Thudakkam

Vampire Owl: Do you remember how long it took for us to watch another movie in the theatre?

Vampire Bat: Yes, I remember that the last movie we watched in the theatre was Anomie.

Vampire Owl: And it was Sarvam Maya before that.

Vampire Bat: That is like one movie in every three to four months.

Vampire Owl: Going by this rate, we will only watch one more movie this year.

Vampire Bat: Unlike those days when we watched like two movies a weekend.

Vampire Owl: Yes, hundred plus movies in one year at theatre used to be natural then.

Vampire Bat: Do you know how that would have cost now in rupees?

Vampire Owl: Yes, two-hundred-rupee ticket for two people for one hundred movies.

Vampire Bat: Forty-thousand rupees in one year – too much to spend for the cinema when nobody really reads these reviews in this hopeless world of meaningless existence of ours.

[Gets some cheese popcorn and three cups of masala tea].

What is the movie about? :: Meenu (Vismaya Mohanlal) is an independent and happy young woman who has only recently moved to an isolated high-range estate region the Idukki region in Kerala. She is a graduate who has been appearing for many government examinations, but not managing to clear any of them. Her father Ravi (Sai Kumar) was only recently transferred to the area as the village officer who is very punctual with his work. Meenu also has memories of a trauma that goes a long way back, as she had lost her mother, and her father is not able to walk without a stick, even though he is still extremely good at his work. As soon as they arrive, she makes some good friends at the new place including the neighbours and locals whom she sees on the way. With the help of Pauly (Pauly Valsan), an elder lady who lives nearby and after befriending Sariga (Nilja K Baby) who is a nurse from the nearby hospital, she manages to find a place to teach children of lower classes. More and more families become willing to send their children to her due to her charming nature and happy way of going through life.

So, what happens with the events here as we just keep looking? :: One day, she travels to Cochin to write another one of those examinations, and Ravi is shocked to find her not returning home even after so much time into night. He receives one call from her during which he is scolding a man for his deeds, and then the mobile phone is switched off, scaring Ravi, who calls her friend who also wrote the same examination, but is not able to connect to her. He rushes to the police station and meets CPO Vijayan (Jaffar Idukki) who promises to do everything in his power to help him. But CPO Baijudev (Gibin Gopinath) who has no respect for public or women deduces that Meenu might have eloped with someone. It is revealed that Meenu was stalked by a man named Jithu (Ashish Joe Antony), a criminal who is known for the most violent crimes all around India. But it is revealed that she had manage to evade the criminal and reach home, but it seems that it won’t be the end of the problem as it would come after her. Meanwhile, Meenu’s neighbour and teacher of local school, Joseph (Kottayam Ramesh) is targeted by his own brother Esthappan (Bobby Kurian). As danger lurks around them, can they survive?

The defence of Thudakkam :: The movie’s biggest advantage is its first half, as it has the world so well-set with the first few scenes. The initial scenes are a reminder of the terror which is to follow, and when the antagonist is nicely established there, we know that there will be some real danger and it will be inescapable without the best efforts. This only keeps getting more terrifying as story moves forward, and the fear generation is at the highest until it reaches the best point during the interval. As the villainy is established before anything else, the mood sets in without much of a problem. The use of darkness in the purpose also has to be appreciated, as moments of fear are created. The atmosphere with that technical side and action with that require gore on both sides need to be appreciated. The movie’s take on harassment, stalking, victim-blaming, and above all, drug abuse will leave a message or two. It can also be seen that even the lesser-known supporting cast members do some fantastic job, whether it is about the local unruly youth on the side of the road or the twin girls who are worried about getting home in time. The music also forms the movie’s effective side.

The claws of flaw :: The movie has its struggles in the second half and manages to undo a number of things it establishes in the first half. One of them is indeed that extreme fear factor surrounding the antagonist who is left without having much to do after that post-interval punch. The predictability in the second half is surely too high, an we wonder if movie can go anywhere else than force that unfair advantage to the protagonist, and for the same, a cameo is added as the needed motivation, that too with a fight which comes out of nowhere. The emotional side is not that effective either, and even at the most emotional moments, there seems to be a little bit of lag, and in second half, the focus seems to be not in the existence of the narrative, but in the journey towards that pre-determined, speeded-up ending which could have been better planned. The final fight scenes also seem to go like a cliché with the person who gets beaten up and one the floor remembers something from childhood and stands up, and during the same time, the villains are just sitting and waiting for the protagonist to stand up and finish the initiation into fighting position, then do not even come together at the person. Even the final dialogues feel late by a few years.

The performers of the soul :: The movie is indeed the one thing Vismaya Mohanlal on his debut makes better with her charm and a type of work which would have been less effective if any other star kid of our time was doing this – the rest who does anything similar would only be nepo kids, but our protagonist is skillfully made a classy one from the beginning itself. The way in which she handles the action needs a lot of appreciation. Then on another one of those days when an antagonist outperforms everyone else, Ashish Joe Antony on his first full-movie role, delivers a performance which shines with the least dialogues which even adds to terrifying presence of the character. Bobby Kurian also serves well as a supporting villain. Sai Kumar’s fatherly figure is a man of reason, and along with the characters of Kottayam Ramesh and Manoj K Jayan, forms the voices which make sense in a movie in which most people seem to work according to their egos and prejudices. Mohanlal’s cameo is fine, but one can only wonder it was needed in the film, maybe it is still a yes for the blind fans, and our producer Antony Perumbavoor also comes in right there as expected. Nilja K Baby in a smaller role catches our attention too.

How it finishes :: The movie can be considered as an effective beginning, as the title suggests, for the daughter of the legendary actor and the son of one of the best-known film producers of Malayalam cinema industry. The same has been delivered well as they come up with shining colours, and we appreciate the quality of their work, even though the level of this movie coming down in the second half and its rushed climax with cliches remain sad considering how big a start it had managed and pushed through in the first half towards interval. The emotions could have worked better and the ending should not have brought this much predictability, and yet we enjoy this movie and that early effect is there to stay. This one will be seen as an entertaining theatrical watch for action fan even without being a memorable or groundbreaking entry here. If the title really has some significance, this is only a beginning, and there is more to come, with a sequel or a spin-off, for there can be an improvement on this – a Drishyam model series of movies, maybe? After Drishyam is an inspiration for such extensions in multiple languages.

Release date: 7 August 2026
Running time: 137 minutes
Directed by: Jude Anthany Joseph
Starring: Vismaya Mohanlal, Ashish Joe Antony, Sai Kumar, Manoj K Jayan, Bobby Kurian, Mohanlal, K B Ganesh Kumar, Miya George, Sijoy Varghese, Pauly Valsan, Nilja K Baby, Sivadas Kannur, T G Ravi, Jaffar Idukki, Chippy Renjith, Dinesh Prabhakar, Gibin Gopinath, Aadukalam Naren, Nsihanth Sagar, Kottayam Ramesh, Gilu Jose, Jaya Kurup, Antony Perumbavoor, Vijaykumar Prabhakaran

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@ Cemetery Watch
✠ The Vampire Bat.

Uyir

Vampire Owl: I had some high expectations about this one.

Vampire Bat: But we waited for its release on Jio Hotstar to be sure.

Vampire Owl: And here we are here again to watch another investigation.

Vampire Bat: I do like the cast very much with this one.

Vampire Owl: We love it when they have performers over the superstars.

Vampire Bat: Yes, in the world of super stars, mega stars, power stars, young stars and whatever.

Vampire Owl: Stars kill every movie industry, don’t they?

Vampire Bat: We can agree about that towards infinity in a world of chaos.

Vampire Owl: How many movies with investigation can still stand the test of time?

Vampire Bat: As long as they have psycho killers, serial murderers and such interesting people.

[Gets a plate of paneer tikka and three cups of Sikkim tea].

What is the movie about? :: Probation SI Ajeeb (Roshan Mathew) is working in his first police station which seems to be located in a comparatively peaceful area. He is leading a happy life with Shehna (Athulya Chandra) with no children and memories of a past in which he had lost his sister in a train at a very long age. Though Ajeeb works hard and tries to be a good husband, he is quietly haunted by his childhood trauma of losing his younger sister and has panic attacks whenever he hears the sound of passing trains – he never travels in trains anymore; even when there is no direct buses, and during times when he has to travel more distance taking a longer path, he chooses to travel by road. His biggest support is his experienced colleague ASI Joy (Baiju Santhosh), who with his wife Molly Joy (Divya M Nair), a couple who is waiting for their first child and undergoing treatments which do not seem to work for them. He advices Ajeeb on cases as he is more experiences than him, even though not higher in rank.

So, what happens with the events here as we just keep looking? :: Ajeeb finds himself with his first major case which is rather sensational in nature when the decomposed body of an unidentified woman is found in an abandoned local well. Ajeeb begins digging deep into the case despite his seniors’ doubts about his capability. They identify the dead person as Shobha (Shruthy Menon), a migrant worker from Karnataka who had moved to Kerala with her husband and two young children, and started living in the border area. But her husband and children seem to be missing, but after some more digging deep into the situation, Ajeeb and Joy track down Shobha’s husband, Raju (Vinod Sagar) in Karnataka with the help of the local police there. As Raju offers emotional stories and conflicting statements related to their lives and those incidents which changed their lives in between, police face different complications. They will need the help of a Mumbai police officer, Keerthi Deshpande (Saiyami Kher) in this to their surprise too. Can the two policemen find a solution here in time?

The defence of Uyir :: There are not many movies which can bring humanity to a tale of more than one murder and following investigation, but this one takes that and places the same at the right place to keep the interest of the family audience alive, it seems. As this is supposed to be inspired by actual police records of Kerala, everything feels grounded and realistic, and the last few moments feel very much close to heart. There are not many investigative movies that touches the heart, but this one does, even though the same is achieved a little late. The policemen are shown as common men, even though the women police officers could have also had something to do like the movie Dridam which had more balance and a higher level of danger and twists associated with it. The feeling of mystery is still maintained right from the behind. The character detailing is nice, especially with the main character, who is played to perfection by Roshan Mathew with classic support from the rest of the cast. At the same time, the message of humanity works, and the journey here is without exaggeration close to realism.

The claws of flaw :: The story here drags during the middle by trying to force suspense and twists into a story that seems to be more or less like an emotional character journey rather than anything else. Some of these twists do not seem to belong here at all, and the investigation also seems to be done randomly without much trouble. The melodrama often gets out of control, and we often think why this is going the emotional path when finding the killer was of so much significance. The final few minutes feel like the weakest as the movement from a usual murder mystery to a human-centric drama goes through a struggle, especially with the search being just a random thing of no real significance, even with the humane side. The way in which the pace goes down so many times, and the way in which the police keep focusing on a person, who keeps on becoming the centre of attraction again and again with one thing or other – it feels like repetition for sure. Everything seems more like coming to the police directly, and after they complicate things, the situation seems to be solved rather easily too, and then they extend the same to add more complications.

The performers of the soul :: The movie thrives on a brilliant performance from Roshan Mathew, who seems to make a police officer that we would remember. He is once again not a hero that one needs to remember for the superhuman acts, but as a flawed police officer, the kind that we have always loved as one among us. The emotional conflicts of the character are shown nicely too, and we have Athulya Chandra in the wife role, as the two share beautiful chemistry with underlying love and support which runs through their marriage with understanding. Athulya might be one of those actresses who had less number of main roles in major movies than she deserved, as she carries a certain amount of life even when playing this character who never really had that much to work with. Baiju Santhosh’s Joy is also a character whom we would all love, and he handles the same with a serenity that everyone should love see. The star of Kismat, the highly underrated Shruthy Menon also comes up with a work to remember with her return, and Vinod Sagar remains solid. Vineeth Thattil David, Santhosh Thrivikraman and Saiyami Kher are also police officers who catch our attention so well with their realistic work.

