Tag Archives: control

Control Freak

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Vampire Owl: The vampire elders have always been control freaks.

Vampire Bat: The vampire elders shall not be questioned under any circumstance.

Vampire Owl: We are not questioning them, but appreciating their control.

Vampire Bat: They need not be appreciated, but respected and honoured.

Vampire Owl: I would say that they are not bigger than Uncle Dracula.

Vampire Bat: Forefathers are always more significant than the father of modern vampirism.

Vampire Owl: I do not think that they are that old and that much older compared to Dracula.

Vampire Bat: You have seen them, and they definitely look old.

Vampire Owl: They just live a nonsensical life. I still say not old.

Vampire Bat: They have seen the fall of Byzantium, Troy, Babylon and more. Uncle Dracula in comparison, is too young.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Valerie Nguye (Kelly Marie Tran) who was born to Vietnamese immigrant parents in the United States of America has turned into a successful motivational speaker with a huge number of fans. But she secretly has a struggle as she always has the urge to scratch the back of her head. This urge has been going on since she lost her mother by drowning after their boat went down the river. As Valerie prepares for an international tour, she finds out that she needs her birth certificate to travel to China, bringing the need for her to get back with her estranged family. Her aunt Thuy (Kieu Chinh) directs her to her father, Sang (Toan Lee), who was a former soldier who fought in the Vietnam War. She sees that he had now turned into a monk, and it is only he who has the necessary documents for her. The relationship between the two has been strained due to their shared traumas, including her mother’s death and Sang’s long history of addiction which followed his time spent in the war.

So, what happens with the events here as we just keep looking? :: Sang tells her about a Vietnamese folk tale about a parasitic ghost that feeds on human hosts, leading to the fall and end of the infected human. She does not believe the story at all, but finds something strange from their family photos which points to supernatural elements. Her husband Robbie (Miles Robbins) becomes more and more worried about her as she ends up injuring her head by scratching. She confronts Sang, and he reveals that he had summoned the parasite during the Vietnam War. He further adds that it was also passed to his wife, and she had tried to kill Valerie to stop it from spreading further in her bloodlines, leading to her death by drowning due to Sang’s intervention. As she still hesitates to believe him thinking that he might still be under the influence of the drugs, there is a breakdown for him during a grand motivational speaking programme. The doctors find out that she has scratched a hole right into her skull, and now she would have to go to the most extreme levels to find a solution. Can she do that?

The defence of Control Freak :: The movie’s use of Vietnamese folklore and the ghosts that feed on the hosts works not only with the horror, but also with the themes of immigrant assimilation, generational trauma and the pressure for living up to the expectations, and when the same happens to a motivational speaker, things seem to go nicely towards not just physical, but also psychological terror, which is nicely shown around here. The horror feels very much real, and will be reflected in life for a possible connection when there is a scratch on the head, and the creature outside also brings some more scares. The idea often hits us in more than one way, as we look at it. The best moments of the movie might be when it gets close to the end, even though we would have hoped for everything to happen a little differently. The idea of motivational speakers going to pretentions for fake inspiration will make us remember that we ourselves should have the strength and not listen to others. We have to remember that the very few successful examples are not to be taken as there are more unsuccessful people and there is more chance that we will be unsuccessful if we take that risk with life – the movie reminds us not to take motivation into hearts for we might also be fall into the traps of parasites.

The claws of flaw :: The movie surely has its own pacing problems, as it seems to slow down on too many occasions, and at times fails to pick up pace when there was clear chance of elevation. There is also a certain amount of repetition related to the same with panic coming with repeated itches, but then denying if anything is wrong even after hearing from others and hiding the world, then panicking after sometime, and going through the same thing again. The movie seems to be stretched out due to the same and even a one and three quarter hours feels so much as the protagonist keeps going through the same thing multiple times almost in the same order. From the moment when the parasite becomes an assurance of eating the host, the rest of the elements disappear, and it seems like they come one after the other and not together. The supporting characters could have been given more to do. The final moments seem to be forced and the audience feel like they walked into an ending because there needed to be one, and this kind of an ending seems to be just brought about as a mandatory one.

