Meander

Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

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@ Cemetery Watch
✠ The Vampire Bat.

Cross the Line

Vampire Owl: Do you know that Spain has become my dream country again?

Vampire Bat: I thought that you were going to Romania.

Vampire Owl: All vampires are supposed to have some interest in Romania.

Vampire Bat: Does that lead to an interest in Spanish movies?

Vampire Owl: I don’t see why it shouldn’t.

Vampire Bat: Well, we already have some interesting Spanish favourites.

Vampire Owl: This seems to be the more critically appreciated type.

Vampire Bat: That doesn’t guarantee that this could be your type of a movie.

Vampire Owl: There is no my type of movie unless I make one.

Vampire Bat: Well, vampires don’t make movies, but do watch them.

[Gets a pineapple cake and three glasses of orange shake].

What is the movie about? :: Daniel (Mario Casas) is a shy and good-mannered man who is working at a travel agency in Barcelona. He is very much interested in his job, and loves his family consisting of his father and sister. After their father dies, Dani’s sister Laura (Elisabeth Larena) arranges a trip around the world for him from his own company, as he was the one who was taking care of their father, and might be missing the presence of their bed-ridden father. He is not really fond of the trip though, and he is not interested in changing his lifestyle either. He hopes that he can cancel the trip because there is a two week window, and therefore he just accepts the idea. It is then that he comes across a girl at a restaurant and cafe where he often spends time over a burger, and meeting this girl, Milagros (Milena Smit) changes how things would go about in his life from then. She borrows a small amount from him, and is not happy because she really wants to give it back to him.

So, what happens with the events here as some twist is coming up? :: She keeps asking him to come with her for the money despite him not wishing for it to be returned. They take a walk through the street to the place where she works. Finally, as she is a tattoo artist, decides to give him a tattoo instead. He is reluctant again, but finally decides to go for one due to her consistent persuasion. He becomes interested in her, and therefore, he continues to follow her when she asks for his company. But as he goes to her apartment, her interest in him stays only for a few minutes. Soon, things take a twist, and things are not as what he had thought they were. He would commit a murder due to the circumstances, and soon people would be after him, and it won’t be about just police looking for the murderer. These are not the circumstances which he thought he would have to go through at any point of his straightforward life, but he would have to work through it. Now his life has changed, but unlike what his sister thought, it is not for the best.

The defence of Cross the Line :: The film has managed thing nicely with less resources, and it something which we can appreciate. We can also see the beautiful colours on the screen as well as the spaces which also have that beauty about it. There is some nice music being used here, and the sound effects are really good. The film also serves as a morality tale in disguise, as it talks about what can happen when one crosses the line, hence the title being justified here. There is the side effects of what can happen when one immediately begins to trust someone, especially someone beautiful – you should always have limitations in a world like this, where things are not the same as what seem from outside. The situation of such a person is shown perfectly, without the addition of melodrama or extraordinary elements, and a change coming upon him is also visible. All these happen very quickly, and lasting only about three hours, there is no time being wasted here. It is a continuous busy ride from the beginning, even though the elements of thriller come up later only, and we stay close to the protagonist.

Positives and negatives :: Cross the Line, originally known as No Mataras, is no usual thriller, as it goes on from a drama to thriller half way, more or less like Drishyam and its remakes which changed the mood at the centre stage. So, there is that certain diversion, and some people might have wanted the mood in the beginning to continue, and others might have wanted a full thriller, but this one depends on that twist of events to make things happen. It also has no character development of others as it is completely focusing on the protagonist all the time, giving no importance to others except for in moments. It also ends too soon, and the ending could have had a certain amount of extraordinary, as this film is not something which is not scared of taking the risks. Along with that, Barcelona is among the top ten cities which I want to visit in my life, and in Western Europe, it is the first place which I wish to travel to, and I would hope that the same could be achieved some day, but after COVID-19 pandemic, you never know where you will end up.

Performers of the soul :: The performance from Mario Casas won him the Best Actor Award at the Goya Awards, Spain’s prestigious national annual film awards, and it is no surprise when we watch the film. The performance is realistic, and as far as performances from actors in foreign films are concerned, I would consider his work to be among the best, and something which should have all that appreciation. I had also loved his performance in Adios which released earlier. Along with the same, Milena Smit was also nominated for Best New Actress Award, coming very close to winning that one – when we look at her work here, even though not lasting throughout the film, is really good. She excels with her emotions, and I would love to see more of her in other movies, maybe in Hollywood too. The situations without money and clothes would seem to make her vulnerable, but it can be seen that her character dictates things even when it doesn’t seem so – a character at the strongest when dumped in a relationship, or when fully naked. Fernando Valdivielso was also nominated for Best New Actor there, and he had some good short time in the film too. Elisabeth Larena is a strong name in the film too, and in a film which is dominated by the main actor, she has her moments.

How it finishes :: The movie focuses on one character, and it has two others who are there for enough time to call them as providing support, and with these itself, the film manages to do very well. Serving as a message to what could happen if you cross the line, and also showing how much it can change a person, the film does the same very effectively. The thrilling moments of the film are supported really well by the music that runs in the background. The tension-filled atmosphere being nicely built, this is the kind of film that stays with you for the experience. With seemingly lesser budget and minimal characters, what the film has managed needs to be appreciated. One can be sure that there are many things that can be learnt from this particular film, and this one with its ending seems to taunt us to ask for a possible sequel too. Well, with films like these, it is only fair to hope for more, as it was short and we would have wished for it to go on for more.

Release date: 16th October 2020
Running time: 92 minutes
Directed by: David Victori
Starring: Mario Casas, Milena Smit, Elisabeth Larena, Javier Mula, Fernando Valdivielso, Aysha Daraaui, Javier Mula

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<— Click here to go to the first Spanish film review here.

<— Click here to go to the first big budget Spanish film review here.

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@ Cemetery Watch
✠ The Vampire Bat.

The Voyeurs

Vampire Owl: Do you think that life means anything?

Vampire Bat: It doesn’t matter for humans at all. Then why should it matter for us?

Vampire Owl: I am sure that it would matter to us more.

Vampire Bat: I would never understand why humans are like this.

Vampire Owl: Humans need their lives to keep lying.

Vampire Bat: Yes, it is the only thing that they do throughout their lives.

Vampire Owl: I had trusted three humans last year, and I would never do that again.

Vampire Bat: Humans are all about cheating others, and nothing more.

Vampire Owl: I would trust the demons of hell over these people.

Vampire Bat: Let us not blame the zombies for eating their brains then, and go home.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Pippa (Sydney Sweeney) and Thomas (Justice Smith), move into a new apartment in Montreal, Canada after a long time of spending time apart despite being in love for quite a long time. It seems to be the perfect place for them, and everything seems to work exactly according to the plans, which includes children, job and many more things. They soon find out that the windows of their apartment look across the street to another one, which has no curtains. They see and note these neighbours from the first night itself, and there is initially just some photography, but soon things get more intimate. Pippa doesn’t feel that it is okay to look into the lives of others. They even end up giving those people random names. Soon, they become more addicted in the life of people on the other side. Sebastian (Ben Hardy) and Sam (Cait Alexander) are the two people whom they end up seeing in action. Then there is also Julia (Natasha Liu Bordizzo) whom they see at the same apartment.

So, what happens with the events here as we just keep looking? :: They understand that Julia is the original wife, and Seb is cheating on her. Now, Pippa and Thomas are really interested, and wants to know what these people were talking to each other. For the same, they attend a Halloween Party in the apartment, and place a recording device in there. Julia who is supposed to be the real wife of Seb knows that he is cheating on her with some of the models whose photos he had taken. As more models including Mere (Blessing Adedijo) are added to the list, only Thomas and Pippa knows about the same as they watch from a distance. When Julia visits Pippa’s eye clinic, they become friends, and Pippa really wishes to talk to Julia about all the cheating that has been going on. But it seems that there is more to what they have been seeing around. The world has its secrets, and here once again, we have more than what meets the eye.

The defence of The Voyeurs :: The Voyeurs does have some moments of suspense, and it keeps us interested about what is to happen next, and twists as well as thrills do make the appearance. We have many unpredictable moments in here too, as one does feel that he or she never did see that coming. It is then that the mood of the movie suddenly changes without a warning, and there are those final moments when Sydney Sweeney scores above everyone else. All of a sudden, we have something to look out for. The pattern is also really good, and how it transcends the genre is a thing to look out for. The final moments of the film are among the best too, as the shock does get to everyone. We also have some fine visuals around here, and there is also the message given about not to believe what we see. Well, we just cannot believe the humans about almost anything, because humanity itself is built on the towers of lies and hatred for others.

The claws of flaw :: Even though The Voyeurs could have been a better film, there is no attempt here to rise above the limitations. There are lots of slow moments in here, and we are left with times when nothing much happens. The film also takes some time to bring its twists to the scene. People will find some parts of the movie strange too, and also related to how things change so fast. We also have times when things are not that perfect, and we do feel that some of these things could have been different. It also follows the usual formula for the is kind of film for most of the time too. It could have also focused more on human nature, and how it has led to all of these in a direct manner. The film could have also had its focus on evil rather than anything else, as well as some special tendencies which people have. It does have the strength up to an extent, and we are always looking for more as far as films like this one are concerned.

