A Working Man

Vampire Owl: We are all working all the time, you know.

Vampire Bat: Everybody including Uncle Dracula knows that you do no work at all.

Vampire Owl: I work at my own office within my room.

Vampire Bat: You know that there is no business firms allowed in the Dracula Castle.

Vampire Owl: This is just me showing my skills making blood milk shake and blood cake.

Vampire Bat: Do you even know the sugar levels of vampires of the castle?

Vampire Owl: It is approved by Dr. Frankenstein and his medical company.

Vampire Bat: Mr. Frankenstein has never been a real doctor who can do that.

Vampire Owl: Frankenstein has presented and published a research paper on vampire blood sugar and was appreciated for the same by different universities.

Vampire Bat: I have heard that they were promised infinite amount of money just to accept the abstract and let him present it.

[Gets a paneer samosa and three cups of Kodaikanal tea].

What is the movie about? :: Levon Cade (Jason Statham) is a retired Royal Marines Officer, now working as a construction foreman in Chicago, leaving the United Kingdom after his service and settling down in the United States as his American wife had committed suicide, and his father-in-law Jordan Roth (Richard Heap) who had settled down in the same city does not allow him to see his only daughter Merry Cade (Isla Gie) as he is known to suffer from PTSD and has been struggling to gain custody of his daughter. Levon maintains a close friendship with the family who employs him at the construction site – Joe Garcia (Michael Pena), his wife, Carla Garcia (Noemi Gonzalez) and their daughter, Jenny Garcia (Arianna Rivas), as they consider him as one of their own. One night, while Jenny is out at a bar, enjoying with her friends, she is kidnapped by two Russian traffickers who randomly choose their victims from the night club, the ruthless mercenaries known by the names Viper (Emmett J Scanlan) and Artemis (Eve Mauro).

So, what happens with the events here as we just keep looking? :: Joe and Carla report the case of their missing daughter to the police, but they are unable to find any leads, and do not seem to keep this anywhere close to priority. Desperate to find their daughter, the parents who know about Levon’s military past, offer him money to find Jenny, but he refuses to do anything about it, as he feels that his past was responsible for the death of his wife and hostility of his father-in-law who has always been a pacifist. But after consulting his former friend and comrade in arms in the military Gunny Lefferty (David Harbour), decides to what he does his best and follow his heart, as he had once promised Jenny to watch and protect her, making sure that no harm would come upon her. As he decides to use his best skills for the purpose, follows the bartender who was there at the time when Jenny went missing, and finds connection to Russian mafia which has been involved in human trafficking in the past. He finds out that the situation is more complicated than he thought. Can he find more clues and reach Jenny before time runs out?

The defence of A Working Man :: Watching this movie, one feels that this is a movie well set for Jason Statham to come up with all the action, and the same is asserted again and again as the movie progresses and gets close to the end. The action sequences are excellent and staying within the willing suspension of disbelief limits. It was best seen with that beginning fight scene and it just gets bigger in the final scenes as there is a lot to be done. We see something to root for the protagonist every moment as the film progresses – there is also an emotional touch to the main character, and we connect to the same with the feelings rightly felt. There is also that feeling of nostalgia that runs through in the movie reminding us those other earlier movies that we have seen before. The stylish and immensely evil Russian mobsters to a biker gang leader sitting on a literal throne in a basement with his black-wearing people, the variety of villains that make quite some impact. The visuals are quite nice, with different settings nicely used for the situation.

The claws of flaw :: The movie feels like a Taken-inspired weaker version with search for one woman who has taken by drug traffickers often forced into prostitution, as even the less appreciated Malayalam movie Karam doing better than this particular one. Yet, one feels that the danger is not that much felt here with the kidnapped woman, as she seems to be too comfortable with the same even when in so much of a terrifying situation as part of her captivity. For some reason, we do not see facing that much of a terror, and she seems to be more military-trained than even the main protagonist – this is where the other movies dealing with the same premise dealt with the situations much better. Even the search for the woman seems to be lagging, as the pace comes down. Then those fast cuts and shaky camera work during the quick action makes things feel rather strange, and leaves a lot to be desired. The title of the movie is also never really justified as the construction work never really gets the attention again.

The performers of the soul :: Jason Statham once again does what he does best as he has a strong physical presence, charm, as well as nice fight scenes including hand-to-hand combat and some shooting to go with it. Starting with a construction site fight and finishing after a full set of climax battle sequences keep us satisfied. It is once again asserted that he is the man for this kind of a job, after Liam Neeson did the same multiple times with his one series of movies starting with saving his daughter from human traffickers. Being a part of The Mechanic and one among of Hobbs and Shaw battling in Fast and Furious series had made us hope for him even in Hitman: Agent 47 which would have been perfect for him. After John Wick and friends in a chaotic murder spree universe, he remains seemingly best choice for this kind of worlds. Arianna Rivas as Jenny Garcia does not get much except for those last moments when there seems to be a fight forced on her – in a movie focused on her kidnapping, she is just not shown enough. Then the antagonists seem balanced, rightly there to be menacing enough.

How it finishes :: This remains an interesting movie, even though nothing much new in its content, and reminds us of many other movies in the past. The movie gains the advantage from Jason Statham as the main character, and even when there is not much to raise the level in the narrative, the man takes the movie straight up to another level. But we cannot help feeling that he could have done more if the search was better arranged and if the danger was really felt except for the kidnapped not shown much after being kidnapped except for the end, and due to the hero quickly going through the villains without that much of a difficulty as one should be having when facing a mafia, The emotional side with daughter works, but not with the kidnapped one as we rarely feel that she is in trouble, and yet we feel that the poor mafia members are really in bigger trouble – this is something which should not have happened in a movie like this which does not go over the line with its action. Well, the fight scenes work really well, and keeps us interested, and we are thrilled to see the happenings on the screen; often that much is enough for the genre, but not for a second watch on any day.

Release date: 28 March 2025
Running time: 116 minutes
Directed by: David Ayer
Starring: Jason Statham, David Harbour, Michael Peña, Jason Flemyng, Arianna Rivas

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@ Cemetery Watch
✠ The Vampire Bat.

Masters of the Universe

Vampire Owl: Aren’t we the true masters of the universe?

Vampire Bat: I do not think that they are talking about the vampire universe.

Vampire Owl: Every universe requires its own masters.

Vampire Bat: We already have Uncle Dracula here.

Vampire Owl: Yes, even Vampire Elders are there, but they are all symbolic heads.

Vampire Bat: So, you consider us as the true masters.

Vampire Owl: Well, this is the only working universe, isn’t it?

Vampire Bat: The only true universe with relevance, yes.

Vampire Owl: And the only realm without the pure human evil.

Vampire Bat: The human evil has already reached our borders. There is not much of magic left that seems to stop it.

[Gets a thattu dosa and three cups of Munnar tea].

What is the movie about? :: Adam (Nicholas Galitzine) works in human resources, while keeping on searching for a certain sword and lives with his only friend Hussein (Christian Vunipola) in Oklahoma City. People think that him keeping on searching for a sword and telling everyone a specific story about his escape from another planet are parts of his nerd madness which he always had since he was a kid. The search for the sword would affect both his work and social life, as he even tells the same story when on a date. Obsessed with finding the sword due to his memories about being part of another strange world in which he lived as the prince and had come to Earth with a magic sword, Adam receives an anonymous tip in the form of a text message that the sword is located and he reclaims it at a comic store, running away with it. But the next day, he is arrested for stealing the sword, but the police car is stopped in transit on the highway when a strange creature attacks them and halts the traffic. The ape-like creature turns out to be Beast Man (Gary Martin) who had come from another world and chases Adam.

So, what happens with the events here as we just keep looking? :: As Adam keeps running, a woman in white comes to the scene, identifying herself as his childhood friend, Teela (Camila Mendes). She tells him that the sword had given her a signal when it was claimed and raised to the sky, seemingly provided the same signal to many others of their planet far away. In this planet named Eternia which was once ruled by Adam’s parents King Randor (James Purefoy) and Queen Marlena (Charlotte Riley), no longer maintains that peace and prosperity after being taken over by Skeletor (Jared Leto), his sidekick Evil-Lyn (Alison Brie) and a number of other evil minions. This loss after being defeated by a cyborg and weapons expert of Skeletor, Trap Jaw (Sam C Wilson) had also left the commander-in-chief of the army of Eterna, Man-At-Arms a.k.a. Duncan (Idris Elba) to severe depression and alcoholism, much to the dismay of his daughter Teela. After training so many people of the planet to defend the evil forces, he along with many others had fallen into disarray after Skeletor took over and unleashed chaos.

And what more can happen in this world of chaos and destruction unleashed by forces of evil? :: It was the Sorceress (Morena Baccarin) who sent Adam to Earth to save him and the sword from Skeletor, and as it was the original home planet of the queen a long distance away from Eternia, safety was guaranteed, but as a child, he had lost the sword only to be found now, triggering alarms all around the universe. Adam and Teela manage to outrun the Beast Man and escape in their spaceship in front of shocked humans who could do nothing but stare. Back home, the resistance forces against Skeletor who are not imprisoned by Teela leaving her defence outpost and bringing a strange man with the sword, imprisons her and Adam along with an alcoholic Duncan and a former combat robot reprogrammed as a cleaning robot, Roboto (Kristen Wiig). But they escape with the help of the robot and keeps the sword with them while the defenders of the resistance are either killed or captured by Skeletor’s forces. As they try to escape them and come face to face against Trap Jaw, it seems to be the end for them, but can they find a way to defeat him and his shooters against all odds?

The defence of Masters of the Universe :: The movie has some stunning visuals with the setting in a beautiful planet. The world is too good with the fantasy model buildings and the environment which makes it feel like a colourful paradise. Nicholas Galitzine makes a fine impact as the protagonist, while Idris Elba brings the fun. But the best impact is made by Camila Mendes as Teela, who remains a stunner in those action sequences with her movement and style, as the only one true character who is a born-fighter continuing to be so at all times. Jared Leto as Skeletor is a villain to remember, and gets the screen-time he missed as the Joker in Suicide Squad. Morena Baccarin who gets back after The Wrecking Crew gets less screen time even as such a significant character. Alison Brie as Evil-Lyn works nicely too as one never sees any evil this cute and strong in magic. The humour in the movie also remains so much fun, and the elements taken from cartoon are nicely placed here without too much darkness ever coming into picture. Adora a.k.a. She-Ra played by Lauren Saliu shown during mid-credits also keeps us interested as the one scene itself seems to bring lot of hope for a possible sequel about which we are still not that sure.

Positives and negatives :: This is a feeling of nostalgia, and as we had the cartoon of the same name running in Malayalam in this part of the world, there is no other superhero who had this much of an influence on us as children. We had to return home early from school and then we would successfully watch this one. In the case of the movie, people might find that this is a little bit too cartoonish and as more for the children, but those would be the people who forgot how they grew up watching this, and if Avengers, Justice League and team could be taken as full action, this could be too. The supporting characters here could have had some more time, while cutting some time from the moments spent on Earth. The final fight is lovely to watch, even though the moments back on Earth coming in between do not impress much. The quality of the computer-generated imagery losses some quality at times, but remains stable and stylish for most of the time. Use of more magic could have made the world look more charming, and even more shown as part of an exploration like in Avatar, as the design here never far behind.