The performers of the soul :: Kelly Marie Tran has a lot on his shoulders, and she manage to hold them strongly. Considering her real-life parentage to be also from Vietnam, the choice seems to be a near-perfect one for the makers of the movie. As she carries the movie with some intense, vulnerable and physically demanding performance, the movie gets its due. There are moments when things seem to deviate and go slower, but she elevates the whole thing well enough, as she seems to become part of the folk-mystery. Miles Robbins plays Val’s supportive partner, and it is for this character that we feel the most – we feel his character to be loving and with genuine concerns and feelings for her character, and it is one person who remains righteous throughout the movie. He does not become the usual horror film boyfriend at all, and stay with her till the end, and also alive. The Vietnamese family members also have some role to play, but despite the Vietnamese side having so much importance, they are not given enough screen time.

How it finishes :: The movie often feels like something which had a grand potential, especially with body horror involved – this one just focuses on the head and a bug-like parasite when the scope was much more. More of body horror with the parasite spreading through the body would have been nice to have. When we look closer, this is more or less an impressive vehicle for Kelly Marie Tran whose leading performance breathes more energy and keeps the level of the movie higher. The Vietnamese folklore keeps us more and more interested. The only two Vietnamese movies which I have watched are both action thrillers, Furie and Furies, and more reviews which deals with similar topics will have our interest after this one. Indonesian movies like Impetigore or Korean Salmokji and India’s own Stree, Munjya, Thamma and friends had the folklore horror moving well, and we would surely need more of them. For now, this one movie with Vietnamese roots has us interested, and it is indeed available on Jio Hotstar. But as long as body horror is concerned, we would have needed more. Enjoy this one among the new releases of the OTT of Reliance.

Release date: 13 March 2025
Running time: 104 minutes
Directed by: Shal Ngo
Starring: Kelly Marie Tran, Miles Robbins, Kieu Chinh, Scott Takeda, Toan Lee

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@ Cemetery Watch
✠ The Vampire Bat.

Aadu 3

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Vampire Owl: So, we have the third movie this time.

Vampire Bat: Well, there was always going to be a third.

Vampire Owl: But the situation seems to be entirely different in this case.

Vampire Bat: Well, there was the talk about the grandeur being a lot more.

Vampire Owl: The connections which seem to be made here feels rather strange when together.

Vampire Bat: That is quite natural as the genre itself seems to have changed by a mile.

Vampire Owl: I do not know if Uncle Dracula would like this change.

Vampire Bat: There is no need for you to show this to him, or your friend Mr. Frankenstein.

Vampire Owl: Dr. Frankenstein is now beyond all entertainment.

Vampire Bat: Mr. Frank is beyond everything sensible.

[Gets a taco and three cups of Strawberry milk tea].

What is the movie about? :: It is the year 2370, and Earth is ruled by a ruthless dictatorship known as The Organization which has managed to quash every attempt at rebellion. They are an all-powerful entity which was never really challenged, considering its power and ability to stop all riots even before they begin. The dictatorship would not stay away from unleashing violence if it is threatened, making the ruling group an entity which one would need to fear beyond everything else. According to the resistance leader Baba (Indrans), the Organization has achieved this status through a celestial object called the Star Dust, which allows time travel, and in the process, rewrites timelines according to their will. Baba assures the other resistance fighters that time is not linear as past, present and future coexist simultaneously, and actions in one timeline would change the other. Baba understands that preventing the Organization from acquiring the Star Dust is the only way to stop them from achieving total dominance through time travel. For the same, he feels that there can be some unexpected heroes in different timelines who can help them and make sure that the balance is maintained and the inter-timeline evil can be stopped.

