Aravindante Athidhikal

What is the movie about? :: The movie is set up in the area around the Mookambika Temple in the Udupi district of Karnataka. Abandoned by his mother in the temple premises at an early age, Aravindan (Vineeth Sreenivasan) was adopted by Madhavan (Sreenivasan) who made sure that he grew up to be an energetic and educated young man. Madhavan and Aravindan are running a lodge near the temple, and are trying their best to keep up with the rising competition in the name of religious tourism and spiritual journeys, a case in which religions and regions and competing which each other to bring new holy places into the picture. Meanwhile, Girija (Urvashi) and her daughter Varada (Nikhila Vimal) arrives as his new guests at the lodge. Due to some unexpected circumstances, Varada’s performance at the temple is delayed, and in the mean time, Aravindan and her become very good friends.

So, what happens with the events to follow? :: As a few days pass and she has to leave due to the death of her uncle, Varada feels that Aravindan should give up simply waiting for his mother and start searching for her – Varada herself takes it as her duty to find her with the help of some of Aravindan’s friends. While practising at Sreejaya Nair’s (Janaki Subramaniam) dance academy at Kumbakonam, she is still looking for clues to find the one lady who abandoned her child at the sacred place, and never really looking back. But the question remains if it is easy to find such a person with no solid clue except for some drawings which Aravindan has been preparing since childhood. Well, Varada is not someone who could be disheartened that easily, and will come back to Mookambika for their team’s performance, and there will be at least one good news for Aravindan. What could that be, in the sacred lands?

The defence of Aravindante Athidhikal :: The movie is perfectly targeted at the family audience rather than anyone else, and the whole thing seems to be well directed towards the particular direction. The music is very good and suits the mood of the movie, as it supports the emotional side, and brings us to that final feel-good factor. There are some nice shots of Mookambika and its surroundings, and we feel the mood of the sacred town more than once. We have some interesting characters too, some who wishes to fly on the wings of hope, and others just keep the hope at home, for without it, there might be no tomorrow. As President Snow says in The Hunger Games, it is hope that remains the only thing stronger than fear – we need it, and people decide on how much. Well, there is no shortage of hope in a holy town. With some simple funny moments and the strong emotional side, this movie gets home without trouble.

The claws of flaw :: The story might feel a little outdated for some people, as old wine in a new bottle, but if that wine is still not that bad, one has to wonder why the audience wouldn’t like to have some. The movie also ends rather too soon, and we know that it is the finish when the credits start rolling. We could have also had more with its core tale, which can go beyond the usual stuff, but that attempt is not made here. With a holy town in the middle and the same made colourful, maybe we could have had things to go a level further up – but the movie is satisfied with just this much. There is no dramatic twist that awaits you in this movie, as it keeps the journey straight and simple, or rather too direct for some people. If you are looking for that extra dose of melodrama, it is not going to be there because we see the attempt to have things going closer to reality than anything else.

The performers of the soul :: Vineeth Sreenivasan and Sreenivasan plays the family again, and even though adopted this time, they are no less father-son in effect. Both have their roles nicely matching them, and got their characters as no challenges, doing well at all moments, whether it is about adding some extra fun moments or to contribute to that deep emotional side. Well, we always have certain minimum expectations when the two come together, and it is once again proven that the duo has the strength to keep the whole thing close. These are times when the family movies are needed, and there are no people better than these two to do so. The presence of the family audience in the theatres is more due to the two being there rather than anything else. Urvashi is there with some fun moments after some break, and Aju Varghese along with Bijukuttan further contributes to the funny side with ease.

Further performers of the soul :: Nikhila Vimal has come back to Malayalam movie industry after Love 24×7, and it feels great to have her back at a time that we seem to need someone like her – she has the type of skills that are above the usual actresses that we have here, most of them seemingly here due to recommendation or by having someone in the cinema field. Nikhila stands tall with her performance here, and each moment, whatever it deals with, she scores. She is a wonderful talent that all of us need here, rather than in another industry. After her introduction, it is more about her rather than anyone else. Sreejaya Nair is a nice addition to this tale, and in between, we have Vijayaraghavan, Premkumar and Kottayam Nazeer contributing to the fun. Baiju and Sneha Sreekumar are there for initiating the comic side, as we see in the beginning. KPAC Lalitha is again there playing a mother figure.

How it finishes :: Well, Aravindante Athidhikal is that kind of a movie that is determined to touch your heart, and also leave a smile on your face in the end. It is the feel-good movie that can rise above the others due to its ability to keep things direct and enjoyable throughout its run-time of two hours and two seconds, a length that leaves no chances to drag in between. It is rather surprising that this movie had less publicity compared to the other movies released on the same day, Avengers: Infinity War, Uncle and Thobama. Well, Panchavarnathatha and Mohanlal are still running too. You are not going to regret watching Aravindante Athidhikal on the big screen, and watching with family would be a wonderful experience – well, this is the holiday season, and watching this one with family might be the right choice. After all, feel-good never leaves our industry, as there is always more of the kind.

Release date: 27th April 2018
Running time: 122 minutes
Directed by: M Mohanan
Starring: Vineeth Sreenivasan, Nikhila Vimal, Aju Varghese, Sreenivasan, Prem Kumar, Vijayaraghavan, Urvashi, KPAC Lalitha, Baiju, Sneha Sreekumar, Bijukuttan, Sreejaya Nair, Kottayam Nazeer, Shanthi Krishna, Devan

@ Cemetery Watch
✠ The Vampire Bat.

Masterpiece

What is the movie about? :: An arrogant Roshan Cherian (John Kaipallil) and an adamant Mahesh Raj (Maqbool Salmaan) leads two rival gangs at the Travancore Maharaja College in the centre of the city. These two gangs, Royal Warriors and Real Fighters fight for domination, with hockey sticks, cricket bats, cycle chains, table legs or whatever they can find, sometimes in the remote corners of the huge college campus, and at other right times, right in front of the students and faculty, much to the dismay of the Roshan’s father, Vice Principal Cherian Philip (Mukesha) and Principal Narayana Kaimal (Sunil Sukhada). There is no shortage of chaos already, but the love story of a Real Fighters member Unnikrishnan (Gokul Suresh) with a girl named Vedhika (Mahima Nambiar) from the nearby college makes things even worse. They soon find the dead body of Vedhika in the college premises, and first suspect for the crime is Unnikrishnan who is arrested.

So, what happens with the events to follow? :: Soon, Unnikrishnan is found hanging inside his cell in the police station, and things get worse. A.C.P. John Thekkan I.P.S. (Unni Mukundan) who was leading the investigation lands up in the hospital after college students attack the police, and S.I. Ramakrishnan (Kalabhavan Shajohn) is suspended after being held responsible for the death of the student. There are wide protests in the city by student organisations which take over the whole thing, and as Vedhika comes from a reputed and rich family, and is the daughter of an influential politician, pressure mounts on the officials, and a new team lead by A.C.P Bhavani Durga I.P.S. is brought to action. With John Thekkan expected to return and join the team soon, the group decides to take quick and firm action against the possible culprits before new orders come from the top again.

And what comes next with this murder mystery? :: After questioning the peon of the college, Sankarankutty (Santhosh Pandit), canteen in charge Maniyan (Saju Navodaya) and helper Reji (Bijukuttan), the police comes to know that Roshan had alcohol mixed in Unnikrishnan’s drink making sure that he wouldn’t get to meet Vedhika who was waiting for them at the beach, where she was last spotted. Roshan becomes the suspect, and the police tries to enter the campus to arrest him, only to be stopped by protesting students, with the exception of Real Fighters who welcome the move to arrest the leader of Royal Warriors. As police and students fight inside the campus, the new English professor arrives to take charge – Edward Livingstone (Mammootty) who has a record of police cases for himself. He decides to change the whole setup in the college, and re-unite its students, as police looks for the murderer.

The defence of Masterpiece :: It is after Mammootty arrives that this movie gets better, as the latter part of the movie is surely better. There will also be a lot for the fans, and that is for sure – as I skipped the early fan shows and watched the movie with normal hardworking people, there was no focus on those mass scenes in the theatre. The suspense is maintained till the end, and the revelation awaits at the final moments. Just like Aadu 2, this one is for more the fans, and the other categories of viewers will find only limited impact. The festival mood of this holiday season is also maintained in this movie. This leaves no surprise about how well the movie began at the theatres, as the first of the many flicks of Christmas including Mayaanadhi, Vimaanam, Aadu 2 and Aana Alaralodalaral. Well, it is always good to go back to the campus isn’t it? And nothing better than a murder mystery in a college campus to provide a grand entry for the hero who is all prepared to go invincible and immortal in a world of cheap mortal humans.