How it finishes :: As Roshan Mathew brings both restraint and emotional depth to his character carrying the film’s themes of guilt, remorse, empathy and redemption effectively, we have the movie’s mood and aim served well. The question still remains if this was the aim which the audience would have had considering the fact that this a movie revolving around one murder or two, along with a murderer on the loose manipulating the police. The thrills are kept at the minimum, and we feel that there was the scope for many engaging sequences with chance of bringing chaos always present against all odds. One can safely say that drama gets to be a lot above the thrills and the investigation itself, which would always be considered strange as we look at the genre here. We keep thinking if it is what we wanted, and a strange feel-good factor that creeps in to bring a conclusion with a happy ending in a journey which is rather personal than part of the case, would not bring the best for everyone for sure. Well, this is not your highly engaging, highly paced, intelligent and twisted police investigation for sure.

Release date: 26th June 2026
Running time: 138 minutes
Directed by: M Padmakumar
Starring: Roshan Mathew, Saiyami Kher, Baiju Santhosh, Athulya Chandra, Shruthy Menon, Vineeth Thattil David, Santhosh Thrivikraman, Vinod Sagar, Shaju Sreedhar, Divya M Nair, Srikant Murali, Mahesh Shetty

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@ Cemetery Watch
✠ The Vampire Bat.

A Working Man

Vampire Owl: We are all working all the time, you know.

Vampire Bat: Everybody including Uncle Dracula knows that you do no work at all.

Vampire Owl: I work at my own office within my room.

Vampire Bat: You know that there is no business firms allowed in the Dracula Castle.

Vampire Owl: This is just me showing my skills making blood milk shake and blood cake.

Vampire Bat: Do you even know the sugar levels of vampires of the castle?

Vampire Owl: It is approved by Dr. Frankenstein and his medical company.

Vampire Bat: Mr. Frankenstein has never been a real doctor who can do that.

Vampire Owl: Frankenstein has presented and published a research paper on vampire blood sugar and was appreciated for the same by different universities.

Vampire Bat: I have heard that they were promised infinite amount of money just to accept the abstract and let him present it.

[Gets a paneer samosa and three cups of Kodaikanal tea].

What is the movie about? :: Levon Cade (Jason Statham) is a retired Royal Marines Officer, now working as a construction foreman in Chicago, leaving the United Kingdom after his service and settling down in the United States as his American wife had committed suicide, and his father-in-law Jordan Roth (Richard Heap) who had settled down in the same city does not allow him to see his only daughter Merry Cade (Isla Gie) as he is known to suffer from PTSD and has been struggling to gain custody of his daughter. Levon maintains a close friendship with the family who employs him at the construction site – Joe Garcia (Michael Pena), his wife, Carla Garcia (Noemi Gonzalez) and their daughter, Jenny Garcia (Arianna Rivas), as they consider him as one of their own. One night, while Jenny is out at a bar, enjoying with her friends, she is kidnapped by two Russian traffickers who randomly choose their victims from the night club, the ruthless mercenaries known by the names Viper (Emmett J Scanlan) and Artemis (Eve Mauro).

So, what happens with the events here as we just keep looking? :: Joe and Carla report the case of their missing daughter to the police, but they are unable to find any leads, and do not seem to keep this anywhere close to priority. Desperate to find their daughter, the parents who know about Levon’s military past, offer him money to find Jenny, but he refuses to do anything about it, as he feels that his past was responsible for the death of his wife and hostility of his father-in-law who has always been a pacifist. But after consulting his former friend and comrade in arms in the military Gunny Lefferty (David Harbour), decides to what he does his best and follow his heart, as he had once promised Jenny to watch and protect her, making sure that no harm would come upon her. As he decides to use his best skills for the purpose, follows the bartender who was there at the time when Jenny went missing, and finds connection to Russian mafia which has been involved in human trafficking in the past. He finds out that the situation is more complicated than he thought. Can he find more clues and reach Jenny before time runs out?

The defence of A Working Man :: Watching this movie, one feels that this is a movie well set for Jason Statham to come up with all the action, and the same is asserted again and again as the movie progresses and gets close to the end. The action sequences are excellent and staying within the willing suspension of disbelief limits. It was best seen with that beginning fight scene and it just gets bigger in the final scenes as there is a lot to be done. We see something to root for the protagonist every moment as the film progresses – there is also an emotional touch to the main character, and we connect to the same with the feelings rightly felt. There is also that feeling of nostalgia that runs through in the movie reminding us those other earlier movies that we have seen before. The stylish and immensely evil Russian mobsters to a biker gang leader sitting on a literal throne in a basement with his black-wearing people, the variety of villains that make quite some impact. The visuals are quite nice, with different settings nicely used for the situation.

The claws of flaw :: The movie feels like a Taken-inspired weaker version with search for one woman who has taken by drug traffickers often forced into prostitution, as even the less appreciated Malayalam movie Karam doing better than this particular one. Yet, one feels that the danger is not that much felt here with the kidnapped woman, as she seems to be too comfortable with the same even when in so much of a terrifying situation as part of her captivity. For some reason, we do not see facing that much of a terror, and she seems to be more military-trained than even the main protagonist – this is where the other movies dealing with the same premise dealt with the situations much better. Even the search for the woman seems to be lagging, as the pace comes down. Then those fast cuts and shaky camera work during the quick action makes things feel rather strange, and leaves a lot to be desired. The title of the movie is also never really justified as the construction work never really gets the attention again.

The performers of the soul :: Jason Statham once again does what he does best as he has a strong physical presence, charm, as well as nice fight scenes including hand-to-hand combat and some shooting to go with it. Starting with a construction site fight and finishing after a full set of climax battle sequences keep us satisfied. It is once again asserted that he is the man for this kind of a job, after Liam Neeson did the same multiple times with his one series of movies starting with saving his daughter from human traffickers. Being a part of The Mechanic and one among of Hobbs and Shaw battling in Fast and Furious series had made us hope for him even in Hitman: Agent 47 which would have been perfect for him. After John Wick and friends in a chaotic murder spree universe, he remains seemingly best choice for this kind of worlds. Arianna Rivas as Jenny Garcia does not get much except for those last moments when there seems to be a fight forced on her – in a movie focused on her kidnapping, she is just not shown enough. Then the antagonists seem balanced, rightly there to be menacing enough.

How it finishes :: This remains an interesting movie, even though nothing much new in its content, and reminds us of many other movies in the past. The movie gains the advantage from Jason Statham as the main character, and even when there is not much to raise the level in the narrative, the man takes the movie straight up to another level. But we cannot help feeling that he could have done more if the search was better arranged and if the danger was really felt except for the kidnapped not shown much after being kidnapped except for the end, and due to the hero quickly going through the villains without that much of a difficulty as one should be having when facing a mafia, The emotional side with daughter works, but not with the kidnapped one as we rarely feel that she is in trouble, and yet we feel that the poor mafia members are really in bigger trouble – this is something which should not have happened in a movie like this which does not go over the line with its action. Well, the fight scenes work really well, and keeps us interested, and we are thrilled to see the happenings on the screen; often that much is enough for the genre, but not for a second watch on any day.

Release date: 28 March 2025
Running time: 116 minutes
Directed by: David Ayer
Starring: Jason Statham, David Harbour, Michael Peña, Jason Flemyng, Arianna Rivas

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@ Cemetery Watch
✠ The Vampire Bat.

The Devil’s Mouth

Vampire Owl: At least the devil is doing better than the humans these days, I think.

Vampire Bat: Maybe the devil should go to Earth and leave hell for the humans.

Vampire Owl: Isn’t it where most of the humans are going sooner or later?

Vampire Bat: I am expecting the angels of heaven to be very lonely.

Vampire Owl: Do you think that there will be space in hell for this many humans?

Vampire Bat: Hell is infinite and eternal, and with separate circles.

Vampire Owl: So, it is the same as what Dr. Frankenstein had discovered.

Vampire Bat: Mr. Frankenstein is a man of infinite circles of nonsense.

Vampire Owl: When did infinity start coming in circles of Frankenstein?

Vampire Bat: He has always needed them as he would be going to hell as a human too.

[Gets a paneer paratha and three cups of Darjeeling tea].

What is the movie about? :: Five friends from the United States, Sara (Kathryn Newton), Max (Lala Condor), Greg (Gavin Casalegno), Adrienne (Tommi Rose) and James (Nico Hiraga) are on a trip to South Asia, now visiting the beaches and going through underwater journeys in Thailand. As they are enjoying the open tropical waters off the coast, they do not realize that Sara is diving in the water, and as they ask for the boat to be moved to the land as Max feels that she is in the shower. Left alone, Sara is swarmed, and stung by aggressive jellyfish in all parts of her body, rescued later, but is left in pain. Max is supposed to be the one in control of the trip and also the one who said that everyone was aboard before the boat was taken forward, which leads to some tension, but Sara and Max are back together as best friends in no time. The friends are back together, and as they continue to feel that something is in the saltwater of ocean due to seeing dead fish and turtles cast ashore on beaches, they sign up for a guided swim through a fresh water remote cave system known as The Devil’s Mouth.

So, what happens with the events here as we just keep looking? :: This early incident leaving Sara as damsel in distress does manage to keep a rift between them right before they enter The Devil’s Mouth cave network, and despite Sara trying to keep up with the excited team against her pain and in spite of Max trying to tip the guide to take better care of her friend, there is some disagreement. While Sara asks for the easy way through the tunnel without that much of it submerged in water, Max who has always been the leader opts to go for the highly submerged red route, and Sara, despite her fears, agrees to the same. The team is led through a path which had its water level only somewhat come down from being fully submerged in a previous storm. They go through different caves which are interconnected through passages flooded with water, some of them even having salt water from the nearby ocean. But they soon find one of the divers who went before them dead, and within minutes finds themselves hunted by a shark which seems to have come in from the ocean during the flooding with nowhere to go as the tunnel lost its connection with the saltwater. Now, can they survive the creature sensing blood all around?

The defence of The Devil’s Mouth :: With the tide rising and oxygen levels dropping inside the cave system, the friends left on the isolated rock shelves where the shark cannot reach, do not find it to be a long-term option, but have nowhere to go in the maze-like chambers – this is perfectly shown here with each scene, and we have an environment which is so well created and maintained with danger all around the corner. The cave diving horror and shark survival are combined nicely here, as the subterranean setting makes it a different battle against the creature. The tight underwater struggles, internal disagreements, secrets and grievances within themselves, all add to the further tension here. The movie is also never really that long, and this length feels perfect for the total run-time. The signs of the same was established early enough, and that too in open water, with the attack of the jelly fish as much as being left alone in the middle of the sea – these are also basically the kind of horror which are scary enough even without huge fangs.

Positives and negatives :: The movie’s caves are among the best that you might ever see, and when you put a shark in there, it is just glorious. One then remembers that some fine foreshadowing has always been there, and all would lead to just disaster. The final moments when the protagonist lures the shark with herself as a bait is among the best of the movie, and when the characters try to escape from the shark at a ledge, and when they move through tight tunnels, we are all kept in the highest level of tension. We see that the situation places us in a world from where escape is almost impossible by logic with water all around, and the shark being able to thrive in both freshwater and saltwater settings. This also means that there is less visibility, and we can keep feeling the need to have more light around – keeping on looking at the darkness is not the best thing we can do around here. There is some repetition here and there with what the characters are doing, even though the same remains enjoyable.

