Author Archives: Dr. Tennyson

Out of the Further

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Vampire Owl: I think that they are going further into the shadow world.

Vampire Bat: No human can enter the shadow world in their original form.

Vampire Owl: I guess that it is where the astral projection comes in.

Vampire Bat: The realm has blocked all astral projections.

Vampire Owl: I have seen the northern witches do that.

Vampire Bat: It is just dark magic which creates other versions of them.

Vampire Owl: I thought the last grand sorcerer among them was dead.

Vampire Bat: The lands are now more magical than ever, blurring lines of reality.

Vampire Owl: Just what Dr. Frankenstein said in the science seminar.

Vampire Bat: Mr. Frankenstein’s science is better called the Frank Illusion.

[Gets a savala vada and three cups of Darjeeling tea].

What is the movie about? :: In 1999, a woman named Ingrid (Laura Gordon) is shown as committing suicide in her bathroom, terrifying her daughter. Many years later, Gemma (Amelia Eve), the daughter who witnessed the act, as has grown up and live as a single mother to her own child, Maya (Island Austin). Gemma still remembers her childhood horror at times, but has managed to move on from her previous marriage by starting a new relationship with a local police officer, Nick (Brandon Perea). Things seem to be ready to get better for them, but then she comes across three people along the street who keeps starting at her and her daughter from the other side of the road; Lester (Joseph Lopez), Edna (Robina Beard) and Patsy (Susan Grey) are her strange new neighbours whom she doesn’t know, but that does not stop them from being creepy around. The next night, Gemma astral projects without knowing what is happening and is haunted by visions of her mother’s suicide. She also finds one of the elderly people in the vision and finds out that she brought something from what she thought as a dream to her bed.

So, what happens with the events here as we just keep looking? :: The next day, Gemma who is a dental hygienist by profession, is scheduled to have a cleaning with Lester, the eldest of the elderly people in the neighbourhood. She is surprised to find that her portrait on the wall has gone missing and nobody knows what happened to it. Lester who does not speak a word, opens his mouth, and when she starts her work, bites Gemma’s finger, causing her to move back and hit her head on the X-ray machine – this knocks her out and her consciousness projects to the Further. Gemma wanders the clinic inside the Further before a blindfolded man ties her in a chair. A group of strange monstrous people approach her as she stares at them helplessly in bondage. Just before they brutalize her body, Gemma is saved by another elder woman identifying herself as Elise Rainer (Lin Shaye), who hands her a book and asks Gemma to find her. Using the address in the book, Gemma reaches a tattoo shop run by Clare (Maisie Richardson-Sellers), who is well-aware of astral projections and Further.

And what more is to follow here as something terrifying and unstoppable seems to be getting ready to unleash itself? :: Elise manages to possesses Clare and explains to Gemma that she is an astral projector who can travel between Further, a purgatorial realm and the material world. She adds that she is also like a courier, someone who can transport objects between the two worlds. She further reveals that the blindfolded man is planning to use Gemma to bring different evil spirits back to human world, and that the three elderly people are his acolytes who use some kind of sedatives in what seems like their oxygen cylinders to force themselves into the Further. Gemma finds herself as a bad mother as she is not able to take care of her daughter who also feels that there is something supernatural in their house. She tells Nick her situation, who offers to stay the night despite in full of doubt. Later that night, Gemma astral projects and is attacked by the blindfolded man. He forces Gemma to hold hands one of the spirits, and as she wakes up, she transports half of his body back to the real world, and the spirit with body cut in half dies, and Nick begins to believe her. But the question remains about how Gemma can manage to escape this evil.

The defence of Insidious: Out of the Further :: Instead of just traveling into The Further, we have the concept of a courier who can drag entities and things out into the real world, providing the movie with a certain amount of divergence, making sure that there is freshness and innovation. Several creative horror sequences can be seen adding to the terror, even bringing variety with the uncomfortable dental treatment moments on a chair – many closed doors, backrooms and passages add to the same and scares surely take over well. The demonic entities keep having their own identities while bringing the scares in their own way. The idea that this purgatorial world exists along with the human world without people out of heavens increases the fear factor. There is also one background tale to the main antagonist that keeps the narrative stronger. The final moments do stay strong as the unexpected happen, and defeating the terrifying antagonist would require more than just the usual skills and smartness. There is also that scene between credits which nicely add to the ending, and we can always be sure that there will be more sequels.

Positives and negatives :: We keep feeling that there was always something bigger coming out of nowhere, with twists and invincible entities. The initial feeling of unlimited fear for the other world do not exist with the same strength due to the idea being repeated multiple times. The repetition of horror can also be seen around, and we wonder if the same was necessary when the divergence was always there to be taken with new ideas added. A number of secondary characters do feel relegated, and a little more about Further would have done the movie more good too. Amelia Eve’s ability to handle the divergent horror also adds well to the movie while maintaining strength as a motherly figure as much as a daughter, both coming together very well here for her character. Brandon Perea as Nick Mendoza and Maisie Richardson-Sellers as Clare provides some fine support here and the same feels like an assurance. Lin Shaye is once again there as the core, this time coming out of nowhere to provide the same in style.

How it finishes :: Insidious: Out of the Further carries the Insidious franchise further, and considering the fact that the series of movies have come a long way with struggles in between, this is a fine addition that holds strong. These are the kind of demons and worlds which always have more to offer with better thought about sequels. The atmospheric haunted-house entry injects that kind of energy into the franchise’s expanding mythology which keeps reminding us that there will always be more to come. The movie also serves as a reminder that our dreams are not just ours, but much more. In a world which is running out of hope, one can safely say that horror is forever, and the movies of the genre needs elevation to create more and more terror out of its infinite world. Well, in the present world, there is no true genre other than world as evil keeps winning, and the righteous has no hope – let more horror come in the form of movies and reflect our world which has no real winners or survivors walking the righteous path. One would just wonder if our world is the real Further – the purgatorial other world.

Release date: 21 August 2026
Running time: 106 minutes
Directed by: Jacob Chase
Starring: Amelia Eve, Brandon Perea, Maisie Richardson-Sellers, Lin Shaye

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@ Cemetery Watch
✠ The Vampire Bat.

Pinocchio Unstrung

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Vampire Owl: I know this person. He wanted to be a vampire.

Vampire Bat: You mean wooden vampire dolls?

Vampire Owl: Vampires of the Woods, may be?

Vampire Bat: We are already in a castle in the woods, aren’t we?

Vampire Owl: That makes us just the Vampires of the Castle.

Vampire Bat: We have enough vampires to make the castle full.

Vampire Owl: We still do not have a strong enough army against other species.

Vampire Bat: There is a peace treaty running in the realm set towards eternity.

Vampire Owl: Well, a vampire’s eternity is longer than that of anyone else.

Vampire Bat: The realm belongs to all species, not just vampires.

[Gets a parippu vada and three cups of Yercaud tea].

What is the movie about? :: James (Cameron Bell) is a fourteen-year-old boy sent to live with his grandfather Geppetto (Richard Brake) after his parents die in a car accident, and his best friend also dies by terminal cancer. This makes the grandfather feel that he could come up with a perfect companion for James to keep forever. He introduces James to Pinocchio (Jude-Evan Lloyd), a wooden puppet whose nose keep growing as he lies, and tells him that he is his best friend and like a brother to him, but nobody should know about the puppet’s existence. He adds that once ready, he can show him as the friend who will never abandon him, but for now he should keep quiet. As Pinocchio learns about human anatomy as he sees how a male body works in a book, he wishes to become a real boy like his best friend. One day, deeper in the basement, Pinocchio finds a disfigured wooden creature who introduces herself as his Wood Mother (Emma Tate) and reminds Pinocchio that he is just a puppet and will need human organs to become a real boy like James. She reminds them that he might need to forcibly take them from humans who would not be willing to provide them to him.

So, what happens with the events here as we just keep looking? :: Pinocchio feels that he could take them from some bad people and with the help of these human parts, he could change and become a real boy. The next day, James takes Pinocchio to school without telling his grandfather, and the puppet with his movements, tries to hide from view, but ends up causing a chain reaction which kills two people in a gymnasium. Despite his grandfather’s warnings, he also introduces him to Mia (Jessica Balmer) and Dudley (Jack Art Gray) who are shocked, but also impressed considering it as an AI Robot. They decide to learn more about it later, but James keeps asserting that it needs to be placed at home before his grandfather comes. They get the puppet to the exact place the grandfather would place it, and gets the feeling that there is something odd about the basement itself. But Pinocchio feels that he should take care of James as his best friend, and after freeing himself, decides to finish off anyone who hurt him, including the drunken driver who hit their car and the dentist who took out James’ tooth.

And what more is to come with some more horror yet to be unleashed? :: Pinocchio further decides to go after the bullies who always torment James, Trey (Toni Olabanji), Logan (Luca Marandola), Georgia (Mya Brown) and Amanda (Karolina Knight). They would have beaten up James miserably last day if it was not for Mia and he had witnessed the hate right there. Pinocchio finds all of them at the same area. First, he dislocates Georgia’s jaw when she swims in the pool and electrocutes her to death while she begged for mercy. He then proceeds to rip out a clueless Logan’s tongue and take out his eyes to provide him a painful death. He then finds Amanda in the shower and is surprised by her naked body and sexuality compared to the male human anatomy which he studied, and his confusion leaves her with the time to escape from the bathroom with an injury on her leg which slows her down, only to be caught by him who tears off her scalp with hair and wears it, shocking Trey who is impaled on his arms with the worst yet to come. Can anyone stop the puppet in time, or will he go on with the hunting mode?

The defence of Pinocchio Unstrung :: The movie has the scares working with the support of gory sequences, and is more effective as a dark fantasy with a character that brings the fear elements in a different way, justifying the twisted childhood coming back to us while traveling on another path. Richard Brake as Geppetto makes a character that we would remember for long as he possesses those multiple shades that aligns on multiple shades. Among the young ones, Jessica Balmer stands out while Cameron Bell does a fine job, and Jack Art Gray brings the humour around here. The voices are nicely added too. The final half an hour is what elevates the movie and makes the whole thing darker and twists our childhood world of Pinocchio for kids to the terror for adults. There is also some innovation and divergence related to the same. Even the murderer gets a coming-of-age tale as the original character would have had during this age. The puppet is a tragic, naive creation whose kills come from unguided understanding of love and protection as well as corrupt guidance, bringing some emotional weight too.

Positives and negatives :: The way in which our childhood characters turn them into a mode which we appreciate for the quality related to the same, and we remember that children have always been evil unless civilized, like we have already known from William Golding’s Lord of the Flies – the recent cases on news related to minor with acts of cruelty, not that far away from unexpected brutality seems to reassert the same. The killing sequences are gory, and even though some might think that it’s a little too gory, it is indeed effective. The killings are all done with innovation and gore, with Karolina Knight’s shower sequence scoring the best, and makes one wonder why she would not be a scream queen in a big horror movie, as she shows the potential. One still wonders if there could have been more of her in the movie, but among the four bully characters, she is the one who stands out, and needs a better number of movies of horror in slasher mode. One can still have a little trouble with the pacing as the horror takes some time to get going. Some people can also find the gory detail to be a little too much.