The claws of flaw :: You will find Masterpiece to be too similar to Mohanlal starrer Velipadinte Pusthakam, but the mass elements are rather too much in this one. A college professor with a complicated past coming into a college where students battle each other as part of two separate gangs with a murder behind – just the same idea that you had seen on the big screen earlier. The shots of hero throwing the goons to the Mahindra Scorpios parked there, destroying the vehicles too easily will have the makers of the vehicles wonder what would happen if a Scooty is to hit them in the middle – will the SUV be split into two then? Then there is a modified vehicle which goes through walls – are they promoting this vehicle against Mahindra? Is that a foreign-made SUV that is declared to be better than Mahindra SUVs? The hero also throws a heavily built villain around with one hand a little too many times, and the movie could have done without these scenes. In this too long a movie, the jokes are less effective and there is confusion about where it is going. Slow motion is used badly as expected.

The performers of the soul :: It takes just above an hour for Mammootty to come in, and it might be because of the presence of too many characters that it takes so long. It is after he arrives that things begin to get interesting, as he immediately makes the impact as the college professor. The two female characters who are there till the end, Poonam Bajwa and Varalaxmi Sarathkumar got not much to contribute, playing stereotypes. Mahima Nambiar gets better but the character goes dead. Unni Mukundan has to go a little too much towards the stylish side, but has our attention. Kalabhavan Shajohn is someone who never struggles in this one, as a cop suits him so well just like in Oppam and Drishyam. Gokul Suresh did believable work here. John Kaipallil and Maqbool Salmaan were good playing what Arun Kurian and Sarath Kumar played in Velipadinte Pusthakam. Saju Navodaya brings some comedy here and here with Bijukuttan, but not that much as we would expect. Captain Raju brings some laughs, even though we see more going over the head.

How it finishes :: The movie is something which seems to be exactly opposite what the title says. Masterpiece is exactly what this movie isn’t, but if we separate the word into two, and say “Master in pieces”, that would be more appropriate. But as Velipadinte Pusthakam itself was, this is not really a terrible movie. There is something here and there for the fans, and we know that the core idea had more potential. The hero worship in this movie is exactly what brings this movie down – it is always the superstar’s fans and their needs that brings a wonderful actor down, as it is proven on so many occasions. We need to forget a few moments defying gravitational force along with slow motion, and some unnecessary dialogues about respecting women without meaning the same when there is no need, and we have one twist awaiting us in the end, and a villain whom we least expected. As a thriller, the idea at the base is surely good, but we have to often wonder at the final product.

Release date: 21st December 2017
Running time: 160 minutes
Directed by: Ajai Vasudev
Starring: Mammootty, Unni Mukundan, Poonam Bajwa, Varalaxmi Sarathkumar, Kalabhavan Shajohn, Mahima Nambiar, Megha Mathew, Lena, John Kaipallil, Mukesh, Gokul Suresh, Maqbool Salmaan, David John, Santhosh Pandit, Kailash, Nandu, Divya Pillai, Sunil Sukhada, Arjun Nandhakumar, Saju Navodaya, Thesni Khan, Divyadarshan, Ameer Niyaz, Bijukuttan, Shivaji Guruvayoor, Udaykrishna, Renji Panicker, Manikkuttan, Anjali Nair, Captain Raju

@ Cemetery Watch
✠ The Vampire Bat.

Aadu 2

What is the movie about? :: The team of Shaji Pappan (Jayasurya) go on with the journey after the events of the first film. Their world hasn’t really gotten any better, as they keep struggling to find the money to keep their club, and once again their option is to participate in the tug of war competition. With the Pinky episode closed both with the girl and the goat, Pappan just continues to have his back pain, but leads his team to victory in the competition, only to have his golden trophy stolen by the rival team lead by Anali Sabu (Anson Paul). Meanwhile, S.I. Sarbath Shameer (Vijay Babu) manages to get back to service after begging the new Home Minister of Kerala, P.P. Sasi Aashan (Indrans) to have his uniform again. He decides to keep his eyes on Shaji Pappan who had thrown the former S.I. of the station into the dam reservoir, and prove to everyone that he is an even better police officer than he used to be.

So, what happens with the events to follow? :: At the same time, Damodaran Unnimakan Delmen Edakochi a.k.a. Dude (Vinayakan) is having an even more terrible time, working at a restaurant, and with his friends and the new comrade Dragon Paili (Nelson) is planning something huge, without being depressed of his failure – he is ridiculed by the owner of the restaurant, but he is waiting for his opportunity to get back to what he does the best. Satan Xavier (Sunny Wayne) surely has better times with the help of Kanjavu Soman (Sudhi Koppa) and Battery Simon (Bijukuttan) who work for him at small wages. But their world along with that of a criminal mastermind, a villain known as Shetty (John Kaippallil) are to come together soon, with that day on which five hundred and one thousand rupee notes ceased being legal tender. It would begin a series of blunders and confusion that would lead to a twist of fate for some.

The defence of Aadu 2 :: After Aadu Oru Bheekara Jeevi Aanu disappeared from the theatres, people have been slowly trying to like it, and there has been a lot of talk about the same – for them, this would prove to be a nice treat, as they have all wanted it a lot. There are some funny moments in here for sure, and they come and go. The beginning with the introduction of the protagonist, and the return of the police officer to duty are all good, making sure that the sequel starts well. The music and visuals are all pretty good, and there seems to be more and more of an effort to make the youth appreciate it rather than an individual or the family. From a reviewer’s perspective, this movie would come only under Midhun Manuel Thomas’s each and every other work – Annmariya Kalippilaanu, Alamara and Aadu Oru Bheekara Jeevi Aanu are better than this. But you know that it is not the thing which always counts, but on the other side, we know that more people liking or pretending to like a movie to go with the crowd doesn’t make it a better one.

The claws of flaw :: There is not that much of fun in Aadu 2 as it was there in its prequel. It falls short there, and also the story itself is not that interesting. The limited number of working jokes is rather a sad thing. The excuse in favour of this movie might be that it is meant to be nonsense – but even making quality nonsense requires better thinking, and when we look at this movie, that part has come down a level from the first movie too. There are so many ways of making a funny thing work, and whether it is funny in a smart way or if it is nonsense, the thing has to work. Here, Aadu 2 has the nonsense which struggles to be funny even as nonsense, and that is a crime, which is repeated a number of times. Also, even a dumb story can be smart in how it is made to seem ridiculous. This one falls short of its predecessor in doing the same too.

The performers of the soul :: Jayasurya leads the way as expected after another sequel, Punyalan Private Limited, playing the character that nobody has refused to like. There is no surprise about the fact everyone wishes to see Shaji Pappan again – even I remember that entry that he had in the first part; there is not that much of an entrance here that we will keep remembering, but we love him anyway, as the one character who seems to be part of us in one way or the other. Vinayakan’s Dude could have used even more screen-time, as among them all, the man makes us laugh the most – almost everything from him works, unlike some of the other characters that got to struggle to keep up with the standards set in the first movie. Vijay Babu is in full form with this character which he seems to hold close, and with the support of Noby Marcose, he gets to score with nice moments. Indrans has his presence limited, maybe due to the absence of the sidekick character – and that is disappointing too.

Further performers of the soul :: One can’t help noticing the absence of two of the characters that made the best impact in the first part, played by Chemban Vinod Jose and Sandra Thomas. The former’s moments which are widely used in memes for trolls and latter being a reflection of a certain group of people who prefer animals to men, are clearly missed in this flick, and Chemban not being found here is a bigger surprise. Sunny Wayne’s character, despite being a big name again, never really gets to get bigger. The big team of the protagonist including Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan and others won’t make that big impact this time, as they also struggle to live up to what they did in the first movie, with some jokes here and there. Sometimes, irritating moments do come in as if they are jokes, and the characters just manage to play with the same. Well, fans will just find awesomeness in everything and abuse, but we can’t, can we descend that low?

How it finishes :: The first movie, Aadu Oru Bheekara Jeevi Aanu, was kind of late to gather all the positive opinions, as it had failed at the box-office, and didn’t make much an impact with the critics of that time. This one has picked up due to the fans going in favour of it, and youth taking it as their duty to support it. But in the end, you will find that it is not that funny, and there is a lesser effect here than what was created in the first movie. It is enjoyable in parts, but as a whole, the first movie was surely better, and it also had a better effect on us, as it was something that felt new. But here, we see a movie which seems to try to repeat the same thing without trying anything better or new. It is the curse of the sequels that has caught this movie, and we know that sequels are rarely better than the originals – well, this one is no exception. Well, if you are not going to think about any of these, and desperately wishes to watch the second part, just go for it. After all, it is Christmas, and the festival season and holidays can use some meaningless fun. It is surely why it is more difficult to get tickets for this one than its competitors Vimaanam, Mayaanadhi, Aana Alaralodalaral and Masterpiece.

