Godzilla vs Kong

Vampire Owl: These are not the monsters we expect around here.

Vampire Bat: Well, we cannot stop any of them from entering the realm.

Vampire Owl: So, you mean to say that there is no active vampire defence against monsters.

Vampire Bat: Whatever remains will only be active against werewolves.

Vampire Owl: You mean to say that a transformed ape and lizard won’t count.

Vampire Bat: We can ask Doctor Frankenstein to try and contain the radioactivity.

Vampire Owl: I am afraid that it won’t be enough.

Vampire Bat: We are already prepared for the huge impact.

Vampire Owl: These are sacred lands. There should be no fight for supremacy here.

Vampire Bat: This is just a temporary space. They will pass through this area, through the portal.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Five years have passed after Godzilla defeated the legendary monster, King Ghidorah and all the other monsters had bowed down to him, accepting his supremacy as the great king of the monsters. He is limited to a small space within the Skull Island, as a dome is created to hold him inside, so as to avoid any contact with Godzilla who wouldn’t appreciate the fact that there are two titans. A deaf and mute child, Jia (Kaylee Hottle) is the only person who could successfully bond with Kong, who is not really happy to be restricted to a small space, which he often tries to damage when he is angry. Jia is also the adopted daughter of the Kong expert Ilene Andrews (Rebecca Hall), and she hopes that they can hold on to Kong as much as possible, and avoid the epic clash which could happen between the two. Bernie Hayes (Brian Tyree Henry), tries to get into a facility which is attacked by Godzilla at the same time, and that gets everyone worried, as Godzilla has never attacked without a reason.

So, what happens with the events here as something big is coming up? :: Madison Russell (Millie Bobby Brown) feels that there is something wrong here, as Godzilla should have attacked only because there was a reason for the same, and something sinister is happening within. Walter Simmons (Demian Bichir), the CEO of the organization recruits Nathan Lind (Alexander Skarsgard), to lead a journey into the Hollow Earth, the homeworld of the Titans, which could have enough energy to fuel the planet and bring a defence against Godzilla. Nathan is not sure about as his books related to same was poorly received by everyone, and going into such a world would mean death, but as he understands that he has developed HEAVs, some specialized crafts able to withstand the high pressure which is exerted by the gravity field. Ilene understands that there is chance for Kong to find a new home in Hollow Earth, and agrees to the idea. But this journey is not that direct as they thought, as there are other motives for the rich businessman behind all these.

The defence of Godzilla vs Kong :: As expected, the film focuses on the action, with huge monsters ruling the screen, asking for bigger screens to watch it with the best effect, and we already had similar feeling with earlier films of Godzilla and King Kong, as well as the unrelated robot v/s monster battles of Pacific Rim. Among the monsters, it is Godzilla who continues to impress us more, as Kong continues to bring the feeling of enlarged ape rather than the alpha creature, still pretty good enough. The grandeur of Godzilla continues to impress us in many ways, and there is no dinosaur from Jurassic World that could stand up to that glory. When these two collide, there is the classic battle of the highest level indeed. There are so many great battles, and one final one with one extra human made monster – as we know, the worst of them are human or created by humans, proven through centuries, and if you have watched the Russian alien film, The Blackout, you will know what humanity is capable of, and this thrilling ride with great visuals asserts it again.

The claws of flaw :: The focus on giant action means less attention on the other things, and it is also not something which was unexpected. The building of the monster is something that was unexpected, and human greed is once again explored in a more predictable manner rather than anything else. There is no absence of Seven Deadly Sins as far as science is concerned, and it is as if they have taken that one directly from religion. The repetition that we feel here is more or less what was expected, but something which has less innovation except for Godzilla fighting Kong and having a mechanical monster also to join the fight. The evil plans of corporates in hold of scientific inventions is expected, but it is still good to see the evil being shown again. Maybe, they could have been shown as more evil that what they seemed, because it was leading to human extinction in one way or the other. This looks like we would need another sequel to use the film to its best advantage.

Performers of the soul :: Unlike what was expected, it is Millie Bobby Brown is the one who has the best of our attention. She plays who seems to be the only really smart person around here, as she seems to figure out what is happening before anyone, the so called smart scientists and researchers figure out things, and throughout the film, she seems to be the only real hope for the world. Rebecca Hall and Alexander Skarsgard plays the usual scientists being misguided into something which they wouldn’t have wanted if they had some common sense about what they giant corporations really wanted, but they play along well enough. Brian Tyree Henry plays the other smart person around, and it is being displayed nicely too. Shun Oguri and Demian Bichir plays the villains quite well, and they are more or less the usual villains that we have in this kind of films. Eiza Gonzalez also plays a meaty role, and she could be one strong action star with works in full scale action thrillers, for we know how effective she was in her small role in Hobbs and Shaw.

