire Owl: Yes, I know we are supposed to prefer the witching hour over midnight.

Vampire Bat: Witching hour has now been copyrighted by witches.

Vampire Owl: They cannot have that. They already have infinite access to all magic.

Vampire Bat: They control most of the demons of our realm.

Vampire Owl: There was a time when they only controlled animated skeletons.

Vampire Bat: According to the new pact, they have transferred them to necromancers.

Vampire Owl: Necromancers have always animated dead bones.

Vampire Bat: These are perfect skeletons, and not those created out of random bones.

[Gets a paneer puffs and three cups of Kandy tea].

What is the movie about? :: SI Jancy Kurian (Navya Nair) is the new Sub Inspector of a rural police station on probation, who is struggling with a certain amount of confusion as a beginner while also trying to cope with her personal life which is close to breaking down due to the possibility of a divorce, despite them having a much-celebrated love marriage some time ago. Her personal life keeps her detached from social life and her approach to different cases is also hampered due to her fear of being alone in life as they live separate from their families after the love marriage which came out of a college relationship. Civil Police Officer Hareesh N V (Soubin Shahir) is also facing divorce and is going through a custody crisis with his wife, who keeps asserting that their daughter should stay with her at all times. The inability to talk to his daughter and the hostility of his wife also starts affecting Hareesh as he becomes not interested in working with women. But on one night, due to a sudden requirement of leave for another policeman, Jancy and Hareesh are forced to team up for a night patrol together.

So, what happens with the events here as we just keep looking? :: On the same night, as they travel near the forest, they see a car parked in a suspicious manner among the greenery. As they approach, they see a man running away and the woman in car drives the vehicle away. They chase the man who jumps into a swamp area and vanishes. Hareesh tells Jancy that there is no point in doing anything now as the person would have gone through the swamp to the other side and escaped. At the same time, they get a call about a girl committing suicide and Hareesh tells her to just leave as this is just irrelevant search that could lead them to trouble. Returning to the swamp out of guilt and worries, she is shocked to find the area recently covered with sand and wonders if someone could be under the sand. This further affects her daily actions, as she wonders if someone was dead and buried due to them. He talks to Hareesh about the same, but he dismisses these concerns and adds that the man would have escaped at that point itself.

And what more is to happen as further complications arise? :: Her anxiety increases as her husband in a complicated relationship with her leaves home after resigning his job, just after leaving her a letter. As the swamp was covered illegally, the court orders for the swamp to be reverted to its original form due to environmental concerns, but it is then that a corpse is found from under the ground. The dead body is identified to be that of a well-known journalist and investigative reporter Ansar Ali (Sunny Wayne), who was reported missing on the night when the two cops had seen the unknown figure. After checking multiple cameras and conducting unofficial investigations, they understand the woman who was with Ansar, his former college mate Anjali (Athmiya Rajan). But as she is the daughter of the DYSP, Suresh Kumar Menon (Achyuth Kumar), and he would make sure that nobody would know that she was with a married man among the trees and swamps in a car, and Anjali is also not interested in talking to anyone about it as it would devastate Ansar’s marriage and reputation as a leading journalist. As Hareesh and Jancy were there at that time and with the same proven through their walkie-talkie and mobile locations, they become easy targets to be framed for this murder. Can they escape from this situation and find the real culprits?

The defence of Paathirathri :: Navya Nair comes up with a highly controlled performance as SI Jancy Kurian, as she shows the physical and emotional strain of a woman balancing a troubled personal life and a demanding job, but tries hard to maintain both. Soubin Shahir also balances both, but he is more of a police officer than a husband in this one, but the conflict is nicely shown by him too. Their chemistry on screen can also be considered as one of the film’s highlights. With the support of their performances, the movie goes through the fatigue and psychological burdens beneath the police uniform and this brings an engaging, realistic rhythm which never goes for an overdose which would keep it realistic to the core. The visual are interesting and suitable, as the foggy landscape is beautifully captured to create a moody, tense aesthetic that suits this world of mystery. The tension is always there and so is the mystery which is never really solved until the very end, which provides that much needed twist.

Positives and negatives :: The movie could have had a little more of conviction with its content, as we see this never really providing the feeling that there is danger around. Even though the pace is fine, there are moments when it could have been increased further. The movie does not have that much to go to a length about two hours. But we can see that Harisree Ashokan and Indrans who come only in small roles could also make a fine impact. Athmiya Rajan who is best known for Joseph, does incredibly well too, and she is one underrated actress whom we should be seeing more often in movies, and there is some stoicism in her character here which find close to life. Ann Augustine also nails her role in a way that we would remember her with a certain amount of melancholy of the character which we notice realistically. When the emotional and personal side of the police is shown instead of showing them as machines on case, one can feel that this goes the realistic path. The final twist is surely working, and we are able to connect with the main characters who feel real. The investigative side could have been more powerful though.

How it finishes :: Paathirathri remains a movie which needed a better attention that it managed to get, as realistic police investigations with focus on emotions of the focus is very much rare in the industry even though flawed cops like those of Memories, John Luther, Abraham Ozler, all are still there and hunting psychopaths. The mystery here does not point that much to danger and fear generation though. But we see that clear sense of empathy for people with some power trapped in a flawed system which allows those with even more influence to take advantage of them and even ruin their lives forever. Despite the thoughtfulness and the competence in a real world that we see here, the narrative does struggle at times. For those who are looking for a slow-burning, performance-driven work focusing on the vulnerabilities behind the people in uniform, this works, even in a slower pace. After all, we are not making those dumb Bollywood police movies which turn into a universe which has ridiculous buffoons as police officers, and have lady cops who are even dumb and brainless as Lady Singhams.

Release date: 17 October 2025
Running time: 128 minutes
Directed by: Ratheena P T
Starring: Navya Nair, Soubin Shahir, Sunny Wayne, Ann Augustine, Athmiya Rajan, Harisree Ashokan, Indrans

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

A Woman Called Mother

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Vampire Owl: Why is this particular woman only called a mother?

Vampire Bat: Maybe it is a name in another language which means mother in another.

Vampire Owl: Or calling a mother not a mother is usual among some humans.

Vampire Bat: And yet it is a horror movie with a mother.

Vampire Owl: There was that movie called Mama with such a theme, right?

Vampire Bat: Yes, but I would not find any relation between the two.

Vampire Owl: The human worlds are never really related to one another.

Vampire Bat: It is a good reason to hate one another for the humans.

Vampire Owl: Is hate another word for humanity?

Vampire Bat: Human hatred is infinite and eternal, like Uncle Dracula’s curse and Frankenstein’s madness.

[Gets a Munnar white chocolate and three cups of Vagamon tea].

What is the movie about? :: Yanti (Artika Sari Devi) goes through a severe psychological breakdown after her husband leaves her and their children and files a divorce. She becomes desperate to claim her independence and provide for her family which is now financially broken. She moves to a new area with her two children, her teenage daughter Vira (Aurora Ribero) and her younger son Dino (Ali Fikry) to a rural town where she plans to open a stylish and advanced new hair salon. Her two children are not confident about the same, as this shop is opened right beside their home which is far away from the roads and town area, seemingly in the middle of nowhere. It is indeed a peaceful place for a home, but not the right place for a salon as Vira keeps asserting. Yanti invites different people of the town to the salon, and her children do notice a certain amount of seductive nature in that invitation. Then all of a sudden, the move seems like a blessing, as people seem to come in big numbers to her new venture.

So, what happens with the events here as we just keep looking? :: The success of the salon brings them a lot of wealth, which interests them, but Vira has not been feeling well at the place which feels as strange as what has been happening with her mother’s business adventure. She sees some shift in the mother’s behaviour and she seems to be doing something strange in the bathroom, lying in the bathtub. Then, she also sees someone else, a shadowy figure with her mother, mostly reflected in the mirror. Yanti is also seen drinking a lot of milk for no reason, while a certain cruelty and brutality when preparing meat can also be seen from her side. Dino had also felt something while trying to explore an abandoned house nearby with overgrown vegetation as part of her attempt to take a video for the social media. Unlike Vira, he feels that it is safe inside the house until he sees his mother both inside the house and outside on the streets at night. But as their room is not bathroom-attached, they might need to walk around at night. Now, what might be the problem with the mother and how can this terrifying situation be solved?

The defence of A Woman Called Mother a.k.a. Dia Bukan Ibu :: The movie places the characters nicely inside the house and the salon making them ready for all the horror which is to come, with the rest of the world only adding less to the scares in comparison. As the mother’s evil presence grows to be more menacing, the danger is even more felt in a world of terror. The focus here is not only on the fear of the supernatural which is ready to unleash itself on the family, the real-world tragedy of a broken home, financial devastation and the immense burden placed on single parents. With the trauma already there much earlier, we see the horror as the extra addition to what is already there. The final moments nicely show the unleashing of pure evil, but we already see the signs of the same in a bathtub and the actions of the mother with shadows and darkness nicely complementing all of these without hesitation. The imagery of horror that we have here catches our attention, and being a fine atmospheric horror is the movie’s advantage.