How it finishes :: The lack of some seriousness might be the reason why it had the same effect as John Carter at the box-office, but one cannot forget the fact that it was one fine movie, and one of the best of that year. We can blame the strange movie-watching habits of the biggest markets of the movie which did not even make Pacific Rim a super-hit, but Asia serves that title well. All these movies surely did well in this part of the world, and one keeps wondering if a better trailer could have meant better result for the movie at the box-office. I would surely love to see its sequel with the lady superhero, but one has to wonder if the same would happen when the total collection is considered. But this is sure to do well on Amazon Prime Video, and that should also mean something to everyone. For now, this is a charming adventure and entertainer which does not have a dull moment once the scenes shift to the far away planet. The beautiful spectacle of a world with a classic adventure with battles to remember is not something that we can always see with this much charm. People can find cartoon-faults, but I find this to be something I should have watched on the big screen with all of its big screen splendour.

Release date: 5 June 2026
Running time: 140 minutes
Directed by: Travis Knight
Starring: Nicholas Galitzine, Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, Kristen Wiig, Jared Leto, Idris Elba

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@ Cemetery Watch
✠ The Vampire Bat.

Yakuza League

Vampire Owl: I am pretty sure that Batman has always been your relative.

Vampire Bat: I do not know how a man’s masked personality relates to me.

Vampire Owl: Every life is a mask, isn’t it? People take so many forms.

Vampire Bat: Humans are never true to the society or even to themselves.

Vampire Owl: We know that humans are evil, so there is no surprise at all.

Vampire Bat: The Vampire Elders were so shocked that they banned the humans.

Vampire Owl: So, Uncle Dracula was never the first one to ban them.

Vampire Bat: He only extended the ban for humans which was already established.

Vampire Owl: I hope that Dr. Frankenstein is not banned anymore.

Vampire Bat: Mr. Frankenstein will not even be accepted.

[Gets an ulli vada and three cups of Wayanad tea].

What is the movie about? :: Batman (Koichi Yamadera) has come back home after being sent to feudal Japan through a time displacement machine called the Quake Engine. After all of Gotham City’s top criminals who also reach there became feudal lords, he had stopped the villains from altering history and brought them back to Gotham City in the present. But it seems that he would have no time to rest in his own world with something strange occurring around the city. He is surprised to see that the Justice League is no longer there and he cannot find Japan in its location either. He also finds that yakuza are raining from the sky above. He finds out that they belong to Hinomoto, a different Japan from a parallel universe which has placed itself in the sky of the city. He is able to see an interdimensional rift above Gotham City which seems to be part of a plan to invade Earth. As only the people who previously time-traveled can see this particular rift, the others call it a yakuza tornado, a storm which carries them to Gotham City – they deny the other-worldly elements of the same.

And what more is to follow in a world facing imminent destruction through timelines? :: Before he can process this new reality, Batman understands that there is more to this than what meets the eye. Batman and Robin (Yuki Kaji) travel through the rift to Hinomoto, while the other members of the Bat family Nightwing (Daisuke Ono), Red Hood (Akira Ishida), and Red Robin (Yuki Kaji) stay behind to fight the yakuza who have fallen into the city through the tornado. The Bat family are soon ambushed by some more yakuza fighters who are part of the Hagane yakuza clan who took over Hinomoto. They are surprised to find out that the first three big yakuza members who come against them are Zeshika the Emerald Ray (Ayane Sakura), a version of Green Lantern, Asha the Aqua Dragon (Akio Otsuka), an alternate version of Aquaman and Bari the Fleet-Footed (Kengo Kawanishi), a Japanese version of the Flash. The Bat family struggles in the fight with them, but with additional help from the Daiana the Eagle Goddess (Saori Hayami), an alternate Wonder Woman who is the member of an opposing Yakuza clan called Amazone, they manage to escape.

So, what happens with the events here as we just keep looking? :: After leading them safely to the Amazone base, with the help of Harley Quinn (Rie Kugimiya) from Batman’s timeline, Daiana explains the rising power of of the Hagane clan at Hinomoto from the time when the area consisted solely of yakuza families fighting each ither. After a clan leader Deio Domuzu (Kenta Miyake), an alternate version of Doomsday, was killed by Kuraku (Takaya Kamikawa), the new leader and an alternate Superman, the Amazone is the only opposing group left, and they have decided to keep their code of honour and respect. Harley Quinn had escaped with Joker (Wataru Takagi) after hearing about the strange incidents happening in Gotham City. After being ambushed on the way back, Batman is saved by Joker who didn’t want anyone else to kill the bat other than him, but Robin is captured. During the fight, it is revealed that the mastermind behind all of these is Ra’s al Ghul (Kazuhiro Yamaji) who had found the Quake Engine and upgraded it into a Four-Dimensional Origami System, and used it to manipulate certain parts of Earth’s history, creating Hinomoto with the new rulers. With all members of Justice League except Wonder Woman going against him, can Batman stop the new villain intending to capture Earth with the help of Wonder Woman and Harley Queen?

The defence of Batman Ninja vs. Yakuza League :: The art style used here is so interesting as the movie nicely blends the 3D and hand-sketched 2D animation together. There are also the segments that change styles which will have our attention, and when each character is introduced in a different form, it catches our attention, for the Japanese versions of Green Lantern is the best, and that of Aquaman, Wonder Woman and Superman – all feel like made with some smart thoughts as our interest in parallel worlds grow further. This idea of having the most powerful Justice League superheroes on one side and Batman only with Wonder Woman to help him, is more of a terrifying situation for fans of the universe, as Harley Quinn helping Wonder Woman at times and Joker only caring about Batman not getting killed would not mean they can save the world. Well, we know the powers of Superman, Green Lantern, Aquaman and Flash, and so this situation is one of the biggest dangers that the world can have. It is the advantage of the tale, and it is nicely told with a Japanese touch, with everything nicely coming together in the end. The character design is so well matched by the grand action.

The claws of flaw :: There is no tight narrative coherence around here as the movie keeps going through the action which is sometimes too quick and a little bit overdone for some characters without superpowers. The change to the main Justice League characters is not always that interesting when we look closer. The display of power seems a little too much for our interest and quickly going through here and there. There is the explanation of Superman’s power a little too much even for the new version, and instead we are left with less understanding of what has really happened in this universe as the earlier movie release too long ago, and this would feel like a standalone for even the people who watched that one; a recap would have done the universe better especially as the length is not that much already. To make this shorter run-time possible, the movie seems to have gone through some quickened edits too, as we shift the shifts happening at a better speed. One would also feel that the Japanese version might have been the better suited mode for this particular movie.

How it finishes :: The movie does embrace its own existence, as it remains a high-octane return to those classic cartoon adventure, anime tropes and manga aesthetics, as there is more Japanese about this particular superhero journey than American. The comic book nostalgia is nicely reflected here as we take a closer look. The best of multi-stylistic animation comes up with a visual feast that keeps shifting between different versions, none of them deviating from the purpose. The high-level comics superhero battles and the tale of parallel universes go on making an impact. I have always preferred DC’s model over that of Marvel, whose classic superhero power was ruined by the new group of superheroes with the one exception being Thunderbolts, and even DC had itself coming down from Man of Steel by a weakened by a new Superman. Batman Ninja vs. Yakuza League above others embrace the pure joy of Batman going against all odds from start to finish – he is the underdog again, but he stands tall. We see him proving himself not only as Gotham’s Dark Knight, but also the best of a Japanese underworld even when facing the superpowered or the overpowered juggernauts of destruction.

Release date: 18 March 2025
Running time: 89 minutes
Directed by: Junpei Mizusaki, Shinji Takagi
Starring: Koichi Yamadera, Daisuke Ono, Akira Ishida, Kengo Kawanishi, Yuki Kaji, Hōchū Ōtsuka, Masaki Terasoma, Wataru Takagi, Rie Kugimiya, Nobuyuki Hiyama, Romi Park, Akio Otsuka, Ayane Sakura, Kazuhiro Yamaji, Takaya Kamikawa

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@ Cemetery Watch
✠ The Vampire Bat.

Predator: Badlands

Vampire Owl: They used to call vampires by the title predators.

Vampire Bat: Those times are over now, with a specific set of books and movies.

Vampire Owl: You should know that there is always a chance to reclaim that position.

Vampire Bat: As far as I know, predator is not really a position.

Vampire Owl: It could be the side title of a vampire.

Vampire Bat: You know that these predators are aliens, don’t you?

Vampire Owl: Dr. Frankenstein has told us that there is information which shouldn’t be revealed.

Vampire Bat: Mr. Frankenstein, in the form of a fake doctor, tells nothing of relevance.

Vampire Owl: You know that he inspired a book and so many adaptations.

Vampire Bat: That was the imagination that served, not the person.

[Gets a paneer puffs and three cups of Wayanad tea].

What is the movie about? :: Dek (Dimitrius Schuster-Koloamatangi) is the smallest member of his clan on the planet Yautja Prime, and is considered too weak to be among the predators. To prove that he is better than most of his kind, Dek plans to hunt a creature known as the Kalisk, an apex predator on what is often called the death planet – the world far away known as Genna. Kwei (Mike Homik), his stronger elder brother tries to prepare him for his battles as much as he can. But their father Njohrr (Reuben de Jong) appears all of a sudden and asks Kwei to kill his brother as he is a shame to the clan of fierce warriors. But Kwei refuses only to be killed by their father, but not before he sends his brother to the death planet so that he can prove his worth by hunting and defeating the feared creature. He reaches the planet, but realizes that this is no easy task, as the planet itself has that kind of flora and fauna which makes it very difficult to survive, as danger is hidden in almost every spot around there.

So, what happens with the events here as we just keep looking? :: As Dek losses most of his weapons and tech while fighting the forest, he comes across Thia (Elle Fanning), an advanced, but damaged Weyland-Yutani Corporation android, whose team of synthetic soldiers was destroyed by the Kalisk while on a mission. She had lost her body from the waist downwards and with the help of Dek, manages to free herself from her predicament and supports him against the incoming trouble, and guide him. He ties her to himself as she had no legs and faces the dangers while moving forward through the treacherous terrain. Soon, while on a hunt, they are joined by a friendly creature that Thia names Bud. The creature marks Dek with her saliva and accepts him as her clan as he defeats two creatures which were on their trail. But he tells them that the one thing that matters is the trophy, and that it can only be gained by killing the creature. Despite Thia telling him that back on Earth predators like wolves have the alpha that protects the pack, he remains adamant that he would be the alpha who kills the most and not the one who protects.

And what more could follow in this world of unmatched danger? :: Thia understands that Dek only understands revenge and is looking forward to prove that he is worthy against all odds. It is then that Thia’s twin android and the expert hunter Tessa (Elle Fanning) is found and revived by Weyland-Yutani androids and is repaired at their main base. She is warned that she would be decommissioned and replaced if she fails her mission. She finds out that she is with an alien creature that would remain a threat to their mission. With a new Weyland-Yutani team, Tessa begins searching for Dek’s group, and finds his crashed ship which has the arms and ammunitions which interests her including those which belonged to his brother. Thia who reaches the area where she was ambushed, finds enough of the technology to connect herself to her body parts below the waist. But at the same time, she understands that Tessa and her group is coming, and the creature is also nearby. A big fight seems to be on the cards. Now, who will survive and will the fight be worth it?

The defence of Predator: Badlands :: The movie surely has some good action, and fighting is all around, from surviving a dangerous jungle with strange flora and fauna to fighting android robots with advanced weapons. The battle against the apex predator and the final battle requires special mention along with that fight of Thia with her body separated into two especially of the waist below has an innovative as much as funny side to it. There are also some funny lines to go with the fight, but that does not bring the quality of the battles down, as we see the big creatures being destroyed and getting attacked by nature itself in all its grandeur. The movie never ceases to be a spectacle, as the scope is a lot, with alien planets including desert lands and dense forests – the creatures are nicely created and detailed, with the possibility of danger nicely felt. It would have been a movie more for the theatre than for Jio Hotstar as we enjoy the beauty of the worlds on the screen, as we would have in computer games like Mass Effect and Unreal Tournament, or Star Trek works.

