Tag Archives: France

John Wick 4

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Vampire Owl: So, this man is still alive.

Vampire Bat: It seems to be so in the movie.

Vampire Owl: I was beginning to wonder if he is immortal like us.

Vampire Bat: He is just like the Hitman, but killing more people without stealth infinitely.

Vampire Owl: He might be using the stealth machine invented by Doctor Frankenstein.

Vampire Bat: He cannot really invent anything of use.

Vampire Owl: You are blaming the great scientist for no reason, once again.

Vampire Bat: Mr Fankenstein has never really been a true doctor of scientist.

Vampire Owl: Even the witches have approved his status.

Vampire Bat: They know nothing about science either.

[Gets a vegetable cutlet and three cups of Munnar tea].

What is the movie about? :: The world’s most reputed assassin John Wick (Keanu Reeves) continues to be on the run after a series of events leading to committing murder at The Continental Hotel, violating the basic rule that there would be no blood spilled on its grounds. He has the support of Bowery King (Laurence Fishburne), a former underworld crime boss who has a score to settle with the High Table, the powerful council of crime lords. As a part of this, he murders the Elder (George Georgiou), the only person who is above the High Table, and this leads to further actions against him. Marquis Vincent de Gramont (Bill Skarsgard), a senior member of the High Table takes over the course of actions against John Wick, and decides to finish this forever, with a certain amount of arrogance over his power. As the first step towards this, Winston Scott (Ian McShane) has his privileges taken away from him and his hotel destroyed. At the same time, Charon (Lance Reddick) losses his life, as the Marquis decides to have things working his way for a change, as the man in charge. He is determined to achieve only one thing in his life, something which others of his status failed to achieve, to have John Wick dead and buried for the betterment of all other assassins.

So, what happens with the events here as we just keep looking? :: John Wick is someone who is not ready to die, as he is determined to live on with the memories of his dead wife. To end him, Marquis appoints Caine (Donnie Yen), a blind assassin whom he threatens with the life of his daughter and in the name of the obligation that he has for the High Table. Caine agrees despite being an old friend of John to ensure his daughter’s survival. John takes refuge in the Continental hotel at Osaka in Japan where another old friend Shimazu Koji (Hiroyuki Sanada) is the manager, assisted by his daughter Akira (Rina Sawayama). There, a group of highly armoured assassins sent by Marquis attacks them, along with Caine who accompanies them. Almost everyone under Koji’s command is killed, while John barely makes it out alive as a tracker Mr Nobody (Shamier Anderson) who had been trying to collect the bounty on his head decides to keep him alive until the price on his head gets higher. John murders a full wave of assassins until finally getting to the safe house.

And what more is to follow for the former assassin on the run? :: Caine murders an already wounder Koji, while Akira is left to tend to her own wounds. Both John and Winston are in requirement of vengeance, but the end of Marquis and winning their lives back is no easy task. John would require the help of his family which has lost its head and is now led by his adopted sister Katia (Natalia Tena) who is determined to avenge the death of her father. He has to do the job for her and murder the German High Table crime lord who was responsible for that death. But at the same time, he is followed by Caine and Mr Nobody, both determined that they would not let the other person kill John. Both of them hate Marquis and would love to see him dead too, but are left with no option to move on with their respective futures. The Marquis has his assassins everywhere to prevent John from having any of his plans working against him. John Wick seems to be the man whom nobody can get rid of, as he keeps coming back for more, but for how long and against what all forces which have been arranged to fight him seemingly for eternity?

The defence of John Wick 4 :: The movie is a clear improvement from the first two films, and is almost as good as the previous film which had the perfect style and the right length which works for a movie like this one. The sequences of action are once again done very well with artistic beauty supported by charming visuals, and the fight in Japan is indeed a classic one, even though it came too early. The final fight in the streets is a long and memorable one, often getting longer than the longest battle that we can imagine, and the duel in front of the sunrise Sacre-Coeur church building in Paris is a sight to remember. The beauty in the fights and the artistic spilling of blood have their own merits. John Wick is someone whom we will remember for longer after this movie, and as the Hitman who has lasted so long, he defines Keanu Reeves as much as The Matrix and Constantine, the two other classic films that we shall never forget. It is Keanu Reeves who once again keeps the franchise strong. Donnie Yen makes a fine addition while Bill Skarsgard plays the usual rich villain who has so much money and power to control everything in sight. We also have Hiroyuki Sanada and Laurence Fishburne contributing well even though they could have been present for more time on screen. Rina Sawayama as Akira and Natalia Tena as Katia are fine additions who could make in a spin-off or sequel – the latter is someone whom we remember so well for their performance in Game of Thrones series. Ian McShane does the usual in style.

The claws of flaw :: This version of John Wick is too long, whichever way we look at it, as it touches three hour mark with a total run-time of 171 minutes with the interval, trailers, advertisement and national anthem added to the list, even though the censor board seems to have helped in keeping it at three hours and nothing more. With every movie, there has been an increase in run-time. This length is surely a disadvantage as there are moments when this one seems to drag, especially with the dialogues. The action does get repetitive, and we see so many things happening again and again. The movie could have used France’s monuments like Notre Dame Cathedral, Pantheon and Louvre Museum as much as the others, as Paris looks like a dream in this movie. The end of the movie could have also been much bigger, as there have been three films contributing so much towards coming to this grand finish which also seems uncertain if there could be a sequel or spin-off as vengeance continues to be the main thing on the list. John Wick also does not seem to be that stylish with his work anymore, even though we were always expecting him to bring more with the progression in films. There is also the lack of a good female character with presence throughout the movie, as they just come and go with some contributions here and there.

How it finishes :: There are not many Hollywood movies which have made an impact here like John Wick, if we leave the superhero films behind. There are so many kills, and we have people appreciating the action which is very unlike the dumb action in Bollywood movies and some of those overrated mass masala films from South India which earns so much with some nauseating performances, often with the products of nepotism at the helm. The total run-time of this movie might scare some people, but we can stand this as there is artistic beauty and creativity associated with, and not the dumb skill to make hundred enemies fly away as the so-called hero makes a move. The movies like this one are not easy to make as plot never has that much of focus, but this is another movie in the franchise that gets things right, especially with the action, and the choice of actors for the particular roles. There will always be something special about John Wick, even when he would not be of the strength that he used to be, and Keanu Reeves power further strengthens it.

Release date: 24th March 2023
Running time: 171 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Donnie Yen, Bill Skarsgard, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Ian McShane

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

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The Last Mercenary

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Vampire Owl: I thought we were done with the vampire mercenaries.

Vampire Bat: Vampires haven’t been mercenaries for a very long time.

Vampire Owl: So the last mercenary is not the last vampire.

Vampire Bat: Well, humans are the best mercenaries as murder is easy for them.

Vampire Owl: At least we have kept them away from the realm for now.

Vampire Bat: They are still very close to getting here through the portal.

Vampire Owl: I thought that the portal was sealed by the selected team of witches, sorcerers and the new necromancers.

Vampire Bat: Yes, but with the human greed letting them achieve more at all times, you never know.
Vampire Owl: Should I inform Doctor Frankenstein then?

Vampire Bat: Well, never inform Mr Frankenstein who always makes things worse.

[Gets a marble cake and three cups of iced tea].

What is the movie about? :: Richard Brumere (Jean-Claude Van Damme), also known as The Mist is a former secret service agent presently working as a mercenary, one of the best of his category during his time – he is forced to return to France, as his son with an Arabic woman named Farah (Ouidad Elma), Archibald Al Mahmoud (Samir Decazza) is falsely accused of arms and drug trafficking. Meanwhile, people are also looking for him to come back so that they can finish the trouble which is him. After getting back to Paris, he meets Dalila (Assa Sylla) who has been a friend. He realizes that someone is using the immunity that Archibald received from Richard, and there are weapons involved. It seems that someone named Simyon Novak (Nassim Lyes) was involved, and he had used this particular immunity. The police is preparing for Richard to come and try to free his son, so that they can shoot and kill him in self-defence. But he takes the unexpected path, and with the help of his former friends in the secret service, manages to get his son out of prison.

So, what happens with the events here as we just keep looking? :: The man who was taking care of Archibald, Fernand (Michel Cremades) is also dead. Archibald who is not ready to take that death, and also not prepared to take another father, doesn’t want to heard about Richard at all. Alexandre Lazare (Alban Ivanov) at the ministry seems to have something about the present situation. Then there is Paul Lesueur (Eric Judor) who seems to have even more in mind. His plans seem to go deeper than ever. Their plan is to kidnap Alexandre and gather enough information. But Archibald, wanting only to be known as Archie is not really the co-operating type. He is the one irritating child resembling his more irritating mother, the one who refuses to grow up, and doesn’t even take responsibility for his own foolish actions. They are basically up against a nation named Taarghistan, and those who support them are former agents who are basically too old for most of the operations. Can Richard and his team fight against all odds and be successful? At least Dalila and her brother seems to be confident about that. Well, lack experience brings more confidence, doesn’t it?