The claws of flaw :: The movie drags quite a lot as we look at it – there is the time taken to get into horror action, and even after that there is some drag. The middle part drags significantly as the story takes so much time revealing what is actually going on – this would test the patience of viewers looking for clues early itself. The idea in the movie is also not new, and it is not extended that much to provide a new divergent feeling. The movie’s best moments also fall apart after starting very strong. A number of characters of the movie that fails to go relevant also goes through a struggle. The blood and gore might upset some people as it is rather evenly distributed around here, and focused on animals, which can also be found not good for a number of viewers. The supernatural is also not that much explained here. We keep feeling that there is more to this, and enough has not provided around here related to the world of terror. Then we remember that there were many repetitions, and still there was not enough provided here to make the narrative’s movement through the inner evil smoother.

The performers of the soul :: Artika Sari Devi’s performance as Yanti remains something to be appreciated. There is more than one side of the character that she displays around here. She shows the shift from a broken, grieving mother to a feral, unpredictable and possessed monster of pure evil incredibly well. Her work brings the scares and makes the whole thing deeply terrifying to watch with the help of some mysterious gestures and expressions. The bathtub scene and the last moments with her coming in a bloody dress would be two moments which would be remembered as classic additions to an otherwise dark movie which depends on quick scares. Aurora Ribero comes up with a performance to remember as the young woman who does a fine job in understanding that there is something wrong with her mother, and she plays a character with confidence and determination which has us rooting for her. We would feel that she would make a great scream queen in horror movies someday. Ali Fikry has his moments, and the brother-sister moments add well to the side of drama.

How it finishes :: If you are looking for a a highly unsettling piece of psychological domestic horror, this might be the one, even though it is never near perfection in any way. There are so many moments which could have been better, and it is only safe to say that there were so many occasions which could have been dealt in a better way. There are indeed those moments when it falters under its own weight with the repetitions. Furthermore, it treads incredibly familiar territory for anyone already well-versed in Indonesian occult cinema. The movie had made some good impact in the Indonesian Film Festival too, and deserves a watch for its divergence from the usual. Indonesian movies have had some fine horror added here and there which have kept us wondering why more industries could not follow this particular path. It is the one reason why this movie came to the movies to be watched list early. Its availability in JioHotstar was another reason, and this one does not disappoint the audience who loves to have some variety in horror.

Release date: September 25, 2025
Running time: 119 minutes
Directed by: Randolph Zaini
Starring: Artika Sari Devi, Aurora Ribero, Ali Fikry, Fara Shakila, Khiva Iskak, Sita Nursanti, Dian Sidik, Husein Al Athas

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✠ The Vampire Bat.

Psycho Killer

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Vampire Owl: So, they have finally used the exact title for a smart killer.

Vampire Bat: Being psychotic is not a new thing for humans.

Vampire Owl: If this movie was in the vampire world, it would be psychic not psychotic.

Vampire Bat: Our world has its own dose of psychic vampires.

Vampire Owl: Doctor Sleep, I think, was inspired by them visiting the human world.

Vampire Bat: Vampires visiting human world have more similarities to Byzantium.

Vampire Owl: Yet, the human world remains too close to cruelty as their reality.

Vampire Bat: Brutality is the first step to becoming a human. It has always been so.

Vampire Owl: Whenever the word psycho is used in relation to any species, it points to humanity.

Vampire Bat: Uncle Dracula tried long reasoning with them and banned them within minutes.

[Gets a savala vada and three cups of Ooty tea].

What is the movie about? :: Satanic Slasher (James Preston Rogers) has been terrorizing multiple districts of USA for quite some time, murdering people who seemed to be random victims as he never really chose one place at a time. The scenes of murder were identified as places of unparalleled terror where even police officers fear to go. He had received the name from the media and public due to the occult symbols he had left behind at the crime scenes and his brutality seemingly reflecting the hell which he had written about at the areas where the murders took place – Satan worship was the only common thing. Jane Archer (Georgina Campbell) is a highway patrol officer who finds her husband, a police officer, being murdered by Slasher as his identity was almost discovered by the man. She becomes obsessed with finding and bringing the man to justice if she cannot kill him, and with memories of her husband and expecting their first child, she decides to go on a hunt much to the dismay of her relatives and the co-workers who understand that they cannot stop her, whatever they say or do.

So, what happens with the events here as we just keep looking? :: She feels that Slasher could be a murderous Satanic preacher who held his own people hostage and then killed them in a famous case of mass murder, but is someone who was supposed to have died some time ago. The other option is that someone who is a big fan might have taken over the identity, especially someone who is interested in Satan worship and hopes to go full evil as a demon of destruction to please the devil, the signs clearly being there in the death scenes. She also finds out that Slasher murdered a female pharmacist in a small town around and had raided the pharmacy for a number of antidepressants and other drugs. Despite her getting no support from the FBI which had taken over the case from the police, one of the officers Becky Collins (Grace Dove) provides her the route of his attacks and the fact that he had never taken the drugs to sell them, and could have only used them for himself. She also adds that he had also attacked a librarian and some books were also reported stolen from the local library.

And what more is to happen here as a demonic serial killer is on the hunt? :: Slasher also kills a couple facing a car breakdown whom he finds on the way, and gets into a church and kills the parish priest there after asking for a confession, and drinks his blood. But he is not satisfied as he keeps looking for answers. As Jane finds him staying in a motel and tries to restrain him all by herself as FBI provides no support, he attacks her and beats her up before throwing her out of the room, knocking her out before fleeing. Slasher decides to speed things up and goes to a mansion owned by a Satanist cult which is run by a strange man, as they replied to a secret Satanic advertisement with codes which was given by him after committing a murder. Slasher uses them to find a man whom he has been looking for, and despite them accepting him as one of theirs, he finds their ways hedonistic as the Satanic members go on naked sexual acts pairing up random men against women for unleashing their carnal desires in the name liberation and liberalism against all limits of morality. He decides to do something that he feels will open the gates to hell. But can he do that all by himself? How many more will die in the process?

The defence of Psycho Killer :: Georgina Campbell as Jane Archer comes up with a brilliant performance, as we feel the determination related her, and how well she does a woman on vengeance as much on duty and mourning. James Preston Rogers as the slasher is a strong presence, and never losses the power of the psycho killer on a mission. The grim, bloody and dark atmosphere of the movie works really well as the visuals suit the serial killer mode as much as the demonic level nicely. The brutal murder of the hedonists in the Satanic mansion might be one of the best moments in the movie as it has a certain amount of poetic beauty to it. The next classic moments come by the end of it, as the attempt to open the gates of hell got a terrifying vibe to it, with hidden implications, even though not a real intervention of supernatural in store. The evil here can be really felt as there is the Satanist and anti-God vibe to it; the depiction of the same is exactly as we have seen in the movies and news here too – the need to do evil is rather too strong here.

Positives and negatives :: The final moments provide that fine twist related to the idea of hell, and it is indeed a smart move but people will still feel that this is a deviation from the serial killer mode which was to go on a full psychotic murder spree from the shadows. There could have also been more action in the final moments and a supernatural twist would have also done more. The Satanic cult tropes, bloody aesthetics and the atmosphere for fear still stays well here. Malcolm McDowell’s role is also worth noting as Satanic leader, but one feels that he could have been there for more. The same is the case of Grace Dove and Logan Miller who leaves rather too early. Then, the Computer Generated Imagery show some struggle at times too. The blood and gore, despite never over done for a slasher movie, might not be comfortable for everyone. Its release also went unnoticed, as we look when it really came out for the viewers. If it was not for its entry into JioHotstar, I would have never known about it either.

How it finishes :: The movie maintains the aesthetic of horror as a psycho killer going the Satanist way provides the extra, but one also feels that the final product does not go to the psychological thriller mode which was also there for the taking. This is still a classic finish with some moments to remember in between, as we see a kind of slasher with nostalgia which brings something to stay with its divergence which is not from the basic elements, but to bring something new. The movie surely had so much scope as a slasher which could make it big here, as the idea would feel still relevant in this world rather than where it really released. For all the die-hard slasher fans of 1990s thriller aesthetics, it will always remain the right watch for us. When most of us remember that we were all fans of Evil Dead, I Know What You Did Last Summer, Scream and other franchises from quite some time ago, this one should begin another franchise – the ending happens in such a way that there is scope for sequel. A slasher fan would find it better not to read too much of those negative reviews and go for a sequel if it finally gets released.

Release date: 20th February 2026
Running time: 91 minutes
Directed by: Gavin Polone
Starring: Georgina Campbell, James Preston Rogers, Malcolm McDowell, Logan Miller, Grace Dove

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✠ The Vampire Bat.

Pumpkinhead

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Vampire Owl: I would accept this one as part of the vampire team.

Vampire Bat: There can never be a pumpkinhead vampire.

Vampire Owl: Dr. Frankenstein had once created a creature out of a pumpkin.

Vampire Bat: Mr. Frankenstein can create only be a creature and can create none.

Vampire Owl: Frankenstein can only be a creature of supreme intelligence.

Vampire Bat: Do not transform him into an alien now.

Vampire Owl: He is not of this realm, and therefore he is an alien, the smartest among them.