Performers of the soul :: Sydney Sweeney leads the cast, and things go pretty well with her work, and Justice Smith also comes up with a similar job. Sydney is indeed lovely in showing those emotions as things change so quickly. We can see that in the end, she raises the level so well. It is beautiful to watch her emotional side at work. The leading cast are pretty good together, as we look at them. Natasha Liu Bordizzo is very good with her work, even though it is Katharine King whom we notice before her. Natasha also has something special in store, and you can wait for that too. The other names including Katharine King are fine to watch on the screen, but quickly vanish without any trace of their former existence. Ben Hardy is more or less the character that seemed predictable earlier, but not so later. There are also a number of other characters who are not given that much focus, and we forget them too, as film comes to an end.

How it finishes :: The Voyeurs has its moments of suspense and thrills, along with the twists which keep us going. It is not just what it seems to be, but more, and also leaves hope for a possible sequel in an even stranger manner. The films like this can actually go a strange route, and can miss the mark easily, but this one holds on really well. It is nice to see that another interesting thriller has come out on Amazon Prime Video during these times when theatres still remain closed. There are surely more coming up, and for now, we have this one to be appreciated. The Voyeurs might not be watched by many as of now, but it will surely be a preference soon enough. So, all of you do stay safe during the time of COVID-19 pandemic, and watch more films from Amazon Prime Video. These might not be the best time, but at least we can watch some good movies.

Release date: 10th September 2021 (Amazon Prime Video)
Running time: 116 minutes
Directed by: Michael Mohan
Starring: Sydney Sweeney, Natasha Liu Bordizzo, Justice Smith, Ben Hardy, Katharine King, Cameo Adele, Jean Yoon, Blessing Adedijo

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@ Cemetery Watch
✠ The Vampire Bat.

Sunny

What is the movie about? :: Sunny Varkey (Jayasurya) has finally returned home from Dubai after a long time with his Logistics business failing, and these are the troubling times of COVID-19 pandemic. He used to want to become a successful musician, but left that idea much earlier. He gets a quarantine spot in Grand Hyatt Residency in Bolgatty Island, Cochin, and gets to be all alone there. SI Sadashivan Nair (Vijayaraghavan) is the police officer who is in charge of looking out for the people in quarantine there, and he keeps an eye on Sunny. He feels lonely, and is uneasy because he is not able to get any more alcohol, with the hotel changing its policies as people were creating nuisance after being drunk. Dr Erali (Innocent) tries to help him with his withdrawal symptoms and a stage of depression. Adithi (Shritha Sivadas) is in quarantine in the room above him, and they also have regular talks.

So, what happens with the events here? :: Nimmi (Shritha Sivadas) had divorced Sunny because he had an affair which he had confessed, much to her dismay. Sunny is as much disappointed about this, as he has been with his financial affairs. She is also pregnant, and it was for the second time, after their child had died a few hours after birth. He has to pay back a lot of money, as a result of his best friend making him an investment which he now regrets. Nimmi no longer wants to do anything with him anymore, and neither does his former lover Dr Anuradha (Mamta Mohandas). It also seems that some of the passengers in his flight were COVID-19 positive, and there is a chance that he might also be in trouble. But he moves on with his lonely life, which doesn’t seem to have much left for him. Yet, it is still to found if there is something more than what meets the eye. With COVID-19 around, you never know.

The defence of Sunny :: Sunny is quite a small movie when we consider its limited setting within a room. Among the classical unities of Aristotle, unity of place and action are maintained, and with a shorter quarantine, all of them could have been there. The setting is really nice, and it is good to see this particular world where parts of one’s life is revealed. There is a whole grand episode of life which is revealed here through small moments. The past, present and future gets intertwined in these incidents which occur in the grand quarantine centre. There is the usual life being reflected here, and the protagonist is very much human, trying to survive in a world which has descended into chaos for him. It shows the life of a depressed man in quarantine really well, and never does it lags behind in doing the same. These are indeed good times for emotional films, as we know what the COVID-19 affected world has come to. Amazon Prime Video has the right films for the same too.

The claws of flaw :: Sunny doesn’t live much beyond the scope here, and it is indeed predictable. A lot of things that we see here, follow the expected routine, with not many surprises to come around. The movie also maintains its slow pace throughout its run, and it is also something which doesn’t come as a surprise when we look at this particular world. It should have had more, even with life being restricted to a room – there is a lot more to be shown with the scenery and the world around, as well as what is inside. It could have also had more events for the main character, as being in quarantine in such a grand space always has more to be added – it is not like being locked in a small room. There could have been more from other characters, even with their faces not shown, as some of them are not really there, exploring their best possibilities. We wished for the sun to shine brighter with Sunny, even though we are okay with what we have around here.

Performers of the soul :: Sunny is a fully Jayasurya movie, as one would expect it to be, from the trailer, and also with the talks regarding the same. There are only a few others who have faces at least inside their masks, or have part of their faces revealed in one way or the other. This is also Jayasurya’s 100th film, and might be his best film to come to Amazon Prime Video. He has come up with a fantastic performance, as a man who doesn’t have any hope in life, and as the only one character which truly performs on the screen, has the whole canvas to himself – we can do nothing more than just applaud the same. We see different phases of his life in the quarantine room itself, and this is a character that shows a certain amount of evolution, which he reflects really well. There is not that much of a challenge provided here for him, but there is indeed something.

Further performers of the soul :: The other characters are introduced through their voices, as they call the main character or sometimes the other way around. There is something to be revealed from each character whom we identify through their voices. Some of the characters have part of their faces being shown, and the voices are those which we identify with ease, especially that of Innocent, Aju Varghese and Vijayaraghavan. They are all part of the tale, even though we don’t see them. All these phone calls play significant roles to keep the film going forward. It is nice to see people like Shritha Sivadas whom we have loved for her early works, and had gone missing for some time. Mamta Mohandas’ voice is heard for much shorter time than we would have expected.

How it finishes :: Sunny nicely sets itself during the COVID-19 and quarantine times, and has the same feeling running through it. There is the loneliness of a quarantine that runs through it, and as we know that we are going to live with COVID-19 with more and more waves supposed to come at some point, this one is closer to reality than one might think. As a movie which has only one face completely shown, and with one person having the chance to come up with all the performance. This is basically the one man film that we don’t usually see around, and it is one risk which has been taken on with success. Amazon Prime has already provided some fine experiences during the Corona virus times, and this one goes the divergent way with ease. There is always more about smaller films like these than what meets the eye, and this one is also that drama which goes feel-good and does that with effectiveness.

Release date: 23rd September 2021 (Amazon Prime Video)
Running time: 103 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Mamta Mohandas, Vijayaraghavan, Innocent, Vijay Babu, Shritha Sivadas, Aju Varghese, Sivada Nair, Purnima Krishnan, Binoy KG

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@ Cemetery Watch
✠ The Vampire Bat.

Home

What is the movie about? :: Oliver Twist (Indrans) is leading a normal life with his two sons, Antony Oliver Twist (Sreenath Bhasi) and Charles Oliver Twist (Nalsen K Gafoor), his wife Kuttiyamma (Manju Pillai) and father (Kainakary Thankaraj) who has memory problems. Oliver and Kuttiyamma are also feeling the problems of their old age. Antony is trying to be successful in the film field, but he is too busy with social media that he doesn’t complete the climax of the script, much to the dismay of the producer, Baby (Maniyanpilla Raju) who keeps asking if something can be done about it. His time is running out, as it has been two years after he started writing – he had directed his first film to a grand success, and this time, nobody is sure that he will finish it in time. At the same time, Charles’ interest in social media only, and nothing else is on his list of interesting things. He keeps putting Instagram stories at all times, and during the rest of the time, he is mostly sleeping.

So, what happens with the events here? :: Finally, Antony decides to return home to finish his script, and for the same, he returns home with a seven day deadline to complete his script. There he finds out that Charles is vlogging at all times, and doing nothing else. His life is highly digitalized, and he is happy to keep himself online instead of talking to anyone in the family. Antony is no different, even though his parents remember that he used to be a different person before leaving them for the city. Antony is in love with Priya (Deepa Thomas), a relationship which has lasted very long, but now he is too bust to return her calls. Her father, Joseph Lopez (Srikanth Murali) is a very rich and influential man, popular at all places. Oliver hopes to be friendly with his sons, but they don’t have that much of an interest in talking to the elders. Often, they even ignore Oliver as if he is not a part of their life. Oliver hopes that things will change, and he goes on with his life, with that wish, but Antony has very low opinion about him, and is often hostile towards him too.

The defence of Home :: There are many things which are reflections of real life incidents in the film, and one often wonders if they have come across such incidents before. Social media addiction has been an effective theme, and these days, anyone is a vlogger on Youtube, and with many followers, they think that this is life. People have been bothered more about what happens online rather than offline, and in the same the real world is forgotten, a reflection of the same is reflected here. The message about mobile phones stealing our valuable time is also provided nicely. It adds a few things about loss of relationships and health due to the use of smartphones and social media among the youth. The film, even though set most in a home and its surroundings, is visually too good, not just inside the house, but also during the outside moments. There is a lot of beauty on the screen that surrounds everything, and occasional humour adds on well. Then, there is the ending that conquers all, emotionally as strong as it could be.