Positives and negatives :: Elle Fanning as Thia stands apart as one of the best android robotic characters of all-time, something which we see this good only in the Alien movies – Prometheus, Covenant, Romulus etc have known this Weyland Corporation more than any other, and the cross-breed of franchises has been clearly shown here with this particular presence. Her other character in the form of antagonist pales in comparison as this one keep scoring all the time. Dimitrius Schuster-Koloamatangi makes this particular Predator work well according to the situation, and the bonding works nicely. Other humanoids become rather irrelevant here. The movie also provides the message of being together and coming back strong as the underdog, but in the process, loss some of the qualities of Predator franchise, seemingly getting closer to the Guardians of the Galaxy, Thunderbolts and Suicide Squad. There seems to be the easy way taken at times, especially after that grand fight at human side in the end. The characters are still well-developed to keep us further interested.

How it finishes :: Predator: Badlands releasing on Jio Hotstar was something quick that we did not realize that the same had happened. This quick release was pretty much needed though, as we looked forward to watching another live-action movie featuring the classic alien or predator. There are those action sequences which justify its release, and despite the predator character undergoing a little too much of a transformation, works really well. The final scenes leave scope for a fine sequel, and we all hope that it will be served well. Until then, we enjoy being transported to a world of charm and danger, but certainly that of beauty in a planet far away. After all, when people were after Terminator, its sequels and others, we were the ones who stuck to Predator as the one classic science fiction thriller that we would remember. After all, we are all in a world of the hunted and the hunters. There is no escaping the same. The idea of hunters developing a conscience is never a bad idea despite changing a little too much of the core idea.

Release date: 7th November 2025
Running time: 107 minutes
Directed by: Dan Trachtenberg
Starring: Elle Fanning, Dimitrius Schuster-Koloamatangi, Reuben de Jong, Mike Homik, Alison Wright, Cameron Brown, Rohinal Narayan

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@ Cemetery Watch
✠ The Vampire Bat.

The Running Man

Vampire Owl: I have been wondering why humans keep running so much in their lives.

Vampire Bat: They search for meaning in their lives, but finds nothing in the end.

Vampire Owl: You mean to say that there is no hope for humanity.

Vampire Bat: Well, humanity never really had any hope.

Vampire Owl: I remember watching that old movie with the same name.

Vampire Bat: Well, we had also read the book with the same name.

Vampire Owl: Stephen King movies have often struggled to make an impact in the last few years.

Vampire Bat: Yet, Doctor Sleep was one of the greatest among them.

Vampire Owl: There are always It, Pet Sematary, The Monkey, Carrie, Salem’s Lot and others too.

Vampire Bat: We cannot expected all such adaptations to be classic horror stories.

[Gets one M&M McFlurry and three cups of mint tea].

What is the movie about? :: In a not that distant future United States of America, an authoritarian media network takes control of the nation while focusing on patriotism and the need to keep the country safe from its usual and common enemies, some of the inside and the others from outside. Most of the citizens of the United States live in poverty with minimal access to healthcare which leads to a high infant mortality and most children not even born among the majority who lives with minimum low wages. Most people are busy with the meaningless and unreal violent game shows and absurd reality television. The most popular programme running in the nation is The Running Man, hosted by Bobby Thompson (Colman Domingo), which has three runners selected with a big opportunity to win a billion dollars by surviving 30 days while being hunted down by five hunters selected by the media team itself. They are led by the furious Evan McCone (Lee Pace) as they are allowed to take any step to end the runners, while citizens are also provided with opportunities which would bring them rewards.

So, what happens with the events here as we just keep looking? :: Starting with thousand dollars and a twelve-hour head start when they are not attacked by anyone, the runners are also required to video tape themselves and send to the media office or else forfeit their earnings and more viciously hunted with no rewards. The murder of the hunters would also bring rewards to the runners, raising their earning by a long way. This is where Ben Richards (Glen Powell) attempts to join, as he is not able to buy medicine for his little daughter after being blacklisted for union activism which had him standing for the other workers, leaving him jobless and not able to care for his family. He had planned to join a game with lesser risk, but was drafted into The Running Man with Jenni Laughlin (Katy O’Brian), a seemingly confident young woman in his neighborhood and Tim Jansky (Martin Herlihy), a nerdy character who seems nice to everyone. Despite trying to back down, Ben is made to agree to the offer by Dan Killian (Josh Brolin) with an amount which he had never seen in his life, despite his wife Sheila Richards (Jayme Lawson) warning him against it.

And what more can happen in this world of future chaos with no real hope for humanity? :: Despite giving a safe house to his family and also providing an advance, Ben is shown as an enemy of the state to the audience and his wife’s moral side is also questioned, much to his dismay, as he promises to be back and give them what they deserve. But he would have no time for anything, as his time started, with all three contestants keeping on running through their own paths. With the help of a disguise taken from a friend, he goes to New York City and manages to start there by staying in a hotel right in the middle of the city and blend among the crowd with his changed looks. He watches Tim wandering in the city as it is shown as part of the show in television, and as he just goes through a normal life, is shot dead by the hunters bringing excitement to the audience who call for the blood of the other two runners. Ben who gets scared about the situation, and not sure about his safety in the big city anymore, decides to escape to Boston. But would that save him from the hunt or will be able to finish the hunters instead?

The defence of The Running Man :: The dark and possible future of the world and with a feeling of Stephen King’s novel, this one makes us very much interested in the movie which also has some nice chase and fight scenes. The world has been very nicely created, and we see how will it suits the situation, and there is a certain amount of charm even to its dark side. The charisma and intense physicality of Glen Powell as the desperate hero of his family manages to keep the movie strong. He had to do something extra to match the original hero and he comes close. Josh Brolin becomes the true antagonist whom we will remember for that terrifying face within that visage. Colman Domingo’s energy makes this even more suitable for its premise and genre as that works so well. Among the ladies, it is Emilia Jones who scores the most, and she is that character whom the audience will fall in love and even brings a certain amount of humour here. They fit nicely into this dystopian society which is obsessed with the circuses of ultra-violent television while being told what to do and made to struggle by the ruling class with the help of the reality shows which reflects the world differently.

Positives and negatives :: There are some classic moments from Lee Pace, but that comes a little late for our liking. The fans of the original might not feel that this matches, due to the absence of Arnold as the man of unparalleled strength. There were still opportunities for more, as the other runners could have also had focus, especially that of the lady runner who was doing so well. The emotional side of the wife and kid works less here for some reason, and the wife role seems to be dismissed as an irrelevant one with Emilia taking over as the lady who decides to switch sides to save the hero. The 1987 version, despite its own deviations, had a more heroic version of the same, and it is only natural that people would prefer that Arnold version, as his work with the fights would also be more believable as he is provided with that kind of a past; the female lead in that movie also had that unparalleled presence in the film, but not anymore. The final battle in the flight could have also been bigger, and the lack of a huge spectacle makes sure that the movie struggles even further.

How it finishes :: Those who have watched that older version might wonder about the necessity of having this one around. There is the world that we have seen before, brought to the big screen again in a similar, but different form. There is the action and thrills in a fine world, and we are entertained enough to be interesting in the movie throughout its run. But when the familiar scenario keeps getting repeated, people will wonder if how much of the same returning to the screen and what all not being adapted from the novel would be the right thing for this kind of movies. The movie remains visually striking and adds to the Stephen King adaptations which have done a good job on the screen, but it was surprising to see it not going too good at the box-office – well, we never really go to know if the movie even released at this part of the world, and one has to guess that due to those lower quality imitations released in different languages in India, with even post-apocalyptic worlds cheaply imitated. This one is superior to those movies which ridiculously copies elements from Hollywood and other languages and presents them as their own, but does leave the audiences slightly wishing that the creative strength here had run stronger, but most of us would be happy with what is found here. Then there is the message against government control.

Release date: 14th November 2025
Running time: 133 minutes
Directed by: Edgar Wright
Starring: Glen Powell, William H Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Katy O’Brian, Sean Hayes, Colman Domingo, Josh Brolin

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@ Cemetery Watch
✠ The Vampire Bat.

Mr. X

Vampire Owl: I have heard about an entity known as Vampire X.

Vampire Bat: I doubt if the X here could be used for the vampires.

Vampire Owl: Dr. Frankenstein had successfully created such an entity.

Vampire Bat: Mr. Frankenstein couldn’t even create a cup of tea with his hands.

Vampire Owl: You underestimate the story of Frankenstein, dear vampire of the night.

Vampire Bat: Which Mr. X movie do you underestimate though? There have been many.

Vampire Owl: Sadly, I have seen none of them.

Vampire Bat: Well, you have been a fan of X-Factor in WWE, I think.

Vampire Owl: Yes, until I met the team of Evolution there.

Vampire Bat: I have to say that I personally like the cast of this particular movie.

[Gets a Chicken Masala Puffs and three plates of Strawberry Shortcake].

What is the movie about? :: Gautham (Arya) has been serving as an undercover RAW Agent for some time under Indira Varma (Manju Warrier), being assigned some small missions with his team mostly in the Chennai area, and rarely extending to other parts of Tamil Nadu. He is in love with Keerthana (Anagha Maruthora), a doctor working in a nearby hospital where he often goes when he gets injured. Gautham identifies as a businessman who often gets injured due to some reckless actions and Keerthana is not aware of anything more about the person. As their relationship crosses three years, they decide to get married, and Gautham who is not able to keep the secret about him being in the special wing for that long, decides to quite from his job, soon submitting his resignation to Indira. But at the exact moment when he says that they should get married as soon as possible, Indira arrives with another mission, something different from what they had been doing in the past, and it is a very significant one.

So, what happens with the events here as we just keep looking? :: It is revealed that Gautham’s father Parameshwar a.k.a. Mr. X (R Sarathkumar) has been a RAW Agent all the time, and he had managed to save a nuclear device from falling into the wrong hands, which would trigger a large-scale conflict or even a war, keeping it with him for quite some time while hiding in an undisclosed location. But he was captured by a group of Russian mercenaries, which had led to Indira sending a special agent Amaran (Gautham Ram Karthik) to Moscow. But soon, he joins the other side, and captures Mr. X with his group of mercenaries from Pakistan. A video with him is sent to Indian intelligence, warning that he is going to be sent to Islamabad with the nukes. This leads to the Indian military sending a group to Moscow to find and kill Mr. X and get the nukes, while Indira sends her own team to find him alive along with the nukes. Gautham is to be part of Indira’s team, but when they reach the place, they only find a woman who identifies herself as Mr. X’s daughter, Aditi (Athulya Ravi), but they are ambushed by Amaran who snatches the nukes and get ready for a nuclear attack. Can the team stop him in time?

The defence of Mr. X :: The movie has high quality written all over it, and unlike the Bollywood movies with superstars which spawns many movies and spin-offs and create unreal universes, this one surely brings more believability and also a certain amount of class with the same. The action scenes, chase sequences, multiple surprises and suspense ready to make an impact – everything is just there for the eyes with the support of some stunning visuals as the locations chosen for the movie are just perfect. The covert missions, conspiracies and problems of national security or even a possible nuclear disaster adds intrigue to the plot. The cinematography has a certain amount of style and quality which makes the whole thing rise above many other movies which claim to deal with a similar situation. The female characters are also given a lot of importance in the movie, and without them, the day is never really saved – the action also has a lot of them which also never gets overdone like in the high absurdity mode of Bollywood. There is also that fine ending and the promise of a sequel after a satisfying climax.