Vampire Bat: He is not worthy enough for any designation.

Vampire Owl: You are talking about the greatest scientist of twelve realms.

Vampire Bat: He is the one pseudo-scientist that I would avoid.

[Gets a masala bonda and three cups of kadak tea].

What is the movie about? :: A thirteen-year-old boy named Sam (Bean Reid) who was forced to leave his friends and relocate from New York City to a small village with a seemingly perfect and peaceful farming community called Redhaven with his family. The story of the village points to Palmer (Kevin McNulty), who is known as a generous, friendly old farmer who is the descendant of those agriculturists who saved the town by creating agricultural success out of nowhere at a time when everything was failing in the land and crops were dying. The people of the village have been spreading the word that it was achieved through hard work and advanced farming techniques and the villagers celebrate the same through a harvest festival. During this festival, Redhaven’s unmatched prosperity in compared to the area around them continues to be celebrated as the award-winning crops which are sold in bulk and at high prices throughout the neighbouring villages are remembered in Palmer’s lands. But Palmer keeps people away from his farmhouse, which he keeps away from the village folk, but everyone surrounds the area around the farm where he has kept the celebrations alive.

So, what happens with the events here as we just keep looking? :: Angry about his move to the strange place which seems to have nothing for him, and chased away from the farmhouse by Palmer while looking at a strange pumpkin, Sam decides to steal a massive pumpkin from the farmer’s restricted area just to make the man feel bad about it. The police begin to start searching about the same as a case was registered, and the farmer who was held at high regard by the village gets all the condolences. Sam’s elder brother Finn (Seth Isaac Johnson) finds out about the same, and with hope for the best about the family’s relationship with the village where they have to spend rest of their lives decides to return in back at that night itself, even though Sam remains unhappy about the people of the village and its lack of facilities compared to every place he had stayed before. But Finn who reaches the farmhouse is attacked by some unknown force, and some vines which capture him, take him right into the sand.

And what more is to follow here as things seem to show tendency to get further complicated? :: The next morning, as he cannot find his elder brother anywhere, Sam keeps searching for Finn, but is not able to find him. As he keeps searching for him, he remembers that he was going to Palmer’s house to return the pumpkin, and with his only friend from the area which he had just found, Becka (Adeline Lo), he goes on searching, only to be thrown out of the farmhouse by Palmer. As he tells his mother Cassie (Kendra Anderson) about his elder brother going missing, but he discovers that she does not remember Finn and according to her, such a person never really existed in their memory even as an acquaintance. He brings photos of them together, but she does not see her elder son and asserts than Sam is her only child and they came to the village as a group of two in their car. Becka tells him that children have gone missing from the village before, and none of the adults seem to remember them. She tells him not to waste time with adults of the village anymore, and only an outcast named Rusty (Matty Finochio) might be able to save them. At the same time, the scarecrow in the field seems to look at them. Can they find the secret behind the missing children soon enough or will more of them go missing?

The defence of R L Stine’s Pumpkinhead :: The movie’s biggest point is the scarecrow monster itself, which brings effective scares. The creature’s unnatural and unsettling movements create genuinely unsettling visual scares, and rises a long way above CGI using an actor. The idea of children being erased from the memory and even proof of their existence disappearing makes a scary point here further away from the usual horror. Despite the scares, this one remains a horror which stays within its borders, making it watchable for everyone, and still does enough justice to the genre. The presence of ancient evil makes sure that a high level of danger is always there to unleash chaos into unsuspecting people. The kids do a great job, and the pairing of the leading children works effectively, and the final villain reveal also blends in well. The visuals are nothing less than stunning, as the autumn imagery and the small-town harvest festivals with pumpkins, all with that orange shades provide a stunning look here, and in this case, even the night view has a certain charm as much as the horror that stays. The climax twist feels classic and should inspire a sequel.

The claws of flaw :: This is that kind of a movie which we had not heard about until it was released on Amazon Prime Video, and when something goes unnoticed by the horror enthusiasts, that feels strange. Some of the acting in the beginning does feel like a struggle, especially with the first few moments never really bringing much of an interest. The weak beginning might decrease the number of people who watch movie to its more interesting parts. The main character if written better, would have helped the process in those early stages, and the protagonist being a little more likeable would have surely served the purpose better. The people who look for strong and extremely terrifying moments will be disappointed, as the movie never really goes for something huge. One would also feel if something other than the scarecrow and some vines within a farmhouse could have been added to extend the strength of horror, as the idea of an ancient evil rooted on Earth and nature would have endless possibilities. The supporting characters are not given enough according to the situation either, and our hope to see the pure evil unleashing itself is lost.

How it finishes :: R L Stine’s Pumpkinhead stays different from other horror movies as a work on screen which can be watched by the whole family, never really taking it to the next level – it can be a good thing of something bad, as it limits the movie, but keeps it accessible to everyone. The scares are still effective enough, and staying within a drawn line of control, it can still call for all kinds of audience. Its power as a highly effective, atmospheric gateway horror movie cannot be questioned at all. It balances the spooky nostalgia of 90s horror with modern style, making it a perfect entry point for younger audiences who are looking for horror entry while remaining entertaining enough also for those usual horror fans. It can also be said that the horror here is not just physical, but psychological as the memory of a loved one disappearing also adds on here. The feeling is more or less like folk-horror as centuries-old ancient horror comes out of nowhere with unsuspecting people playing along with the evil plans. Now we will see what can come in this franchise if there is a sequel – there should be more evil to unleash here.

Release date: 17th October 2025
Running time: 90 minutes
Directed by: Jem Garrard
Starring: Bean Reid, Seth Isaac Johnson, Adeline Lo, Kevin McNulty, Bob Frazer, Matty Finochio, Troy James

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✠ The Vampire Bat.

Drop

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Vampire Owl: I remember that I once dropped bomb in the land of zombies during a lockdown.

Vampire Bat: It was a magical orb; you don’t call it a bomb.

Vampire Owl: In our worlds, the orbs replace the bombs.

Vampire Bat: We are no longer using that magic in our lives.

Vampire Owl: The dark magic has still spread enough in the realm.

Vampire Bat: Such evil has been limited to the lands of the northern witches.

Vampire Owl: Dr. Frankenstein had ended the witches by himself.

Vampire Bat: Mr. Frankenstein won no science vs magic battle.

Vampire Owl: Frankenstein will end all unnecessary magic with the use of science.

Vampire Bat: Now you know why Uncle Dracula banned him.

[Gets a sweet puffs and three cups of Kodaikanal tea].

What is the movie about? :: Violet (Meghann Fahy) had been suffering as she was unable to leave her alcoholic and abusive husband despite her being a therapist herself. But this had changed as the man committed suicide, but she was blamed for it, and people often told the stories about her killing her husband as she was unable to suffer his atrocities anymore, as even the neighbours could not stand the man. On an eventful day, after finishing daily work, she is startled by a metre reading man knocking on her window and she had guided him to the back of her home. Later, Violet decides to leave her young son Toby (Jacob Robinson) at home in the care of her younger sister Jen (Violett Beane) and go for her first date after the death of her husband. Jen makes sure that her sister wears the best clothes and manages to find her true love this time and get married to lead a good life. With everything set and with the best wishes of her sister, Violet reaches Palate, a grand restaurant at the top of a skyscraper for a date with a photographer named Henry (Brandon Sklenar), whom she has been messaging through a dating app.

So, what happens with the events here as we just keep looking? :: As Henry is late, she spends some time at the bar and meets Richard (Reed Diiamond), a little elderly man waiting on a blind date, Matt (Jeffery Self), a server on his first day at the restaurant, Cara (Gabrielle Ryan), the friendly bartender, Phil (Ed Weeks), the restaurant’s pianist, and Connor (Travis Nelson), a young man waiting for his sister. Henry reaches, and as they start their date, Violet begins receiving messages on her mobile phone through a short-rage texting system. These messages from this unknown user starts with memes which gradually become more threatening. Henry tells her that it could only be someone seated in their section of the restaurant as the range would only be that much. Despite Violet trying to ignore the drops, the crisis elevates as the unknown person asks her to check her home security cameras. As she checks for the same through camera, she finds Jen being knocked out by a masked man who locks Toby inside a room, and she is warned against telling everyone about it, as the boy would be killed if anyone comes to know about it.

And what more is to follow here as lives seem to be at stake with time running out? :: The messenger tells her that only by careful actions, her son will be saved, and warns her against leaving from the restaurant, as she is to continue her date. When she moves, it seems that the man knows, and as she moves into the toilet, she finds hidden cameras near the wash, and the same was also seen on the side of her table. She pretends to be scared of heights and ask for the table to be moved from their location with the city view to anywhere else. Henry manages to have the same done with the help of the staff, but she is forced to come back as the messenger asks her to return to the same seat or her child would die. They return to the same table, which the staff says was particularly chosen for them through a call, but both of them remember none of it. The messenger further instructs Violet to find a camera in Henry’s bag kept on a side and destroy its SD card. Violet manages to complete the job and finds out that Henry, who works for the city mayor, has photos which would serve as evidence against the man. But this would not be the last thing she will have to do to save her son. How long can she survive like this?