The defence of The Last Mercenary :: The movie focuses on both action and comedy at the same time, and it does manage to hold the two sides together. The focus here seems to be in making an entertaining journey with the usual comic-like spy, but not in a serious manner. The movie does bring some innovation into the usual stuff too. The memorable moments of the film including the protagonists driving a learner’s school car and the fight with two unsuspecting women guards wearing gold. Then there is the last fight which is kept funny, without losing out on style. Most of the performers also seem to be nicely chosen. The visuals are really good, and you never really get tired of seeing Paris on the screen – the big city which is on everyone’s list of places to visit, and another one of those places, most of us might never visit due to the big amount of money that people in this part of the world will have to spend to get there and enjoy the glory. Along with the humour during most of the time, the action is also effective, and this is the combination that successfully brings the entertainment here.

The claws of flaw :: The movie does get slow at times, as there are lot of unnecessary moments – it could have surely done without a few minutes; we do have the feeling that it has been stretched to become longer without any real need for the same. There is the humour for sure, but there are those foolish scenes which are rather too dumb to take. It is okay to make use of that to add to the comic side, but there is the need for some borders to be set. Having the high official on the road like a clown feels very much ridiculous. The son spends rather too much time in being irritating too, and some of the other characters here feel rather unnecessary considering how the movie progresses. Some of the dialogues feel strange rather than anything else. Even when taking it as a parody, there is rather too much here to keep us away from being interested in some of these characters. It could have also had some more of serious action from the protagonist, because we are always looking for that, considering what a big name he has been in the past – some people might be watching the film just for him.

The performers of the soul :: We see Jean-Claude Van Damme back here again, and he is one actor who wish to see coming back like Sylvester Stallone and Arnold Schwarzenegger – one among the three big action stars from the childhood. After all, he has been the Cyborg, Kickboxer and the Universal Soldier from those nostalgic times of childhood. Well, one would feel that he hadn’t really left, but none of his movies made it to the big screen around here for a very long time, except for those in which he was side-lined. He has that classic entry here too, even though there is never that big an action sequence for him to perform, with the movie never getting that serious. Well, he is never really short of the moments, as we look around. The one performer who seems to be of fine support here is Assa Sylla. At the same time, Alban Ivanov brings the comic side to a stronger level. Samir Decazza just goes along as the irritating son, and manages well for most of the time. Eric Judor has the villainy at work quite well.

How it finishes :: The Last Mercenary, as an action comedy flick, feels like a parody. We enjoy the world that the French setting brings us, as we still ruminate and be sad about the fact that most of us might never visit Paris, considering the fact that we will never have that much money to spare, visiting from this part of the world. Well, being the rich bourgeois from here seems to be a long way away, unless you are part of any reserved category or somehow land on a government job – being the politician is the next refuge. The enjoyable ride here adds to the list of action movies that has enough of the humour and action to keep it moving strong. It has Van Damme in action, and this is more or less like seeing some nostalgia coming back again like we had seen past coming back again like in Sylvester Stallone and Arnold Schwarzenegger. Escape Plan and Terminator: Genisys or Terminator: Dark Fate. Then there was The Expendables to have them all together. You are never that far away from the action stars you witnessed on the screen as a child.

Release date: 30th July 2021 (Netflix)
Running time: 110 minutes
Directed by: David Charhon
Starring: Jean-Claude Van Damme, Alban Ivanov, Assa Sylla, Samir Decazza, Eric Judor, Ouidad Elma, Miou-Miou, Valerie Kaprisky, Michel Cremades, Nassim Lyes, Oleksiy Gorbunov

<<< Click here to go to the previous review.

<<< Click here to go to the previous review before the same.

<<< Click here to go to the first French film review here.

<<< Click here to go to the first big French film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Army of Thieves

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Vampire Owl: And now we are talking about some thieves.

Vampire Bat: We are not talking about the thieves who raided the vampire outpost.

Vampire Owl: There are other thieves who should be of our concern?

Vampire Bat: They don’t break into the Dracula castle, so not our concern.

Vampire Owl: Well, they can steal from the zombies and werewolves.

Vampire Bat: What would they steal from a zombie? A lost brain?

Vampire Owl: There is always something to steal for those who want to.

Vampire Bat: Okay, like stealing a witch’s heart.

Vampire Owl: A vampire thief would go for blood instead.

Vampire Bat: Vampires have never been real thieves. We steal only the appreciation with some special claps.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Sebastian Schlencht-Wohnert (Matthias Schweighofer) is living a common, boring life, working in a bank in the German city of Potsdam. He is used to coming up with Youtube videos about safecreacking that has no viewers and zero comments until someone leaves a comment on his most recent video, about a safecracking competition. He has nightmares about zombies after watching news about the creatures unleashing themselves in Las Vegas, forcing the United States government to send the military forces there, only to mess up the whole thing, leading to a final quarantine of the whole area. He goes on to win the competition, shocking everyone. The very nexy day, Gwendoline Starr (Nathalie Emmanuel) introduces herself, a skilled jewel thief who had commented upon his YouTube video. Gwendoline then introduces herself to the man, a skilled and Interpol wanted jewel thief who had commented upon his YouTube video so that she could recruit him for one grand heist which nobody has done before, after which they will have the perfect life without the mundane bothering them again.

So, what happens with the events here as we just keep looking? :: She would have Sebastian as the safecracker, she would be thief, Korina Dominguez (Ruby O Fee) their expert hacker who has been doing it from the age of ten, Rolph (Guz Khan) their getaway driver and Brad Cage (Stuart Martin) their gunman to keep them safe during the whole heist which is going to be one grand adventure. Rolph doesn’t like Sebastian at all, while Brad hopes that he doesn’t mess this up. For meeting up and as a safe house, they have chosen a house which is off the grid. They have to break into three banks which have three safes created by a legendary locksmith. The first one is in Paris, and has the least amount of money. They feel that this might be the easiest of them all, but it might be more difficult than they think, and the other two are long way ahead as far as the difficulty level is concerned. The last two will be in two other European countries, Czech Republic and Switzerland, and shall require better planning than the one in French, with even better team work, but the question remains if they are good enough to pull up those heists as a team – then there is Interpol after them.

The defence of Army of Thieves :: There has been the shortage of some good heist movies, and the biggest release of the genre was Red Notice – it was focusing more on its superstars rather than the act of heist itself, and we have this one which basically focuses on the act in a much better way. There is some quick action with the heist going on with some fine plans in the background – each heist is basically a different thing, as we look at them, and there are some fine detail associated with them too. Also, in comparison to the earlier movie, Army of the Dead, this is a much light-hearted version, and there is also the presence of some nice humour here, suiting the heist genre. The safecracking is nice to watch in all cases, and there is a certain amount of humour and some information being added to each of them. It serves as a stepping stone to the next movie well, and has the origin story of one particular character, as we wait for the same with the others too. We know that how things turn around with the next movie!

Positives and negatives :: As this movie goes back from the zombies to humans, there is surely the feeling of relegation, even though it does its job as it was supposed to do. The film also lacks a power-packed hero like Dave Bautista who had held the previous movie on his gun point with the muscles. The female characters do hold on well enough though. This movie, even if shorter than the other film of the franchise, does feel longer, as this one does have some random time in the beginning, and also some romance to go with it, which means that there is a stretch, even though the interesting way of telling this story makes sure that we are past it. The visuals are also really good, with locations in three European countries – France, Czech Republic and Switzerland. The beauty of Europe does get the due, and the focus is not just on the big cities, but also nature, with the final moments having one grand truck journey through a beautiful world, which is to be remembered too. Well, a heist movie without zombie horror means that this is also for the less valiant.

The performers of the soul :: Matthias Schweighofer leads in the movie, even though he doesn’t do the same with team, taking time to get into it, and manages to come up with a fine job as he goes through the whole thing. He is also the director of this movie, and it seems that he has a lot to do in different fields. Yet, with the performance, it is Nathalie Emmanuel who steals the show, and it is very unlike her in the Fast and Furious as well as The Maze Runner series of movies, as this time, she plays the best character around here. It is also the one with the most skills, and the person who leads and decides things, a role which Dave Bautista did in Army of the Dead. Ruby O Fee who plays the other female member of the team doesn’t fall behind either, as she plays the hacker who does most of the background work for the team. Stuart Martin and Guz Khan are secondary in this team, even though they seem to take over in the beginning stages of the mission in the movie. Jonathan Cohen and Noemie Nakai do add nicely here too.

How it finishes :: Army of Thieves doesn’t have the strength as the earlier movie of the franchise, Army of the Dead had, for one particular reason – it doesn’t have the zombies, and is thus missing the horror elements, but still manages to be a very entertaining heist movie with quality action and humour being the necessary part of it. Some people might not like the fact that this is a prequel, and it doesn’t mention the zombies enough, but we know that dealing with thieves and their heists mean that there can only be a little bit of the monsters of Las Vegas. It does connect to the events of the second movie in the end nicely, and we can actually come out of this movie as having watched an entertainer which sticks to the plan. Well, we have had many films being marketed as big entertainers, and so many of them didn’t live up-to the expectation, or at times managed to overdo and mess up things. But, this one stays strong as the prequel that it was supposed to become, and joins the smart heist movies list in style.

Release date: 29th October 2021 (Netflix)
Running time: 127 minutes
Directed by: Matthias Schweighofer
Starring: Matthias Schweighofer, Nathalie Emmanuel, Ruby O Fee, Stuart Martin, Guz Khan, Jonathan Cohen, Noemie Nakai, Barbara Meier, Peter Hosking, Fanette Ronjat, Amy Huck, Peter Simonischek, Dave Bautista, Ana de la Reguera, Bly Tanaka

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<<< Click here for a different heist movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Oxygen

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Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

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@ Cemetery Watch
✠ The Vampire Bat.

