Tag Archives: spectacle

Predator: Badlands

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Vampire Owl: They used to call vampires by the title predators.

Vampire Bat: Those times are over now, with a specific set of books and movies.

Vampire Owl: You should know that there is always a chance to reclaim that position.

Vampire Bat: As far as I know, predator is not really a position.

Vampire Owl: It could be the side title of a vampire.

Vampire Bat: You know that these predators are aliens, don’t you?

Vampire Owl: Dr. Frankenstein has told us that there is information which shouldn’t be revealed.

Vampire Bat: Mr. Frankenstein, in the form of a fake doctor, tells nothing of relevance.

Vampire Owl: You know that he inspired a book and so many adaptations.

Vampire Bat: That was the imagination that served, not the person.

[Gets a paneer puffs and three cups of Wayanad tea].

What is the movie about? :: Dek (Dimitrius Schuster-Koloamatangi) is the smallest member of his clan on the planet Yautja Prime, and is considered too weak to be among the predators. To prove that he is better than most of his kind, Dek plans to hunt a creature known as the Kalisk, an apex predator on what is often called the death planet – the world far away known as Genna. Kwei (Mike Homik), his stronger elder brother tries to prepare him for his battles as much as he can. But their father Njohrr (Reuben de Jong) appears all of a sudden and asks Kwei to kill his brother as he is a shame to the clan of fierce warriors. But Kwei refuses only to be killed by their father, but not before he sends his brother to the death planet so that he can prove his worth by hunting and defeating the feared creature. He reaches the planet, but realizes that this is no easy task, as the planet itself has that kind of flora and fauna which makes it very difficult to survive, as danger is hidden in almost every spot around there.

So, what happens with the events here as we just keep looking? :: As Dek losses most of his weapons and tech while fighting the forest, he comes across Thia (Elle Fanning), an advanced, but damaged Weyland-Yutani Corporation android, whose team of synthetic soldiers was destroyed by the Kalisk while on a mission. She had lost her body from the waist downwards and with the help of Dek, manages to free herself from her predicament and supports him against the incoming trouble, and guide him. He ties her to himself as she had no legs and faces the dangers while moving forward through the treacherous terrain. Soon, while on a hunt, they are joined by a friendly creature that Thia names Bud. The creature marks Dek with her saliva and accepts him as her clan as he defeats two creatures which were on their trail. But he tells them that the one thing that matters is the trophy, and that it can only be gained by killing the creature. Despite Thia telling him that back on Earth predators like wolves have the alpha that protects the pack, he remains adamant that he would be the alpha who kills the most and not the one who protects.

And what more could follow in this world of unmatched danger? :: Thia understands that Dek only understands revenge and is looking forward to prove that he is worthy against all odds. It is then that Thia’s twin android and the expert hunter Tessa (Elle Fanning) is found and revived by Weyland-Yutani androids and is repaired at their main base. She is warned that she would be decommissioned and replaced if she fails her mission. She finds out that she is with an alien creature that would remain a threat to their mission. With a new Weyland-Yutani team, Tessa begins searching for Dek’s group, and finds his crashed ship which has the arms and ammunitions which interests her including those which belonged to his brother. Thia who reaches the area where she was ambushed, finds enough of the technology to connect herself to her body parts below the waist. But at the same time, she understands that Tessa and her group is coming, and the creature is also nearby. A big fight seems to be on the cards. Now, who will survive and will the fight be worth it?

The defence of Predator: Badlands :: The movie surely has some good action, and fighting is all around, from surviving a dangerous jungle with strange flora and fauna to fighting android robots with advanced weapons. The battle against the apex predator and the final battle requires special mention along with that fight of Thia with her body separated into two especially of the waist below has an innovative as much as funny side to it. There are also some funny lines to go with the fight, but that does not bring the quality of the battles down, as we see the big creatures being destroyed and getting attacked by nature itself in all its grandeur. The movie never ceases to be a spectacle, as the scope is a lot, with alien planets including desert lands and dense forests – the creatures are nicely created and detailed, with the possibility of danger nicely felt. It would have been a movie more for the theatre than for Jio Hotstar as we enjoy the beauty of the worlds on the screen, as we would have in computer games like Mass Effect and Unreal Tournament, or Star Trek works.