The defence of Drop :: The movie is powered by a fine performance from Meghann Fahy who drops the anchor with a performance that requires some fine skill, as she has to continue fighting against all odds with control over her actions as much as the emotions. Brandon Sklenar also provides some fine support here as he plays the next significant character. These characters are placed in a situation which does not go much about one and half hours, and with such a short run-time, the movie leaves one with no wasted time. There are some nice situations which feels more real than the others. The anxieties about digital life and surveillance feels very much real as we never really move away from the same, no matter how much we feel that this would not happen to us. The suspense and thrills we feel here are more like taken right out of a world that we know. There is also that emotional side related to the life of the main character. Then there is the stunning world of the restaurant with a view and the tension that something big is going to happen any time soon, and the audience are prepared for the same.

The claws of flaw :: When we think deeply about the movie, we can’t help feeling that the villain’s plan depends on the near-impossible, requiring the best of timing and perfect surveillance that stretches the willing suspension of disbelief at times – this happens in such an area where immense possibilities are there, and just going for the same in the usual manner and then trying to hide the evidence would have been the better options however we look at it. The idea that the main character, despite being a person with skills related to the mind decides to stay with her abusive and alcoholic husband who does not have the right state of mind makes us wonder what kind of skills she has in her field of psychology. The flashback which goes there is not that much either, and we never really go that deep into past, and yet there is so much of talk about the same. Then the finish seems to be done in a hurry as the revealing is done and then the chase happens as if they were just put there to end the film as soon as possible.

How it finishes :: Drop takes advantage of the fear of being watched digitally with no idea of who is doing the same; it is indeed one of the scariest feelings that one could have, as this has become an inevitable part of our life in one way or the other. Meghann Fahy carries the same tension while not really out of the character’s long trauma right on her shoulders. Her performance that stands apart makes sure that the emotional stakes feel raw and very much human, even when the technology around her tries to take over. It is to be noted that all of these happens in the restricted space of the top floor of a skyscraper where the restaurant is situated. There, it expertly turns an everyday social setting into a terrifying nightmare, and for the same, it needs the applause, as some of us might think twice about talking to a digital stranger too. It could have still become something more, but it chooses not to, as the terror lies a little too much in the messages and a video cam rather than on the main location in real space, and we should have had a little bit more of the main character’s past and a less quick journey in the final stages. But we have everything that ends well, and we are left with messages, which is very much fine.

Release date: 11th April 2025
Running time: 95 minutes
Directed by: Christopher Landon
Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jeffery Self, Ed Weeks

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Eesha

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Vampire Owl: Looking for recent horror movies, we have to go into another industry.

Vampire Bat: Well, not all industries have all movies exactly as they project for outside world.

Vampire Owl: I think that the best movies are those which are not known to many people.

Vampire Bat: True. They do not release the best movies in the theatres.

Vampire Owl: Yes, the theatres are for heroes who fly and beat up thousands of people.

Vampire Bat: They do even worse things, and it is strange for our world, not for theirs.

Vampire Owl: Can’t one of these movies become highest grossers instead of that mass masala?

Vampire Bat: Well, mass has the advantage because theatres are for the masses.

Vampire Owl: Yes, strange humans and their love for the mass thing.

Vampire Bat: This is the exact reason why humans are not allowed inside the Dracula Castle. Even the worst of the witches or fully drained zombies would not let them in.

[Gets a Chicken curry puffs and three cups of Wayanad tea].

What is the movie about? :: Kalyan (Thrigun), Naina (Hebah Patel), Vinay (Akhil Raj Uddemari) and Aparna (Siri Hanmanth) are four youngsters who try to find the truth behind supernatural situations and expose fraudulent spiritual leaders who try to extort money out of unsuspecting believers – they find out that the easy targets for spiritual practitioners are those who feel that evil has possessed their own people or homes or maybe even believes that some curse has been unleashed, and death or hell awaits them. As they were childhood best friends, and Vinay and Aparna had managed to get married some time ago, and is expecting a child. But this has not stopped their plans to expose more people who are involved in spiritual practices and they become well-known for the same in the city. But they extend their plans to go for something much bigger, far away from their city, but Aparna is hesitant about it. But with the support of the rest, who are firm believers in rationalism, they set out to investigate the case of Aadidev (Babloo Prithiveeraj), a former neurosurgeon who has turned into a spiritual healer.

So, what happens with the events here as we just keep looking? :: Aadidev has been treating individuals who claims to be afflicted by supernatural forces at an ashram which he found in a remote village in the border between Andhra Pradesh and Odissa. He had left his job as a reputed neurosurgeon who conducted so many surgeries which saved many lives after the death of his wife. The friends find a video of the woman before his death and feels that she was just mentally disturbed and the attempt at exorcism killed her. As they travel to the remote area on the border of two states through a twisted road on the hills, they almost meet with an accident when coming against a motor-bike carrying a family, but the woman who was sitting on the back of the vehicle dies as she falls down the cliff. But the friends remain unaware of the same as they reach their destination. When they reach the ashram, they are attacked by a strange man, but Aadidev saves them. But the friends call all of these to be staged with paid actors and Aadidev faces such strong lack of belief for the first time.

And what more can happen in this world of faith against another one which lacks the same? :: This makes him take the friends to an abandoned house in the middle of nowhere. He tells them that the place is haunted with spirits and after three days of living there, the friends will start believing in life after death. The friends accept it as a challenge, but he tells them that it is no usual place, as there have been so many deaths including murders and suicides right in the building. He also has his disciples write some incantations for protection along with leaving a few religious and spiritual items there. He also asks them not to cross a certain area which would take them out of his protection and the same would be extremely dangerous. They do not really care about the same as they find the spiritual man to be a fraud who uses the faith and belief of the locals to his best advantage – they feel that he had chosen this particular way of life as it seemed as the easier and influential job through which he could earn the most with the least efforts while taking no real risk. Can the friends stay there for three days and come back alive or will they lose all their rationalism and might even be killed by the evil spirits who roam in the area?

The defence of Eesha :: The movie has some very impressive visuals which serves the purpose or horror very well. The darkness, shadows, and the shades give the film an eerie, high-quality visual beauty of horror. The atmosphere is nicely created and some fine settings serve like a special boon here. The background score nicely supports the same. The beginning itself had nicely set the mood here. Babloo Prithviraj’s work is a big bonus here, and we see that even though not on the side of the protagonists, he scores so well that we like him from the beginning even when the heroes talk about him. Hebah Patel as Naina plays the biggest sceptic of the movie really well, and she reminds us of the actions and talks of Gayathrie Shankar playing Meena in the Tamil horror movie called Pechi, but there is no similar twist for this one. Siri Hanmanth as Aparna has her moments, while the male cast seems to be more in support with the two women seemingly deviating into their thoughts well. The dramatic twist which comes in the end remains a strong one, and it is something which make on think, and is not limited to one world.

The claws of flaw :: The movie leaves too many gaps in the tale as it seems to have some trouble about understanding what it really wishes to achieve. There is a certain amount of confusion about the dead person’s spirit coming back as revenge instead of anything else, but then the situation of the four friends explained in the end does not seem to match with the same leading to multiple confusions in the thread that binds all of them. Then the rationalist friends also act a little too strange even when they see things that could make even the most sceptic people believe in all of these, and after exploring so many fraud cases, they cannot seem to feel a difference here, as the act of being brain dead makes it appearance at times, but we knew that this was coming, but they surely manage to solve some of those problems in between, not aggravating the whole situation in any manner. Adding more cases and their comparison with this, as well as revealing the modus operandi of the friends to such situations, would have made the whole thing more interesting; yet we just have them just going through the whole thing with no real plan.

How it finishes :: The movie manages its horror with a difference, and the deviation from the usual can also be seen around. It can be considered a visually striking, technically superior horror film that feels like being pulled down by its own ambitions to make it more twisted than it should have been, especially considering the overall mood going on another path. When the standard paranormal terror strikes with that divergent twist, the narrative struggles to get them together. The concept of a rationalist group facing the consequences of their arrogance is still interesting, but the overlapping of reality, hallucinations and spiritual possession often asks for more, but we are happy with what we get here. One can thank the mood, background scores, and high-quality visuals which brings that creepy experience, as we horror fans get the horror we have always wanted. After all, for a horror movie, it is more about what is one the screen, and what experience we are going to have, with hope for fear more than anything else.

Release date: 25th December 2025
Running time: 127 minutes
Directed by: Srinivas Manne
Starring: Thrigun, Hebah Patel, Akhil Raj Uddemari, Siri Hanmanth, Mime Madhu, Babloo Prithveeraj

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✠ The Vampire Bat.

The Wrecking Crew

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Vampire Owl: We have acted as wrecking crew of our vampire army before.

Vampire Bat: I thought you preferred the words, destruction and devastation.

Vampire Owl: I had also used the word, annihilation. But not anymore.

Vampire Bat: So, you are becoming more positive in your ideology.

Vampire Owl: As long as I do not see any human; they are too evil towards infinity.

