Silent Night

Vampire Owl: We have always wished for silent nights in favour of vampire activity.

Vampire Bat: Vampires have always hoped for silence to keep on hunting, that too in a flash.

Vampire Owl: For vegetarian vampires, we do hunt really well.

Vampire Bat: We have hunted evil better these days.

Vampire Owl: Yet, humans consider us to be evil.

Vampire Bat: There will never be bigger evil than humans. Their evil returns every time and rises like a phoenix.

Vampire Owl: Well, we are yet to find a good human during our visits to their lands.

Vampire Bat: But serial killers are too easy to find, especially on the 11th day of terror. We are watching them at all times.

Vampire Owl: They call these people psychos, but this cruelty comes natural to them.

Vampire Bat: There are always much bigger modes of cruelty among humans. Just make a call on the vampire phone.

[Gets some tacos and three cups of taro tea].

What is the movie about? :: On a Christmas evening, a child is seen traveling by car with his parents from his grandfather’s place and their vehicle is seen as stopping on a remote road. A man dressed as Santa Claus arrives in another car and murders Billy’s parents in front of him. The killer, who is also stabbed, is revealed to be Charlie (Mark Acheson). As the child comes into physical contact with Charlie, an electrical surge appears to pass between them, and there seems to be something which has passed on from the dying killer. As the child grows up, known to the society as Billy Chapman (Rohan Campbell), he is seen as taking over the duty of committing murders while wearing the costume of Santa Claus during the Christmas season. The idea goes like this – during each Christmas, he begins hearing Charlie’s voice urging him to punish people who have been evil, and from then he would need to commit a murder for each day leading up to Christmas. There will be no failure to follow this particular procedure.

So, what happens with the events here as we just keep looking? :: After committing a quick murder at a motel, Billy escapes from the scene to avoid suspicion and arrives in the town of Hackett. There he becomes instantly interested in the beautiful, but angry lady of the town Pamela Sims (Ruby Modine) and her father Dean Sims (Lawrence Brown) who runs a gift shop. He gets a job in the same shop, and gets closer to Pamela, finally beginning an intimate relationship. But he never really losses his skill in murders as new victims is found and killed without remorse. A local police officer and Pamela’s abusive ex-boyfriend Max Benedict (David Tomlinson) is not happy about Billy being around her, and also develops suspicions about the new person moving into the town after which too many murders happen at the same place. But it is revealed that there is some other series of incidents happening in the same area, with little kids going missing one after another. There is a suspected abductor referred to as “the Snatcher”, but it is to be seen how the incidents go on as Christmas gets closer.

The defence of Silent Night, Deadly Night :: The slasher horror mode activated very quickly with this one, not really wasting that much time. The protagonist here is a tragic anti-hero who is forced to go through what he does, rather than the usual supernatural or psychotic villain, and that surely brings a change from the usual. There is time spent in exploring his trauma and motivations, which makes the character more relatable. To add to it the same, there is a mythology, supernatural elements and mystery involving missing children. The horror effects work well with the blood and gore, as one would expect from a slasher horror movie, and deaths become natural part of the film with ease. The killing are also justified for a change, instead of making the whole thing random or a case of revenge like some other flicks. The holiday mood can also be felt with the Christmas elements around, and the ending nicely supports a sequel which could have further variety with the kind of serial killer it develops with the finish.

The claws of flaw :: Silent Night, Deadly Night feels absurd even for a slasher horror movie with its content which does not innovate, or chooses not to bring some nice creative elements. There were many moments which it could have made more interesting, especially by adding usual elements of the genre which have been going through a classic path for a very long time. The question about what special elements this one brings or what it brings as part of the genre, would need better answers here. There is also a certain amount of extra complication that comes with some of these additions here, and the background tale with the mythology is not that much thought about. There is the slow pace and drag that comes in between, and the romance is also not going too deep, and never being emotional enough. The strange ideas are not that much explored, and we feel the need during regular intervals. Many viewers could feel that there is something missing around here, as the movie seems to just go on as it wishes to, and thinks not that much about connections.

The performers of the soul :: Rohan Campbell makes the main character memorable, and worth being the Christmas killer that we would need to follow. There is something more than a serial killer or a murderous psychopath about him, as more aspects of the character are nicely shown by him. A man with a deeply damaged childhood and never-ending emotional conflicts also with the trauma and violent impulses, remains safe in his hands while going through vulnerability and terrifying menace. Ruby Modine makes her character interesting, and there is something about the same all the time, and might have even more to contribute later in a possible sequel – there is a lot that a scream queen in a slasher can do. There are violence and darkness in her, which she manages to display with a charming ease. Her scenes bring some of the most emotionally grounded moments to the movie, and elevate the whole thing. Mark Acheson has a more unusual role, but contributes nicely to the film’s dark and supernatural elements.

How it finishes :: This serves as the second remake of the 1984 film with the same name, after the 2012 reimagining of the same. The audience who enjoys traditional slashers focused mainly on the brutal kills and other elements may find the added mythology and the strange emotional storytelling distracting, as deviation from the usual ideas is surely present here. This is not your classic old slasher of nostalgia and memories for sure. But those who are willing to accept its strange mix of genres are likely to find a surprisingly engaging work with a divergence. Despite not sticking to a classic tradition, it remains a solid Christmas horror film that will probably appeal most to a certain kind of audience. One would guess that making it interesting for all kinds of viewers was never really the idea with this one. Still, we are having the slashers in this world which is going after nonsense because it pretends to be funny, and that much is hope with feathers. Something more sinister might still be coming in a sequel.

Release date: 12th December 2025
Running time: 96 minutes
Directed by: Mike P Nelson
Starring: Rohan Campbell, Ruby Modine, David Lawrence Brown, David Tomlinson, Mark Acheson

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The Running Man

Vampire Owl: I have been wondering why humans keep running so much in their lives.

Vampire Bat: They search for meaning in their lives, but finds nothing in the end.

Vampire Owl: You mean to say that there is no hope for humanity.

Vampire Bat: Well, humanity never really had any hope.

Vampire Owl: I remember watching that old movie with the same name.

Vampire Bat: Well, we had also read the book with the same name.

Vampire Owl: Stephen King movies have often struggled to make an impact in the last few years.

Vampire Bat: Yet, Doctor Sleep was one of the greatest among them.

Vampire Owl: There are always It, Pet Sematary, The Monkey, Carrie, Salem’s Lot and others too.

Vampire Bat: We cannot expected all such adaptations to be classic horror stories.

[Gets one M&M McFlurry and three cups of mint tea].

What is the movie about? :: In a not that distant future United States of America, an authoritarian media network takes control of the nation while focusing on patriotism and the need to keep the country safe from its usual and common enemies, some of the inside and the others from outside. Most of the citizens of the United States live in poverty with minimal access to healthcare which leads to a high infant mortality and most children not even born among the majority who lives with minimum low wages. Most people are busy with the meaningless and unreal violent game shows and absurd reality television. The most popular programme running in the nation is The Running Man, hosted by Bobby Thompson (Colman Domingo), which has three runners selected with a big opportunity to win a billion dollars by surviving 30 days while being hunted down by five hunters selected by the media team itself. They are led by the furious Evan McCone (Lee Pace) as they are allowed to take any step to end the runners, while citizens are also provided with opportunities which would bring them rewards.

So, what happens with the events here as we just keep looking? :: Starting with thousand dollars and a twelve-hour head start when they are not attacked by anyone, the runners are also required to video tape themselves and send to the media office or else forfeit their earnings and more viciously hunted with no rewards. The murder of the hunters would also bring rewards to the runners, raising their earning by a long way. This is where Ben Richards (Glen Powell) attempts to join, as he is not able to buy medicine for his little daughter after being blacklisted for union activism which had him standing for the other workers, leaving him jobless and not able to care for his family. He had planned to join a game with lesser risk, but was drafted into The Running Man with Jenni Laughlin (Katy O’Brian), a seemingly confident young woman in his neighborhood and Tim Jansky (Martin Herlihy), a nerdy character who seems nice to everyone. Despite trying to back down, Ben is made to agree to the offer by Dan Killian (Josh Brolin) with an amount which he had never seen in his life, despite his wife Sheila Richards (Jayme Lawson) warning him against it.

And what more can happen in this world of future chaos with no real hope for humanity? :: Despite giving a safe house to his family and also providing an advance, Ben is shown as an enemy of the state to the audience and his wife’s moral side is also questioned, much to his dismay, as he promises to be back and give them what they deserve. But he would have no time for anything, as his time started, with all three contestants keeping on running through their own paths. With the help of a disguise taken from a friend, he goes to New York City and manages to start there by staying in a hotel right in the middle of the city and blend among the crowd with his changed looks. He watches Tim wandering in the city as it is shown as part of the show in television, and as he just goes through a normal life, is shot dead by the hunters bringing excitement to the audience who call for the blood of the other two runners. Ben who gets scared about the situation, and not sure about his safety in the big city anymore, decides to escape to Boston. But would that save him from the hunt or will be able to finish the hunters instead?

The defence of The Running Man :: The dark and possible future of the world and with a feeling of Stephen King’s novel, this one makes us very much interested in the movie which also has some nice chase and fight scenes. The world has been very nicely created, and we see how will it suits the situation, and there is a certain amount of charm even to its dark side. The charisma and intense physicality of Glen Powell as the desperate hero of his family manages to keep the movie strong. He had to do something extra to match the original hero and he comes close. Josh Brolin becomes the true antagonist whom we will remember for that terrifying face within that visage. Colman Domingo’s energy makes this even more suitable for its premise and genre as that works so well. Among the ladies, it is Emilia Jones who scores the most, and she is that character whom the audience will fall in love and even brings a certain amount of humour here. They fit nicely into this dystopian society which is obsessed with the circuses of ultra-violent television while being told what to do and made to struggle by the ruling class with the help of the reality shows which reflects the world differently.

Positives and negatives :: There are some classic moments from Lee Pace, but that comes a little late for our liking. The fans of the original might not feel that this matches, due to the absence of Arnold as the man of unparalleled strength. There were still opportunities for more, as the other runners could have also had focus, especially that of the lady runner who was doing so well. The emotional side of the wife and kid works less here for some reason, and the wife role seems to be dismissed as an irrelevant one with Emilia taking over as the lady who decides to switch sides to save the hero. The 1987 version, despite its own deviations, had a more heroic version of the same, and it is only natural that people would prefer that Arnold version, as his work with the fights would also be more believable as he is provided with that kind of a past; the female lead in that movie also had that unparalleled presence in the film, but not anymore. The final battle in the flight could have also been bigger, and the lack of a huge spectacle makes sure that the movie struggles even further.