Positives and negatives :: Elle Fanning as Thia stands apart as one of the best android robotic characters of all-time, something which we see this good only in the Alien movies – Prometheus, Covenant, Romulus etc have known this Weyland Corporation more than any other, and the cross-breed of franchises has been clearly shown here with this particular presence. Her other character in the form of antagonist pales in comparison as this one keep scoring all the time. Dimitrius Schuster-Koloamatangi makes this particular Predator work well according to the situation, and the bonding works nicely. Other humanoids become rather irrelevant here. The movie also provides the message of being together and coming back strong as the underdog, but in the process, loss some of the qualities of Predator franchise, seemingly getting closer to the Guardians of the Galaxy, Thunderbolts and Suicide Squad. There seems to be the easy way taken at times, especially after that grand fight at human side in the end. The characters are still well-developed to keep us further interested.

How it finishes :: Predator: Badlands releasing on Jio Hotstar was something quick that we did not realize that the same had happened. This quick release was pretty much needed though, as we looked forward to watching another live-action movie featuring the classic alien or predator. There are those action sequences which justify its release, and despite the predator character undergoing a little too much of a transformation, works really well. The final scenes leave scope for a fine sequel, and we all hope that it will be served well. Until then, we enjoy being transported to a world of charm and danger, but certainly that of beauty in a planet far away. After all, when people were after Terminator, its sequels and others, we were the ones who stuck to Predator as the one classic science fiction thriller that we would remember. After all, we are all in a world of the hunted and the hunters. There is no escaping the same. The idea of hunters developing a conscience is never a bad idea despite changing a little too much of the core idea.

Release date: 7th November 2025
Running time: 107 minutes
Directed by: Dan Trachtenberg
Starring: Elle Fanning, Dimitrius Schuster-Koloamatangi, Reuben de Jong, Mike Homik, Alison Wright, Cameron Brown, Rohinal Narayan

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@ Cemetery Watch
✠ The Vampire Bat.

Warriors of Future

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Vampire Owl: I don’t know these warriors at all.

Vampire Bat: They are from the future. We belong to the past.

Vampire Owl: Eternity is not something of the past.

Vampire Bat: The quality of eternity is that it always begins in a past.

Vampire Owl: We do not always sit in a future to see it.

Vampire Bat: We are currently in a future of that eternity’s past.

Vampire Owl: Why do you sound like parts of an X-Men movie?

Vampire Bat: You could also ask your Frankenstein for answers.

Vampire Owl: Doctor Frankenstein do not answer to speculations.

Vampire Bat: Well, it is because he is not a real doctor at all.

[Gets a chicken puffs and three cups of Munnar tea].

What is the movie about? :: The story moves to a world in crisis in a distant future. Humans have been fighting each other for years without thinking about the consequences of their actions, and the invention of battle robots which were made specifically for combat and mass destruction made things even worse. There have been countries going against each other and people against their own kind. Humans never learned their lessons, and people had to pay the price for the non-stop wars which led to devastation of environment with polluted air and water, as well as devastated ecological balance. Earth has turned not suitable for living for most creatures, and it particularly affected the health of humans. The newly born children had terrible diseases, and some of them barely lived past a few years. Then, the governments all around the world wishes to fix things, and built machines called Skynets to purify the air. These Skynets do manage to bring fresh air to some sectors of the major cities, but in a restricted manner. Then on one day, a giant meteorite falls into one of those sectors, and a giant plant begins to emerge out of it.

So, what happens with the events here as we just keep looking? :: The plant would wreak havoc everywhere whenever it comes into contact with water, and scientists called it Pandora after the box from the Greek myth. The plant has the power to reclaim environment and get Earth to its previous state, but it only goes on destroying cities as it grows when it comes into contact with water. Scientists feel that there should be some method through which it could be made useful to humanity, instead of causing chaos, but that seems to be hope against all hope. Pandora’s growth has been proportional to the amount of rain it gets. It absorbs pollutants, then releases hydrogen, and the new idea of the scientists is to use a virus to alter Pandora. If the plant can be stopped from growing using the virus before the next thunderstorm, it could actually save a lot of lives, as the air will be purified, and the plant would not grow to take over anything more. But the mission is a very difficult one, as nobody knows how exactly the alien plant would reach to the humans coming near it with machines and trying to drop a virus which it would consider harmful.

And what more can happen in this future world of chaos and destruction? :: There could be side-effects to the initial Plan A, and Plan B is not something positive, as there would be massive destruction all around. The only backup plan is to destroy the whole plant from a distance along with the many people and structures which surround it. The number of corpses would then be more than anyone could have seen before from a single event. Usually, people would not keep such a plan at all with lives at stake. But there are people who wishes to keep the Skynets working instead of Pandora replacing the machines. They would want to keep their prized possession at the top. So, not everyone wants this mission to be successful, and with some possibility of chaos around, can the mission be successful quickly enough and save lives? Are the troops which were sent for the purpose experienced enough, and are their gadgets good enough to serve the objective well enough? As the plant also has its own defense mechanisms, things might not be that easy as healing a random plant with a medicine. So what kind of a future are we looking at as far as humanity is concerned?

