Meppadiyan

Vampire Owl: So, this is officially the third Malayalam movie that we watch this year.

Vampire Bat: Yes, Bheemante Vazhi was watched last year, and review posted this year.

Vampire Owl: Well, it was not really that good an adventure.

Vampire Bat: That was indeed a path which shouldn’t have been travelled.

Vampire Owl: I am sure that this one is a better path in comparison.

Vampire Bat: I have travelled through too many paths of similar quality.

Vampire Owl: You only travel through the clouds these days.

Vampire Bat: I make my own path through the clouds.

Vampire Owl: I hope that this movie shows enough of human evil.

Vampire Bat: I have read that this film has enough of that.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Xavier (Aju Varghese), Democratic Malayora Congress Youth Wing President burns down a small hotel namely Ammini tea shop. Even though he is blamed for this, there is no proof for his involvement in the act. At the same time, Jayakrishnan (Unni Mukundan) continues as an expert autombile mechanic who has a high reputation for his skills in the village. One of his best friends is Varkey (Saiju Kurup) is someone who spends his time with alcohol and cigarattes, and also tries all the business activities which don’t work. Still, his wife Annie (Arya) supports him all the time. He also gets into regular fights in bars, and wants to make some easy money. He also runs a small business venture known as Varkey Stores without any responsibility. People say that he has destroyed all the reputation that his father had created, and lost most of the money and property which belonged to his family. But he continues to think big, and hopes to make quick profits. Jayakrishnan is in love with Renuka (Anju Kurian), who is a temporary school teacher.

So, what happens with the events here as we just keep looking? :: Renuka wants him to get a government job and get settled in life, but he is not so sure about it, as he is confident about his abilities. She is also featured in the rank list of the last examination which she wrote. But he feels that by doing what he does the best, he could be successful in life, and getting a government job or going to the Middle East is totally unnecessary. It is then that Varkey and Satheesan (Jordi Poonjar) comes up with a plan to buy the land where the Ammini tea shop was standing, belonging to Yacob (Kundara Johny) and Stella (Nisha Sarang), and Jayakrishnan who requires ten cents of land also becomes part of it. As they decide to buy the land and gives an advance, they are forced to get money for half of the plot immediately as Yacob’s daughter is going to get married soon, and they have made arrangements having this in mind. But Jayakrishnan will only get the required money after a few months, and Varkey’s home and lands are going to be taken away by the bank. Now, they have to find some quick money, but the path which they choose will lead to many complications.

The defence of Meppadiyan :: The movie is a reflection of the common man’s suffering as he is the one who lands in trouble due to all these problems, and the terrible complications which government offices and the government itself brings on. Then there is the reflection of the inherent evil in humans which has gotten bigger in scope due to the greed for money that has cast a pure evil shadow on everyone. It is so close to truth that most probably, after watching this movie, you will no longer trust most of the people around you, as an understanding of evil humanity is provided without a chance to doubt it. I desire to call this the warning movie for everyone, and if you are going to sell or buy something that costs a lot, maximum care is to be taken. The film captures the essence of a village really well, and there are some nice twists which are added here and there, mostly related to problems being added one after the other to trouble the common man. It was only a few days ago that we read about a man who committed suicide due to problems related to his land, and this is also a grand reminder.

The claws of flaw :: The movie’s beginning stages seems to be stretched with a certain amount of predictability, and some parts of the movie can be guessed. Some of the websites about this movie also provided the spoilers without that much of a warning, and there was also an unnecessary controversy created related to that, even though I wouldn’t see any such problem related to that. The emotional side is also a little bit more stretched than how it should have existed here. The female characters could have also had something to do here, instead of being worried for most of the time and depending on the main characters for help. Also, much earlier, the movie was expected to be a thriller, but those elements are very much limited. Even though we do understand the evil which is present in this movie, we should have been able to see its reflection as pure evil, like how we associate them with goblins and orcs – well, even though they belong to fantasy, some of the humans are exactly like them, not that much with appearance, but with what goes on inside. Trust a human, goblin or orc too much, you might be gone forever. The ending could have been better, and not quickly forced like seen here.