How it finishes :: Those who have watched that older version might wonder about the necessity of having this one around. There is the world that we have seen before, brought to the big screen again in a similar, but different form. There is the action and thrills in a fine world, and we are entertained enough to be interesting in the movie throughout its run. But when the familiar scenario keeps getting repeated, people will wonder if how much of the same returning to the screen and what all not being adapted from the novel would be the right thing for this kind of movies. The movie remains visually striking and adds to the Stephen King adaptations which have done a good job on the screen, but it was surprising to see it not going too good at the box-office – well, we never really go to know if the movie even released at this part of the world, and one has to guess that due to those lower quality imitations released in different languages in India, with even post-apocalyptic worlds cheaply imitated. This one is superior to those movies which ridiculously copies elements from Hollywood and other languages and presents them as their own, but does leave the audiences slightly wishing that the creative strength here had run stronger, but most of us would be happy with what is found here. Then there is the message against government control.

Release date: 14th November 2025
Running time: 133 minutes
Directed by: Edgar Wright
Starring: Glen Powell, William H Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Katy O’Brian, Sean Hayes, Colman Domingo, Josh Brolin

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Pongala

Vampire Owl: I did not know about this movie being released then.

Vampire Bat: Well, just some movies take all the hype in this world.

Vampire Owl: Most of those hyped movies are like good for nothing too.

Vampire Bat: Unless those collections come down, there will always be such movies.

Vampire Owl: Such movies will never be hits in the vampire world.

Vampire Bat: You know that vampires will never create such big movies, but will have content.

Vampire Owl: Only in our world, there is quality about everything.

Vampire Bat: You know that even the smallest stone of Dracula Castle is shaped in quality.

Vampire Owl: Uncle Dracula is never known to make mistakes, you know.

Vampire Bat: The Vampire Elders have given assurances to him towards infinity.

[Gets a gobi paratha and three cups of Bandarawela tea].

What is the movie about? :: Aby (Sreenath Bhasi) is a man who had to go through a lot of crisis and trauma during his early life, as his father Joseph (Alencier Ley Lopez) had owed a lot of money to man named Lawrence (Sudheer Karamana). This man had come into their home to sexually assault his mother, he had to fight as the elder child, and the situation led to the intruding man getting killed, for which he had to go to correctional home life followed. From that day, his father had gone missing, and he had to take care of his family including his mother and younger sister from the moment he returned from the correctional home. It was not an easy task for him, and he joins the gang of Sabu (Baburaj) a local fish monger and gang lord who has his own violent ways of dealing things and maintaining his business over everyone else. Aby quickly proves his worth in street fights, as he rises through the ranks of Sabu’s goons to become his most trusted henchman. At the side of Sabu’s brothers Biju (Kichu Tellus) and Baiju (Indrajith Jagajith), he remains a force to reckon for. They maintain a iron-fisted monopoly over the harbour of Vypin.

So, what happens with the events here as we just keep looking? :: Despite things seemingly in a violent, but profitable manner, Aby remains a stoic young man who does not care about many things, and seems like a man without feelings for the people of the village. During this period of random fights, a woman from the neighbourhood named Linta (Yami Sona) keeps following him, and tells him that she is in deeply in love with him. Though Abhi remains to be stoic and focused on his responsibilities, Linta who does not stop following him becomes a part of his life, as she is the best friend of his sister and also keeps visiting their home. At the same time, one of Aby’s close friends, Martin (Surya Krish), has a hidden crush on Linta, which she never reveals to his friends or her. Things then take a further twist when Sabu attempts to sexually exploit the vulnerability of his former classmate, a woman who used to be his classmate. Sabu, Biju and Baiju also begin expanding their criminal enterprise into illegal drug trafficking which leads to further rift being formed with Aby, despite his effort to keep peace between him and his childhood friend Biju. Will there be peace or will everyone turn against Aby without mercy?

The defence of Pongala :: The movie’s natural backdrop of the Vypin fishing harbour within Cochin provides an authentic and atmospheric feel – the visuals support the same really well. The initial scenes which go longer with a few flashbacks could nicely bring the situation to the picture without much of a difficulty. In this world, the action also happens well, but in simple manner, despite the leading character’s heroics. There is no attempt to follow that absurd nonsense flying and slow-motion of the so-called superstars who look like balloons and rockets while getting claps from the dumb and brainless fans who celebrate their famous stars destroying SUVs, cars by trying to throw villains on them or out of them and enjoy broken vehicles. The songs are fine and the music remains effective, as the mood of the movie in that setting has been maintained well. The actors nicely get into situation and keep the movie going without any trouble. It is always good to see the less explored areas in the industry getting attention too. Even though it was not much known during its release, the OTT should do well for the movie.

The claws of flaw :: The plot seems to have been somewhat inspired from the predictable, pre-2000 revenge tropes with gang wars even though it is shown as happening much later at the same area. The dialogues also feel somewhat dated and uninspired for these times. There are also so many fights which the hero wins with unparalleled ease, and it is not something we would expect from a man fighting so many people at once and when battling terrifying antagonist who comes with such a build-up. The one-man army mode feels outdated even though the fights and more like a street fight and therefore more realistic than those infinite slow-motion fight scenes create for those superstars in the name of style or rather dumb nonsense created for the brainless fans. The romance also feels like not given the full strength and the focus there seems to be not on love, but a past and sympathy. The predictability in the movie can also be seen at times, with the movie going through what we expect on more than one occasion.

The performers of the soul :: Sreenath Bhasi leads the way in a convincing way here as he moves away from his earlier roles by a long way and delivers a committed, physically agile and intense performance as a stoic action hero who doesn’t show fear in his actions. He has surely come a long way, and the signs of the same were already visible in a few other movies which released earlier, and this one reiterates the same. There is something about Baburaj in this kind of movies and with similar roles which pose no challenge to him – this one is also a more controlled performance from him rather than the usual antagonists. Kichu Tellus also has a role which is familiar to him and leaves him any difficulty. Yami Sona is a lovely addition to the movie, and this feels like the first time I am seeing her in a movie, and she does her job really well, even though we do not see her that much as we wanted in the movie, and the romance should have had a better focus than just her forcing it upon the situation. Sampath Ram has a fine screen presence, but does not get that much to do in the movie other than talk, following by contact on mobile phone. Alencier Ley Lopez only has a limited role here too. But Sadiq Mohammed has a notable presence and it is a role in which we have seen him multiple times, as he shows no struggle with it.

How it finishes :: It is clearly seen that the movie does not try too hard, as it follows an idea which has been tried so many times. The action works well, and we enjoy this as another old model movie which never really tries too hard. The predictability will hold it back and repetitions will do the same, but it keeps us interested from the beginning to the end. The atmosphere of the Vypin coastal belt and harbour brings a breathing character of its own. Sreenath Bhasi as a stoic becomes a fine action hero too. This adds to his versatility and carries the movie’s action sequences almost entirely on his shoulders. The attempt at the revolutionary side would not work, but taking the movie back to the working class who are actually hardworking itself has been a tough thing, and the movie has made that happen without any character who is lost in the internet – such movies are rare when taken in a big city, and that much is achieved. But with a little bit more focus and a shorter length, this one could have done wonders as there were nice opportunities for a fine twist and one villain who could unleash himself in a grand manner.

Release date: 5th December 2025
Running time: 138 minutes
Directed by: A B Binil
Starring: Sreenath Bhasi, Baburaj, Kichu Tellus, Sampath Ram, Sadiq Mohammed, Alencier Ley Lopez, Yami Sona

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Anaconda

Vampire Owl: So, we are back to having some snakes around too.

Vampire Bat: We have been the fans of some nice anacondas in the past.

Vampire Owl: Do you think that there can be a vampire anaconda?

Vampire Bat: We do not take snakes in the vampire team anymore.

Vampire Owl: What section of the vampire rule book says so?

Vampire Bat: The new set of rules will be coming up soon.

Vampire Owl: Dr. Frankenstein approves of such vampires for sure.

Vampire Bat: Well, Mr. Frankenstein is the only man who knows nothing.

Vampire Owl: Frankenstein is a man of great knowledge.

Vampire Bat: Uncle Dracula knows the man a little too well to allow him here.

[Gets a kadai paneer dosa and three cups of Peermade tea].

What is the movie about? :: Jeff (Terence Yin) is a poacher who has been going through hunting adventures for very long, and is looking for something bigger this time. He focuses on tracking the legendary Crimson Anaconda which would make him so rich that he would not have go on a hunt again any time soon. He arrives in a forest to find the snake. At the same time, a circus in China is failing like many others. Lan (Nita Lei) leads the show with her performance called Naked Escape which is a water-escape act supported by water-escape. She has an underwater escape routine inside a large glass tank where she is tied up and thrown, and her friendly pet python is also part of the act. Li (Xingchen Wang) wishes to be the leader of the show as she performs high-flying acrobatic acts along with some balancing stunts, and often follows a seductive mode to keep the audience interested. Jiao (Gang Wang) plays the strong man of the circus with some heavy lifting and a boy Peng (Zirun Wang) who performs in a monkey outfit. As the audience catches that the monkey is not real, they also find out that the strong man is not carrying that much weight as it falls on them.

So, what happens with the events here as we just keep looking? :: According to the audience, Li’s performance is considered to be not enough and Lan’s performance is considered to be cheating as despite being called Naked Escape, she is fully clothed. As the circus is sold and the new manager Jin (Shaohang Xu) takes over, he is revealed to be someone with a past of working with the crew earlier in a lower role. Li is quick to try and seduce him while Lan decides to leave the circus immediately. According to him, there is a new show set in Thailand, and they have to travel on a boat through the rainforests of the country. After a lot of discussions, Lan decides to return, much to the dismay of Li who had hoped to be the charming leader of the show. While on the river, she almost succeeds in being the face of the circus by providing sexual favours to Jin but is disturbed by Wei (Hao Wu) who has been added as a zombie surprise to the circus, and is forced to put her clothes back on. They are stopped on the way by the waterway facing a block with some strange crates in the river.

And what is to follow her in the world of humans and snakes that follow? :: The group would need to turn away from the path and take a much longer route, which would take them a few more days to arrive, but their new manager is completely against the same. He tells them that they need to reach there within the stipulated time or they will keep losing money, as the show really need to start when required. He still hides the truth that he does not intend to do have any show, but sell the organs of the performers as part of his deal with the traffickers, as it was how he had become rich after leaving the circus. They decide to destroy the crates using a dynamite, but as they destroy the same with an explosion, a number of snakes from the crates fall into the boat, and Li is almost killed with snakes fall on her and runs through her clothes, only to be saved by Lan using a hose. Jin who is chased by snakes is saved by Jeff, and it turns out that he is looking for his anaconda in this particular jungle only. He also saves Jiao who gets a tiny snake inside his ear. He earns everyone’s trust with ease, but Lan remains doubtful. Now, are they going to be hunted be anaconda or will Jeff get to the snake even if he has to go through them?