The claws of flaw :: There is a lot of repetition which happens in the film, and it is surely a slow work, as we look at it. Some of the emotions are added here and there as if it was just there for the sake of it, and some incidents just become random part of the same. This comes from the man behind Philips and the Monkeypen and Jo and the Boy, and we can see similar elements being repeated here. It still doesn’t have the charm or quality of the former, which was one of the best movies released in the year, seemingly bringing a certain amount of magic to the screen. It also has its length extended a little too much, and with too many songs being added here and there, it does feel a few minutes too long. There are moments in between when we feel that this was going nowhere nowhere, and it was going to go on with the same kind of thing again and again. There are so many things coming up, and often it does seem to miss the main point, but there is the ending that brings things together.

Performers of the soul :: Indrans was earlier seen in two very serious roles this year with two films, Malik and Yuvam, playing the roles of a police officer and an advocate respectively. This one is a light-hearted, but yet emotional role for him, and having come out of fully comic roles, he has been doing this really well. This is indeed a very heartfelt performance from him, and with him at the centre of a family movie, this will be remembered as he celebrate forty years in Malayalam cinema industry, in his 341st movie in the long career. We are finally able to see him throughout a mainstream film in the lead role, and also with the most emotional touch, as he basically lives through here. Sreenath Bhasi had some very serious roles in Virus and Kumbalangi Nights not too long ago, and he now has a rather lighter version here – he had come out of that earlier “freakan” image a long time ago, and this one has him in a controlled role. Nalsen K Gafoor who was last seen in Kuruthi with all the seriousness, and earlier in Thanneermathan Dinangal with all the humour, can be seen in a realistic role of a youngster in this film, and he once again scores big. The simple comic side that he adds here brings more life to the movie.

Further performers of the soul :: It is also nice to Manju Pillai having a good role to play in a film, as we have been seeing more in the television series and comedy shows of Mazhavil Manorama. She has blended into this role really well, and one would wonder why she was not that much in similar roles before. We have always loved to watch her in Thatteem Mutteem for a long time. There are also some nice dialogues that reflects the mood of the film. Deepa Thomas has her first leading role, and she has comes up with a memorable performance too. She has indeed provided a natural performance, and we look forward to seeing her in more roles, and with more screen space in comparison to what is seen here. Srikant Murali also has a role to remember here. Anoop Menon’s act is also a good one, while Maniyanpilla Raju also drops in here and there. Vijay Babu’s role might seem very small, but is still one role that also makes a difference, with a lovely touch of humour. Johny Antony, as usual adds more humour here, while KPAC Lalitha who comes in the final stages of the movie has something special to add. Priyanka Nair also has a fine role in the flashback.

How it finishes :: Home is a movie for the present families, which are not short of this kind of a situation at different homes, due a new generation of kids who are addicted to gadgets and moving away from parents both physically and mentally. It will be remembered for some moments for the heart. The feel-good elements from the director’s earlier films can be seen reflected here, and the same kind of reflections can be seen visually too. Vijay Babu has provided us with so many of similar movies, and we have always stayed close to most of them. During COVID-19 times, having a feel-good film to watch with family was always going to be good. The messages that the film provides are effective, and leads to that one final message which raises the level of the film. Do look out for the final scenes with credits too, and it is where the movie brings a little more for the soul. So, we have our Onam movie on Amazon Prime Video, and as you watch the same, I wish you a Very Happy Onam in advance!

Release date: 19th August 2021 (Amazon Prime Video)
Running time: 138 minutes
Directed by: Rojin Thomas
Starring: Indrans, Sreenath Bhasi, Kainakary Thankaraj, Naslen K Gafoor, Manju Pillai, Deepa Thomas, Vijay Babu, Srikant Murali, Johny Antony, Anoop Menon, Maniyanpilla Raju, Aju Varghese

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@ Cemetery Watch
✠ The Vampire Bat.

The Beach House

Vampire Owl: This is certainly not the right time to go to a beach.

Vampire Bat: We, vampires have always preferred the hills.

Vampire Owl: That is a tradition left for us by Uncle Dracula.

Vampire Bat: Even the Corona Virus has struggled to make it all the way to the hills under his control.

Vampire Owl: Historically, vampires have only caught bacteria, not virus.

Vampire Bat: That won’t be a statement approving our immunity.

Vampire Owl: There is nothing in a vampire that attracts a virus.

Vampire Bat: Doctor Frankenstein has said otherwise though.

Vampire Owl: All mad scientists try to prove it the other way around.

Vampire Bat: Mr Frankenstein is still a successful scientist in our realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Emily (Liana Liberato) and Randall (Noah Le Gros) arrives at the beach house which belonged to latter’s father, and as it is not the time when the tourists make a visit, they feel that it could be found empty, just like many other buildings in the area which is supposed to be a travel destination at a certain period of time. After getting into the beach house, and spending some time together, Emily is surprised to see someone else in the house. Jane (Maryann Nagel) and Mitchell (Jake Weber) identifies themselves as friends of Randall’s father, and according to them, latter knew his father from the university. A confused Emily who is upset about almost being caught be strangers without her pants, offers that they can move out somewhere, but the elderly couple asks them to stay with them, as they have known Randall whom they addressed as Randy from those times when he was a little kid. They offer them that the youngsters could stay there in their room as much as they wanted to.

So, what happens with the events here? :: The four get along really well, and Emily comes up with her plans to study astro-biology and become a scientist, while Randall is not at all fond of studies, comes up with a packet of cannabis which they share. Emily does have doubts about what it could do to the elder couple, but Randall is sure that it is just a little, and will only help them. At the same time, there is also some heavy fog outside, and it seems rather out of this world. Jane goes out to see the same, while Mitchell follows her later. The next morning, the young couple wakes up, and Emily finds Jane in a strange state. They also find Mitchell, and he is also not in a good shape. Emily follows him, as he doesn’t come back after walking into the sea, and finds something strange catching her legs. At the same time, Randall who tries to gelp Jane finds that there is something seriousy wrong with her, and it is not something that they can understand. What is it that is haunting the area? Is it of this world or is it from another planet or dimension?

The defence of The Beach House :: This one is surely not your usual kind of movie, and it is only the name of the setting, as you look at it, without providing a chance to explore the place more – but horror does gets its significance here. The horror here is mostly based on the strange fog and the worms which get into people followed by movement inside them until a complete transformation occurs. The setting is really good, and there is terror being created by the atmosphere, even though one does wonder if it has been taken a little too lightly for this type of a movie – yet it does get to somewhat the expected level during the final stages. We get to know the terrifying situation even when that much is not shown, even though we know that there could have been more. It is Liana Liberato who lifts this movie higher, and I would say that the performances have all been pretty good, even though it is Liana who gets the chance to do much. Whether it is with the relationship or horror itself, she makes it work.

The claws of flaw :: The Beach House does have a struggle with some of its elements, and it could have used more of horror in a better way. This is not the kind of idea which we haven’t seem before, especially with the creepy little worm-like things. The scares of the fog or the mist are not that new, or used with the best possible effect. The movie does feel a little bit too long even with its short total run-time, as there is a little bit too much time spent talking, and all those talks become not too relevant for what is to follow later, a the film changes the mood almost completely. The beginning stages had already given us one kind of impression, but later stages mean something else. Creating a movie like this required more of a different kind of horror to be added to it. You see that there is a beach and the sea which are central to the tale, but the main characters don’t even jump into it or get close to thinking about at least wetting their feet, which is strange, even under these circumstances.

Performers of the soul :: Liana Liberato plays the protagonist in this movie, as she is the girl who wishes to be an astro-biologist here. It is not really the face that we have seen much, and I am sure I haven’t come across her movies before. She makes a fine scream queen, with very good job being done in between all the chaos and terror that is unleashed there. Horror, as a genre seems to suit her, and the other one which seems to be good enough to work out for her feels like romance. In the beginning, there is the case of a fading relationship, which is done with ease, and when horror comes, the same level is maintained. Noah Le Gros supports well, playing her lover. Jake Weber and Maryann Nagel plays the older couple, and their performance is also believable, but we are left without themselves before the half-time itself. But a movie like this doesn’t demand much of them, except for more from the girl who seems to go on towards the end, as people are not the ones who provide the much needed elements of horror.

How it finishes :: The Beach House makes another movie which goes divergent in pursuit of horror. It is to be noted that the movie does remind us of the short story The Colour Out of Space by HP Lovecraft as well as its fine adaptation in which Nicholas Cage stars. There is that same strange feeling that we have here, even though this one is not that colourful, and we understand that it has been made on a low budget. With Corona Virus said to be spreading by air too, we do feel that this kind of a terror is always possible too. After all, we are the ones who will be responsible for the end of this planet, speeding up the upcoming extinction event like never before, in the last few years. Therefore, we await the extinction event or just the human extinction in one way or the other. Before that, we do have movies like this one which seems to bring the end closer than ever, and that is also done in a way that it moves away from the usual stuff with ease.

Release date: 9th July 2019
Running time: 88 minutes
Directed by: Jeffrey A Brown
Starring: Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel, Michael Brumfield, Matt Maisto, Steven Corkin, Veronica Fellman, Dan Zakarija

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@ Cemetery Watch
✠ The Vampire Bat.

June

What is the movie about? :: June Sarah Joy (Rajisha Vijayan) considers herself to be an ordinary girl with no special talents, which is the reason why she is upset that most of the other students who join her class are able to do so much more. Her parents (Joju George and Aswathi Menon) care very much about her as she is their only child. Noel (Sarjano Khalid) is her newfound best friend who is elevated to the level of her boyfriend. They get to connect well with each other as they are both considered to be lagging with their talents. As time progresses, she is able to make new friends, and her Plus Two batch of 2007 is finally able to become a batch to remember not just for the students, but also to the teachers. But at the same time, when her parents find out about Noel, she decided to end their relationship. She joins a nearby college while he travels to Mumbai to stay with his parents and to continue his studies.