Positives and negatives :: It can be said that some plot developments may feel predictable to viewers who often watch similar spy thrillers. The emotional side is not that strong and some characters do not really have that much of development, but with so much to add here with a complex tale, such a thing would not be considered as a big deal. After all, we have some fine motives for even the antagonist, and some well-developed female characters here, with none of the two among them being the same; some of the best characterization variety among ladies’ roles. The final moments at the nuclear reactor are of Hollywood quality, and despite those initial moments when the movie takes some time to get going, the level is raised very soon. It seemed like some beginning moments except for the side of the nuke never really had the audience interested. But you will see that when you get going with the main mission here, things never get slow, as the pace could only get more and more. The feeling that the idea here is superior to many other movies, keeps us even more interested as its world moves forward.

The performers of the soul :: Arya leads the way here as the man who is responsible for too many things, but has to go on with it while dealing with his past which involves a lost father and sister, followed by a troubled childhood. He remains solid in his work as the one who has a tale of love on one side and the missions to save the world on another. He excels in fight scenes too, and the looks surely suit the same. Anagha Maruthora whom we had started so well in her first movie itself in the form of Rakshadhikari Baiju Oppu does a lovely job here as the one heroine of the film. She goes through the romantic and crisis moments well. Manju Warrier is solid in the action role, and it is great to see her in such roles; it remains a pleasure to see her in different types of works after her grand comeback. Gautham Ram Karthik remains a strong antagonist who also has so many moments for us to remember the character, and this is a strong one. Then there is Athulya Ravi who is a lovely addition to the movie, and she is also a character with secrets that we will remember. Raiza Wilson has a charming presence here with her own secrets of the character, while Tara Amala Joseph plays the next relevant female character who makes an impact. R Sarathkumar has a fine presence, but will have more to do in a possible sequel.

How it finishes :: It feels like Arya’s movies never really got the attention it deserved, even though there has always been talk about them in this part of the world. This is another movie which did not gain that much of an attention, and most of us never really knew that this movie released. We knew that the Bollywood movie with the same name existed, but not this one, which is a shame. After all, this is a stylish and engaging spy thriller that successfully blends action, suspense and twists with a certain amount of quality that stays on. The director needs a lot of appreciation for bringing this entertaining cinematic experience which feels mostly complete. The film also benefits greatly from the committed performances of the cast, as nobody lags with the work. Sometimes, one would feel that the lack of romance between RAW and ISI agents are just enough, and the absence of those dance numbers which come in the middle of nowhere would also be enough compared to the Bollywood spy universes which go on party mode. This needed to be a big hit, but does not seem to be so, and we will still hope for a sequel, as people will be appreciating this one on Jio Hotstar.

Release date: 17th April 2026
Running time: 153 minutes
Directed by: Manu Anand
Starring: Arya, Gautham Ram Karthik, R Sarathkumar, Manju Warrier, Athulya Ravi, Anagha Maruthora, Raiza Wilson, Jayaprakash, Kaali Venkat

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@ Cemetery Watch
✠ The Vampire Bat.

Aadu 3

Vampire Owl: So, we have the third movie this time.

Vampire Bat: Well, there was always going to be a third.

Vampire Owl: But the situation seems to be entirely different in this case.

Vampire Bat: Well, there was the talk about the grandeur being a lot more.

Vampire Owl: The connections which seem to be made here feels rather strange when together.

Vampire Bat: That is quite natural as the genre itself seems to have changed by a mile.

Vampire Owl: I do not know if Uncle Dracula would like this change.

Vampire Bat: There is no need for you to show this to him, or your friend Mr. Frankenstein.

Vampire Owl: Dr. Frankenstein is now beyond all entertainment.

Vampire Bat: Mr. Frank is beyond everything sensible.

[Gets a taco and three cups of Strawberry milk tea].

What is the movie about? :: It is the year 2370, and Earth is ruled by a ruthless dictatorship known as The Organization which has managed to quash every attempt at rebellion. They are an all-powerful entity which was never really challenged, considering its power and ability to stop all riots even before they begin. The dictatorship would not stay away from unleashing violence if it is threatened, making the ruling group an entity which one would need to fear beyond everything else. According to the resistance leader Baba (Indrans), the Organization has achieved this status through a celestial object called the Star Dust, which allows time travel, and in the process, rewrites timelines according to their will. Baba assures the other resistance fighters that time is not linear as past, present and future coexist simultaneously, and actions in one timeline would change the other. Baba understands that preventing the Organization from acquiring the Star Dust is the only way to stop them from achieving total dominance through time travel. For the same, he feels that there can be some unexpected heroes in different timelines who can help them and make sure that the balance is maintained and the inter-timeline evil can be stopped.

So, what happens with the events here as we just keep looking? :: In 2025, Shaji (Jayasurya) and his gang had received three million US dollars after the events involving the fight with Chekuthan Lazar (Hariprashanth M G), Anali Sabu (Anson Paul). They make the plans to travel to the United States of America to convert the cash from dollars to rupees, but Cleetus (Dharmajan Bolgatty) misses out as he has no proof, neither an SSLC Certificate, driving license nor an aadhar card to prove his identity, missing out on passport as well as that possible visa to the United States. As Cleetus gets depressed about missing out on the opportunity, takes a funny dialogue by Shaji’s niece Rachael (Athira Patel) related to seeing the American President when he comes to Coimbatore and exchange the dollars for rupees by just talking to him. As the date of Donald Trump visit arrives, and Tamil Nadu Police with the Central Forces have come up with a strong security, and Cleetus gets in there and shouts terrorist instead of tourist as he gets arrested. The currency is discovered to be fake, with Benjamin Franklin wearing glasses for the first time in a note, and now the team has to save Cleetus.

And what more is to happen here as another timeline calls for more? :: In 1790, Maharaja Padmanabhan Thampuran (Jayasurya) is ruling his small kingdom which seems to be weakening day by day, as his influence keeps going down even in his own circle. He is helping Vareed Mappila (Vijay Babu), to build a bridge which would change the fate of his kingdom – Vareed is an architect who had earned his degree from abroad in a reputed university, but is struggling, and is strongly supported by Kunjukunju (Noby Marcose) and Palazhi (Nirmal Palazhi) who provide local support even though adding a little bit of silliness to the situation. The whole thing has Lord Walter Joseph (Sunny Wayne) as the overseer, but this British lieutenant is called more as “water” due to him being drunk for most of the time. He always has Soman (Sudhi Koppa) and Sundar (Bijukuttan) to aid him, as they struggle to finish the bridge in time. As the king has problems with his spine, he sends his driver Koran (Aju Varghese) to find a doctor, but the bigger problem arrives in the form of the ruthless Azam Khan (Vinayakan), a commander under Tipu Sultan who wishes to destroy everything. How will all of these incidents in different timelines come together now?

The defence of Aadu 3 :: Jayasurya as Shaji Paappan holds the most value once again, and we see him leading the way to glory here too, as this character gets another twist for him with one more to play around here. Among the characters, those played by Saiju Kurup, Vinayakan, Sunny Wayne, Dharmajan Bolgatty, Vijay Babu and Indrans score the highest, while the support only seems to get only stronger. The bigger than usual attempt makes it possible to have a post-apocalyptic dystopian connection out of nowhere make it one of the best attempts to go big with some risks taken. We could have never had our own post-apocalyptic world with a past without this, as even though I have written a novel in such a world, such world-building feels outside the limits of Malayalam movie-makers. Then they create those new generation alcoholic high grossers without content, but I shall watch none of them. But here, some fine production values and background score along with that humour which comes out of nowhere and takes it out of nowhere makes an impression. The feeling of nostalgia will still continue with this world and its characters with that cult following.

The claws of flaw :: The movie’s deviation from the original ideas might hurt its purpose and the loss of two of its best characters played by Sandra Thomas and Chemban Vinod Jose had already hurt the second movie and it misses out more on humour every time. There are also too many worlds and happenings around here, and this non-linear narrative does not always seem like managed in the same manner. The time spent at establishing different worlds seem to have affected the humour’s balance at times. The franchise has always been something belonging to silly humour like Kunjiramayanam and Maranamass which never really hard a smart character; yet we remember that Adi Kapyare Koottamani could add some seriousness to the same. In comparison, in this movie which tries so much, despite trying very hard, the overcrowded feeling seems more like a setting for the next movie rather than keeping this one going forward. This might be same reason why we do feel that the movie is not reaching anywhere as the timelines go through middle part. We often keep looking forward to having better connection and a smarter arrangement of things, and it is something elder audience would feel more.

How it finishes :: We are no longer watching that usual fun-filled silly entertainer, but something more, as we see different timelines coming together to face a problem of timelines – from a light-hearted situation to universe-threatening darkness that spreads, we feel that change is too much real and with high ambitions. Now, the next movie is sure to be something grand, and we will see such spectacles in Malayalam cinema that we might not have imagined before. It is a commendable job to transform a cult comedy franchise into a huge-scale fantasy adventure having time travel, reincarnations, future post-apocalyptic world and dystopia, with the same characters living through different timelines – still, the movie maintains the quality, and we can only appreciate the same. Midhun Manuel Thomas taking the decision not to repeat the same formula and instead choosing the unexplored territory has kept this franchise alive, as it was already losing a lot of steam with Aadu 2. He has indeed tried to make this work with all his heart, and this is the kind of grand experimentation that Malayalam cinema needed, and it should keep pursuing the same while leaving that new generation nonsense behind.

Release date: 19 March 2026
Running time: 170 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayasurya, Saiju Kurup, Vinayakan, Sunny Wayne, Dharmajan Bolgatty, Vijay Babu, Bhagath Manuel, Harikrishnan, Renji Panicker, Indrans, Bijukuttan, Sudhi Koppa, Alleya Bourne, Krishna Jeev

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@ Cemetery Watch
✠ The Vampire Bat.

Dridam

Vampire Owl: We have been looking for similar police investigation movies.

Vampire Bat: Malayalam surely has the best investigation thrillers.

Vampire Owl: If this was in any other language, the twist would be to mass masala.

Vampire Bat: If it was Bollywood, there would also be special item dance too.

Vampire Owl: That would be as far away from reality as possible.

Vampire Bat: Well, Bollywood and reality never really come together.

Vampire Owl: I guess that they are very much against reality.

Vampire Bat: Their audience also has that kind of a taste, it seems.

Vampire Owl: I would give away my eternity to save myself from things like Singham franchise.

Vampire Bat: It is one franchise that I would never wish to remember.

[Gets a vegetable cutlet and three cups of Yorkshire tea].

What is the movie about? :: Vijay Radhakrishnan (Shane Nigam) gets his first posting as Sub Inspector in a rural area where there are usually not many problems and DYSP Alex Jacob (Mathew Varghese) feels that it is a good place to begin due to the peaceful atmosphere and wishes him all the best. A civil police officer there, Vidya Jayachandran (Saniya Fathima) becomes immediately romantically interested in him, and the same love interest is supported by a little more senior officer Remya Surendran (Krisna Prabha), as they attempt to get into his good books and gain a marriage alliance for Vidya. Due to Vijay’s lack of experience, the senior police constables Krishnan Kurup (Shobi Thilakan) and Balan Nair (Kottayam Ramesh) are there to help and advise him. The other supporting policemen in the station are Sathyan M (Dinesh Prabhakar), Anand Manoharan (Nandan Unni) and Bibeesh A (Vinod Bose) who are locals and going through usual problems of the village. Vijay starts off well in the village well with some simple problems.

So, what happens with the events here as we just keep looking? :: Vidya who is a karate black belt, manage to get the attention of Vijay, and the police station seems like a happy place in the beginning days. But soon, problems begin to show up. People discover a severed hand followed by the rest of the corpse which shocks the villagers who face such a situation for the first time. Then there is a robbery in the nearby finance company and a number of people have also gone missing, and they are all suspects and those who have been holding a grudge against the company for a long time. The situation does not seem to be ideal for Vijay as the media as well as the superior officers call for the change of investigation lead, as he seems to be too inexperienced and a junior by all means. It is during the same time that more dead bodies are found, while Vijay and Balan are also attacked while discovering a body in a remote area. As Vijay finds himself in further trouble every day, the locals also turn against him, there are protests to the police station. Can he solve this mystery in time or will he be suspended or transferred?