The defence of Anaconda: Cursed Jungle :: The movie delivers some simple fun which reminds us of some of those older movies dealing with the same kind of situations. There is a believable location nicely built here, and we realize the same quick enough. The humour here is very much working, and the two ladies lead the way very well. Nita Lei and Xingchen Wang plays two contradicting characters, and this adds to the overall comic side of the movie, and the character of the former makes her the perfect scream queen to face some unlimited horror. The scares work with a certain amount effectiveness, especially with the quick snake attacks. The feeling of danger can be felt throughout the movie as nothing other than snakes seem to have a say in the jungle or even in the river right in the middle. Terence Yin also makes a strong, sinister villain that never seems to step back from his mission. One keep feeling that the change of setting and characters from the Americas to the South-east Asia has only helped the franchise. This reboot of the movie can be said as something which has saved the franchise.

Positives and negatives :: The movie feels too short, but it is also its advantage as there is no dull moment in there. Along with the action and the use of snakes, the movie uses its fine greenery to the advantage. The snakes do not look that perfect all times especially with its movements and attacks, but it might be the best we have had with giant snakes in a long time; there are moments when the snakes look some extra believable, as we feel that China has used the budget much better than any other nation not just with this particular movie, but also with a few others. Then there is that scope for sequel too, and with the leading lady surviving as expected, the same would be a great watch. Still, we keep wondering why the movie did not use the special skills of the circus-based characters here, and at least the art of escape and acrobatics could have been put to the best use, even though not in the highest form. There are also those predictable ideas of horror happening around here, with some repetitions, especially as it seems to follow that usual horror formula – yet, the same remains entertaining as much as interesting.

How it finishes :: This movie is the first of its franchise which is not in English, and is also the shortest among those films. As it introduces new types of anacondas to the franchise, the young cast from China nicely adds some fine humour as much as the action. This world of the snakes is nothing less than realistic while staying within the world of horror. As the fear is generated effectively, we are only glad to see the Anaconda franchise back running as we keep wondering if Lake Placid will also return soon with the Jaws. This is that kind of movie which will also bring some nostalgia back to us, as the many movies of this franchise has kept coming to us through Times Now channel. Whenever we think about a creature movie, this might be the first thing that comes to our mind, unless it is full in water, as sharks often take the first spot. With the scope to wander through both water and land, this snake, with a team of many others, serves the purpose really well. Then you also remember that there is nobody better than the Chinese to come up with a surprise classic with so much grandeur, something which was done earlier with The Wandering Earth.

Release date: 23rd January 2025
Running time: 84 minutes
Directed by: Xiang Qiuliang, Xiang Hesheng
Starring: Terence Yin, Nita Lei, Xingchen Wang, Gang Wang, Zirun Wang, Shaohang Xu, Tat-Wah Lok, Paul Che

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@ Cemetery Watch
✠ The Vampire Bat.

Fear Below

Vampire Owl: Things that we should fear would not come from below.

Vampire Bat: So, you are looking for the flying fears from above.

Vampire Owl: I feel that the dead below are less scary.

Vampire Bat: There can always be the shadow demons from the underworld.

Vampire Owl: The underworld does not qualify as from below.

Vampire Bat: They are surely located deep underneath us, and you can even see them as a warning.

Vampire Owl: Shadow World of underworld is technically another realm.

Vampire Bat: Well, they are here now, in a series of underworld tunnels, beyond the red door of chaos.

Vampire Owl: The tunnels only serve as portal to another world.

Vampire Bat: Well, vampires do not shadow walk, but we are able to go through their world – connects them to ours as one, doesn’t it?

[Gets a packet of pineapple cream biscuits and three cups of Peerumade tea].

What is the movie about? :: In the late 1940s Australia, a team consisting of Ernie Morgan (Arthur Angel), Clara Bennett (Hermione Corfield) and Jimmy Barriakada (Jacob Junior Nayinggul) are part of the Sea Dog Diving Company, which is going through a terrible financial crisis. They have had training in the military during the Second World War or had won medals for their diving performances, but are not able to run the business due to tough competition in the field, and with a lot of people ready to invest money, they struggle, and hope that they can buy a boat to further support their cause, while competing better. It is then that they are approached by a mafia leader named Dylan Maddock (Jake Ryan) to retrieve a sunken car from the bottom of the river which has some very valuable items which he recently lost due to some careless driving. He provides them with a deal which would involve a lot of money and gives them an advance, but warns them that this much of cash is given for no questions being asked.

So, what happens with the events here as we just keep looking? :: It is revealed that he cannot go to the authorities and get a crane service to lift the car due to smuggled gold biscuits being present inside – he would be just happy with the crates holding the gold biscuits being taken to the land, and nothing more. They had not reported the accident too, as any forced help from people would lead to the gold biscuits being discovered. The plan is to make the divers go in and get the crates, and after that, to just murder them. Ernie is overjoyed with the proposal of so much money without knowing the danger behind the same, and so are his crew members. They make detailed preparations for the big job which has come to them after such a long time. They reach the place, only to find Clara being attacked by a bull shark underwater, but manages to come out without that much of a problem. But now, the shark remains a major problem, and the mafia is also getting restless. Can they find a way to get out of this crisis? And who will get to keep all the gold under the river?

The defence of Fear Below :: The film nicely adds a gangster story with what seems to be a shark horror from the posters, as the attempt to recover stolen gold from a river where a bull shark is ready to attack anyone who sets foot in there. The combination would itself feel innovative enough, as the blending works well here. The 1940s feeling with post-war effect remains a fine addition to the overall movie which uses the style to the best effect. The movie never really moves out of that feeling, even when we look closer. The whole thing does have a realistic rather than exaggerated feeling, with nothing impossible being given a push. The effects also seem to have not much computer-generated imagery, which means more of a feeling close to life. The shark does not have too much extra around here, as the situation looks like a usual crisis, never going too much beyond. The urgency is never really found in the movie either, as the simple world and simpler people will also stay around.

The claws of flaw :: Even with a shorter run-time, the movie does seem to have too much of wasted time, where there is nothing much of interest. The pace of the movie is not much as we keep looking closely, and all these things could have happened within a few minutes without using one and half hours. The predictability factor is always present, pulling the whole movie downwards. The action is also low in quantity, with the shark being present only for a few minutes of time. This had felt more like a shark movie from all its posters, but we see it just for some time, and the shark attack is also not that strong enough to leave an impact. The scenes underwater seem to be more or less without clarity with the water itself being not clear – comparing this to movies like Deep Blue Sea and Underwater or even Under Paris which have clear water visibility of waterbodies will feel like a crime. The budget might have been a problem here, not just with water, but also with showing more of the shark which needed to go beyond what seemed to be a guest role of a different kind. There are some supporting characters who feel rather weak too.

The performers of the soul :: Hermione Corfield here is coming up more with the cuteness factor than anything else, and she surely nails that side, but does not get that much of an action as one would expect from the lady lead who plays an expert diver. Despite being only one of the main characters, she maintains a certain amount of charm throughout the movie, making sure that she is the one character whom we all wish to see having survived in the end, no matter what shark or even whale or dinosaur comes through for the prey. She plays a determined and confident young lady, who is also looking at an uncertain future, but never losses hope in the way. Arthur Angel adds further emotional weight as the older man who is determined to make things happen and help his younger colleagues survive too – this is also a character we love to see around. Jake Ryan plays the gangster who remains a threatening presence through the crime drama setup of the movie. The support that includes Maximillian Johnson, does just enough here.

How it finishes :: Fear Below, despite blending different sides, manages both, but is often confused in the process, as if someone who is trying to find oneself in a world which has chaos on one side and opportunities on the other. From the posters, it is a shark movie, but as one reads about it, the focus is more on a few gangsters seeking their gold – the balance is not exactly there, but both sides do the job well enough. For a low budget crime thriller having a shark around, the whole thing might feel enough, but we have seen bigger movies made out of smaller budgets in our part of the world; guess not with where the movie comes from. It would feel fine if you are not really looking for that grand shark with computer-generated imagery to support the same. Well, some of us are never really satisfied by this much, especially with Amazon Prime Video being the platform, and the other films recommended with this one are quite bigger and having a higher budget. In the end, it all depends on the viewer to go for it.

Release date: 15th May 2025
Running time: 85 minutes
Directed by: Matthew Holmes
Starring: Hermione Corfield, Jake Ryan, Jacob Junior Nayinggul, Arthur Angel, Josh McConville, Clayton Watson, Maximillian Johnson, Will Fletcher, Kevin Dee

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3BHK

Vampire Owl: This is the first movie we are watching on a flight.

Vampire Bat: I do like the choices of movies which they have in Emirates.

Vampire Owl: Do you remember the last time we travelled on an Emirates flight?

Vampire Bat: Yes, the Airbus A380, the largest of them all.

Vampire Owl: This time, they were running a Boeing on the route instead.

Vampire Bat: Well, some vampires can fly. So, it is not really a problem.

Vampire Owl: They cannot watch movies when flying, can they?

Vampire Bat: If you can hold your mobile phone and fly, yes.

Vampire Owl: That would most probably cause an accident too.

Vampire Bat: You know that there is enough magic in our world to have a glided flight, right? As long as we do not cross over to the science-guided human world which has been drained of its magic with too many destructive weapons and wars.

[Gets some French fries and three cups of Yorkshire tea].

What is the movie about? :: Vasudevan (R Sarathkumar), his wife Shanthi (Devayani), their son Prabhu Vasudevan (Siddharth) and daughter Aarthi (Meetha Raghunathan) had moved into a rented house near St. Thomas Mount of Chennai, and from here, their dreams could begin to develop into a stage of determination focusing on buying a house as rent kept rising even for their small house as the city continued to develop and spread. The largest city in Tamil Nadu had become so huge that it was a long way ahead of the second largest city of Coimbatore and showed no signs of developing among the top five cities of India. People were continuing to flow into the city, and if the family had to move out of the rented home they were done, which led to a need for a home to change from dream to reality soon. The situation was the same for most of the big cities of India, but as the most significant town city on the east coast of India, and with people also from neighbouring states working in Chennai, the rise was only going to be quicker as time progressed.

So, what happens with the events here as we just keep looking? :: The family begins to plan for the same, and they understand they have to save quite a big amount of money per month, along with selling Shanthi’s jewelry to reach their goal, as they prefer to have a home inside the city itself rather than on the outskirts which would still require them to spend a lot of time and money to travel inside for a better future with a sustainable job. Vasudevan begins to work overtime to meet the demands which feel a little bit out of the equation while Shanthi sells snacks to make sure that the savings are maintained at the required level. Prabhu struggles in his studies, and Vasudevan is forced to spend a certain amount of money for his tuition per month which reduces the savings. With the help of this tuition and also with the support of his crush, Aishwarya (Chaithra J Achar), his scores somewhat improve increasing the hopes of the parents in him contributing to the final savings after joining an engineering college and getting a job as soon as he passes out. But unexpected expenses come on the way and Prabhu scores low, while the cost of the house increases. Can the family somehow buy the house they wish to have in the end?