So, what happens with the events here as we just keep looking? :: In 2025, Shaji (Jayasurya) and his gang had received three million US dollars after the events involving the fight with Chekuthan Lazar (Hariprashanth M G), Anali Sabu (Anson Paul). They make the plans to travel to the United States of America to convert the cash from dollars to rupees, but Cleetus (Dharmajan Bolgatty) misses out as he has no proof, neither an SSLC Certificate, driving license nor an aadhar card to prove his identity, missing out on passport as well as that possible visa to the United States. As Cleetus gets depressed about missing out on the opportunity, takes a funny dialogue by Shaji’s niece Rachael (Athira Patel) related to seeing the American President when he comes to Coimbatore and exchange the dollars for rupees by just talking to him. As the date of Donald Trump visit arrives, and Tamil Nadu Police with the Central Forces have come up with a strong security, and Cleetus gets in there and shouts terrorist instead of tourist as he gets arrested. The currency is discovered to be fake, with Benjamin Franklin wearing glasses for the first time in a note, and now the team has to save Cleetus.

And what more is to happen here as another timeline calls for more? :: In 1790, Maharaja Padmanabhan Thampuran (Jayasurya) is ruling his small kingdom which seems to be weakening day by day, as his influence keeps going down even in his own circle. He is helping Vareed Mappila (Vijay Babu), to build a bridge which would change the fate of his kingdom – Vareed is an architect who had earned his degree from abroad in a reputed university, but is struggling, and is strongly supported by Kunjukunju (Noby Marcose) and Palazhi (Nirmal Palazhi) who provide local support even though adding a little bit of silliness to the situation. The whole thing has Lord Walter Joseph (Sunny Wayne) as the overseer, but this British lieutenant is called more as “water” due to him being drunk for most of the time. He always has Soman (Sudhi Koppa) and Sundar (Bijukuttan) to aid him, as they struggle to finish the bridge in time. As the king has problems with his spine, he sends his driver Koran (Aju Varghese) to find a doctor, but the bigger problem arrives in the form of the ruthless Azam Khan (Vinayakan), a commander under Tipu Sultan who wishes to destroy everything. How will all of these incidents in different timelines come together now?

The defence of Aadu 3 :: Jayasurya as Shaji Paappan holds the most value once again, and we see him leading the way to glory here too, as this character gets another twist for him with one more to play around here. Among the characters, those played by Saiju Kurup, Vinayakan, Sunny Wayne, Dharmajan Bolgatty, Vijay Babu and Indrans score the highest, while the support only seems to get only stronger. The bigger than usual attempt makes it possible to have a post-apocalyptic dystopian connection out of nowhere make it one of the best attempts to go big with some risks taken. We could have never had our own post-apocalyptic world with a past without this, as even though I have written a novel in such a world, such world-building feels outside the limits of Malayalam movie-makers. Then they create those new generation alcoholic high grossers without content, but I shall watch none of them. But here, some fine production values and background score along with that humour which comes out of nowhere and takes it out of nowhere makes an impression. The feeling of nostalgia will still continue with this world and its characters with that cult following.

The claws of flaw :: The movie’s deviation from the original ideas might hurt its purpose and the loss of two of its best characters played by Sandra Thomas and Chemban Vinod Jose had already hurt the second movie and it misses out more on humour every time. There are also too many worlds and happenings around here, and this non-linear narrative does not always seem like managed in the same manner. The time spent at establishing different worlds seem to have affected the humour’s balance at times. The franchise has always been something belonging to silly humour like Kunjiramayanam and Maranamass which never really hard a smart character; yet we remember that Adi Kapyare Koottamani could add some seriousness to the same. In comparison, in this movie which tries so much, despite trying very hard, the overcrowded feeling seems more like a setting for the next movie rather than keeping this one going forward. This might be same reason why we do feel that the movie is not reaching anywhere as the timelines go through middle part. We often keep looking forward to having better connection and a smarter arrangement of things, and it is something elder audience would feel more.