Release date: 22nd December 2017
Running time: 160 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayasurya, Sunny Wayne, Vijay Babu, Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan, Harikrishnan, Noby Marcose, Aju Varghese, Vinayakan, Indrans, Sudhi Koppa, Anson Paul, Srinda Arhaan, Nelson, Bijukuttan, Gopesh, Mamukoya, Baiju, Irshad

@ Cemetery Watch
✠ The Vampire Bat.

Godha

What is the movie about? :: Anjaneyan Das (Tovino Thomas) is an engineering graduate who spends most of his time playing cricket at the local ground as part of a cricket team lead by the local party leader Vijayan (Sreejith Ravi). Supported by the local youth including his own cousin brother Balan (Aju Varghese), they try to play the game on the ground with a lot of cricket craze even though they keep losing the matches. But the same is not possible during presence of the man they call Captain (Renji Panicker), a former wrestler who lives in the memories of those wrestling matches, and doesn’t let anyone play any other game on the ground. He is also the father of Anjaneyan who had dreams of making his son a wrestler too, but that didn’t go on well too. There is a certain fight going on between a new generation of cricket fans and the old generation of wrestling fans who wish to see their favourite sport brought back from the ashes.

So, what happens next? :: Captain who had enough of all this nonsense from his son that he forces Anjaneyan to go and pursue engineering post graduation at Punjab University, something which his reluctant son finally decide to agree to, and travel to the north. He does find things rather strange there, and just survives without getting beaten up due to his desire to have porotta and beef roast. But what catches his attention more than the rest of the things there is Aditi Singh (Wamiqa Gabbi), a girl who beats up almost everyone there. They become good friends until there is an incident involving Aditi and her brother who is a police officer there, and Anjaneyan comes back home much to the dismay of his parents. He gets back to his usual life until he gets a call from Aditi who had reached the railway station near his place.

And what follows the events? :: Aditi is also full of an intense desire to wrestle, for which her family doesn’t allow. Her brother had decided to marry her off to someone so that this craze for wrestling could be taken out of her, which is the reason why she has left Punjab and reached Kerala. Initially, Captain doesn’t want her presence in the place, but things change as he understands her passion for wrestling, and decides to help her to achieve her dream. Aditi starts training under Captain, and despite the initial problems, manages to get to a major tournament and win it, expanding the horizons of the dreams. But it is not just the Captain who is inspired by her dreams, as Anjaneyan also has his own memories of wrestling brought back to him due to the same. But will she finally be able to get the best out of her dreams for herself as well as the people around her?

The defence of Godha :: One quality that Godha has retained from the same director’s Kunjiramayanam is its quality in simplicity; as we look through these two movies, we see simple things made beautiful or memorable. The latter was all about making its comic side more and more effective while the former here works on delivering the inspiration on the big screen. In a world which is being swallowed by those sporting events which has more money and bigger heroes, there are the sports other than cricket which struggles to find a path towards attention, and Godha has certainly caught your eyes and brought it to something which is more than just WWE which at least has fans of entertainment. This movie lasting just two hours is nothing short of a full-length entertainer, as there is something to laugh or something to make you smile throughout its run. The same makes this movie a cent percent steady flick from the first scene itself.

Positives and negatives :: The humour is really good with this one, and those scenes providing goosebumps as well as the emotional side – all remain strong right there. The mixture of things is certain to attract all kinds of audience, as we have something for everyone in this quality mixture. The songs as well as the background music are really good, and the same can be said about the visuals, all keeping the level of this movie high. There might not be anything that huge with the tale here, which once again has its protagonists getting inspired to achieve their dreams, but in the end, it is all about dreams, isn’t it? Maybe people will need more seriousness concerning this kind of a topic, and the predictability is present for this movie too. There were cynics who thought that such a theme couldn’t be developed that well in Malayalam – but this one should make them take back their words. There was also the scope to make this one rather longer, as the audience did seem to want more. In a nation which avoids too many sports in favour of cricket, we just need more of such movies, even if the inspiration might feel repetitive later.

Performers of the soul :: The spirited cast of this movie is lead by Wamiqa Gabbi who, without doubt, brings unparalled charm here. There is something about the way she elevates the movie as the determined heroine – she has certainly made a huge impact with the audience as it was clear in the theatres. The determination in her eyes, and her performance within and outside the sport will be in your minds for long. Those who follow Bollywood will remember her for the work in the movie Sixteen, an underrated movie which deserves to be watched by more. Meanwhile, Tovino Thomas gets even stronger than Oru Mexican Aparatha with a role that brings more than one shade of him, and there is some nice skill in how he plays the second fiddle to Wamiqa when needed, and even to Renji Panicker’s powerful character when there is the need – it is the neat, and the right performance that he brings here, after the smaller role in Ezra and Guppy which deserved more. He also shines in the comic sequences mainly with Aju Varghese, and also with that long line of actors from Hareesh Perumanna and Dharmajan Bolgatty to Bijukuttan and Kottayam Pradeep.

How it finishes :: Godha has been in the news for some time with some wonderful music released, an interesting trailer, and having both Tovino Thomas and Wamiqa Gabbi as guests at Badai Bungalow programme on Asianet in one of its most entertaining episodes of all-time. So, the expectations were there, and the movie delivers. Basil Joseph’s last movie Kunjiramayanam, his debut flick was a huge laugh riot, and this one goes on to become more than one thing. Godha is your inspirational fun-filled entertainer which is also a sports drama. It required some special skill to keep all the elements working for this flick, which is a wonderful mixture – but everything is taken of with precision, and we have the final product as something which seems to have a fine invitation to make us go through and watch again at least once, a quality which was there in very few entertainers of this decade, most notably, Maheshinte Prathikaram.

Release date: 19th May 2017
Running time: 120 minutes
Directed by: Basil Joseph
Starring: Tovino Thomas, Wamiqa Gabbi, Aju Varghese, Renji Panicker, Bijukuttan, Mamukoya, Pradeep Kottayam, Hareesh Peradi, Hareesh Perumanna, Sreejith Ravi, Dharmajan Bolgatty

@ Cemetery Watch
✠ The Vampire Bat.

Alamara

Vampire Owl: A movie named after the almirah. It is an interesting case.

Vampire Bat: What is it about you and an almirah?

Vampire Owl: An almirah is a nice option for executing our evil plans.

Vampire Bat: You are not planning on scaring a few people by jumping out of an almirah, are you?

Vampire Owl: Well, what I plan is world domination using the almirah.

Vampire Bat: That idea won’t work. It is just an almirah.

Vampire Owl: You will know the depth of my evil plans, and then you will realise how far it can go.

Vampire Bat: It hasn’t gone that much with any of the plans.

Vampire Owl: You see, this one is different. I will get some special plan from this movie.

Vampire Bat: Let you find the best evil plan from a feel-good comedy movie.

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is the movie about? :: Arun (Sunny Wayne) is a bank employee who is working at Bangalore, and despite having seen forty seven girls so far, hasn’t been able to get married to one. The last one got messed up after the girl whom he was supposed to marry, eloped with someone else. He is a member of various matrimonial websites, and there are his relatives who are trying to get him to be married to some girl or the other, but things don’t go well as something bad happens every time. It is during these times that his good friend Suvin (Aju Varghese) gets rejected by a girl Swathi (Aditi Ravi) because he ends up being shorter than her. Swathi gets transferred to Bangalore, and asks for some help from Arun who is the brother of her old friend Divya (Sonu Anna Jacob), and knows the city well enough to find her a place to live for the time being.

So, what happens next? :: He soon proposes to Swathi, and working in nearby banks in the same city, she accepts, and so do the parents and relatives of both of them. The date of wedding is fixed on a day six months later, so that Divya can also be married on the same day, after she also passes a bank test and gets to work in a financial institution just like them. As the date gets nearer, everyone on the girl’s side gets restless, but it seems that Divya is in no mood to pass the bank test any time soon – she just keeps studying and nothing much happens. The two families almost decide not to go forward with this relationship, but Arun and Swathi are adamant, and finally both families have to agree to conduct the wedding. The wedding goes on well, and both of them move to Bangalore after a few days at Arun’s place. But things aren’t that smooth as they thought they were going to be.