The performers of the soul :: Here, we have Kathryn Newton once again doing what she does the best, and that is to survive against all odds, as she already did in Ready or Not 2: Here I Come, and had managed to get out of that Ant-Man and the Wasp: Quantumania level which was rather lower in comparison to where she stands now as a grand scream queen in the making – she seems to be surviving everything in a convincing manner, and here, she remains a lovable character, and it is her for whom we keep rooting for, as she knew that something bad was going to happen all the time, and in her senses, tries to avoid the worst, even though she has to finally give in to her friends. She is the survivor whom we would all love to have, maybe in a sequel to The Shallows. She is one young actress who seems to be bringing a certain amount of completeness. Lana Condor whom we would best recognize from Alita: Battle Angel, Pretty Lethal and X-Men: Apocalypse, also comes up with a memorable role, and it is another work that we are going to remember here. Tommi Rose also has some work that we will remember. Nico Hiraga as James might be one selfish character which is done well. Then, Gavin Casalegno also comes up with the needed.

How it finishes :: It can be seen that the movie maintains a certain amount of balance around here with a shark attacking in a flooded cave with nowhere to go – the horror gets more of the strength here with the same, while tensions also run related to the past among the characters. We have already seen the sharks and friends running strong in 47 Meters Down, Deep Blue Sea, Killer Whale and more, but this one takes a divergent and interesting approach with the same. Anchored by strong performances from Kathryn Newton and Lana Condor, the movie also focuses on the deteriorating, toxic friendship and further focuses on the terrifying situation rather than the shark. The predictability does not push this aquatic survival flick that much down, as the tension never leaves us and the lovely leading character always have us rooting for us, with the empathy right there to be taken home. I would consider this to be a surprise charm as one of the best shark movies in some time, and its release on Amazon Prime Video has left the same accessible to more of us who choose OTT over the theatres.

Release date: 29 July 2026
Running time: 104 minutes
Directed by: Jeff Wadlow
Starring: Kathryn Newton, Lana Condor, Gavin Casalegno, Nico Hiraga, Tommi Rose

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@ Cemetery Watch
✠ The Vampire Bat.

Heart Eyes

Vampire Owl: So are the hearts in the eyes, or eyes in the heart?

Vampire Bat: If there is a serial killer around, does that really matter?

Vampire Owl: Yes, we need to understand the killer first.

Vampire Bat: You know that human serial killers cannot kill vampires, right?

Vampire Owl: Well, they can always cut our heads off.

Vampire Bat: Most human serial killers just keep stabbing.

Vampire Owl: We should just let them come. They have good necks.

Vampire Bat: I heard that you were allergic to blood.

Vampire Owl: It is never too late to have some blood shake in life.

Vampire Bat: Well, this one happens on Valentine’s Day and the colour surely matches.

[Gets a paneer samosa and three cups of Vagamon tea].

What is the movie about? :: For the last few years on every Valentine’s Day, a serial killer known as the Heart Eyes Killer who is short named HEK by the media, has targeted different couples in different American cities. This year, the killer is known to have murdered two couples in Seattle and a wedding ring which has the initials “J S” is also found at one of the crime scenes where the couple was murdered in some of the most brutal ways possible. The case is taken over by the detectives Zeke Hobbs (Devon Sawa) and Jeanine Shaw (Jordana Brewster), who are nicknamed Hobbs and Shaw after the famous Fast and Furious spin-off movie starring Dwayne “The Rock” Johnson and Jason Statham in which there was so much of action with the two. At the same time, in the same city, Ally McCabe (Olivia Holt), a marketer for a jewelry company who just had a break-up, accidently meets a stranger Jay Simmonds (Mason Gooding) in a restaurant, and is ridiculed and almost fired by her boss Crystal Cane (Michaela Watkins).

So, what happens with the events here as we just keep looking? :: Ally’s strange ad campaign with doomed couples is detested by almost everyone due to the recent murders of lovers by the serial killer who had just started murdering in the city. Crystal calls upon a freelancer accomplished in the same field, and it turns out to be Jay much to her surprise – she is supposed to work with him and create a whole new ad campaign. On the same day, Jay invites her to dinner that night, asserting that it is not really a Valentine’s Day date despite the date being February 14th. He further suggests that it may give them further inspiration for the campaign which they have to work with together and succeed. Ally agrees despite the killer already at work for the season of the Valentines, as she desperately needed the job after the break-up. But after reaching the restaurant and post a few minutes of talk, they are not happy with each other and gets out, but as Ally sees her ex-boyfriend, she kisses Jay and introduces him as her boyfriend because her old love already came with a new girlfriend.

And what more is to happen with a brutal murderer on the hunt for lovers on Valentine’s Day? :: Ally and Jay reconcile over that act and he takes a taxi to her home, where he helps her break in to her home after she realizes that she had forgotten her key, and he cuts his hand in doing the same. Ally helps with his wound upstairs, as she was someone who had dropped out of medical school. All of a sudden, the Heart Eyes Killer jumps out of the cupboard and attacks them. After a chase, he knocks Jay out as Ally keeps running. Detectives Zeke Hobbs and Jeanine Shaw who found no other killer, but found the killer’s mask and weapon with Jay, and they arrest him, shocking Ally who had returned to the area after hearing the police siren. The police take Jay for questioning at a police station, and there both Hobbs and Shaw show that his initials match those on the previously found ring and also shows proof that he was in the same cities at the same time during HEK’s previous attacks. But soon, the power goes out and a masked figure with a weapon comes out, revealing the heart symbol on the eyes and begins his killing spree. Can the new partners and police escape without being killed?

The defence of Heart Eyes :: The chemistry of Olivia Holt and Mason Gooding is what drives the movie so well, with humour, taking part in action, and adding the unexpected romance at times as everything comes when a serial killer is on the hunt, making the whole thing very interesting. At the same time, the movie gets into the gore easily and killings begin, while romance keep ending, and even for the protagonists, the focus is less on love and more on a classic escape act which is followed by more running and fighting with a murderer ready to get into act. With the nice humour working so well, we see the rom-com and slasher modes switching each other one, and at times existing at the same time, keeping the whole thing enjoyable. All these happen within a short run-time and the final scene throws a fine punch, and there are some nice twists that lead to the same. Among the police characters, it is Jordana Brewster who steals the show, and that seems to be evident from the early scenes and the police station moments.

Positives and negatives :: The final twist may have given some clues early itself, and we see them coming quite early, with one at the police station itself, and another at the crime scene – there are not enough red herrings to keep the twists away. Most of the supporting characters also get not much to do, and the bloody side with all the violence will not make everyone happy, especially when coming in between romance all of a sudden without warning. The movie still manages to keep its level, even when it is short of romance or short of killings, and that comes a surprise with this not being among the best-known slasher movies. The killings do work as one would expect from this kind of a movie. The visuals serve the purpose right from the beginning too. Michaela Watkins adds some nice humour right from her first moments. Gigi Zumbado should have been there for more, as it was really fun when she was around – the disappearance only to appear in the end does not serve the character that well. Yoson An’s work surely came as a fine surprise too.

How it finishes :: I had left this one behind without watching for some time as the idea did not feel that interesting, but coming back to it on Amazon Prime Video was surely worth it. Even though it feels like old-style slasher at times, there is also that fresh feeling around. There is a certain cuteness with romance and humour on one side and we also see that unlimited terror on the other side. Fans of the slasher genre would surely appreciate the inventive, bloody kills which keeps happening from the beginning to the end, often in innovative manner. The movie is indeed self-aware and has such a fine cast. There is also that scope for sequel that we see by the end of the movie. If you are looking for a fun movie in the weekend with friends, you will love the cute little romance against a backdrop of creative carnage, then you also get surprised with the rising quality around here. You can see a chaotic, self-aware energy in this wildly entertaining ride, as long as you do not dig too deep around here. Heart Eyes could get into your list of favourite killers, and can go the Scream, Halloween and I Know What You Did Last Summer mode accompanied by the newer Psycho Killer and others.

Release date: 7 February 2025
Running time: 97 minutes
Directed by: Josh Ruben
Starring: Olivia Holt, Mason Gooding, Gigi Zumbado, Michaela Watkins, Devon Sawa, Jordana Brewster

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@ Cemetery Watch
✠ The Vampire Bat.

Masters of the Universe

Vampire Owl: Aren’t we the true masters of the universe?

Vampire Bat: I do not think that they are talking about the vampire universe.

Vampire Owl: Every universe requires its own masters.

Vampire Bat: We already have Uncle Dracula here.

Vampire Owl: Yes, even Vampire Elders are there, but they are all symbolic heads.

Vampire Bat: So, you consider us as the true masters.

Vampire Owl: Well, this is the only working universe, isn’t it?

Vampire Bat: The only true universe with relevance, yes.

Vampire Owl: And the only realm without the pure human evil.

Vampire Bat: The human evil has already reached our borders. There is not much of magic left that seems to stop it.

[Gets a thattu dosa and three cups of Munnar tea].

What is the movie about? :: Adam (Nicholas Galitzine) works in human resources, while keeping on searching for a certain sword and lives with his only friend Hussein (Christian Vunipola) in Oklahoma City. People think that him keeping on searching for a sword and telling everyone a specific story about his escape from another planet are parts of his nerd madness which he always had since he was a kid. The search for the sword would affect both his work and social life, as he even tells the same story when on a date. Obsessed with finding the sword due to his memories about being part of another strange world in which he lived as the prince and had come to Earth with a magic sword, Adam receives an anonymous tip in the form of a text message that the sword is located and he reclaims it at a comic store, running away with it. But the next day, he is arrested for stealing the sword, but the police car is stopped in transit on the highway when a strange creature attacks them and halts the traffic. The ape-like creature turns out to be Beast Man (Gary Martin) who had come from another world and chases Adam.

So, what happens with the events here as we just keep looking? :: As Adam keeps running, a woman in white comes to the scene, identifying herself as his childhood friend, Teela (Camila Mendes). She tells him that the sword had given her a signal when it was claimed and raised to the sky, seemingly provided the same signal to many others of their planet far away. In this planet named Eternia which was once ruled by Adam’s parents King Randor (James Purefoy) and Queen Marlena (Charlotte Riley), no longer maintains that peace and prosperity after being taken over by Skeletor (Jared Leto), his sidekick Evil-Lyn (Alison Brie) and a number of other evil minions. This loss after being defeated by a cyborg and weapons expert of Skeletor, Trap Jaw (Sam C Wilson) had also left the commander-in-chief of the army of Eterna, Man-At-Arms a.k.a. Duncan (Idris Elba) to severe depression and alcoholism, much to the dismay of his daughter Teela. After training so many people of the planet to defend the evil forces, he along with many others had fallen into disarray after Skeletor took over and unleashed chaos.

And what more can happen in this world of chaos and destruction unleashed by forces of evil? :: It was the Sorceress (Morena Baccarin) who sent Adam to Earth to save him and the sword from Skeletor, and as it was the original home planet of the queen a long distance away from Eternia, safety was guaranteed, but as a child, he had lost the sword only to be found now, triggering alarms all around the universe. Adam and Teela manage to outrun the Beast Man and escape in their spaceship in front of shocked humans who could do nothing but stare. Back home, the resistance forces against Skeletor who are not imprisoned by Teela leaving her defence outpost and bringing a strange man with the sword, imprisons her and Adam along with an alcoholic Duncan and a former combat robot reprogrammed as a cleaning robot, Roboto (Kristen Wiig). But they escape with the help of the robot and keeps the sword with them while the defenders of the resistance are either killed or captured by Skeletor’s forces. As they try to escape them and come face to face against Trap Jaw, it seems to be the end for them, but can they find a way to defeat him and his shooters against all odds?