The Swarm

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Vampire Owl: I can feel the presence of some vampirism in here.

Vampire Bat: You are not talking about vampire locusts, are you?

Vampire Owl: Well, all kinds of vampiric creatures are welcome to our realm.

Vampire Bat: I don’t think that locusts need any special welcome.

Vampire Owl: Everybody needs to be welcomed to the realm.

Vampire Bat: Except for the Corona virus.

Vampire Owl: Who is going to welcome a virus at this point?

Vampire Bat: We cannot be sure about that. Humans are crazy enough.

Vampire Owl: Humans can always be crazier.

Vampire Bat: You can trust them to do that every time.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: Virginie Hebrard (Suliane Brahim) is a widowed mother who has been unsuccessfully raising locusts for proteins, and it is not something which brings her favourable returns. Their family used to have goats around earlier, and her children, Laura Hebrard (Marie Narbonne) and Gaston Hebrard (Raphael Romand) are pretty much embarrassed by the business of locusts, with people ridiculing the same, including people at their school. As the locusts are not active enough, and with a lower level of health and reproduction among the insects, the family struggles to go on. Soon, she becomes more and ore frustrated, as people wouldn’t buy the locusts at even lower rates. As she trashes the locust enclosure and passes out there, she finds out that locusts are eating from the wounds on her arm. Soon enough, she finds out that the locusts are now more active, and lets the locusts feed from her wounded arm.

So, what happens with the events here as we just keep looking? :: Laura is not happy about how things have turned out though, as with everything going well out there and locusts doing better, they will have to continue to stay there. Her hope that they can finally sell the farm and get away from the place is no longer there. She tears open one of the greenhouses, leading for a swarm of locusts to escape. This escaped swarm would make sure that there would be enough supply of blood for them. That wouldn’t stop her from being more and more obsessed about the locusts. The need to feed them more blood comes to the picture, and she is ready to take further risks for the same. At the same time, all these affect her relationships with people around her, including her children. But is it too late for all of these to change now? How much more the locusts will take out of relationships and in the form of blood and flesh?

The defence of The Swarm :: The drama side of the movie is okay, even though they haven’t really tried too much with the characters. There is the feeling of melancholy that runs through the movie, and most of the characters do have a certain amount of the same. There is just enough CGI and gore to keep the interest going. The setting is very much suitable for such a story, and we know that this is even more possible these during the time of Corona virus pandemic, where there is always mutation and people also get to live more alone than ever, facing even more financial crisis than ever. This is not a full insect attack movie, and people will have to remember that while choosing the same – for those who are looking for such full attack films, there are others from the second half of the twentieth century which was never short of such horror attacks from different creatures. Otherwise, you do watch this one as a drama with some insect horror added.

The claws of flaw :: A problem with this particular movie is that it losses its power as a thriller and horror flick, and gives in to the drama all the time – whenever there is a chance to make this one a horror thriller, it goes down to the state of a common drama about a widowed mother looking forward to make a living by farming. Well, a single mother with two children and financial struggles always make drama rise over any other elements of any genre. There could have been more interesting moments related to locust horror, or at least have some connection to science fiction. The characters and their relationships are also not that much explored, especially that of the daughter who could have had some life at the campus, even if not a positive one. It is certainly not what you expect when you go to watch the film, and the ending is also not that strong by any means. You can see some horror ready to go through the rails, but there is never the green flag, as we see a hesitation to let it go, while the movie slows down and drags at times.

Performers of the soul :: Suliane Brahim handles the role of the widowed mother in grief, trying to make her business do better, quite well. The attraction and the later obsession to the locusts which are shown by her, has something unique about it, even though it should have had more terrifying images than she presenting her body to feed for the insects in between – imagine the amount of horror which just that idea could have brought, but has been missed. Marie Narbonne is a lovely addition to the movie, and she plays the confused younger sister who hopes that things can get better if they leave the locust farm and home attached to it. The melancholy that she goes through is reflected on her face at almost all times, and the way she looks at people even with smiles, reflects a certain amount of sadness. Raphael Romand’s character remains a memorable one too. The one character who stands apart is Sofian Khammesas’s, as he plays the man who is always willing to help, a rare one during this age without faith.

How it finishes :: It is still a thing of wonder that this movie doesn’t redeem itself with thrills and horror when there was so much of an opportunity. While the drama goes on, the other elements lag, even though we feel that it scores a family adventure throughout most of its stages. It is the kind of movie which has the elements to confuse us about the genre in which it stays. One would feel that it could have worked even without focusing on the locusts, and maybe even after replacing them. It would have done fine enough by growing some of the more common things in the farm, as we look at them. On another day, this could be a full-horror movie with insect attacks, a thriller which has a family hunted, or a science fiction flick with mutated insects bringing something further terrifying. But it chooses to focus on the drama, and it suits one kind of audience much more than the others. As we are now in fear of the next mutation of the virus and wonders if everything has to go back to lockdown again, enjoy this one outside the theatres.

Release date: 1st August 2020
Running time: 101 minutes
Directed by: Just Philippot
Starring: Suliane Brahim, Sofian Khammes, Marie Narbonne, Raphael Romand, Nathalie Boyer

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@ Cemetery Watch
✠ The Vampire Bat.

Rogue City

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Vampire Owl: A rogue city is what we can call a city belonging to the werewolves.

Vampire Bat: You are classifying a whole species into rogues.

Vampire Owl: I think that this should have been done as a declaration a long time ago.

Vampire Bat: Vampire Elders have been against the same since last war.

Vampire Owl: They can say anything, as they are too old to take a strong stand.

Vampire Bat: We cannot devalue the werewolves that much.

Vampire Owl: We have done that for zombies, and so we can do the same everyone.

Vampire Bat: Well, not for the witches, for we can never do that.

Vampire Owl: Yes, I know. It is never the good time to blame a witch.

Vampire Bat: At least we get to agree on one thing in the end.

[Gets a French Naugha cake and three cups of masala tea].

What is the movie about? :: Marseille is caught in the middle of gang wars, as there is something dreadful happening at all times. There are drug deals, smuggling, murders and robberies related to these gangs, which has put a lot of pressure on the police force. A new police chief arrives, and the risk for the police force has never been this high in an already dangerous city which cannot afford mistakes from the side of cops. There are always talks about honour, honesty, courage and other qualities along with quotes from the Holy Bible and other literature, but none of these matters as there seems to be a war going on at all times, sometimes directly, and at other times, hidden for normal view. There is no love, but there is war, and everything seems to be fair in that, and one often wonders which side a person is on, or who is at risk of being killed by which gang. To this uncertain future of violence, a few people seems to be able to make some changes.

So, what happens with the events here as we just keep looking? :: Soon, there is a shoot-out at a party, and Mario Costa (Moussa Maaskri) who is in charge of the investigation fakes a report that the man whom they got in custody attacked him, and was shot dead in the process. At the same time, there are rumours about top secret information being provided to the gangsters by some corrupt police officers. The people who were killed in the shoot-out were part of an Arab gang who were trying to increase their influence among the territories of other gangs. They hope to find out what the dead man was doing in the club, and a determined officer Richard Vronski (Lannick Gautry) is determined to find out what really happened with the shooting, and he also hopes to find the rat in the police force and deal with it himself rather than waiting for the superior officers to make a move. But it seems that all of these is bigger than them, and they might be fighting something which they don’t really know that well.

The defence of Rogue City :: There seems to somewhat a realistic mode being followed in this particular movie. We have a city in France that has gangster infestation, and some of the police also takes sides, leading to so many gunfights between the sides. There is a lot of action that goes on here, and most of it is related to gunshots between police and gangsters, as well as in between them. There are also some twists related to the same being added here. It also maintains a certain amount of the dark mood here, as almost everything about this movie is grim, and that close to reality. The visuals of the city are beautiful, and even in the darker shades of the nights, they have our attention. It does remind one of some of the films set in other parts of Europe with terror awaiting in the streets. The melancholy feeling runs through here, and the same never leaves the film behind. The actors and actresses nicely get into the scheme of things.

The claws of flaw :: The film does provide the feeling of not being polished enough, and it moves on in a rather raw state. It doesn’t provide that much focus towards the thrills and twists when there was so much of chance. The film also moves in a slower pace than one would expect it to. With a shorter run-time, maybe it would have worked better, as some of the scenes and dialogues pass on as the extra thing rather than anything else. The characters that we have here are also not given that much of a depth, and some of them seems to be there to fill up the spaces more than anything else. There is surely more talent and more opportunities here to be explored. The ending is also not that satisfactory, as if all these had to come to this for no real reason. This film really needed to know where to stop, but it goes on adding something or the other, seemingly because there was the feeling that a little more is needed.

Performers of the soul :: Lannick Gautry plays the main character, and indeed the most solid one among the police officers as well as the gangsters. This is the one character who has that kind of a determination which we associate with some of the tragic heroes we have come across in our own films here too. David Belle is the most noticeable actor here, and we remember him the most in Brick Mansions where he combined forces with Paul Walker. But for some reason, his special physical discipline and fight technique of parkour is not used here – the same could have added a lot to the film, and changed the action scenes completely in a stylish manner. Barbara Opsomer is the next person to catch our attention – she is there in the background for most of the time, but has a big influence on the scheme of things as it nears the end. We remember Jean Reno the most for that funny role in The Pink Panther, and he has a solid presence here, and so does Moussa Maaskri. Jeanne Bournaud, Stanislas Merhar and Kaaris, all has something notable to leave for us.