The defence of Alamara :: The feel-good element in this movie works very well, and so do the jokes used here. The message here is that the married couple has to live their lives, and the rest of the people around will be only there to give some free advice and also to have the food for the function. The movie asks the pairs to take the decisions about their later lives themselves, and listen the least to the others – also, not to compare, but to live a life which is meant for them and not for those who watch from outside. A lot of situations in the movie can be related, and the comedy used here might feel a lot closer to real life for many. It was also a nice and divergent idea to have the almirah do the narration as the silent witness to all the foolishness that the humans come up with inside their relationships. The movie is visually good, and the songs have good timing.

The claws of flaw :: You will see that there is a lot of predictability associated with this tale which has been going on for a long time in one form or the other. There is no shortage of stories like this in our world – we can see them in all directions. You once again see a married couple having their relationship in trouble due to the interferences from their families who were not sure about this wedlock at the first place. The subplot concerning the property sale at Bangalore was not at all interesting though, and it could have been kept to the minimum to decrease the overall length of this movie. There could have also been something really new and fresh here, considering the fact that the same couldn’t be done with the story and how it goes on. The actors like Bijukuttan and Vijilesh are a little too less used, with more scope there for their characters.

Performers of the soul :: Sunny Wayne is good here, and he maintains the level in most of the sequences too. It is Aditi Ravi who makes a bigger impact here though, and we can expect to see more of her considering how good she has been in this leading role. In the comedy department, it is Manikandan Achari as the protagonist’s favourite uncle, who stands apart in a role completely different from what he did in Kammattipaadam. Aju Varghese and Saiju Kurup scores the most as protagonist’s friends when at Bangalore – also look out for Indrans in another different avatar here. Ranji Panicker and Seema G. Nair makes a fine pair that brings the fun here. Sonu Anna Jacob also has a notable role here. Then there is Salim Kumar providing some fun as the voice of almirah, the poor creation from the wood which gets to see all these and suffer – these humans are truly bad, aren’t they?

How it finishes :: This is the third movie from the director Midhun Manuel Thomas after Aadu Oru Bheegara Jeeviyanu and Annmariya Kalippilaanu. Sunny Wayne, Aju Varghese and Saiju Kurup remains the common factors once again, and there is the humour element of the first movie and the feel-good factor of the second one maintained nicely in this particular flick. This movie is surely better than Aadu Oru Bheegara Jeeviyanu, but not that good as Annmariya Kalippilaanu. With the entertainment, the feel-good factor and the messages for a new generation of families as well as those of the older generation, Alamara will be an interesting movie for more than one kind of audience. The message provided by this movie is valid not just for now, but for a longer period of time, and therefore Alamara should continue to work as the right family flick for many despite not being a huge one! Also look out for C/O Saira Banu this weekend, both movies taking different paths here!

Release date: 17th March 2017
Running time: 130 minutes
Directed by: Midhun Manuel Thomas
Starring: Sunny Wayne, Aditi Ravi, Sonu Anna Jacob, Ranji Panicker, Aju Varghese, Saiju Kurup, Sudhi Koppa, Manikandan Achari, Indrans, Sadiq, Seema G. Nair, Manju Satheesh, Kunchan, Bijukuttan, Vijilesh, Salim Kumar (voice only), Arya Rohit (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Kavi Uddheshichathu?

kavidudhesichathu-1

What is the movie about? :: The action takes place at a village called Allimoola which is known for the game of volleyball, and its crazy fans, as well as the players who have dedicated their lives towards the game – but it is all in the past now, with the new generation of youngsters looking only for the easy ways to make money, without doing anything really valuable to the society. The women of the village considers the game to be a big wastage, and the men are no longer interested in it as part of their lives. There are only those players of the past who keep talking about their lost glory. Still, there is a section of people who believes that the game is in the blood of the villagers and they don’t believe that they game can ever disappear suddenly – they are hoping for the emergence of better players from the place who can rise above the best.

So how are things moving forward in this movie? :: It is the richest guy in the village, Vattathil Bosco (Narain) who conducts the tournaments now, in memory of his father who used to do the same years ago. But unlike his father, he has no real interest in the game, and only wishes to show the power of his money and wants to be more and more famous, but gets not much of respect from the villagers. He is in love with Lillykutty (Sija Rose), the sister of Kavalam Jimmy (Asif Ali), who is his major opponent in life, a story of dislike which has been going on for many years. Meanwhile, Jimmy is in love with Jasmine (Anju Kurian), who is the sister of Bosco. Jimmy and his friends, including Karala (Balu Varghese), Dineshan (Sudhi Koppa), Aneesh (Benson), Charles (Abhishek) and Sukoor (Ganapathy) form the better known faces of youth in the village who do simple work to make their living.

So, what happens next? :: With the love story of Jimmy and Jasmine being known to people, things get further complicated. At the meeting where the decision on the tournament was to be made, the two opponents end up betting against each other – what they ask for is the hand of the other person’s sister in marriage. The whole village consider takes this in the sportsman spirit, and decides that time has come to celebrate the tournament this time. Looking for a sponsor, Jimmy and his friends find one in Gladys (Lena) who doesn’t like Bosco’s family. Bosco finds a new ally and the team’s coach in Noble Jacob (Saiju Kurup) who had problems with Jimmy and his friends earlier. Joshy (Bijukuttan) arranges a special coach for Jimmy’s team, Minnal Simon (Biju Menon) who is a drunkard and is ready to lose the game for money. So, where does things go from here?

The defence of Kavi Uddheshichathu? :: You know that there will fun around with this movie as you look at the title itself. There is that nostalgia of those old village movies that runs right through this movie, and there is also that feel-good effect that gets to the highest level in the end – it might be what the movie has been aiming for all the time. The locations are nicely captured, with the movie being shot at Iritty in Kannur district, located on the banks of Valapattanam River. The entertainment is guaranteed here, even though it is not provided without the breaks in between. It is the middle part as well as those moments with Biju Menon that stays the strongest here. There is simplicity all around this movie, and even the bad guys in this movie are not that easy to be hated – this is that kind of a comedy movie which leave one without much to think about, and focuses more on what is there to bring some laughter.

The claws of flaw :: There could have been a more interesting story-line, without doubt – instead, this one goes into the territory which Karinkunnam 6s had explored just a few months earlier. The climax is rather predictable, even with an extra dose of feel-good added in the end – everything gets sorted out in the end, and there are no more enemies. There is a certain amount of emptiness in the movie at times due to the same reason – the effort here seems to be to make the feel-good comedy thing work all the time rather than focusing on anything else. We are also left too far away from the characters – there is no real feeling for the character even in a funny way as they do the predictable on the screen. There is also the lack of a strong enough climax that could have finished this the way it should have done – instead this one floats all the way there.

Performers of the soul :: Even though he arrives late, Biju Menon is the soul and heart of this movie – coming after one and half hours in a movie which has only about forty to forty five more to get to the finish, he raises the level of the comedy in this movie. Asif Ali does his job naturally, and there was nothing huge there for him to perform. Narain looks perfect for this role, but it is not really so when he goes on as the character; there is a consistent struggle with comedy going on here, and it never ends until the movie finishes. Lena plays a strong and admirable character with ease. Anju Kurian makes a beautiful addition to this movie, and even in a movie that focuses more on its male stars, leaves a mark; and also leaves the big smiles behind. Sija Rose is also notable in the small role. Among the supporting cast, Balu Varghese stands out, even though the viewers might have expected more from him. Dinesh Prabhakar and Veena Nair forms a nice combination too.

How it finishes :: Thomas Liju Thomas, the director of this movie had already come up with a short-movie, Ramaniyechiyude Namathil before this. It was a critically acclaimed short-film which had managed to grab a number of awards and honours. It is known for winning the first prize in the “Shoot an Idea” competition which was organised by Kappa TV. In his first full-length movie, he has made sure that it remains a complete entertainer, and finishes with a feel-good effect. It did appeal to the audience with its simple jokes, which is undoubtedly the reason why it ran for quite some time in the local theatres as well as multiplexes. Without too much application of brain, this one can work very well with the comic side, even though not that much as a sports movie – the sporting event is just a reason for things to come together; you know what you are going for in this movie instead. Well, simplicity works and so does feel-good, as already proved this year in Kochavva Paulo Ayyappa Coelho and Oru Muthassi Gadha.

Release date: 8th October 2016
Running time: 137 minutes
Directed by: Thomas Liju Thomas
Starring: Asif Ali, Anju Kurian, Biju Menon, Narain, Lena, Bijukuttan, Balu Varghese, Sija Rose, Sudhi Koppa, Benson, Abhishek, Ganapathy, Bindu Panicker, Sneha, Saiju Kurup, Manoj Guinness, Akku Melparamb, Chithra Shenoy, Dinesh Prabhakar, Veena Nair, Pradeep Kottayam, Sasi Kalinga, Balaji Sharma, Prasanth, Arul Mash, Alleppey Ashraf, Tom Joseph

kavidudhesichathu

@ Cemetery Watch
✠ The Vampire Bat.