So, what happens with the events to follow? :: The best friends go in their own ways, and June is left with the memories of Noel. She goes through her college days without much of an enthusiasm as she is still caught in her life in Plus Two. After completing her degree, she decides to go for an interview in Mumbai and meet Noel at the same time. She stays with her Plus Two classmate Abhirami a.k.a. Mottachi (Vaishnavi Venugopal) who is also working there, and finds Noel to begin the next phase of their relationship. But things are not that easy as she thought they would be. She has to deal with his family as well as hers, and at the same time, maintain her own independence. About their life, what Noel thinks might not be the same either. So, the question remains about what awaits her in the rest of her life.

The defence of June :: The strength of June lies not just in the performances lead by the female lead, but also in the memories that it creates. It takes us back to the school days, and even though it is not an exact reflection of the memories as it was recreated in Om Shanti Oshana, this one is surely an effective one, thanks to a better performance from the female lead in comparison to that older version. The movie is also a clean entertainer for the family audience, with nothing that makes them doubt about their plan to watch the movie – keeping it so, and at the same time, funny would have been a difficult job, but is done with skill. The climax and the final scenes are beautifully done too, and it talks not just of love, but of nostalgia and friendship that comes back after a long time. The music is nice, and suits the mood of the movie. The songs come too often, but they are nice to hear.

The claws of flaw :: The movie’s idea to skip the college days completely is one strong negative point on this movie – the second half could have used some of that too, and in that case, being a coming-of-age story in the lines of Premam and Om Shanti Oshana, this one has a little missing part. There is no life that serves as a coming-of-age story without the college days, because it doesn’t matter who denies the same, there is something about those moments all the time. It is where bildungsroman struggles. The movie is also a little bit too long, which is why one can feel certain drag with the romance. There was surely more scope to make this one better. It has to be noted that not everything in the movie brings the memories of school days, and not all jokes serve to be that effective. But as the industry is once again becoming hesitant to experiment, June is surely one another welcome move.

The performers of the soul :: Rajisha Vijayan who won the Kerala State Film Award for Best Actress for her performance in her debut film Anuraga Karikkin Vellam, which was also her first movie, once again makes an impression, as we had expected from the trailer. Georgettan’s Pooram and Oru Cinemakkaran never really gave her any challenge as movies which kept at a certain level, never trying to rise or give its female protagonists opportunity to do much. She takes over the protagonist, and has the sixteen year old going through to the next ten years of her life, even though three years at college are absent. The moments during the Plus Two time period are done with amazing skill, and the latter moments are not far behind, and they seemed to come naturally to her. With the whole movie completely dependent on her performance, she makes sure that she comes up with only the best.

Further performers of the soul :: Along with Rajisha, there are others to add to this one very well. Joju George gets another fine role after Joseph, unlike the insignificant one he had to do in Lonappante Mamodeesa. He nicely gets into the father role here, and has some funny as well as touching moments to go with it. Aswathi Menon who is best known for Sathyam Sivam Sundaram and its highly popular song “Walking in the moonlight” has the mother role here, and she makes it a good one. Sarjano Khalid, the debutante who plays a male lead does well, as if he’s been there before. Arjun Ashokan has also done a good job, especially in the second half. Among the actors and actresses who plays the protagonist’s friends, it is Vaishnavi Venugopal who shines the most. That should be among the most natural performances not by a main or secondary heroine, in a long time. The other newcomers are also good talents, as we can see here.

How it finishes :: Releasing at the same time as Oru Adaar Love released, this one uses less hype and more quality to be assured of a more solid run. After Aadu 2, Vijay Babu becomes the producer again here, and we expected a performance to remember from Rajisha Vijayan – it is the same that we get here. This one stays close to life and memories, along with being another feel-good movie which touches our hearts after Vijay Superum Pournamiyum, Njan Prakashan and Ente Ummante Peru. June is also one movie which does so much justice to the trailer, as it is more or less the same thing that we watched earlier and expected. Even though Kumbalangi Nights and 9 are there, this movie should take over some of the presence of the latter, and keep going, because the movie is many different things to different people.

Release date: 15th February 2019
Running time: 141 minutes
Directed by: Ahammed Kabir
Starring: Rajisha Vijayan, Joju George, Sarjano Khalid, Aswathi Menon, Vaishnavi Venugopal, Nayana Eliza, Arjun Ashokan, Sanju KS, Akhil Manoj, Harisankar, Sruthy Suresh, Margret Antony, Raveena Nair, Aju Varghese (cameo), Sunny Wayne (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Vijay Superum Pournamiyum

What is the movie about? :: Vijay (Asif Ali) represents a generation of young men who were forced to do engineering even as they want to do something else. He struggled hard and finally managed to pass the exams after multiple efforts. But his dream is to become a chef and for the same, he keeps trying. But his father Chandramohan (Siddique) is convinced that he shouldn’t do cooking after studying engineering, and gets him a job in a call centre. He meets Reshma (Viviya Santh) there and falls in love, only to end up realizing that she was cheating on her – his expression of his anger becomes viral on Youtube, and he also losses his job. His parents feel that the only way to make him responsible is to get him married to a rich and educated girl who would also be able to provide him with financial support. Finally, they find such a family and a girl.

So, what happens with the events to follow? :: This leads them to the house of Venugopal (Renji Panicker) who wishes to see his daughter Pournami a.k.a. Pinky (Aishwarya Lekshmi) married as soon as possible. Being an MBA holder and wishing to become a successful entrepreneur, she has the record of failing in every business she tried to begin, and in the process, losing the money her father invested in her ventures. As the two meet and talk, the door of the room which was being repaired, gets closed and is automatically locked. As the two are locked inside with the carpenter being called for, they are left with a few hours to talk about their past, present, future and ambitions. This talk changes the journey of life for both of them. They don’t find them as good match for each other and are not in a mood to marry soon, but destiny has other plans.

The defence of Vijay Superum Pournamiyum :: Remake of a Telugu movie Pelli Choopulu starring Vijay Devarakonda and Ritu Varma which is also known to have a Hindi remake called Mitron, Vijay Superum Pournamiyum does manage to make it completely Keralite with its moments nicely reflecting life easily. The feel-good elements work nicely, and the movie is light-hearted throughout its run, despite having moments which could have driven it through another path. The first half is full of fun, and the second one comes with an emotional touch as expected. With a simple plot, the characters are of interest right from the beginning itself. There are things that you can relate to, and it is a fine watch for the family audience in more than one way. The messages are good, and these also go for all kinds of audience of the present age.

The claws of flaw :: The second half, except for the final moments, doesn’t have the fun as the first half had. The radio talk sequence also could have something better to replace it, as it made things look too easy in the end. There is too much of a journey on the expected path, and the divergence could have been shown in a better way. There is the confusion, inability to talk about one’s love for each other, business deals relating to wedding and more, all of them going in a predictable manner. After the food truck business started, there was actually scope for more too. The songs are okay, and there is a nice one; the background music is good enough to give the feeling – there are those strange and ridiculous dance sequences in one song though, which don’t even come close to being funny. There are times when the movie seems to get into the melodrama mood, which was kind of out of place. Well, this is the first big Malayalam movie of the year, and you can expect more every time.

The performers of the soul :: Asif Ali plays the immature youth unable to do anything positive in life, and lacking confidence – it is something that he does with ease and in a believable way. We remember how he did the confused young man roles in the movies like Thrissivaperoor Kliptham, Avarude Raavukal and Adventures of Omanakkuttan. The irresponsible youth role was safe with him even in the earlier movies like Kavi Uddheshichathu..? and Anuraga Karikkin Vellam. Aishwarya Lekshmi coming out of the Njandukalude Nattil Oridavela, Mayaanadhi, Varathan trio of big hits critically appreciated, does another fantastic job in portraying the lady who is set to leave a mark – she is once again a long way ahead of the rest, getting into her role so well. She has all those moments in control, no matter what is thrown at her.

Further performers of the soul :: Siddique and Renji Panicker handles the father roles here really well, with former going through his familiar territory nicely and latter doing what he has been doing so well since Om Shanti Oshana – the father who is very much caring for his children and supports them in more than one way. Another father figure who is there for a lesser amount of time is Devan who has not a lot to do. Aju Varghese has only a smaller role, but it is significant, and the funny side is strong during his presence. Balu Varghese and Joseph Annamkutty Jose support with enough jokes to add to the fun too. Shantikrishna has another mother role which she continues after the recently released Ente Ummante Peru in which she was there only for a few minutes. Darshana Rajendran also has some friendly, cute support in store for the protagonists. Then there is KPAC Lalitha doing the perfect grandmother yet again.

How it finishes :: As the third movie that united Jis Joy and Asif Ali as director and leading actor, following Bicycle Thieves and Sunday Holiday, this movie was expected to have something special in store. Bicycle Thieves was a dumb movie with foolish twists which were not needed, but Sunday Holiday had nice feel-good factor in store. With Vijay Superum Pournamiyum too, it was the same thing that the audience expected, and it is the same that they received, but in an even better package. Njan Prakashan is still running in the theatres with strong feel-good elements and Ente Ummante Peru had no shortage of the same; Thattumpurath Achuthan despite lagging behind had also tried the same – in this season of feel-good supported by Christmas and New Year, Vijay Superum Pournamiyum has its own high position to be proud of.