The defence of Masters of the Universe :: The movie has some stunning visuals with the setting in a beautiful planet. The world is too good with the fantasy model buildings and the environment which makes it feel like a colourful paradise. Nicholas Galitzine makes a fine impact as the protagonist, while Idris Elba brings the fun. But the best impact is made by Camila Mendes as Teela, who remains a stunner in those action sequences with her movement and style, as the only one true character who is a born-fighter continuing to be so at all times. Jared Leto as Skeletor is a villain to remember, and gets the screen-time he missed as the Joker in Suicide Squad. Morena Baccarin who gets back after The Wrecking Crew gets less screen time even as such a significant character. Alison Brie as Evil-Lyn works nicely too as one never sees any evil this cute and strong in magic. The humour in the movie also remains so much fun, and the elements taken from cartoon are nicely placed here without too much darkness ever coming into picture. Adora a.k.a. She-Ra played by Lauren Saliu shown during mid-credits also keeps us interested as the one scene itself seems to bring lot of hope for a possible sequel about which we are still not that sure.

Positives and negatives :: This is a feeling of nostalgia, and as we had the cartoon of the same name running in Malayalam in this part of the world, there is no other superhero who had this much of an influence on us as children. We had to return home early from school and then we would successfully watch this one. In the case of the movie, people might find that this is a little bit too cartoonish and as more for the children, but those would be the people who forgot how they grew up watching this, and if Avengers, Justice League and team could be taken as full action, this could be too. The supporting characters here could have had some more time, while cutting some time from the moments spent on Earth. The final fight is lovely to watch, even though the moments back on Earth coming in between do not impress much. The quality of the computer-generated imagery losses some quality at times, but remains stable and stylish for most of the time. Use of more magic could have made the world look more charming, and even more shown as part of an exploration like in Avatar, as the design here never far behind.

How it finishes :: The lack of some seriousness might be the reason why it had the same effect as John Carter at the box-office, but one cannot forget the fact that it was one fine movie, and one of the best of that year. We can blame the strange movie-watching habits of the biggest markets of the movie which did not even make Pacific Rim a super-hit, but Asia serves that title well. All these movies surely did well in this part of the world, and one keeps wondering if a better trailer could have meant better result for the movie at the box-office. I would surely love to see its sequel with the lady superhero, but one has to wonder if the same would happen when the total collection is considered. But this is sure to do well on Amazon Prime Video, and that should also mean something to everyone. For now, this is a charming adventure and entertainer which does not have a dull moment once the scenes shift to the far away planet. The beautiful spectacle of a world with a classic adventure with battles to remember is not something that we can always see with this much charm. People can find cartoon-faults, but I find this to be something I should have watched on the big screen with all of its big screen splendour.

Release date: 5 June 2026
Running time: 140 minutes
Directed by: Travis Knight
Starring: Nicholas Galitzine, Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, Kristen Wiig, Jared Leto, Idris Elba

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@ Cemetery Watch
✠ The Vampire Bat.

The Astronaut

Vampire Owl: I have dreamed about being an astronaut when I was a child.

Vampire Bat: You became a vampire hundreds of years ago. So that would have been long ago.

Vampire Owl: Considering in vampire years, I am still not that old.

Vampire Bat: That explains you being a child even when space travel started its job.

Vampire Owl: I was never thinking about human space travel.

Vampire Bat: You are looking forward to being teleported other realms?

Vampire Owl: Yes, Dr. Frankenstein has created a magical space vessel.

Vampire Bat: You should remember that nothing made by Mr. Frankenstein actually works.

Vampire Owl: It is a wrong accusation by his mortal enemies. He travelled back in time last week and brought proof from another period of time. Even aliens approve of him.

Vampire Bat: I am quite sure that he brought back that ancient thing from a museum and not from the past. It is his time machine that looks more pre-historical than that thing.

[Gets a poori masala and three cups of Wayanad tea].

What is the movie about? :: Sam Walker (Kate Mara) is the daughter of General William Harris (Laurence Fishburne) a veteran military officer who has worked in collaboration with NASA space travel, and has Sam going on another space journey in relation to communicating with extraterrestrial beings if there are any. But as she comes back from the International Space Station, some debris leads to her crash-landing back on Earth. After floating somewhere in the middle of sea, she is finally rescued by the United States Coast Guard and taken to the nearby hospital for recovery, even though not taken out of quarantine for some days. Her fellow astronauts and doctors keep visiting her at the hospital, while William assures her that he is incredibly happy for her, and hopes that she will get well soon for the next mission, with NASA and Pentagon working very closely together in making significant discoveries which would change the world as they know it. She feels that things are just okay as she only got a few bruises.

So, what happens with the events here as we just keep looking? :: Sam does not remember most of the incidents in space, and continues in quarantine for decontamination. She is visited by her husband, Mark Walker (Gabriel Luna) and daughter, Izzy Walker (Scarlett Holmes). But for her own safety, Sam is confined alone to a rural cottage somewhere in Virginia, where diplomats and very important people are supposed to stay in secret when there is some danger with their lives, or just to stay away from media. It is seen that the next house or shop is kilometres away, and the place only has woods on all sides and some meadows in between, with almost no traffic at the closest road passing around. As Sam adjusts to her new lonely situation, she also goes through a series of medical tests to make sure that her mental and physical fitness are okay, with a new journey to the space station coming up. Sam and Mark are having some difficulties trying to cope as a family, due to her frequent journeys to space and the quarantine that comes before and after that. It is revealed that the child is also adopted, as they hoped that it would make things better between them.

And what more can happen here as there seems to be some mystery to be resolved? :: While walking outside and close to the nearby woods, Sam notices that the entire premises have some hidden cameras, most of them directed right towards the home. This makes her wonder about her location, as she had already felt that somebody did open the door and enter during last night, thus also making the floor a little messy. William shows her that the hidden cameras are linked to a certain underground bunker in the house, from where the whole place can be watched in detail. If anyone try to breach the property, it could be known with ease, and there could also be a lockdown which would prevent anyone from getting in. Strange occurrences continue, and later that night, the power is cut off, and the alarm system is triggered, locking her inside the house. A dark creature seems to have entered the home, forcing her to lock herself inside the bunker. Now, it is to be seen if she can survive these nights, and with nothing on the cameras, will people believe her theory that something followed her from back to Earth from space?

The defence of The Astronaut :: The twists in the movie are pretty much unexpected, even though not that interesting, and that surprise takes the movie to a higher level, even though slowly and steadily. The film builds on with a tense, eerie mood with its quiet, minimalist approach to horror, that seems to work for most of the time. The combination of psychological thriller, science fiction and paranormal horror got the arrangement right, as we look at it. The isolated safe house with dark woods all around and continuing psychological tension are effective with the possibility of twists always being present. Kate Mara has things in control here with emotional weight as she moves forward in a world of conflicts. MorganFantastic Four actress seems to have changed a lot, and maybe it is we all ageing together. Her movement to the twists in the end works so well that we even hope for the world to be extended in a sequel at that moment. Laurence Fishburne is a big strong presence here, and his roles like this have remained too good in the past.

The claws of flaw :: The movie drags in between even in a one and half hour movie which deals with aliens – it would not have been that difficult to deal with such a safe topic during normal circumstances of Earth and space. The struggle with pacing feels so much, especially in the second half when it seems to try too much, and yet the narrative keeps its trouble going through. Some of these narrative changes and interesting developments come too fast and leave unanswered questions, as the science fiction elements continue to stay in the background without that much of a detailed happenings on the screen. One keeps wondering why it immediately took that deviation, even though it was the twist that came quickly – there could have been other ways to bring the same to keep on with the route of the overall movie. Sometimes, one would wonder if the combination could have been kept better coherent at all times. The predictability is also present in between, even though not with the final twist.

How it finishes :: This is one of those movies which were less known, and surprisingly, in spite of staying close to the genre, I never really knew about this movie’s existence. Despite losing the pace in between, and narrative also making that struggle, the movie maintains a level, not losing it on the way completely even when there seemed to be the chance. This would mean that the mixed reviews are quite justified, and its journey through Amazon Prime Video might also be complex. For a quiet, atmospheric psychological science fiction with strong leading cast performances and high-level tension coming out of the mood and atmosphere with dark woods ready to pounce upon the terror, this would be the right choice. There is no questioning that kind of an ability around here. But one can see that there are no clear explanations of these alien elements, and the lack of traditional horror thrills would continue to affect the interest of people. Otherwise, this would nicely work for a smooth, slow and steady journey with something coming in the background.

Release date: 17th October 2025
Running time: 91 minutes
Directed by: Jess Varley
Starring: Kate Mara, Laurence Fishburne, Gabriel Luna, Ivana Miličević, Macy Gray, Scarlett Holmes, Reza Diako, Daniel Quirke, Daiana Madeira, Christine Abernathy, Ezrael MacTire, Erin Gill, Gareth Battersby, Aidan O’Sullivan

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@ Cemetery Watch
✠ The Vampire Bat.

Yakuza League

Vampire Owl: I am pretty sure that Batman has always been your relative.

Vampire Bat: I do not know how a man’s masked personality relates to me.

Vampire Owl: Every life is a mask, isn’t it? People take so many forms.

Vampire Bat: Humans are never true to the society or even to themselves.

Vampire Owl: We know that humans are evil, so there is no surprise at all.

Vampire Bat: The Vampire Elders were so shocked that they banned the humans.

Vampire Owl: So, Uncle Dracula was never the first one to ban them.

Vampire Bat: He only extended the ban for humans which was already established.

Vampire Owl: I hope that Dr. Frankenstein is not banned anymore.

Vampire Bat: Mr. Frankenstein will not even be accepted.

[Gets an ulli vada and three cups of Wayanad tea].

What is the movie about? :: Batman (Koichi Yamadera) has come back home after being sent to feudal Japan through a time displacement machine called the Quake Engine. After all of Gotham City’s top criminals who also reach there became feudal lords, he had stopped the villains from altering history and brought them back to Gotham City in the present. But it seems that he would have no time to rest in his own world with something strange occurring around the city. He is surprised to see that the Justice League is no longer there and he cannot find Japan in its location either. He also finds that yakuza are raining from the sky above. He finds out that they belong to Hinomoto, a different Japan from a parallel universe which has placed itself in the sky of the city. He is able to see an interdimensional rift above Gotham City which seems to be part of a plan to invade Earth. As only the people who previously time-traveled can see this particular rift, the others call it a yakuza tornado, a storm which carries them to Gotham City – they deny the other-worldly elements of the same.

And what more is to follow in a world facing imminent destruction through timelines? :: Before he can process this new reality, Batman understands that there is more to this than what meets the eye. Batman and Robin (Yuki Kaji) travel through the rift to Hinomoto, while the other members of the Bat family Nightwing (Daisuke Ono), Red Hood (Akira Ishida), and Red Robin (Yuki Kaji) stay behind to fight the yakuza who have fallen into the city through the tornado. The Bat family are soon ambushed by some more yakuza fighters who are part of the Hagane yakuza clan who took over Hinomoto. They are surprised to find out that the first three big yakuza members who come against them are Zeshika the Emerald Ray (Ayane Sakura), a version of Green Lantern, Asha the Aqua Dragon (Akio Otsuka), an alternate version of Aquaman and Bari the Fleet-Footed (Kengo Kawanishi), a Japanese version of the Flash. The Bat family struggles in the fight with them, but with additional help from the Daiana the Eagle Goddess (Saori Hayami), an alternate Wonder Woman who is the member of an opposing Yakuza clan called Amazone, they manage to escape.