Oru Muthassi Gadha

orumuthassigadha-2

Vampire Owl: So, the title is not about the story from grandma.

Vampire Bat: No, it is more about the blunt mace.

Vampire Owl: I guess I misunderstood this one then. I see variety.

Vampire Bat: This one battled with Kochavva Paulo Ayyappa Coelho, Oppam and Oozham which were running at the theatres during that time.

Vampire Owl: And it was there in those multiplexes for quite a long time.

Vampire Bat: Which is why this one deserves more respect.

Vampire Owl: We remember how good Om Shanti Oshana was, from the same director.

Vampire Bat: Yes, just his second movie. Doesn’t that feel like reason enough to watch this one?

Vampire Owl: Yes, a lot more than the other reasons.

Vampire Bat: Lets make it happen then.

[Gets three cups of tea with banana chips].

What is the movie about? :: Siby (Suraj Venjaramoodu) lives in the city with his wife Jean (Lena), daughter Alice (Aparna Balamurali), son Alan (Nohad Shajahan) and his mother, Leelamma (Rajini Chandy). Due to his mothers ill-tempered nature, Siby finds it difficult to find domestic help when he and his wife goes for help, and even his friends are afraid to come to his house. She is always angry towards her daugher-in-law, continuously finding fault with her, and her attitude towards her grandchildren makes sure that Alice wishes to stay in the hostel and Alan wishes to spend more time at the school. Their last hope comes in the form of a Bengali worker who somehow manages to get along with his mother. Even though this is a certain amount of relief, her nature remains the same, and even his boss Anil (Vijayaraghavan) has to face her wrath.

So, what happens next in the movie? :: It is Anil himself who advices Siby to take the whole family to a trip which can make things better. But with his mother not willing to go, they are forced to go on the journey all by themselves. Leelama stays back at home, and she is joined by Soosama (Bhagyalakshmi), Jean’s mother who intends to keep her company. Even though they don’t get along well in the beginning, things change later, and Leelama’s flashbacks are revealed. This leads to her coming with a wishlist, and they going on a trip to find more from Leelama’s flashbacks. After this journey, which will include Alice and her boyfriend Milind (Rajeev Pillai) along with Leelama’s classmate’s grandson Brilly (Jude Anthany Joseph), there are changes coming, not just to her family, but also to those around her.

The defence of Oru Muthassi Gadha :: This movie comes up to provide a message nicely, that too with all its simplicity. It is a similar feeling which was in Om Shanti Oshana, that we have here, and we even see some of the characters from that movie again. That smooth feeling is also maintained in this movie, with no scope for melodrama, and we take this movie in a light-hearted manner too with the needed feel-good. There is energy here, and there are moments which go directly into one’s heart. It is a reminder to us that there are things that can be changed, and we have to try hard enough for the same. It is by looking through another person’s eyes, can we know them better, and it is different for each person from different situations – the movie asks us to try to go through the same instead of judging them all. It also talks about going on with our busy lives along with giving enough care to our parents and grandparents. The movie does look really good with its visuals and there are also some nice songs to go with the same – it also does end well.

Claws of flaw :: This is surely not that good as Om Shanti Oshana, one can be sure about that considering the fun side. Oru Muthassi Gadha does preach, and that might not go well with everyone. There are moments when this movie could have been funnier, and there are points where this one could have been more serious about its message – but this one maintains one path right from the beginning to the end, that is of a light-hearted movie with a message, without moving out of its simplicity to bring something that strikes the heart in a deeper way. There are also jokes that go wrong, and the moments which are overdone, which affects this movie, but only up-to an extent. There could have been more ideas about presenting a grandmother like this, but Oru Muthassi Gadha believes that it had enough of experimentation a little too early, and hesitates to bring more. Well, you do wish for more here considering the main idea.

Performers of the soul :: Rajini Chandy leads the way here as the protagonist, and even as a new face, she has made things work so well, rising above everyone else. Keeping her company is Bhagyalakshmi, without doubt, as she goes on to bring the change here in this movie. There is no real leading actor in this movie, and it is with Rajeev Pillai who is paired with Aparna Balamurali who is back from Maheshinte Prathikaram that some part of it lies, and he also has his funny moments. Aparna is once again good in another role here, or rather two of them. Jude Anthany Joseph also surprises us with some nice funny lines including the “M for Marry” and “Inception” dialogues which are really well-timed – there is something special about those funny dialogues which directors themselves use as actors as long as they do it well enough. To add to that, Suraj Venjaramoodu and Lena along with the whole family really work well together in this flick – its one nice family here.

How it finishes :: Unlike what many people had thought, Sreenivasan and Vineeth Sreenivasan got only smaller roles to do here, but we do remember them. The movie does live up to its trailer, and it is sure to make a very nice choice to watch with family. There are enough messages for the families and the new generation to take home, and Oru Muthassi Gadha is the kind of movie that is sure to be interesting for all types of audience, even without trying to go beyond its limitations – this one has still managed to bring its message in a different way. This movie also makes one wait for more movies from Jude Anthany Joseph, who seems to be the one director whose movies can be watched without second thoughts. Well, this one has a shared universe with Om Shanti Oshana – now that is something which you don’t usually see around here!

Release date: 14th September 2016
Running time: 144 minutes
Directed by: Jude Anthany Joseph
Starring: Rajini Chandy, Bhagyalakshmi, Aparna Balamurali, Suraj Venjaramoodu, Lena, Jude Anthany Joseph, Sreenivasan, Vineeth Sreenivasan, Vijayaraghavan, Renji Panicker, Rajeev Pillai, Ramesh Pisharody, Sathi Premji, Dharmajan Bolgatty, Musthafa, Nohad Shajahan, Bijukuttan, Baby Meenakshi (cameo), Lal Jose (cameo)

orumuthassigadha

@ Cemetery Watch
✠ The Vampire Bat.

Annmariya Kalippilaanu

annmariya-kalippilaanu-2

Vampire Owl :: The title itself says that the kid is dangerous. Is it actually safe to watch this particular flick?

Vampire Bat :: What? Now, you are afraid of kids?

Vampire Owl :: Yes, one kid called me bad owl and threw a stone at me when I was doing my owlish meditation.

Vampire Bat :: Owls don’t meditate. This makes no sense.

Vampire Owl :: What are you talking about? Even Kungfu Panda meditates. Why not me?

Vampire Bat :: He does Kungfu. The only thing that you do throughout the day is sleep and worry about the possible devastation of the New Vampire World.

Vampire Owl :: I meditate in my dreams. Sometimes, I even meditate inside the dream within my dream’s dream.

Vampire Bat :: You are my nightmare!

Vampire Owl :: I occasionally dream within nightmares to make them better too.

Vampire Bat :: I am going to declare you the Nightmare Owl, the one true creature of the dark nightmares.

[Gets three cups of tea with banana chips].

What is the movie about? :: Annmariya (Sara Arjun) is the daughter of a doctor couple, Roy (Saiju Kurup) and Teresa (Leona Lishoy). The latter is working with the International Red Cross and Red Crescent Movement at the war-torn nation of Syria, with the former left to take care of their daughter all by herself while working at a private hospital called Nyle. He rarely has time to call, and even when he does, there is not enough time that he spends talking to his wife and child. Annmariya’s dream to get a medal in the fourth standard for long jump just like her father did, and is striving for the same. But she fails to do that as her P.T. teacher David (John Kaippallil) disqualifies her after calling her jump a foul in return for complaining to the principal about him harassing their English teacher, Megha (Anjali Aneesh Upasana).

So what happens next with Annmariya unleashing the fury? :: A disappointed Annmariya wishes for vengeance against the teacher, and for the same, he asks Avinash (Master Vishal Krishna) to help her, and as he has a crush on her, he readily agrees and consults Sarath (Althaf Manaf) who promises to find them a thug to beat up the bad teacher. For the same, they find Gireesh (Sunny Wayne), an idle young man looking for ways to make easy money and his best friend Ambrose (Aju Varghese), an auto-driver who doesn’t go for work. Annmariya gives him the i-phone gifted by her father to beat David, and after some intervention by her uncle Inspector James (Vijayakumar) and another thug Suku (Shine Tom Chako), he agrees to beat up her teacher, but things don’t go as easily as planned.