Vampire Bat: Human evil in a particular form is also shown in this movie, I believe.

Vampire Owl: Humans can only elevate the evil; there is no escape.

Vampire Bat: Shadow demons once called them the true demonic ones.

Vampire Owl: Shadow demons, despite their strength in shades are lesser evil.

Vampire Bat: Human evil will always find a way, even better than the undead witches.

[Gets a pineapple cake and three cups of Vagamon tea].

What is the movie about? :: James Hale (Dave Bautista) and Jonny Hale (Jason Momoa) are step brothers who have been living apart for a long time, never really feeling the need to meet each other or even have a talk over the phone in the last few years. Jonny has moved to Oklahoma, and is working as a police officer with his girlfriend Valentina Silva (Morena Baccarin) a Portuguese-speaking immigrant from Brazil. After he makes a mess of things again as he has been doing for a long time, he gets suspended, and despite all the begging about him needing her and in spite of all the sweet talk about her being the most beautiful Latino girl he ever known, Valentina decides to leave him citing the lack of concern and talk he had with her in the last few months. At the same time, James is an officer in the United States Navy, and is living a happy and peaceful life with his wife Leila Hale (Roimata Fox) and his two children back in Hawaii, and takes his job very seriously. He is a much-loved figure in his town for his responsible and helpful behaviour, and the family has built quite a positive reputation.

So, what happens with the events here as we just keep looking? :: The death of their father by a car accident brings them together, even though they know nothing about him from the last few years, and have not seen him quite some time. Jonny decides to stay at Hawaii for some time to attend the funeral as well as investigate his death. The meeting with James and his family feels like a thought process, as they had not seen each other for such a long time, and never even called to know the other. Their cousin Haunani Palakiko (Frankie Adams) also arrives for the funeral, and she is one of the few people permanently settled in the area as she works for the mayor of the town, Peter Mahoe (Temuera Morrison). Jonny tells James that the death of their father was not an accident, as he was attacked by some Yakuza thugs at his Oklahoma home, and they were asking for a package which was sent by their father. James does not want Jonny to investigate and get into trouble as the police had already called it an accident, and their father was carelessly standing on the road while the car was speeding.

And what more would happening here as there is indeed a mystery to solve? :: James feels that Jonny just keeps getting into trouble for one reason or the other like the day when he had to leave home for a long time while being hunted by a local crime syndicate who still seeks vengeance. But James decides to go through the investigation just to make sure, and Jonny is already on the same, beating up people according to the need for information. As their paths converge to their father’s apartment, they find plans for a casino and resort. With their cousin’s help, they discover that the casino is to be built on the Hawaiian homes which are already occupied by the locals. It is to be built by an influential billionaire known as Marcus Robichaux (Claes Bang), and the brothers decide to crash one of their grand parties. There, they meet Monica Robichaux (Lydia Peckham), who is Marcus’ wife, and also the members of the same gang who launched an attack on Jonny. Monica tells him that she had hired their father to investigate on her husband. They realize that all of these are connected and there might have been some secrets which got out. But can they find out anything before they are hunted or the evidence is destroyed by money and influence?

The defence of The Wrecking Crew :: The movie works the best more due to its use of its leading cast, the two classic action heroes who do such a fine work. Dave Bautista, the Drax of Guardians of the Galaxy from Marvel and Jason Momoa, the Aquaman of Justice League of America from DC, manages to do deliver heavy punches as they did in those movies where they had superpowers, but this case remains much believable. The different characters which they have been playing in the past also helps in the purpose, and they genuinely look like they belong to one bloodline and fights together like a near-perfect team of two brothers. The hand-to-hand fight scenes are intensely physical and very much gory, with the fight between two brothers also adding to the same. Then there is Morena Baccarin who gets into the action so well, and that sequence with a helicopter chasing the car is too good especially with her around. Along with the rest, she also handles the humour really well. Morena transforms into an action star very soon, and the other female characters despite following well, just got to do the usual thing.

The claws of flaw :: The movie depends too much on the main characters and does not come up with anything different or special. The action and the journey itself never really leave the predictability as we look at the beginning and the initial situations. We should have also had more of Morena, as she seems to have come to leave her lover and drive a car away from a helicopter, and is not present during the rest of the movie at all. Lydia Peckham could have also had a bigger role here, as she looked stunning when she was there, and her character had a lot of scope too. Then the investigation could have also been as interesting as the action, as we wonder how this could have been made more of a suspense-filled search for a murderer and what lies beneath all of these. The final moments become predictable in nature as the bigger revelations happen too soon. The later moments of the movie after the big fights serve less than one would expect. This could have also used the beaches to a better advantage as we look closer.

How it finishes :: The Wrecking Crew goes through its action and a certain amount of humour without looking back at any moment. There are some stylish and classic action moments which would be remembered for how well it is shot with that humorous side, and never really moving away from that light-hearted side. The energy that the characters possess in unparalleled, and it is not just limited to the main protagonists, but also to their partners. As Dave Bautista’s serious strength and Jason Momoa’s wild-man energy matches each other, we watch it in the style of watching a computer game with wrestlers beating up the bad guys – with the case of WWE’s Batista, this would feel as perfect as it could be, as he and the Rock has provided the feeling that wrestling has come to Hollywood, and John Cena has also did it up to an extent. It is a privilege to have wresters who can act in action thrillers, as they make the whole situation better in a believable manner with that kind of a physique. After all, there is no better places to build performers for action that World Wrestling Entertainment which had some of the most classic scripts and on-ring works that we watched during childhood.

Release date: 28th January 2026
Running time: 122 minutes
Directed by: Ángel Manuel Soto
Starring: Dave Bautista, Jason Momoa, Claes Bang, Temuera Morrison, Jacob Batalon, Morena Baccarin

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@ Cemetery Watch
✠ The Vampire Bat.

Project Hail Mary

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Vampire Owl: I feel that this movie is a little bit too complicated for my liking.

Vampire Bat: It surely has some extra amount of science added to it.

Vampire Owl: I was wondering if I should connect Dr. Frankenstein to understand it.

Vampire Bat: Mr. Frankenstein has understood no real science so far.

Vampire Owl: Frankenstein was also nominated for Best Undead Scientist Award.

Vampire Bat: He used a fake recommendation letter from Uncle Dracula.

Vampire Owl: You are just jealous because he found the presence of aliens in your room.

Vampire Bat: I am pretty much confident that it was a cockroach from the human world.

Vampire Owl: Do you think that cockroaches can scare our vampire friends?

Vampire Bat: Well, it has been centuries since they saw one, and so they can feel a certain amount of scared confusion.

[Gets a gobi paratha and three cups of Yercaud tea].

What is the movie about? :: Ryland Grace (Ryan Gosling) wakes up from a temporary coma status in an interstellar spacecraft named Hail Mary, and suffers from memory loss, only slowly realizing that the year is 2032. Soon, Grace realizes that he is the only survivor of a three-person team of newly trained astronauts that was traveling towards a constellation known as the Tau Ceti system, about twelve light-years from Earth. This keeps him confused about what is next for him as memories come back to him slowly and steadily. As it goes on, he keeps enjoying his solitude while going back into flashbacks and he gets close to the destination. But soon, he is surprised to find an alien spacecraft docking with the Hail Mary despite him trying to evade it after disengaging autopilot. The spacecraft is made of a solid form of xenon, which Grace considers to be xenonite. The ship has only one occupant, and is revealed to be a rock-like, five-legged alien from what is known as Erid, a planet in the 40 Eridani A system that goes a long way further from their location.

So, what happens with the events here as we just keep looking? :: Grace recalls that scientists had discovered a line of infrared light stretching from the Sun to Venus and a substance running through the line, called astrophage which was getting on the Sun’s surface, dimming the Sun at a rate that could cause so much cooling within thirty years that human life would cease to exist. The head of the Petrova Taskforce, Eva Stratt (Sandra Hüller) had recruited Grace who was a middle school science teacher and a former molecular biologist to study the astrophage as she has seen his works and could understand his ability to think beyond the usual limitations. After a few days of work, Grace discovered that astrophage was full of certain unicellular organisms which absorb electromagnetic radiation from the Sun and expel it at great strength for propulsion, and he also figured out how to breed these organisms and create more of the same kind. Grace further remembers that he had joined Project Hail Mary, an international near-impossible mission to send a crewed spacecraft to Tau Ceti, the only star in Earth’s solar neighborhood not affected by astrophage, and is shining brighter than ever.

And what more happens here and complications are sure to come in space? :: Grace who was able to breed astrophage a lot, which was to serve as fuel for the ship, also helped the crew in learning to deal with the same. The flight to Tau Ceti was to be a suicide mission, as the ship could only carry enough astrophage for a one-way trip, and all findings were to be sent back inside smaller space probes. With most of his memory back, Grace names the alien as Rocky, and manages to communicate with it using a machine translation system which is able to convert Rocky’s strange noises into English. It is revealed that Rocky is a mechanical engineer, and the only survivor of the Eridians’ mission to save their world from astrophage infection. Grace understands that others from that spacecraft had died from radiation poisoning, while Rocky was unaffected due to being shielded by their astrophage supply, which was kept around Rocky’s workshop. Both starts working together towards that common aim of saving their stars and planets. But can they find what is different with this particular star and can the same be applied to their respective planets?