How it finishes :: The movie would continue the journey of our twisted childhood heroes becoming pure evil murderers, whether it is Popeye’s Revenge (Popeye the Sailor Man), Bambi: The Reckoning (Bambi), I Heart Willie (Mickey Mouse), Winnie-the-Pooh; Blood and Honey (Winnie-the-Pooh and Piglet) or Peter Pan’s Neverland Nightmare (Peter Pan), and this one is a long way ahead of these movies in and out of Twisted Childhood Universe which reminds us that goodness has always been a lie in a world without hope. As horror remaining that genre which is truly part of our lives, and with all human beings being inherently evil, and this evil helping them to be successful in life, we are reminded that there is always some bigger horror out there. We remember that the people around us are more messed up than we know them, and are more evil that we think, while being good will never get us anywhere. There is no innocence in this world unless it is forced by civilization, and the lies that we see around will consume us one day, as the movie reminds us of the terrifying manipulation by these masked demonic humans all around us.

Release date: 24 July 2026
Running time: 82 minutes
Directed by: Rhys Frake-Waterfield
Starring: Richard Brake, Robert Englund, Cameron Bell, Jessica Balmer, Jude-Evan Lloyd, Karolina Knight

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Brand New Day

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Vampire Owl: Even Spider-Man needs a brand-new day?

Vampire Bat: Even Superman and Supergirl are new these days.

Vampire Owl: But the actor has not changed to be brand new.

Vampire Bat: Which is why Marvel is still doing better than DC in many aspects.

Vampire Owl: You are missing the earlier Superman and Supergirl.

Vampire Bat: Everyone would miss the earlier Wonder Woman and Batman too.

Vampire Owl: I was a bigger fan of Black Adam.

Vampire Bat: The dark world of DC used to so interesting.

Vampire Owl: Just like we enjoyed the Marvel combination of humour and sentiments.

Vampire Bat: Thunderbolts worked so well with the same.

[Gets a poori masala and three cups of Ooty tea].

What is the movie about? :: A few years have passed after Doctor Strange’s spell erased his memory from the minds of everyone he loved, and Peter Parker (Tom Holland) lives in a small New York City apartment, continuing to be the friendly neighbourhood Spider-Man while cooperating with the police in capturing the criminals. Peter tracks his former lover Michelle Jones-Watson a.k.a. M J (Zendaya) and former best friend Ned Leeds (Jacob Batalon) who have graduated from MIT and moved back to the city. Ned who admires Spider-Man whom he remembers to have saved his life many times even developed a mobile app called “Spidey Tracker” to follow the superhuman sightings, even though he had forgotten the man under the mask completely. As he is disturbed by M J falling in love with someone else and as he keeps pushing his body to the brink of exhaustion with him capturing almost every gangster in the city, Peter finds himself with frequent headaches and discovers that his powers are starting to mutate.

So, what happens with the events here as we just keep looking? :: Peter finds out that his senses heighten to a terrible and agonizing degree rendering it worthless, and organic webbing keeps coming off from his wrists. Things seem to get further out of control as Frank Castle a.k.a. Punisher (Jon Bernthal) almost causes collateral damage while trying to stop a stolen battle tank, and Peter just manages to stop the vehicle, only to find it driven by a person under mind control. He soon finds out that mind control keeps shifting through different people, and the dreaded villain Mac Gargan a.k.a. Scorpion (Michael Mando) is freed from Department of Damage Control (DODC) prison. The person is just not able to enter the mind of Peter and is pushed out and leaves. Peter visits Yelena Belova a.k.a. Black Widow at her bathhouse office hoping to find any leads, and she welcomes him into her pool, but asserts that it is not a job for the Thunderbolts turning into the New Avengers and dealing with big threats of a higher level.

And what more is to happen as the world seems to embrace further twists? :: Yelena further informs Parker that different DODC facilities have been attacked by someone searching for “V-Max” while wondering why he enters the bathhouse pool with her while wearing the mask and warns that he will know his identity anyway from seeing his belly button in the pool. DODC director Bill Metzger (Tramell Tillman) denies any knowledge of “V-Max” and reiterates that only Spider-Man can do something about these attacks and save the world from something big which is to come, as the place holds many secrets and different evil superpowered humans and aliens. Now, not in control of the spider mutation, when the mind-controlling telepath Jean Grey (Sadie Sink) attacks another DODC facility after possessing the Scorpion, Peter loses control of his new stronger spider abilities and brutally beats Gargan, even injuring a police officer in the process, and retreats to his apartment in remorse. He seeks answers to his mutation and ways to control it, and seeks help from Bruce Banner a.k.a. Hulk (Mark Ruffalo), but with his secret identity revealed through connected minds, time keeps running out for him.

The defence of Spider-Man: Brand New Day :: The movie has Peter Parker out of that overhyped Stark-world and multiverse crossovers which has the focus on some real grief, isolation and real friendly neighbourhood level heroics and has Tom Holland evolving to come up with a highly vulnerable performance which has us rooting for him more than ever, that too with a heavy emotional attachment. Placing Jon Bernthal as the Punisher here also makes the tale get a level higher, and Mark Ruffalo as Hulk becomes another welcome addition. Florence Pugh as Yelena Belova remains too good even when she appears less, and she brings the much-needed humour to the film. The idea of organic evolution powers by mutation has its own charm here, and the feelings of loneliness and abiding sadness keep running through the movie along with regret which also stays at the core. This might be one of those movies in which we feel the most for the characters, as it remains quite a sad world with less hope for redemption, unlike the usual superhero world in which there is so much relief in the end.

Positives and negatives :: Unlike the earlier Spider-Man movies, this one is rooted in human emotions, making this one level up as the movie of the Spidey. This might be the first time when the audience would be really feeling for the main characters, especially those played by Tom Holland and Zendaya, both of them having their best superhero movie till date. Still, it is Sadie Sink as Jean Grey who steals the show, and we now have the best X-Men telepath depiction of all-time as she turns this one to someone special and more human even with grand powers. Yet, we feel that there is no true antagonist in here, and that missing can be felt between the emotions running strong. The lack of addition of romance would make one wonder, but that is rather a welcome change as Spider-Man needed to move on to evolve and become something more than that silly teenager who was often irritating in the earlier stages. The battles might not feel that big on screen compared to the usual Marvel stuff, but works very well considering the situation.

How it finishes :: Spider-Man: Brand New Day has risen the level of the tales of man-spider, reaching on par on sentiments with The Amazing Spider-Man series of movies, which had the best emotional connect among the different versions. The grand multiverse cameos now make way for simple emotions, feeding on loneliness and regret, as the true weight of loss, guilt and perseverance is reflected on the main character. With characters who live outside his movies all around him, Spider-Man is at his best when he has the least to rely on, and characters like Jean Grey, The Punisher, Black Widow and The Incredible Hulk looking for their own movies will also agree. The satisfying return to form for Spidey with heart and soul at the right place has interested right from the beginning, and whenever the big action refuses to come, it shows the richness in emotions and a perfect journey of the soul. In the end, one can say that this version has found its into our homes, and home is indeed where the heart is, and Spidey would not have to say that there is no way home ever again.

Release date: 31 July 2026
Running time: 145 minutes
Directed by: Destin Daniel Cretton
Starring: Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando, Mark Ruffalo

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the biggest movie of this year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Pradhama Drishtya

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Vampire Owl: I had some hope about this movie even before watching it.

Vampire Bat: Yes, the actors chosen here point to the same.

Vampire Owl: We were very close to watching this in theatre and not OTT.

Vampire Bat: Yes, but then we got vampiric sadness and decided not to go out.

Vampire Owl: I would say that sadness is a basic trait of vampire nature.

Vampire Bat: What can centuries-old vampires do other than being sad?

Vampire Owl: Watching humans do all the nonsense makes anyone sad.

Vampire Bat: They still having their civilization makes me wonder.

Vampire Owl: They would only have a few years left till extinction; I am sure.

Vampire Bat: I am checking on the time left for human extinction already.

[Gets a paneer uthappam and three cups of Sikkim tea].

What is the movie about? :: Aleena (Parvathy Thiruvothu) who had lost her husband Abraham (Asif Ali) during an operation which was executed without enough backup, opts for the same job despite a safe, desk job offered to her by the Kerala Police. As she decides to follow the path of her husband, she faces difficulties, but passes the training camp overcoming all struggles. She gets her first appointment at a police station which seems to have lesser number of troubles than one would expect, and her fellow officers CPO Sreenath (Mathew Thomas), ASI Dasan (Sidharth Bharathan) and CPO Divya (Unnimaya Prasad), with whom she becomes good friends. But their superior officer SI Xavier (Azeez Nedumangad) is more of an angry and frustrated man who is facing divorce from his wife due to his behaviour and alleged relation outside marriage. Meanwhile, the station is led by a more respectful and dignified, but often confused Circle Inspector Prathap (Vinay Forrt) who is fasting as he is getting ready to visit Sabarimala.

So, what happens with the events here as we just keep looking? :: The four officers also struggle with their own problems, as Sreenath has his relationship in trouble due to caste and status differences, Dasan wishes to marry a teacher whom he met while on duty and Divya is hoping to finally have a child after years of marriage. A textile showroom manager Jayaprakash (Sirajudheen Nazar) who seems to be leading a normal life with his wife Shilpa (Jayashree Sivadas) is secretly targeting and robbing homes at night with the help of his partner Meera (Catherine Maria) who works at the same showroom. On a night when both Prathap and Xavier are not at the station, Dasan, Sreenath and Aleena who are on night patrol, Jayaprakash in a car tries to evade the officers, only to end up being caught and taken to a police station where Divya is almost ready to leave duty. He tells them that he was only trying to avoid getting caught for drunk driving, making them uncuff him, but when they try to check the boot space, there is a fight during which Jayaprakash gets hold of Divya’s gun and is fatally shot. This leads a situation of custody death, from which they wonder how to escape.

The defence of Pradhama Drishtiya Kuttakkar :: The central conceit works like a dream here, as the group of cops trying to cover up evidence from their own department creates even higher stakes than Drishyam, which can be considered as having a less risky journey in comparison to this one. The fear and tension are so much there, never restricted to the background. The visuals are too good and we see the same elevate the tension during key procedural moments as well as the cover-up sequences. The moments are nicely arranged and the narrative strikes gold with ease. The movie’s best moments come out of nowhere when we least expect the same. While many sequels forget to keep the same level as original, this one brought some classic thrills which never goes down in level. The fights, when present, are also shown in a realistic manner, and we see the incidents unfolding in a believable manner. The assurance of a realistic journey can be seen at all times, and the success in achieving this much of twists and thrills with the same needs to be appreciated.

Positives and negatives :: The movie can feel like a little lengthier than needed, but as soon as the inciting incident happens, the same can be forgiven. There might be the feeling that too many liberties are taken, and the reliance on luck seems to be guiding the characters so much. There are moments when one feel that Drishyam-mode is activated, as even with finding of the corpse, there are more twists to follow, as the protagonist is as much well-planned as that particular family hero who has so much in mind. It is not easy to bring twist based on a twist, but that has been achieved. The emotional side also stays strong with the movie, and we stay in support of the main characters, even though the whole thing revolves more or less around one specific female character. Despite all of these, the movie has its own dose of humour. We also see dual-faced characters here who are not uncommon in any part of the world, and they remain the reflection of the society which keeps taking in pretenders as their champions.