How it finishes :: Godzilla vs Kong is the kind of film which should be watched on the big screen, but with the COVID-19 pandemic’s second arrival ending that opportunity, and the fear about the same will keep it to the smaller screens for us, except for others who can afford a grand home theatre at home. It is exactly what you would expect from a monster film, and you might have already guessed that with ease from the experiences from the movie’s predecessors. When monsters of such grandeur collide, you know that there will be a spectacle on the screen, and the quality of this glory will be dependent on your screen and your audio devices. Even though we are missing it on the big screen, we can still appreciate the fact that it is not available on an OTT platform in India, and they have chosen the one which is used the most by people here, Amazon Prime Video. Let us hope that after The Tomorrow War, there will be more Amazon Original Movies coming soon, for we are without the multiplex experience now, and might stay so for some time.

Release date: 14th August 2021 (Amazon Prime Video), 31st March 2021 (USA)
Running time: 113 minutes
Directed by: Adam Wingard
Starring: Rebecca Hall, Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Brian Tyree Henry, Shun Oguri, Julian Dennison, Lance Reddick, Kyle Chandler, Demian Bichir

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@ Cemetery Watch
✠ The Vampire Bat.

The Tomorrow War

What is the movie about? :: From a distant future of war and destruction, we come back to December 2022, as a biology teacher and Iraq War veteran, Dan Forester (Chris Pratt), is highly disappointed during the Christmas season, as he fails in his dream, which was to get a job at a research center. As he watched the FIFA World Cup with his family at a Christmas party, he was shocked to see a few soldiers from thirty years into future arrive in the middle of the ground. They warn everyone that humanity is facing extinction while facing a group of aliens unless they get some help for this timeline. The world’s militaries respond with drafting, and a huge number of well-trained people are sent into the future, but less than 20% survive, and there is always the need for more people to be sent to future. There are lots of rebellions against the war, because people feel that they are going to die anyway, and there is no need to finish one’s life much earlier. Everyone is depressed because there is the clear idea that it is the alien group that is going to win in the end, and there is no real hope related to that.

And what more is to follow? :: As the hope remains low, there is not much that there is left to be done, but the drafting goes on, and Dan is also chosen to fight in the war of the future. His family is not happy with what has happened, and his wife Emmy Forester (Betty Gilpin) hopes that he can find a way to bypass the drafting with the help of his father James Forester (JK Simmons), a former veteran soldier who has turned an anti-government activist after the Vietnam War. But he has to go anyway, and joins the team which is undergoing basic training under the troops from the future. But there is an emergency as there is an attack going on in the future, and without any further training which was to last about seven days, they are sent forward in time to Miami Beach but the coordinates get messed up, with most of the members of the team dying. Soon, they are ordered by Colonel Forester (Yvonne Strahovski) to rescue the nearby lab personnel and recover their research data before the area is bombed for clearance from alien infestation.

So, what happens with the events here? :: The team does manage to complete the mission, and they barely escape from the situation. Charlie (Sam Richardson), a techie, and Dorian (Edwin Hodge), a third time traveler into the future are the two survivors who are able to make it to the camp. Now, there is a lot to be done in a future, which seems to point towards human extinction, and the alien control over the planet one way or the other. In the new world of the future, they have to capture a female alien, and the types are rarer than the males which are basically everywhere. As they are living in a future where there are not many safe areas, with most of the continents already infested by the creatures which have reproduced enough to limit the human activity to certain areas, a research into causing the aliens to go extinct instead of humanity is a near possible adventure. The question also remains if there is a future that they can save, and if all these are worth the pain which they take.

The defence of The Tomorrow War :: There is an interesting future in store within The Tomorrow War, as this film with both aliens and time travel have you interested in the science fiction elements yet again. This is a combination which has worked really well before, with films like Edge of Tomorrow, working so well with the audience – being in a tomorrow with a war going on against aliens is a fair deal as far as any sci-fi fan is concerned. There is a lot of action in store here, and the alien detail is nice, even though having similarities with the Alien franchise which we have been missing since Prometheus and Alien Covenant, two films which had us asking for more. The visuals of the future Earth is also very nicely detailed, and the destroyed cities make us want to have more battles with aliens out there. The post-apocalyptic side of the film remains strong, thanks to all the action and the special effects, with the visuals never ceasing to remain stunning. This one can also have a prequel about the coming of the aliens, and maybe bring a franchise into motion.