The defence of Project Hail Mary :: The movie’s best part, without doubt is the interaction between the human and the alien – the contact feels like happening in a more realistic manner than what we usually see in any movie with an alien around. The relationship between the two are beautifully depicted, and this is the kind of connection which humans would hesitate to have in our world of chaos and hopelessness. Then there are the stunning visuals, with a nicely detailed interior of the ship and the vastness of space giving a spectacle for us. The visuals of the Eridian homeland at the very end of the movie feels like a perfect example of creating something to remember just with the view itself. The final moments are not just visually satisfying, but also leaving us with a feel-good effect. Well, there are not many alien movies which can bring that effect, and not many space movies can be this kind of effective in multiple levels. Ryan Gosling’s performance makes sure that that the emotional side works with so much efficiency, and in a world which is almost all about him, he manages to come with that performance we would not forget with ease.

Positive and negatives :: The movie can feel a little bit too long, and the beginning itself is a little bit slow – the moments back on Earth feels like dragging, and one cannot stop oneself from feeling that there should have been less flashbacks, with everything happening at exactly the one place where the big action takes place. The science also goes a little too much forward for the common audience, but the movie cannot do without the same. Any more complication would have left the audience not interested in the movie, as most of us do not go for this kind of science anymore, and our knowledge about such things could mean a deep struggle, as evident from our visits to the different science cities and museums of natural science. But these are the kind of movies which will create fine science enthusiasts out of interested children who improve themselves at school. The fact that the movie also has some fine humour in there makes it more interesting for the young and keeps the light mood at a time when the world as we know could come to an end sooner or later.

How it finishes :: The movie becomes a classic on the lines of some big space movies, Gravity, The Martian and Interstellar, and this one proves that we do need all kinds of films set in space. As an adaptation of a book, the faithfulness to the original can only be spoken about by the fans of the original work. The emotional core and the visual splendour never really leave the movie, and this journey’s grandeur is not limited to one side. For the common audience, this is indeed a space triumph that one has been waiting for with great expectations. As it goes through that successful exercise of sci-fi world-building, there is no point that makes the viewer doubt its process. One would have loved to watch this movie on the big screen with all that we have as a spectacle, but we are so much past those days when we frequent the theatres – Amazon Prime Video has enough of this movie of us, and that should do. After all, we have come to that stage when no multiplex can raise our chances of watching anything on the big screen, but if there was a movie or two to be watched like that, this is one of them.

Release date: 20th March 2026
Running time: 156 minutes
Directed by: Phil Lord, Christopher Miller
Starring: Ryan Gosling, Sandra Hüller, James Ortiz, Lionel Boyce, Ken Leung, Milana Vayntrub

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✠ The Vampire Bat.

Mollywood Times

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Vampire Owl: Are they looking for the best time for Mollywood?

Vampire Bat: I do not think that it works like that.

Vampire Owl: Dr. Frankenstein did not feel so either.

Vampire Bat: It does not matter what Mr. Frankenstein thinks about.

Vampire Owl: Frankenstein is the leader scientist whom we have always wanted.

Vampire Bat: That would be Uncle Dracula and not a fake scientist.

Vampire Owl: You do not believe that dead bodies can be animated through science?

Vampire Bat: Were you ever animated through science? I just came back from the dead.

Vampire Owl: Every creature does not come back from the dead just like that.

Vampire Bat: I think you are referring about dumb humans acting like zombies.

[Gets a poori masala and three cups of black tea].

What is the movie about? :: Vineeth Madhavan (Naslen) is a young man from Kuttikkanam area, who has developed a dream of becoming the greatest horror-movie director in the Malayalam cinema industry after reading the horror novels of Vaikom David (Jagadish). David, the best-known novelist of that time who has been writing novels, had scared even the most hard-hearted people. He carried this desire to become a director from the fifth standard to the eleventh standard when he succeeds with a short-film with the help of Sujithraj V (Roshan Shanavas) and the man in the local CD shop known only by the name of Sunilettan (Althaf Salim). His father K Madhavan (Prasanth Alexander), mother Sujatha Parameshwaran (Meera Nair) and grandfather who is known only as Appooppan (Balachandran Chullikkad) to everyone in the area do not consider him to be good for anything as he only somehow manages to pass all his examinations. But when he manages to come up with a movie, sends his atheist grandfather who does not believe in the supernatural right into coma with his ghost in the darkness, his father decides to send him to study cinema.

So, what happens with the events here as we just keep looking? :: Despite warnings from the people around him about the harsh realities of the cinema world which take him to chaos and oblivion, Vineeth remains determined to come up with something above the usual, and transform something bigger. But as another film-maker named Arjun Haridas (Sangeeth Prathap) gets the first prize for the short-film competition which had Vineeth’s movie more appreciated by critics and audience, he gets angry and frustrated like never before. Then he is approached by Sachin Vaikom David (Sharafudheen), the son of the reputed author of his favourite horror works. He tells him the harsh truth that Arjun has managed to win the grand prize which would give him a shot at being the director of a grand movie through influence and connections which Vineeth never had in a life spent with movies and not people. Hana Shahjahan (Gopika Ramesh) who had a crush on Vineeth had also become a superstar and leading actor with bigger roots in Tamil and also in Telugu – but she also becomes the new girlfriend of Haridas.

And what more is to follow as there is something to be gained and a lot more to be lost :: Vineeth is not bothered about Hana being with Haridas as cinema has always been his only true love, but this combination seems to hurt him as with the leading actress’ stardom, it was always going to be a superhit, and with Arjun having stolen content from him, it was always going to hurt him the most, as his next movie would become irrelevant. His attempt to work with Sachin also gets messed up as the producers backout due to the script being too reworked by Vineeth, even leaving out the main heroine in the process while changing the whole setting, which were already decided. Vineeth decides to wait for his first film and work on Sachin’s film, which takes some time to release due to the lack of funds, and by that time, Haridas’ superhit had brought his movie out which became a blockbuster. Sachin’s movie also flops despite a grand script being associated with it, and this separates him and Vineeth seemingly forever. This forces Vineeth to try for something even more different, but it is to be seen how it is going to work out, with people including Haridas, Arjun and Hana not being fond of him.

The defence of Mollywood Times :: The movie is surely the best of Naslen so far, and it is a fine deviation from the kind of roles he was doing since Thannermathan Dinangal came into the picture and became instant success. He plays a protagonist different from Vineeth Sreenivasan of that previous movie of a dark world, as this one is determined to go on his way rather than that one with a better probability of success, and yet this one is no righteous man either. While he manages to stay at the core, Sangeeth Prathap provides some fine support. Sharafudheen also has a character that we will remember more than the rest while Roshan Shanavas and Althaf Salim gets some fine moments. Gopika Ramesh plays the only female character of relevance, which is done remarkably well. The movie’s best advantage is that it never romanticizes the movie industry, and shows the struggles and the attempt of the influential people to get rid of true talents for nepo kids or those who are related to them. The negative impact of corporates, script theft, nepotism, huge egos and fake smiles are all shown here – these are not the elements which would surprise us that much, but are indeed shown in an effective manner.

Positives and negatives :: The movie does not hesitate to speak the harsh truth that the successful people are there more because of influence or luck rather than anything else as there are so many more tales of failure than success even with the most talented people. As shown by Mukundan Unni in that classic movie, good people rarely become successful, and the very few stories from motivational speakers that we listen to rarely make even 0.1% of a world. Mukundan Unni Associates actually did it better and showed how evil humans really are, and this one never comes close. The movie also seems to have that feeling of a nearly full male movie with the female characters coming in lesser numbers never really used to that advantage. As the style of Mukundan Unni Associates is repeated here, we feel that quality in divergence here too. The use of internal monologue also works in the movie’s favour. Yet, it takes a little too much time during its run, and some of the moments seem stretched and repeated, never trying to improve from the previous work. Then the working humour keeps raising the level, and the dark humour adds further.

How it finishes :: The fact that we are reminded about people becoming successful mostly because of luck, influence or cheating just feels too real, as we see who become success stories and who do not, right around us. When we look deeper, there might be no success without evil behind it. The reminder that there is no success in this world for good people, and that it is reserved for those who use their inherent evil for twisted path is the biggest horror in the world, but it is also the greatest truth that nobody will ever completely agree with. This also serves as the hate letter to cinema as was said some of the posters. The realization that if we desire something, the universe conspires to keep you away from it, is really a revelation that should not be left behind. This unyielding, cynical tone that treats another field as a corporate, ego-driven battlefield, we remember that no profession is safe from the same. When we hear about people becoming successful due to hard work, we will think again before taking that unnecessary life which ruin over life while trying to be someone else. It is strange that even nepo kids of different movie industries talk about their struggles, but as long as there are blind fans, they will also be around giving such fake interviews. Let us note none of them, and try not too chase too difficult dreams as more people have been unsuccessful in the same than one can ever think.