How it finishes :: Rogue City, also known as Bronx has another crime thriller drama going on well with it possesses. It could have used its elements to create a better effect, which it doesn’t, but it remains pretty much solid and realistic during most of its run-time. For those who are interested in this genre, this will something of higher significance. After all, these are the days in which the value of human life is priced at a much lesser amount. With Corona virus on one side, and the even more lethal humans with no remorse on the other, we need movies like this one as a reminder. We had seen a different version of younger gangsters in the Italian film Piranhas, and this one is the more advanced, darker version, also resembling the Spanish film, Adios. There is no change in the basic idea that Lord of the Flies had provided us long ago though, for the inherent evil always has a big enough role to play, and people tend to move too much into the dark grey area.

Release date: 30th October 2020
Running time: 116 minutes
Directed by: Olivier Marchal
Starring: Lannick Gautry, Stanislas Merhar, Kaaris, David Belle, Patrick Catalifo, Jean Reno, Claudia Cardinale, Catherine Marchal, Erika Sainte, Barbara Opsomer, Ambre Pietri, Jeanne Bournaud, Moussa Maaskri, Francis Renaud, Gerard Lanvin, Eriq Ebouaney

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@ Cemetery Watch
✠ The Vampire Bat.

Meander

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Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

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@ Cemetery Watch
✠ The Vampire Bat.

Angel of Mine

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Vampire Owl: Which type of mine are they talking about?

Vampire Bat: I don’t think that the usage is like that here.

Vampire Owl: I can think of a copper mine, gold mine or coal mine.

Vampire Bat: This is not a movie about that kind of a mine.

Vampire Owl: Okay, you are talking about a highly explosive land mine.

Vampire Bat: It is the thing which is used to refer to a something belonging to speaker, and will be related to nothing else.

Vampire Owl: It is disappointing. I was reading about the Romans using caltrops which were like land mines without explosions.

Vampire Bat: This movie surely has an angel belonging to the speaker, who is a mother, or rather mothers.

Vampire Owl: So, it is a daughter that they need.

Vampire Bat: Exactly, for it is about mothers and daughters.

[Gets a guava cake and three cups of white tea].

What is the movie about? :: Lizzie (Noomi Rapace) and Mike (Luke Evans) used to be husband and wife, but now they are looking for divorce, after having a strained relationship for years after the death of her second child a few days after birth, in a fire happening at the hospital. They are also fighting for the custody of their son Thomas (Finn Little) which has him disgusted, especially at the attitude of his mother, who hasn’t been the same after the death of his little sister. Lizzie who is working at a beauty parlour is not happy at what has happened, but doesn’t do anything to change things around, not socializing with people much, and trying to evade even people close to her. But as one day, when she goes to the birthday party of her son’s friend Jeremy (Indi Serafin), thinks change, as she feels that a girl Lola (Annika Whiteley) whom she sees there, is her daughter whom she thought, had died in the fire at the hospital.

So, what happens with the events here? :: Lizzie cannot sleep or concentrate in her work, because she feels that she cannot be wrong in this, and that Lola is really her daughter named Rosie. Initially, she doesn’t say this to anyone, and tries to get into the house where her possible lost daughter is staying, becoming friends with Claire (Yvonne Strahovski) who is planning move into another city, thus leaving her home open for sale. Lizzie poses as a buyer, and also makes use of his son’s friendship with the boy there. Claire’s husband Bernard (Richard Roxburgh) also hopes that she buys the house as soon as possible, and this allows Lizzie to be closer to Lola. Even though she seems to keep a distance in the beginning, can she keep herself away as the family is moving to their new home soon? Will Claire also know about this, and how will she react to Lizzie’s guess work? Is Lizzie out of her mind, as she once used to be?

The defence of Angel of Mine :: There is something about Angel of Mine which will keep you want to know what happens next. It is not just the need to know the truth about the death of a child and also on the life of one, but also about how Noomi Rapace and Yvonne Strahovski are going to handle this, and how their characters will go through this, as this is very much performance-oriented. The former has another huge performance of her career, and the latter follows really well. There are those twists which are more dramatic rather than thrilling here. The final moments are nice, and there is a fine emotional touch running through the whole movie – there is nothing that touches one’s feelings more than a mother’s love, other than the emotions of a mother who has lost her child. Here, we have the mother who has also lost her husband and is almost losing her other child, and has no social life at all – it is where emotions run high.

The claws of flaw :: The movie remains slow throughout its run-time, and there is nothing in there to make rise above that lack pace. The struggle to accelerate can be seen on many occasions, but it can’t escape the drag which it possesses from the time when this was supposed to be interesting – it could have been even one big thriller after that moment of feeling, but after that it doesn’t use those wings to fly, but stays grounded. Making this movie fast-paced was the first step towards getting more people to watch the whole thing without looking at somewhere else, because it is that kind of a topic, with some of the best acting performance lead by Noomi Rapace. The movie should have also added something in there as a clue, and this could have been more like an investigative thriller with the mother searching for her daughter who was supposed to be dead, but this movie never rises to that level, which sadly seems to be intentional.

Performers of the soul :: Noomi Rapace might be one of the most versatile actresses we have ever seen, first noticed with the Swedish movie adaptations of the Millennium series by Steig Larsson – The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. For the common Hollywood audience, she is known to have played Madame Simza Heron in Sherlock Holmes: A Game of Shadows and Dr. Elizabeth Shaw in Prometheus, the latter being one of the most solid performances in any alien movie, making us disappointed not to have her in the sequel Alien: Covenant. The Secrets We Keep and The Price are two more thrillers which are to come from here. While she is indeed brilliant here, we also have something of similar class from Yvonne Strahovski, the lady we know from I, Frankenstein among the demons. Luke Evans, the Dracula–Hobbit–Furious–NOL star is just there for namesake and nothing more.

How it finishes :: A remake of the 2008 French film titled Mark of an Angel, this version has also managed to have almost the same number of positive opinions from the critics, as the new version is supposed to have stayed close to original as much as possible. With Noomi Rapace around, one has to believe that the English version has to be stronger, as she has the habit of making everything better than they are supposed to be, as even the already wonderful Alien: Covenant was lifted to another level with her at centre of everything. Angel of Mine is the kind of movie which begins very slow, and keeps everything going without accelerating at any moment, with a realistic ending, keeping it close to life throughout its run. This is the kind of movie which is the best for the lovers of drama, and from a distance, it is also a partial, slow thriller. You can watch Angel of Mine and see how things work without pretensions.

Release date: 30th August 2019
Running time: 97 minutes
Directed by: Kim Farrant
Starring: Noomi Rapace, Yvonne Strahovski, Luke Evans, Richard Roxburgh, Rebecca Bower, Annika Whiteley, Finn Little, Emily Gruhl, Rob Collins, Indi Serafin, Tracy Mann, Richard Roxburgh, Mirko Grillini

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@ Cemetery Watch
✠ The Vampire Bat.

Atlantics

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Vampire Owl: Have you tried flying over the Atlantic Ocean?

Vampire Bat: Why would we do that when we have so many portals?

Vampire Owl: Do all these portals serve as gateways now?

Vampire Bat: Not everyone. But the rest are also being repaired by Doctor Frankenstein.

Vampire Owl: I don’t know why you keep calling that inefficient person for repairs.

Vampire Bat: Well, you don’t get many undead doctors with multiple skills.

Vampire Owl: But most of his qualifications are fake, and I am sure about that.

Vampire Bat: I don’t think that all of these will be important related to this movie.

Vampire Owl: There seems to be something strange about this film though.

Vampire Bat: It is not set in France or even Europe, and that does make a difference.

[Gets a strawberry cake and three cups of cardamom tea].

What is the movie about? :: In a popular suburb of Dakar, the capital and largest city of the African nation of Senegal, people are forced to work on the construction site of a futuristic tower, without payment even after long hours of continuous toil. The high-rising ultra-modern tower is exactly the opposite of the rest of the city which is seen around there. The tower keep getting taller, but there is no hope for the people working there, as they go on for days without getting paid the proposed wages. As there is no hope for people like them, the only option remains running away from there and finding a job elsewhere, maybe in another nation. Adding to that, the climate change has led to a consistent decline in rainfall and a certain increase in temperature. The climate change and further environmental concerns also greatly impact the very weak economy and the already struggling population. The city no longer remains an option for the young man Souleiman (Ibrahima Traore) who is in love with the charming young lady, Ada (Mame Bineta Sane) who is from the same neighbourhood.

So, what happens with the events here? :: The workers decide to leave the nation by sea, in search of a brighter future in Spain, and Souleiman accompanies them so that he can come back and try to marry his lady love who is to be married to Omar (Babacar Sylla), a rich man who seems to be the better option for Ada in the eyes of everyone. Ada’s family has almost everything set for the big function, which they hope to arrange in a few days. Spain is quite far away, and it is to be a tiring and risky journey, but that doesn’t hold Souleiman back from making the choice. Ada is highly disappointed about the fact that Souleiman decided to leave without giving her an idea. Her friends like Mariama (Mariama Gassama) does try to console her, and even for her friends, Omar is the right person for her, while Souleiman is just a hindrance in front of her objective of marrying the right man. But would he choose to wait for him for years instead of getting into wedlock? Would that be the right decision, or is it something that would go as far as eternity?