The defence of Dridam :: The movie takes on a realistic path throughout its journey despite deviating in the last few moments. The whole journey follows an interesting pattern while never really trying to overdo the procedure of investigation despite chances being always present. Until the movie nears the last few minutes one never really has a real clue about the grand plotting behind all of these, and the suspense is indeed nicely maintained and the twist works, as it is not just one turn of events related to a person or two, but is really much more. What lies beneath is more than what people usually guesses with these kinds of movies. The visuals are really good, and as we had seen in Sambhavam Adhyayam Onnu, the setting really plays a major factor here too, and if that was about how forest plays along, this is about a small town surrounded by greenery goes on with the strange situation; in both situations, one police station and its people remain more important than anything else. The cinematography and background score supports this mood despite that initial feeling that there is so much good around here.

The claws of flaw :: The beginning stages spends quite some time in establishing characters and the setting, and the mood is never brought there. The movie seems to go full action in the last few moments, and despite how realistic they try, we feel that it is an impossible flight in the end, and that there has been a little too much of freedom taken with the same. There is that certain change with comes and seemingly struggling to manage that transformation as one might feel that it is not the same movie in the beginning and the end. Sometimes in between, the audience might feel that this is just going on and on without any major clue being followed, with the thought that this investigation might reach nowhere with repetitions seemingly happening too often and without attempts to think beyond limitations. Some of the characters can also be seen not being that developed, and a few seems to be there just for the sake of being there. There are also some situations which are not that explored. Some moments seem to be there to stretch the movie, as not much is gained there.

The performers of the soul :: Dridam has Shane Nigam leading in a police role, and it is not something new to him, but this might be the one where he has to lead more, considering the overall cast. He excels in the role of a young police officer who is placed in a situation from where problem-solving is too difficult. The performance here is restrained, and as the role demands, showing no overdose in a matured performance which could make even some senior actors feel the need to play a police officer in control. The character’s simplest characteristics are brought to light really well by him, from determination to frustration and the sides of the person and professional. Shobi Thilakan’s police role here is something to be admired, as he manages a seemingly usual, but multiple layered role with ease. Krishna Prabha has a smaller, but notable role which is managed well. Nandan Unni, Dinesh Prabhakar and Kottayam Ramesh perform their parts without any complication. Bitto Davis, Prashant Murali and Mathew Varghese come up with dependable supporting performances as they seem to blend into this world really well. A special mention goes to Saniya Fathima who is a lovely surprise and contributes so well to the situation.

How it finishes :: Dridam has a rather lesser known presence in the theatres during its release, as it never really managed to catch the attention of the common audience, and I remember never really hearing about the movie when it released, unlike those other police investigations from Memories to Anjaam Pathiraa and Forensic, all of them releasing with some fine hype; even John Luther which was a surprise entry had everyone talking about it, and Abraham Ozler had nicely followed the lead. In between, there was Kooman. Unlike those other movies, this one has to depend a lot on the main actor, and Shane Nigam makes sure that a certain strength is maintained here. We can call this one a well-crafted investigative thriller that moves on as an engaging mystery with grounded performances and more of realistic portrayal of police work, with twists also added. But the slow pace and the strange changes to the journey by the end might not satisfy everyone. It required to do better in moments, and appeal to the audience more with situations to remember, but there is not that much around here as this one goes on without trying to take the risk with big variations beyond the procedure. Jio Hotstar makes sure that you give this one a try.

Release date: 8th May 2026
Running time: 128 minutes
Directed by: Martin Joseph
Starring: Shane Nigam, Saniya Fathima, Shobi Thilakan, Krishna Prabha, Nandan Unni, Dinesh Prabhakar, Kottayam Ramesh, Bitto Davis, Prashant Murali, Mathew Varghese.

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@ Cemetery Watch
✠ The Vampire Bat.

Popeye’s Revenge

Vampire Owl: Isn’t this that person known as Popeye the Sailor Man?

Vampire Bat: Well, this character entered the public domain in the United States of America.

Vampire Owl: This reminds me of those other movies which dealt with similar idea.

Vampire Bat: Well, these childhood icons were truly killers, I would say.

Vampire Owl: Yes, the truth that William Golding said about children, right?

Vampire Bat: The children are all inherently evil, we know.

Vampire Owl: Even the newly reborn vampires are no different from the same.

Vampire Bat: Children in their original form are children of the night.

Vampire Owl: But we are also children of the night, aren’t we?

Vampire Bat: But we are less evil compared to humans who lack even basic goodness.

[Gets a bourbon biscuit and three cups of Ooty tea].

What is the movie about? :: Johnny (Steven Murphy) is a man with a troubled past. As child, his peculiar appearance with muscular forearms and a strange chin made him the target of continuous bullying at school, and his love for sailor outfit had not made things any better. One day, after a bully hurts a girl who tried to save him from bullying, the boy ends up killing one of his tormentors by strangulation which also leads to the boy’s eyes popping out of their sockets. To protect their son, his parents hide him in their basement, where he befriends an unseen person slipping supportive messages from under the door of another locked door there. But the townspeople who are driven by fear and anger for the unknown psychotic child tries to seek vengeance on the ugly, brutal killer and set the house on fire. He escapes while his father and mother burns in the fire, but seemingly drowns in a nearby lake which keeps the angry people of the local town relieved and satisfied about the boy’s fate.

So, what happens with the events here as we just keep looking? :: Fifteen years later, a group of vloggers Alan (Kyle Jordan), Cherry (Eva Ray) and Mia (Danielle Scott) visit the area for their episode of Haunted Houses of Evil, a series taking the viewers inside the homes of murderers. This time, they talk about the killer boy Johny who is called Popeye for his looks, and his house is being renovated by new owners who have no idea about what to do with the house as there has been so many disappearances in the area. They try to make it feel that Popeye’s ghost in haunting the area, but Mia who sees some movement in the fog is concerned about what is happening around there. They keep moving around in the unusual fog, and Alan goes to the basement with Cherry while Mia sets up the sound for the shooting before the owners or the locals show up. In the basement, Cherry removes her clothes and seduces Alan, and while they are having sex, Popeye drops in and kills both of them. He also kills Mia who wanders further in the fog. But this disappearance goes unnoticed as nobody knew that they were there.

And what more is to happen with one of the strangest killers on the loose in the fog? :: The house gets transferred to the name of Lora (Amanda Jane York), a former teacher at the school where Popeye has studied as a kid, and she along with her husband George (Oliver Mason) have plans for the house, while their daughter Tara (Emily Mogilner) comes up with an even bigger plan, to make it a haunted house attraction which can become one of the best in the state with the kind of backstory it possessed. She had listened to the story from different people she knew, and her boyfriend Dylan (Connor Powles) agrees to the same. They are joined by their best friend Donna (Danielle Ronald), her boyfriend Nick (Bruno Cryan), his secret sex partner Sky (Atlanta Moreno), quick money seeker Kathy (Karolina Ugrenyuk) and a nerdy Max (Fyn Phoenixx) who are all looking for some extra pocket money which Tara has promised them along with a few interesting nights on a charming holiday mood in the cabin in the woods. With tension running between Donna and Sky to claim Nick as their own, the group has to deal with the killer and a seemingly insane woman named Olive (Kelly Rian Sanson), can they do it before facing death?

The defence of Popeye’s Revenge :: Here is another unstoppable force of a psycho killer, and this is someone right out of our childhood, a hero turned into pure evil. This makes the whole situation different from Halloween, Scream, I Know What You Did Last Summer or any other which comes as the natural slasher antagonists of ultimate chaos. To add to it, we have a fine setting, an environment which keeps the horror going with a supernatural touch, as the villain is someone who will keep coming at you. There are some practical horror moments with a lot of interesting kill scenes, with the bath-tub murder bringing the best of it – the grasscutter and many others do follow the same as the full slasher mode is switched on; there was also a test does in the beginning when we look closer to it. This violence clashes with the nostalgia creating a new world of favourite childhood terror. The isolated house in the middle of nowhere and stalking by a resurrected monster makes the blood and gore that much more interesting in this world of childhood monsters. The fear is nicely generated in the situation which is leaves with no options to escape.

The claws of flaw :: The movie often feels particularly suited for the slasher audience, and the rest might not enter this world with that much of an ease, as a certain amount of specialization can be felt, never going out of that self-imposed restriction. If one thinks much more about, there can be a feeling of missed opportunity, and it might be due to the lack of budget that provides such a feeling. If there is a second movie with the same character, one might be able to find a better budget and bigger scenes out there. The slasher effect can be seen the best in the group of youth involved here, as they are mostly generic slasher victims whom we have talked about in The Cabin in the Woods which explored the whole genre model. We once again have the young group coming, getting hunted, some of them dying, followed by an attempt to survive, and there is some success with the antagonist killed or almost murdered and coming back. The character development was minimum even though they have managed some balance by letting the characters work on some interesting moments.

How it finishes :: Popeye the Sailor Man as the one-eyed, spinach-loving cartoon sailor known for his superhuman strength after eating spinach, and having Olive as girlfriend, has defined our childhood for quite a long time. But this time, we see the other side of him, and these twists related to our childhood characters depicting them as murderous monsters in the form of a different Steamboat Willie, Winnie-the-Pooh, Peter Pan, Bambi etc, continues to make an impact. The movie’s quality might be called into question here as we do not seem to have the budget in its favour here, but still, it shall entertain in its own way as a slasher in the usual old model. While not going on a polished horror model, this one still manages to raise its level without trying too hard and following the usual policy. After watching this version of one of the greatest cartoon characters of all-time, it is yet to be seen if we will see Popeye as the same cartoony person again, for this character is also going to stay, and the version will stay in the slasher list for some time.

Release date: 13th February 2025
Running time: 80 minutes
Directed by: William Stead
Starring: Steven Murphy, Emily Mogilner, Connor Powles, Danielle Ronald, Bruno Cryan, Atlanta Moreno, Karolina Ugrenyuk, Fyn Phoenixx, Kyle Jordan, Eva Ray, Danielle Scott, Amanda Jane York, Oliver Mason, Kathi DeCouto, Paul Frost, Kelly Rian Sanson, Clarisse Félix, Max Arlott

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@ Cemetery Watch
✠ The Vampire Bat.

Sky Force

Vampire Owl: Actually, this is the first time I am hearing about this particular movie.

Vampire Bat: It is the same for me, and I am rather surprised.

Vampire Owl: Yes, we do not miss such movies too easily.

Vampire Bat: So many similar movies used to come to our lands, but not anymore.

Vampire Owl: I guess that the travel problem was the one thing which made it difficult.

Vampire Bat: Well, we no longer go to the theatres that much these days.

Vampire Owl: We are just not feeling the need anymore.

Vampire Bat: But once upon a time, we had stormed the theatres in a flash.

Vampire Owl: We had watched more than hundred movies in theatre in a year, racing towards infinity.

Vampire Bat: Well, those days are gone and we are now people of the OTT with the mobile recharge offers assuring of the same.

[Gets some banana chips and three cups of Nilgiri tea].

What is the movie about? :: In the year 1965, India had given a decisive blow to Pakistan which altered the course of war despite the early Pakistani advancement and the related complications in between. The world had thought that the wars between the two nations have been stopped for at least a few decades. But later in 1971, the Pakistan Air Force launches a sudden attack on an Indian airbase as India was supporting Bangladesh in their Liberation War against the Pakistani forces along with the seemingly everlasting Kashmir issue. Despite the surprise attacks having some early advantage, Indian forces are able to neutralize the threat and capture Pakistani Squadron leader Ahmed Hussain (Sharad Kelkar). The war continues in Bangladesh with the liberation army of East Pakistan struggling hard for their independence. While a talk between him and Wing Commander Kumar Om Ahuja (Akshay Kumar) brings back the memories of 1965 India-Pakistan War involving war hero Squadron Leader T Krishna Vijaya (Veer Pahariya).