So, what happens with the events here as we just keep looking? :: After leading them safely to the Amazone base, with the help of Harley Quinn (Rie Kugimiya) from Batman’s timeline, Daiana explains the rising power of of the Hagane clan at Hinomoto from the time when the area consisted solely of yakuza families fighting each ither. After a clan leader Deio Domuzu (Kenta Miyake), an alternate version of Doomsday, was killed by Kuraku (Takaya Kamikawa), the new leader and an alternate Superman, the Amazone is the only opposing group left, and they have decided to keep their code of honour and respect. Harley Quinn had escaped with Joker (Wataru Takagi) after hearing about the strange incidents happening in Gotham City. After being ambushed on the way back, Batman is saved by Joker who didn’t want anyone else to kill the bat other than him, but Robin is captured. During the fight, it is revealed that the mastermind behind all of these is Ra’s al Ghul (Kazuhiro Yamaji) who had found the Quake Engine and upgraded it into a Four-Dimensional Origami System, and used it to manipulate certain parts of Earth’s history, creating Hinomoto with the new rulers. With all members of Justice League except Wonder Woman going against him, can Batman stop the new villain intending to capture Earth with the help of Wonder Woman and Harley Queen?

The defence of Batman Ninja vs. Yakuza League :: The art style used here is so interesting as the movie nicely blends the 3D and hand-sketched 2D animation together. There are also the segments that change styles which will have our attention, and when each character is introduced in a different form, it catches our attention, for the Japanese versions of Green Lantern is the best, and that of Aquaman, Wonder Woman and Superman – all feel like made with some smart thoughts as our interest in parallel worlds grow further. This idea of having the most powerful Justice League superheroes on one side and Batman only with Wonder Woman to help him, is more of a terrifying situation for fans of the universe, as Harley Quinn helping Wonder Woman at times and Joker only caring about Batman not getting killed would not mean they can save the world. Well, we know the powers of Superman, Green Lantern, Aquaman and Flash, and so this situation is one of the biggest dangers that the world can have. It is the advantage of the tale, and it is nicely told with a Japanese touch, with everything nicely coming together in the end. The character design is so well matched by the grand action.

The claws of flaw :: There is no tight narrative coherence around here as the movie keeps going through the action which is sometimes too quick and a little bit overdone for some characters without superpowers. The change to the main Justice League characters is not always that interesting when we look closer. The display of power seems a little too much for our interest and quickly going through here and there. There is the explanation of Superman’s power a little too much even for the new version, and instead we are left with less understanding of what has really happened in this universe as the earlier movie release too long ago, and this would feel like a standalone for even the people who watched that one; a recap would have done the universe better especially as the length is not that much already. To make this shorter run-time possible, the movie seems to have gone through some quickened edits too, as we shift the shifts happening at a better speed. One would also feel that the Japanese version might have been the better suited mode for this particular movie.

How it finishes :: The movie does embrace its own existence, as it remains a high-octane return to those classic cartoon adventure, anime tropes and manga aesthetics, as there is more Japanese about this particular superhero journey than American. The comic book nostalgia is nicely reflected here as we take a closer look. The best of multi-stylistic animation comes up with a visual feast that keeps shifting between different versions, none of them deviating from the purpose. The high-level comics superhero battles and the tale of parallel universes go on making an impact. I have always preferred DC’s model over that of Marvel, whose classic superhero power was ruined by the new group of superheroes with the one exception being Thunderbolts, and even DC had itself coming down from Man of Steel by a weakened by a new Superman. Batman Ninja vs. Yakuza League above others embrace the pure joy of Batman going against all odds from start to finish – he is the underdog again, but he stands tall. We see him proving himself not only as Gotham’s Dark Knight, but also the best of a Japanese underworld even when facing the superpowered or the overpowered juggernauts of destruction.

Release date: 18 March 2025
Running time: 89 minutes
Directed by: Junpei Mizusaki, Shinji Takagi
Starring: Koichi Yamadera, Daisuke Ono, Akira Ishida, Kengo Kawanishi, Yuki Kaji, Hōchū Ōtsuka, Masaki Terasoma, Wataru Takagi, Rie Kugimiya, Nobuyuki Hiyama, Romi Park, Akio Otsuka, Ayane Sakura, Kazuhiro Yamaji, Takaya Kamikawa

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✠ The Vampire Bat.

Eenie Meanie

Vampire Owl: This sounds like a nice name which we can use for a new vampire.

Vampire Bat: How can a vampire be called by such a name in our realm?

Vampire Owl: It is still better than being called Vampire Owl I and Vampire Owl II.

Vampire Bat: So, there is a second vampire who is an owl?

Vampire Owl: We have to be ready for all possibilities in a world of chaos.

Vampire Bat: A world of chaos can only use a chaotic name.

Vampire Owl: That would scare legends like Dr. Frankenstein away.

Vampire Bat: Mr. Frankenstein already have a scary name for himself.

Vampire Owl: Frankenstein is a name given to legends these days.

Vampire Bat: Uncle Dracula has been fed up with that name for some time due to those illegal and ridiculous experiments involving lightning, which have caused power shortage in the castle.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Edie Meaney (Samara Weaving) had a troubled past which included being pulled over by police while driving her drunk parents who had drugs in their possession, and had ended up crashing the car. Then, as she was aged fourteen, with her mother dead and father paralyzed after the accident which was meant to save them from being arrested, had to go through a series of abusive foster homes, and was almost sold to sexual slavery, but was saved by John (Karl Glusman), a young criminal with whom she had also fallen in love, and stayed together for about fifteen years. Edie and John had carried out multiple robberies for the ruthless mob boss Nico (Andy Garcia), who had nicknamed her “Eenie Meanie”. She was known for her driving skills which had helped them a lot during the most complicated situations, something which had made her the favourite driver of the group, and her getaways have been iconic. Even her rival driver Perm (Marshawn Lynch) had a high opinion about her.

So, what happens with the events here as we just keep looking? :: In the present, Edie has left her life as a getaway driver a long way behind, and had finally found the emotional courage to break up with John. As she works at a bank to support herself in going to college and get a degree, she becomes stuck at the bank counter during a robbery and is hit on the head to be knocked out. At the hospital, she finds out that she is pregnant with the child of John. Even though there are many advice for her to mind her own business, Edie goes and visits John, who is being interrogated by Nico’s men, and after surprising them, reluctantly uses her driving skills to save him. John had kidnapped Nico’s card counter man Leo (Randall Park) for a certain activity, and as he takes them out of the hiding place, ends up killing him much to the dismay of Edie. Once again pulled into the criminal world, this time being pregnant, she gets a call of Nico and him as well as his right-hand man George (Mike O’Malley) provides her with an offer.

And what more is to happen here as one man would dictate the terms? :: This offer would involve stealing a car containing three million dollars in cash, which is to serve as the prize for an upcoming poker tournament at a casino in the state. Only this could cover their losses due to the death of the man and this would be the one thing that could keep John alive at least for now. After getting a new car with the amount provided by Nico, they go and see Chaperone (Jermaine Fowler) as instructed, but he finds John to be liability who slows down both Edie and the mission, but she remains adamant that he is an integral part of the mission, and it is not just because he had helped him a lot in the past when she had no hope. She asserts that he also has the same kind of skills within him, and has helped a lot with the earlier missions, and that leaves the doubts behind for the time being for them. With some help from casino staff, the Dodge Charger which is to be given as the prize with three million inside is replaced with an identical model which is ready to drive as soon as the cash is loaded into it. But can Edie manage to take it out when everyone’s watching?

The defence of Eenie Meanie :: The movie rest on the shoulders of Samara Weaving, without doubt – her style, dialogues, charisma, dry humour and screen presence, all rises all the way above the whole movie, and rarely do we such a work which feels better than the film itself, and as we remember her performance in Ready or Not, we do feel here that she has always been ready, and eternally ready to shine in action movies. Whenever the movie gets weaker due to its lack of anything special, she becomes the one special ingredient. Elle Graham who plays her younger version had also made an early impact. Then, it can be seen that the heist and getaway driving sequences are nicely shot. During these moments, the high-speed thrills look polished and fast-paced. The humour works at times, and we see some elevation here and there. The second half shows a clear upgrade from the dumb beginning moments, and all the memorable moments are right there. Andy Garcia remains solid as the crime boss. Then the movie has its good looks.

The claws of flaw :: The movie feels elongated with not that much of a content to stretch it to the final run-time which it has achieved. Karl Glusman is playing a strange man who is good for nothing, and the main character for a past, remains attached to the person, and one cannot stop being bothered about it – there are not many things absurd than this which seems to cause everything that happens in the movie. One can only wonder if such a step will be taken by a smart modern woman in any case, as there is always limit to everything. The movie also seems to try too many things, some of them unnecessary – there is a pregnancy storyline, family estrangement and a number of unnecessary characters, which leaves the main heist plot feeling rushed and most of the things seem to wait till the end, even when there were so many opportunities to keep planning and talk about the same in between. There was much to be done to add right towards the action and even humour, and the emotional side just goes not useful at all. Some of the scenes including the first meeting of the two former lovers stay ridiculous.

How it finishes :: The movie maintains the brainless fun mode pretty well, but the slow progress does not help the same too much. The tale also does not seem to add anything too interesting in its narrative, and holds back with its action which arrives too late. The final moments do come up with what it was required to do, but it feels rushed, after all those talks in between. There is some poetic justice delivered right there. Then there is Samara Weaving who makes this feel so much better, and as she shoulders this, the quality itself feels very much improved. There is always hope when she is around, and we see the level of the movie elevated, and this much she achieves with that strange character that takes decisions against her own ideas and plans. The ending stays closer to reality, and most of it was something we waited to see happen. There are many thoughts about how this one could be improved. We would expect a more fast-paced full action thriller with a nicely planned heist, but that much is not reached. This one serves as an entertainer in Jio Hotstar which we can watch for time-pass.

Release date: 22 August 2025
Running time: 106 minutes
Directed by: Shawn Simmons
Starring: Samara Weaving, Karl Glusman, Jermaine Fowler, Marshawn Lynch, Steve Zahn, Andy Garcia, Randall Park, Mike O’Malley

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✠ The Vampire Bat.

Ice Road: Vengeance

Vampire Owl: I have always thought about creating an ice road in the realm.

Vampire Bat: An ice road would not be that smooth a path for vehicles.

Vampire Owl: We just hover over the ice with our vampire levitating skills.

Vampire Bat: In that case, you can ask the vampire sorcerers to create a magical path.

Vampire Owl: No, too many magical witches on the way who could devastate the path.

Vampire Bat: Well, all the magic does not belong to one particular group.

Vampire Owl: Yes, like Dr. Frankenstein uses that magic of science.

Vampire Bat: Mr. Frankenstein will never know true science.

Vampire Owl: Frankenstein’s science is beyond all vampire limits.

Vampire Bat: We will know more about the same when Uncle Dracula addresses one of the great vampire gatherings again and make declarations.

[Gets a fortune cookie and three cups of taro tea].

What is the movie about? :: Mike McCann (Liam Neeson) a seasoned ice-road trucker, is going through a certain amount of survivor’s guilt after the death of his younger brother, Gurty McCann who (Marcus Thomas). Despite the best efforts of his psychologist, he is not able to find anything positive in life. After some days, to honour Gurty’s last wish, Mike decides to travel to Nepal so that he can scatter his ashes on the top of Mount Everest. As he reaches there, there is something going in a village further away from Kathmandu, in Kodari. There, local people keep opposing the construction of a huge hydroelectric dam that would affect the access of water supply from the river, which is the biggest dream and grand project of the nation’s leading industrialist Rudra Yash (Mahesh Jadu). Rudra is determined to make this happen one way or the other, and decides to kill the members of the family who refused to send the lands to them – Vijay Rai (Saksham Sharma), the youngest member of the family is chased by goons through the town.

