Makal

Vampire Owl: I feel that this refers to the daughters of darkness.

Vampire Bat: Uncle Dracula refers to to the children of darkness, but they are different.

Vampire Owl: I am sure that darkness can have many undead children.

Vampire Bat: Yet, most of them are also the children of chaos.

Vampire Owl: You just cannot have such children roaming around.

Vampire Bat: The witches would not mind that.

Vampire Owl: They wouldn’t, while looking for some special ingredients for potions.

Vampire Bat: It has somewhat gone out of fashion, especially after the hunters started targeting the lesser witches of the woods.

Vampire Owl: The witches will still maintain most of their features.

Vampire Bat: The future of witches is yet to be finalized.

[Gets a vancho cake and three cups of ginger tea].

What is the movie about? :: Juliet (Meera Jasmine) lives with her daughter Aparna (Devika Sanjay) who is studying in plus two, and preparing for medical entrance. Aparna’s father Nandakumar (Jayaram) had been working as a mechanic in the Middle East for a long time, and finally returns to Kerala after losing his job. As Nandakumar and Juliet comes from different religious, social and economic backgrounds, there is more complication here. He starts a food processing unit with the name Pravasi Food Products which gains some initial success. But it seems that the products need more publicity, as sales in the supermarkets stay at an all-time low, and he is forced to find some other methods for support. Meanwhile, Rohit (Naslen K Gafoor) keeps trying to get closer to Aparna. He even becomes a part of Nandakumar’s factory in the disguise of a migrant worker from West Bengal. He keeps trying to make an impression upon Nandakumar until finally getting caught. Nandakumar and Aparna go through regular arguments related to her dog being inside the house, the problem reaching its highest point when the dog goes missing.

So, what happens with the events here as we just keep looking? :: When Juliet finally gets a government job in Wayanad, things get more complicated. There is the generation gap which is always present, and misunderstandings also exist. Aparna driving the car without a license becomes another common reason for fights. Even Nandakumar doesn’t have an Indian license, and he doesn’t like the car as it was given by Juliet’s family. He also feels tha Aparna is getting too close to her male friends. Meanwhile, Juliet arranges her stay with her co-worker Fathima (Dayyana Hameed), and is not able to take off on weekends to go home and meet her husband and daughter. Premlal (Kottayam Ramesh), the superior officer at the collectorate where she works is not ready to provide any relief to the employees. It is then that something strange happens in their life, as an unknown person also becomes part of their life – coming from Karnataka, Garuda Naik (Balaji Manohar) is a man of mystery. This would change their perspective about father-daughter relationship. But will that come a little too late for their liking?

The defence of Makal :: This family drama moves forward with a touch of humour, which seems to work very well with the audience for whom it is intended. The messages for the families related to parenting and family attachment are always there, as one would expect from this kind of a movie. Most of the struggles shown here feels very much real, and the problems with a new generation of teenagers are portrayed close to reality. It shows how difficult it is to take care of the new generation of such teenagers who rarely listen to their parents, despite seemingly staying with them and using their money for what seems to be forever. As this kind of movies are not easy to find among the categories these days, it is good to see this one coming back too. The emotional sequences are mostly working, and the credit to the same goes to a certain amount of nostalgia that goes towards the past. These are the kind of movies which takes us into the past, and places that world in the contemporary world, and we remember the values which are rarely present during these days when there is a new generation descending into chaos – it can be lamented, while the feel-good factor of this film is strong.

The claws of flaw :: There are many unnecessary sequences in the movie which makes one feel that they lose the focus on regular intervals. With better focus, some of the dialogues and situations wouldn’t have found light in relation to this particular movie, which had the potential for much more. The feeling of being outdated is also there at times. The major twist which happens in the movie is indeed the strangest addition which feels rather unwanted, and a movie which was going the realistic path seems to struggle in finding some realism from that moment. Before the incident, there were also the repetitions which never hesitate to appear out of nowhere. One would feel that some characters should have had more purpose around here. Some moments just gets added to bring more humour in here. Even the main characters seem to be irritating at times, but considering how the real-life people go about, blaming them for being so feels rather difficult. The small romantic angle added here seems to serve nothing other than some humour and a little bit more of emotions, even though all of these were already there.