So, what happens with the events here as we just keep looking? :: Going back to that time period in history, Ahuja and his teammates, including Vijaya a.k.a Tabby, are training to fly for the Tiger Squadron at the Adampur Airbase of Indian Airforce. Vijaya is someone who keeps breaking the protocols while trying to achieve the impossible, and remains a highly skilled and valued pilot in the team. He does the best in most of the training sessions, making an impact like nobody else has done before. He shares a close bond with Ahuja, as he considers him like his father who passed away as he has been his mentor for a long time, leading to others feeling that there is a favoritism involved. Ahuja sees his late brother who had passed away, someone who was also a skilled pilot, in Vijaya and his actions. Vijaya’s Geeta Vijaya (Sara Ali Khan) is pregnant with their first child and is scared that there could be a war soon, and her husband would have to leave very soon. Ahuja’s wife Preeti Ahuja (Nimrat Kaur) gives her confidence from her own experiences.

And what more is to follow here in a world which awaits a war of long reaching hostility? :: Soon, they get the news that Pakistan had shot down four Indian military aircrafts, and war might be coming soon, and despite seeing movements on the border with arms and ammunitions set at the area, India decides not to strike before Pakistan chooses to do anything more. But then the attack comes to the Indian airbases and a number of flights of Adampur are destroyed and some of the pilots also killed in the process. Now, the question remains if Indian fighter planes stand a chance against the advanced American fighters gifted to Pakistan as the commander Air Commodore David Lawrence (Manish Choudhary) awaits orders from the top, which he does not seem to get. When they finally get the same, they realize that their targets might not be the ones which have the best foreign fighter planes of Pakistan, and it might be located further into the territory. If the team can get to these planes and destroy them, it might be as part of a suicide mission. Now, the question remains if they can really manage to do that without disobeying some of the direct orders from the top and while facing advanced fighter jets.

The defence of Sky Force :: The movie works as a fitting tribute to the nation’s heroes, and at the same time, works with its action and drama really well. The patriotism never really gets over the line and we do not the situation overdone to create a feeling of hate. Akshay Kumar manages to make another patriotic movie work, and this time, the realistic feeling to his character has us with further appreciation. He had provided a certain variety in the same through Airlift as well as Baby and Bell Bottom focusing not on the big battles but what lied beneath the same, and this one goes directly to war, and he manages to make this keep a certain level with the skill of a veteran whom we have loved since the Khiladi series taking it to the next stage. Veer Pahariya, whom most of us have not seen before and is introduced to Bollywood this movie, comes up with a fine work too. His strong first introduction is something that we will remember for long. Among the ladies, Nimrat Kaur has a strong presence while Sara Ali Khan remains okay. The supporting cast does manage to do the job well.

Positives and negatives :: The movie might still feel to be similar to some other movies in the past which have dealt with similar topics, and the Western influence cannot be denied either. Bollywood has always found it difficult to innovate too much, and that struggle can be seen here too. But it has that punch when dealing with a forgotten hero and the patriotism is at the right place, having no excessive melodrama which often threatens to complicate things. The dogfights and aircraft-related scenes are really good with the movie as they maintain the classic strength of the sequences while never overdoing the same – the visuals remain in quality and the sound effects and background music are nicely blended well. The predictability is still there and not all aspects of war and that part of history are shown. If you are looking for too much of a spectacle with style, you might not have it, as such true Bollywood movies would have some overrated actress; compared to another similar movie, I am glad that this one did not have Deepika Padukone or those usual names, for the focus would be shifted if someone like her is added, for the direct approach of this movie needs no glamour and calls for no bikini or swimsuit show.

How it finishes :: Sky Force is that kind of a movie which works on more than one level, even though not all levels get the same impact as intended. There is a lot of quality here, and to that, everyone would agree, and when patriotism and bravery get the right dose, we are going to appreciate the same every time. It easily becomes a tribute to the past which had some of the greatest heroes of the nation who shall not be forgotten. After all, military dramas with strong emotional core and real-life characters providing inspiration with patriotism are the kind that we cannot ignore. If you are looking for that kind of military movies which turn into stylish action films with Deepika Padukone in a swim suit, this is surely not the movie for you. For this one as a tribute with inspiration from real-life characters shall have none of it. There is no wonder about the fact that this did not do that well at the box-office; people look for style over class, and it is what they opt for all the time. It is also the reason for success of too many romantic movies, for they are easy to create in Bollywood with two or more dumb people falling in love. On the other side, we have movies like this which deserves our appreciation for getting so many things right.

Release date: 24th January 2025
Running time:125 minutes
Directed by: Sandeep Kewlani, Abhishek Anil Kapur
Starring: Akshay Kumar, Veer Pahariya, Sara Ali Khan, Nimrat Kaur, Sharad Kelkar, Mohit Chauhan, Manish Chaudhari, Varun Badola, Soham Majumdar, Rajat Kaul, Ritik Ghanshani, Abhinav Bhattacharjee, Virendra Singh Patyal

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@ Cemetery Watch
✠ The Vampire Bat.

Ballerina

Vampire Owl: So, we are going to have a dancing assassin now?

Vampire Bat: John Wick universe surely needed an extra addition.

Vampire Owl: Even Dr. Frankenstein’s universe demands many upgrades.

Vampire Bat: Mr. Frankenstein has had enough extra additions.

Vampire Owl: So, are we going to have a female John Wick here?

Vampire Bat: It would not be exactly the same, as no two assassins are the same.

Vampire Owl: Yes, I know that Hitman is surely not the same.

Vampire Bat: Different assassins will be around, even in the same universe.

Vampire Owl: At least nobody killed Ballerina’s dog, I hope.

Vampire Bat: Well, I am sure that she has lost much more than a dog.

[Gets an uzhunnu vada and three cups of Vagamon tea].

What is the movie about? :: Eve Macarro (Ana de Armas) was taken away from a dangerous crime syndicate by her father, who as well as her mother were killed by the same group. Orphaned at a young age, New York Continental hotel manager Winston Scott (Ian McShane) had taken Eve to the Ruska Roma, an assassin’s society under the cover of performance dancers, where she had met their Director (Anjelica Huston) and decided to be part of the same – she had taken the new girl under her wing as she finds anger and fire in her, which could be put to the best use. She goes through a tough training as an assassin as much as in the form of a ballerina, and meets John Wick (Keanu Reeves) with whom she has a talk about escaping from the cycle and seek her revenge. Eve fights hard and completes her training by killing a former Ruska Roma member and earns the title of “Kikimora”. On her first mission, she successfully protects the girl whom she is assigned with, even after being beaten up and thrown to each corner of a pub.

So, what happens with the events here as we just keep looking? :: As she moves higher in the ranks, turning her weaknesses in fights to her advantage, and completing missions, she ends up killing a man who had the same mark on his hand as the killer of her father. Despite asking too many questions, she is forbidden from pursuing them due to a longstanding peace treaty which has remained in place to avoid bloodshed. But Eve is not happy at all, and disobeys the Director to visit the New York Continental to meet Winston, and she understands that this particular group she is searching is more uncivilized and kill not just for business, but for sport. Winston also adds that a man from this group Daniel Pine (Norman Reedus) is staying at the Prague branch of Continental with a huge bounty on his life. Eve travels all the way to Prague only to find out that there are too many people waiting for Daniel to come out, and there is more about what is happening with him than what meets the eye. Can Even go through all these secrets, and find a way to have her revenge in one way or the other?

The defence of Ballerina :: The movie delivers some more of stylish gun-fu, hand-to-hand combat, and inventive kills that fans have seen in this particular universe. The flamethrower sequence and the quick movements with smart kills in the snow-covered town adds on nicely in the end. All of these rests on Ana de Armas’ shoulders and she goes through the same like a dream which only she is capable of living. It was a tough job to match the Keanu Reeves’ mode, and she has managed the same in her own way. This expansion of the John Wick world was much needed, and we had felt the same after watching the last movie – the mythology itself gets extended so well. The visuals are nothing less than stunning, as we see the same never being less interesting. There is also a certain kind of style which is followed here, and we can never stop appreciating the same. The connection to the other movies of the universe is also really well managed, and even though we watch this as a stand-alone movie, those who watch this together with other movies also have the right elements to make a relation.

Positives and negatives :: One might feel that the villain could have been shown for more time on screen and that the sister bonding needed more than the very few minutes that it had managed. The movie should have also been marketed better, as the box-office could have managed more; maybe it is due to the time of release. But for now, you witness the intensity of the battles and creativity of the fights on Amazon Prime Video where it has found the OTT release. The balance of gunfights and hand-to-hand combat is also something that you will not see this well-executed anywhere else. When we look closer, this has done its duty even better than the original movies of the franchise, as the whole thing is not about the death of a dog anymore, as we get back to being human-centered and on parents being more important. I would be more interested in what Eve can achieve in this world of chaos with a bounty on her head more than John himself, and we can hope that we will know more in a sequel or a combination of sequels connecting this to the original story.

The performers of the soul :: Ana de Armas is an excellent action heroine, and it is something that she has already proven as a Bond girl. Her physical commitment, screen presence and ability to carry the film’s most brutal action sequences while staying on par with Keanu Reeves’ John Wick is worth all the applause. She nicely establishes Eve Macarro as a capable protagonist in her own special way rather than coming up with simply a female version of John Wick. Ever since her debut in Knock Knock, that too with the same actor, Ana surely has come a long way with works like Deep Water making an impact out of nowhere, as she has also been the first Cuban to be nominated for the Academy Award for Best Actress. Her action here is too good, from that first big action sequence in the pub while defending a target, then that rather funny fight in the kitchen, and that final battle, all getting to the best, while there is no doubt left about the fact that she is a ballerina. The emotions are also reflected really well on her, as she becomes the perfect package here. Keanu Reeves presence also adds to the over quality, while Gabriel Byrne makes a good enough antagonist.

How it finishes :: Ballerina remains a solid action movie and one of Ana de Armas’s strongest performances of any kind till date. The fight scenes with that particular visual style are excellent, and the tale nicely fits into the universe and promises to bring more, especially as the leading lady here feels like having so much to offer. If you have not seen her fighting in a pub, snow-covered buildings, hotel lobbies and more, there is much that you have missed, especially if you have loved watching a lot action on the screen in the past. The one thing I would regret more than others is not watching this one on the big screen, as I saw how good it looked on an android mobile phone with Amazon Prime Video. You might not find a better-looking action movie not on superhero mode, as this kind of mythology is set for group of assassins, and that serves really well. If you have enjoyed the John Wick universe, this one is worth watching for the action alone, and your entry to this extension will be something memorable. The movie could have had a wider release in this part of the world too, as this universe had never ceased being interesting here. For now, you go back to Amazon Prime Video and give it a try.

Release date: 6th June 2025
Running time: 125 minutes
Directed by: Len Wiseman
Starring: Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Norman Reedus, Ian McShane, Keanu Reeves

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@ Cemetery Watch
✠ The Vampire Bat.

Osiris

Vampire Owl: A movie about the Egyptian god who brings the dead back to life?

Vampire Bat: I feel that there will be only a small connection.

Vampire Owl: The name should actually be associated with us as we come back from the dead.

Vampire Bat: The vampire elders do not approve of the dead given more importance than the undead.

Vampire Owl: Is there any undead who do not come from the dead?

Vampire Bat: The undead are also summoned through magic.