The performers of the soul :: Unni Mukundan who plays the main character, just lives as the man, as this seems to be one role which suits him so well. He plays the one man who is determined to get things right for everyone, and we are left to support him above everyone else as he seems to be the only one who doesn’t have any negative shades – those other positive people are all more helpless than him. His character serves as a mortal instrument to understand the evil humanity around us, and this understanding which will prevent us from trusting people again will be helpful to us in future, and considering the same, Unni Mukundan’s performance is a blessing in a fake world of chaos. Aju Varghese plays a good friend who also takes commission, and so not so good – interesting performance there. Anju Kurian’s role is good, but limited in presence. Saiju Kurup plays the usual dumb and lazy person who hopes to get rich by one good deal, but doesn’t have the ability to do that, and once again he is good. Indrans is very much notable in his role. Kottayam Ramesh also contributes nicely, while Kundara Johny and Nisha Sarang also got their moments.

How it finishes :: Meppadiyan‘s basic idea is that most of the people, as well as the government and politics remain evil at all times. It is a perfect understanding of the world that surrounds us. One should understand that in this money-oriented world, there is no hope for good common man, unless he has a huge amount of luck or gets a favour from the heavens. Everyone around you is looking for monetary benefits, and it will be nice if everyone takes the warning out of this movie and be careful with dealing with people all around. Living in this world and trusting humans will be more difficult than ever after watching the film – what we can do is to take the best precautions, for you cannot trust any person, not your friend, government official or the government itself. Everyone is after your money, and these are the kind of people who will beg for cash out of a beggar’s bowl. Along with being an interesting emotional thriller, Meppadiyan works as a warning against the devils that are around you. The movie leaves a doubtful, but really careful person, which will help for your future dealing with those who live around you, as this seems to be inspired from things heard and seen in our world – stay awake to possible evil, and make sure you take no wrong turn.

Release date: 18th February 2022 (Amazon Prime Video); 14th January 2022 (Theatres)
Running time: 122 minutes
Directed by: Vishnu Mohan
Starring: Unni Mukundan, Aju Varghese, Anju Kurian, Arya, Kottayam Ramesh, Saiju Kurup, Indrans, Nisha Sarang, Shankar Ramakrishnan, Kundara Johny, Pauly Valsan, Jordi Poonjar, Manohari Joy, Kalabhavan Shajohn, Major Ravi, Krishna Prasad, Sreejith Ravi, Aparna Janardhanan, Naveen Illath

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@ Cemetery Watch
✠ The Vampire Bat.

Njan Prakashan

What is the movie about? :: Prakashan (Fahadh Faasil) is someone who is looking for easy money instead of going for the profession that he is skilled in – the job of a male nurse in one of the hospitals in the state or even the nation doesn’t seem to appeal to him, as he wastes his days doing nothing useful other than complain. His hope for a better job sees some light when he once again meets his former lover Salomi (Nikhila Vimal) who studied in the same nursing college. He was consistently avoiding her as she wasn’t that rich as he expected her to be. But the information that she is leaving for Germany to work at a salary of above three lakhs, his love for her quickly returns to him. He hopes to marry her and go to Germany, only to divorce her and marry someone from a rich and reputed family later. For achieving the same, he begins showing his love towards her and her family in different ways.

So, what happens with the events to follow? :: Now known as PR Akash after changing his original name, he is determined to leave for Germany, whatever happens. He seeks the help of his father’s former student Gopalji (Sreenivasan) who is a labout supplier, and even learns German after shifting to the city. For achieving his German dreams, he even pretends to be an orphan and secretly marry Salomi at the register office. He even tries and succeeds in getting the remaining cash which is needed for her to leave for Germany. Everything seems perfect until her father lands in the hospital. Twist of fate lands him at another place, as a male nurse to a rich child Tina (Devika Sanjay) who has been an eternal pain to her nurses until they left, and he also comes across Shruthi (Anju Kurian) who is struggling to keep her life going after the death of her father. For him, Germany no longer is the option or the dream.

The defence of Njan Prakashan :: There are some wonderful performances to power this movie, and along with the same, it also holds a mirror in front of the society – it is more or less a satire, as we see more than one people you know in the form of Prakashan. Our protagonist is someone who is not willing to work hard thus choosing any chance for easy money, complaining about one thing or the other, being sceptical and jealous about others, and more. We do meet people having these qualities often, which is why the movie becomes a reflection of those around us. The movie as a satire is funny, but not throughout, and it leaves us with some questions, along with invoking the emotional side slightly as well as brutally. As the movie reaches the end, it becomes that morality tale which has the lesson being taught as it finishes. The second half of the movie is top quality, racing ahead of the first, towards glory in the end with the climax and beyond.