The performers of the soul :: Parvathy Thiruvothu as Aleena Abraham serves as the one emotional and intellectual anchor to the proceedings, and we would remember her for a full-lead performance after a very long time here. Playing a junior police officer thrown into highly complicated situation, she goes from panic to stabilizer of the situation in no time. She blends into the situation like no other, and this might be the character we would remember her the most from now on, as works in movies like Ennu Ninte Moideen and Uyare pales in comparison. Vijayaraghavan stands tall on the other side, and instead of going through an aggressive mode following the usual cliches, he moves forward as a weary investigator whose patience is far more intimidating than anger. The slow, methodical dialogue delivery and classic observation rises above the rest with ease. Vinay Forrt plays the witness to all of these very well, while Sidharth Bharathan remains a fine likable character. Mathew Thomas plays his character in a convincing manner while Unnimaya Prasad could have had more to do in proceedings. Azees Nedumangad shines again in a police role different from that remarkable Kannur Squad.

How it finishes :: Pradhama Drishtya Kuttakkar is that kind of a thriller which has a crime coverup thriller very well done. While its overstretched total run-time and reliance on convenience keep us wondering if more could have been done, the film remains consistently watchable with strength in performances. Focusing on Parvathy Thiruvothu’s restrained intensity and Vijayaraghavan’s quiet menace, it deals with institutional guilt as much as survival panic, bringing twists and thrills as it keeps moving forward. Coming out of nowhere to get to that fifty-crore mark, this one can be counted as the silent assassin on low-budget rising above those higher budget thrillers which seemingly have tried more. One thing about the later Malayalam crime thrillers is that they have remained realistic, with or without a serial killer, and there are some of those investigations which surely deserve sequels. One cannot be sure about this particular movie which seems to have come to a fine end though.

Release date: 11 September 2026
Running time: 158 minutes
Directed by: Shahad Nilambur
Starring: Parvathy Thiruvothu, Mathew Thomas, Sidharth Bharathan, Vijayaraghavan, Vinay Forrt, Unnimaya Prasad, Azees Nedumangad, Balaji Sharma, Catherine Maria, Sirajudheen Nazar, Jayashree Sivadas, Midhun Venugopal, Suparna S, Jaya Shankar, Vrindha Menon, Bibin Joseph Vettukattil, Rini K Rajan, Jayarajan Kozhikode, Anusha Aravindakshan, Kalabhavan Niyas, Nandini Gopalakrishnan, Salman Kuttikode, Dinesh Prabhakar, Lal Jose, Praveen Selvam, Shifa Badusha, R Parthiban, Asif Ali (cameo)

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.

Khalifa

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Vampire Owl: So, this was the first release for this Onam vacation.

Vampire Bat: Yes, this might also be the most hyped movie of the time.

Vampire Owl: Well, big hype leads to some grand falls.

Vampire Bat: There have been some big falls during Onam holidays.

Vampire Owl: I remember that every superstar had their own falls.

Vampire Bat: Yes, Dulquer Salmaan and even Nivin Pauly suffered well in the past.

Vampire Owl: But this Onam belonged to Nivin Pauly.

Vampire Bat: But he has been walking a path of redemption for some time.

Vampire Owl: Well, redemptions are never complete for mortals.

Vampire Bat: Mortality is the gift for their sins, and there can be no redemption from the ultimate fall to the grave and inferno that awaits.

[Gets a ghee podi dosa and three cups of Nuwara Eliya tea].

What is the movie about? :: Samad (Sanju Sivram) returns to Kerala from Dubai, setting his feet in India after a long time, with the intention of attending the wedding of his sister. But he is taken into custody by the customs and police who seems to have launched a special operation against smuggling from the Middle East. He sees that the Senior Member of the ruling party and Party Secretary Raghavan (Shammi Thilakan) waits for him at the police station with an offer that he would find difficult to refuse. He is asked to testify against his best friend Aamir (Prithviraj Sukumaran) who has been on the wanted list of the police for sometime for not just smuggling gold, but also for murder. Raghavan’s son was among the people dead due to Aamir’s actions and he seeks retribution, but tells Samad that he will leave him out of it and everything will only be linked to Aamir. As Samad realizes that it was Aamir who gave his name to the customs, he decides to tell the story of Aamir and what he has been doing in the past.

So, what happens with the events here as we just keep looking? :: It is revealed that Aamir is in London and as there is no treaty between India and the United Kingdom for extradition of criminals, he would remain safe abroad, away from Indian law. As Samad talks about their past, he talks about Aamir’s father Younus (Renji Panicker) who was running a moderately successful textile shop in Kozhikode as a family business along with being a full-time contractor who builds government infrastructure. They belong to a rich and influential family which had run a gold smuggling business in the past. Younus’ wife Noorjahan (Mohini) is proud of her husband who has managed to run an honest business out of nowhere after their family was accused of smuggling. With the help of his best friend Samad, Aamir marries Fiza (Malvika Sharma), a woman from a middle-class family whom his parents accept despite their own high status as they were waiting for their son to agree to a wedding for a very long time.

And what more is to happen as something awaits to unleash itself with full power? :: It is then that a wealthy businessman named Basheer (Neil Nitin Mukesh) comes into the picture with the support of the highly influential politician and party secretary Raghavan. He comes up with a deal for Younis which he rejects as the gold smuggling past is no longer with his family. They decide to get back on Younus, and has smuggled gold planted in one of his containers, which is caught by the customs officers on the information given by them. With knowledge of the gold smuggling past of the family which is known to most people of the locality, customs bring a version which works the best with the media. Now, Aamir has to get his father out, for which he needs to find that kind of a money which can be achieved only by selling most of his assets. But he decides to choose another path, the more difficult one with the help of retired smuggler Hamsa (Indrans) and almost retired smuggling kingpin Seitraj (Suresh Oberoi). They also get the support of airhostess Vyshnavi (Kyraa Vasudevan), cutoms officer Veeraswami (Pasupathi Raj) and union minister Selvam (John Vijay). But the international smugglers would not take this lightly, and bodies will fall. Who will die and who will survive?

The defence of Khalifa: The Ruler :: There is no questioning the quality of the movie with the action sequences and visuals remain top class, whether it is in India or in different locations abroad. There is a certain amount of style in the action, and the film stays stylish throughout its run. Prithviraj Sukumaran leads the stylish world of action and thrills, as the character works well for him. Neil Nitin Mukesh’s appearance in Malayalam works very well as a strong villain, and Shammi Thilakan remains that antagonist whom we will remember a lot. Malvika Sharma’s entry into Malayalam cinema is memorable, even though restricted at times due to the nature of cinema. Sanju Sivram provides some fine support as the usual friends of the hero, while Suresh Oberoi also leaves an impact. Renji Panicker’s father figure also stays strong, while Mohini back in Malayalam cinema has a role to add to her list of memorable ones. Shivajith’s villain also makes an impact while Indrans’ serious role brings out more moments that elevate the movie. Kyraa Vasudevan becomes the next important female character, and brings more charm and style in beauty.

The claws of flaw :: The movie’s three cameos by Mohanlal, Tovino Thomas and Soubin Shahir feels totally unnecessary, even though Tovino’s moments at least serve some purpose in the storyline – even if a sequel is being planned, the ending with cameos felt rather strange; with the lack of a box-office success, people are surely going to wonder further about the purpose here. The tale surely could have been better, as this seems like a movie taken out of the older movies, seemingly having something on the surface, but that feels like everything movie can do – we never get any deeper with this seemingly usual, repetitive thing. This kind of a journey would feel narrative during these times when we keep getting so much more. Going old-style during these days surely needed a stronger dramatic side and better thrills. Even with such long run-time, the characters are not developed that much. The interest in movie keeps going up and down. The vengeance in the movie also keeps losing steam.

How it finishes :: This one depends directly on the strengths of its director who is best known for Pulimurugan and leading star Prithviraj Sukumaran who commands the screen with his effortless charisma and intense action hero power. He is in control of the proceedings from the first appearance itself. With the striking visual aesthetics, a fine pan-Indian ensemble, and full-action m ode, the film delivers on its promise of being a spectacle with strong theatrical energy, even though it stays with the too old a narrative. The idea of going through familiar genre tropes and a somewhat predictable narrative arc seems to keep pulling the movie back. Still, it could have been a bigger hit if not released during the Onam season with bigger competition from the Nivin Pauly and Dulquer Salmaan movies. The makers seem to forget a major idea about Onam releases, as the timing never really suits this kind of movies – the best for the Onam season is the one that works well with the family audiences; RDX is often seen as an exception, but it was more of family action thriller with family at the core, and it was also battling against two other movies with action. Maybe another time, this movie could have been a hit, and can do well in Amazon Prime Video where it has released now too.

Release date: 20 August 2026
Running time: 159 minutes
Directed by: Vysakh
Starring: Prithviraj Sukumaran, Neil Nitin Mukesh, Malvika Sharma, Shammi Thilakan, Indrans, Sanju Sivram, Kyraa Vasudevan, Anand Manmadhan, Suresh Oberoi, Renji Panicker, Sudheer Karamana, Sijoy Varghese, Joy Mathew, Mohan Sharma, Shivajith, Pasupathi Raj, Sadiq, John Vijay, Shine Varghese, Tinu Thomas Kannur, Don Michael, Master Nafash, Mohanlal (cameo), Tovino Thomas (Cameo), Soubin Shahir (cameo)

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✠ The Vampire Bat.

Colony

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Vampire Owl: Do you remember the last times vampires established a colony?

Vampire Bat: In the shadow world? That was an outpost to keep an eye on shadow demons.

Vampire Owl: Nobody knew about the existence of creatures of shadows then.

Vampire Bat: The northern witches had foretold the existence of such creatures.

Vampire Owl: I feel that they were the nightcrawlers, the vampire half-breeds.

Vampire Bat: The vampire half-breeds have always lived among us.

Vampire Owl: They are not allowed within the boundaries according to the laws.

Vampire Bat: You can say that we have been a little too tolerant than others.

Vampire Owl: This is exactly what Dr. Frankenstein warned Uncle Dracula about.

Vampire Bat: Dracula does not need Mr. Frankenstein’s pseudo-vampire advice ever.

[Gets a wheat porotta and three cups of Wayanad tea].

What is the movie about? :: Seo Young-cheol (Koo Kyo-hwan) warns the police that he would launch a bio-terrorist attack at the Dongwoo-ri Building, then injects himself with the supposed vaccine to the virus which he intends to unleash on the unsuspecting people who are attending a science conference there. Meanwhile, a former professor in the same field, Kwon Se-jeong (Jun Ji-hyun) who had just recently lost her job is attending a conference dealing with the same in the targeted building with her former husband Han Gyu-seong (Go Soo) who is determined to help her. Gong Seol-hee (Shin Hyun-been), a biotechnologist and current wife of Han also hopes that he could help Kwon at a time of need. Meanwhile a security guard Choi Hyun-seok (Ji Chang-wook) is also at the building with his mobility-impaired older sister, Choi Hyun-hee (Kim Shin-rok), when something seems to happen in the building with the CEO who has planned and led the event being injected with something by Seo who infiltrated the building.

So, what happens with the events here as we just keep looking? :: It is seen that one after the other, all the nearby employees of the building and people attending the conference are infected, triggering a strange viral outbreak. Counter-terrorism team which gets the information about the bio-terrorist attack arrives in the building and tries to capture the man who is responsible for the same while expecting backup, but they end up finding only the infected with no clue of the bio-terrorist, with the building is placed under lockdown by the authorities to prevent further spread outside, thus trapping them inside. The infected quickly turns into zombie-like creatures with one bite and seems to have a collective mind having information shared from others who become the same type of infected creature without individual minds. Many civilians become trapped in the building which also hosts a shopping mall with restaurants, cinema halls and different branded stores. During their escape attempt, Gyu-sung dies saving a confused female student who becomes stuck all of a sudden.