Release date: 5th June 2026
Running time: 167 minutes
Directed by: Abhinav Sunder Nayak
Starring: Naslen K Gafoor, Sangeeth Prathap, Sharafudheen, Roshan Shanavas, Althaf Salim, Gopika Ramesh, Vineeth Sreenivasan, Basil Joseph

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✠ The Vampire Bat.

Cheekatilo

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Vampire Owl: So, another Telugu movie after quite some time in between.

Vampire Bat: There have been long gaps between movies except English and Malayalam.

Vampire Owl: I thought we had enough Hindi movies in there.

Vampire Bat: Yes, but due to some reason, these OTTs are more into series and not movies.

Vampire Owl: Any work should end in a few hours and should not be stretched.

Vampire Bat: Yes, we are forced to wait for an infinite time to have the next episode.

Vampire Owl: Keeping people waiting for so long. Absolutely ridiculous.

Vampire Bat: The wait is never worth it when we have other things do in life.

Vampire Owl: Still, the blind and dumb fans will have other ideas.

Vampire Bat: No wonder Uncle Dracula said no to any more humans turned into vampires. Dracula Castle has no place for nonsense.

[Gets a blueberry cake and three cups of Munnar tea].

What is the movie about? :: Sandhya (Sobhita Dhulipala) has been working as a journalist in one of the leading television channels in the city. She has been looking forward to report and talk about crime in the city and bring the less explored areas to light. But when the crime report which she was going to read is changed by her superior to bring a sexual and illicit relationship to the scene, she protests and submits her resignation, much to the shock of the Managing Editor and surprise of her co-workers. The intern who has been working under her, Bobby (Aditi Myakal), is still happy though, and she asks her to begin a crime podcast. Bobby finds Sandhya as a true journalist among TRP seekers and her role model in the field. Sandhya also asks Bobby to join her. But soon, Bobby is found tied up, raped and murdered while her boyfriend is also tied up and murdered in her apartment. Sandhya tries to solve this case with the help of her boyfriend Amar (Vishwadev Rachakonda) with whom her marriage has already been fixed by their parents despite him being two years younger than her.

So, what happens with the events here as we just keep looking? :: The police inspector in charge of the investigation, Rajeev (Chaitanya Krishna) does not like her and her boyfriend trying to poke their noses right inside his case file and crime scene. But Sandhya manages to find her own clues and points to a man through his podcast, but it turns out that he was only the man who stole Bobby’s earrings, and a phone call from the killer reveals that more murders are to follow soon enough. Another police officer named Ananditha (Isha Chawla) is assigned the same case, but Sandhya is not ready to leave the case and connect it to similar rape and murders which occurred in the villages on the outskirts of the city. As she seems to connect the dots, the police officers are not that impressed, especially after her previous framing of another man, and her podcast and hashtag campaign seem to make the killer angrier. Can the police or Sandhya stop the killer in time, or will similar incidents keep happening to keep the common people in terror?

The defence of Cheekatilo :: Here is another murder investigation that works, and at no point does the movie losses its strength. The twists are there to come, and the thrills are sufficient. Along with the same, the movie remains a thoughtful critique of how society and ratings-driven television handle crimes, with focus on the need for trauma, healing and empathy for victims. The focus on the past of the serial killer is also something worth mentioning. The mood is nicely built with the atmosphere as much as an initial scene which serves a time period much earlier as it lets us know what is to expect in a classic manner, and the sound effects and music used work really well. There is no attempt to overdo anything for the fans, and maybe the release on Amazon Prime Video helped the purpose – the Hindi dubbed version which we watched could also serve the purpose well. The movie is also not that long, staying at two hours, which would be the best choice. The film actually came as a pleasant surprise, as we had not heard about its release and were looking for a new thriller movies and this one just came out of nowhere.

Positives and negatives :: The movie does seem to drag a bit with many tales and some repetitions here and there. The romance is also almost completely lost in the totality of things. We keep trying to find the love, but we get the killings, and as it is a thriller, we say that it will do for now. The red herrings work, and they remain constant reminders of the extra effort being put in here, and the predictability is lessened right there. Even though the final revelation is effective and brings the surprise really well, the motive feels too quickly explained by a very fast backstory, thus making the climax giving the feeling of being prepared in a hurry. But the same surprisingly works, and it is because the willing suspension of disbelief never really leaves us, and the flow is still there towards that surprise and the motive. There is also the feeling that there is something missing on the side of the characters, with some of them never really keeping us interested. Some of them might be responsible for making us feel deviated from the main thing here.

The performers of the soul :: Sobhita Dhulipala delivers the best performance of the movie, with a certain command over the narrative. As she plays a true-crime podcaster who gets personally entangled in a murder investigation, this one becomes all about a grounded investigation that never goes out of her control as far as acting is concerned. We have seen he in her first movie, Raman Raghav 2.0, and therefore we know that she is no stranger to psycho killers and brutal murders happening around her character with a true psychopath on the hunt and a police officer also on a grand search. Her subtle facial expressions and body language nicely brings her internal conflict into the picture, as the character also has the trauma from childhood to go beyond. She blends is as the podcaster as well as the journalist with remarkable ease. Vishwadev Rachakonda as Amar makes the lover believable, but not without those shades which work nicely in the process. Chaitanya Krishna as Rajeev makes a fine police officer. Isha Chawla as Ananditha is the other police character, and that works well too. The rest also works along nicely.

How it finishes :: The movie stands strong with its core and the thrills and twists which follow, as we have something which goes well like Memories, Dheeram, Anjaam Pathiraa, John Luther, Forensic etc with its investigation. This is almost among my favourite Telugu movies, as there is no overdose of anything here, going on a path which never tries to satisfy the blind masala fans, as we have seen in many other Telugu movies. This one goes on a fine path which we can accept without much trouble, as the balance is maintained with the investigation always leaving something for us, even in the form of interesting red herrings. As we see that this movie released on Amazon Prime Video, one can be sure about the blind fans of the theatres never really creeping in, and the same might have helped the purpose a lot. With the movie’s atmosphere and the smooth journey, it feels like a movie made in the further south, and even with some predictability and seemingly strange deviations, there is the feeling that we have watched a fine murder investigation thriller with some messages to go with it.

Release date: 23rd January 2026
Running time: 126 minutes
Directed by: Sharan Koppisetty
Starring: Sobhita Dhulipala, Vishwadev Rachakonda, Chaitanya Krishna, Esha Chawla, Jhansi, Aamani, Ravindra Vijay

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✠ The Vampire Bat.

Predator: Badlands

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Vampire Owl: They used to call vampires by the title predators.

Vampire Bat: Those times are over now, with a specific set of books and movies.

Vampire Owl: You should know that there is always a chance to reclaim that position.

Vampire Bat: As far as I know, predator is not really a position.

Vampire Owl: It could be the side title of a vampire.

Vampire Bat: You know that these predators are aliens, don’t you?

Vampire Owl: Dr. Frankenstein has told us that there is information which shouldn’t be revealed.

Vampire Bat: Mr. Frankenstein, in the form of a fake doctor, tells nothing of relevance.

Vampire Owl: You know that he inspired a book and so many adaptations.

Vampire Bat: That was the imagination that served, not the person.

[Gets a paneer puffs and three cups of Wayanad tea].

What is the movie about? :: Dek (Dimitrius Schuster-Koloamatangi) is the smallest member of his clan on the planet Yautja Prime, and is considered too weak to be among the predators. To prove that he is better than most of his kind, Dek plans to hunt a creature known as the Kalisk, an apex predator on what is often called the death planet – the world far away known as Genna. Kwei (Mike Homik), his stronger elder brother tries to prepare him for his battles as much as he can. But their father Njohrr (Reuben de Jong) appears all of a sudden and asks Kwei to kill his brother as he is a shame to the clan of fierce warriors. But Kwei refuses only to be killed by their father, but not before he sends his brother to the death planet so that he can prove his worth by hunting and defeating the feared creature. He reaches the planet, but realizes that this is no easy task, as the planet itself has that kind of flora and fauna which makes it very difficult to survive, as danger is hidden in almost every spot around there.

So, what happens with the events here as we just keep looking? :: As Dek losses most of his weapons and tech while fighting the forest, he comes across Thia (Elle Fanning), an advanced, but damaged Weyland-Yutani Corporation android, whose team of synthetic soldiers was destroyed by the Kalisk while on a mission. She had lost her body from the waist downwards and with the help of Dek, manages to free herself from her predicament and supports him against the incoming trouble, and guide him. He ties her to himself as she had no legs and faces the dangers while moving forward through the treacherous terrain. Soon, while on a hunt, they are joined by a friendly creature that Thia names Bud. The creature marks Dek with her saliva and accepts him as her clan as he defeats two creatures which were on their trail. But he tells them that the one thing that matters is the trophy, and that it can only be gained by killing the creature. Despite Thia telling him that back on Earth predators like wolves have the alpha that protects the pack, he remains adamant that he would be the alpha who kills the most and not the one who protects.