The claws of flaw :: Njan Prakashan could have been more natural and it would have been as good as Maheshinte Prathikaaram – instead, this one has been polished, and certain cliches have been added, with the progress being more or less in an old format. The repetitive mode of comedy is rather strange considering the fact that these moments have a lot more to contribute to the overal quality of the movie. The first half of the movie is kind of dull in most parts, with jokes being present at times, and it doesn’t work at some points either. If the first half was reduced in length and more was added to the second, that would have helped the movie further. There is also the absence of some good songs, which should be the selling point of such flicks. We also see no attempt to capture the beauty and tranquility of the villages, as the same could also been positive addition to the movie. The talk about migrant labour population also gets nowhere in the end.

The performers of the soul :: Fahadh Faasil is once again the man to look out for, as there are shades of Maheshinte Prathikaaram in his character, and the same is combined with the other side of his character in Thondimuthalum Driksakshiyum. Fahadh easily manages this role with every ingredient that the character needed, and it comes as no surprise for us, considering the variety he has been bringing until his last movie, Varathan. We see him excelling in the natural fun moments as well as those strong emotional moments. The change that comes within the character is also nicely displayed by him, and is complete by the end. He also gets to show some shades of his character in Oru Indian Pranayakadha, the earlier combination between him and the same veteran director. The role from Carbon should also be coming to one’s mind as part of those different, yet similar faces of the man who has shown us many faces on the big screen.

Further performers of the soul :: The two heroines of the movie are Nikhila Vimal and Anju Kurian. Nikhila who had her first lead role in Love 24×7 was last seen in another wonderful performance in Aravindante Athidhikal. Anju’s lead role in Kavi Uddheshichathu was a memorable one. The former leads the first half while the latter influences the second. Both are perfectly suited for their roles, and we look forward to seeing them in more movies. Devika Sanjay who plays Tina in this movie with her debut, makes her first one grand, without doubt. She is someone for the future of the industry without doubt. The different shades of a lone school girl is nicely portrayed by her. Sreenivasan remains strong throughout the movie, even though one would feel that his character could have been a lot funnier consider the role and the setting.

How it finishes :: Ente Ummante Peru, Thattumpurath Achuthan, Pretham 2 and Njan Prakashan have been the Christmas moves, and all of them have been doing pretty good, with Odiyan also staying there. Well, the best of the year, Joseph is not finished yet, and we know that there are so many options out there. Among these movies, Njan Prakashan surely has an advantage, because of how it ends, and regarding how it can be connected to the common man’s life. As the year comes to an end, there are things that we need to make sure about, before taking those new year resolutions. Njan Prakashan is that kind of a movie which helps one to do that with ease. The change that needs to happen, is clearly shown in this flick, as we look forward to another year, a better one, with better us.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Nikhila Vimal, Anju Kurian, Sreenivasan, Aparna Das, Aneesh G Menon, Sabitha Anand, KPAC Lalitha, Veena Nair, Manjula, Manjusha, Jayashankar, Munshi Dileep, Devika Sanjay, MG Sasi, Shania D’Souza

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@ Cemetery Watch
✠ The Vampire Bat.

Kavi Uddheshichathu?

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What is the movie about? :: The action takes place at a village called Allimoola which is known for the game of volleyball, and its crazy fans, as well as the players who have dedicated their lives towards the game – but it is all in the past now, with the new generation of youngsters looking only for the easy ways to make money, without doing anything really valuable to the society. The women of the village considers the game to be a big wastage, and the men are no longer interested in it as part of their lives. There are only those players of the past who keep talking about their lost glory. Still, there is a section of people who believes that the game is in the blood of the villagers and they don’t believe that they game can ever disappear suddenly – they are hoping for the emergence of better players from the place who can rise above the best.