So, what happens with the events here as we just keep looking? :: While standing in front of protests, Vijay understands that his grandfather was murdered by Rudra’s henchmen by pushing his bus off the huge cliff using a truck killing so many other passengers, thus making it look like an accident, as nobody else was around. Mikes finds his guide to travel to the top of Everest as some guy named Dani, but later realizes that it is Dhani Yangchen (Fan Bingbing), half-Nepali and half-Malaysian who had reached the top of the mountain many times. They join a group of passengers aboard a bus known as Kiwi Express which goes through the Road to the Sky, a narrow, high-altitude mountain pass. An American professor who had recently delivered a talk in the nearby university, Evan Myers (Bernard Curry), and his daughter Starr Myers (Grace O’Sullivan) also get into the bus along with a few others. But soon, Vijay is attacked by two strangers with guns and they knock out the boy while hijacking the bus, asking the driver to go through another route so that they can take him to a location according to their plan. Now, can the bus be saved?

The defence of Ice Road: Vengeance :: All the action at Kathmandu around the Himalayas makes sure that a visually unique and stunning background is achieved, and there are moments with this landscape which makes the situation even better. The visuals keep us hoping for such a journey through Himalayas or any other snow-covered mountains, especially as we rarely see any snow around. The quick pace of the movie makes sure that we are always in an action thriller, even those dialogues seem to support the same. Almost everyone among the cast seems to be fully powered for action, and there is something about their fight for survival which keeps us wishing them the best against all odds. Different types of people coming together to save themselves and defeat the villains never gets less interesting. There is a certain amount of humour and the emotional side is also there up to an extent. The nostalgic, old-school formula which reminds us of those 1980s and 1990s action flicks working so well here keeps us more interested. In the end, it is all about saving a village, and that matters here.

Positives and negatives :: The movie nicely makes use of the available elements from its cast to the visual world that surrounds everyone. It might not become the perfect action thriller without those huge action sequences, but we always have enough. Even with a message about nature and conservation of environment ready to come to the front, it never does the same, and leaving with the same does not happen at all. There are also moments when the movie feels like going the silly way, but with some willing suspension of disbelief, the same is handled well. Even though this one remains visually stunning, the Computer Generated Imagery is not used to the best advantage. The journey through ice road is rather less in this one too. The ending scene is lovely, but it seems a little bit forced. The action just before that was grand, but could have been quicker in execution, and the danger in the end should have given a riskier feeling, especially with a group with rich and powerful people with control over police chasing the people in the bus. Yet, the thrills remain there and the fights continue to be effective.

The performers of the soul :: Liam Neeson once again does the job, and like in Taken, A Walk Among the Tombstones, The Grey and Non-stop, goes through the difficult times to make it better. Nobody does it better than him when playing an aged hero with a past which has more tales to tell than people can think about. Fan Bingbing as the mountain guide Dhani Yangchen is a strong lady lead who can hold her own side in the narrative, and there are some fine fight scenes for her to excel. Amelia Bishop also plays a mercenary villain who gets a lot of action for herself. Grace O’Sullivan’s character is also played well as the significance of this one is also there at all times. Bernard Curry’s work is short-lived as the character is the first one to be killed. Marcus Thomas as Gurty McCann makes some presence through the flashbacks which come to the screen at times. Mahesh Jadu plays an antagonist who is menacing enough, Monish Anand’s supportive villain also has his moments. Geoff Morrell’s character adds some initial fun too. Saksham Sharma as Vijay Rai manages the role just as expected.

How it finishes :: Ice Road: Vengeance is one of those fine entertaining action thrillers which never losses its strength during its journey with a run-time just a little bit less than two hours. This is that kind of a movie which leaves us the feeling of a natural thriller, as it feels close to life due to never overdoing it and the situation related to dam construction and destruction of home and nature remaining even closer to life. There is no extra effort, but we are glad about what we see around. The 70-plus-year-old Liam Neeson trying to climb the Himalayas and also beating up people with a certain amount of struggle still makes it believable while staying on to be a highly entertaining watch which has shots which we will remember. As the movie also has everyone fighting for lives, there is a certain amount of balance here too. As most of us have not watched the previous movie, we cannot really compare this to the first movie, but this is surely that kind of a movie which should have released in the theatres here in style as there is a specific touch that could attract the audience around here.

Release date: June 27, 2025
Running time: 114 minutes
Directed by: Jonathan Hensleigh
Starring: Liam Neeson, Fan Bingbing, Marcus Thomas, Bernard Curry, Geoff Morrell, Mahesh Jadu, Amelia Bishop, Salim Fayad, Saksham Sharma, Grace O’Sullivan, Monish Anand, Shivantha Wijesinha, Rosie Traynor, Seth Kannof, CJ. Bloomfield, Luke Clayson, Sahil Saluja, Anna-Mai Hoek

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✠ The Vampire Bat.

The Bhootnii

Vampire Owl: Bollywood continues to have its ghosts, I see.

Vampire Bat: There are rarely the kind of ghosts that we accept among us.

Vampire Owl: Yet, even in human world, ghosts are real.

Vampire Bat: Let their ghosts be theirs and ours be as we need.

Vampire Owl: Dr. Frankenstein once researched on a new ghost realm.

Vampire Bat: Mr. Frankenstein can research on nothing that really exists.

Vampire Owl: Frankenstein can do anything when provided the scientific equipment.

Vampire Bat: The only thing he can get is a ban from Uncle Dracula.

Vampire Owl: Scientists like him will rise again with new paranormal inventions.

Vampire Bat: Pseudo-scientists who claim to create life from lightning are not included.

[Gets a set of idli and three cups of Vagamon tea].

What is the movie about? :: In the campus of St. Vincent College, there is a particular strange tree known as the “Virgin Tree,” which is believed to grant true love to everyone who prays under it on a Valentine’s Day. But on the day of Holika Dahan, a student mysteriously dies, and people say that it is claimed by an evil spirit and that the tree as well as the area around it remains haunted. Shantanu (Sunny Singh) who is heartbroken after a recent breakup, creates a mess around the Virgin Tree, asking for true love while threatening to give up his life. He does not know if there was a result to his prayers, but the truth is that his earnest plea awakens Mohabbat (Mouni Roy), a vengeful and obsessive spirit bound to the tree. As Mohabbat’s obsession grows, she begins to haunt anyone who has a chance of coming between her and Shantanu, as she takes a human form in front of him, making him fall for her. Sahil (Sahil Arora) and Nasir (Aasif Khan) are his two best friends who are surprised that he is having a new girlfriend all of a sudden.

So, what happens with the events here as we just keep looking? :: Shantanu’s longtime friend Ananya (Palak Tiwari) comes back to the campus after a programme and tries to help him get better after the earlier heartbreak, but quickly becomes a target for the spirit who understands that she has always been in love with him despite never accepting the same. As strange things continue to happen in the campus, and a few days after protests erupting in relation to a student’s suicide, the management is forced to find a solution, and they call a former student who has been dealing with similar problems all around India, a para-physicist Krishna Tripathi known only by the name Baba (Sanjay Dutt). He reaches the campus, and while seeing the protests against the tree, understands that the problem is not with the tree doing anything, but with some evil presence tied to the tree wandering around on campus. As the spirit begins to set an example with Ananya whom it captures with its never-ending vines, can she and other students be saved in time by Baba?

The defence of The Bhootnii :: The movie has some good humour all around, and the same works above most of the other horror comedy works with only a few exceptions in Bollywood that manage to raise the level. The performers also seem to be good with the humour and the leading ladies also with the romantic side added to the comic side. Sanjay Dutt remains a towering figure of the same, as he is the one name among the cast which we who watch only the big movies of Bollywood can recognize with ease. As Mouni Roy plays that demonic presence with conviction and Palak Tiwari becomes the cutest romantic interest around, we feel the danger and the need to do something soon for the characters, as scares take over from the humour. The setting of the college is really good, and the atmosphere has been nicely built around here. Except for the tree, the institution looks lovely as much as lively. There is a certain amount of Gothic-like beauty in here which makes one feel both the horror and romance suitable for this particular world. Then, the final moments leading to the end is nice with a twist which leaves us with a fine feeling.

The claws of flaw :: The movie does not keep away from being silly, and this particular silliness would keep the audience wonder if it is going the wrong way. There are moments when we feel that this is not going to end well, and some of the jokes get nowhere. Despite setting the horror, humour and romance mood well in the beginning, there is a struggle right after the first dance song, and then the situation gets better only when Sanjay Dutt faces the ghost for the first time and leads an escape – there is quite some time in there between the beginning and this, which is one-fourth of this, when things seem to be less interesting. Some of the special effects could have also used some more attention. The “true love” idea does not work at all, as we keep feeling that the same is far-fetched element in this one. The idea of love being misunderstood as friendship is also a little bit too old for this age. Considering the loss of pace in between, it is only safe to say that the movie could have indeed been a shorter one.

The performers of the soul :: Sanjay Dutt as Baba is the character who has to save everyone, and he plays the strong slayer of ghosts well, and reminds us of those whom we have been seeing in Hollywood, but this time with an emotional twist. There is no problem with him playing this particular character, as it suits his looks and the efforts here are surely working. Sunny Singh as Shantanu remains stable in a role where he has to be the campus lover affected by a ghost, and that also works well for him. Mouni Roy does a fine job as the spirit, and she manages to show the multiple sides of the ghostly presence with beauty, charm, terror and even a little amount of humour, as there is that stunning appearance that makes an impression every few minutes after the first introduction. This is the first movie I am seeing her around in a big role, and this is a memorable one indeed. I am also seeing Palak Tiwari for the first time in a movie, and she scores with a certain amount of cuteness and humour added with romance or even when facing the horror. One has to say that she suits well for this role, and she is indeed an actress who deserves more big roles as most of the other Bollywood actresses would overdo this one, but she maintains grace.

How it finishes :: While watching the movie, I could not stop wondering if this could be a sequel to Adi Kapyare Kootamani, a Malayalam movie with so much humour and a little bit of horror coming up in the final few moments, and there is no shortage of trees and search for true love there either. But we know that such a sequel could be a lot better with the fine ending maintained there. Back to this one, it works more as the comedy and less as the horror flick, something which we have seen throughout the Bollywood attempts at the same, from Stree, Munjya, Thamma and even those sequels of Bhool Bhulaiyya which might have lost the focus. Some of the horror elements of these movies were also unintentional horror in one way or the other. As far as our movie here is concerned, it is that horror comedy with romance that tries better than other movies of the same genre which do not have a franchise to go with it. With some stunning visuals and classic moments of humour established through one-liners and somewhat good scares, this one catches our attention despite somewhat losing its way in between.

Release date: 1 May 2025
Running time: 130 minutes
Directed by: Sidhaant Sachdev
Starring: Sanjay Dutt, Sunny Singh, Mouni Roy, Palak Tiwari, Aasif Khan, Sahil Arora, Meherzan Mazda

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✠ The Vampire Bat.

Ready or Not 2

Vampire Owl: The thing about me is that I am always ready.

Vampire Bat: You were never really ready in your whole life.

Vampire Owl: I was never ready for human evil; that much, I am sure.

Vampire Bat: Human evil is exactly the same as pure evil as we know it.

Vampire Owl: Pure evil is what humans call what they do not understand.

Vampire Bat: It is exactly what they call each other when time comes.

Vampire Owl: The worst time of humans is considered their best time.

Vampire Bat: They are people of paradoxes and antitheses, aren’t they?

Vampire Owl: Their existence itself goes against their nature.

Vampire Bat: Hell has a special infinite place for them elevated above the eternal fire that burns even further.