The defence of Warriors of Future :: Here is another Chinese movie which gets the science fiction and apocalyptic world closer to an enjoyable reality. Russian films have also come close to making such things happen, and here we see a visual treat of a future world plagued by pollution and an alien plant which grows without limits. The idea has been nicely put into picture, and the action sequences are really good. The creatures are well-detailed and so are the robots. There are deviations from the usual pictures of monsters in armour and skin nicely brought to light here. The Skynet and Pandora visuals are nicely created to bring the special feel of the environment. The performances are really good, and the leading cast seems to be wisely chosen to keep the seriousness alive even while adding some nice humour here and there. They have nicely contributed to being part of a science fiction action thriller set in the distant future with the right elements. The high box-office collections of the movie are a reminder that it would have been a fine spectacle on the big screen in Hong Kong, as we find the visual strength to be worth watching in the theatres.

The claws of flaw :: This movie was supposed to release three years earlier, and if that had happened the visual effects would have been even further ahead – it still remains a visual effect treat as of now. One can feel that there is some inspiration taken from other works here too. This journey feels like the return to a zombie-infested world like in Peninsula or Army of the Dead to do the near impossible task. The world, even though not explored from everyman’s point of view, can be a part of the list of our favourite ones from fiction. The alien creatures could have been more terrifying in appearance rather than having similarities with a few that we already know to be scarier. We could have also had more alien attacks, even though not in the mode as explored in the Alien franchise. The robots could have had some more battles in the earlier stages of the movie, as the early war is not that much shown with all the devastation which occurred to Earth’s flora and fauna. The movie could actually have a sequel too, as the tree still remains a mystery, and more could follow it.

How it finishes :: Warriors of Future makes another interesting piece of science fiction from China like The Wandering Earth which had raised the level of the possibility of an apocalyptic scenario to something very interesting as well as divergent in nature – with films like The Soul bringing even more divergence. The movie here, despite having some similarities with other titles, do have the divergence of its own. Outside Hollywood, Russia also had so much of entertaining science fiction ideas with movies like Superdeep, Coma, Sputnik and The Blackout. During these days, science fiction needs to have its divergence from all languages and cultures, and this film takes another fine step towards it. At the same time, we see another warning against wars and weapons of mass destruction as well as the actions against environment. Then you have the science fiction entertainment with an apocalyptic scenario right here. We keep watching some fine horror and science fiction from all around the world, and they make us feel like that is the closest to truth and a probable future that we can get.

Release date: 25th August 2022 (China); 2nd December 2022 (Netflix)
Running time: 99 minutes
Directed by: Ng Yuen-fai
Starring: Louis Koo, Sean Lau, Carina Lau, Philip Keung, Tse Kwan-ho, Nick Cheung, Janice Wu, Wan Guopeng as Connor Kwon, Eddy Ko, Sakurako Okubo

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@ Cemetery Watch
✠ The Vampire Bat.

Gravity

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I have to agree that the wait for gravity has been much long, as the trailer came to the theatres quite early, with not much information available about it. No, it was not one of those movies which I was waiting for, but it became a movie worth waiting for, after having its own transformation from nothing to everything with those highly positive reviews and good word of mouth, and remained in the support of nearly 97% positive reviews in Rotten Tomatoes and 8.9 in IMDb, something which had to result in a rise in the number of viewers in the theatres, and because of that, we had to book our tickets online, not really something we had to do this year in spite of the fact that Iron Man 3 made us do the same, even as Man of Steel had threatened to do the same again and The Wolverine had succeeded in it. Yes, Gravity was to be watched at any cost, and we decided to waste no time, as we approached it the very next day after it was released here to positive reviews.

It has to be noted that the story for this movie is quite simple and lasts no more than one and half hours. We are introduced to Dr. Ryan Stone (Sandra Bullock) on her first space mission, and the veteran space traveller Matt Kowalski (George Clooney) who have almost finished their job when the space waste from a destroyed Russian satellite hits them and everyone except the two are dead. Matt saves Ryan from being lost in the space forever with low level of oxygen, but cuts himself off from her when he feels that it will endanger them both. After getting into the semi-destroyed International space station from their damaged shuttle, she has to use one of the damaged modules to somehow get to a chinese space station, from where she can go back home in their modules. As someone new to the whole thing, and with no communcations to advice her, she has to use more than what she knows to survive and make it back to Earth. It is not the most interesting plots around, but you have to love it for what is shown on the screen.