So how are things moving forward in this movie? :: It is the richest guy in the village, Vattathil Bosco (Narain) who conducts the tournaments now, in memory of his father who used to do the same years ago. But unlike his father, he has no real interest in the game, and only wishes to show the power of his money and wants to be more and more famous, but gets not much of respect from the villagers. He is in love with Lillykutty (Sija Rose), the sister of Kavalam Jimmy (Asif Ali), who is his major opponent in life, a story of dislike which has been going on for many years. Meanwhile, Jimmy is in love with Jasmine (Anju Kurian), who is the sister of Bosco. Jimmy and his friends, including Karala (Balu Varghese), Dineshan (Sudhi Koppa), Aneesh (Benson), Charles (Abhishek) and Sukoor (Ganapathy) form the better known faces of youth in the village who do simple work to make their living.

So, what happens next? :: With the love story of Jimmy and Jasmine being known to people, things get further complicated. At the meeting where the decision on the tournament was to be made, the two opponents end up betting against each other – what they ask for is the hand of the other person’s sister in marriage. The whole village consider takes this in the sportsman spirit, and decides that time has come to celebrate the tournament this time. Looking for a sponsor, Jimmy and his friends find one in Gladys (Lena) who doesn’t like Bosco’s family. Bosco finds a new ally and the team’s coach in Noble Jacob (Saiju Kurup) who had problems with Jimmy and his friends earlier. Joshy (Bijukuttan) arranges a special coach for Jimmy’s team, Minnal Simon (Biju Menon) who is a drunkard and is ready to lose the game for money. So, where does things go from here?

The defence of Kavi Uddheshichathu? :: You know that there will fun around with this movie as you look at the title itself. There is that nostalgia of those old village movies that runs right through this movie, and there is also that feel-good effect that gets to the highest level in the end – it might be what the movie has been aiming for all the time. The locations are nicely captured, with the movie being shot at Iritty in Kannur district, located on the banks of Valapattanam River. The entertainment is guaranteed here, even though it is not provided without the breaks in between. It is the middle part as well as those moments with Biju Menon that stays the strongest here. There is simplicity all around this movie, and even the bad guys in this movie are not that easy to be hated – this is that kind of a comedy movie which leave one without much to think about, and focuses more on what is there to bring some laughter.

The claws of flaw :: There could have been a more interesting story-line, without doubt – instead, this one goes into the territory which Karinkunnam 6s had explored just a few months earlier. The climax is rather predictable, even with an extra dose of feel-good added in the end – everything gets sorted out in the end, and there are no more enemies. There is a certain amount of emptiness in the movie at times due to the same reason – the effort here seems to be to make the feel-good comedy thing work all the time rather than focusing on anything else. We are also left too far away from the characters – there is no real feeling for the character even in a funny way as they do the predictable on the screen. There is also the lack of a strong enough climax that could have finished this the way it should have done – instead this one floats all the way there.

Performers of the soul :: Even though he arrives late, Biju Menon is the soul and heart of this movie – coming after one and half hours in a movie which has only about forty to forty five more to get to the finish, he raises the level of the comedy in this movie. Asif Ali does his job naturally, and there was nothing huge there for him to perform. Narain looks perfect for this role, but it is not really so when he goes on as the character; there is a consistent struggle with comedy going on here, and it never ends until the movie finishes. Lena plays a strong and admirable character with ease. Anju Kurian makes a beautiful addition to this movie, and even in a movie that focuses more on its male stars, leaves a mark; and also leaves the big smiles behind. Sija Rose is also notable in the small role. Among the supporting cast, Balu Varghese stands out, even though the viewers might have expected more from him. Dinesh Prabhakar and Veena Nair forms a nice combination too.

How it finishes :: Thomas Liju Thomas, the director of this movie had already come up with a short-movie, Ramaniyechiyude Namathil before this. It was a critically acclaimed short-film which had managed to grab a number of awards and honours. It is known for winning the first prize in the “Shoot an Idea” competition which was organised by Kappa TV. In his first full-length movie, he has made sure that it remains a complete entertainer, and finishes with a feel-good effect. It did appeal to the audience with its simple jokes, which is undoubtedly the reason why it ran for quite some time in the local theatres as well as multiplexes. Without too much application of brain, this one can work very well with the comic side, even though not that much as a sports movie – the sporting event is just a reason for things to come together; you know what you are going for in this movie instead. Well, simplicity works and so does feel-good, as already proved this year in Kochavva Paulo Ayyappa Coelho and Oru Muthassi Gadha.