Vampire Owl: Aren’t they the animated skeletons of necromancers and northern witches?

Vampire Bat: And they call us the animated ones.

Vampire Owl: The necromancers have been banished for too long.

Vampire Bat: There are still the necromancer vampires.

[Gets an avocado shake and three cups of Vagamon tea].

What is the movie about? :: US Special Forces on a mission in the desert, Kelly (Max Martini), Rhodie (LaMonica Garrett), Jax (Jaren Mitchell), Reyes (Michael Irby), Gibbs (David Meadows), Nash (Linds Edwards), Bull (Dawson Towery) and Scars (Stanley White Jr) find themselves in a tough battle on the ground, only to find something else also coming up. They are abducted by some strange floating structure of gigantic proportions that appears on the sky after unleashing some kind of weapon on the ground. The floating structure seemed to cause enough havoc on the ground, much more than what was happening around. After a series of nightmares, those who survived awaken, disoriented and confined within some stasis pods, on what seems to be an alien spaceship or an extra-terrestrial building, maybe even located outside the planet. The structure seems to be scientifically advanced, with very less lighting, even though not without stains and dirt, as if straight out of a realistic first-person shooter game.

So, what happens with the events here as we just keep looking? :: As the soldiers further explore the areas, they come across skinned human corpses hanging from above and unfamiliar but seemingly advanced weapons and technology. They also find a struggling young Russian woman Ravishka (Brianna Hildebrand) who is tightly chained to a pole, and as they rescue her, they meet her captors too. The captors are strange creatures, tall, eyeless humanoids with armored skin, sharp claws and energy-based weapons and shields. They keep fighting their way with the help of alien devices which they manage to take from the fallen ones. Ravishka tells them that she feels that she is from around there as she has been around for a long time, and explains that the ship collects humans to be processed as food. She guides them in a journey away from danger through lesser-traveled maintenance tunnels. After a series of encounters with aliens and near-death situations, they fall into a pool of blood filled with remains of dead humans.

What more happens here as aliens seem to be near-invincible and ready for food? :: They are rescued by another survivor named Anya (Linda Hamilton), Ravishka’s mother, who tells them that she has been there for a very long time, and was part of a Russian team which tried to fight the aliens who tried to take over the world. None of them are left now with the last group being captured with Ravishka and brutally murdered. Now, they have to depend on the newly found friends. There, they realize some of the strangest truths about what happened on Earth and how aliens have been going about. They have now lost almost half their soldiers, and are only fortified better with the alien weapons and ammunitions – but the aliens are tracking them through heat signatures and sound. After knowing more, they realize that they have a bigger mission than they thought about and it would be tougher than ever. Can they accomplish that without losing any more of their people?

The defence of Osiris :: The movie has some fast-paced combat that keeps us interested at all times. The signs are shown early enough with the first battle in the desert before the aliens’ arrival, and points to some military warfare more than a random alien invasion. The shootouts feel great from the desert to the alien ship and we have an action game mode feeling going on here. The details are very good, with the spaceship having a classic look, and aliens looking like part of a fine design. There are those moments when we first see the aliens, and the second just before that, which kept us at the edge of the seat like not many other alien movies could do. These are the kind of aliens that we can accept more than any other, and brings some nostalgia back to us. The action feels classic, and we are reminded of Doom in its multiple forms as aliens are no less than demons either, even supported further by some dialogues spoken. The intensity of the battles keeps a certain level at all times. The need for survival is always there, hoping against hopelessness.

The claws of flaw :: The movie does not go deep into the material, and is happy with the surface level journey. There seems to be a little bit too much dependance on the early science fiction movies, including Alien and Predator as well as those sequels. The innovation was there to be taken, but it does not come to the front. The script could have used a push, with more classic elements, and as we see how the movie ended, there could have been more clues in between, with better connection to the title. By the end of the movie, saving the girl gets too much of an attention despite her being introduced as a fighter in captivity in the beginning. Some of the characters are just there for the sake of being there, and even the main characters seem to get less attention to their detail. The moments of survival and twists could have also been better written to create better impact, and alien invasions could have been explained with visuals. There were so many opportunities to make the situations more and more interesting.

How it finishes :: There was always scope for so much more, but that much is not taken here, with the safe zone seemingly the place to be, without that extra innovation. There are not many deviations which seem to be in the mind of the makers which could come out of the box. Still, this remains a very much entertaining journey – there is no boring moment as you are transported to this dangerous world. It is that strong sci-fi action entertainer rather than a thoughtful science-fiction movie. The fast-paced action, alien attacks and nostalgic appeal the best for some time-pass watch rather than provoking thoughts. But some struggle in writing, predictability in plotting, and thin character development keep it from standing out within its genre or leaving a lasting impact. It feels more like a derivative sci-fi action film that never ceases to be entertaining, and also has a scary side taking it close to another genre, as we wonder if this could also become a successful computer game in future.

Release date: 25th July 2025
Running time: 108 minutes
Directed by: William Kaufman
Starring: Max Martini, Brianna Hildebrand, LaMonica Garrett, Linds Edwards, Jaren Mitchell, David Meadows, Michael Irby, Linda Hamilton

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@ Cemetery Watch
✠ The Vampire Bat.

Narivetta

Vampire Owl: This is one movie we missed at the theatre despite being interested.

Vampire Bat: Well, it was said to be a political action thrillers and politics is not our thing.

Vampire Owl: Some of those rare Tovino thrillers that we missed.

Vampire Bat: We have never been the people who watched movies for its actors.

Vampire Owl: Yet, we have watched more Tovino movies in the theatre considering the ratio.

Vampire Bat: It is the case of acting in the kind of movies that we like to watch.

Vampire Owl: Yet, we have created no borders in cinema.

Vampire Bat: Well, we have watched almost every kind of movie.

Vampire Owl: Yes, our identity is of people of the true cinema.

Vampire Bat: We will one day be left with nothing more to watch in Malayalam cinema.

[Gets a paneer samosa and three cups of Yercaud tea].

What is the movie about? :: Varghese (Tovino Thomas) has been living a usual small-town life having a lot of time spent with his love from school days, Nancy (Priyamvada Krishnan), despite the disapproval of her father. Varghese has been employed since forever, as he keeps looking for a good job, ending up getting none, while Nancy has been employed in a bank for some time. Along with the same, Nancy’s father is a rich man running a number of business ventures with his influential family members, while Varghese’s family has the history of his father committing suicide due to financial problems, from where they never recovered. This makes the marriage alliance almost impossible between them, and both families are aware of the same. Finally, after being forced by Nancy, he decides to take up the job of a police constable, even though he continues to wish for much more. He thinks that he will study for the Public Service Commission tests while working as a constable in the police force.

So, what happens with the events here as we just keep looking? :: Varghese is not at all confident or comfortable at the police camp, but he is supported by Head Constable Basheer (Suraj Venjaramoodu), a senior with whom he forms a bond, as both are forced into this job due to different circumstances. While Varghese is not that popular with his colleagues, things only get much worse as tribal protests erupt in Wayanad demanding land rights under the leadership of C K Shanthi (Arya Salim), Madhu (Prasanth Madhavan) and Thaami (Pranav Teophine), as they seek the fulfilment of promise by the government. DIG Raghuram Keshavadas (Cheran) is assigned the task for suppressing the agitation. Raghuram becomes the hand of the politicians of the state, and with his plans nicely at work, the support of army is also requested. This would mean that Varghese and Basheer would have to face something different from what they were expecting – can they survive the same and come out strong?

The defence of Narivetta :: This one is a bold movie with strong performances that go deep down the list. As the movie focuses on issues like tribal rights, police violence and the abuse of power, with inspiration from the Muthanga Incident, there is a certain amount of realistic touch to some parts of it, with some scars never really fading and some resolutions never really being reached in a world of chaos and absurdity due to human behaviour. The realistic side often takes the front seat, keeping the commercial side to the minimum, and this mode is followed not only by the moments inspired by original events, but also those which come around it to complete the movie. The romantic side is also good, and the “Minnalvala” song is going to remain a favourite for a long period time, even after time passes by a long way. The hero and heroine surely have a fine chemistry between them, and the choice of supporting cast works like a dream. The movie surely has a lasting effect to make the audience think about situation in a chaotic world.

The claws of flaw :: The movie is surely too long, and we are forced to fast forward it as we watch it on the OTT platform, Sony LIV. Even with the less shown romantic side, there is a stretch, and with the serious moments that come later, there is more lag, and we often feel that there is the journey through similar situations and dialogues again and again, with moments also present where nothing much of interest happens. Then, the heroine is mostly lost after the romance seemed to have a role in the beginning. There is a struggle that goes on with the movie, which is not just between the characters, but also to keep the main idea at the core and engaging enough for everyone. The predictable story is surely there, even if we keep the closeness to real incidents away. Some moments just feel like made to keep the whole thing rather comfortable. The antagonist, as a character, could have also had more strength, and just using the government and the system for villainy serves less as a whole.

The performers of the soul :: As expected, the highlight of the movie is the performance of Tovino Thomas who comes up with a strong performance as the main character like he always did from Minnal Murali to 2018, Thallumala, ARM and Anveshippin Kandethum, nicely portraying the character’s change from a careless young man to someone who stands for justice against all odds, bringing a dynamic character to life. He scores with the emotional side, whether it is the romantic side or the hopelessness that comes later when facing injustice. He further scores through the “Minnalvala” song with Priyamvada Krishnan who comes up with a responsible performance in a character that sticks more to the loyal romantic side, but with determination. The song surely has her best appearance ever. Suraj Venjaramoodu once again comes with a performance that strikes, a matured one that will stay with us for long too – as a mentor, big brother figure to the main character, he remains a character who brings maturity to the scene, while keeping close to doing the right thing. Arya Salim is extraordinary in her work as she brings a character to perfection while Cheran brings villainy nicely to the scene.

How it finishes :: This is a movie which is worth a watch for how it progresses with a content that needed some fine attention, and keeps it working without deviating from the main thing which it seems to be seeking towards the climax – the final justice. The progress is not that smooth though, and even when scratchy, it is surely going in the right direction. There was a little bit too much of expectations with this movie, and it does not seem to progress in the way the posters and the superhit song were seemingly pointing to. A bigger scope was surely expected of this one. But the movie gets many things right, with its focus on the need to do the right thing even when against some of the most powerful forces, and on having faith even when there seems to be not much of a chance for hope. The ending is achieved well in a realistic manner, rather than going through those mass-appeal moments when hero just takes what he wants – it is the kind of idea which would increase the gross in other states and those languages, but not with this one, as it seems to have faith in the realistic, and that has served well.

Release date: 23rd May 2025
Running time: 138 minutes
Directed by: Anuraj Manohar
Starring: Tovino Thomas, Cheran, Suraj Venjaramoodu, Jithin Eden Mathew, Priyamvada Krishnan, Pranav Teophine, Prasanth Madhavan, Rini Udayakumar, Nandu, Sudhi Kozhikode, Srikant Murali, Badusha N M, Appunni Sasi, Kumar Sethu, Vijesh Lee, Shahi Kabir

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✠ The Vampire Bat.

The Housemaid

Vampire Owl: We have waited for this movie to come in the OTT for some time.

Vampire Bat: And it is on Amazon Prime Video, which is for the best.

Vampire Owl: Well, we all needed our Amazon Prime deliveries.

Vampire Bat: There is no Amazon delivery in Dracula castle.

Vampire Owl: Well, we can always pick them up from the borders of the realm.

Vampire Bat: What we need are very much here, and at best quality.

Vampire Owl: The vampire apprentices are really working hard, aren’t they?

Vampire Bat: We have shifted to magic for doing the work for us.

Vampire Owl: Dr. Frankenstein had invented enough to help with that.