The defence of Atlantics :: There are two sides to this movie, one being the social commentary which is not far away from life, and the other one is something which you wouldn’t expect from a movie like this, a supernatural drama which is rather unpredictable. Unlike what the posters seem to suggest, this is a movie which cannot be restricted to such smaller displays. The problems of poverty, unemployment, class divide, forced migration, lack of hope and many others are shown in the movie, even though they are not always staying in the front. The visuals feel different, and beautiful even in the absence of any spectacular scene being made. We do feel the culture of the area, and there is also that feeling of inherent terror of not being among those who are supposed to be born into the advantage. It also reminds one of the 2013 Tamil movie, Maryan, the Dhanush starrer set in Kanyakumari and parts of Sudan, which had the habit of growing on you, after watching the same, a reminder that the tale of the subaltern remains the same at all places.

The claws of flaw :: You do have so much scope as far as this movie with such a setting is concerned, and the movie doesn’t use its core elements well enough. It is also quite slow, especially in the beginning stages. There was enough with this idea to speed up things, but the movie decides not to take it. The handling of pace would have a much bigger role to play inthe middle stages of the flick. The idea itself could have been clearer, and it might have helped to add some extra polishing here, but the movie doesn’t use the same either – you feel that there could be something bigger at moments, but that is not provided here. They could have also made sure that the story-line made more sense for everyone. The strange feeling of this movie might not be interesting for everyone, and it makes very much a subjective experience leading to polarised opinions among common men despite winning it completely with the critics. It is also quite surprising that their possible destination is Spain, as the location makes it a difficult place to reach by the sea.

Performers of the soul :: The cast is an unknown one, even for us who watch a lot of movies, including English, and those multiple foreign languages. But it is to be noted that they are often better than most of those so called superstars who are sons and daughters of those bigger superstars who bring them into the movie industry just because they can do whatever they please – the terrible plight of Bollywood; but here, we have a skilled cast. Mame Bineta Sane who plays Ada leads the way with ease here. Amadou Mbow also follows the procedure well to make his role memorable enough. The characters played by Aminata Kane and Mariama Gassama are also memorable as you look at them. Babacar Sylla as Omar makes a usual character which you see in the romantic movies with separation as a major theme, and he does his job quite well. In this movie, you feel more or less like the setting itself becomes a character, especially the tower and the sea, which reflects the human situation there in an interesting manner, as you look deep.

How it finishes :: As a movie which was selected as the Senegalese entry earlier for the Best International Feature Film at the 92nd Academy Awards, this movie does make a pretty good impact, as it already did in the Cannes Film Festival. It is also said that the former United States President Barack Obama had named this film among his favorite films and television series of 2019 in Twitter. It would be difficult to bring the supernatural even in the normal situations, and this one tries to do the same against all odds in a situation which is based on multiple real life themes, but manages to come through well enough in the end. You are sure to feel that there is more than what meets the eye, as far as this movie is concerned. It is surely not your usual kind of film, and this divergence definitely sets it apart. This is the time when we celebrate the variety, and for the same, the movie becomes the kind of flick that one should watch and take the ideas back home.

Release date: 29th November 2019
Running time: 106 minutes
Directed by: Mati Diop
Starring: Mame Bineta Sane, Amadou Mbow, Nicole Sougou, Aminata Kane, Traore, Coumba Dieng, Ibrahima Mbaye, Diankou Sembene, Abdou Balde, Babacar Sylla, Arame Fall Faye, Ya Arame Mousse Sene, Babacar Samba, Astou N’Diaye, Khouda Fall

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✠ The Vampire Bat.

Proxima

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Vampire Owl: Have you heard about the vampire team planning to travel to Proxima Centauri?

Vampire Bat: No, such a plan was discarded after Doctor Frankenstein created a portal and ended up being crazy for three weeks.

Vampire Owl: It is depressing, because vampire space travel was only beginning to get popular.

Vampire Bat: You could have some temporary relief by watching a movie on space travel.

Vampire Owl: This one seems to be drama and not really science fiction.

Vampire Bat: Drama is more close to life than science fiction as far as humans are concerned.

Vampire Owl: I wouldn’t disagree with that statement. They always create some drama.

Vampire Bat: It is also the one reason why humans stopped evolving.

Vampire Owl: I do feel that they can still evolve like some of the alien species which we had met while traveling through one of those portals.

Vampire Bat: Well, lets see how far they can go and fight their own upcoming extinction.

[Gets a carrot cake and three cups of masala tea].

What is the movie about? :: Sarah Loreau (Eva Green) is preparing herself for a one-year mission aboard the International Space Station, after different stages of training on Earth, and a final quarantine which would follow. She is very excited about it, as she finally had the chance which she was waiting for, throughout these years. She had kept so many things away just for this special opportunity which rarely comes to her field. But her daughter Stella Akerman Loreau (Zelie Boulant-Lemesle) is certainly not even close to being happy about it. She does like the idea that her mother is going to the stars, but hates the fact that she has to leave her for such a long period of time, first out of the nation and then far away from Earth itself. This would mean that Stella and her cat would have to stay in a new house in a new neighbourhood in a distant city, with her father Thomas Akerman (Lars Eidinger) as the parents had separated, despite falling in love while working at the same space agency.

So, what happens with the events here? :: But things have to go as planned, and they have to follow the procedure, as she has qualified with great difficulty, and now there will be no replacement in her place. Sarah leaves for further training, much to the dismay of Stella who is left to adjust with the new home and the new school were she keeps struggling with Mathematics and also in making new friends, being a new loner. At the same time, Sarah has some initial struggles with keeping up, and her colleague from the United States, Mike Shannon (Matt Dillon) considers her to be more of a space tourist, as he is a war veteran who has served in Irag and Afghanistan. But he does appreciate her hard work as time progresses, but as she develops an infection in a new wound, Sarah has further struggles to go with. At the same time, the bond between the mother and daughter which was very strong and special seems to be having some cracks here and there. Now, Sarah has to keep up both her lives going, and it is a question whether she can do the same.

The defence of Proxima :: As one would expect, the movie thrives in the work of Eva Green, who excels as the astronaut mother who struggles to keep the two sides of her life going. The movie serves as a reflection of anyone who is trying to seek new heights, but cannot let go of the old world to which the person belongs to. The training sequences are nice, and the emotional moments are all in control, with everything safely handled by Eva herself, for this is her movie. As the movie was shot in different original training facilities of the European Space Agency, everything feels more real, just like the feelings. The movie’s progress is also steady, even though we are given the idea of what to expect in the beginning stages itself. As the movie chooses to go realistic over everything else, we do have the interesting family drama which depicts the mother-daughter relationship without much of a trouble. In the same, there is quality guaranteed.

The claws of flaw :: Proxima had scope to be something more, with both its dramatic side and it could have been an action thriller of a lesser level too, with more twists being added to the training sessions and time of quarantine. People who are looking for some science fiction are going to be disappointed, because the same is not there, and we can say the same about the action and thriller side too. It could have also had more of emotional moments together, and there could have been more of bonding scenes between the astronauts in the facility. The fact that it keeps changing the language in between is a little bit strange, as it remaining a French movie with English subtitles would have been fair enough. It could have also used some flashback to add to the tale, because our protagonist here does seem to have had a long interesting past. If it had used all the elements perfectly, there was chance for a flawless film here, but Proxima does come somewhat close.

Performers of the soul :: With birthday on the 6th of July, it is a good time to give Eva Green some lovely birthday wishes, as she is one actress who has been special throughout her career, reminding us of some fine roles which she had played so well – this movie is not that much of an exception in that case too. The lovely actress has that kind of movies in her list which I have loved to watch, with the last few being my personal favourite Dark Shadows, the grand sequel 300: Rise of an Empire, the much different Sin City: A Dame to Kill For and Miss Peregrine’s Home for Peculiar Children to be added to the list. She is fantastic in this movie, and we see the emotions running wild on one side, and the determination of the character on the other – Eva is delightful to watch in this film too, and she carries the movie on her shoulders with so much of ease. Zelie Boulant who plays the daughter also comes up with a fine performance. Matt Dillon does a fine job in the supporting role too. The rest just working along, as this one is indeed the Eva Green show from the first moment to the time when the credits starts rolling.

How it finishes :: It is no surprise that Proxima‘s biggest asset is Eva Green, and the same is reflected throughout the flick, with the focus never really shifting from her, as she brings the magnificent performance to elevate this movie to where it would have been, with another actress in her place. But those who watch this movie should note that it is not science fiction unlike some idea being given here. As the movie stays as close to a realistic world as possible even with an upcoming space travel, Proxima does deliver a strong drama which works with the mother-daughter relationship very well. It is the kind of movie that one can choose to watch during Eva Green’s birthday week, and the French actress’ work is reason enough to go for it. If you are going for science fiction in space or other planets, we do have those other titles, and expecting a Gravity, Interstellar or The Martian in this case will be wrong, as the tendency will be there as people see the lady wearing the spacesuit on the poster, but that is just one side of the tale.