Release date: 8th October 2016
Running time: 137 minutes
Directed by: Thomas Liju Thomas
Starring: Asif Ali, Anju Kurian, Biju Menon, Narain, Lena, Bijukuttan, Balu Varghese, Sija Rose, Sudhi Koppa, Benson, Abhishek, Ganapathy, Bindu Panicker, Sneha, Saiju Kurup, Manoj Guinness, Akku Melparamb, Chithra Shenoy, Dinesh Prabhakar, Veena Nair, Pradeep Kottayam, Sasi Kalinga, Balaji Sharma, Prasanth, Arul Mash, Alleppey Ashraf, Tom Joseph

kavidudhesichathu

@ Cemetery Watch
✠ The Vampire Bat.

Premam

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Vampire Bat: My dear vampire brethren, and the zombies who have decided to joined us by free-will. We have fought many battles together. We have fought side by side in the War of the Four Nations, the Tactical Warfare against the Werewolf Intrusion, the Conquest of the New Vampire World, The Battles against the never-ending Zombie Hordes and even the Magical Attacks of the Dark Elves. Zombies, please erase the zombie horde part from your memories instead of beginning to get offended, and do not return to your graves. But this is nothing like that. This will be the biggest battle that we have ever faced, and a task which is near impossible. It is called getting a ticket for the movie Premam.

Vampire Hamster: This is actually very scary. I need to go home and recharge my courage. I have heard that humans provide courage recharge centres at some religious places. Is it true? We could have also reserved the tickets, right? The ticket reservation is quite common these days.

Vampire Alligator: Can you just shut up and listen to the full speech? This is not even being recorded and you might not score well for the vampire apprentice exams if you miss parts of this which can come as annotation.

Vampire Owl: We don’t do reservations because we won’t support them – don’t you know that vampires are against all kinds of reservations? We are suffering because of this thing which gives nothing for the General Category to which the vampires belong. And you will be banned if you speak between grand, emotional speeches. The Vampire Crow and the Vampire Raven were banned once. Just listen to the speech.

Vampire Bat: We face the monsters here, and they are not like the ones we have faced before. We face the legendary warriors of the other world with human masks. We face those furious humans standing in queue for the movie Premam. We might not make it out of this queue in one piece, but lets fight for our righteous chance to watch this movie. We demand the rights to be equal and watch this movie which almost everybody except us has watched. Yes, even Werewolf Anger has watched it – can you believe that? The Lich Queen has watched it twice. It is the right to the movie ticket that we demand here, and it is clearly written in the vampire constitution, Article 007. Without watching this, we can’t even look at the face of Uncle Dracula, as you know what he is going to ask us when we return to the castle. The Vampire Penguin and the Vampire Panda have tried for this alone and failed, but we will win as this time we attack together after issuing the fake notice that we are not going to attack.

Vampire Panda: This is going to be awesome because I know part-time Kung-fu. You should all watch me and learn.

Vampire Penguin: I told you all that he is Kung-fu Panda in disguise.

Vampire Owl: Most probably, we won’t get tickets this time too, but in the name of Uncle Dracula and all the vampire elders, charge!

Vampire Crocodile: On this day, the night will be day and the day will be night. Attack!

Vampire Bat: What? No! I am the only one authorized to say that! So attack!!!

[Runs to the long queue and stands at the back end in silence].

What is it about? :: George David (Nivin Pauly) who lives in the town of Aluva and studies for pre-degree has completely fallen in love with Mary George (Anupama Parameshwaran) whom he usually sees on the way. She is the local beauty whom a lot of people are after. He has no interest in studies as he moves towards a possible failure in the course, and his only aim seems to be this girl’s love. Helped by his best friends Koya (Krishna Shankar) and Shambu (Shabareesh Varma), he attempts to make her fall in love with her, but that doesn’t go as planned. The movie also tells the story of his two other love interests, a Tamil girl called Malar (Sai Pallavi) with whom he falls in love at the first sight itself, and a girl named Celine (Madonna Sebastian) whom he meets much later as time moves forward through his love stories. His life related to these three ladies and his feelings towards them are depicted in the movie.