And what more is to happen here as the bio-terrorism brings more of the infected to the scene creating further chaos? :: It is revealed that the infected possess a certain amount of advanced swarm intelligence, as they share sensory information between them like ants and would quickly evolve and get better as a group after each failed attack on humans. Using perfumes, anti-freeze and sprinklers to confuse the infected, the small group of survivors led by Kwon, decides to get to the top as instructed by the security, but ends up finding the bio-terrorist on the way, who has other plans for everyone. He is connected to each of the infected, and they all hear what he hears and sees what he sees, making it difficult for them to keep him with them in hope for a vaccine. They would need to blindfold him and none of them could talk when he is around. It is revealed that the man who caused all of these have even bigger plans, with the infection spreading all over the world, and his idea is that it only makes humans better with a shared connection and no selfish individual needs – this would be his idea of perfect humanity. Can he achieve the same or the people inside building, government, scientists or armed forces put an end to this?

The defence of Colony :: This one would forever be called a zombie movie by many people, but instead of having the mindless undead, the infected network that keeps developing has us more interested with the innovation. As the creatures communicate and coordinate tactics, as well as adapt to the human escape plans in real time we have them as smart and strong antagonists in one way or the other. With the outbreak within a sealed high building which has moments within elevator, narrow passages and parking lots has us connecting more, and with tension only increasing as time passes. Jun Ji-hyun leads the way with the performance as she stands strong as a character that we all would admire in her fight against all odds; in a supernatural movie in the dark, she would make a fine scream queen, and once again the final survivor among them all. Koo Kyo-hwan makes a fine menacing antagonist whom we all remember for how well he unleashes himself out of vengeance as much as the evil desire for the weirdest of changes – the cool determination that we see around him is very much memorable.

Positives and negatives :: The movie could have made the situation scarier for sure, as there was always scope for some unparalleled frightening scenes and situation. People transforming into part of a hive like ants have been nothing less than unlimited terror, and we see that during these moments, characters keep making some strange choices too. Despite the idea being so good, there is no further development with the same, and sometimes we feel that there is not enough thought regarding the same. Some more darkness, and people turning into something terrible and scary due to the scale rather than the looks could have also done wonders here. Ji Chang-wook as Choi Hyun-seok also has his moments, but the character could have been provided more to do in the end. Kim Shin-rok as Choi Hyun-hee also had more potential, as the skills were already there to be seen. Most of these characters do not seem to reach their best potential when we look at them. The work as the infected is quite nice, as we see how they go around and deviate from the usual zombie world.

How it finishes :: South Korean movies have been good with zombies, and we remember the same with Train to Busan and Peninsula within the chaos of horror. This one with a deviation in zombie-mode makes it interesting in the same scale, but the divergence keeps it different. We have all appreciated vampire movies with difference as the creatures kept changing in from, and this is the chance for zombies to have different forms – Warm Bodies did that long ago and World War Z had its own voice, but Resident Evil kept it moving in the exact same direction with sequel attacks. This variety and the detailed science fiction model surely works, but the characters and the emotional depth are on the struggle for sure. The predictable horror and a climax which never really elevates the movie can always try to bring it down, but one would feel that whenever there is a low, there is a journey that goes higher, and this one surely manages the whole thing well. Let us answer to the call of the zombies yet again here.

Release date: 28 August 2026
Running time: 122 minutes
Directed by: Yeon Sang-ho
Starring: Jun Ji-hyun, Koo Kyo-hwan, Ji Chang-wook, Kim Shin-rok, Shin Hyun-been, Lee Dong-hwi, Park Ji-hwan, Kim Sung-cheol, Lee Re

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@ Cemetery Watch
✠ The Vampire Bat.

Pluto

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Vampire Owl: I remember naming one of my dogs with this name.

Vampire Bat: I do not remember you having any dogs. You had a black cat.

Vampire Owl: Yes, but it lived as a dog. It barked and howled.

Vampire Bat: What did you expect? It was originally from the werewolf lands.

Vampire Owl: But when the smart cat says it is a dog, you have to listen.

Vampire Bat: Why should you? It was never even a vampire cat.

Vampire Owl: Black cats are always immortal. Ask the witches.

Vampire Bat: Even the demons do not accept them as their people.

Vampire Owl: You mean to say that black cats are not connected to the other dimensions?

Vampire Bat: Not even that much connected as Uncle Dracula on a Halloween night.

[Gets a paneer biryani and three cups of Sikkim tea].

What is the movie about? :: Vicky (Neeraj Madhav) is the representative of the new generational youth who has no job, but one cannot say that he has not tried enough – his failures are not fully due to his foolish decisions, but are also the results of circumstances. Most of his attempts at business involves his friend Jose (Subin Tarzan), but all of them fails one after the other, much to the dismay of his father Raghavan (Saheer Mohammed) who has lost too much money in the process. His brother Naveen (Nihal Nazim) is considered to be the smart, intelligent, working, money-earner of the house though as he also keeps reminding everyone that he passed his degree while his elder brother did not. Vicky’s attempts at clearing PSC also reach nowhere, making his girlfriend and veterinary doctor of nearby pet clinic, Meera (Aarsha Chandini Baiju) disappointed, as she feels that there are no more chances for him to come out strong and successful. But she continues to help her by providing cash for his attempts on each occasion.

So, what happens with the events here as we just keep looking? :: Meera gets into a clash with Tiger Thambi (Aju Varghese), a rich gangster who breeds dogs unscientifically leading to their shorter lifespans or at least some serious diseases. He is supported by Mallan (Vineeth Thattil David) and a man of science always busy with experiments known only by title Professor (Dinesh Prabhakar). She also remains good friends with Vicky’s younger sister Jomol (Nimna Fathoomi), an eccentric and comic-obsessed girl who frequently invades his personal space to test out her costumes which ranges from Harley Quinn to a simple alien. But this is when he comes up against Pluto (Althaf Salim), a real alien whom he accidently brings home instead of Jose after being drunk on the nearby beach. Realizing the danger of exposing Pluto to authorities or media, Vicky decides to secretly keep the extraterrestrial visitor with him, as he also hopes that the alien would possess some special powers which he can use to his advantage.

And what more can happen around here with strange things waiting to come up? :: Keeping an extraterrestrial creatures hidden in his household proves near impossible with household members keeping on coming to his room, but he manages to do so in the name of studies as he has to clear his degree before all mercy chances provided by the university are finished. Thambi also comes to know about the presence of an alien after he gets an alien device left behind by Pluto. Vicky had just come out of some big trouble due to a juice marketed by him causing food poisoning to a huge number of people after it was provided as drink for the participants of a marathon race, and finds it difficult to keep the alien who only drinks alcohol as food. Pluto manages to learn Malayalam with an English-Malayalam dictionary available online as he had already studied English during an earlier contact of his people with humanity. Vicky finds out that Pluto has no real superpower that they could use, but comes to know that his ship actually could do something, but is now located at the bottom of the sea after an unexpected crash. Can both of them be of help to each other and can they survive Thambi and the government officials searching for alien?

The defence of Pluto :: A full science fiction comedy has not been part of Malayalam cinema and this innovation and attempt at variety needs to be appreciated. Leading the way, Neeraj Madhav seems to have taken over nicely from that character in the fun fest Adi Kapyare Koottamani as the clueless youth, a role that suits him very well. The combination of Neeraj Madhav and Althaf Salim provide genuine feel-good moments along with the humour. The supporting cast also works with the humour really well, from the friend played by Subin Tarzan and the Nimna Fathoomi with a cute side added here. Aju Varghese plays the antagonist with a funny side really well, and has some fine moments which we will remember for the humour from talking with spicy flavour in his mouth to being Shikkari Shambu. Aarsha Chandini Baiju also adds to the humour so well, and she once again shines in a role which does not challenge her. The chaotic final moments deliver some big laughs and fun ends well, and even leaves scope for a future sequel. The movie can be considered silly fun that has not really come to this part of the world for some time.

The claws of flaw :: The movie does not make the best use of the idea, even after so many directions where the movie could go, and there was scope for more humour and further references to aliens, superheroes and other planets instead of talking about just alcohol and exams. The premise was something with great scope, and only a part of it is taken here. The situation might not appeal to all kinds of audience, as its silliness and new generation style of innovation is not for everyone. The pace also slows down as we look at it in parts where nothing much happens – the humour is also not that effective throughout its run. As the alien does not leave scope for complex visual-effects spectacles due to the simple humorous model, the potential of the sci-fi backdrop feels not that there to be taken. After all science fiction can provide a lot of humour from within, and aliens have been providing the same in Hollywood for a long time as we remember.

How it finishes :: Malayalam movie industry has its first full-run attempt at science fiction comedy for the viewers here. As a lighthearted experiment in the form which is rarely explored in Malayalam movie industry, it deserved some appreciation when it was released, but the truth remains that I never knew such a movie released until it came to Amazon Prime Video. By placing an extraterrestrial visitor within a regular Kerala household, it keeps away from the heavy science-fiction tropes to keep the whole thing cute and feel-good, while the protagonist also relates to the new generation as well as the one before. It is surely one movie which is better than the ratings which it has received, and having such a harmless fun movie during a weekend to watch with family is just simple joy, and we should only remember to appreciate the movie makers who think differently even if its for humour. This is a kind of movie for the whole family, and the kids are also going to love the same.

Release date: 30 July 2026
Running time: 132 minutes
Directed by: Adithyan Chandrashekar
Starring: Neeraj Madhav, Althaf Salim, Aarsha Chandini Baiju, Aju Varghese, Nimna Fathoomi, Subin Tarzan, Vineeth Thattil David

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@ Cemetery Watch
✠ The Vampire Bat.

Padakkalam

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Vampire Owl: I thought we had reviewed this movie a long time ago.

Vampire Bat: We had watched it long ago, but did not review the same.

Vampire Owl: This might be one of the longest delays in writing any review.

Vampire Bat: It keeps coming on television all the time, so there are multiple watches.

Vampire Owl: I think we have kept watching it on Asianet Movies.

Vampire Bat: Watching it on television channels is not the best option though.

Vampire Owl: Yes, we keep missing parts of the movie at times.

Vampire Bat: But we watch parts of the movie that we missed the next time watch it.

Vampire Owl: But the movie has stopped repeating in the channel now.

Vampire Bat: Well, they have kept doing it for rather too long.

[Gets a Schezwan masala dosa and three cups of Darjeeling tea].

What is the movie about? :: Long ago, at a time when sorcery was considered to be part of common life, the ruler of Vijayanagara had a magical artefact created for his leisure, but understood that the device brought about something more than just entertainment. He realized that this was so powerful that it could even be used to control people or even the world, and tried to keep its existence a secret. But the huge army of Tipu Sultan marched to the declining kingdom and captured the same. This helped the Sultan’s further wars against other Indian kingdoms intending to conquer the lands for himself, as the artefact aided him from a side. But he was stopped by the King of Travancore who inflicted a big defeat to the Sultan’s army with the help of a great wizard. The victorious king decides to bury it in the battlefield itself so that nobody would be able to use it, and marked its location on some secret palm leaves. Soon, the tale itself losses its significance as it is considered as a fable. But many decades later, someone had started searching for the same and found it.