The defence of 3BHK :: It can be seen that the movie realistically portrays the struggles of common middle-class family trying to buy their dream house by respectfully and honestly raise money, making it easy for many viewers to connect with the characters. It feels like more or less that problem faced by the common man who struggle to live in a city. There is not much of those unnecessary commercial elements and the melodrama is also kept at minimum with the focus clearly on family emotions and everyday problems which make one feel that a responsible generation will connection this more than those dumb movies which have its young protagonists under the influence of drugs and alcohol, taking risks despite warning by authorities or living irresponsibly in schools and colleges while beating up their own friends in campus – but we know that those movies will score more at the box-office, and the best examples are among the top grossing movies in Malayalam movie industry whose audience used to have better standards. The movie here feels genuine and believable from the beginning to the end and for honest and reliable people, will bring tears to the eyes. The visuals and music remain interesting too.

Positives and negatives :: The emotional side might be the strongest for the movie as sacrifices are given importance – not like those movies about fake friendships powered by drugs and alcohol, for this one is about family and how it remains important in a life of chaos and hopelessness in a busy city. Those among the new generation or those just past that; those who have not had any hardships in life would not prefer this kind of movies, but it would be strange if someone never had any struggle, if not financially, then with academics or when trying to do the best for the family. The movie can also be considering slow moving and sometimes a little too emotional, but this is that kind of a movie which tries to stay on in the memories and with realistic situations and never letting go of faith belief and hope, it works well. Still, we see that there are too many hardships which the family has to face out of nowhere, and some of them seems to be in order to make the situation more and more difficult as time progresses, as hope is the thing with feathers and it waits for none, while flying away with those beautifully feathered wings. The length might still be a problem for some and so would be the repetition of problems, and romance could have been expanded.

The performers of the soul :: The movie has Siddharth in a role which connects to most of us who go through a struggle in one way or the other; forget the financial struggle, the job itself is a crisis as getting one would require a lot of the same, with these the freshers not given job for quite a long time, but when we get a little bit older, people keep searching for the stylish new-generation youth who can go viral so that the company itself will get some boost – note that many colleges are now preferring such girls who can do well online rather than teach, and those with PhD and NET are left behind. Well, Siddharth shows the struggle to get a job, stay in one without being too exploited and keeping himself there so that the home can be bought – then there is the romance which he has to choose or avoid as his family might need him to go through his personal way in a specific way too. R Sarathkumar as the fatherly figure reminds us of many elders who have sacrificed for their children and family and it is a really touching performance from him too. Devayani plays the motherly figure with affection as much as a loving wife while Meetha Raghunath feels like such a talent. Chaithra remains lovely, and with a performance to remember for her too.

How it finishes :: 3BHK is that kind of a movie which every common man who remains close to the family can relate to, with love and compassion. It is also that kind of a film which anyone from that generation of job seekers who had to struggle as a fresher when they passed out and now stare at the void when the viral freshers are preferred over them in a world where looks matter more than degrees, knowledge and wisdom. It is a sincere and emotionally driven family drama that captures the aspirations, sacrifices and anxieties of the huge Indian middle class, and it is done with effectiveness without relying on those commercial ingredients. These financial struggles, family conflicts, disappointments and the little moments of happiness which becomes the bliss of solitude for the common viewer feel genuine, and we connect with the characters, live with them and never misses out on the empathy. Having heart at the right place and all the honesty matters, but the new generation might still not like it, and those who do not want deep family dramas told in realistic manner can grow dislikes especially as the movie often slows down and repeats a few things in the long process lasting near two and half hours.

Release date: 4th July 2025
Running time: 141 minutes
Directed by: Sri Ganesh
Starring: Siddharth, R Sarathkumar, Devayani, Meetha Raghunath, Chaithra J. Achar, Yogi Babu, Subbu Panchu, Vivek Prasanna, Thalaivasal Vijay, Aarti Desai

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✠ The Vampire Bat.

The Gorge

Vampire Owl: I know such a gorge at the end of the vampire world.

Vampire Bat: It is the border of the known vampire lands.

Vampire Owl: Where do we reach if we cross that?

Vampire Bat: They call it the whisper to infinity.

Vampire Owl: There is no infinity in this world. Everyone ends.

Vampire Bat: Our immortality is subject to market risks. It is not the same for everyone.

Vampire Owl: You are talking about the vampire elders.

Vampire Bat: There could be creatures lurking under the border gorge.

Vampire Owl: Yet we leave that area unprotected.

Vampire Bat: Well, if any zombie is going to fall into it, let it better be underneath rather than at the surface. The shadow demons have already crossed over to the surface from the shadow world.

[Gets a paneer samosa and three cups of Wayanad tea].

What is the movie about? :: Levi (Miles Teller) is former United States Marine Sniper who is recruited by a mysterious woman for a special mission which requires his special skills as a record-breaking sniper on the enemy lines. He is taken on a flight to a remote location where he gets down on a parachute in the middle of nowhere. There he meets Drake (Sope Dirisu), a former British Royal Marine corporal, who was in charge of guarding a tower on the west side of a gorge. He explains that the location is kept hidden from the outside world by powerful cloaking antennas and he is not supposed to talk to the outside world about it. He adds that both the west and east towers are armed to contain some strange, monstrous creatures within the gorge, which they have nicknamed “The Hollow Men”. There is also the warning about “Straydog”, an unknown emergency protocol. He talks about the towers’ history which had that battalions of soldiers sent into the gorge in the late 1940s and none of them had ever returned. Drake who leaves the gorge is picked up by helicopter, but is not taken home as he is shot dead.

So, what happens with the events here as we just keep looking? :: Drasa (Anya Taylor-Joy), a Lithuanian sniper who is involved in covert operations assigned by the Russian forces gets a special offer for a year. Her father Erikas (William Houston) who was once associated with KGB, is now dying due to cancer asks her to go on despite Drasa not feeling that good about so many sniping killings from a distance. The offer that she gets is the same as what Levi had received from the mysterious person whose name is revealed to be Bartholomew (Sigourney Weaver). She is given charge of the eastern tower opposite Levi’s tower, fully armed and meant to stop the creatures coming out of the gorge, a position which has been held by so many people throughout the last few years. Levi who suffers from nightmares coming right out of his trauma tries to live by the rules including the ban on having any contact with the person on the other side. But Drasa contacts Levi with a writing which tells him that she does not care and that it is her birthday. With a birthday wish and following contact, they keep fighting the creatures coming up from underneath along with a lot of continuous talks getting them close to each other. But the secrets of the gorge might be the end of them, or will they survive this?

The defence of The Gorge :: The movie’s world is the first thing that catches our attention, as it is really well-created. The feeling that the two towers with horror in between keeps us excited from the beginning itself. A certain romantic side and the feeling of danger keep making an impact from two sides, while there are many heart-warming sweet moments as well as the surprising terror, making the two sides of the coin work so well in balance. The first point of contact between the two snipers is one of the most charming moments that one would ever see, and the quick twist see the danger, and then we see some more of those lovely situations which stay in our minds. The on-screen chemistry between the two is something that lasts since the first point of meeting itself, through the dangers, between all the shooting and explosions and more. As this one blend sci-fi, horror, action, thriller and romance in an unusual way, there is so much of freshness added here and we keep feeling the same throughout its run. The mysterious gorge setting, visual effects and creature and underworld designs are nothing less than classic in nature. What lies beneath gets the best of design as much as the view of the top.

Positives and negatives :: The movie could have had more moments of romance, and the cuteness factor often leaves too early. But we see that the action scenes are so engaging with romantic possibilities never leaving either. The final moments seem to get to that end too early and the climax gets a little bit predictable with a quick finish. Even though the background tale is nicely revealed and remains strong, it is not something new or that innovative – yet, they have made the whole thing look so good and made in a way in which it will remain strong and interesting. The birthday and dance moments are the cutest moments of the movie, and there is also that satisfying lovely ending which would make you hope for a sequel with these two. The battle underneath definitely makes the whole world gain in strength, and such a world could not be made with such quality and style in another movie. The setting itself is the one thing which made this happen. If these protagonists of the movie are not the most likable ones around as they set new meanings for long distance relationships, one can only wonder what else can be.

The performers of the soul :: The movie thrives on its performances as the leading cast make the whole thing so lovely and believable. We have known Miles Teller from Divergent, Insurgent and Allegiant making a trilogy, and that version of Fantastic Four which is not remembered in compared to two other more famous ones. Here, he comes up with a performance to remember for very long. Meanwhile, Anya Taylor-Joy is so lovely in such a way that she stays in our minds like a beautiful memory of a lost world. She was someone who started so well with her first flicks, The Witch and Morgan, followed by being a part of Split and Glass, and she made Furiosa: A Mad Max Saga a movie known as much as for her performance as it was for the action and world building. We know that she is also part of the Dune series, and we are sure to have more of her around. She could be the perfect Resident Evil protagonist, but Umbrella Corporation’s people seem to have other ideas even with reboots. She could also be in an Underworld reboot with the action skills. These two protagonists share such an onscreen chemistry that it is the viewer who falls in love. The two are just remarkable also in the action sequences as they were with those cute moments of romance together.

How it finishes :: The Gorge is the one movie which comes out of nowhere to make a huge impact while blending its genres as it hesitates to be limited to one thing or even two. While the film’s mystery leads to some genuine suspense in the first half, the later revelations and action-filled climax keep the movie at the same level, while never losing the romantic side in the process. The blend of romance, horror, action, thrills and impressive visuals make it a worthwhile watch with some genre-bending science fiction. The combination of Miles Teller and Anya Taylor-Joy is something that we will remember for a long time, as the movie keeps itself emotionally strong, with no dull moment at all. I would consider this movie as one of those rare flicks which appealed to us as part of all genres which it represented. The same is not an easy job, but it has been achieved with such ease, thanks to the performances. I would recommend this for fans of different genres and almost everyone, and I would have loved to watch this one on the big screen.

Release date: 14th February 2025
Running time: 127 minutes
Directed by: Scott Derrickson
Starring: Miles Teller, Anya Taylor-Joy, Sigourney Weaver, Sope Dirisu, William Houston, Ruta Gedmintas

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✠ The Vampire Bat.

Lockdown

Vampire Owl: Are we going to watch another movie about corona virus lockdown?

Vampire Bat: I do not think that this would have the lockdown at the core.

Vampire Owl: I thought so because it is too late for anything related to that.

Vampire Bat: Well, such movies have lesser chances of working with the audience now.

Vampire Owl: Yes, there are so many things to deal with other than the past.

Vampire Bat: The opportunities spread towards infinity itself.