The defence of Premam :: By claiming to be the second film in the history of world cinema with nothing new in it, the movie seems to make a psychological move, but the truth is that the move is new if we look at how it is presented on the screen. I would give full credits to Alphonse Puthren for this one. He surely knows what the youth wants, and how to make the best use of Aluva as an Aluvaite. It is is his magic that Premam is such a delight on the big screen. I traveled to Aluva to watch this, and it was clear that there was no Aluvaite left without love and appreciation for this movie. Its nostalgia is powerful, and the central theme of love connects the three paramount pages of the protagonist’s tome of life – only three pages which connects directly to the title of the movie is taken and the word itself is used to make the much needed connection, and it is done in a beautiful way. There is infatuation, but there is no lust, and it is a sure positive thing. The second love story is a forbidden one, and clearly wrong for the standards of our civilized society, and we see poetic justice being served there as it ends in a much deserved tragedy – love fails there for the right reasons only. The comedy is working for most of the run.

The claws of flaw :: Yes, there is nothing new in the story – the liberty which was taken before the release of this movie arrives to make the impact here, and also reminds us that this is what they were talking about. There are some sequences which were aviodable, including the problems between the groups of friends at college and the missing dancer. The first of the three parts also has some exaggeration. The movie could have been shorter too – it would have surely helped the theatres to add another show in the morning to control the big crowd, and the very slight drag could have disappeared too. There is a little too much of drinking and smoking too, but I guess that they have only given the new generation’s normal audience what they wanted – crowd should get what the desired, for the good of the industry. The writings on the screen could have also been avoided, and it should have been left to the audience to come up with such ideas.

Performers of the soul :: Alphonse Puthren, with his brilliance, has given us some memorable characters along with those incidents, and he has also chosen the perfect cast as it seems from the look of it. When we look the performers here, this is “the Nivin Pauly movie” from the beginning to the end, and the way in which he goes through the three stages of his life is simply amazing. Here is another Aluvaite giving us the performance that we will always remember, and his transformations through the movie becomes the big boost. Among the heroines, I would choose Madonna Sebastian as the one making the best impact, with what seems to be her inherent cuteness and the way of dialogue delivery, and above all, as being the “right lady”, she steals the final moments. Sai Pallavi has what might be the best moment though, with the dance steps – she surely has an amazing screen presence. Anupama Parameshwaran is the charming simple beauty who disappears too early. Do look out for Vinay Forrt’s best comic moments too. All young actors deserve some applause here! Also look out for two awesome cameos from Renji Panikker and Jude Anthany Joseph.

How it finishes :: I would consider this movie as the journey of a man from love powered by infatuation to love strengthened by admiration, and then to the love based on commitment here, with those three heroines. Premam is undoubtedly the result of the hardwork of Alphonse Puthren who also comes in a role which he manages very well. All credits to him more making such a simple thing work so well. It is already taking the theatres by storm, and I had to go to the theatre and come back only to try again – these repeated for so many times to watch this movie. I was impressed even when this was not my genre at all, and I can guess how much effect this is having on the normal people. For those who are around Cochin, I would suggest watching this at Aluva and having a walk on the sides of the river and on the aqueduct which are shown in the movie. This movie also has another big personal effect on me – and it is to see the Union Christian College Aluva, on the big screen; I miss the place, and the most shown location in this movie, the college canteen 😀

Release date: 29th May 2015
Running time: 164 minutes
Directed by: Alphonse Puthren
Starring: Nivin Pauly, Madonna Sebastian, Sai Pallavi, Anupama Parameshwaran, Shabareesh Varma, Krishna Shankar, Vinay Forrt, Eva Prakash, Alphonse Puthren, Maniyanpilla Raju, Soubin Shahir, Wilson Joseph, Renji Paniker, Justin John, Hormis Paulachan, Althaf Salim, Anju Kurian, Jude Anthany Joseph, Sharafudeen, Maju Mathew, Rinsa Jacob, Vivek Vinod, Mahadev Ramakrishnan, Faisal, Manek Jose, Sandeep Varma, Viswajith Odukkathil, Vimal Pillai, Aishwarya R. Nair, Zuhair Sait, Deepak Nathan (I have put the whole list from wherever I could dig the names out, because they have all contributed so well)

premam

@ Cemetery Watch
✠ The Vampire Bat.