The defence of Annmariya Kalippilaanu :: It is great to see how another world of a child has been brought to the screen with all the innocence – following the path of the movies like Philips and the Monkeypen. There is sweetness in the way that each incident is shown in this movie, and there is also the presence of that cute funny side which comes in between. Whether it is the good millionaire named Baby who travels with the sign “Baby on board” or the loving servant at home who tries hard to speak good Malayalam, the exaggerated tales about the thug or the combinations of different actors, all come together to make this one a sweet, enjoyable ride to be taken with the family. You will have enough messages to take home too, about family, love for each other, and the bond of friendship, along with the strength that strong belief of other as well as yourself brings to you.

Claws of flaw :: Due to its simplicity, there is not much of the flaws being visible here. Everything in this movie is presented in such a cute way that we don’t feel much of the problems that threaten to come up here and there. There is a certain amount of time that the movie takes to get going in the beginning; also with the first few moments of introduction of Sunny Wayne’s character. The main idea of the movie could have been presented in an even better way – the whole thing could have been even funnier. There is also no attempt to bring anything special. Most of the time, we know what is to happen next, and we are just glad to have them coming here. There is also uncertainty regarding the angel, whether it is a real person or magic realism added. Not all characters are used to their full potential here though. The animation in between was rather strange.

Performers of the soul :: Sara Arjun is one amazing child lead, there is cent percent certainty about it, and it is so clear from this movie. We had seen her in Deiva Thirumagal with Vikram as well as Jazbaa with Aiswarya Rai – we can be confident about seeing more of her work, and that will be great for Malayalam movie industry. Sunny Wayne has a fine run throughout the movie in this role, and this character has him doing the job comfortably. Aju Varghese provides a nice support, and he is good teaming up with Sunny Wayne. Siddique provides some nice support here, and his character is both funny and interesting. Leona Lishoy does some fine work as the mother, and Saiju Kurup is good when he is there. John Kaippallil stays strong as the antagonist too. Shine Tom Chacko has another good role here, which also seems to suit him. Even those in smaller roles do interesting work!

How it finishes :: This movie comes from Midhun Manuel Thomas who had recently directed Aadu Oru Bheegara Jeeviyanu, a movie which was so underrated during its release, and so overrated when it released on DVD. After that movie which is more or less average in totality, Annmariya Kalippilaanu is a big step ahead for him, and it leaves us wishing for more of similar movies from him; we see the silliness in the previous movie being replaced by happiness and messages in this movie – it is the kind of stuff that we people need, and the same is delivered by this movie. There will always be something about the movies like this, as we will keep feeling the need for some inspiration, and also get those special messages that are to be kept in heart.

Release date: 5th August 2016
Running time: 127 minutes
Directed by: Midhun Manuel Thomas
Starring: Baby Sara, Sunny Wayne, Aju Varghese, Shine Tom Chacko, Leona Lishoy, John Kaippallil, Siddique, Saiju Kurup, Vijayakumar, Dharmajan Bolgatty, Sethulakshmi, Althaf Manaf, Master Vishal Krishna, Bijukuttan, Anjali Aneesh Upasana, Dulquer Salmaan (Cameo)

annmariya-kalippilanu

@ Cemetery Watch
✠ The Vampire Bat.

Adi Kapyare Kootamani

adikapyarekoottamani (1)

What is the movie about? :: The movie tells the story of four friends who study in the same college and stay at the very same hostel. Bhanuprasad (Dhyan Sreenivasan), Bruno (Aju Varghese), Remo (Neeraj Madhav) and Koshy (Vineeth Mohan) are those friends who enjoy their lives to the full with drinks and other activities. The warden of the boys’ hostel is Father Alfred Kattuvilayil (Mukesh) who is a very strict person, but the students manage to go on with their activities making sure that he doesn’t notice. Shaanthappan (Bijukuttan) desperately tries to let the priest know that his students are not what he thinks they are, but they youngsters manage to escape each and every time. But they will soon be part of something from which they can’t escape that easily.

So what is this suddden change of direction in life about? :: Bhanuprasad meets a girl named Adhishtalekshmi (Namitha Pramod) who offers him twenty thousand rupees just to get her inside the hostel and get her out in a few minutes. As he is desperately in need of money, he agrees to that, and gets her in when the other students are out for a movie. She has a special motive which she accomplishes, but it turns out that it is not that easy to get her out. The students return early and the next morning has a strike in the college which ruins their plans to escape. Their secret passage through the window is also blocked as Shaanthappan gets it repaired after informing the priest. Now, it is up-to Bhanuprasad and his three best friends to find a way to get her out before her father and his goons get to the place.

The defence of Adi Kapyare Kootamani :: This movie goes on the lines of Kunjiramayanam and Vellimoonga with the fun and its simplicity, with everything appealing really well for the family audience just like the youth. From the beginning itself, the movie’s direction is clear, and it is towards a really enjoyable comic side which can only get better as we gets deeper into the story. Even though the director is a debutante, there is not much of a problem there with how well this one has turned out to be. It needs skill to bring something special out of ordinary situations, and a lot of appreciation should be provided for the same. Cheers to Friday Film House in finding another new director and gifting him to the Keralite audience. The traits of Manichithrathazhu, Kaththi and In Ghost House Inn are smartly used too, and there is a strong funny side to the way of dealing with the same.

Claws of flaw :: There is nothing much about the story which is happening here, as it just goes on creating the funny situations. A good number of people might find this one too simple, but that is also an advantage of this movie. The rush in the end and a little bit of too much confusion can belittle the final moments. But as a sequel has already been announced, we can be sure that some of them will be solved. In the movie, the whole thing is mostly located at one place, and you are not going to see much variety there except for the comedy which has the special strength. The songs are not really memorable either. We can also note that the smaller number of scenes which happen outside the hostel doesn’t really work that well. Maybe the sequel can work harder to solve the problems left in its predecessor – we can wait for that!

Performers of the soul :: The group of Aju Varghese, Dhyan Sreenivasan, Neeraj Madhav and Bijukuttan are here in this movie too, bringing the same fun to us yet again. Vineeth Mohan nicely joins them in this adventure. Dhyan does a pretty good job here, and Vineeth Mohan supports, but it is Aju Varghese with Neeraj Madhav brings the best fun here with their coming timing; look out for the former fainting and providing signal along with the latter tearing his shirt apart and also looking for the Kaththi blue-print. The ideas to get the lady out of there are rather too funny. Namitha is really good, and it is nice to see her back after that “nothing” role in Amar Akbar Anthony, as she once again gets the chance to be the integral part of a movie rather than walk around. Bijukuttan scores, and he does the best in the Manichithrathazhu scene which is a big bonus; he even has a special Christmas song.

Further performers of the soul :: Mukesh is rock solid fun as the priest who believes that his students are angels and also that everything is under is control all the time; he scores the best with the moments of advice for the students and the situations of fear. The one thing which you can be sure about here is that this one is a real team effort. Most of the characters get similar chances to perform here, and the power of the youth in the Malayalam movie industry is more than just evident here. As everything is simple and possible to be connected for the audience, everything depended on the cast and how well they managed the comic side, and the movie gets all the success there. On one side, there will be movies releasing with huge hype, and on the other side, there are the small movies like this one which brings us so much of fun. Well, we will be looking forward to this director’s next movies, and it is not any easier to wait for the sequel to this movie.

How it finishes :: Coming from Sandra Thomas and Vijay Babu under who produced Philips and the Monkey Pen, Zachariayude Garbhinikal and Aadu Oru Bheegara Jeevi Aanu under Friday Film House, the expectations were to be pretty good on this one. The movie also has three of the big stars of the big comedy entertainer of the year, Kunjiramayanam. With positive opinions already going on, this one will provide the competition to the other competitors like Two Countries, Charlie and Jo and the Boy with the next competitor Style changing the release date. Christmas will surely be interesting season with all these movies which have got pretty good opinions battling each other, and there is also one Star Wars movie which is wandering around the corner along with two Bollywood flicks which can also be found at places!

Release date: 25th December 2015
Running time: 133 minutes
Directed by: John Varghese
Starring: Dhyan Sreenivasan, Namitha Pramod, Aju Varghese, Neeraj Madhav, Vineeth Mohan, Mukesh, Bijukuttan, John Vijay, Devi Ajith, Bhagath Manuel, Pradeep Kottayam, Vijay Babu, Sabu

adikapyarekooottamani

@ Cemetery Watch
✠ The Vampire Bat.

Kohinoor

kohinoor.

What is it about? :: The story is set in the late 1980s, as Louis (Asif Ali) is a small-time thief who is looking forward to making it big. With the support of his best friend, Aandikkunju (Aju Varghese), he is hoping to make one huge heist which will mean that he won’t have to be a thief any more. Meanwhile, Haider has arrived in the town from Mumbai and is looking to commit a big robbery, and for the same, he seeks the help of two other thieves Nicholas (Chemban Vinod Jose) and Freddy (Vinay Forrt). As they hope to find a master thief who can pick almost any lock, Aandikkunju comes into the picture, and Louis comes up with a plan to create a twist and big gain for the two best friends. At the same time, Louis falls in love with Daisy (Aparna Vinod) who works at the place where they are to commit the heist. But Haider has more just a heist in his mind.