So, what happens with the events here as we just keep looking? :: At present, Jithin (Sandeep Pradeep), Ramzad (Arun Pradeep), Nakul (Arjun Ajikumar) and Kannan (Saaf) are four students who are pursuing their bachelor’s degrees in Engineering at the exact same location where the final war had occurred – there stood a monument surrounded by a reputed institution called Shri Kartika Thirunal College of Engineering. As Jithin’s girlfriend Jeevika (Niranjana Anoop) who returned from a trip brings some doubts about their relationship, he writes down his feelings on a piece of paper, which is taken by the lecturer who was in the class Shaji (Suraj Venjaramoodu). As a strike is called and chaos happens in the college, Jithin losses the idea of where that paper was taken. As the protest for bringing down the Head of the Department intensifies, another lecturer Renjith (Sharaf U Dheen) recommends Shaji as the next Head, which surprises everyone, as they were not on good terms. Shaji is delighted about this as he has been working at the college for a long time without any appreciation, but Renjith actually had other plans.

And what more can happen here as a crisis takes the spotlight? :: Renjith had the ancient artifact in his possession, which he uses to control Shaji and manipulate him into getting into a public fight which leads to him being suspended and Renjith becoming the new Head. This is supported by students as he is a popular teacher who helps students even against other teachers and management when in trouble unlike Shaji who as a learned man has always gone with the rules. The students enjoy their cool and supportive teacher becoming the Head, but Jithin accidentally sees Renjith using the artifact to control Shaji through the CCTV footage while trying to find the piece of paper which Shaji took, and talks about this to his friends. While searching on the artifact, they understand that a person can control another person who uses it by just playing his turn – it is revealed that the other person does not have to use it, and just the missing player’s blood on the dices is needed. They feel that the earlier teacher who died and was replaced by Renjith as new appointment might have also been a victim and decides to steal the artefact, but can they do that?

The defence of Padakkalam :: A supernatural campus story becomes a perfect new model for the viewers who are expecting divergence, and the magical artifact, mind control and body swaps do not usually come to the movies of this part of the world. The big three of the movie – Suraj Venjaramoodu, Sharaf U Dheen and Sandeep Pradeep come up with classic performances not just with the comic side, but also with a certain amount of skill which is reflected even more when the swapping of bodies is done. Sharaf U Dheen going on between a charismatic professor and a power-hungry antagonist, and his moments after body swapping strikes us well, while Suraj’s transformations between characters are outstanding, and humour strikes very well with him around. Sandeep’s comic timing remains outstanding, and he becomes a perfect choice for a campus character. Niranjana Anoop does well within a smaller screen space, while the friends of protagonist add some fine fun around here as the comic side gets further boosting. Pooja Mohanraj also becomes a good addition here.

Positives and negatives :: One might feel that the movie could have explored the past of the artifact a little more, but that is understandable considering the plan to provide maximum entertainment. The movie’s female characters also have very less to do other than being reasons for a few things to happen, which is surprising for a campus movie. The superhero references also add some funny elements, and the situations leading to humour instead of forcing the comic side comes up with more advantage to the flick. The initial setup, character introductions, and the spread of mystery make sure that the starting is nice, and the ending is also very well done. When it seems to be ready to have a slight dip, the situation immediately gets a lift, and thus the movie keeps a certain level. The cast needs to be credited a lot for the same. Many moments also serve as reminders that people are not really what they seem to be, and like seen before Thanneermathan Dinangal, the seemingly better teacher could easily be the least perfect one among them all.

How it finishes :: It is not easy to bring comedy and fantasy together in this part of the world, and the movie does the same so well. This one succeeds primarily as a high-energy campus entertainer that takes the risk to step away from routine college situations and blends the genres in the process. By bringing supernatural elements, mind control and body-swapping to a usual college setting, the film creates something that most people would not have expected to happen in this part of the world. The comic chemistry between Suraj Venjaramoodu and Sharaf U Dheen brings something out of nowhere again and again and keep thins lively and engaging while Sandeep Pradeep takes that title of “Padakkalam Sandeep” with ease even though most of us would love to remember Falimy as the one defining flick for noting him for the first time. Well, this is one entertainer that you do not wish to miss, that is for sure. All the fun with innovation that is seen around here will have us interested all the time. It is on Jio Hotstar, and you might also be able to find it again on Asianet Movies as it has been some time since its last arrival there.

Release date: 8 May 2025
Running time: 123 minutes
Directed by: Manu Swaraj
Starring: Suraj Venjaramoodu, Sharaf U Dheen, Sandeep Pradeep , Arun Pradeep, Arun Ajikumar, Niranjana Anoop, Ishan Shoukath, Vijay Babu, Luckgith Saini, Nahas Hridayath, Saaf, Shaju Sreedhar, Pooja Mohanraj

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@ Cemetery Watch
✠ The Vampire Bat.

The Snake Girl

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Vampire Owl: Is this an extension of the Vampire Snake’s tales?

Vampire Bat: None of the vampires have traveled to China in the last few years.

Vampire Owl: You mean to say that vampiric existence has now been restricted.

Vampire Bat: Vampires shall travel to any realm whenever necessary, but just not now.

Vampire Owl: Is it because of the humans becoming more of virus?

Vampire Bat: Humans have been true virus species for quite a long time.

Vampire Owl: And they call some micro-organisms as virus and bacteria.

Vampire Bat: They have always been strange people of some absurd things of science.

Vampire Owl: They are just like Dr. Frankenstein, I would say.

Vampire Bat: There is nobody as absurd as Mr. Frankenstein.

[Gets a paneer curry puffs and three cups of Yercaud tea].

What is the movie about? :: In the remote border highlands long way outside the cities and towns, there is a dark forest, and the local mountain people abide by ancient taboos that forbid trespassing deep and harming certain serpents. But a man named She Ye (Zhong Lei) is determined to break all rules for his factory which manufactures vaccines from snakes. Jiang Yan (Michelle Hu), the corporate head who controls the vaccine business also looks forward to have things done her way, and feels that she could regenerate some of her youth and slow down her ageing using some of the snake serums. She focuses on capturing a strange snake called The Snake Girl (Jin Yangyang) that has the head and torso of a girl and the lower body of a snake. She feels that capturing and continuously milking the girl kept in strong bondage for her venom is the best choice for her to keep her youth as well as to sell even a drop of her product for millions of dollars. She orders She Ye to keep the Snake Girl alive, but hurt her as much as it is required to capture her.

So, what happens with the events here as we just keep looking? :: As illegal biochemical experiments spread further into the area, create the elixir capable of halting cellular decay becomes top priority. During the initial fight, the hunters are ambushed in the foggy woods by the legendary creature, and the crew is wiped out, but the group looking to milk her for her venom vows to return and do their job with perfection next time. Chen Shu (Liu Lincheng), a skilled mountain tracker and herbalist who had lost his brother to an attack by the Snake Girl in the past decides to join the team on request, but lays the condition that none of the snakes would be killed. Unaware of the possibility of being cheated, Chen Shu agrees to guide a more advanced armed expedition to find answers to his questions from the past. The team of commanded is led by Qin Feifei (Grace Qiu) who stops at nothing. But they are attacked by the Snake Girl again, and despite the early retreat, Chen Shu’s plans work as they manage to capture her. While the Snake Girl is taken to the laboratory to be milked, Chen is also captured to be killed. Now what is to come next?

The defence of The Snake Girl :: There is not shortage of movies with snakes around, and we also have half-human and half-creatures around in different movies, and this one adds to that list. The Snake Girl becomes an interesting character right from the beginning itself, especially as we know very less about her and her habitat which is a mystery in itself. The woods remain lonely, dark and deep, with some secrets seemingly hidden there not just about one half-girl half-snake creature, but much more, as there is a long set of beliefs seemingly hidden around there. This might surely be what the monster fans look for with strange mutant experiments, lab break-ins and aggressive serpent creatures who also has a supporting tale from the myths and legends. At less than seventy-five minutes making it one of the shortest horror movies that we see these days, it wastes very little time and avoids the long and dragging subplots typical of this type of movies. The horror works well mostly, especially when the creature attacks in full power, and often out of nowhere. The jungle setting works really well and the Snake Girl becoming anti-heroic is also nice.

The claws of flaw :: When we have a half-girl and half-snake mode activated, we were always supposed to hope to see the most out of the premise and following situations. There are moments when the special effects do not look that good, and the Snake Girl could have always done more instead of just attacking – some of her moments also go unnoticed due to the pace and we never see the creature with all the grandeur, and one wonders if it is because there was not enough budget to make a spectacular creature out of her. The digital snake effects and the monster attacks vary widely in quality and can look cartoonish at times. She could have been a creature burning bright like William Blake’s tiger, or even something like a mermaid out of this world using forest as her waters. The same can also be said about making the girl and her snakes scarier. Being scary does not seem to be something this movie could do with effectiveness. The usual greedy corporate executive, unethical biological laboratories experimenting on animals, disposable mercenary hunters and nature that fights back are all just repetitive in this kind of movies.

The performers of the soul :: Liu Lincheng plays the protagonist well, and he is seemingly the one person in the movie who keeps having right and righteous intentions all the time. He would also feel like playing the one sensible person of relevance that stays so throughout the movie. Jin Yangyang who plays the titular character would also have our attention all the time with the looks and expressions of a creature not of the human world, but bringing something from beyond the common man’s understanding. There are those moments when she looks at the eyes of the main antagonists, and there is something about her and the portrayal of that character which has no dialogues and not even an attempt to speak. Michelle Hu’s antagonist looking for eternal youth reminds us some of the classic villains, and we can see that she remains the pure corporate evil who is not just greedy, but also as selfish as one can get, with no remorse for her actions, even at the end when she is ready to meet her doom. Zhong Lei’s antagonist is also a memorable one, even with the character not that developed as one would like when there is a clear past.

How it finishes :: This is one of those movies which came out of nowhere in Amazon Prime Video when there was the search for those horror movies – we remember that Anaconda: Cursed Jungle also appeared just like that on the OTT platform when we were looking for something to watch. This works the best when taken on its own terms as a fast-paced piece of usual creature entertainment. The short runtime and straightforward revenge plot keep the narrative simple and effective with not much to think too much about. Jin Yangyang’s voiceless half-girl plus half-snake, whose clear motive of revenge delivered with efficiency makes this even more satisfying. With some better budget, the movie could have done wonders for sure, as in this state, it struggles to make the best out of its premise. There is very less focus on the narrative, as the tale and situations feel ordinary and repetitive at times. But as it is on Amazon Prime Video, most people of this part of the world would have watched this one already.

Release date: 24 June 2025
Running time: 74 minutes
Directed by: Weiwei Chi
Starring: Liu Lincheng, Jin Yangyang, Grace Qiu, Zhong Lei, Michelle Hu

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Control Freak

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Vampire Owl: The vampire elders have always been control freaks.

Vampire Bat: The vampire elders shall not be questioned under any circumstance.

Vampire Owl: We are not questioning them, but appreciating their control.

Vampire Bat: They need not be appreciated, but respected and honoured.

Vampire Owl: I would say that they are not bigger than Uncle Dracula.

Vampire Bat: Forefathers are always more significant than the father of modern vampirism.

Vampire Owl: I do not think that they are that old and that much older compared to Dracula.

Vampire Bat: You have seen them, and they definitely look old.

Vampire Owl: They just live a nonsensical life. I still say not old.