Vampire Owl: I remember that Dr. Frankenstein had written an essay about.

Vampire Bat: Mr. Frankenstein is not educated to write that good an essay.

Vampire Owl: Frankenstein is a man of his word and the only one of his kind.

Vampire Bat: Even Uncle Dracula would not agree to that.

[Gets a butterscotch cake and three cups of badam tea].

What is the movie about? :: Anitha (Anupama Parameswaran) has been looking for a job since passing out from an engineering college. Despite being a bright student with good scores at college and in spite of her expertise, she was rejected at so many interviews that it affected her confidence beyond repair. Her father Suresh (Charle) has been working hard to make sure that his family have enough, and hopes that his two daughters do well in life, as he is always worried about his friend’s daughter who had eloped with a local goon and married him despite everyone begging her to stay. Anitha is determined to make her parents proud and will not stop until she gets a job. For the same, she has to stay close enough to home and also opt out of night jobs as her family does not approve of the same. At the same time, there are many local young men who are trying to win her love, but she is only focused on getting a job and earn enough to support her family which also includes her grandmother along with the younger sister and parents.

So, what happens with the events here as we just keep looking? :: Sudha (Nirosha), Anitha’s mother, decides to take special care of their children due to the news about the children of people they know not being happy ones. Anitha’s best friend is Swapna (Priya Venkat) who live in the same city. But as she goes to a party with another one of her friends where she meets a Human Resources Manager of a famous IT company, she ends up being drunk and passes out. She comes to her complete sense only after two days, and continues to search for jobs despite the assurance of an offer letter in a month. Two months later, she gets a call from the company asking her to join. But by then, some time had passed since the first corona virus case was reported in India. As she begins to join, more restrictions are applied, and soon, she begins to feel very unwell. She goes for tests at the hospital, but by that time, the lockdown related to pandemic was being applied, and she could no longer go out. Her health was getting worse, and she was slowly realizing what was happening to her. But with the lockdown enforced, it was too late for her to do anything. Can she survive this?

The defence of Lockdown :: The movie addresses significant issues of the present such as consent, bodily autonomy, unplanned pregnancy and societal judgment. These days, the messages are often not considered with the seriousness that it deserves, but not this time. This is dealt nicely with an emotional side that works so well, mainly due to the leading actress never staying behind with her performance, standing tall, and rising to every moment of relevance in the flick. She particularly excels in the final moments as she fights against all odds when hope seems to fly away from her. The character’s journey feels so real to us due to her memorable performance. The emotions only get deeper as the movie progresses, and the helplessness of the protagonist makes the stakes much higher. The significance of family in a person’s life is also asserted, as we are reminded that the worst can be handled in the family with their support. The music as well as the technical departments nicely work efficiently with the film’s emotional tone and dramatic moments, making sure that the feeling is never lost.

The claws of flaw :: The movie still remains slow, and sometimes provides the feeling that it is going through the same thing again and again. It seems to bring the same kind of solutions again and again that we feel that the protagonist just has that option which does not happen and therefore need to keep trying one option multiple times. A final answer to what really happened and the right solution is not really provided by the movie as a few things are just left unanswered. There is no real investigation into the same and there is no idea of justice, as the focus only seems to be getting rid of the trouble and move on like nothing happened. The unresolved mystery means that the suspense never gets the strength and a thrilling side never gets stronger than the emotional drama that never stops running underneath story, as it was already established with an elopement and marriage. Then there are also those scenes and dialogues which can feel overly message-driven and meant to preach about a few societal elements. Some of the subplots are also lost in the way as the movie keeps its focus only on the protagonist.

The performers of the soul :: This is a movie of Anupama Parameswaran who delivers an emotionally convincing performance and effectively carries the film. This one is surely all about her as we keep seeing her on the screen almost every minute, and the movie itself seemingly runs for her, based on her predicament from where she keeps trying to escape one way or the other, despite the corona virus and its lockdown affecting her attempts. One keep feeling that Malayalam cinema is yet to have the best of Anupama, as movies like the debut work Premam, then Jomonte Suvisheshangal and The Pet Detective are never enough for someone with her calibre, as she keeps reminding us how good she can perform. Priya Venkat who plays her friend supports really well, and has her moments, as she goes through as one of the best comrades that one could have, standing by her friend’s side against all odds. Charle who plays the father and Nirosha who plays the mother also come up with the emotional performances that we note down. The fatherly affection will be something that we particularly remember. George Maryan, Livingston and all contribute well to support too.

How it finishes :: If you think that this a movie about that nation-wide lockdown with happenings related to that, you are surely going to be disappointed, as it plays only a part, and affects the proceedings from a side, bringing difficulties to the protagonist – otherwise it is not the main thing or the central idea that runs right through the movie. This is still that kind of a work which deals with the main idea well with some messages to take home. It sometimes provides the feeling that it is going the preachy way, but returns to the main thing soon enough. This could have actually gone on to be a conventional thriller, but instead focuses on the emotional and social consequences faced by the protagonist and makes itself more of a drama – in doing so, some of the answers are not provided and the focus is in staying within the tradition and not to deviate too much from it. Considering the present situation of a new generation, it is not really a bad thing, but the level of deviation or divergence will always remain in question as generations pass.

Release date: 30th January 2026
Running time: 119 minutes
Directed by: A R Jeeva
Starring: Anupama Parameswaran, Charle, Livingston, Nirosha, Priya Venkat, George Maryan, Indhumathi, Rajkumar, Shamji, Redin Kingsley, Abhirami, Revathi

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✠ The Vampire Bat.

The Whisper

Vampire Owl: Have you heard about vampirism spreading through whispers in the wind?

Vampire Bat: Vampirism is supposed to spread only by biting.

Vampire Owl: Dr. Frankenstein knows about scientific vampirism.

Vampire Bat: Mr. Frankenstein does not know science or vampirism.

Vampire Owl: Well, we only have one scientist and he is Frankenstein.

Vampire Bat: It is a shame that we immortals are to trust a duplicate from another realm.

Vampire Owl: He is the original certified scientist who is also a half-vampire.

Vampire Bat: Still, you shall find the vampires of this movie as stranger.

Vampire Owl: I do not see why they would not be strange in comparison.

Vampire Bat: You cannot expect all vampire depictions around the world to be the same.

[Gets a thattu dosa and three cups of Ooty tea].

What is the movie about? :: Lucía (Ana Clara Guanco) has fled from her home with her young brother Adrian (Marcelo Michinaux) as the situation in their home with their father Victor (Luciano Cáceres) would need them to follow a family vampire tradition. Victor has always been telling them that Adrian is just like him and will turn into a vampire, but Lucia who cared for her little brother did not listen to the same. Leaving Victor behind, they arrive at a secluded mansion deep into the woods seeking refuge and hoping that one day, they will have normal lives. But this attempt to stay normal is shattered when a cat which lives in the area brings them a human finger, revealing the fact that there is something terrifying going on in the area. There are movements around the house at night and something keeps triggering the car alarms, while the switches and electricity are not working properly either. The night seems to be difficult to go through, but she keeps asking Adrian to keep the headsets in his ears and forget all of these, while a group keeps kidnapping girls to kill them on camera and then sell the snuff videos for financial gains.

So, what happens with the events here as we just keep looking? :: She finds the worst when they find a girl being killed by some masked people on the camera on the collar of the cat. She checks for information online and finds out that many girls have been kidnapped from the area and one of such incidents happened on the road that goes in front of their home. She feels that they could be attacked any moment, and as she takes a file out of the camera and plays it on her desktop computer, she realizes that the house has been entered and they had tried to take her, but her brother had gone missing. Desperate to save him, she goes out and finds the men killed by her brother who seems to have bitten them and even turned one of them into a ruthless vampire. As they try to escape from the rest of the members of the group, she finds herself and the boy kidnapped and tied up in a warehouse. As she is unable to come up with an explanation what had happened to the other gang members, the group focusing snuff videos, decides to make her their next victim as they strip her down to her bra and panties and chain her to a bed to brutally kill her on the camera. Can the siblings escape in time?

The defence of The Whisper :: The tale of a brother and sister escaping an ancient family curse while also fighting a group of criminals makes such an interesting premise with a lot of possibilities, often endless and most of time very interesting. The isolated home with woods creates a bleak, eerie atmosphere that keeps viewers engaged while being emotionally attached to the brother and sister. The abiding sadness which surrounds the character of Ana Clara Guanco will keep us emotionally attached to her. An air of melancholy surrounds her at all times, and the depth of the same is reflected not just on her face, but in her movements which feels more motivated by perpetual sadness rather than fear. A crime thriller, supernatural horror, family drama and mystery come together towards the same here. The visuals of the setting are nicely captured to increase the tension and the feeling of danger. One can also note how well the cat in the movie serves the purpose, and how the initial scenes had set things in motion. The darkness has been effectively used as the movie’s ally too.

The claws of flaw :: The non-linear path which is taken here does not serve the purpose that well. The psychological side does not work that well here, and the terror could have also been shown in a more detailed manner with the cruelty felt even more. The slowness of the movie could also be seen as a concern as the movie brings down its pace a lot in the middle, which basically makes us feel that nothing much is to happen here and there would be just some forced ending to follow. The multiple ideas and genres followed here, despite having something in each, might not satisfy everyone as it goes through all of them without full focus on anything. Some subplots could have also been better explored and some character development for the characters other than the protagonist would have been much appreciated. Even the other two clearly named characters could have had more focus, but as Ana Clara Guanco does a brilliant job, most of it is just forgotten and not claimed as a big problem. The fights could have also been shown in a better manner and the vampire attacks misses out on fangs and claws while there were so many opportunities for the same.

The performers of the soul :: Ana Clara Guanco as Lucía does that kind of a work which we will remember for her being that tragic heroine who is ready to make the ultimate sacrifice for her brother. For him, she is ready to leave her home and all possibilities of a better life, moving to the middle of nowhere with no assurance of doing any better for herself and she does not even care for her safety. She plays the sibling whom every little brother would wish for, and the same is done in a believable manner. It can be seen that she runs to save him when he seems to be in some kind of trouble and when there is some problem, she tries to protect him with all her life. This reluctance to bring any harm to the boy lands her under the knives of a butcher, stripped to her underwear and chained to be hacked to death brutally in front of a camera. In the end, she would have to make the ultimate sacrifice and as the tragic heroine, embrace the worst. It is a very emotional performance which is there to stay. Luciano Cáceres as Victor has more than what we think he has to do, as he brings a lot more as the movie goes towards the end. Marcelo Michinaux also plays some good work as the little brother. The rest just have to follow the flow.