And what more could follow in this world of unmatched danger? :: Thia understands that Dek only understands revenge and is looking forward to prove that he is worthy against all odds. It is then that Thia’s twin android and the expert hunter Tessa (Elle Fanning) is found and revived by Weyland-Yutani androids and is repaired at their main base. She is warned that she would be decommissioned and replaced if she fails her mission. She finds out that she is with an alien creature that would remain a threat to their mission. With a new Weyland-Yutani team, Tessa begins searching for Dek’s group, and finds his crashed ship which has the arms and ammunitions which interests her including those which belonged to his brother. Thia who reaches the area where she was ambushed, finds enough of the technology to connect herself to her body parts below the waist. But at the same time, she understands that Tessa and her group is coming, and the creature is also nearby. A big fight seems to be on the cards. Now, who will survive and will the fight be worth it?

The defence of Predator: Badlands :: The movie surely has some good action, and fighting is all around, from surviving a dangerous jungle with strange flora and fauna to fighting android robots with advanced weapons. The battle against the apex predator and the final battle requires special mention along with that fight of Thia with her body separated into two especially of the waist below has an innovative as much as funny side to it. There are also some funny lines to go with the fight, but that does not bring the quality of the battles down, as we see the big creatures being destroyed and getting attacked by nature itself in all its grandeur. The movie never ceases to be a spectacle, as the scope is a lot, with alien planets including desert lands and dense forests – the creatures are nicely created and detailed, with the possibility of danger nicely felt. It would have been a movie more for the theatre than for Jio Hotstar as we enjoy the beauty of the worlds on the screen, as we would have in computer games like Mass Effect and Unreal Tournament, or Star Trek works.

Positives and negatives :: Elle Fanning as Thia stands apart as one of the best android robotic characters of all-time, something which we see this good only in the Alien movies – Prometheus, Covenant, Romulus etc have known this Weyland Corporation more than any other, and the cross-breed of franchises has been clearly shown here with this particular presence. Her other character in the form of antagonist pales in comparison as this one keep scoring all the time. Dimitrius Schuster-Koloamatangi makes this particular Predator work well according to the situation, and the bonding works nicely. Other humanoids become rather irrelevant here. The movie also provides the message of being together and coming back strong as the underdog, but in the process, loss some of the qualities of Predator franchise, seemingly getting closer to the Guardians of the Galaxy, Thunderbolts and Suicide Squad. There seems to be the easy way taken at times, especially after that grand fight at human side in the end. The characters are still well-developed to keep us further interested.

How it finishes :: Predator: Badlands releasing on Jio Hotstar was something quick that we did not realize that the same had happened. This quick release was pretty much needed though, as we looked forward to watching another live-action movie featuring the classic alien or predator. There are those action sequences which justify its release, and despite the predator character undergoing a little too much of a transformation, works really well. The final scenes leave scope for a fine sequel, and we all hope that it will be served well. Until then, we enjoy being transported to a world of charm and danger, but certainly that of beauty in a planet far away. After all, when people were after Terminator, its sequels and others, we were the ones who stuck to Predator as the one classic science fiction thriller that we would remember. After all, we are all in a world of the hunted and the hunters. There is no escaping the same. The idea of hunters developing a conscience is never a bad idea despite changing a little too much of the core idea.

Release date: 7th November 2025
Running time: 107 minutes
Directed by: Dan Trachtenberg
Starring: Elle Fanning, Dimitrius Schuster-Koloamatangi, Reuben de Jong, Mike Homik, Alison Wright, Cameron Brown, Rohinal Narayan

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✠ The Vampire Bat.

Silent Night

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Vampire Owl: We have always wished for silent nights in favour of vampire activity.

Vampire Bat: Vampires have always hoped for silence to keep on hunting, that too in a flash.

Vampire Owl: For vegetarian vampires, we do hunt really well.

Vampire Bat: We have hunted evil better these days.

Vampire Owl: Yet, humans consider us to be evil.

Vampire Bat: There will never be bigger evil than humans. Their evil returns every time and rises like a phoenix.

Vampire Owl: Well, we are yet to find a good human during our visits to their lands.

Vampire Bat: But serial killers are too easy to find, especially on the 11th day of terror. We are watching them at all times.

Vampire Owl: They call these people psychos, but this cruelty comes natural to them.

Vampire Bat: There are always much bigger modes of cruelty among humans. Just make a call on the vampire phone.

[Gets some tacos and three cups of taro tea].

What is the movie about? :: On a Christmas evening, a child is seen traveling by car with his parents from his grandfather’s place and their vehicle is seen as stopping on a remote road. A man dressed as Santa Claus arrives in another car and murders Billy’s parents in front of him. The killer, who is also stabbed, is revealed to be Charlie (Mark Acheson). As the child comes into physical contact with Charlie, an electrical surge appears to pass between them, and there seems to be something which has passed on from the dying killer. As the child grows up, known to the society as Billy Chapman (Rohan Campbell), he is seen as taking over the duty of committing murders while wearing the costume of Santa Claus during the Christmas season. The idea goes like this – during each Christmas, he begins hearing Charlie’s voice urging him to punish people who have been evil, and from then he would need to commit a murder for each day leading up to Christmas. There will be no failure to follow this particular procedure.

So, what happens with the events here as we just keep looking? :: After committing a quick murder at a motel, Billy escapes from the scene to avoid suspicion and arrives in the town of Hackett. There he becomes instantly interested in the beautiful, but angry lady of the town Pamela Sims (Ruby Modine) and her father Dean Sims (Lawrence Brown) who runs a gift shop. He gets a job in the same shop, and gets closer to Pamela, finally beginning an intimate relationship. But he never really losses his skill in murders as new victims is found and killed without remorse. A local police officer and Pamela’s abusive ex-boyfriend Max Benedict (David Tomlinson) is not happy about Billy being around her, and also develops suspicions about the new person moving into the town after which too many murders happen at the same place. But it is revealed that there is some other series of incidents happening in the same area, with little kids going missing one after another. There is a suspected abductor referred to as “the Snatcher”, but it is to be seen how the incidents go on as Christmas gets closer.

The defence of Silent Night, Deadly Night :: The slasher horror mode activated very quickly with this one, not really wasting that much time. The protagonist here is a tragic anti-hero who is forced to go through what he does, rather than the usual supernatural or psychotic villain, and that surely brings a change from the usual. There is time spent in exploring his trauma and motivations, which makes the character more relatable. To add to it the same, there is a mythology, supernatural elements and mystery involving missing children. The horror effects work well with the blood and gore, as one would expect from a slasher horror movie, and deaths become natural part of the film with ease. The killing are also justified for a change, instead of making the whole thing random or a case of revenge like some other flicks. The holiday mood can also be felt with the Christmas elements around, and the ending nicely supports a sequel which could have further variety with the kind of serial killer it develops with the finish.

The claws of flaw :: Silent Night, Deadly Night feels absurd even for a slasher horror movie with its content which does not innovate, or chooses not to bring some nice creative elements. There were many moments which it could have made more interesting, especially by adding usual elements of the genre which have been going through a classic path for a very long time. The question about what special elements this one brings or what it brings as part of the genre, would need better answers here. There is also a certain amount of extra complication that comes with some of these additions here, and the background tale with the mythology is not that much thought about. There is the slow pace and drag that comes in between, and the romance is also not going too deep, and never being emotional enough. The strange ideas are not that much explored, and we feel the need during regular intervals. Many viewers could feel that there is something missing around here, as the movie seems to just go on as it wishes to, and thinks not that much about connections.

The performers of the soul :: Rohan Campbell makes the main character memorable, and worth being the Christmas killer that we would need to follow. There is something more than a serial killer or a murderous psychopath about him, as more aspects of the character are nicely shown by him. A man with a deeply damaged childhood and never-ending emotional conflicts also with the trauma and violent impulses, remains safe in his hands while going through vulnerability and terrifying menace. Ruby Modine makes her character interesting, and there is something about the same all the time, and might have even more to contribute later in a possible sequel – there is a lot that a scream queen in a slasher can do. There are violence and darkness in her, which she manages to display with a charming ease. Her scenes bring some of the most emotionally grounded moments to the movie, and elevate the whole thing. Mark Acheson has a more unusual role, but contributes nicely to the film’s dark and supernatural elements.

How it finishes :: This serves as the second remake of the 1984 film with the same name, after the 2012 reimagining of the same. The audience who enjoys traditional slashers focused mainly on the brutal kills and other elements may find the added mythology and the strange emotional storytelling distracting, as deviation from the usual ideas is surely present here. This is not your classic old slasher of nostalgia and memories for sure. But those who are willing to accept its strange mix of genres are likely to find a surprisingly engaging work with a divergence. Despite not sticking to a classic tradition, it remains a solid Christmas horror film that will probably appeal most to a certain kind of audience. One would guess that making it interesting for all kinds of viewers was never really the idea with this one. Still, we are having the slashers in this world which is going after nonsense because it pretends to be funny, and that much is hope with feathers. Something more sinister might still be coming in a sequel.

Release date: 12th December 2025
Running time: 96 minutes
Directed by: Mike P Nelson
Starring: Rohan Campbell, Ruby Modine, David Lawrence Brown, David Tomlinson, Mark Acheson

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@ Cemetery Watch
✠ The Vampire Bat.