Vampire Bat: They have seen the fall of Byzantium, Troy, Babylon and more. Uncle Dracula in comparison, is too young.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Valerie Nguye (Kelly Marie Tran) who was born to Vietnamese immigrant parents in the United States of America has turned into a successful motivational speaker with a huge number of fans. But she secretly has a struggle as she always has the urge to scratch the back of her head. This urge has been going on since she lost her mother by drowning after their boat went down the river. As Valerie prepares for an international tour, she finds out that she needs her birth certificate to travel to China, bringing the need for her to get back with her estranged family. Her aunt Thuy (Kieu Chinh) directs her to her father, Sang (Toan Lee), who was a former soldier who fought in the Vietnam War. She sees that he had now turned into a monk, and it is only he who has the necessary documents for her. The relationship between the two has been strained due to their shared traumas, including her mother’s death and Sang’s long history of addiction which followed his time spent in the war.

So, what happens with the events here as we just keep looking? :: Sang tells her about a Vietnamese folk tale about a parasitic ghost that feeds on human hosts, leading to the fall and end of the infected human. She does not believe the story at all, but finds something strange from their family photos which points to supernatural elements. Her husband Robbie (Miles Robbins) becomes more and more worried about her as she ends up injuring her head by scratching. She confronts Sang, and he reveals that he had summoned the parasite during the Vietnam War. He further adds that it was also passed to his wife, and she had tried to kill Valerie to stop it from spreading further in her bloodlines, leading to her death by drowning due to Sang’s intervention. As she still hesitates to believe him thinking that he might still be under the influence of the drugs, there is a breakdown for him during a grand motivational speaking programme. The doctors find out that she has scratched a hole right into her skull, and now she would have to go to the most extreme levels to find a solution. Can she do that?

The defence of Control Freak :: The movie’s use of Vietnamese folklore and the ghosts that feed on the hosts works not only with the horror, but also with the themes of immigrant assimilation, generational trauma and the pressure for living up to the expectations, and when the same happens to a motivational speaker, things seem to go nicely towards not just physical, but also psychological terror, which is nicely shown around here. The horror feels very much real, and will be reflected in life for a possible connection when there is a scratch on the head, and the creature outside also brings some more scares. The idea often hits us in more than one way, as we look at it. The best moments of the movie might be when it gets close to the end, even though we would have hoped for everything to happen a little differently. The idea of motivational speakers going to pretentions for fake inspiration will make us remember that we ourselves should have the strength and not listen to others. We have to remember that the very few successful examples are not to be taken as there are more unsuccessful people and there is more chance that we will be unsuccessful if we take that risk with life – the movie reminds us not to take motivation into hearts for we might also be fall into the traps of parasites.

The claws of flaw :: The movie surely has its own pacing problems, as it seems to slow down on too many occasions, and at times fails to pick up pace when there was clear chance of elevation. There is also a certain amount of repetition related to the same with panic coming with repeated itches, but then denying if anything is wrong even after hearing from others and hiding the world, then panicking after sometime, and going through the same thing again. The movie seems to be stretched out due to the same and even a one and three quarter hours feels so much as the protagonist keeps going through the same thing multiple times almost in the same order. From the moment when the parasite becomes an assurance of eating the host, the rest of the elements disappear, and it seems like they come one after the other and not together. The supporting characters could have been given more to do. The final moments seem to be forced and the audience feel like they walked into an ending because there needed to be one, and this kind of an ending seems to be just brought about as a mandatory one.

The performers of the soul :: Kelly Marie Tran has a lot on his shoulders, and she manage to hold them strongly. Considering her real-life parentage to be also from Vietnam, the choice seems to be a near-perfect one for the makers of the movie. As she carries the movie with some intense, vulnerable and physically demanding performance, the movie gets its due. There are moments when things seem to deviate and go slower, but she elevates the whole thing well enough, as she seems to become part of the folk-mystery. Miles Robbins plays Val’s supportive partner, and it is for this character that we feel the most – we feel his character to be loving and with genuine concerns and feelings for her character, and it is one person who remains righteous throughout the movie. He does not become the usual horror film boyfriend at all, and stay with her till the end, and also alive. The Vietnamese family members also have some role to play, but despite the Vietnamese side having so much importance, they are not given enough screen time.

How it finishes :: The movie often feels like something which had a grand potential, especially with body horror involved – this one just focuses on the head and a bug-like parasite when the scope was much more. More of body horror with the parasite spreading through the body would have been nice to have. When we look closer, this is more or less an impressive vehicle for Kelly Marie Tran whose leading performance breathes more energy and keeps the level of the movie higher. The Vietnamese folklore keeps us more and more interested. The only two Vietnamese movies which I have watched are both action thrillers, Furie and Furies, and more reviews which deals with similar topics will have our interest after this one. Indonesian movies like Impetigore or Korean Salmokji and India’s own Stree, Munjya, Thamma and friends had the folklore horror moving well, and we would surely need more of them. For now, this one movie with Vietnamese roots has us interested, and it is indeed available on Jio Hotstar. But as long as body horror is concerned, we would have needed more. Enjoy this one among the new releases of the OTT of Reliance.

Release date: 13 March 2025
Running time: 104 minutes
Directed by: Shal Ngo
Starring: Kelly Marie Tran, Miles Robbins, Kieu Chinh, Scott Takeda, Toan Lee

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Strung

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Vampire Owl: I have heard only about the strings of vampire violins in the castle.

Vampire Bat: Vampires do not play music in the castle.

Vampire Owl: I have heard a lot of the same from Uncle Dracula’s room.

Vampire Bat: It is not music, but voices from the other side of immortality.

Vampire Owl: The voices do make some nice music for sure.

Vampire Bat: The voices are inherited by the castle from the adoration of vampire elders.

Vampire Owl: There is always some new mystery to be unveiled from the elders.

Vampire Bat: They are all pointed towards eternity and infinity.

Vampire Owl: Well, we all know that death is only the beginning.

Vampire Bat: Beginning of the end is the one true beginning. Just run to the other side and ask Uncle Dracula.

[Gets a ghee podi idli and three cups of Kodaikanal tea].

What is the movie about? :: Laila Calloway (Chloe Bailey) is an extremely gifted, aspiring classical violinist who is working as a substitute music teacher while dreaming of a grand career which seemed out of the equation since her young little sister died of asthma and she could do nothing about it at all. This has led to her going through hallucinations and nightmares at times, which affects her performance on some occasions. Her best chance at a better career seems to have arrived when she meets Audra Jelani (Lynn Whitfield), a charming matriarch with unparalleled wealth and influence. Audra gives Laila an offer she cannot refuse in the form of a live-in music tutoring position to mentor her granddaughter, Zuri Jelani (Romy Woods). Laila understands that her high-society connections and high influence will guarantee her an easy path in her journey of music. Laila moves into the family’s highly luxurious estate which seems to belong to another world compared to the surroundings, and considers herself the luckiest person all of a sudden.

So, what happens with the events here as we just keep looking? :: But the situation seems to be something they did not expect, as the atmosphere inside the mansion is very much unsettling. Audra’s daughter, Imani Walker (Anna Diop) who is pregnant, does not like Laila at all, and treats her with contempt. At the same time, Laila’s young student, Zuri (Romy Woods) always wears a mask, and is deeply withdrawn, hyper-allergic, and hides her emotions at all times after the violent murder of her father, a highly popular rapper known as Reginald Garvey Bell (Pardison Fontaine). Zuri’s abiding sadness further triggers the unresolved trauma for Laila, as she has the haunting memories of her own deceased sister coming back to her. The situation gets to be further complicated with the return of Imani’s charming handsome husband, Marcus Walker (Lucien Laviscount). Laila’s finds out that Marcus is that man with whom she had a intense and passionate sexual affair just a few days before, which she considered to be her best physical experience ever. How will the family take this secret as the house itself has so many mysteries hidden in the building?

The defence of Strung :: The feeling of mystery goes right through the movie, and there is always the thought that something big can happen at any moment with so many secrets to be revealed from not just one character. Chloe Bailey keeps elevating the movie with a wide range of emotions as she goes through unexpected situations, while Lynn Whitfield’s antagonistic side adds to the overall quality of the movie. The movie surely features rich estate set design and a vibrant cinematography also supports the same, as most of its world is nothing less than stunning within a big mansion and its surroundings. The music and sound effects really add well to the same, and keeps the mood running to suit the movie. The wild twists and emotions that run further has us interested, while red herrings bring something more to take it away from the possible right guess of the twist. The final moments extend well with its moments creating a feeling of tension that goes on and on until the solution is reached.

The claws of flaw :: The movie does not reach its potential after a smart beginning, as the mystery does not get that finish it deserved. There were so many moments which could have taken in another way and made better. The twists could have also been extended in a fine manner, especially with an early connection established between two main characters and taken further with a twist as movie goes forward. The exploration of the evil and the intentions could have also been explored more to make that feeling of terror even more – as of now, it mostly exists in the background with not that much of the same shown directly or clearly. The movie also happens to be too long, and was worth not more than one and half hours, and feels stretched with a little bit too much of unnecessary details and melodrama that goes over the emotions. The feeling that the characters are over-reacting never really leaves us, and some strange dialogues also creeps in, as we keep wondering why this movie is deviating so much and wastes time in getting nowhere.

The performers of the soul :: Chloe Bailey as Laila Calloway comes up with a performance that we are going to remember for long, even though it is not a new role, with The Housemaid having its main character facing a similar situation and an angry wife and a seductive husband awaiting her. But Chloe makes sure that her role remains really good and also has some divergence associated with the same. It is to be notable that while playing a likable character, she makes the emotions of the person so much felt that we support the character even more in her complicated journey. When we look at her, there is the feeling that a Helen of Sparta with race changed would suit her more than anyone else; there is a certain amount of charm that she brings to the character which is nothing less than the same. Lynn Whitfield delivers as a seductive and manipulative matriarch with impressive aura, and the character remains one which we will remember for long. Lucien Laviscount and Anna Diop supports just fine. Romy Woods brings a lovely performance as the daughter.

How it finishes :: The movie does not reach the point where one would feel it should have reached with this kind of content as it seems to hold back on many occasions. The highly engaging thriller is not to be taken as the movie is rather slow, and the attempt to work with silence also does not work that well due to the presence of a little bit too much of melodrama. With such an interesting premise which has worked so well in the past, more could been achieved, but it is safe to say that we still have enough around here to spend some time with this one on a weekend on Jio Hotstar where it has released in India, and as the one OTT which comes with mobile recharges, more people from this part of the world would surely end up watching the flick with relative ease. As the main performers inject some much-needed charisma into the increasingly deviating movie, the interest regularly comes back, which could provide a fine feeling of being interested in a mystery which could easily bring the twist that leads to those tense final moments which serve the purpose.

Release date: 27 May 2026
Running time: 119 minutes
Directed by: Malcolm D Lee
Starring: Chloe Bailey, Lynn Whitfield, Lucien Laviscount, Anna Diop, Coco Jones, Romy Woods

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Marshmallow

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Vampire Owl: We have been the people of the marshes.

Vampire Bat: I am sure that there is no talk about vampires of the marshes in this movie.

Vampire Owl: Aren’t we vampires part of everything we meet?

Vampire Bat: You mean to say that vampires are like Ulysses.

Vampire Owl: Yes, we strive, seek and find while never yielding.

Vampire Bat: There is nothing left for the vampires to find in this world.

Vampire Owl: There have not been enough centuries to learn the world.

Vampire Bat: Well, it is enough to understand our realm well.

Vampire Owl: Dr. Frankenstein talks about different realms at the same time.