Release date: 11th January 2019
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Balu Varghese, Aju Varghese, Aishwarya Lekshmi, Siddique, Darshana Rajendran, Devan, Joseph Annamkutty Jose, KPAC Lalitha, Maya Menon, Renji Panicker, Shantikrishna, Austin Dan, Viviya Santh, Shaheen Siddique, Rajesh Sharma, K. S. Chithra, Harisanth Sharan

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@ Cemetery Watch
✠ The Vampire Bat.

Njan Prakashan

What is the movie about? :: Prakashan (Fahadh Faasil) is someone who is looking for easy money instead of going for the profession that he is skilled in – the job of a male nurse in one of the hospitals in the state or even the nation doesn’t seem to appeal to him, as he wastes his days doing nothing useful other than complain. His hope for a better job sees some light when he once again meets his former lover Salomi (Nikhila Vimal) who studied in the same nursing college. He was consistently avoiding her as she wasn’t that rich as he expected her to be. But the information that she is leaving for Germany to work at a salary of above three lakhs, his love for her quickly returns to him. He hopes to marry her and go to Germany, only to divorce her and marry someone from a rich and reputed family later. For achieving the same, he begins showing his love towards her and her family in different ways.

So, what happens with the events to follow? :: Now known as PR Akash after changing his original name, he is determined to leave for Germany, whatever happens. He seeks the help of his father’s former student Gopalji (Sreenivasan) who is a labout supplier, and even learns German after shifting to the city. For achieving his German dreams, he even pretends to be an orphan and secretly marry Salomi at the register office. He even tries and succeeds in getting the remaining cash which is needed for her to leave for Germany. Everything seems perfect until her father lands in the hospital. Twist of fate lands him at another place, as a male nurse to a rich child Tina (Devika Sanjay) who has been an eternal pain to her nurses until they left, and he also comes across Shruthi (Anju Kurian) who is struggling to keep her life going after the death of her father. For him, Germany no longer is the option or the dream.

The defence of Njan Prakashan :: There are some wonderful performances to power this movie, and along with the same, it also holds a mirror in front of the society – it is more or less a satire, as we see more than one people you know in the form of Prakashan. Our protagonist is someone who is not willing to work hard thus choosing any chance for easy money, complaining about one thing or the other, being sceptical and jealous about others, and more. We do meet people having these qualities often, which is why the movie becomes a reflection of those around us. The movie as a satire is funny, but not throughout, and it leaves us with some questions, along with invoking the emotional side slightly as well as brutally. As the movie reaches the end, it becomes that morality tale which has the lesson being taught as it finishes. The second half of the movie is top quality, racing ahead of the first, towards glory in the end with the climax and beyond.

The claws of flaw :: Njan Prakashan could have been more natural and it would have been as good as Maheshinte Prathikaaram – instead, this one has been polished, and certain cliches have been added, with the progress being more or less in an old format. The repetitive mode of comedy is rather strange considering the fact that these moments have a lot more to contribute to the overal quality of the movie. The first half of the movie is kind of dull in most parts, with jokes being present at times, and it doesn’t work at some points either. If the first half was reduced in length and more was added to the second, that would have helped the movie further. There is also the absence of some good songs, which should be the selling point of such flicks. We also see no attempt to capture the beauty and tranquility of the villages, as the same could also been positive addition to the movie. The talk about migrant labour population also gets nowhere in the end.

The performers of the soul :: Fahadh Faasil is once again the man to look out for, as there are shades of Maheshinte Prathikaaram in his character, and the same is combined with the other side of his character in Thondimuthalum Driksakshiyum. Fahadh easily manages this role with every ingredient that the character needed, and it comes as no surprise for us, considering the variety he has been bringing until his last movie, Varathan. We see him excelling in the natural fun moments as well as those strong emotional moments. The change that comes within the character is also nicely displayed by him, and is complete by the end. He also gets to show some shades of his character in Oru Indian Pranayakadha, the earlier combination between him and the same veteran director. The role from Carbon should also be coming to one’s mind as part of those different, yet similar faces of the man who has shown us many faces on the big screen.

Further performers of the soul :: The two heroines of the movie are Nikhila Vimal and Anju Kurian. Nikhila who had her first lead role in Love 24×7 was last seen in another wonderful performance in Aravindante Athidhikal. Anju’s lead role in Kavi Uddheshichathu was a memorable one. The former leads the first half while the latter influences the second. Both are perfectly suited for their roles, and we look forward to seeing them in more movies. Devika Sanjay who plays Tina in this movie with her debut, makes her first one grand, without doubt. She is someone for the future of the industry without doubt. The different shades of a lone school girl is nicely portrayed by her. Sreenivasan remains strong throughout the movie, even though one would feel that his character could have been a lot funnier consider the role and the setting.

How it finishes :: Ente Ummante Peru, Thattumpurath Achuthan, Pretham 2 and Njan Prakashan have been the Christmas moves, and all of them have been doing pretty good, with Odiyan also staying there. Well, the best of the year, Joseph is not finished yet, and we know that there are so many options out there. Among these movies, Njan Prakashan surely has an advantage, because of how it ends, and regarding how it can be connected to the common man’s life. As the year comes to an end, there are things that we need to make sure about, before taking those new year resolutions. Njan Prakashan is that kind of a movie which helps one to do that with ease. The change that needs to happen, is clearly shown in this flick, as we look forward to another year, a better one, with better us.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Nikhila Vimal, Anju Kurian, Sreenivasan, Aparna Das, Aneesh G Menon, Sabitha Anand, KPAC Lalitha, Veena Nair, Manjula, Manjusha, Jayashankar, Munshi Dileep, Devika Sanjay, MG Sasi, Shania D’Souza

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@ Cemetery Watch
✠ The Vampire Bat.

Joseph

What is the movie about? :: Joseph George (Joju George) is a retired police officer spending his time with alcohol and cigarettes. He doesn’t have much time for the outside world except for some of his friends from police department, and lives alone in his house. He is a brilliant police officer who never really managed to use his skills to the best effect. He has suffered losses in his family life too, with his daughter Dayana Joseph (Malavika Menon) being lost to an accident a few years ago. He is separated from his wife Stella (Aathmiya) who is now married to Peter (Dileesh Pothan). When Stella meets an accident and dies, it sends him into further depression, as he had always loved her, despite not being able to express his feeling well enough. As an expert investigator who still helps the police department with finding clues to twisted cases, he feels something strange when standing near the place where Stella had the accident.

So, what happens with the events to follow? :: Joseph finds a few things to be out of place there. He tries to read all the reports together, but is able to feel that this is more or less a planned incident rather than an accident. He calls his friends in the police department who are also retired, and Sudhi (Sudhi Koppa) who was a senior of his daughter in the engineering college, and is now working in the cyber wing. The result is that Joseph finds something shocking behind all these. There is one link between everything, and the roots go deep, and long. To solve this mystery and bring those behind the crime to justice, he would have to travel through those paths less traveled, and take that kind of a risk which someone else wouldn’t even think about. So the question remains if he is ready to do that, and can his friends support him in the same?

The defence of Joseph :: There are many other movies, and then there is Joseph. The movie thrives on the strength of its emotions, and with its investigation, there is even more. There are some twists to follow, and the music nicely supports the mood as well as the elements of mystery that goes right through. The songs are pretty good, and we are sure to enjoy listening to them. There is also one thing that we can value the most, and it is staying close to reality. Joseph has no exaggeration, something which similar thrillers with superstars would have. As there are no superstars who want to beat up their villains, we have a story here which is very much believable. There is no action here, and the police officer here does nothing physical – he is just the smart one, and yet not the perfect one in any way. He is with his flaws, and he is an everyman police officer in whom we can find someone whom we know.

Positives and negatives :: Considering the mood of this movie, it is Memories that we remember before any other movie, with one protagonist, a police officer who has lost his wife and child looking forward to solve a murder mystery or two. The next movie that it reminds us of, is Angels, a movie which had its own twisted ending – something we were not expecting at all. The idea in that movie as well as that of Apothecary can find the reflections here. There might be certain doubts about the genre, as the movie goes on between more than one of them. People can feel that the flashbacks were somewhat longer, but they are all beautiful – almost every moment of this movie has beauty in one way or the other. The visuals are nice, and the feeling of terror that is shown is real, that too without showing anything disturbing with blood and gore.

The performers of the soul :: Joju George is indeed the biggest asset of this movie, as he comes up with a terrific performance as the protagonist, the man with the scar who has lost almost everything he held close to his heart. There is abiding sadness on his face which strikes the hearts of the audience very hard. There is a beautiful scar that he leaves in our souls, and it is due to a performance that stays with us for long. With his career best performance, he has our admiration, and the choice for the protagonist here is perfect, with no seeking perfection to become a hero – Joju’s police officer is the common man, and someone whom we can relate to, because he is not in the sky, but on Earth. From the beginning to the end, we are into his journey, from those simple moments in life to the complex times. Along with the same, we also carry the weight of his emotions, as the character gets so close to the depth of our souls. We, with our waxen winged hearts, like Icarus, burn in the fire of those emotions, and we are delighted about the same.