Release date: 27th November 2019
Running time: 107 minutes
Directed by: Alice Winocour
Starring: Eva Green, Matt Dillon, Zelie Boulant, Lars Eidinger, Sandra Huller, Aleksey Fateev, Nancy Tate, Svetlana Nekhoroshikh, Anna Sherbinina, Vitaly Jay, Lionel Ferra, Manuela Aguzzi, Gregoire Colin, Trond-Erik Vassal

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@ Cemetery Watch
✠ The Vampire Bat.

15 Minutes of War

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Vampire Owl: This is till longer than our last war against the werewolves.

Vampire Bat: That was not a war, but an ideological difference problem.

Vampire Owl: Okay, then what about the war against the zombies?

Vampire Bat: There has never been a direct war with the zombies.

Vampire Owl: You are denying the existence of life-threatening situations.

Vampire Bat: I am only denying its status as something it is not, and not its existence.

Vampire Owl: Okay, what is this particular war about?

Vampire Bat: The movie itself is about a hostage situation and not a war.

Vampire Owl: It seems that nobody got time for a real war.

Vampire Bat: Yes, everybody is busy with the war against the Corona virus which seems to be a long and tiresome process.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: In February 1976 in French controlled Djibouti, a school bus suddenly sees a number of gunmen and is taken hostage. After continuing to drive to the border of Djibouti attempting to cross the Somalian border, only to be stopped just before that, as the border security forces of Djibouti shoots it on the wheels, leading to them to halt just before the border, with the Somalian forces looking on from the other side, ready for anything including a full shootout with their neighbours. A negotiation doesn’t seem to be possible, as they intend to take the bus to the other side of the border. The terrorists won’t show any mercy as they don’t care about the children at all because they are white, and are most probably all French. They would be happy to see some of them dead, and didn’t care if the kids are hungry or not. This creates a crisis on both sides of the border, with each second being important.

So, what happens with the events here? :: Francois Simon (Claudio Dos Santos), the bus driver is asked to inform the military and police that any attempt to come near the bus will lead to the death of the kids. Jane Andersen (Olga Kurylenko), one of the teachers of the students’ class rushed to the scene evading the barricades, and asks the terrorists to let her help the children, as they let her stay on the bus as long as she doesn’t create any trouble there. This becomes a crisis which is to be dealt with extreme care, as the life of children are at stake. Groupe d’intervention de la Gendarmerie nationale a.k.a GIGN, an elite police force from Paris specialized in counter-terrorism and hostage rescue reaches there with the intention of freeing the school bus with zero hostilities among children. They are lead by Andre Gerval (Alban Lenoir) who decides to hide behind the rocks around the bus, and wait for the signal from Paris. But will that be coming in time?

The defence of 15 Minutes of War :: It has to be noted that the movie doesn’t even take fifteen minutes to begin the initiation of action with the school bus abduction happening so early. The situation of the hostages and the terrorists are presented well, and the movie is always in control regarding the same. Saving innocent children from terrorists and criminals never really loss its value in movies, for having little kids in the captivity of cruel, remorseless men with guns is something that has everyone tensed, even those who do not care about the movies of this genre. The location has some nice visuals with the shades of the sand having one green bus in the centre. The action is all nicely done, and the tension has been built really well. The final shooting is something which has us at the edge of the seat, and as there is a large amount of uncertainty in play here, 15 Minutes of War has us hoping for the special skill or at least the miracle or luck to help the kids.

The claws of flaw :: Most of the big action, as said in the title is limited to the last fifteen minutes or rather been ten and fifteen minutes here. The movie doesn’t really rush around here, and there is a certain amount slowness that we can find, as it changes focus towards people outside the bus a little more than expected – it should have kept more within the bus unless there were some plans being made about the possible attack on the bus to kill the terrorists and free the children. There are movies which have dealt with the hostage crisis even better, when we look back further, and they had all focused more on where the hostages were held, and in this case, that was even more needed. Some people can choose to be on the side of the terrorists citing reasons from the past, but anyone who holds children at gunpoint to get what they want can only be pure evil, and someone creating terror on the innocents will be called by one name only.

Performers of the soul :: When the Olga Kurylenko is attached to a title, you feel that it could be an interesting thriller, for the Bond girl from Quantum of Solace has been a name associated with some of the most entertaining titles. From the video game shooters made into cinema like Hitman and Max Payne, to Centurion from the past and Oblivion in the future, both history and science fiction had some fine movies for her. Johnny English Strikes Again had her with the gun in a different way while The Courier had her back to action thrillers. We now await more of interesting titles with her in the lead, like The Translators, Empires of the Deep and The Bay of Silence, all supposed to have their own dosage of thrills. If you go in between, you will see Mara and The Emperor of Paris. So, there is not doubt about her skills in movies like these, and she continues her fine form. Alban Lenoir is the next one to catch our attention, and he is very good here.

How it finishes :: Originally titled L’intervention, the movie makes another fine French war thriller which will catch your attention by keeping the tension going, with a thrilling beginning itself. Well, when you see a school bus with white children in what seems to be an African country, and you have also seen that this is an action movie with a hostage crisis right in the middle – that is a heads up with only a few seconds advantage, as the movie takes you on the bus with the children so well. There has been the absence of movies featuring hostage crisis well enough, and this one does manage to solve that absence up to an extent. This is also among the three movies of Olga Kurylenko which I watched in the recent past, and I have to say that all of these have been eight plus out of ten movies for me, and that would make me consider the leading lady as one safe bet as far as movies are considered, both English and French in language spoken.

Release date: 30th January 2019
Running time: 98 minutes
Directed by: Fred Grivois
Starring: Olga Kurylenko, Alban Lenoir, Kevin Layne, Michael Abiteboul, Sebastien Lalanne, David Murgia, Guillaume Labbe, Vincent Perez, Josiane Balasko

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✠ The Vampire Bat.

Sibyl

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Vampire Owl: I have heard that name before, and not just once.

Vampire Bat: Yes, if you go back in history, sibyls were oracles in Ancient Greece.

Vampire Owl: They had prophesied at holy sites of Greece, right?

Vampire Bat: Yes, and their prophecies were supposed to be influenced by the gods.

Vampire Owl: I guess that they also lead to the foundation of many great cities.

Vampire Bat: Yes, because they go a long way back, with Heraclitus mentioning them in the 5th century BC itself.

Vampire Owl: Well, when gods speak through these women, you are forced to accept that it is the truth.

Vampire Bat: What they spoke were also collected in Sibylline Books. The Romans had them.

Vampire Owl: I have seen them at other places too, I am sure about it.

Vampire Bat: Michelangelo shows five sibyls in the Sistine Chapel ceiling. There are other similar art works, and has references in the works of Shakespeare. It is to be seen how this relates the movie here or if it is just a name used for the sake of it.

[Gets an marble cake and three cups of cardamom tea].

What is the movie about? :: A popular psychotherapist Sibyl (Virginie Efira) decides to quit her job and become a famous writer as she always wanted to. Her job no longer interested her, and work satisfaction gets to zero despite her patients feeling otherwise, not being able to continue without her expertise in their lives. As Sibyl begins to turn away patients, she has a lot of time, but no inspiration, reaching the writer’s block earlier than she had expected. It is why when she gets a call from Margot (Adele Exarchopoulos), a young new actress caught in a dramatic affair with a popular actor, Igor (Gaspard Ulliel) in the same movie, who is living with the film’s director Mikaela Sanders (Sandra Huller). This seems to be a complicated enough tale for a story as far as Sibyl is concerned, just like the newspapers finding entertainment from the lives of these celebrities who make news from the dress they wear, places they visit, food they eat and the people they meet.

So, what happens with the events here? :: The celebrity life becomes something special for the new writer, as far as entertainment is concerned, as she asks Margot about the minute details of their life, and records them using her mobile phone’s sound recorder to listen to the same later. Becoming further interested and immersed in Margot’s life, Sibyl begins to use Margot’s life as the main source material for her novel, finally seeming to get the inspiration and ideas that she always wanted, and at times, it also reflects moments from her own life. But where will that lead her, Igor and Margot, as Sibyl also has a one night stand with Igor while trying to help them to focus on the film instead of being uncomfortable with each other? None of them are really happy as they try to move to the end of shooting schedule because the film has already been delayed enough for different reasons. Now one has to wonder if it is the movie or the novel that completes first, whether it is the releasing or publishing that will bring the people earlier – Sibyl and Mikaela would definitely want things to speed up.

The defence of Sibyl :: Here we have a complex movie which has elements that go deep into a person’s eventful mind. The main character, even though specialized in dealing with such minds, is not a strong enough person in herself. As the complicated psychologist, the confused writer, the lustful lover and the struggling mother, all of these going safe with the leading lady who plays the main character, the only thing that the movie and the rest of the characters need to do is to follow her. She has easily risen above the level of the whole movie itself, as she is as much natural as she is a complex personality. There are questions about relationships and professional life, as well as love and career, as people struggle to keep both going in the same pace. There are a few dramatic, emotional and romantic moments which stand apart, and we have other moments which come as a mixture of different feelings. The visuals of France are very good as expected.