Vampire Bat: There is nothing more ridiculous than Mr. Frankenstein’s researches.

[Gets a chilli porotta and three cups of Ooty tea].

What is the movie about? :: Morgan (Kue Lawrence) is a young and lonely child who has regular nightmares which never seems to stop, and he also remains a kid who has almost no friends at all in the neighborhood or the education institution where he studies. Despite his grandfather Rot (Corbin Bernsen) passing away, his parents decide to send him to a summer camp in which they had already booked a place for him. There he meets the highly supportive and friendly young woman Rachel (Giorgia Whigham) who leads the camp and also welcomes Morgan with a happy face and promise of full support during the programme. Two other employees of the camp Kazswar (Pierson Fodé) and Laurie (Samantha Neyland Trumbo) are comparatively mean to the kids, and it is revealed that they are secretly having a sexual affair at nights in one of the selected cabins in the woods. Collins (Paul Soter) oversees things while Franklin (Maxwell Whittington-Cooper) maintains a friendly approach to kids and provides them with the much-needed emotional support.

So, what happens with the events here as we just keep looking? :: Morgan ends up sharing the room with the son of his father’s friend CJ (Sutton Johnson), who remains mean to him, and even pushes him into the river almost having him drowned. Another boy Raj (Winston Vengapally) who questions him is also brutally beaten up by him until Rachel and Collins manage to pull him back. Morgan is consoled by his newfound friends Pilar (Kai Cech), Dirk (Max Malas), Caroline (Jordyn Raya James) and Sam (Dylan Friedman) who are also tired of CJ’s attitude. Morgan finds a masked man in a strange clothing at night and remembers that the people-in-charge at the camp had told them a spooky story about a doctor who kidnaps children who stay in their bunks at night and performs terrifying experiments on them in the basement of his building, and the camp itself was built over his house and clinic. He tries to escape, but realizes that the man has full control over the area, and some of the youth who controls the camp also seems to be helping the man. Can the children escape from the situation or atleast survive until dawn?

The defence of Marshmallow :: Instead of going through the standard campfire slasher tropes, the movie uses nostalgia and familiar setups to create a world which surprisingly diverts and brings a twist which is rather unexpected – the deviation from the original slasher idea to which the setup was already built, brings a science fiction side to the whole thing and has us thinking and hoping for a sequel which would establish a classic background. There is a fine use of classic woods, cabins and lakeside settings, a classic serial killer costume and creepy campfire folklore to build an unsettling old-style aesthetic which could keep us interesting right from the early moments in the camp; one can remember that the signs were already there. The surprises surely work and building twists on the unpredictable with red herrings acting well, has us interested. With the length only at one and half hours, the movie assures a smooth passage. With the evil spreading around here by the end of the movie, we can expect that sequel to come soon enough.

The claws of flaw :: The teenage camp cliches and teenage drama make it difficult to get going for the movie, as the initial moments can make one feel that the movie is not of that strength, and is not that interesting. The central mystery surely takes a little too much time to start and keep moving. The kids’ elements do not work that well in the beginning stages either, and it is not that easy to connect with the kids early enough. The big science fiction revelation happens a little too late too, and that feeling gets cut very soon. Despite often mentioned as a slasher, this has not much of blood and gore, and the science fiction taking over as genre only comes rather too late. You see the type of movie changing as you keep watching, and it is quite strange a feeling indeed, as you are left with no slasher to take home as science fiction seems to completely take over here. The idea that children are inherently evil is not that well-explored here, as a Lord of the Flies feeling was there to be taken, but never really takes off.

The performers of the soul :: The kids surely come up with some interesting performances, and Kue Lawrence who leads them clearly stands strong, and brings the introverted, grief-stricken 12-year-old outsider who cannot get out of trauma as he gets bullied, and the vulnerability remains believable throughout the movie. Max Malas provides some fine support to the main character and even brings some humour to the same. The friendship between the two remains interesting right from the moment they meet. The other children also add nicely despite the two boys standing out with the performances. Among the adult actors, Giorgia Whigham as Rachel does the best, and seemingly blends as if she is looking for more horror movies to add to her pocket – it is a joy to watch her around. Samantha Neyland Trumbo would suit as a scream queen in another flick, as she seems to have that special horror charm. Paul Soter as Collins remains a strong presence in the movie while Maxwell Whittington-Cooper and Pierson Fodé comes in from two sides showing different attitudes towards situations really well.

How it finishes :: The movie succeeds as a divergent slasher as it refuses to be just another usual summer camp slasher. It goes through different genres nicely and effectively, and the twist in the end makes the movie’s world even more interesting, with the scope for sequel left wide open with more science fiction being possible – the sharp turn taken by narrative comes when least expected. But it is to be said that one would still wonder if the best is explored here. The ending has some of the momentum disrupted as the revelation just happens as if it was rushed through the act. There is some world-building which comes in the end, and that is just quickly done though, and people are left waiting for the sequel to learn things more clearly. The slasher horror fans would also wonder where all the blood and gore have gone missing. Despite the initial doubts, the movie is still one interesting horror that chooses to go for the twists above everything else. This is one movie about which most us knew thing, and this is a case when the lesser known strikes.

Release date: 11 April 2025
Running time: 93 minutes
Directed by: Daniel DelPurgatorio
Starring: Kue Christian Lawrence, Max Malas, Kai Marie Cech, Giorgia Alice Whigham, Pierson Dane Fodé, Corbin Dean Bernsen, Alysia Whitney Reiner, Paul Gregory Soter, Cullen Douglas, Michael Park

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Dark

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Vampire Owl: We are the true people of the dark and stays further in darkness.

Vampire Bat: Darkness has been our ally for many centuries.

Vampire Owl: There is no light that has taken away our darkness.

Vampire Bat: We have traditionally been against the spreading of light.

Vampire Owl: Light has created more scope for evil as humans can see in it.

Vampire Bat: Yet, humans are blind to goodness and honesty.

Vampire Owl: These had ceased to be considered qualities of humans long ago.

Vampire Bat: Well, evil has always been easy to find among humans.

Vampire Owl: There is a famous quote attributed to Dr. Frankenstein related to the same.

Vampire Bat: Mr. Frankenstein has no quotes relevant to us. We should only refer to Uncle Dracula for interesting and useful quotes.

[Gets a chicken curry puffs and three cups of Yercaud tea].

What is the movie about? :: Vignesh (Ajay Karthi) is a rationalist who tries to live life in his way, just arrived in Chennai from Bangalore for a few months for his work. Despite his family’s attempt to interfere, he decides not to stay with his uncle living in the city, and looks for a place to live near his office, even though he can also take the work from home option if necessary. While facing many problems due to his bachelor status, high rent and temporary nature of stay, he comes across a two-storied house offered at an unusually low rent by an elderly landlord who lives in the ground floor, Karunakaran (K. Bhagyaraj). Despite the owner’s warnings that the house has a terrible reputation due to three youngsters committing suicide there, Vignesh decides to take the option, believing in his faith in rationalism over everything else. There he also meets Karunakaran’s young daughter Priyadharshini (Anchana Nethrun) who does not show an interest in talking to him, and the father also shows no interest in introducing her as he is only bothered about having someone stay in the house for some time.

So, what happens with the events here as we just keep looking? :: While Karunkaran finds this three-month stay of Vignesh as an option to have people believe that there is no problem with the house, as different people had run away from the rented upper floor complaining about ghosts or some terrifying presence which haunted them. The whole neighborhood had considered the area to be a haunted one, but Karunakaran assures him that he had seen no ghosts there despite being always around, and still tells him that he can leave – the rationalist in Vignesh still decides to stay and even opt for more of work from home option. But soon Vignesh experiences sleep paralysis, terrible hallucinations and bizarre apparitions, and comes to know that one tenant there had killed the other two and set himself on fire, as he see burned people and moving shadows all around. The television gets switched on by itself and keeps playing the same song and the same books keep falling down the shelf and more follows. Now, he wonders if he remains sane, but further feels that he might in grave danger – can he escape from this terror?

The defence of Dark :: The movie focuses the most on psychological tension, and the same also helps in adding further to the overall red herrings, which finally ends in that effective twist. There is also no meaningless romance or humour added here that would have devastated the mood as we consider the fact that the movie is based on mood rather than anything else. The background score and some quick appearances of scary visuals keep us going, and keep the genre going with its classic values. The movie never really extends its stay either as less than two hours make its existence right within the time-period in which we have the attention. The premise was too good, and the first scene had really caught our attention, followed by a second level of terror, making us wonder how well the world can be determined from there. We can feel the possible eternity of horror with the early shock and scares being provided. There is that feeling when something terrifying is to jump out of darkness and create that memorable experience.

The claws of flaw :: The movie could have been more direct and the confusion that it creates in between blurring reality and thoughts, and connecting them with horror, does not work that well at all times. It often gets down to the familiar haunted-house formulas with the random strange noises, forced nightmare sequences and a tragic past which does not use the best advantage. The pace keeps varying, with some moments feeling rather strange, and often not suitable to go through the flow otherwise. The police investigation is also not given that much of a focus despite that being the source of information about the past. One still keeps wondering why a perfect closure was not given for the tale, and the ghost just seems to have been unleashed and left so to act too strange, even though there were many direct methods for the creature to unleash itself and do its work. A few better moments from the distant past could have also served well. This kind of movies should have always had the power of a detailed past, but the same is not served here – the twist also comes in a little too smooth manner.

The performers of the soul :: Ajay Karthi has us going through the horrifying journey with him, as he carries the full weight of the film. He shows a certain amount of physical and mental deterioration from the confident rationalist to a man caught in a supernatural web from where escape seems almost impossible – the change from a confident professional young man into an insomniac pushed to the edge of hopelessness and sanity is shown naturally. The pain of going from one extreme to the other is nicely reflected through his performance. Anchana Nethrun brings the surprise here, as she becomes the centre of a tragedy as much as going through the core of horror. Her performance shows some vulnerability and a certain amount of melancholy as the tragic history of the house slowly comes to light. The emotions work strongly whenever she is around, as the abiding sadness keeps creeping in. At the same time, Bhagyaraj brings the strength of a veteran older generation to the horror narrative, while serving on the realistic side. Natarajan Subramaniam brings the feeling of enquiry to the same.

How it finishes :: This happened to a surprise good horror that came out of nowhere, as we did not even know about the release of such a movie – yet, it falls short of where it should have reached in the end. The movie feels ambitious and could have been something like Demonte Colony with sequels as an expansion could serve really well, or at least move on the Pechi mode. The strong and emotional performances along with the quick shocks in the darkness almost got it there, but in the end, had it limited in scope. The pace problems with some predictability, and the limits of setting, without that much focus on the psychological side by the end, has us asking for more. The scary side surely had some fine initial push, especially with those moments in the beginning. With better focus on the world and by spreading the evil, this can still gain more through some well-made sequels. The attempt at divergence and experimentation that comes though are to be appreciated here, and other movie industries also need more attempts at horror.

Release date: 3 July 2026
Running time: 110 minutes
Directed by: Kalyan K Jegan
Starring: Ajay Karthi, Anchana Nethrun, Natarajan Subramanian, K Bhagyaraj

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✠ The Vampire Bat.

Salmokji

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Vampire Owl: I once knew a smart vampire with this name.

Vampire Bat: This is not a name for any kind of vampire.

Vampire Owl: But vampires can take on any suitable name as desired.

Vampire Bat: You should know that some names are more suitable than others.