How it finishes :: The idea of escaping a violent world, stumbling into a world of snuff films and confronting a terrifying family curse at the same time is an idea that had a lot of scope. This definitely works, but one cannot say that it is at his best of strengths, and losses the power at regular intervals in between. This is still another interesting vampire movie and the one movie which it reminds one the most is Byzantium, but that was a more superior movie in all aspects; this one can only follow with most elements. Throughout the movie, we are still reminded that vampirism is one of the lesser evil that we can encounter, and there is always the bigger evil, which comes from humans who might know no way to stop themselves from turning pure evil. We are reminded that evil always finds a way and being attacked by a vampire is the least of your problems as human horror is always ready to be unleashed as darkness becomes more of their ally than that of any known nocturnal creature from myth or reality. With an emotional side, this one brings that particular reminder well, as we watch this one Amazon Prime Video.

Release date: 22nd January 2026
Running time: 100 minutes
Directed by: Gustavo Hernández Ibañez
Starring: Luciano Cáceres, Ana Clara Guanco, Marcelo Michinaux, Darío Lima, Horacio Camandulle, Rasjid César, Joro Gorfain, Machu Gutiérrez

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@ Cemetery Watch
✠ The Vampire Bat.

Mr. X

Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

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@ Cemetery Watch
✠ The Vampire Bat.

Seetharam

Vampire Owl: I remember hearing about the previous movie of this franchise.

Vampire Bat: Well, we have started hearing about more movies in different languages.

Vampire Owl: We have not reviewed enough Kannada movies either.

Vampire Bat: Well, we are still with a lot of chances to do the same.

Vampire Owl: Do you think that this is the twilight of our movie reviewing times?

Vampire Bat: Twilight and vampires are no longer related at all.

Vampire Owl: Still, nobody really reads the movie reviews. They only watch YouTube.

Vampire Bat: You know how lazy the humans are. They will stop reading completely.

Vampire Owl: As if they are reading anything right now.

Vampire Bat: Well, the lower number of students taking BA English clarifies on their lack of wisdom.

[Gets some Enchiladas and three cups of Agua Fresca].

What is the movie about? :: Seetharam (Vijay Raghavendra) is an honest sub-inspector who takes strict measures against criminals, and was only recently transferred from Haveri to a rural area where the Aanegadde police station is situated in Shivamogga district of Karnataka. The village appears calm like any other place which is far away from the busy cities and intermediate towns, but it has been experiencing a series of smaller crimes, burglaries and violent incidents that had created problems for him, but the biggest crisis was yet to come in the form of some gruesome murders. His investigation often suffered due to the lack of higher-level support and the reluctance of residents to cooperate with the police, but this time, everyone knew that things already went out of control and it was up to him to save them. This series of brutal murders without clear pattern except for the brutality continues to worry the village. As bodies continue to surface, forensic analysis suggests that these murders might be done by a psychopath and not by someone simply seeking revenge.

So, what happens with the events here as we just keep looking? :: As Seetharam and his team continue to try and identify the motives along with the patterns which could establish some connections that could lead them to the killer, they arrest Sebastian (Gopalkrishna Deshpande), a former headmaster who lost his mind and murdered his daughter’s boyfriend, but still thinks that his daughter who committed suicide lives with him. But after they arrest him, they find out that more killings continue in the same pattern, and Sebastian seems like a man living in hallucinations and causing no harm to people outside except for filing fake cases in the police station. At the same time, Seetharam is having his problems with reconciling with his sister and brother-in-law. As each breakthrough only mean more complications or a dead end, his frustrations combined with his personal problems make it more difficult for him. Now it is to be seen if he can solve this mystery and find the killer before more people are dead.

The defence of Second Case of Seetharam :: The movie has its suspense maintained well, and the mystery holds its ground with red herrings nicely doing the job of bringing new paths. The serial killer mode has us interested since its inception. The village settings work in favour of the movie as the sinister feeling never leaves the environment and one can remember that there are many areas for a serial killer to be present, and the possibility of finding a serial killer in the darkness has never been this high. There is danger in every corner, with the clues that lead the police to a psychopath or the other never really ending the problem as the killings continue without any chance seemingly there to stop. With violent killings of unexpected people in acts which are not just of random revenge, this keeps on the level of Forensic more than any other, as random killings without any big reason keeps us close to the true psycho killer mode rather than the usual tales of vengeance which has lowered the level of movies like Anjaan Paathira and Pappan during the later stages. There seems to be something special about investigating such a case in rural area with fine visuals and all the greenery and a grand twist.

The claws of flaw :: The movie does make us feel that it is another version of similar movies, and there are moments when we feel that it is going to be another Memories – the family elements and some possible red herrings point to something similar, even though the same does not happen in the end. The feeling that we have seen these before seems hesitant to leave us. The movie does not have that much of a pace, and we often feel that the brother-sister angle did not help to improve on the same much. The stretch seems to have kept this movie at a longer run-time than it should have ever had. The emotions are not working at all times, and sometimes we feel that some moments were not used well enough to create that feeling of disgust and anger as in some other movies dealing with similar topics. The action is minimum and even a consistent talk about clues being found is rather minimum here when compared to other movies with police investigation at the core. When dealing with psychological elements, the movie keeps on struggling too, as we just have the killer established all of a sudden.

The performers of the soul :: Vijay Raghavendra as Seetharam goes through the police role with ease, and along with the investigation, we see the emotional side being safe with him, as such a man’s struggle with the unsolvable problems and a family which is not there for him. The flashback helps to assert the same very well as much as the past of the serial killer. Even though not the main antagonist, Gopalkrishna Deshpande as Sebastian makes quite an impact which would make him more significant than the rest of the characters, as he is also a tragic hero. Both of these characters have been performed with some fine maturity and intensity which makes them some perfect examples of their own kind. There are multiple layers to their performances too, as they are both family men as much as what they have become, one for duty and the other madness. Sagar Puranik and Usha Bhandary provide good support, contributing meaningfully to the emotional to the overall work. The supporting cast, even though much limited in screen time, performs their roles convincingly, never really moving out of the film’s realistic tone. They enhance the film, making the mystery and emotional moments more engaging and impactful to the audience.

How it finishes :: The mixed opinions for the movie might be more or less justified, as the movie seems to keep itself at a specific level, never really going above with innovations in the genre. It surely had the scope for future, even though that much does not get close to being achieved by the makers. A combination like this one which has mystery, suspense and emotional depth will work well for most of the audience, but it is to be noted that Malayalam movie industry has the best thrillers, and they are there to be watched. Before this, Movies of the Soul only had two Kannada movies reviewed, Murphy and Mythri, and the former was such a wonderful experience. The truth is that I have never managed to get that many recommendations about some good movies in the language except for those which have some action which does not work with the willing suspension of disbelief with seemingly superpowered people. Those would be less explored, less commercialized gems, and I would be looking for them rather than those big budget movies. Until then, there would be three movies in the same language from the industry and the hope for more would stay.

Release date: 20th February 2026
Running time: 120 minutes
Directed by: Devi Prasad Shetty
Starring: Vijay Raghavendra, Gopalkrishna Deshpande, Sagar Puranik, Usha Bhandary, Pradeep Anche, Madhusudhan Gatte, Aravind Shetty, Rajesh Keelambi, Mathew Surani. Ananth Bhat, Manjunath, Shanmugam, Nataraj Aralasurali, Sridhar Shimoga, Sudheendra Rao, Latha Rajkumar, Aishwarya Nagaraj, Sushma Honnalli, Fathima Rodrigues, Manaf

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@ Cemetery Watch
✠ The Vampire Bat.

The Mummy

Vampire Owl: We already know a good number of mummies.

Vampire Bat: They are not talking about Mr. Frankenstein’s friend here.

Vampire Owl: Dr. Frankenstein’s friends are legends are we have always known.

Vampire Bat: You are still calling that Frank a doctor, when he has never been one.

Vampire Owl: You are still doubting the scientist’s greatness in an inferior world.

Vampire Bat: He is the scientist who invents things which were already invented.

Vampire Owl: His variations are very significant in vampire progress.

Vampire Bat: Well, whatever he does, he would never be a vampire.

Vampire Owl: He is still a leading candidate on the list.

Vampire Bat: The best he can become is a mummy or a demon.

[Gets a uzhunna vada and three cups of Vagamon tea].

What is the movie about? :: Charlie Cannon (Jack Reynor), an investigative television reporter and his wife a pregnant nurse Larissa Cannon (Laia Costa) are living in Aswan in Egypt for about a year before planning to go back to the United States. Katie Cannon (Natalie Grace/Emily Mitchell) and Sebastián Cannon (Shylo Molina/Dean Allen Williams) are their two children with whom they make a happy family with the children all ready to go back to their grandmother settled in New Mexico Carmen Santiago (Verónica Falcón). But one day, Katie who is playing outside finds a woman (Hayat Kamille) identifying herself as the mother of the girl whom she used to meet and play with, Layla Khalil (May Elghety/Aisha Laouini). She uses candy to lure Katie away from the premises before kidnapping her. Charlie tries to chase her, but loses them in an unexpected sandstorm. He and Larissa report the kidnapping to the police, and are assigned an English-speaking junior detective, Dalia Zaki (May Calamawy). She tries to help them, but her seniors feel that it is some family matter and they are responsible for the child going missing.

So, what happens with the events here as we just keep looking? :: In the cellar, the woman has a black pyramid with a black basalt sarcophagus containing mummified human remains. There is no clue about these people for the police, and the couple are forced to leave for the United States and live with Carmen. Years later, they go through a peaceful time with their son and the third child Maud Cannon (Billie Roy) as well as Carmen. Back in Aswan, a cargo plane carrying the same sarcophagus crashes, and inside the police find Katie wrapped in parchment inscribed with an unknown ancient language. Katie, who is in a catatonic state and inflicts self-harms, is taken to a hospital and her parents are informed about the situation. Dalia feels that this is one of the cases related to human trafficking, as many people were taken in and out of Egypt in pyramid pieces ancient coffins due to a history which goes a long way back. But as the girl goes back home, she no longer remains anywhere close to her past or even as a child. Now, the question remains about what has happened to her and what secret she brings.

The defence of Lee Cronin’s The Mummy :: Unlike that series of movies which we have known for some time, this is a darker and more intense horror style related to a mummy, and is not your regular dead wrapped in bandages coming alive. There is no chance for a sword fight here, and the focus here as left a long way from action, focusing completely on horror, and even with another movie titled The Mummy which came separately, the same was not really achieved. But this one becomes a worthy one with that name, and it often makes us feel an Evil Dead model, but with a Sinister model ancient fear ready to be unleashed, making this journey divergent and yet in a model which one would anticipate a horror movie with evil rising out of nowhere to do well. The fans of supernatural horror will not stop appreciating the film’s frightening moments and suspenseful sequences that raise its level. Along with the horror, there are emotions, and in front of the invincible, there is helplessness, and then there is that finish which would bring the whole thing to an end, as this world of fear gets the journey with the final moments that it deserved. We are once again reminded of the evil from the children with inherent evil.