How it finishes :: We are no longer watching that usual fun-filled silly entertainer, but something more, as we see different timelines coming together to face a problem of timelines – from a light-hearted situation to universe-threatening darkness that spreads, we feel that change is too much real and with high ambitions. Now, the next movie is sure to be something grand, and we will see such spectacles in Malayalam cinema that we might not have imagined before. It is a commendable job to transform a cult comedy franchise into a huge-scale fantasy adventure having time travel, reincarnations, future post-apocalyptic world and dystopia, with the same characters living through different timelines – still, the movie maintains the quality, and we can only appreciate the same. Midhun Manuel Thomas taking the decision not to repeat the same formula and instead choosing the unexplored territory has kept this franchise alive, as it was already losing a lot of steam with Aadu 2. He has indeed tried to make this work with all his heart, and this is the kind of grand experimentation that Malayalam cinema needed, and it should keep pursuing the same while leaving that new generation nonsense behind.

Release date: 19 March 2026
Running time: 170 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayasurya, Saiju Kurup, Vinayakan, Sunny Wayne, Dharmajan Bolgatty, Vijay Babu, Bhagath Manuel, Harikrishnan, Renji Panicker, Indrans, Bijukuttan, Sudhi Koppa, Alleya Bourne, Krishna Jeev

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@ Cemetery Watch
✠ The Vampire Bat.

Wifelike

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Vampire Owl: There should be a movie called vampire-like.

Vampire Bat: There is no other like the vampires.

Vampire Owl: Some of the hybrids claim to be so.

Vampire Bat: The claim is certainly not valid.

Vampire Owl: There are some assurances made in relation to that.

Vampire Bat: Most of those assurances do not bind.

Vampire Owl: I am sure that they were good enough on paper.

Vampire Bat: It is surprising that you have started to believe random assurances.

Vampire Owl: Well, I have been different after the corona virus pandemic.

Vampire Bat: You are yet to know enough about that virus.

[Gets a paneer pizza and three cups of Vagamon tea].

What is the movie about? :: A company named Wifelike begins to provide android companions to people who lost them or requires someone new. An robotic human, programmed to serve as a partner, Meredith (Elena Kampouris) gets assigned as a companion to a widower William (Jonathan Rhys Meyers). This cyborg-being is designed to behave like his late wife with the same name. Everything seems to work fine, but there is an organization named SCAIR or Sentient Citizens for AI Rights who are considered to be terrorists who use the companions for other purposes including wrecking havoc. At the same time, some of these people are seen as asking for equal rights for AI, similar to humans. Meredith is learning everything slowly, while William has the job of protecting companions, while finding those missing among them. It becomes more and more of a dangerous job, as there is an unknown figure known by the name Ring Master completely in control of the activities of SCAIR, and he means to cause more harm.

So, what happens with the events here as we just keep looking? :: There are also interactive dream operators for the companions, to bring the dream mode which helps them while charging themselves in hibernation. There is something strange in these dreams though, as a masked man gives her a card, and the programme does not identify such a person. Meredith finds a lady on the way who asks her to remember while causing her a distraction. The strange lady also visits Meredith in the house. In the dreams, she keeps seeing a masked man who asks her to remember. William assures her that it was only a bad dream, and nothing more. But it seems that her programming has been hacked, and William begins to feel that things are getting more serious than it was supposed to be. The dreams which allows the companions to rest are not safe any more. Wifelike soon brings a new group of company, known as Childlike, which has perfect babies being created. But there is a mess which has already been created, and it requires more attention, and Meredith could end up being a ghost in a shell without some fine job of repair.

The defence of Wifelike :: The idea behind the movie is strong, and even though it feels set in a future, one cannot forget the fact that there are always immense possibilities for the rich and the powerful. There will always be people who can buy anything. The movie goes through such a feeling strongly, in an environment which has been very well created. The stunning visuals support the same throughout its run. The twists of the movie are also nicely crafted, and there are some red herrings brought in here and there to make sure that the audience won’t guess the whole thing exactly as it is supposed to be. The final moments bring in the chance for a sequel, and there are moments when we feel that this film could make a return as a cult classic in the future. Elena Kampouris leads the work from the core, and there are so many moments which reminds us that we will have more than what meets the eye, and the same would be proven in the end.