Further performers of the soul :: Dileesh Pothan, the master of Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum is one the other side, showing the enduring sadness from another side, and he contributes with the same as does the rest of the supporting cast. Irshad and team bring nothing less than some wonderful support. Aathmiya also has a memorable performance in there as the wife, and it is also an emotionally touching role from her side. Malavika Menon has a rather small, but notable role here. Johny Antony is once again good in the role of a priest after doing the same in Shikkari Shambhu. You also notice how solid Sudhi Koppa is once again – we had seen the range of his performance in Paippin Chuvattile Pranayam, and here he plays a solid police officer in the cyber wing. His character can actually have a spin-off – I might be asking for a lot, but that is certainly a nice possibility.

How it finishes :: Joseph is that kind of an emotional investigative thriller which will stay with you for so long, and the melancholy that it provides will stay strong. The sadness that this movie possesses has the power to take over you too, as the feelings of the protagonist here are the same as any other common person would have. There is a certain amount of skill in the way in which the whole thing is presented, and we have the kind of protagonist who stays close to life rather than go for the exaggerated heroism. The way in which the whole story is built, will have you interested in each moment, and as the final scenes point to something that needs our attention, everything comes together and we have the best Malayalam movie of the year so far – Joju George can be proud of this one.
Release date: 18th November 2018

Running time: 138 minutes
Directed by: M Padmakumar
Starring: Joju George, Dileesh Pothan, Madhuri Braganz, James Elia, Sudhi Koppa, Johny Antony, Idavela Babu, Irshad, Aathmiya, Malavika Menon, Jaffer Idukki

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@ Cemetery Watch
✠ The Vampire Bat.

Neerali

What is the movie about? :: Sunny George (Mohanlal) is gemologist who works for a reputed firm. He is an expert in the science dealing with natural and artificial gemstone materials, and is considered to be someone at the top of the company heirarchy with his experience and connections. Working at Bengaluru, he only makes some visists back to Kerala when possible. His wife, Molykutty (Nadhiya Moidu) is pregnant with twins after a long wait, and as the date approaches earlier than expected, it calls for an urgent visit back home. The other two girls in his life, Naina (Parvatii Nair) and Lekshmi (Megha Mathew) are attracted to him, and the former is so attached to him that she is not willing to let him go. But Sunny sneaks out of the office and travels to Kerala in the pickup truck of Veerappa (Suraj Venjaramoodu) who has his own problems. To add to this, they are quietly followed by a team of goons lead by Rajan (Dileesh Pothan).

So, what happens with the events to follow? :: They are traveling through the highranges, and all of a sudden, they come across someone crossing the road, and while trying to save the man, hits on the side of a truck, leading to Veerappa losing control of the vehicle. They go all the way down, and stops at the edge of the cliff further below the road. The two are stuck inside the vehicle, with just the back tyres stuck on a log. With the front side of the pickup truck suspended in the air, they have no way of getting out. Veerappa is seriously injured and cannot move, while Sunny’s attempts to get back to the cliff bear no fruit. Veerappa’s mobile is stuck in a precarious position while Sunny’s mobile has no outgoing facility because of Lekshmi forgetting to pay the bill despite being assigned the task. The two incoming callers Naina and Molykutty are in no mood to hear what he has to say as the former thinks that his intention was always to cheat her and the latter feels that she is going to die. Is there a chance for escape though?

The defence of Neerali :: A good survival thriller is something that we have all lacked for a long time – Hollywood had so many of them including The GreyThe Shallows, The Martian, Everest, Gravity, 127 Hours, The Revenant, Buried and others, while Bollywood had that less known little flick known as Trapped. There are moments that has us on the edge of the seat, and the question mark about more than one thing is always present. We also have interesting questions being asked here, about relationships and on what it takes to survive, even though they are not taken that much further. There are moments when movie go a little philosophical, and we see a little bit of magic realism with the protagonist’s father making an appearance with a gun pointed at him. There is no heroism from the protagonist this time, and it is a clear bonus, and having a the main character as a helpless and rather realistic one is always better than having those supercops and superfighters. The visuals are nice too.

The claws of flaw :: We can see that Neerali was aiming for more, but it is not that much there as a survival movie – so many things could have added to this tale of survival, and we could have had the protagonist facing more, and getting out of all those troubles in a believable way. We know how well the mobile phone can be used in a survival thriller as proven by the movie Buried. The idea to bring back the Nokketha Doorathu Kannumnattu model with Mohanlal and Nadhiya is still something to be questioned, as all the references fall flat, and fails to make any positive impact – the same only gets irritating. The first half had actually promised more than what the second half could deliver. Adding some better music would have been nice too. There are also a few things that are left untouched in the end, and one is left wondering if it was done intentionally, and if it was done so, one has to wonder about its effect.

The performers of the soul :: Mohanlal does a great job as the protagonist in peril as expected, and it is on him and his character that the whole thing is centered on. Its own his actions that most of the happenings in the movie proceeds – the decisions that he make would decide not just his life, but also that of others. We see the helplessness as well as the abilities nicely reflected here. We would have still wanted to see him as a more close to life character here though. Suraj Venjaramoodu is the other character whom we see here with Mohanlal for more time that anyone else, as the traveler and partner in distress, hanging above death staring from underneath. His character isn’t given that much of a depth, and we know him mostly from the dialogues made in the vehicle. He looks good here, and the kid who plays his daughter has also done a natural job. But we know that Suraj could have had more with at least some nice dialogues inside the pickup truck hanging from above.

Further performers of the soul :: Nassar has an appearance which last a few minutes while Dileesh Pothan is wasted in a role which doesn’t go anywhere – something that we don’t see with him on the screen often. Nadhiya Moidu is the biggest disappointment in this movie, as the pair never connects to the audience and the same can be said about her character – it is clearly overdone, and we feel that her presence is more as a necessary pregnant character rather than anything else. There is nothing good that she adds to the movie, and Girly Mathew of Nokkatha Doorathu Kannumnattu gets the bad name because of the attempt to drag that feeling into this flick in which the same doesn’t belong at all. Parvatii Nair does her job really well though, and she seemed to blend in so well into this character with certain problems for herself. Megha Mathew who was there for only a few minutes also leaves a mark, as we notice the same early.

How it finishes :: We can see that Neerali ventures deep into that survival thriller territory, which Malayalam cinema industry hasn’t been that interested in exploring. With some more of imagination, the movie could have done very much better – this one is still a thriller with its moments, but more could have been achieved. Yet, we can hope that there will be more of similar movies to come, and that the genre could get a much needed boost. Next time, when someone makes an attempt at this, it could go deeper. Until then, let us be glad that this movie has made an attempt at variety, and could do without much of heroism or style from the protagonist, leaving us with more of a human world rather than that of strange superheroes made from the so called superstars. Neerali brings the divergence, and we appreciate the same.

Release date: 13th July 2018
Running time: 128 minutes
Directed by: Ajoy Varma
Starring: Mohanlal, Nadhiya Moidu, Parvatii Nair, Suraj Venjaramoodu, Dileesh Pothan, Megha Mathew, Saikumar, Nassar, Santhosh T Kuruvilla, Bineesh Kodiyeri

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Aravindante Athidhikal

What is the movie about? :: The movie is set up in the area around the Mookambika Temple in the Udupi district of Karnataka. Abandoned by his mother in the temple premises at an early age, Aravindan (Vineeth Sreenivasan) was adopted by Madhavan (Sreenivasan) who made sure that he grew up to be an energetic and educated young man. Madhavan and Aravindan are running a lodge near the temple, and are trying their best to keep up with the rising competition in the name of religious tourism and spiritual journeys, a case in which religions and regions and competing which each other to bring new holy places into the picture. Meanwhile, Girija (Urvashi) and her daughter Varada (Nikhila Vimal) arrives as his new guests at the lodge. Due to some unexpected circumstances, Varada’s performance at the temple is delayed, and in the mean time, Aravindan and her become very good friends.

So, what happens with the events to follow? :: As a few days pass and she has to leave due to the death of her uncle, Varada feels that Aravindan should give up simply waiting for his mother and start searching for her – Varada herself takes it as her duty to find her with the help of some of Aravindan’s friends. While practising at Sreejaya Nair’s (Janaki Subramaniam) dance academy at Kumbakonam, she is still looking for clues to find the one lady who abandoned her child at the sacred place, and never really looking back. But the question remains if it is easy to find such a person with no solid clue except for some drawings which Aravindan has been preparing since childhood. Well, Varada is not someone who could be disheartened that easily, and will come back to Mookambika for their team’s performance, and there will be at least one good news for Aravindan. What could that be, in the sacred lands?

The defence of Aravindante Athidhikal :: The movie is perfectly targeted at the family audience rather than anyone else, and the whole thing seems to be well directed towards the particular direction. The music is very good and suits the mood of the movie, as it supports the emotional side, and brings us to that final feel-good factor. There are some nice shots of Mookambika and its surroundings, and we feel the mood of the sacred town more than once. We have some interesting characters too, some who wishes to fly on the wings of hope, and others just keep the hope at home, for without it, there might be no tomorrow. As President Snow says in The Hunger Games, it is hope that remains the only thing stronger than fear – we need it, and people decide on how much. Well, there is no shortage of hope in a holy town. With some simple funny moments and the strong emotional side, this movie gets home without trouble.