The claws of flaw :: If one would keep looking for some big-time grand action with people fighting the mummies of Egypt with the usual weapons or fists are going to be disappointed, as this one never gets to be that kind of a movie. The movie is also not that quick to get to the interesting part, and we also feel that the narrative style could have been better, and some of the characters might have been better if they were more sensible within a world of horror. The supporting characters could have managed better attention, and the darkness could have been used better in the movie. The Pyramids should have also been given more focus here. The comparisons to other movies will also be there as we keep having the feeling that we have seen some of these before. The horror also gets repetitive and predictable at times, and we keep wondering how too much focus on the past could be avoided, and how the ancient could be mixed with the world shown in the movie. More of the film should have also been set in Egypt.

The performers of the soul :: Jack Reynor comes up with a compelling lead performance as he balances fear, vulnerability and determination as a father while facing supernatural terror. He keeps searching for the secret behind the incidents which led to the crisis that threatens his family and goes to any end to save his daughter. All the feelings are very well depicted around him. Laia Costa as the mother and wife makes the personal stakes feel much more, as she handles the emotional side really well. May Calamawy as the detective provide solid performances and at the same time, adds credibility to this world which is more about horror – for her character, it is her duty and the trust of others that matters, as he goes through a supernatural case and puts her life on the line. There are lots of moments that strike with her around, and along with her, another Egyptian actress who scores the best is May Elghety who blends in with that vulnerability and seemingly some regret from the character so well. Verónica Falcón does well and could have been given a bigger role and more to do against the evil force. The kids come up with some classic performances too.

How it finishes :: It can be said that the movie successfully reinvents the iconic monster for a horror-loving new generation by choosing a darker and more horror-driven approach above the earlier action-adventure model which had very less scope for fear generation. The focus on atmosphere, suspense and psychological terror successfully brings a chilling and unsettling cinematic experience which will inspire further movies with similar ideas focusing on mummies or something similar from even pre-historic ages. Still, we do feel that the movie could have had better pacing and more character development for lesser characters, along with something that transcends through to a newer age added. A deeper exploration of the film’s mythology and a more detailed examination of the ancient curse could have further enriched the story and made this one worth so many movies in a franchise which could even have a prequel – for now, this is all we know about the movie, and we still hope for a sequel. After all, horror is not limited to The Conjuring, The Curse of La Llorna, Annabelle, The Nun and team to score, and this one also brings some nostalgia from those old movies with same title.

Release date: 17th April 2026
Running time: 133 minutes
Directed by: Lee Cronin
Starring: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Verónica Falcón, May Elghety, Shylo Molina, Hayat Kamille, Billie Roy, Lily Sullivan

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@ Cemetery Watch
✠ The Vampire Bat.

War Machine

Vampire Owl: I am sure that they are talking about.

Vampire Bat: We are not war machines, for we are simple friendly neighbourhood vampires.

Vampire Owl: There was a war in the realm, and we fought many battles.

Vampire Bat: The magical wars do not make us war machines.

Vampire Owl: Still, you have to agree that we are not friendly at all.

Vampire Bat: Well, we have been friendly with the vampire elders.

Vampire Owl: Vampire elders are just respectable seniors who cannot be fought against.

Vampire Bat: Still, most of the new generation vampires are not friendly with them.

Vampire Owl: The new generation was never meant to respect elders.

Vampire Bat: Well, we have already witnessed the highest level of new generation disrespect. And we know that it keeps happening each and every day.

[Gets a masala bonda and three cups of Munnar tea].

What is the movie about? :: 81 (Alan Ritchson) attends RASP to earn and assignment to a battalion of the consolidated 75th Ranger Regiment, and meets others who wishes to be part of it and are assigned similar numbers. He was hoping to be part of the group with his brother, but both were attacked by insurgent groups in Afghanistan during a mission and only he had survived, despite sustaining heavy injuries. He was also awarded a medal which make him look like a war hero to other despite his guilt of surviving alone. 15 (Blake Richardson) who is an young man who does not care about anything immediately feels that 81 has the immense pride that keeps him apart, while he himself gets into trouble for unruly behaviour as the funny young man of the whole camp. 7 (Stephan James) attempts to get closer to 81 who continues to be not open to anything personal in nature and makes no conversations with others. The group that includes 60 (Keiynan Lonsdale), 57 (Daniel Webber), 44 (Alex King) and 109 (Jack Patten) gets to the final around along with 81 who almost drowns while giving up during an exercise.

So, what happens with the events here as we just keep looking? :: The seniors have their doubt about 81’s mental state despite him doing physically well after coming back from that life-threatening injury. They feel that he should go back and attend some long sessions of counselling, but as he refuses to do so, they make him the leader of the final group. He had opposed to that idea from the beginning, but this time, there is no choice during the final exercise known as the Death March, which serves as a simulated mission in the nearby forest to destroy a classified aircraft and bring home a pilot. It is then that the reports on television talk about a suspected asteroid flying past the planet and slowly breaking off into pieces which move away from each other. But the same is dismissed are irrelevant as the team set on their mission, only to find a strange flight-like machine on the location and sets off the explosives. But it does not harm this particular machine which rises and begins an attack, surprising them. They do not have any contact with the base and are stranded there without any strong weapon as they are running simulation. What kind of other-worldly thing has come up with this attack?

The defence of War Machine :: The fights in the movie are really impressive, with some classic shots, but never really overdoing, and staying close to a reality of make believe, keeping the willing suspension of disbelief exactly where we wish to see it. There are the believable combat scenes and large-scale explosions, giving the action a realistic feel rather than that usual overload of alien unreality. The blend of military action and science fiction never really gets out of control as both are combined really well and without any doubt seemingly arising about the progress. There are not many alien movies which have managed to be this realistic in nature. The emotional side also works surprisingly well here. The alien machine is nicely designed and we see it working in a pattern which remains as much interesting as it catches our attention. The truth that during an invasion by an advanced alien civilization, humans never really stand a chance, and that they have no real superheroes to save them is asserted well, while focus still on the possibility of a sequel which could make some fine advancements here.

The claws of flaw :: The characters do not develop that much here, and we never even have the names of the main characters, which is strange, as at least the first name could have helped us to connect with them more. Some of the characters seem to be left there to die rather than to live inside the story. The predictability is there as we feel the aliens coming to Earth earlier, and the progress seems to reveal who all are going to survive and how this cannot end here with bigger scope only coming later. There is some loss of strength in between, and it is regained only a little later in the second part. A better focus on the other members of the squad, the supporting characters, would have helped better. The beginning stages do feel like there is something missing, and the power to satisfy the genre is also not there to be taken in the early stages. The story could have also had something special to make things better during the initial stages of soldier training which never really advances as we think it would – those moments seem to be just a random addition to make things get somewhere better.

The performers of the soul :: Alan Ritchson who leads the way comes up with a commanding performance as the central character, as he adds both physical intensity and screen presence to this particular role which demanded them. His portrayal lands an anchor for the film’s action-heavy narrative and keeps the strength felt whenever he is around. The emotional side is also handled well by him showing the loss as well as the bonding related to brotherhood. The movie always has something about him, and despite having so many characters around him, keeps the focus right there. Jai Courtney has only a small presence here, and we would miss having any more of the same later. Stephan James plays the second most important character to make an impact, and we see him developing into an important character soon enough. Blake Richardson brings the humour in a movie which mostly lacks in the same. Dennis Quaid also has his moments as we see how the movie progresses.

How it finishes :: This happens to be that science fiction action thriller focusing on an alien invasion that succeeds primarily through its strong but realistic action sequences, impressive but believable visual effects and some good performances from the leading cast which serves the emotions and the need for adventure really well. Even though it has that alien invasion to focus, it never really losses itself here in the process to create something like the usual movies of the genre. It only occasionally relies on familiar genre conventions, and manages to do enough for the fans of both military action and science fiction. Despite its shortcomings in some character development and often struggling with the narrative depth, this remains a fast-paced and engaging watch that serves as an enjoyable entertainer that could be watched on a fine weekend for some nice fun. After all, we have waited so long for an alien invasion to happen, but all that we are left with in real life is humans fighting each other due to different strange reasons, and we never really reached an end to that human violence itself. At least we see aliens making an impact in movies and considering the current situation, one has to wonder on which side most humans will be when there is that invasion.

Release date: 6th March 2026 (Netflix)
Running time: 107 minutes
Directed by: Patrick Hughes
Starring: Alan Ritchson, Dennis Quaid, Stephan James, Jai Courtney, Esai Morales, Keiynan Lonsdale, Daniel Webber, Alex King, Jack Patten, Blake Richardson, Steve Nation, Robert Rabiah, Patrick Hughes

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@ Cemetery Watch
✠ The Vampire Bat.

Avihitham

Vampire Owl: This is not the kind of genre that we have loved through our lives.

Vampire Bat: Well, you know that Malayalam movies usually transcend genres with a lethal approach.

Vampire Owl: Yes, most Malayalam movies do belong to drama category by default.

Vampire Bat: If we go a long way back, each of them is first drama and then anything else.

Vampire Owl: Malayalam movies have dealt with human emotions in a realistic manner.

Vampire Bat: Yes, there has been no gravity defiled in the process.

Vampire Owl: Humans and objects do no fly around in Malayalam cinema.

Vampire Bat: Neither do the villains fly when the heroes move hands.

Vampire Owl: This one does not even have those big stars to feed on our brains with elements of hero worship.

Vampire Bat: Then it also has that name which won’t attract family audience at all.

[Gets a paneer roll and three cups of Sikkim tea].

What is the movie about? :: One night, Prakashan (Renji Kankol) returns home after having some drunken time with his friends. It is very dark, and as he goes through a shortcut, he sees a young man named Vinod (Vineeth Vasudevan) and an unidentified young woman hugging and kissing behind the house of Madhavan (Unnikrishnan Parappa), a veteran carpenter working on a temple project in another village. He sees that it is Vinod’s house on the other side, and the woman can only be from the house of Madhavan. He contacts the local tailor Venu (Unni Raj) to help him find the woman, and Madhavan’s daughter-in-law Nirmala (Vrinda Menon) is estimated to be person who is in the extra-marital relationship, as her room is just behind the wall, and the tailor confirms that from the shadows, her blouse size matches according to the list of women’s body size taken by him for stitching blouses. As they visit the same place on the very next day, they realize that this happens on almost every night without fail, and this is a love affair which could become talk of the town.