The defence of Kohinoor :: In an attempt to make an interesting heist movie which never bores, Kohinoor remains a success. There are enough funny moments and good songs to keep things moving forward well. The movie as a whole is a mixture, with comedy always being there and as a heist movie, there are enough twists and turns around. The final moments actually has the best of them, and the best thing about this movie is that it finishes off really well, and manages the entertainment well throughout its run. “Hemanthamen” is the pick of the songs. The use of nostalgia from the early age also works very nicely, with the looks of the times re-created and having references to the hit crime thrillers of the time, Irupatham Noottandu and Athirathram. The movie also nicely maintains a light-hearted feeling throughout it, and nostalgia works very well in favour of this. This is also a big improvement from the director after Kili Poyi.

Claws of flaw :: There has been certain love for thieves with Sapthamashree Thaskaraha releasing last year and the recently released Urumbukal Urangarilla – the audience might think that there is a little too much of the same, but Kohinoor is surely ahead of the recent flicks with the same theme. The movie could have also done without a few scenes which are meant for the masses, because this could have remained simple fun with just realistic twists. The romantic angle doesn’t really work either, as it only seems to stretch the movie and gives the opportunity for the hero to have a heroine, along with one extra song. One can also think that this could have gone full comedy, and also that there could have been more twisted heists added. Yes, there was even more scope. Some actors who were there only for a short time could have stayed there for a longer period of time.

Performers of the soul :: I would consider this as the best performance of Asif Ali in a movie having him as the leading actor. Some people will praise Nirnaayakam, but it was just a movie which had no direction, and that had affected Asif in return. But Kohinoor knows what it is and towards which direction it is moving, and it is its strength and also of the actors associated with the movie. Being self-aware is one the things that can make a movie better and its actors do better, and this movie clearly has that awareness. Asif is in full control, and Aju Varghese makes sure that the movie is a lot of fun with new looks and his impeccable comic timing. Chemban Vinod Jose and Vinay Forrt joins in taking the fun get to the next level. These three actors have been the difference makers for quite some time, and they have done the same here too.

Further Performers of the soul :: While Asif Ali has made this work in his own style beginning from that nice entry, Indrajith Sukumaran brings a top level performance. He has some very nice dialogues in the movie, and the way in which he handles things during trouble at the heist scene is the pick here. There will be moments to remember from him, that is for sure. There is rarely a movie in which Indrajith doesn’t bring the big impact, and we all know that. Aparna Vinod has just so less to do with the smiles, looking cute and remaining so till the end – instead the one who makes the impact is one of the twist-bringers, the lady who brings more to the heist out of nowhere; the name of the actress is not mentioned anywhere, but she is the beauty who manages to do a very nice job in this movie. If you find the name, let me know so that I can add her to the cast.

Soul exploration :: Most of the characters in this movie remains on the grey side, with only the shades of light and dark grey being available. Unlike Sapthamashree Thaskaraha which has more of the thieves made by situations, this one has people skilled in the profession in one way or the other. But almost all of them are still likable, no matter which side they are on. The world in this movie has a certain shortage of people on the good side, but there are still some nice moments of goodness in this movie. If there is a mixed genre called feel-good comedy heist, this one can fit right in there. When everything comes together, things only get better, in more than one way. Just as the name of the movie, there is something “Kohinoor”istic in this movie, majestic and like the mountain of light, and it is something which is rare if we consider only those heist movies.

How it finishes :: Kohinoor goes battling against Life of Josutty and Ennu Ninte Moideen this weekend which is a tough job, even though it has more creativity and smartness behind it compared to these two movies. It replaces Urumbukal Urangarilla, and has enough in it for a long run. The best thing about this movie is that it is not overrated like Ennu Ninte Moideen; I watched the Kohinoor with less expectations and ended up with a certain happy feeling. This is one advantage of not overrating movies and not putting stuff about the movie everywhere on Facebook while copying from others. There is a certain nice feeling when someone reads different opinions from different people about a particular movie and come up with an opinion by oneself – it is how things are to be done, and not by keeping on telling others about one movie and forcing others to watch it.

Release date: 24th September 2015
Running time: 143 minutes
Directed by: Vinay Govind
Starring: Asif Ali, Indrajith Sukumaran, Aju Varghese, Chemban Vinod Jose, Aparna Vinod, Vinay Forrt, Pradeep Kottayam, Sudheer Karamana, Riza Bava, Mamukkoya, Saiju Kurup, Kundara Johny, Bijukuttan, Bhavana (cameo), Harikrishnan (cameo)

kohinoor

@ Cemetery Watch
✠ The Vampire Bat.

Kunjiramayanam

Kunjiramayanam (1)

What is it about? :: Kunjiraman (Vineeth Sreenivasan) and Laalu (Dhyan Sreenivasan) are cousin-brothers who have turned out to be enemies, as one incident changes their lives forever. While the former leaves to the Middle East to make money, the latter keep failing the tenth standard and ends up as being the assistant of the village’s tailor, Kuttan (Aju Varghese). Along his friends Sasi (Deepak Parambol) and Kunjoottan (Neeraj Madhav), Kunjiraman has a fun-filled time during his holidays from the Middle East and gets engaged to Sajitha (Srinda Ashab) who makes him promise that he will not drink, ever. Before the marriage date, he would leave for his job only to return and find the situation different. Meanwhile, Mallika (Arya Rohit) and Reshma (Sneha Unnikrishnan) also will have some say in his future, as well as that of Laalu.

The defence of Kunjiramayanam :: It is easy to defend this movie as we did for Vellimoonga as the soul of both is in light-hearted, clean comedy. But the similarities end there, in the way of approaching the comic side and making it interesting and appealing for the family audience. The movie creates that kind of situations which has the ability to evoke laughter without second thoughts. The song Salsa is an amazing addition to this movie, and gives us the idea what to expect. It might be one of the funniest and the most catchy songs of recent times, and if you watch the movie, you will understand its relevance better. It is the master idea, and all the characters shown in the song come together here – to be frank, there is no real hero in this movie as all of them contributes in a similar manner with only slight variations in the degree.

Claws of flaw :: It is not in the story that the movie tries to assert its strength, and due to the same, there is nothing much there if you look at it. If you are searching for logic all the time, you shouldn’t be here either; but if you look for smartness in film-making, it is right here; of which reflections are strong. The movie also doesn’t begin that well or ends that nice as one would expect considering the middle part. I would have wished for a more feel-good ending rather than the somewhat funny one. In a movie which has this kind of a setting, the upstanding use of robust feel-good factor could have been not just a gemstone, but the Philosopher’s Stone for the totality which would have in return, made the rating better. The situations created in this movie are not all right there with the requisite strength, but stands the test of time due to the execution and the performances of the actors.

Performers of the soul :: There is no particular hero in this movie, if you look at it. Yes, the central character is played by Vineeth Sreenivasan and his Kunjiraman the is part of the title too. The movie’s ability to create laughter has been shared here, and so is the whole plot. As the titular hero spends a lot of his time not being part of his village, the others are forced to take control, and this radical transposition of control surprisingly brings the equilibrium. This transfered control from Vineeth in full form is taken over by a team of actors who handles the comic side amazingly well. Consider the senior actor himself, Mamukkoya who has some of the most memorable dialogues in this movie, and the biggest of them is related to death, and there is the veteran hitting the Bull’s Eye.

More performers of the soul :: Among the young faces, Aju Varghese is once again the biggest asset; he was restricted to a very small presence in Jamna Pyari, but he is here, making full impact. He is the heart of the comic side, and his best moment is related to the night before the marriage of the character played by Sneha Unnikrishnan – she has also done a small, but impressively funny job in what I believe to be her second movie. You can’t forget his moment with the crow either, as you might have seen in the Salsa song – it is also mostly his song. Neeraj Madhav and Deepak Parambol basically shares their glory; they work together really well – these two with Aju got the comic side to the perfect strength; add Bijukuttan to it and you have no reason not to laugh.

Further performers of the soul :: With all of them doing their jobs so well and Vineeth Sreenivasan reminding us of some of those nice and funny characters played by his father, we have Dhyan Sreenivasan doing a fair job – I am sure that I liked him a lot better in Thira; he is still a lot of fun here, and got some hilarious moments. Biju Menon’s voice introduces the characters and he as well as Rimi Tomy has smaller appearances in this movie. Srinda Ashab has her moments of laughter, but she is only repeating what she has already done. Arya has a smaller role too, but her presence makes three heroines here. Sneha is the more charming one among the three because the comic side takes a little bit too much of the rest. Well, they don’t even show the most significant female character for most of the movie and keeps it as a surprise!