Vampire Bat: Mr. Frankenstein’s pseudo-science actually helps and saves nobody. Frank no longer has enough access to our work.

[Gets a vegetable samosa and three cups of Kodaikanal tea].

What is the movie about? :: Wilhelmina Calloway a.k.a. Millie (Sydney Sweeney) is on parole after committing a murder in self-defence. It is then that she is hired by Nina Winchester (Amanda Seyfried) as a live-in maid, much to her surprise as her criminal records did not stop her from being hired for such a big job after so many rejections. The home also has her daughter Cecelia Winchester (Indiana Elle) and husband Andrew Winchester (Brandon Sklenar) who are surprised to see her around there, but Nina is determined that she should have a housemaid as she cannot manage household work even though Enzo Accardi (Michele Morrone) takes care of the work outside. Mille is given an attic bedroom that can be locked from the outside, much to her surprise, and she tries to get a key for the same. But she is so desperate to keep her job as it is a term of her parole; due the same, she just goes on with the process despite the problems that come in her way, and feels that there is something wrong with Nina and the family seems to be slowly falling apart.

So, what happens with the events here as we just keep looking? :: Mille further learns that in the past, Nina was locked in a mental hospital for a period of nine months for trying to drown Cece in a bath tub under the effect of drugs and for has tried attempting suicide by overdose. Nina is considered mentally unstable by different people, and some of them seems to keep a distance from her too. Millie also finds her to be very angry towards her, and breaks things while keeping on shouting. It could also be seen that Nina says one thing to her and forgets the same later, keeping on saying that Millie decided to do that thing against her instructions. The neighbours consider her to be a dangerous woman, without a family, and has attached herself to her husband who is rich, handsome, and sweet to everyone around. Andrew’s mother Evelyn Winchester (Elizabeth Perkins) is also that high society lady whom everyone revered, and keeps telling the family about a few things which they should always follow without fail.

And what more is to happen around here as a crisis seems to be on the way? :: A similar case occurs as Millie books Broadway musical tickets and a hotel for the Winchesters in one of the richest areas, but later, Nina just denies having given her those instructions, and tells her that she will take the money out of her salary as the tickets are not refundable. But when Nina was talking her daughter to the ballet camp, Andrew tries to cheer Millie up by secretly taking her to the show, and after enjoying dinner together, they check into the hotel. Millie receives a large number of angry texts from Nina, but Andrew, and the two start and intimate relationship in the hotel bedroom. Then, when they return home, and Millie realizes that Nina has found out that she spent ten years in prison for murder. Nina uses this knowledge to make sure that police arrest her on stealing their car, after reporting a stolen car. But this would not be the end of it, as her plans might be more sinister, and the family secrets would mean more trouble. Can Millie survive this?

The defence of The Housemaid :: The movie maintains a certain level, with nice red herrings and the suspense always ready to come out, with thrills going on strong – the performances of the leading actresses are also to be noted, as Sydney Sweeney and Amanda Seyfried blends into the situation really well. Sydney seems to be very close to becoming the next scream queen in a horror movie, and we have seen her capability with thrillers earlier itself, through The Voyeurs. Amanda had a more complicated role, and she maintains a certain amount of skill to go through the transformation of the character. Brandon Sklenar also joins well here. The tension is nicely built, as the viewer gets curious with secrets to be revealed, mind games and twists which might not be the kind that one can predict with ease. There is the feeling that we are watching the kind of thrillers which we had during much earlier times. The dramatic side also works and entertainment is guaranteed, with most of the action set in a big and isolated house which is set far away from the city.

The claws of flaw :: The movie’s ending seemed to be too quick and forced. After that, there is another scene which feels like not relevant at all, as Sydney Sweeney’s character was surely not fit to that situation, and it is not a kind of job that one could take when on the list of police; strange that some fine endings feel the need to be made further complicated by an additional scene – even if it was created to bring hope for a sequel which also would not fit in. The predictability also comes in after the grand twist, and after that, the situation feels just going on and on, and nothing more. There was also the slowing down in between, and seemingly an attempt to divert the movie a little too much. The length of the movie is surely a little too much, as sometimes, time is just lost in the dialogues. With the movie becoming too much filmy, we can also see that the realistic side, despite being present, sometimes losses its charm. The flashback and the explanations are also too long, and the main character, without any prior knowledge of the predicament, seems to guess and thus understand everything with relative ease.

How it finishes :: This particular movie had successfully become more than what is seen on the outside, and we know that movies like this one and Deep Water, as well as Gone Girl, strikes because they have something more than what is seen on the surface. Compared to those titles, this one also ultimately stands as a highly watchable but not the best psychological thriller that leans more towards providing the old-style entertainment rather than focusing on the much-needed depth. Powered by the performances led by Amanda Seyfried and Sydney Sweeney, the movie could create an engaging atmosphere having tension, secrets and dramatic twists. It chooses the commercial side instead of the intellectual, and manages to work well in the same. It still relies on familiar tropes, some predictability and moments of too much talking about the past to reduce the overall impact. But you are sure to enjoy this one because the movie is made in a way that the appeal to the audience would be more, and catering towards the regular thriller fun side is here to be taken home, even if it is from Amazon Prime Video.

Release date: 19th December 2025
Running time: 131 minutes
Directed by: Paul Feig
Starring: Sydney Sweeney, Amanda Seyfried, Nicholas Galitzine, Julie Walters, Alex Wolff

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@ Cemetery Watch
✠ The Vampire Bat.

Frankenstein

Vampire Owl: I have been informed about this particular movie.

Vampire Bat: I know who told you about this.

Vampire Owl: There is no reason why Dr. Frankenstein would not approve of this movie.

Vampire Bat: Anyone named Frankenstein do not count as the real one.

Vampire Owl: He is the vampire certified version of a true scientist.

Vampire Bat: Too many versions for most of us to comprehend.

Vampire Owl: The demons have also approved of the same.

Vampire Bat: When did you start asking the shadow demons about anything?

Vampire Owl: They have provided a telepathic connection to the vampire blood bank.

Vampire Bat: Your friendships these days have become too questionable.

[Gets a chilli porotta and three cups of Vagamon tea].

What is the movie about? :: In 1857, a significant crisis arises when Horisont, a Royal Danish Navy ship sailing for the North Pole becomes caught in ice, and something unexpected also gets added as they find blood all around with signs of some brutality. Captain Anderson (Lars Mikkelsen) saves an injured Baron Victor Frankenstein (Oscar Isaac) who is caught in the snow and is attacked brutally by the Creature (Jacob Elordi) which shows no signs of backing down despite everyone of the crew trying their best, as it seems almost impossible to stop from unleashing unlimited chaos. The humanoid creature demands Victor’s surrender while destroying everything on the way, but ends up going under the thin layer of ice, bringing relief to the crew, as Victor begins to tell his story. Victor explains to the captain that he is not attacked by some random abomination from another world, as he admits that he was the one who created the Creature and recounts the events leading to this particular creation.

So, what happens with the events here as we just keep looking? :: Victor remembers having a strict and abusive childhood due to his father beating him for even the smallest mistakes in his studies, as Baron Leopold Frankenstein (Charles Dance) wanted his son to be a surgeon like him, an expert in medical science like himself. He had married Victor’s mother for convenience and money, and nothing else – she dies with the birth of the second child, William Frakenstein (Felix Kammerer), who quickly becomes a father’s favourite, but Victor keeps mourning his mother and hates his father for what he feels like hesitation to save her life. Fueled by the hatred towards his father and indifference towards his young brother, Victor becomes a brilliant, but arrogant surgeon obsessed with curing death through science, based on the words of Leopold which meant nobody could defeat death. After years of trying to achieve the impossible, he is expelled from the Royal College of Surgeons of Edinburgh for reanimating corpses, which every major member of the society considered a brutal sacrilege.

And what more could happen here as the arrogance and pride would have more to do in a world of chaos and meaninglessness? :: With all hopes seemingly lost, Victor is approached by an arms leader and billionaire Henrich Harlander (Christoph Waltz) who is impressed by his presentation and the movement on the face and arms of an animated dead body, offers Victor unlimited funding and an isolated Gothic tower in the middle of nowhere to continue his experiments, seemingly with his own sinister plans about life, death and afterlife. After successfully gaining the maximum of his, as well as William’s assistance in developing his laboratory out of nowhere, Victor also becomes interested in a young lady named Elizabeth (Mia Goth), Henrich’s niece and William’s fiancée. She appreciates his efforts towards greatness, but does not like his nature at all, with him seemingly lacking in morality and becoming more and more greedy without concern for anyone around him. Victor keeps running out of time as Crimean War breaks out and Henrich is on a hurry, but what is the best he can finally achieve here?

The defence of Frankenstein :: The movie is a visual stunner, and it is the first thing that we notice about the movie. The Gothic world of the film keeps us completely immersed in the same, as we are never out of the architectural beauty and the use of colours, along with the images of the archangels, and the spires that point to heaven as much the scientific equipment which also create an impact. The dark tower is symbolic of the overreacher, with our hero continuing to be the hero that seeks more, like many others that we know, most significant name among them being Doctor Faustus. Guillermo del Toro’s Crimson Peak kind of effect continues here, as the Gothic world would always remain safe with him, not just with the darkness and the sinister alleys, but also with the colours, red being one of the most beautiful one as always, this time with that guardian angel imagery staying further in memory than the rest. This one is surely a more sensitive and emotional take on the original story, which have felt rather basic and rushed compared to some of its fine adaptations of later times. The film takes the creature out of its tough shell and shows it as a sensitive and intelligent being trying to help people, and also seeking love and belonging, without which, it changes; the same is depicted smartly.

Positives and negatives :: Oscar Isaac manages a good job with the character which is a little bit overdone for our liking. Mia Goth makes a good presence, but is not used that much as she should have been – A Cure for Wellness was the movie that used her the best, and then there was X; in this movie, she seems to be in the background like a conscience in mind. The last one and half movies are the ones which keep us so much interested, after those beginning stage, for there is so much strength there, leading to that finish, which makes one satisfied with that finish. The one hour after the first ten minutes or so have a struggle, and the pace also struggles. The movie is too long and stretched feeling is there, often also adding unnecessary elements; not all deviations are good either with theme elements going the wrong way in the process. Christoph Waltz’s character will surely catch our attention again, and Charles Dance continues to impress in a short period of stay. Felix Kammerer and David Bradley will also keep us interested in the world, which had a grand beginning with that fight in the snow.

How it finishes :: We have always had a fine dose of Frankenstein stories along with the original one which has kept going strong and inspiring so many derivates including Victor Frankenstein, I, Frankenstein and that guest role in a tale Castle Transylvania and its sequels. This one is another fine deviation which works, and is incredibly beautiful with the world – still, it could have been much better when we think about Guillermo del Toro as the director who brought us some of the most classic versions of myths and legends from the fantasy Pan’s Labyrinth to the full action Pacific Rim. This is that kind of a world where he makes his characters thrive, which would be a reason for the audience to expect more. The critical opinions have surely been positive, and as Mary Shelley’s ideas get expanded through a different path, we would still miss the horror, and despite an attack in the early stages of the movie, there is not much to bring the fear to us. As the monster and the creator are forever, this one would also be for long, as we ponder over the dangers of uncontrolled use of science, loneliness and rejection and above all – responsibility of creators for their creations, which some of the new age parents really need to understand instead throwing children to society, teachers, friends and relatives.

Release date: 7th November 2025
Running time: 150 minutes
Directed by: Guillermo del Toro
Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Krammerer, David Bradley, Lars Mikkelsen, Charles Dance, Christoph Waltz, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Ralph Ineson, Burn Gorman, Nikolaj Lie Kaas

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@ Cemetery Watch
✠ The Vampire Bat.