In the world of extreme science fiction, all these would seem too simple, but not for the realistic environment that the director has attempted to create right here. In an extended world of reality, there would be questions about reality, and one might wonder if this is also real enough. None of us did go to space already, and so this is no lesser unreality than most of the other things which are exaggerated, but the helplessness of the man and the lack of the scientific “supernatural” keeps this close enough to be defined real, even as I consider this to be that much of a work of imagination as any fantasy movie around there, and the chance of all these happening is as much as that of a Hobbit helping a group of Dwarves and a wizard against a dragon, or a young wizard with a scar going to a school hidden from reality. The one thing that denies sorcery here is that there are no superhumans here, and there is no deus ex machina. There is certain amount of role that fate has to play, but more of the job is done by the humans themselves.

There are only two actors in the movie, who are alive and shows their living faces. There are other astronauts for sure along with the voices, and there are dead bodies, and we see one of them floating around in space with almost a transparent face and a few others inside the space-shuttle, providing some moments of small shocks which work quite fine. Sandra Bullock is there or almost the whole time, and she comes up with what might be her best performances so far. She makes this survival movie her own, right from the beginning to the end. The fact that her character is too simple and ordinary, and none of her decisions come from the text books, make this one a dynamic character of infinite proportions in the infinite space of nothingness. George Clooney’s presence is small compared to our protagonist, but when he is there, one can think about, and can feel the awesomeness. The one memorable thing about this character is that there is the knowledge about when to let go and how to make not only his fellow characters in the screen, but also those outside the screen comfortable enough.

The life in infinite space has immense possibilities, and the survival in such a world with nothing to hold onto and and no hope to call or inform anyone for help is more than just another usual distress situation. Open Water and Open Water 2: Adrift made such worlds possible with their protagonists left hopeless in the middle of the ocean, but Gravity takes further steps into such helplessness when there is not even water, earth or any living creature nearby, and there is not even that distant hope of someone coming to help or trying to swim in order to reach somewhere. So, here comes the use of 3D. The Hindi movie Warning which was inspired from Open Water 2: Adrift tried some luck with it, but as we have seen before, it is rarely used effectively. But Gravity scores there with its spectacular use of 3D and all the resources which are available. It creates that connection with the audience with its 3D and visual effects, and it is that beauty on the screen and the technology that makes this one close enough to a beautiful thriller.

It is an experience worthy of being watched on the big screen. It is indeed one of the best visually stunning 3D experiences ever. The first person shots and the detail of the world requires special mention, as it takes the viewers closer to that experience of space, its beauty and its terrors. The magic of cinema in the theatre begins here, again with this “cine-magic”, or rather it started with the trailer of The Hobbit: Desolation of the Smaug. In spite o all these, Gravity will struggle to impress most of the viewers if watched on television or DVD, and that is a sure thing. If I had waited and watched this on another smaller medium, I might have just given this something around sixty five to sixty nine out of one hundred. There is that need to watch this with all its powers, and a smaller screen and the lack of 3D can only create that situation of being handicapped, and I would wonder why anyone would wish to watch a movie that is restricted to being half the flick that it is, when all its power lies in something and is stripped of the same.

There are still more that the viewers can ask for. On the local level, it is the presence of more shows, as it was there in just two multiplexes here; not something expected for such a movie; may be they scrapped it for movies which had stars who were more famous in this part of the world. On a more global needed, there was the need for more of George Clooney, a little bigger plot and thus a longer movie. But those are more of desires rather than needs. Gravity is pretty much exceptional in what it has achieved, even if it has done so not in a way that most of the viewers might have wanted it to. The movie itself works on the lack of gravity than gravity itself, just like it denies itself the opportunity to be just another exaggerated science fiction or a violent thriller. It defies all conventions and keeps faith on technology and the magic that is cinema, and thus honours all its viewers as well as its predecessors. There is the need for movies like Gravity, as without it, we might fail to understand the power of a medium such as cinema.

Release date: 11th October 2013 (India); 4th October 2013 (US)
Running time: 90 minutes
Directed by: Alfonso Cuarón
Starring: Sandra Bullock, George Clooney (+emptiness, darkness, void and corpses)

gravity copy

@ Cemetery Watch
✠The Vampire Bat.