The performers of the soul :: Jayaram has been having some skill in maintaining this kind of family-oriented films, and that quality is still here, even though the world has changed a little too much from those early times. The fatherly figure has suited him very well for some time now. Meera Jasmine makes her return to Malayalam cinema industry as a grand one, as she is the leading lady again, maybe marking a permanent stay around here. Devika Sanjay who was earlier seen in Njan Prakashan is the one person whom we notice more than anyone else, as she once again scores in playing the teenager with the usual problems which are reflective of the new generation. Naslen K Gafoor of Thanneer Mathan Dinangal and Kuruthi kind of variety and most recently seen in Jo and Jo, has much less to do, but still adds to the humour really well – still, this is a character with minimal impact on the tale. Sreenivasan makes a notable, but less influential appearance here too. Innocent and Siddique remain strong as the veterans. The smaller roles of Nilja K Baby and Dayyana Hameed would also be remembered, and the two are surely going to make it big sooner or later.

How it finishes :: It is clear that the audience intended for this particular movie are the groups which come to the theatre as families. For the other audience, this would seem like something which they have already seen. The movie released on the OTT platform much later than the other, and it comes as a surprise as it could have easily grabbed more viewers with an earlier release. It is late by at least two months, and such a delay would have been heart-breaking for the fans of Meera Jasmine waiting to see her return. We have known what Sathyan Anthikad movies have been capable of, and not much change has come across them. We can still feel the absence of some common names which were part of the cast in his most films, some of them not alive anymore and others not being there for some reason. Well, the 1980s and 1990s were the classic ages of the director, and it is clear that he still have the power of the same family values to be brought to the audience. One can accept them or choose to reject, but these works which has the minimum guarantee are not to be avoided. Most of our parents would always prefer to watch movies like this one.

Release date: 18th August 2022 (Manorama MAX); 29th April 2022 (Theatre)
Running time: 142 minutes
Directed by: Sathyan Anthikad
Starring: Jayaram, Meera Jasmine, Siddique, Sreenivasan, Innocent, Devika Sanjay, Dayyana Hameed, Naslen K Gafoor, Meera Nair, Sreedhanya, Balaji Manohar, Jayashankar Karimuttam, Nilja K Baby, Althaf Salim, Sreelatha Namboothiri, Kottayam Ramesh, Krishna Praba, Mani Shornur, Salim Hasan

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@ Cemetery Watch
✠ The Vampire Bat.

Njan Prakashan

What is the movie about? :: Prakashan (Fahadh Faasil) is someone who is looking for easy money instead of going for the profession that he is skilled in – the job of a male nurse in one of the hospitals in the state or even the nation doesn’t seem to appeal to him, as he wastes his days doing nothing useful other than complain. His hope for a better job sees some light when he once again meets his former lover Salomi (Nikhila Vimal) who studied in the same nursing college. He was consistently avoiding her as she wasn’t that rich as he expected her to be. But the information that she is leaving for Germany to work at a salary of above three lakhs, his love for her quickly returns to him. He hopes to marry her and go to Germany, only to divorce her and marry someone from a rich and reputed family later. For achieving the same, he begins showing his love towards her and her family in different ways.

So, what happens with the events to follow? :: Now known as PR Akash after changing his original name, he is determined to leave for Germany, whatever happens. He seeks the help of his father’s former student Gopalji (Sreenivasan) who is a labout supplier, and even learns German after shifting to the city. For achieving his German dreams, he even pretends to be an orphan and secretly marry Salomi at the register office. He even tries and succeeds in getting the remaining cash which is needed for her to leave for Germany. Everything seems perfect until her father lands in the hospital. Twist of fate lands him at another place, as a male nurse to a rich child Tina (Devika Sanjay) who has been an eternal pain to her nurses until they left, and he also comes across Shruthi (Anju Kurian) who is struggling to keep her life going after the death of her father. For him, Germany no longer is the option or the dream.