Vampire Owl: Our realm takes all names with respect.

Vampire Bat: You can’t name a vampire as a mosquito just because both drinks blood.

Vampire Owl: I do not see a connection between the two cases.

Vampire Bat: Well, vampires make the best connections.

Vampire Owl: I know that Dr. Frankenstein makes even better connections.

Vampire Bat: Mr. Frankenstein lacks connection in his head. Even Uncle Dracula knows the same.

[Gets a wonder cake and three cups of black tea].

What is the movie about? :: In a digital street-view mapping company, the people-in-charge finds out that some area in the footage they are using to be blurred, right at the edge of the foggy and deserted area near Salmokji Reservoir. Facing a deadline which needs quick resolution, Producer Han Su-in (Kim Hye-yoon) volunteers to lead a field crew to the reservoir to re-shoot the coordinates and remove the glitch from their map, as her senior was not able to do so. Su-in reaches the place with a small production unit, including her junior colleague Woo Gyo-sil (Jang Da-ah) and camera crew members Director Choi (Kim Jun-han) and Assistant Director Min (Kim Young-sung). As they try to mount the 360-degree cameras to their vehicle, the weather does not seem to be that good for their work. There are also some strange optical distortions, and the vehicle’s navigation system is also not working that well. There are some strange frequencies which bring some murmurs, captured in their devices too, while some of their equipment goes missing.

So, what happens with the events here as we just keep looking? :: Su-in’s support and former boyfriend, Yoon Gi-tae (Lee Jong-won) drives out into the countryside to deliver new equipment and help the confused team, after she made a call to the Head Office. As Gi-tae reaches Salmokji, he finds out that it is too late for a shoot as total darkness has enveloped the area, and with the crew’s communications not working, it would not be easy to find them – they would still need to complete the shoot by early morning so that the same can be uploaded before office hours begin. Meanwhile, the strange reservoir begins to work on the team’s vulnerabilities, bringing some confusing and at times terrifying acoustic hallucinations of drowning victims, and the voices of their loved and deceased ones also come into the picture. They try to leave the area, but the map only keeps leading them to the same place, and they wonder if the strange woman whom they saw on the way with stones had something to do with all of these. Can they escape what seems to be a force of nature or will they be killed?

The defence of Salmokji: Whispering Water :: The darkness used in the strange abandoned area nicely works, and the use of the water and its related evil presence keeps the movie going strong with that touch of fear – the same is amplified with the sound effects which works so well; the moments of throwing the stone to the other side and it coming back in another form quickly caught our attention. Then, the first appearance of the thing out of water and the police scenes remain memorable. The climax is unexpected and nicely brings the horror back, and even nicely sets the world for a possible sequel. As this is supposed to be based on real urban legends based on a reservoir and water, things only get more interesting, as we consider the history behind the same. Unlike those found-footage movies which managed to get more attention than they deserved, the devices including the cameras and videos are used in the best manner without getting overdone or standing in the way of the overall mood. Some shots seem to be done to maximize the effect even with minimum special effects.

The claws of flaw :: Despite the scares being present, we do feel that some of them are just forced, and serves more or less as the quick jump scares which come out of nowhere just for the sake of being there. The characters are not that detailed, and most of them do not feel that smart when we look at them from a distance. A lot of background surely goes missing around here. The supernatural entity along with the mythology in which it stands, as well as whatever folklore or urban legend it is based on, remains mostly unexplored, which leaves the movie with an incomplete feeling. One would feel that some kind of exploration related to the same will be around in the last moments, but the same is not there to be found. We have kept looking for the same throughout the movie, and by the end, we get so close, but we see things going the unexplained way again. Sometimes, the camera also goes strong, and not that interesting to follow. A few more moments that goes back to the folklore with a flashback would have served well too.

The performers of the soul :: Kim Hye-yoon remains strong at the core of the movie, with an emotional side that works well with her. She does not go with the typical horror scream-queen tropes, and instead goes for calmness and exhaustion that follows. Her depiction of a certain emotional overload facing hallucinations works really well. She would make a fine part of a usual horror movie as well. Lee Jong-won’s support is to be noted, as he remains the sanest character who makes more smart decisions than any other. Jang Da-ah seemingly brings the less experienced younger member to life, and there is also a certain amount humour that goes on with a certain cuteness factor; she is also someone we hope to see surviving. Kim Jun-han as Woo Gyo-sil brings some more horror with a different character that comes into the picture with some mystery behind his actions. There is always something about this character who goes multi-faced. Kim Young-sung as Song Gyeong-tae had something to add as a strong character too.

How it finishes :: The movie goes through a smooth Korean folk horror journey even though it does not bring anything that grand or divergent in character. There are moments that make it stand apart from other horror movies, and it surely has enough scares to make an impact despite the idea being not that refined to make the best impact. The performances being good surely supports the cause here too. The reservoir here is not just a spooky set piece, as it is successfully transformed into an ancient presence that brings unlimited horror, even though not that much explained or unleashed as one would have wanted it to be. This would have been Korean horror’s most effective slow burn folk-horror with a little bit more attention, but we do not see that much of an effort here. But we know that we get enough dose of scares around here, and there is a certain amount of satisfaction related its divergence. The movie is available on Amazon Prime Video among those other horror movies of the year, some of which are not even worth being categorized into that genre, and is surely worth some attention.

Release date: 17 April 2026
Running time: 95 minutes
Directed by: Lee Sang-min
Starring: Kim Hye-yoon, Lee Jong-won, Kim Jun-han, Kim Young-sung, Oh Dong-min, Yoon Jae-chan, and Jang Da-ah

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✠ The Vampire Bat.

The Jester 2

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Vampire Owl: It is time we appoint a Vampire Jester in the court.

Vampire Bat: The times of vampire entertainers are over in our world.

Vampire Owl: You think that Uncle Dracula would not need one to keep him not so serious?

Vampire Bat: I think that you are talking about the Vampire Clown.

Vampire Owl: I object to that usage because they call Dr. Frankenstein by that name.

Vampire Bat: Mr. Frankenstein has always been a clown of science.

Vampire Owl: You know the greatness of the scientist Frankenstein soon enough.

Vampire Bat: Please keep the castle out of strange pseudo-science and related experiments.

Vampire Owl: I would have liked the castle to have all the credit for great experiments.

Vampire Bat: There is no greatness in fake experiments which bring nothing useful.

[Gets a parippu vada and three cups of Wayanad tea].

What is the movie about? :: A Halloween night begins, and a terrifying mute figure wearing a scary clownish mask and an orange suit is shown to kill a man at night in the streets after showing him a magic trick, and this happened after he had caused the death of a young man at a costume party after a little performance. This man of illusions and magic tricks, the Jester (Michael Sheffield) keeps walking through the streets, seemingly look for more victims. At the same time, a lone teenager Max (Kaitlyn Trentham) decides to get out of her home to walk through the streets wearing an oversized top hat and a hand-stitched magician’s tailcoat, staying close to the mood of the season and following a trick and treat model. Max has always been a social outcast, bullied all the time by the friends who study with her, and she is also not really liked by her mother and sister, both of them considering her to be too weird and not mentally grown up enough for her age. Her only place of refuge is an antique magic shop managed by Willie (Dingani Beza) who has served as her mentor, also teaching her some tricks of illusion in the process.

So, what happens with the events here as we just keep looking? :: As she sits at a diner all alone at night, on the opposite seat, the Jester arrives to sit in a friendly manner. As he takes out a deck of vintage playing cards, and tries to go through his usual activity, Max recognizes the idea of the illusion, and as taught by Willie, she brings a counter-trick, and beats him in his own game. The Jester finds theatrical routine falling apart and deeply enraged by a teenager beating him, slams his hand on the table and leaves as she wonders about what just happened. She finds out that the Jester is a supernatural entity who has turned the entire neighborhood into a location where he is going to perform through a night of blood and gore. He stalks local residents, and darkness has become his ally, with Halloween masks an added advantage. Max witnesses one of his acts of brutality as she goes with him as he had invited him to go to a home for trick and treating. She understands that this is something supernatural.

And what more is to follow here as horror makes more claims in the Halloween night? :: She tries to escape from him, but ends up in a strange place under the control of the Jester where he explains that he needs her to join him and perform tricks instead of him as she had beaten him in his own game of illusions. Only then, he can claim souls this time, and she has to lead the way. She instantly disagrees to the same, but then learns about the consequences which would lead both her souls to eternal torment as a result of a pact which he had made with an evil entity whose existence goes a long way back. She partially agrees to help him by leading him to the people who bullied him earlier and provide him with their souls. But when she reaches one of such victims, finds herself unable to have the Jester murder him. But with time running out and the Jester determined to claim souls and with her own life at stake, she has to find an alternative, as her family is also targeted by the evil entity of Halloween. Can she escape from this situation which seems to be inescapable from all known angles?

The defence of The Jester 2 :: The movie stands tall with Michael Sheffield’s work as the Jester at its strongest. His silent theatrics in the orange suit and scary mask give him a genuinely striking visual presence reminding one of tricksters and evil clowns. Kaitlyn Trentham also nicely blends in here as the girl who seeks for a better situation in life, and at least to be considered a person of importance. She will make a big impression as a scream queen with more horror movies. The Halloween mood also brings the aesthetic with street carnivals, people in the classic costumes, neon-lit small town and spookiness never leaves, as the visual score remains high. Instead of remaining just a mindless slasher, the attempt to weave in an emotional core about loneliness can be seen, and the Jester is also more than what meets the eye. The magic and illusions getting into murders also have our attention, as the usual random murders are no longer at the main focus. The twisted world keeps us feeling that there is something about it than what meets the eye.

The claws of flaw :: The movie seems to have a certain amount of confusion about what kind of an entity Jester really is, as we find him as many different things at once, and in the end, he is taken apart rather too easily despite being such a creature of evil and darkness set in a world of chaos and illusions – he could have been a force of nature from the abyss of evil like no other. The Jester could have been that kind of a creature bigger than all evil clowns as we have seen in It or Terrifier. The lack of pace also brings some worry in between. The presence of uneven CGI along with those visual tricks keeping itself cheap might be because of a lower budget – much more could have surely been achieved. The dramatic side with the mother-daughter could have been stronger with more moments, and sisterhood elements also deserved something better than what we had around here as just a quick scene and references. The mentoring with the magic and some stylish illusions would have also made a classic background.

How it finishes :: There was always a lot of scope with this kind of a premise, and we had hoped for more. Yet, this remains interesting throughout its run, even when things slow down a bit. The Jester 2 rests mostly on the strength of its visuals with the atmosphere and some nice tricks, along with the performances from those who plat the protagonist and the antagonist. We can hope that the ritualistic purpose of the creature gets expanded on another day with one more sequel, or a prequel from a long way back, as this is one concept that can keep the horror strong. Facing a seemingly unstoppable force from the depths of unknown will always have our attention. A future sequel with a bigger budget can bring something to remember for a long time. For now, it is available in both Amazon Prime Video and Jio Hotstar, making sure that we have nicer slasher from two of the best OTT platforms available in India. After all, these are the kind of platforms which we use more due to special offers which come from mobile phone recharges and other sources.

Release date: 17 October 2025
Running time: 90 minutes
Directed by: Colin Krawchuk
Starring: Michael Sheffield, Kaitlyn Trentham, Dingani Beza, Jessica Ambuehl

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

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@ Cemetery Watch
✠ The Vampire Bat.