The claws of flaw :: There is no doubt about the fact that Sibyl does drag right from the beginning. The slow pace comes on to pull it back a little bit, but we can go past it eventually. The beginning itself was not that great, and the interesting moments takes a little bit extra time to come on the screen. Adele Exarchopoulos who was part of Blue Is the Warmest Colour is also not used well enough in this movie, and she deserved a role close enough to having a similar interest as the main character here. The twenty six year old actress earned such international attention and critical appreciation for that role, that being in a drama movie like this one, she could achieve even more. Adele is indeed that kind of a performer, and she is forced into the shadow of the main character here. The film could have also had some more action in between, and we are left with needing even more.

Performers of the soul :: It is Virginie Efira’s performance that elevates this movie to another level, and we can be only glad that we could witness he same, as it has many sides to it – she plays a character having so many sides, and all of them are indeed interesting. The forty three year old actress brings both experience and style into this movie, and it has to be noted that she looks at least ten years younger in this movie, as there is a certain amount of youthful vivacity in her, and this enthusiasm catches our attention more than anything else. Playing a complicated character like this required quite some skills. Adele Exarchopoulos is more or less known for Blue Is the Warmest Colour, a movie which has been known for its controversy, but was appreciated more – yet, it has to be noted that she doesn’t have that much of a work to do here while Virginie scores highly with each and every moment she is on the screen. But she remains close to her character, and so does Gaspard Ulliel. The rest are just smaller parts of the movie’s proceedings.

How it finishes :: Unlike the other French movies which I have reviewed on this page, this is one film which provides us with the feeling that it is clearly not American or British – maybe, the French feeling is there throughout it, somewhat the same being already there in Portrait of a Lady on Fire which made us feel the same less because it was more or less historical drama. Sibyl is not the kind of movie that everyone would love to watch with a psychotherapist with a complicated past trying to write a novel in which the characters who are from real-life, and they also have some similar problems. There is also the question about the meaning of life being asked, as many events happen with hope not being the strongest thing. The movie makes an interesting slow journey through the lives of these people, who become more or less like the common people rather than the big complex personalities which they seem to be in the beginning, and the movie comes to a simple end.

Release date: 24th May 2019
Running time: 100 minutes
Directed by: Justine Triet
Starring: Virginie Efira, Adele Exarchopoulos, Sandra Huller, Laure Calamy, Gaspard Ulliel, Niels Schneider, Paul Hamy, Arthur Harari

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✠ The Vampire Bat.

The Wolf’s Call

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Vampire Owl: So, we are back to watching French movies again.

Vampire Bat: Yes, this time, a thriller with clarity.

Vampire Owl: Our journey into global movies have been quite good.

Vampire Bat: Yes, we are only watching selected movies which we consider to be special among others.

Vampire Owl: We do make some good choices then, I guess.

Vampire Bat: Yes, all of them have been specially picked, making sure that there is a high possibility that we will like the flicks.

Vampire Owl: Especially with a few cups of tea to go with it.

Vampire Bat: Considering the fact that there has been a lock-down in the name of a virus, we are doing quite well representing the vampire community.

Vampire Owl: Vampires have all been doing some interesting thing or the other during the times of lock-down.

Vampire Bat: Yes, I have heard that the castle has seen rather too many.

[Gets a chocolate cake and three cups of mint tea].

What is the movie about? :: The French submarine Titan is sent through the Mediterranean Sea, to reach the coast of Tartus in Syria to bring back a French Special Forces unit fighting in the area during the time when Syrian Civil War is at its highest point, leaving no room for errors. As they are all prepared to take the troops in away from the Iranian and the Russian forces, Chanteraide a.k.a. Socks (Francois Civil), the sonar expert identifies it as a wounded sperm whale after multiple checks and moments of confusion. But it turns out to be another submarine which can’t be identified. It has detected Titan, and has provided the information about its presence and exact location to an Iranian warship nearby, which launches a helicopter hunting them right above water. But the submarine, with the help of its crew using an anti-tank gun against helicopter, somehow manages to survive the attack including torpedoes, and get the team to safety.

So, what happens with the events here? :: Later, when they are back to the ground, they get the information that Russia is invading Finland’s Aland Islands, which lead to the French President deciding to send a naval task force to the Baltic Sea, supporting the Scandinavian nation. At the same time, Chanteraide, while trying to identify the unknown submarine near the Syrian coast, finds out that it was a Russian made Timour III ballistic missile submarine, which was supposed to be dismantled earlier. During his similar searches for information regarding detailed underwater acoustics, he meets a young and charming bookshop owner, Diane (Paula Beer), whose original name is Priarie. After spending some time at the pub, they get emotionally and physically attached to each other, soon falling in love. But at the same time, a war and even a nuclear attack seems close with further problems arising between Russia and France, and Chanteraide needs to be back in action in Titan facing the nuclear armed submarine, Formidable. Can he do the right thing this time?

The defence of The Wolf’s Call :: This movie thrives on its smart moments here, and we have been presented with top quality thrills. With most of the shooting supposed to have happened in the real submarines, this is a fine achievement, and the whole thing indeed looks very realistic – the accomplishment powers this movie, as it needed to have most of its time within the underwater vessels. There are some highly thrill-packed moments in here, as the world stares at a possible nuclear war beginning with one wrong action from a European superpower, something that would have made that averted Soviet Union nuclear submarine torpedo launch happen many years later. It has to be noted that this movie begins in the middle of action, and there is no dull moment in here, and even those romantic sequences are to be loved. The Wolf’s Call does manage to show how a thriller in a submarine is to be created, with all the action and thrills.

The claws of flaw :: Some points in the movie have terms which we don’t understand that easily, and has to resort to Google – there are words related to military and the submarines which keeps coming back. But that is expected in movies like these, because otherwise, the realistic feeling will be gone. The romantic side could have also been better explored, taking a little bit more time. Paula Beer could have been used better in that case, considering the fact that is well-suited for such roles and moments of romance. The final moments could have also been a little better worked out, as we are battling to avoid a nuclear war, and something more could have been there in the picture. It could have also quickened up things a little bit more in the middle part, even though this one also has a higher pace that regular movies in their middle areas. The Wolf’s Call provides you that underwater world of wars, and you need to be prepared for that to get the best out of it.

Peformers of the soul :: Francois Civil manages to come with a good job in this thriller which shows nations on the brink of war. He seems to be someone who can handle the two sides quite well, being in the military as well as outside, with a happy love life. Paula Beer’s addition to this movie is more about being the love interest, and it is provided, in a cute, lovable way. Other than a few dialogues, adding the feel-good factor and an intimate scene, she adds less, but surely adds a light feeling to the movie, and the young and beautiful German actress is surely someone whom we expect to see more, maybe in Hollywood flicks too, very well suited to light-hearted romance or the fantasy movies based on the good old fairy-tales. We needed some female presence in this movie, and she makes sure that we have it. I would want her to be part of movies like Maleficent, Cinderella, Jack the Giant Slayer or Hansel and Gretel: Witch Hunters any day. Reda Kateb and Omar Sy plays the two commanders very well, and we have them as strong leaders.

How it finishes :: Originally titled Le Chant du loup in French, The Wolf’s Call has very good ratings on Rotten Tomatoes, and we have to agree to it, even though the number of reviews are rather less. The Wolf’s Call is a movie that needs to watched more, for how it manages the whole thing without any single boring moment – it is a serious quality that many more movies need to have during a time when it is Hollywood which struggles to make films like these, and Bollywood’s idea of an action thriller is still that old age masala, which appeals only for the brainless these days. Meanwhile, The Wolf’s Call does the job so well that it might end up inspiring more moves with underwater warfare or can even have remakes coming from different parts of the world after the Corona Virus crisis ends. This COVID-19 pandemic might be the only thing stopping it from happening for an year or two, depending on what is happening in our epidemic affected areas.

Release date: 20th February 2019
Running time: 115 minutes
Directed by: Antonin Baudry
Starring: Francois Civil, Paula Beer, Omar Sy, Mathieu Kassovitz, Reda Kateb, Alexis Michalik, Jean-Yves Berteloot, Damien Bonnard

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@ Cemetery Watch
✠ The Vampire Bat.

Portrait of a Lady on Fire

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Vampire Owl: Have you read The Portrait of a Lady by Henry James?

Vampire Bat: Yes, I had read that novel as a part of writing an assignment during my English Language and Literature post graduation.

Vampire Owl: What would adding some fire to the title mean?

Vampire Bat: I don’t think that this has any relation with it. This one is actually French. This is not Korean or Chinese for a change. Let this burn bright!

Vampire Owl: So, the portrait is not really the portrait that one might be led to believe it is. I would still choose a Polaroid camera instead.

Vampire Bat: It was about a young woman who inhered a large amount of money, and becoming prey to some scheming.

Vampire Owl: I have heard about the author, but most of the people I know haven’t.

Vampire Bat: Well, he hasn’t been writing the kind of works, the vampires have been reading, and so its natural not to know.

Vampire Owl: So, you are now choosing French.

Vampire Bat: Yes, we have been going further international these days.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: The story is set at some time period during the end of the late eighteenth century. Marianne (Noemie Merlant) is a young painter who takes painting classes to her eager students. As she makes them paint her portrait, one of her students asks her about a special painting from her, which Marianne used to call Portrait de la jeune fille en feu. It takes us back to the origins of that particular painting, and the same has a close relationship with Marianne’s past and her emotional side. Once upon a time, Marianne was called to an isolated island in Brittany in the west of France, to paint a portrait of a young woman named Heloise (Adele Haenel) by her mother The Countess (Valeria Golino). Marianne struggles to reach there, as she herself, and the canvas falls into the sea on her way.