Positives and negatives :: There are reminders here about other science fiction movies for sure, and at times, we cannot find what we need around here. One might feel that it gets slow and losses focus at times, but everything comes together in the end, and we feel that those moments which were felt to be less important are also significant around here. There could have been some more fine moments added here, with the capabilities of other companions also explored, and the life of at least one more of them being shown. Instead, the movie shows the others as just being less significant androids even while talking about equality for the artificial intelligence. Well, with the further development of aritificial intelligence, there will always be chance for more occuring in real life, even if it need not always be about a Terminator-like incident in which machines take over, or some Ultron requiring Avengers to save the day. With thought-provoking movies like this one, we can always expect more.

The performers of the soul :: The movie is led by Elena Kampouris, who comes up with a memorable performance as an android, human recreated into a robot, with a past that she cannot hold on to. She makes a fine robot, and the past is also shown in an interesting manner. She provides many moments to remember, and the emotional past is only another side of her resurrection in the form of the perfect companion. There are signs which show the possibilities of her becoming a bigger star, seemingly well-suited to become a scream queen at some point of time. Playing an android with so much of artificial intelligence would not be an easy task, but she has nailed it. Jonathan Rhys Meyers also plays his role well, and the twist about him makes the character even more interesting. The final moments do set up well for a sequel in which he could bring in another side of the whole companion thing talked about in the movie. The other actors and actresses provide good support, but the movie is indeed focused on these two.

How it finishes :: In the end, Wifelike does not become another Ex Machina, but it does come close in the process. The ideas do travel in a similar path on multiple occasions, but there are not many things that match that particular movie which can be considered as a classic among works of science fiction which dealt with similar topics. The movie gets a number of things right, and with the leading lady interpreting the idea of the android really well, it has more than enough to deal with the content an bring the entertainment along with the twists that work well. Well, when some actresses play humans, they end up with such robotic performances that we would want to ask them to play robots, but here we have the actress who can play both sides. Most of the rating do not bring any justice to this movie, as there combination is indeed effective with this one. This is one movie which could have used more attention when it was released.

Release date: 20th December 2022
Running time: 105 minutes
Directed by: James Bird
Starring: Jonathan Rhys Meyers, Elena Kampouris, Doron Bell, Sara Sampaio, Rachelle Goulding, CJ Perry, Alix Villaret, Agam Darshi, Doron Bell, Fletcher Donovan, Claire Friesen, Sari Mercer, Chezca Vega, Stephen Lobo, Bradley Stryker

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@ Cemetery Watch
✠ The Vampire Bat.

Vela

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Vampire Owl: Are we going for another investigative thriller?

Vampire Bat: I am sure that this will not be the usual murder investigation.

Vampire Owl: There have been some interesting investigations in a short period of time.

Vampire Bat: Yet, this movie came out with less hype.

Vampire Owl: The trailer was pretty much interesting.

Vampire Bat: We would not have a serial killer here though.

Vampire Owl: I miss those serial killers a lot.

Vampire Bat: Humans can have millions of serial killers among them.

Vampire Owl: I would expect that with the evilest species ever created.

Vampire Bat: The devil has too many similarities with them.

[Gets an oreo shake and three cups of Bagdogra tea].

What is the movie about? :: Ullas Augustin (Shane Nigam) is a newly appointed civil police officer appointed at the control room, and he is someone who is determined to do his job very well, as his father was also a police officer who died only a few months before the end of his service. One day, he receives a call about a minor and his friends consuming drugs in his room – the information is passed on to the nearest police unit doing patrol. It is the boy’s father who made the call, and Ullas understands that this case might ruin the minor’s life – he asks them to escape, but the police officer in pursuit, Mallikarjun Mannar (Sunny Wayne) has already reached the place and started chasing the boy. Mallikarjun abuses Ullas through the transmitter and from the very next day, it is heard that they boy has gone missing. Ullas finds himself on the receiving end of a suspension order. But that does not stop Ullas from searching for the boy, whom he feels that Mallikarjun kidnapped or murdered to help his partners in crime who deals with the drugs.