The defence of Njan Prakashan :: There are some wonderful performances to power this movie, and along with the same, it also holds a mirror in front of the society – it is more or less a satire, as we see more than one people you know in the form of Prakashan. Our protagonist is someone who is not willing to work hard thus choosing any chance for easy money, complaining about one thing or the other, being sceptical and jealous about others, and more. We do meet people having these qualities often, which is why the movie becomes a reflection of those around us. The movie as a satire is funny, but not throughout, and it leaves us with some questions, along with invoking the emotional side slightly as well as brutally. As the movie reaches the end, it becomes that morality tale which has the lesson being taught as it finishes. The second half of the movie is top quality, racing ahead of the first, towards glory in the end with the climax and beyond.

The claws of flaw :: Njan Prakashan could have been more natural and it would have been as good as Maheshinte Prathikaaram – instead, this one has been polished, and certain cliches have been added, with the progress being more or less in an old format. The repetitive mode of comedy is rather strange considering the fact that these moments have a lot more to contribute to the overal quality of the movie. The first half of the movie is kind of dull in most parts, with jokes being present at times, and it doesn’t work at some points either. If the first half was reduced in length and more was added to the second, that would have helped the movie further. There is also the absence of some good songs, which should be the selling point of such flicks. We also see no attempt to capture the beauty and tranquility of the villages, as the same could also been positive addition to the movie. The talk about migrant labour population also gets nowhere in the end.

The performers of the soul :: Fahadh Faasil is once again the man to look out for, as there are shades of Maheshinte Prathikaaram in his character, and the same is combined with the other side of his character in Thondimuthalum Driksakshiyum. Fahadh easily manages this role with every ingredient that the character needed, and it comes as no surprise for us, considering the variety he has been bringing until his last movie, Varathan. We see him excelling in the natural fun moments as well as those strong emotional moments. The change that comes within the character is also nicely displayed by him, and is complete by the end. He also gets to show some shades of his character in Oru Indian Pranayakadha, the earlier combination between him and the same veteran director. The role from Carbon should also be coming to one’s mind as part of those different, yet similar faces of the man who has shown us many faces on the big screen.

Further performers of the soul :: The two heroines of the movie are Nikhila Vimal and Anju Kurian. Nikhila who had her first lead role in Love 24×7 was last seen in another wonderful performance in Aravindante Athidhikal. Anju’s lead role in Kavi Uddheshichathu was a memorable one. The former leads the first half while the latter influences the second. Both are perfectly suited for their roles, and we look forward to seeing them in more movies. Devika Sanjay who plays Tina in this movie with her debut, makes her first one grand, without doubt. She is someone for the future of the industry without doubt. The different shades of a lone school girl is nicely portrayed by her. Sreenivasan remains strong throughout the movie, even though one would feel that his character could have been a lot funnier consider the role and the setting.

How it finishes :: Ente Ummante Peru, Thattumpurath Achuthan, Pretham 2 and Njan Prakashan have been the Christmas moves, and all of them have been doing pretty good, with Odiyan also staying there. Well, the best of the year, Joseph is not finished yet, and we know that there are so many options out there. Among these movies, Njan Prakashan surely has an advantage, because of how it ends, and regarding how it can be connected to the common man’s life. As the year comes to an end, there are things that we need to make sure about, before taking those new year resolutions. Njan Prakashan is that kind of a movie which helps one to do that with ease. The change that needs to happen, is clearly shown in this flick, as we look forward to another year, a better one, with better us.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Nikhila Vimal, Anju Kurian, Sreenivasan, Aparna Das, Aneesh G Menon, Sabitha Anand, KPAC Lalitha, Veena Nair, Manjula, Manjusha, Jayashankar, Munshi Dileep, Devika Sanjay, MG Sasi, Shania D’Souza

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@ Cemetery Watch
✠ The Vampire Bat.