How it finishes :: I am not the one to talk about collections right now, because the certainty is only in the fact that Kunjiramayanam is the movie to win the hearts with its light-hearted comedy for the family audience. It basically has two things which it converts into its comic side, and they are alcohol and marriage – they have also kept these things in control. Well, we can be sure that Basil Joseph is a director with a lot of skill right there, as we notice what he has created through this movie which had to fight bigger flicks during this Onam, starting from the most awaited Loham itself – may this debut be the stepping stone to the heights which are waiting for him. Once again, I wish you Happy Onam as the festival season fades away!

Release date: 28th August 2015
Running time: 123 minutes
Directed by: Basil Joseph
Starring: Vineeth Sreenivasan, Dhyan Sreenivasan, Aju Varghese, Arya Rohit, Neeraj Madhav, Bijukuttan, Sneha Unnikrishnan, Srinda Ashab, Mamukkoya, Deepak Parambol, Sudheer Karamana, Indrans, Seema G Nair, Sasi Kalinga, Biju Menon (cameo), Rimi Tomy (cameo)

kunjiramayanam

@ Cemetery Watch
✠ The Vampire Bat.

Immanuel

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There has been a certain absence of goodness in most of the movies of the last few years of new generation stuff; this absence which has been reclaimed more by another experimental movie which was Amen, and it is once again regained by this world full of goodness in the middle of evil in this movie Immanuel. The word “Immanuel” or “Emmanuel” has been a common Biblical name meaning “God is with us”. This presence of God and His Word happens to have an influence on this movie, which is more powerful than what is seen at first sight, as the strength lies in what is less noticed, and this strength powers the natural world that is conveyed to the audience; for even without them knowing, there is the power of divinity behind the seemingly ordinary goodness. The belief in essential goodness of man has been clearly broken with those movies which glorified pure evil. But this is not something which needs a theory to support the fact, as it has been proven by mankind by centuries of wars, brutal murders and destruction. The global presence of this evil is unquestionable. William Golding had made us believe the same with his Lord of the Flies which powers the belief in inherent evil in man. That tendency to sin innate in all human beings, held to be inherited from Adam and Eve.

As the “Fall of Man” has become more of an excuse for sins rather than something which acts as an influence, this movie comes up with one man who keeps his alignment towards the good. The mankind might be still inherently evil and this evil resides within everyone and could be unleashed at any moment as long as the situation is suitable, with no need for a Hannibal Lector. The dark side of human nature could be as vicious and as terrifying as the evil that exist unknown to man, and even the most innocent of mankind are vulnerable to it – but not our hero, as we welcome the man of goodness, Immanuel. He is no fairy king, halfling, hobbit or anything, but as human as one can be, in a world of lost humanity. He is the biggest surprise in the movie named after himself, and he is no lesser wonder in a world of utter chaos & misery, as the humane nature of humanity survives through him and runs his sacred endurance to the limits. Immanuel is not just a character of Lal Jose’s imagination, but a much needed reason for the salvation of human race – for the saved are less and the damned are many; for the greatest of the fallen ones has multiplied, not by breeding, but by intellect of the wrong kind calling it science and technology; profit and success.

The movie starts with the character of Immanuel working in a small book publishing firm. When the small company is forced to shut down due to the owner having heavy debts and going on a vanishing act, Immanuel and his family find it difficult to go through their regular lives. There are the usual requirements of a home as well as the needs of his son which makes life uneasy for the family. The difficulties he faces forces him to get a job which is not really suitable for someone like him. For a honest, good hearted person like Immanuel, the corporate world is nothing less than the inferno of the deepest level. He is forced completely out of his comfort zone, but he is also not able to quit the job as his family desperately needs the money. Thus he decides to go on as long as he can, and one day he might be able to find enough money to buy a home and get himself and the family out of the rented house. Most of his co-workers are of not much help to him, as they are all competitors in the same field and would use treachery if necessary to keep their levels high. His boss, Jeevan proves to be the biggest problem, as the cruel corporate master and oppressor, nothing less than a feudal lord or a colonizer. The boss’s aim is only to gain maximum profit, even as he talks about the customer being the king.

Remembering The Pursuit of Happyness, it was a movie which glorified this type of life, and the ultimate aim was to meet the deadline and get the target, but this one takes it upside down. Maximizing the client contacts and thus the profits doesn’t really get the job done for Immanuel. He is the kind of person who is ready to give up all of them as a sacrifice for leading a life of truth and sincerity. May be “happyness” was not what Immanuel was looking for, as it was “happiness” in its most stable form. Immanuel always had the needs, but he never over-valued money over the human relations, a total opposite to Jeevan, the latter who is more suitable to be included in the pursuit of “happyness” than “happiness”, more of a pseudo-happiness which takes a physical appearance rather than mental – for it is of this world in all its limited environment. Such a position wouldn’t create anything more than a void within a void, a point which is made clear through the lives of the two main characters in this movie. But the question would be about the point where humanity ends and divinity starts for Immanuel; and that other point where humanity ends and damnation starts for Jeevan, even if it is not a complete process. Such a question creates more doubts than solutions.

Mammootty’s Immanuel is more of a flawless creature of divinity. Even with contradicting philosophical problems created by the man of goodness, there is so much simplicity in his depiction of the character. There is so much ease around this performance, as the character undergoes heavy transformation from his early troubles to corporate frauds and to the final realization that not all dreams come true and most of them really needn’t. Dreams are also meant to stay as they are, and ambition is just another name for greed triggered by vanity and jealousy. There are two sides to everything, and as long as the black and the white are considered, there are Jeevan and Immanuel respectively, but the white always have the option to walk away from the black, not without loss though. Immanuel still doesn’t loss his qualities that makes him what he is, as he helps two characters played by Sukumari and Mukhta, the first one getting the much needed money for her daughter’s marriage after her husband’s death, and the second one for the treatment of cancer. His help extend beyond the office though, with the poor workers from outside the state, all of these creating more rift with Jeevan and making his staying on the job even more risky. But he continues to stay as himself.

Fahadh Faasil’s Jeevan is never outside the game. He is the boss of the game of sales, as well as the brain in a smaller ship of the corporate world. He is never in good terms with Immanuel, who seems to him as his nemesis from the moment he gets his job under him. Caught between profit-making in his job, loving his family and reading the Holy Bible, he is neither here nor there, but manages to keep his dark side going with his attitude towards those who works under him. It is a fantastic performance, even as the character has less screentime compared to Immanuel. Jeevan is also the exact opposite of those characters we saw in Red Wine and Amen, and a comparison to Solomon takes this further down to the abyss reserved for extreme opposites. Reenu Mathews who plays Immanuel’s wife has come up with another performance which is above the line, and really good for a beginner. Devan plays a role like he played in Gulumaal, and it is easy to connect with the role in this one; Mukesh’s role is also a cameo and the same can be said about that of Balachandran Chullikkadu. It can be said that Muktha Elsa George plays an extended cameo with a few appearances.

Bijukuttan, Salim Kumar and Guinness Pakru provides the lighter moments in the movie, and its comedy is all sensible. There is no stupidity or vulgarity associated with it. All these funny elements are not of lower standards either. Thus it moves on as a movie suitable for all, not just for the fans or the family. But it never runs out of its slowness, and never tries to have a look outside the ordinary. If it had done so, this might have reached a new level. But it may still be more comfortable in its own territory which is in this case, the normal side. There is nothing here like what kept the audience glued to Diamond Necklace – instead, this is just the story of one good human who managed to keep his goodness even as there were so many opportunities for him to lose it along with his soul. This movie is also a story of morality – it preaches and it does so with perfection; not as perfect as one would expect in theory, but as perfect as a human with all its imperfections could manage to do. The goodness needs to be generated in a society which is plagued by lies, and may Immanuel be a good model for the people who fails to deliver truth when it is most needed. The movie’s alignment towards pure goodness is to be appreciated. God is with this movie for sure.

Release date: 5th April 2013
Running time: 150 minutes (estimate)
Directed by: Lal Jose
Starring: Mammootty, Fahadh Faasil, Reenu Mathews, Sukumari, Salim Kumar, Guinness Pakru, Sunil Sukhada, Ramesh Pisharody, Bijukuttan, Balachandran Chullikkadu, Muktha Elsa George, Mukesh, Devan

immanuel copy

@ Cemetery Watch
✠The Vampire Bat.