So, what happens with the events here as we just keep looking? :: They decide to save the honour of the family by telling Murali (Dhanesh Koliyat), the younger son of Madhavan, and he is quick to inform the father about the same. As Nirmala is one of those young, beautiful women of the village, Murali also goes to same area and waits, only to see Vinod waiting for someone during the same time period. The next day, he follows Nirmala and finds out that she keeps going to Vinod’s mill even though they do not find the need for her to frequent place – she also talks very sweetly to Vinod, which raises further doubts about how intense the relationship has been. They finally inform the husband Mukundan (Rakesh Ushar) who is devastated after hearing the news. He begins to suspect her further as she goes to Vinod’s mill wearing her new saree and even tells him that he could look for a job in the Middle East. He decides to catch both of them from the bathroom outside the house where they seem to go together for sexual intercourse, and calls the people who already know about this to come up with a perfect plan. Now, what can go wrong here?

The defence of Avihitham :: The movie shows a certain number of skills in bringing to the screen how curiosity, rumours and the perpetual need for self-righteousness leads to complications in a simple world. The interactions and strange investigations carried out by local villagers remain something of interest throughout its run, as humour is nice and never overdone, remaining within the limits and not going out of the family mode. The setting itself works in support as we see how well the whole thing is placed in this premise and realistic world. Even without the big stars, this has been achieved with a strong narrative and the use of witty dialogues which also seems to be managed with a calculated smartness. One also cannot deny that fact that between all the drama and comedy, there is also a certain amount suspense being maintained, and the twist would have a say too. There is also a message about the idea of morality, and this would remain a satire about society and what comes to us in the form of tradition. The collective hypocrisy and the forced morals are shown without second thoughts.

The claws of flaw :: The audience can feel that the movie all set on the topic which is rather trivial, or has been explored as part of movies which mainly dealt with other topics. The emotional depth is also not that much to be taken, and we do not feel that much for the characters. The ending also seems forced, and there seems to be silly justifications for extra-marital affairs, and the justifications feel like a little too much, and the final message seems to go on different paths. Justifying the issue of infidelity just became the woman wants to go with a random man might not be right message, no matter how much tradition and righteousness is blamed for not giving the partner the opportunity and right to cheat. The characters are not that much developed, and the final moments do not reveal enough either. There are some repetitive moments when the movie seemingly tries to make its ideas feel superior, and except for that final twist, one keeps wondering why such a weak end had to happen. The struggle to prove something which is not there to be taken keeps pulling the movie down as it moves towards the end too.

The performers of the soul :: Unni Raj as Venu and Renji Kankol as Prakashan leads the way among the cast who are not that much known. If you look at the Wikipedia page of the movie, you will not find even one name which leads to another page which details an actor or actress. The above mentioned are the two actors whom we note first, and the former seems somewhat familiar from the Marimayam series of Mazhavil Manorama television channel. Instead of relying on a single star performance or at least on some well-known names, the cast here works as one unit that powers the movie. Among them, it is Vrinda Menon who plays Nirmala that requires the special mention, as she becomes the centre of attraction, and yet goes through a simple journey, nicely depicted on the screen. Vineeth Vasudevan as Vinod has some fine moments to add here, while Rakesh Ushar and Dhanesh Koliyat add the doubtful characters nicely. With the other female characters, Vijisha Nileshwar, Karthika Vijayakumar and Ammini Chandralayam gets small, but nice situations to contribute to the world.

How it finishes :: Avihitham can be considered as a humorous social satire that uses a simple situation in a usual village to comment on moral policing and where gossips and curiosity can lead people bound by traditions which have provided them with the understanding of accepted good and evil to maintain order in a world which can always go deep down into chaos. The relatable characters, authentic village setting and believable performances make this work, even though the movie seems to take a prejudiced movement forward with its social message. While seemingly working against people going through gossips and interfering in the personal matters of others, it seems to support extra-marital affairs – for the movie, cheating by women feels justified for some strange reason, and the final dialogue by the woman when caught is just the same as those Indian tourists who had shoplifted from supermarkets and souvenir shops of Thailand, Vietnam and Indonesia, being ready to pay for them only when caught – this attitude which comes from those early tourists who emptied everything from a hotel room and agreed to pay for the same. We think about these, and then enjoy this movie with its simple moments of humour and even a little bit of suspense to go with it.

Release date: 10th October 2025
Running time: 106 minutes
Directed by: Senna Hedge
Starring: Unni Raj, Renji Kankol, Vrinda Menon, Vineeth Vasudevan, Dhanesh Koliyat, Rakesh Ushar, Ajith Punnad, Unnikrishnan Parappa, Aneesh Chemmarathi, T Gopinathan, Vijisha Nileshwar, Ammini Chandralayam, Parvana Raj, Beena Kodakkad, Vismaya Sasikumar, Premalatha, Shyamili Das, Vipin K, Swapna Pallam, Mukesh OMR, Karthika Vijayakumar, Sayanth, Prabhakaran Velaswaram, Shubha C P, Lakshmanan Manniath

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✠ The Vampire Bat.

Primate

Vampire Owl: A movie with another monkey at the core?

Vampire Bat: This is an ape who is not really a toy like that movie.

Vampire Owl: I feel that Vampire Monkey will not be that happy. Neither will be Uncle Dracula.

Vampire Bat: Vampire Monkey is no longer affiliated with the vampire castle.

Vampire Owl: So, he is a freelance vampire with part-time work.

Vampire Bat: We do not offer part-time work anymore, as it affects overall quality.

Vampire Owl: Well, there has been some strange things going on around here.

Vampire Bat: Still, not that strange as the human field of work.

Vampire Owl: Well, humans have never been the species to look forward to. They are the fallen ones. Ask Dr. Frakenstein for details.

Vampire Bat: Even humans after death are not the kind of people we should choose. Compared to them, witches and zombies are clean.

[Gets a savala vada and three cups of Wayanad tea].

What is the movie about? :: Lucy (Johnny Sequoyah) is a young college student, who is on the way back to her home in Hawaii after spending many years far away from her family and friends. Her best friend Kate (Victoria Wyant) is also with her and meets her in the airport, but is dismayed to see that Kate has also invited an additional guest, Hannah (Jessica Alexander), without telling her earlier, and this particular acquaintance is not someone she is really fond of. While boarding the flight, the three friends also meet Drew (Charlie Mann) and Brad (Tienne Simon), two young men who are taking the same flight to have a grand vacation in the same place. In Hawaii, they meet up with Kate’s brother Nick (Benjamin Cheng) who drive them to the family home located on a cliff with all the modern facilities. They also meet Lucy’s father Adam (Troy Kotsur), who is a famous novelist, and a deaf man who mostly communicates through sign language. Then they also come across Erin (Gia Hunter), Lucy’s younger sister. Ben (Miguel Torres Umba), a chimpanzee owned by the family is also present at the house.

So, what happens with the events here as we just keep looking? :: Ben is considered to be highly intelligent and has been taught to communicate using a software on a tablet by creating sounds by clicking on it. Ben lives in an enclosure outside the house, but comes into home when he is taken there by the family members during daytime. Later that night, Ben begins acting strangely after being bitten by a mongoose in his enclosure. He plans to take the mongoose to a lab the following morning to check for infections and asks Lambert (Rob Delaney), a veterinarian to check on Ben as he has to leave for a book signing. But as the friends enjoy the party by the outdoor infinity pool at the cliff’s edge, Lambert who enters Ben’s enclosure, is attacked and brutally killed by Ben, who is clearly infected by rabies after that bite by mongoose. Ben escapes the enclosure and moves towards the pool, towards unsuspecting youngsters, only to be noted by Kate and Lucy who found the teddy bear covered in blood. As Ben unleashes chaos, the youngsters enter the pool and hopes that the ape would leave, but is it possible?

The defence of Primate :: The movie maintains strong tension, jump scares and edge-of-the-seat situations which keeps the terrifying situation quite strong. The survival mode is activated soon enough, and after that, the movie keeps us close to the main characters, going through the journey of trouble with them. The attacks are also violent and the gore adds to the seriousness of the situation and reminds the pet owners to be careful, not just for themselves, but also for those who live around them, or with them. There has been too many cases of violent dogs affected by rabies attacking even little children and elders who cannot move away in time, and it has been more of the result of animal lovers not taking the right action and the pets being left on the road without care – replace the chimpanzee with dog and you have the exact reflection. The attack here seems to be unique and never exaggerated, making us feel close to the whole situation. The setting is too good, not just perfectly suited for the situation, but also visually stunning. The movie is of short length, and never really makes us feel bored as something seems like ready to make a difference all the time.

The claws of flaw :: The movie’s tale is just the usual repeated one with a number of youngsters hunted by a force which feels almost impossible to stop. Some of the characters are just generic, and feels even less important than other horror movies which at least brands them into a group as even more clearly said in The Cabin in the Woods. This one has the extra characters seemingly just to get killed by a chimpanzee which is too smart and is powered as much by his earned skills as by the rabies which just got into him. There are two friends of the main girl added here instead of her coming alone, but the use of the characters seems to be in the minimum. As in other horror movies, they remain not that smart, but in those movies, they were at least smarter than chimpanzees in the forest around them. There is also that chance to bring innovation being lost here, as there was such a fine setting, and so much to be done – here, they just have the swimming pool, lost phones and the cliff which are not used to the best efficiency.

The performers of the soul :: The biggest performers of the movie is indeed its main antagonist, the work with the ape has been quite remarkable. The rest of the work is led by Johnny Sequoyah, who comes the closest to what should be called the protagonist-like character, even though this one is also not written that much with never really getting enough time alone or with a past that could make the movie and performances stronger. It is more like the character is placed there and the rest, we have to create with imaginary characterizations. But she surely becomes what would be the closest to the scream queen around here, leading the way as the movie nears the end as much as the lives of the remaining characters who have somehow manages to be not ripped into pieces by the ape. Jessica Alexander just supports well and so does Victoria Wyant while Gia Hunter manages just fine. Troy Kotsur is good when he is around, while Benjamin Cheng, Charlie Mann and Tienne Simon are there mostly to serve the ape purpose.

How it finishes :: The movie’s journey is quick and strong, even though there is not that much of a focus on the story. The reminder to keep the pets checked and the fact that animals will always remain with their characteristics is reiterated here with ease – those who were chased by some dogs on the streets or those who were frightened by the neighbour’s dog will know this the best. The thrills are surely there, and the strength of a survival movie is also present along with being a horror flick with moments that will stay for the quick effects and the everlasting gore. The terror of the ape feels real and lasting. But the storyline, predictable structure and mostly shallow characters hold it back from being a memorable one which is there to stay. Yet, it you want entertainment or is with a wish to be scared, this one is definitely there for delivering the same. For the other kinds of survival movies, there is always something like The Shallows in the ocean and Gravity in space or even Bollywood’s own Trapped in an apartment, but this one is more about bringing the scares as much as providing the need to survive against all odds.

Release date: 18th September 2025
Running time: 89 minutes
Directed by: Johannes Roberts
Starring: Johnny Sequoyah, Jessica Alexander, Victoria Wyant, Gia Hunter, Benjamin Cheng, Troy Kotsur

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@ Cemetery Watch
✠ The Vampire Bat.