The claws of flaw :: The story might feel a little outdated for some people, as old wine in a new bottle, but if that wine is still not that bad, one has to wonder why the audience wouldn’t like to have some. The movie also ends rather too soon, and we know that it is the finish when the credits start rolling. We could have also had more with its core tale, which can go beyond the usual stuff, but that attempt is not made here. With a holy town in the middle and the same made colourful, maybe we could have had things to go a level further up – but the movie is satisfied with just this much. There is no dramatic twist that awaits you in this movie, as it keeps the journey straight and simple, or rather too direct for some people. If you are looking for that extra dose of melodrama, it is not going to be there because we see the attempt to have things going closer to reality than anything else.

The performers of the soul :: Vineeth Sreenivasan and Sreenivasan plays the family again, and even though adopted this time, they are no less father-son in effect. Both have their roles nicely matching them, and got their characters as no challenges, doing well at all moments, whether it is about adding some extra fun moments or to contribute to that deep emotional side. Well, we always have certain minimum expectations when the two come together, and it is once again proven that the duo has the strength to keep the whole thing close. These are times when the family movies are needed, and there are no people better than these two to do so. The presence of the family audience in the theatres is more due to the two being there rather than anything else. Urvashi is there with some fun moments after some break, and Aju Varghese along with Bijukuttan further contributes to the funny side with ease.

Further performers of the soul :: Nikhila Vimal has come back to Malayalam movie industry after Love 24×7, and it feels great to have her back at a time that we seem to need someone like her – she has the type of skills that are above the usual actresses that we have here, most of them seemingly here due to recommendation or by having someone in the cinema field. Nikhila stands tall with her performance here, and each moment, whatever it deals with, she scores. She is a wonderful talent that all of us need here, rather than in another industry. After her introduction, it is more about her rather than anyone else. Sreejaya Nair is a nice addition to this tale, and in between, we have Vijayaraghavan, Premkumar and Kottayam Nazeer contributing to the fun. Baiju and Sneha Sreekumar are there for initiating the comic side, as we see in the beginning. KPAC Lalitha is again there playing a mother figure.

How it finishes :: Well, Aravindante Athidhikal is that kind of a movie that is determined to touch your heart, and also leave a smile on your face in the end. It is the feel-good movie that can rise above the others due to its ability to keep things direct and enjoyable throughout its run-time of two hours and two seconds, a length that leaves no chances to drag in between. It is rather surprising that this movie had less publicity compared to the other movies released on the same day, Avengers: Infinity War, Uncle and Thobama. Well, Panchavarnathatha and Mohanlal are still running too. You are not going to regret watching Aravindante Athidhikal on the big screen, and watching with family would be a wonderful experience – well, this is the holiday season, and watching this one with family might be the right choice. After all, feel-good never leaves our industry, as there is always more of the kind.

Release date: 27th April 2018
Running time: 122 minutes
Directed by: M Mohanan
Starring: Vineeth Sreenivasan, Nikhila Vimal, Aju Varghese, Sreenivasan, Prem Kumar, Vijayaraghavan, Urvashi, KPAC Lalitha, Baiju, Sneha Sreekumar, Bijukuttan, Sreejaya Nair, Kottayam Nazeer, Shanthi Krishna, Devan

@ Cemetery Watch
✠ The Vampire Bat.

Hey Jude

What is the movie about? :: Dominique Rodriguez (Siddique) and Mariya Rodriguez (Neena Kurup), are living a pretty good life with their children Jude Rodriguez (Nivin Pauly) and Andrea Rodriguez (Apoorva Bose) at Fort Cochin. They trace their lineage a long way back, as one of the most respectable Anglo-Indian families at the place. Dominique runs an antique shop nearby, and his skills in doing business depends on his ability to lie so well that he makes a usual thing a symbol of Dravidian world or the last piece of a part of Indian heritage that is not found anywhere else in the country – he sells them at high prices to unsuspecting foreigners who have a strange fascination for the orient, the fine pearls of the East, especially of India. But his son Jude is just the opposite, never able to lie, but more intelligent than anyone else around; at the same time, he completely lacks in any kind of social skill.

So, what happens with the events to follow? :: Jude has no friends in the city, and his co-workers make sure that he gets fired from his job at a hardware company. He spends his time collecting pictures of different aquatic animals – he has all the information about ocean’s creatures, and loves clown fish, jelly fish and gold fish and his dream is about owning a big aquarium one day. While his parents are worried about his future, his sister finds no hope in him, as he wishes to have food at the exact same time every day, and eats only the same food items all the time. He has a list for almost everything in his life, and talks to his video camera about each day about his thoughts. Twenty eight years old and being different from everyone around him, he has a tough time going through each and every day of his life. But he is not ready to accompany his father with the work.

And what follows next in the adventure? :: When Dominique has to travel to Goa to attend a funeral, things change. He has to take Jude and Mariya with him on the journey, leaving Andrea in charge of the antique shop. There, it turns out that Dominique and Jude have inherited everything which was owned by the dead person who had special love for the distant relatives. Now, the problem that Domique faces in selling the newly acquired property and traveling back to Cochin is Sebastian Chakraparambu (Vijay Menon) who lives with his daughter Crystal Ann Chakraparambu (Trisha Krishnan) in the outhouse which cannot be cleared as the building was rented for a period of five years. Dominique comes up with some plans to get rid of the new neighbours, but nothing works. At the same time, Jude and Crystal become good friends, but both have their own troubles in facing life.

The defence of Hey Jude :: From the first moments itself, you are sure that this is that kind of a light-hearted entertainer with messages for life, which will be developing slowly and steadily as the movie progresses. Hey Jude can be considered as the simplest and the most entertaining movie from the director who has known to provide us with strong philosophical side to ponder about. The humour is a clear winner in this movie, as it keeps dropping in all the time. All the characters in this movie are funny in one way or the other, and things never go out of control to bring a possible dark side. The funny side has us more and more interested in the proceedings, and with the grand visuals of Goa, all becomes good for this movie. The music is pretty good, and as it has been talked about, this is a lovely tale of love, self-discovery, healing and transformation. It gets into the list of inspirational movies which have made the big impact in the industry – we see the support for people to be who they want to be.

The claws of flaw :: The movie is kind of longer than one would have wanted it to be. Then, those who wanted Shyamaprasad to go into those deeper human emotions and situations are going to feel the need for more. One can feel that there has been the effort to make things a little too simple – it was surely not needed considering how far our audience could evolve from the time the first movie of the same director released. The movie could have also ended smarter and without a quick full stop. If you don’t like movies like North 24 Kaatham and Mili, and are unable to connect to the protagonists of those movie, you would have the same trouble here – well, some so called perfect people will always have problems with these kinds of characters, as they jump right out of the firmament with stored thunder in mouth; this one is not for that kind of people born with silver spoons and even golden forks in their mouths.

The performers of the soul :: Nivin Pauly surely has the most divergent as well as different character that he has had to play in his whole career, and he could manage the same with great skill. Meanwhile, Trisha makes her Malayalam debut here, and she does that with ease – it is surely surprising that it took her such a long time to be here, but as she is here, it is all good. Well, she has played a Malayali girl in Vinnaithaandi Varuvaayaa, making this not the first instance of being part of such a character. Siddique plays the father figure again, as we see him at his best just after watching him in Aadhi in the role of a responsible father – this one is actually more challenging, and his work is light-hearted as well as interesting. Neena Kurup is there throughout as the mother figure, and it is nice to see Apoorva Bose back in action; she was being missed. Vijay Menon plays a funny as well as powerful character present throughout the flick. Aju Varghese has a nice, funny cameo to his credit.

How it finishes :: Shyamaprasad is the one director whom we know the most for adapting the American classic expressionist play, The Glass Menagerie by Tennessee Williams for the Malayalam audience, and doing that with such skill, that Mahatma Gandhi University has included it in the paper, Comparative Literature for the final semester BA English students. Arike, which signified the exact opposite meaning to Akale, was another beautiful flick with its quest for love. Ivide with its quest for identity and reflecting rootlessness, was also with philosophical undercurrents. But Hey Jude is rather direct in all that it reflects on the screen, and it can be considered as the most light-hearted as well as the funniest movie from the director with messages to go with it. If you liked movies like North 24 Kaatham and Mili, I don’t see why you won’t watch this one with family.

Release date: 2nd February 2018
Running time: 146 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Trisha Krishnan, Siddique, Neena Kurup, Vijay Menon, Apoorva Bose, Aju Varghese (cameo), Shyamaprasad (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Street Lights

What is the movie about? :: There is a burglary occuring in the city, and the two thieves are being chased by security guards, only to be saved by a third man who is part of the gang. The three men are revealed to be the confused Sachi (Hareesh Perummana), clueless Raju (Dharmajan Bolgatty) and the angry, violent Murugan (Stunt Silva) who is determined to get what he wants in any way possible. They have stolen a diamond necklace, which might be the key to making their life better, and maybe perfect enough to ensure an eternity of wonderful existence. Simon Mundackal (Joy Mathew) who is the owner of the diamond necklace, is afraid to go to the police as the necklace is made from unaccounted money, which makes him call his nephew who is a police officer, James (Mammootty) – a man known to have his special skills in solving difficult cases.

So, what happens with the events to follow? :: James has no problem in taking over this case, as he is known to have a history with Murugan, a criminal from Tamil Nadu’s Theni who has escaped to Kerala. He keeps only his most trusted people from the force with him, keeping the investigation personal and far away from the force’s knowledge. This search for the five crore worth of necklace begins with the one mobile phone which the thieves left at the house, but the journey forward is not that smooth for them, with James’ trusted officer Issac (Rony David) getting injured while fighting Murugan. The three thieves got their own safe houses in and around Cochin, and even when they are not to be found in the city, they have their presence. But they do make one mistake while hiding the diamond necklace, and Raju has the credit for the same.