So, what happens with the events here as we just keep looking? :: The only police officer who seems to care about him is SI Ashok Kumar (Sidharth Bharathan), and he asks him to get back to the control room, as he is the only person who is serious about the work. He decides to get back to work, but ends up with strained relations with Smitha Varadarajan (Namritha MV), who hopes that they can get married soon. Ullas is only concerned with providing justice to the missing boy, and finally decides to get back to the control room with all the evidences that he managed. But he would not be able to get an audience with higher ranking officers. At the same time, Manapullikavu Vela is the annual festival of the area is all set to take place. The festivities have the whole area of police officers distracted, and Mallikarjun, despite being part of the Vela, decides to teach Ullas a lesson with the help of his goons and police officers who are under his control. Can Ullas go beyond all these problems and help the boy’s father receive justice at some point of time?

The defence of Vela :: Here, we can see an attempt to move beyond the usual plot, and the narrative is really effective. The movie is not the usual police action masala and neither is it the police procedural stuff. The unpredictability is maintained at all times, and the stylish side is kept to an optimum level, never overdoing the same. There is never the overdose of elements to exaggerate the presence of the protagonist and the antagonist. The initial scenes have us interested in the film, and the interval is shown at the right point. The aesthetic side guides us well, as we see the beauty of the place with night making it even better with the shades of darkness with some fine colours added. The emotional side of the movie remains effective, and the helplessness against the system is shown with full strength. It shows how the common man, even with a police uniform is not able to make an impact to bring the truth to light. There is also a certain amount of casteist and racist angle being shown around here, as the antagonist attempts to thrive on his roots from many years ago. The dialogues are as much effective as the other elements.

The claws of flaw :: The movie is too long, stretching beyond the two and half hour border when we add those advertisements to the time we spent at the theatre. The length negatively affects the film in totality more than expected. There is some struggle to reach that end, and we feel that some parts should not have been extended too much. Some parts of the movie just seem to have been added to be present there as an extra addition, yet does nothing much. There could have also been more exciting moments here. There could have more control room calls and solutions to be shown here, and some cases where the unexpected happens, with better touch of humour or elements of possible terror that could only be stopped with that particular call. The romantic side remains very less explored too. The ending should not have been this quick either, as something more should have been told about what happens after that finish. The possibility of continuity that is seen in the end could have got a better touch. The music remains somewhat effective.

The performers of the soul :: Shane Nigam who had the biggest hit of Kerala’s grand festival in the form of RDX: Robert Dony Xavier, makes his mark again, and seems to be perfectly suited in the role of the youngster hopelessly trying to bring out the truth. His helplessness and angst while facing the supreme political and other faces of extreme power can be clearly seen here. His shades of excellence are often repeated through interesting moments. Sunny Wayne is a very admirable antagonist here, as he is one villain who has many shades of villainy. His dialogues remain very memorable, and he is clearly seen as the menace that we do not want to face. Sidharth Bharathan plays the third most important character in the film, and he has a much different avatar than we had seen him in, and he will also remain with us in the form of this character. Namritha MV, the new face leaves a lovely mark, and we expect to see her in more roles in future. We would have wanted to see her as part of the romantic side further, but the film remains focused on two main characters for most of its time. Aditi Balan’s small role will also be remembered for the timing itself.

How it finishes :: Vela seems to get less response at the theatres, but it is rather a strange thing because this is a classic story of unauthorized investigation with twists and turns having suspense maintained well at all times. The female characters in the movie could have had more screentime, at least the main heroine, and it could have been shorter with a smarter ending, but we know that this is one classic and mostly realistic tale about two sides of law and justice that never ceases to make us wonder what is going to happen next. The movie came without much hype, but has gained enough positive reviews to keep it going and gain the pace. After all, we have had our love for investigations before corona virus through Anjaam Paathira and Forensic, and the same effect has continued during these days too, as we have hoped for the police to do the right thing every time.

Release date: 10th November 2023
Running time: 148 minutes
Directed by: Syam Sasi
Starring: Shane Nigam, Sunny Wayne, Sidharth Bharathan, Aditi Balan, Namritha MV, Bipin Perumbilli, M Sajas

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<<< Click here to go to the previous non-Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.