[Gets a sweet porotta and three cups of Wayanad tea].

What is the movie about? :: Grace MacCaullay (Samara Weaving) had married Alex Le Domas (Mark O’Brien), the estranged member of the successful Le Domas Family Games company. The other members of the Le Domases starting from his father Daniel Le Domas (Adam Brody) and mother Charity Le Domas (Elyse Levesque) had a deal with a devilish figure to highly improve the Le Domas fortune in exchange for going through a tradition. According to the same, at the midnight on their wedding day, she was asked to draw a game card from a puzzle box, and Grace had got the “Hide-and-Seek” card. She feels that it’s a harmless game, but then the Le Domases had started off hunting her with weapons. There was a violent fight in which she was never supposed to win with family having the weapons and full control of the house. But surprisingly, against all odds, she had ended up being alive during the dawn of next day while the family was wiped out as they failed to live up to the promise.

So, what happens with the events here as we just keep looking? :: After that success, Grace is taken to the hospital by the cops who arrive at the scene. She is handcuffed to the bed as the police does not believe anything that she says, and they feel that she might have brutally murdered everyone in the family and tried to get away with it when the cops arrived on the scene. They decide to keep her handcuffed and take her to the police station as she has a lot more explaining to do in prison. It is then that Grace’s estranged sister Faith MacCaullay (Kathryn Newton) arrives at the hospital as she got the information with her phone number being added in the mobile phone as the only emergency contact of Grace. The two sisters were separated for some time as Grace left her when Faith was only fifteen years old. When the cops try to take Grace to the police station, they are attacked by the members of the satanic group, but they are wiped out as they try to kill her outside the game. A group of members of the cult arrives to take Grace to their mansion to begin the next game with her, and they also take Faith with them.

And what more can happen here as many deaths seem to be certain? :: The two sisters wake up in a room of a giant mansion; both their arms and legs tied to chairs and their mouths gagged. There they find the twins Titus Danforth (Shawn Hatosy) and Ursula Danforth (Sarah Michelle Gellar) who represents the Danforth family after murdering their father upon his wish as he found himself too weak for another game – it was the most powerful family which held the high seat of the council which controlled most of the world, and now there was going to be a fight for the seat due to what she did. Grace would be set free and the four remaining families must kill her before dawn to acquire the high seat which would leave worldwide power to person who murders her. Grace refuses to participate, but when the families put the knife on Faith’s neck, she agrees, and both sisters are sedated and thrown into the middle of a golf course around the mansion, handcuffed to each other. Now it is to be seen if they can survive against this incoming attack from the heads of each family.

The defence of Ready or Not 2: Here I Come :: Samara Weaving feels like a perfect scream queen, and that return in the blood-soaked wedding dress is a stunner. The addition of Kathryn Newton as her sister in fighting, brings more fun and the chaotic survival partnership is more than just memorable – it is very much unlike her character in Ant-Man and the Wasp: Quantumania which was not something to remember much. Kathryn shows that she is also the scream queen as much as an action star, and she also adds a lot of humour to the movie. The movie gets into action-comedy and horror-comedy mostly because of her interactions with her sister character and those around her. A movie with her fighting vampires, zombies or demons would be delightful whether it’s as a scream queen of horror or in a demon-hunter in action. The two sisters fighting together brings some fine scenes, and the final moments with the satanic terror is worth mentioning too. The whole atmosphere of the movie with huge mansion in the front and a hidden satanic world underneath creates an impact.

Positives and negatives :: The movie has that kind of a supporting cast who manages to come up with a fine job too. Sarah Michelle Gellar and Shawn Hatosy are just too good, while Elijah Wood and Maia Jae come up with moments to remember. The kills here are memorable, and even though we see a lot of blood around, the violence remains under control, and the splattering blood do not make it unbearable for a younger audience; a perfect example of how to keep creative carnage within the perfect limits. The movie could have had more villains around here with a bigger backstory, as this movie never feels too long with its content, and we are only looking for more and more as time progresses. The use of a demonic presence and the satanic cult create effective danger around there, as it is not just a few fighting families that the sisters need to escape from. Even if they get out of the yard, they cannot be sure what would happen next. The supernatural and the influential spread all around the world would have a lot to say about their plans being ruined. The movie could feel like some originality lost, and the final resolution would feel too easy. Some big scares could also come in here and there.

How it finishes :: Most of us never really had the chance to watch the first movie when it released in the theatres, as it never really graced us around here, but with the OTT option available, this one came to Jio Hotstar pretty much quickly. This one picks up right where the early movie left us. This one does a fine job in expanding the universe from a single terrifying family to a massive battle for global supremacy with many devil-worshipping elite dynasties hunting the woman in trouble and also her sister who almost becomes collateral damage in a world of chaos. It is indeed a highly entertaining sequel to a movie which was watched by a smaller number of people as it was a sleeper hit which never really managed many theatres, and the same can be said about this sequel in this part of the world too. A chaotic, bloody energy has been maintained here, and with two sisters fighting against all odds with influential families carrying weapons coming after them. This reminds one the movies like Breakdown Forest and The Hunt, and remains a true entertainer with a fine leading cast of two.

Release date: 20 March 2026
Running time: 108 minutes
Directed by: Matt Bettinelli-Olpin, Tyler Gillett
Starring: Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Elijah Wood, Shawn Hatosy, Néstor Carbonell, David Cronenberg, Kevin Durand, Olivia Cheng, Varun Saranga, Dan Beirne, Nadeem Umar-Khitab, Masa Lizdek

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✠ The Vampire Bat.

Paathirathri

Vampire Owl: I see a movie about midnight here.

Vampire Bat: I do not think that this movie is about vampires drinking blood at midnight.

Vampire Owl: Yes, I know we are supposed to prefer the witching hour over midnight.

Vampire Bat: Witching hour has now been copyrighted by witches.

Vampire Owl: They cannot have that. They already have infinite access to all magic.

Vampire Bat: They control most of the demons of our realm.

Vampire Owl: There was a time when they only controlled animated skeletons.

Vampire Bat: According to the new pact, they have transferred them to necromancers.

Vampire Owl: Necromancers have always animated dead bones.

Vampire Bat: These are perfect skeletons, and not those created out of random bones.

[Gets a paneer puffs and three cups of Kandy tea].

What is the movie about? :: SI Jancy Kurian (Navya Nair) is the new Sub Inspector of a rural police station on probation, who is struggling with a certain amount of confusion as a beginner while also trying to cope with her personal life which is close to breaking down due to the possibility of a divorce, despite them having a much-celebrated love marriage some time ago. Her personal life keeps her detached from social life and her approach to different cases is also hampered due to her fear of being alone in life as they live separate from their families after the love marriage which came out of a college relationship. Civil Police Officer Hareesh N V (Soubin Shahir) is also facing divorce and is going through a custody crisis with his wife, who keeps asserting that their daughter should stay with her at all times. The inability to talk to his daughter and the hostility of his wife also starts affecting Hareesh as he becomes not interested in working with women. But on one night, due to a sudden requirement of leave for another policeman, Jancy and Hareesh are forced to team up for a night patrol together.

So, what happens with the events here as we just keep looking? :: On the same night, as they travel near the forest, they see a car parked in a suspicious manner among the greenery. As they approach, they see a man running away and the woman in car drives the vehicle away. They chase the man who jumps into a swamp area and vanishes. Hareesh tells Jancy that there is no point in doing anything now as the person would have gone through the swamp to the other side and escaped. At the same time, they get a call about a girl committing suicide and Hareesh tells her to just leave as this is just irrelevant search that could lead them to trouble. Returning to the swamp out of guilt and worries, she is shocked to find the area recently covered with sand and wonders if someone could be under the sand. This further affects her daily actions, as she wonders if someone was dead and buried due to them. He talks to Hareesh about the same, but he dismisses these concerns and adds that the man would have escaped at that point itself.

And what more is to happen as further complications arise? :: Her anxiety increases as her husband in a complicated relationship with her leaves home after resigning his job, just after leaving her a letter. As the swamp was covered illegally, the court orders for the swamp to be reverted to its original form due to environmental concerns, but it is then that a corpse is found from under the ground. The dead body is identified to be that of a well-known journalist and investigative reporter Ansar Ali (Sunny Wayne), who was reported missing on the night when the two cops had seen the unknown figure. After checking multiple cameras and conducting unofficial investigations, they understand the woman who was with Ansar, his former college mate Anjali (Athmiya Rajan). But as she is the daughter of the DYSP, Suresh Kumar Menon (Achyuth Kumar), and he would make sure that nobody would know that she was with a married man among the trees and swamps in a car, and Anjali is also not interested in talking to anyone about it as it would devastate Ansar’s marriage and reputation as a leading journalist. As Hareesh and Jancy were there at that time and with the same proven through their walkie-talkie and mobile locations, they become easy targets to be framed for this murder. Can they escape from this situation and find the real culprits?

The defence of Paathirathri :: Navya Nair comes up with a highly controlled performance as SI Jancy Kurian, as she shows the physical and emotional strain of a woman balancing a troubled personal life and a demanding job, but tries hard to maintain both. Soubin Shahir also balances both, but he is more of a police officer than a husband in this one, but the conflict is nicely shown by him too. Their chemistry on screen can also be considered as one of the film’s highlights. With the support of their performances, the movie goes through the fatigue and psychological burdens beneath the police uniform and this brings an engaging, realistic rhythm which never goes for an overdose which would keep it realistic to the core. The visual are interesting and suitable, as the foggy landscape is beautifully captured to create a moody, tense aesthetic that suits this world of mystery. The tension is always there and so is the mystery which is never really solved until the very end, which provides that much needed twist.

Positives and negatives :: The movie could have had a little more of conviction with its content, as we see this never really providing the feeling that there is danger around. Even though the pace is fine, there are moments when it could have been increased further. The movie does not have that much to go to a length about two hours. But we can see that Harisree Ashokan and Indrans who come only in small roles could also make a fine impact. Athmiya Rajan who is best known for Joseph, does incredibly well too, and she is one underrated actress whom we should be seeing more often in movies, and there is some stoicism in her character here which find close to life. Ann Augustine also nails her role in a way that we would remember her with a certain amount of melancholy of the character which we notice realistically. When the emotional and personal side of the police is shown instead of showing them as machines on case, one can feel that this goes the realistic path. The final twist is surely working, and we are able to connect with the main characters who feel real. The investigative side could have been more powerful though.

How it finishes :: Paathirathri remains a movie which needed a better attention that it managed to get, as realistic police investigations with focus on emotions of the focus is very much rare in the industry even though flawed cops like those of Memories, John Luther, Abraham Ozler, all are still there and hunting psychopaths. The mystery here does not point that much to danger and fear generation though. But we see that clear sense of empathy for people with some power trapped in a flawed system which allows those with even more influence to take advantage of them and even ruin their lives forever. Despite the thoughtfulness and the competence in a real world that we see here, the narrative does struggle at times. For those who are looking for a slow-burning, performance-driven work focusing on the vulnerabilities behind the people in uniform, this works, even in a slower pace. After all, we are not making those dumb Bollywood police movies which turn into a universe which has ridiculous buffoons as police officers, and have lady cops who are even dumb and brainless as Lady Singhams.

Release date: 17 October 2025
Running time: 128 minutes
Directed by: Ratheena P T
Starring: Navya Nair, Soubin Shahir, Sunny Wayne, Ann Augustine, Athmiya Rajan, Harisree Ashokan, Indrans

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@ Cemetery Watch
✠ The Vampire Bat.

A Woman Called Mother

Vampire Owl: Why is this particular woman only called a mother?

Vampire Bat: Maybe it is a name in another language which means mother in another.