And what follows next in the adventure? :: Their complicated adventure collides with the normal life of the people of Vypin and other places close to the city, and things begin to undergo changes for all of them. Remya (Lijomol Jose), her cousin and childhood friend (Soubin Shahir) who is in love with her, a child in her neighbourhood, his father who is connected to the thieves, and others are forced into the world of policemen and thieves, which has only one diamond necklace as the means to solve everything. There is also a flashback or many of them related to how everything begins. But the question remains if Murugan and his friends can be caught, and whether the diamond necklace can ever get back to Simon who is waiting for the same – well, you will never know, as there are some twists ready to happen.

The defence of Street Lights :: There is certain suspense about how things are going to come together, and things get nicely uncovered, and we have them joining well enough to make a point as we march towards the end. There is also a balance regarding importance given to the characters, as a number of roles seems to have the same significance in how things keep happening. The characters are more or less like the street lights, making their presence felt by lighting up moments – some are surely brighter than the rest, but all are working unlike in some parts of our world. Even those characters who come only in one scene have enough in them to be memorable. There is the mixture of comedy, thrills and twists that go on well, even though none of them gets to a level which makes the whole thing truly remarkable. The comic side brings the balance, you have almost all genres except horror looking right into this movie which is kept short for our interests.

The claws of flaw :: The final moments of the movie seem to be forced. One has to wonder why there had to be the need to bring the hero and the villain face to face, to get the protagonist to beat up his opponent with ease, when everything has been going in a rather realistic manner. The heroism with sunshades, slow motion and the stylish vehicles just seem to be added for the sake of having them there. A tale of the common man gets lost in this need to go unreal at times. A few predictable moments could have been avoided, and the focus should have been more with the child and the romantic tale, with the police-criminal moments being restricted. The final moments showing the greatness of the protagonist is rather dull, and a near perfect police officer is mis-fit for this kind of a realistic tale of the common people we see around.

The performers of the soul :: Mammootty plays the hero in this tale of other people, and he has no problem in playing this character which brings no challenge – it is just the usual stereotype of a police officer surrounded by characters full of life. Here, he brings the needed the charm, and surely strengthens the movie as the star. Lijomol Jose and Soubin Shahir have their own moments in this one, and there is fun around when they are around, with a certain amount of cuteness to go with the same. Hareesh Perumanna and Dharmajan Bolgatty are the two to provide the best of comedy though, as they bring something or the other all the time without hesitation. Stunt Silva does make a perfect villain in between, and we can see the evil side coming out of the veil, as we see the villainy which gets darker, revealing the strength of that darkness. Adhish Praveen is wonderful throughout the movie, and Gayathri Krishna’s shorter presence has our attention.

How it finishes :: Street Lights is not what many people might have expected, but its core tale of common people that we have been in need. If the so called action side was removed, it could have been a thriller with Maheshinte Prathikaaram or Thondimuthalum Drikshakshiyum model comic side. It never really matches them in totality, but Street Lights does manage to bring its own identity around here. Among the movies which go on doing the same thing again and again, this one does try to go a different path, particularly with one side of its story, and we can appreciate the same. It is with the same thing that Street Lights differs from Masterpiece – there is an idea here which is divergent in its core, and there is the attempt to experiment at certain points. Well, we can safely say that the street lights bring enough to get rid of the darkness here.

Release date: 26th January 2018
Running time: 129 minutes
Directed by: Shamdat Sainudeen
Starring: Mammootty, Gayathri Krishna, Lijomol Jose, Soubin Shahir, Joy Mathew, Hareesh Perumanna, Stunt Silva, Dharmajan Bolgatty, Rony David, Jude Anthany Joseph, Sudhi Koppa, Motta Rajendran, Neena Kurup, Adhish Praveen, Sohan Seenulal, Rajasekharan

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@ Cemetery Watch
✠ The Vampire Bat.

Qarib Qarib Singlle

What is the movie about? :: Jaya Sashidharan (Parvathy), a Keralite based in the city of Mumbai, spends her time alone, both at home and at office, as she has only a few friends, and has been a widow for about ten years. After so many years of lone life, and not listening to anyone who tells her to marry or get a boyfriend, she finally decides to have a look at an online dating website at the age of thirty five. After being bombarded by so many ridiculous comments by so many men, she finally comes across Yogi (Irrfan Khan) who is interested in poetry and has his own special style, making his case very different from the rest. She is careful about him and understands that both of them are different from each other in so many ways, but decides to go with him to meet three of his ex-girlfriends so that he could understand more about him as a person.

And what is to follow in this particular adventure? :: As part of this long adventure, the two has to travel through Haridwar, Bikaner and Gangtok. But there is one particular fact about Yogi, and it is that he is a carefree person who takes no responsibility on his shoulders – he doesn’t work even after passing engineering, but has written poetry in his mother tongue, and also speaks not much of English. This leads to him missing his flight and getting on the wrong train, and creating a few other situations. Meanwhile, Jaya who has identified herself as Jayashree TK, is fluent in English, and needs everything to go as planned. At their first location itself, they do become good friends, but going past that might be a little difficult, but who knows where some paths can lead? Well, strange things do happen, especially in love and war!

The defence of Qarib Qarib Singlle :: You will find the changes in this movie as a lot refreshing, and a fine thing which is away from the usual Bollywood model. The movie feels real with its incidents and emotions, and never really jumps into that fountain of melodrama which has kept the industry buried alive in a coffin from which there was never supposed to a chance of return, and it is a situation that could be termed as a sadistic thing of terrible beauty if we take a look at things as an outsider. Yes, the fans have always enjoyed the same, as it is what they have always been trying to do, but when we are outside that thought process of becoming addicted to a celebrity who has enough strength to become a parasite on the common man, throwing nonsense and grabbing money, we want the change. Qarib Qarib Singlle is surely that divergence from the regular path, and has fun moments in its realistic world having people who come up with no wonders in love, and are good at heart, not in their muscles, clothes or freaky singing and dancing in a party or pub.

The claws of flaw :: Some people can consider Qarib Qarib Singlle to be a little slow for their liking, but thanks to the smaller length, things get better. People who want less simplicity, and go for that colourful jump mode new generation romance in a pub calling for party, can also skip this one, as the movie calls more for the combined audience of family and youth. You can actually agree to the fact that there could be more comic sequences in this flick, and the journeys to different places could have also been more beautiful with the local scenery captured further along with what all are already there. All those characters other than the two protagonists never really get to do much here, and there is no development of the background as one would expect to be there. The reason for the movie’s journey would also seem a little strange for many. More could have been thus developed with the setting itself too.

Performers of the soul :: There is no stopping Irrfan Khan, and it is a proven fact. It was a few months back that I had come across Hindi Medium, and realized that how much this man had elevated it above the Malayalam version with the same theme, Salt Mango Tree. There is something that he brings on the big screen every time, and we cannot keep ourselves away from it. While Bollywood has been bringing nonsense in the name of keeping the audience entertained with masala, he was there with movies like The Lunchbox, Talvaar and Madaari. Here, he delivers two sides of a character with ease, as the funny side as well as another side with a certain depth in his ideology, arrives safely here. With no fake image of a hero being built, he becomes the everyman character, speaking a little too much, and doing a little more than a usual person, but doing all of them with such perfection which you will find difficult to find with any superstar who depends on his or her fans to sing blind praise.

Further performers of the soul :: While Irrfan Khan’s character maintains a certain amount of mystery as we come across him only after Parvathy’s character decides to go on to meet him, the latter gets a clear personality to work with, right from the beginning. She has worked with it with such skill that one can easily understand that she is one step ahead of almost everyone with that “superstar” title on head, which all try to hold on to. Still, the question remains if Bollywood is worthy enough or at least ready to have a heroine like her, who won’t jump into that masala stuff which provides a heroine with so less to work with that she is reduced to an eye candy. Into a world which is full of “actors or actresses who are related to someone in the industry”, she thrives with her performance rather than anything else, as she did this year with the amazing upgrade to Airlift, known as Take Off, and earlier with Charlie and Ennu Ninte Moideen. Here is one Bollywood debut of quality.

How it finishes :: A long way ahead of the usual romantic flick that Bollywood has been providing us, and also racing ahead of many overrated dumb romance from many languages which got only some ridiculous party songs, pub dance and meaningless infatuation for the audience, Qarib Qarib Singlle makes a point. It shows exactly how a fine romantic feel-good movie can be made, without those unnecessary elements appreciated by a certain group of half-witted audience who should be held responsible for Bollywood having so many low quality hundred crore movies with content not worthy of even being made a short-film – such cases are better suited only for an alien world which has no scope for brain development. If you prefer movies with aversion for clothes being at the same high level as the disinclination for making something sensible, do not bother, and go back to your usual world and continue watching what you call “cool”. Sometimes, the audience becomes the villain to an industry.

Release date: 11th November 2017
Running time: 125 minutes
Directed by: Tanuja Chandra
Starring: Irrfan Khan, Parvathy, Bajrangbali Singh, Anud Singh Dhaka, Neha Dhupia, Brijendra Kala, Luke Kenny, Siddharth Menon, Pushtii Shakti, Isha Sharvani

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@ Cemetery Watch
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