So, what happens with the events here? :: There, she meets Sophie (Luana Bajrami), a beautiful young girl who works as the servant to the Countess and her daughter. They become good friends, and comes to know that Heloise was at the convent, and was forced to come back to marry a wealthy Italian nobeleman because her sister had died, supposed to have jumped off a cliff. Now, this portrait is to be sent to that possible husband of Heloise as soon as possible. The Countess says that her daughter was not ready to pose in front of any painter, and so Marianne will have to pretend that she was someone who had come to accompany her during her walks, to get rid of her boredom. It seemed to be the only way for her, and Marianne started being friends with Heloise who arrived there. She also started observing Heloise enough to paint her in parts. But there will be more than just a painting that we will be having here.

The defence of Portrait of a Lady on Fire :: There is some beautiful serenity that runs through this movie and its silence which serves more than anything else, as the main actresses really make a lovely impact with their expressions and body language itself, getting us immersed into this tale set in the late eighteenth century Brittany. The setting is incredibly beautiful, making you wish to make a visit, and one wonders where this particular island stands in history. This environment created as part of this movie is a charming one, but it is also a very simple one – it is not that usually colourful world from a grand historical past as we usually see in historical drama, action or thriller movies. We go through the eyes of an artist who is not just a painter, but someone with intimate feelings which she seems to have gained in connection to her work on the canvas – it reflects there as much as it shows up in her soul.

The claws of flaw :: Portrait of a Lady on Fire is a very slow movie, as you might have expected it from the talks about it, and also by what you have further read about the same. The movie also has some moments which are not utilized the best, especially related to the artistic work, the painting. The focus could have been more on that painting, and the artists feelings should have been above the person’s intimacy. There is also a lot of time taken in the beginning, and in between, which is felt more because of the movie’s slow pace. There could have also been some more characters to provide support, and this movie’s viewpoints are rather limited when you look at it. There is a lot of silence and a good number of dialogues, but there is less happening for the people who are looking for that as the thing which defines a movie – after all, this is close to being what you call the award movie in this part of the world. Two hours were not needed for this movie for sure.

Performers of the soul :: Portrait of a Lady on Fire is a movie nominated for Golden Palm, the highest prize awarded at the Cannes Film Festival, where it lost to the Korean Oscar Winner, Parasite, and so you know that this one had to score in its performances more than anything else. It has to be noted that all the main characters in this movie are female, and you see some men for that amount of time which can be better counted using seconds rather than minutes. The movie is that much dependent on its female characters, especially the two main ladies, with more to be added from a third young character, and a little more from the much older character who plays the mother. I haven’t watched many French movies, but Noemie Merlant is the one lovely actress who has come up with a perfect performance here which cannot be matched. She has been very expressive, and very much enchanting as the painter, closely followed by Adele Haenel who manages almost the same. Luana Bajrami, the next important character is done well, and Valeria Golino is there for less time, and does fine.

How it finishes :: The movie is not to be confused with The Portrait of a Lady by Henry James, as the title only has the addition of fire in the end, which might have been enough to prove its point. But people are more or less attracted into feeling that this is the same thing, and only the fact that this is not a British or American movie making them feel that this is something else. But the movie is not a lesser classic when you look at it, as it feels like an old-fashioned throughout its run. It is a slow-moving thing of charm, which makes sure that the moments are there to stay. Portrait of a Lady on Fire is more or less a feeling set in that historical period, and it has that delicate beauty with the realistic touch which is to stay for the beauty of tranquility, and not for what we usually remember a movie for. Portrait of a Lady on Fire takes you through the different, classic path.

Release date: 18th September 2019
Running time: 120 minutes
Directed by: Celine Sciamma
Starring: Noemie Merlant, Adele Haenel, Luana Bajrami, Valeria Golino

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@ Cemetery Watch
✠ The Vampire Bat.

The Story of 90 Coins

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Vampire Owl: I have to say that this title has immediately caught my attention.

Vampire Bat: It is not natural for such a thing to happen for you considering the fact that this is a short-film.

Vampire Owl: I have loved more short-films these days than any other. So, there is a certain vision coming to me.

Vampire Bat: So, you will be watching more short-films?

Vampire Owl: I don’t see why not, as you have been writing about so many. I have to keep up.

Vampire Bat: So, you are coming up against the realization that short-films are more worth the time, right?

Vampire Owl: Yes, I have gotten fine results with the last few which I watched.

Vampire Bat: Also, it is for everyone, and not limited by the boundaries, as it is available online.

Vampire Owl: And available in so many language, with English subtitles.

Vampire Bat: The only thing which stops us from watching a short-film is we ourselves.

[Gets some kuzhalappam and three cups of elaichi tea].

What is the movie about? :: The movie begins with Wang Yuyang (Dongjun Han) telling Chen Wen (Zhuang Zhiqi) to be with him forever. When she doesn’t agree to the same, and shows her doubts about the future of the relationship, he asks her to give him ninety days to prove her love towards her. Every night, when they left each other, he would give her a coin, and if she rejects his proposal after those ninety days, they would take the cash to the stall where they had first met, have some drinks and bid adieu to each other, hoping not to meet again – that would be the end. Otherwise, they are going to use it for the wedding purposes, according to him. Even though she does fall in love with him, her first priority is to have a house in the city. She also has her career in front of her, and marriage doesn’t come at the top of the list at the moment.

So, what happens next? :: Then there is a chance for her to go to Paris, which is quite the perfect place to continue her fashion designing work. The city which has been commonly referred to as the fashion capital of the world just seemed to have endless opportunities for her. Andre (Jose Acosta), her French co-worker is also asking her regularly to join him on the trip to France, and see how far she can go with her skills in the field. They have their own complications in the relation in between, and it remains to be seen, if they can stand the factors of real life when going through their tale of love. It comes to that point when the relationship was going to be no more – but the promise of ninety days remain. Will they be able to go through those days which are reflected in each coin? Is it love or is it the job that gets the upper hand in the end?

The defence of The Story of 90 Coins :: The movie is just so beautiful to watch – there are those wonderful shots, and there are also beautiful people working in it. Along with the same, the performances are also too good that we feel the reflection of the emotions of the two protagonists. The emotional effect that this movie brings is more than what some of those highly appreciated romantic flicks lasting two and half hours has brought us. We can take the example of two Malayalam movies which are considered top love stories – Ennu Ninte Moideen and Annayum Rasoolum. While the former was entertaining, it dragged itself to almost three hours, with moments which didn’t need to be there. The former also had a run-time close to three hours and had more drag than material. These two, the most overrated love stories don’t stand a chance against a nine minute short-film, and there lies the beauty of The Story of 90 Coins.

Soul exploration 1: Love and promises made :: We see so many movies with promises of love being made. Lets take the example of another overrated movie, Neelakasham Pachakadal Chuvanna Bhoomi – it only has the glorification of our youth who can’t make a good promise and stick to it, and as people don’t usually stick to promises they liked it. The Story of 90 Coins is for the kind of people who stick to those promises made in love, like the characters in the movie Anarkali. Unlike what a lot of youth from a spoilt generation thinks, love is not love when it finds deviation – falling in love is a commitment, and whether it is before or after marriage, it takes real courage, faithfulness and trust to stand with the person you love. With love, comes a promise, and it is about this promise that The Story of 90 Coins talks about. Good men and women keep it, and won’t let it become a random memory which comes into mind later.

Soul exploration 2: Love and love only :: There will be other things like work and people will keep looking for job satisfaction – unfortunately, in a terrible modern world, it is something that people will use to judge you and society will even judge your partner on the same. There will always be those offers to make you feel successful, but it is not inside that cabin or the cubicle that you find what matters the most – it is in in front of your beloved, in her words, and in her arms. As we look at a world affected terribly by modernity, we feel so much less of love – they turns into robots, and they divide us into factions. But there will be a day when we realize that love matters – it will be not that creepy new generation love made in the name of modern love which has no commitment and just infatuation and lust. Love will be love only when it is worth to be called by arranging those four letters in the right way in heart, and never stepping back from those feelings of oneness.

How it finishes :: There are lots of dialogues in this movie which are certain to stay with you. The process of making you feel the love begins from the first few seconds itself, and there are those amazing words in the end, which are sure to give your emotional side and belief in true love a big push. It is shameful that we have more of “theppu” short-films here rather than true love stories – we are the industry which had so many of real love tales which became big hits in the past, and we struggle to make more of the same kind even as short-films. It is during those times that this Chinese short-film from Michael Wong becomes a very significant lesson. This is a movie which has won more than fifty accolades from different international film festivals, and it is the director’s short-film debut. After watching this The Story of 90 Coins, I hope that he will make a lot more of similar interesting flicks.

Release date: 28th July 2016
Running time: 97 minutes
Directed by: Michael Wong
Starring: Jose Acosta, Dongjun Han, Zhuang Zhiqi

Watch The Story of 90 Coins here:

Other short-films of interest: Mangalyam Thanthunanena, Red Jacket, Grace Villa, Culprit, AUFDRUCK, The Shaman.

@ Cemetery Watch
✠ The Vampire Bat.