Vampire Owl: Or calling a mother not a mother is usual among some humans.

Vampire Bat: And yet it is a horror movie with a mother.

Vampire Owl: There was that movie called Mama with such a theme, right?

Vampire Bat: Yes, but I would not find any relation between the two.

Vampire Owl: The human worlds are never really related to one another.

Vampire Bat: It is a good reason to hate one another for the humans.

Vampire Owl: Is hate another word for humanity?

Vampire Bat: Human hatred is infinite and eternal, like Uncle Dracula’s curse and Frankenstein’s madness.

[Gets a Munnar white chocolate and three cups of Vagamon tea].

What is the movie about? :: Yanti (Artika Sari Devi) goes through a severe psychological breakdown after her husband leaves her and their children and files a divorce. She becomes desperate to claim her independence and provide for her family which is now financially broken. She moves to a new area with her two children, her teenage daughter Vira (Aurora Ribero) and her younger son Dino (Ali Fikry) to a rural town where she plans to open a stylish and advanced new hair salon. Her two children are not confident about the same, as this shop is opened right beside their home which is far away from the roads and town area, seemingly in the middle of nowhere. It is indeed a peaceful place for a home, but not the right place for a salon as Vira keeps asserting. Yanti invites different people of the town to the salon, and her children do notice a certain amount of seductive nature in that invitation. Then all of a sudden, the move seems like a blessing, as people seem to come in big numbers to her new venture.

So, what happens with the events here as we just keep looking? :: The success of the salon brings them a lot of wealth, which interests them, but Vira has not been feeling well at the place which feels as strange as what has been happening with her mother’s business adventure. She sees some shift in the mother’s behaviour and she seems to be doing something strange in the bathroom, lying in the bathtub. Then, she also sees someone else, a shadowy figure with her mother, mostly reflected in the mirror. Yanti is also seen drinking a lot of milk for no reason, while a certain cruelty and brutality when preparing meat can also be seen from her side. Dino had also felt something while trying to explore an abandoned house nearby with overgrown vegetation as part of her attempt to take a video for the social media. Unlike Vira, he feels that it is safe inside the house until he sees his mother both inside the house and outside on the streets at night. But as their room is not bathroom-attached, they might need to walk around at night. Now, what might be the problem with the mother and how can this terrifying situation be solved?

The defence of A Woman Called Mother a.k.a. Dia Bukan Ibu :: The movie places the characters nicely inside the house and the salon making them ready for all the horror which is to come, with the rest of the world only adding less to the scares in comparison. As the mother’s evil presence grows to be more menacing, the danger is even more felt in a world of terror. The focus here is not only on the fear of the supernatural which is ready to unleash itself on the family, the real-world tragedy of a broken home, financial devastation and the immense burden placed on single parents. With the trauma already there much earlier, we see the horror as the extra addition to what is already there. The final moments nicely show the unleashing of pure evil, but we already see the signs of the same in a bathtub and the actions of the mother with shadows and darkness nicely complementing all of these without hesitation. The imagery of horror that we have here catches our attention, and being a fine atmospheric horror is the movie’s advantage.

The claws of flaw :: The movie drags quite a lot as we look at it – there is the time taken to get into horror action, and even after that there is some drag. The middle part drags significantly as the story takes so much time revealing what is actually going on – this would test the patience of viewers looking for clues early itself. The idea in the movie is also not new, and it is not extended that much to provide a new divergent feeling. The movie’s best moments also fall apart after starting very strong. A number of characters of the movie that fails to go relevant also goes through a struggle. The blood and gore might upset some people as it is rather evenly distributed around here, and focused on animals, which can also be found not good for a number of viewers. The supernatural is also not that much explained here. We keep feeling that there is more to this, and enough has not provided around here related to the world of terror. Then we remember that there were many repetitions, and still there was not enough provided here to make the narrative’s movement through the inner evil smoother.

The performers of the soul :: Artika Sari Devi’s performance as Yanti remains something to be appreciated. There is more than one side of the character that she displays around here. She shows the shift from a broken, grieving mother to a feral, unpredictable and possessed monster of pure evil incredibly well. Her work brings the scares and makes the whole thing deeply terrifying to watch with the help of some mysterious gestures and expressions. The bathtub scene and the last moments with her coming in a bloody dress would be two moments which would be remembered as classic additions to an otherwise dark movie which depends on quick scares. Aurora Ribero comes up with a performance to remember as the young woman who does a fine job in understanding that there is something wrong with her mother, and she plays a character with confidence and determination which has us rooting for her. We would feel that she would make a great scream queen in horror movies someday. Ali Fikry has his moments, and the brother-sister moments add well to the side of drama.

How it finishes :: If you are looking for a a highly unsettling piece of psychological domestic horror, this might be the one, even though it is never near perfection in any way. There are so many moments which could have been better, and it is only safe to say that there were so many occasions which could have been dealt in a better way. There are indeed those moments when it falters under its own weight with the repetitions. Furthermore, it treads incredibly familiar territory for anyone already well-versed in Indonesian occult cinema. The movie had made some good impact in the Indonesian Film Festival too, and deserves a watch for its divergence from the usual. Indonesian movies have had some fine horror added here and there which have kept us wondering why more industries could not follow this particular path. It is the one reason why this movie came to the movies to be watched list early. Its availability in JioHotstar was another reason, and this one does not disappoint the audience who loves to have some variety in horror.

Release date: September 25, 2025
Running time: 119 minutes
Directed by: Randolph Zaini
Starring: Artika Sari Devi, Aurora Ribero, Ali Fikry, Fara Shakila, Khiva Iskak, Sita Nursanti, Dian Sidik, Husein Al Athas

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@ Cemetery Watch
✠ The Vampire Bat.

Psycho Killer

Vampire Owl: So, they have finally used the exact title for a smart killer.

Vampire Bat: Being psychotic is not a new thing for humans.

Vampire Owl: If this movie was in the vampire world, it would be psychic not psychotic.

Vampire Bat: Our world has its own dose of psychic vampires.

Vampire Owl: Doctor Sleep, I think, was inspired by them visiting the human world.

Vampire Bat: Vampires visiting human world have more similarities to Byzantium.

Vampire Owl: Yet, the human world remains too close to cruelty as their reality.

Vampire Bat: Brutality is the first step to becoming a human. It has always been so.

Vampire Owl: Whenever the word psycho is used in relation to any species, it points to humanity.

Vampire Bat: Uncle Dracula tried long reasoning with them and banned them within minutes.

[Gets a savala vada and three cups of Ooty tea].

What is the movie about? :: Satanic Slasher (James Preston Rogers) has been terrorizing multiple districts of USA for quite some time, murdering people who seemed to be random victims as he never really chose one place at a time. The scenes of murder were identified as places of unparalleled terror where even police officers fear to go. He had received the name from the media and public due to the occult symbols he had left behind at the crime scenes and his brutality seemingly reflecting the hell which he had written about at the areas where the murders took place – Satan worship was the only common thing. Jane Archer (Georgina Campbell) is a highway patrol officer who finds her husband, a police officer, being murdered by Slasher as his identity was almost discovered by the man. She becomes obsessed with finding and bringing the man to justice if she cannot kill him, and with memories of her husband and expecting their first child, she decides to go on a hunt much to the dismay of her relatives and the co-workers who understand that they cannot stop her, whatever they say or do.

So, what happens with the events here as we just keep looking? :: She feels that Slasher could be a murderous Satanic preacher who held his own people hostage and then killed them in a famous case of mass murder, but is someone who was supposed to have died some time ago. The other option is that someone who is a big fan might have taken over the identity, especially someone who is interested in Satan worship and hopes to go full evil as a demon of destruction to please the devil, the signs clearly being there in the death scenes. She also finds out that Slasher murdered a female pharmacist in a small town around and had raided the pharmacy for a number of antidepressants and other drugs. Despite her getting no support from the FBI which had taken over the case from the police, one of the officers Becky Collins (Grace Dove) provides her the route of his attacks and the fact that he had never taken the drugs to sell them, and could have only used them for himself. She also adds that he had also attacked a librarian and some books were also reported stolen from the local library.

And what more is to happen here as a demonic serial killer is on the hunt? :: Slasher also kills a couple facing a car breakdown whom he finds on the way, and gets into a church and kills the parish priest there after asking for a confession, and drinks his blood. But he is not satisfied as he keeps looking for answers. As Jane finds him staying in a motel and tries to restrain him all by herself as FBI provides no support, he attacks her and beats her up before throwing her out of the room, knocking her out before fleeing. Slasher decides to speed things up and goes to a mansion owned by a Satanist cult which is run by a strange man, as they replied to a secret Satanic advertisement with codes which was given by him after committing a murder. Slasher uses them to find a man whom he has been looking for, and despite them accepting him as one of theirs, he finds their ways hedonistic as the Satanic members go on naked sexual acts pairing up random men against women for unleashing their carnal desires in the name liberation and liberalism against all limits of morality. He decides to do something that he feels will open the gates to hell. But can he do that all by himself? How many more will die in the process?

The defence of Psycho Killer :: Georgina Campbell as Jane Archer comes up with a brilliant performance, as we feel the determination related her, and how well she does a woman on vengeance as much on duty and mourning. James Preston Rogers as the slasher is a strong presence, and never losses the power of the psycho killer on a mission. The grim, bloody and dark atmosphere of the movie works really well as the visuals suit the serial killer mode as much as the demonic level nicely. The brutal murder of the hedonists in the Satanic mansion might be one of the best moments in the movie as it has a certain amount of poetic beauty to it. The next classic moments come by the end of it, as the attempt to open the gates of hell got a terrifying vibe to it, with hidden implications, even though not a real intervention of supernatural in store. The evil here can be really felt as there is the Satanist and anti-God vibe to it; the depiction of the same is exactly as we have seen in the movies and news here too – the need to do evil is rather too strong here.

Positives and negatives :: The final moments provide that fine twist related to the idea of hell, and it is indeed a smart move but people will still feel that this is a deviation from the serial killer mode which was to go on a full psychotic murder spree from the shadows. There could have also been more action in the final moments and a supernatural twist would have also done more. The Satanic cult tropes, bloody aesthetics and the atmosphere for fear still stays well here. Malcolm McDowell’s role is also worth noting as Satanic leader, but one feels that he could have been there for more. The same is the case of Grace Dove and Logan Miller who leaves rather too early. Then, the Computer Generated Imagery show some struggle at times too. The blood and gore, despite never over done for a slasher movie, might not be comfortable for everyone. Its release also went unnoticed, as we look when it really came out for the viewers. If it was not for its entry into JioHotstar, I would have never known about it either.

How it finishes :: The movie maintains the aesthetic of horror as a psycho killer going the Satanist way provides the extra, but one also feels that the final product does not go to the psychological thriller mode which was also there for the taking. This is still a classic finish with some moments to remember in between, as we see a kind of slasher with nostalgia which brings something to stay with its divergence which is not from the basic elements, but to bring something new. The movie surely had so much scope as a slasher which could make it big here, as the idea would feel still relevant in this world rather than where it really released. For all the die-hard slasher fans of 1990s thriller aesthetics, it will always remain the right watch for us. When most of us remember that we were all fans of Evil Dead, I Know What You Did Last Summer, Scream and other franchises from quite some time ago, this one should begin another franchise – the ending happens in such a way that there is scope for sequel. A slasher fan would find it better not to read too much of those negative reviews and go for a sequel if it finally gets released.

Release date: 20th February 2026
Running time: 91 minutes
Directed by: Gavin Polone
Starring: Georgina Campbell, James Preston Rogers, Malcolm McDowell, Logan Miller, Grace Dove

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@ Cemetery Watch
✠ The Vampire Bat.