Positives and negatives :: This is the kind of film which could have scenes which the Russian movie The Blackout had in its early stages, and that particular flick’s first half could actually be one interesting prequel to this one, with connections being made to the colder areas of Russia. There was surely scope for more terrifying sequences with aliens. To add to it, the pseudo-intellectuals can always find a reason to blame this film, but I am yet to discover what exactly would be their reason this time, for they have all randomly bashed Hollywood action films which were nothing less than grand. After all, it is not easy to make a film like this, and if Bollywood would try anything close, they can do nothing else than mess it up completely, with a long line of cast which is there in the name of nepotism instead of skills and quality. There are a few things which can be predicted here, and some of them come naturally to us, and not as surprises. There could have also been a few sequences about the missing years of alien attack, and a clearly defined theory about what has happened with the aliens.

Performers of the soul :: Chris Pratt whom we had last seen in Avengers: Endgame and Jurassic World: Fallen Kingdom gets to save the world again, and this time against the aliens. We could be having another Guardians of the Galaxy or Jurassic World in his usual roles, but this one has indeed established another memorable action role for him. Yvonne Strahovski is very much suitable to action flicks and thrillers, as we have seen before with The PredatorI, Frankenstein and Angel of Mine. But her presence in the future feels kind of restricted. Betty Gilpin has very less to do in comparison. JK Simmons has some nice moments to be added in the end. Others like Edwin Hodge and Sam Richardson are good additions to this kind of a movie. Others like Mary Lynn Rajskub, and and Seychelle Gabriel also have limited presence, but one would want them to have extended roles to play here. The film could have expanded rather than keeping its focus into the personal side in an alien invasion situation which is moving towards human extinction as well as the end of the world as we know it.

How it finishes :: The Tomorrow War will remind the audience of Edge of Tomorrow, even though the core idea remains different, and the film lacks someone like Emily Blunt in its full run. There is no denial of the fact that the film is complete entertainment, and you don’t really need to listen to some self-proclaimed great critics who write for some newspapers – they are more interested in providing lower reviews to science fiction in comparison to Bollywood nonsense as most of them are not able to understand the idea or enjoy the grandeur on the screen. You can only guess who impressive this would have been on the big screen, if not for the COVID-19 pandemic. These are the kind of films which can stun us with what is displayed on the screen with the special effects and maybe even a little bit of 3D effects. As of now, it seems that it is better for us to remember that feeling and enjoy the film on a laptop with Amazon Prime Video. After all, we are all restricted in that case, but not restricted as far as enjoying action-packed science fiction is concerned.

Release date: 2nd July 2021 (Amazon Prime)
Running time: 139 minutes
Directed by: Chris McKay
Starring: Chris Pratt, Yvonne Strahovski, Betty Gilpin, JK Simmons, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers

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@ Cemetery Watch
✠ The Vampire Bat.

Underwater

Vampire Owl: I am sure that this not the best time to go underwater.

Vampire Bat: Why would you think so?

Vampire Owl: Because there is Corona Virus underwater.

Vampire Bat: They are actually everywhere. You are never safe from them.

Vampire Owl: I have heard that they have infected the underwater kingdoms too.

Vampire Bat: I am pretty sure that they can’t go that deep.

Vampire Owl: An emergency has been declared in twenty one underwater kingdoms.

Vampire Bat: It should be due to the election process.

Vampire Owl: The virus might have spread during the elections.

Vampire Bat: Well, I wouldn’t deny that possibility, because the election process is the perfect super-spreader in any realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Norah Price (Kristen Stewart), a mechanical engineer wakes up in the morning only to find that the underwater research and drilling facility where she is staying and working is beginning to fall apart. Within a few seconds, Kepler 822 facility which is operated by Titan Industries at the bottom of the Mariana Trench has water coming in, and with great difficulty, Norah manages to seal herself inside the safe part of the facility and finds Rodrigo Nagenda (Mamoudou Athie) and Paul Abel (TJ Miller), as they make their way to escape pod bay. They find the captain W Lucien (Vincent Cassel) along with a researcher working as an intern, Emily Haversham (Jessica Henwick) and also another engineer Liam Smith (John Gallagher). They are not able to communicate anymore, and the escape pods are no longer an option. Their only option is to walk to the next area through the ocean floor and try to contact outside world from there.

So, what happens with the events here? :: The idea is indeed a risky one, but there doesn’t seem to be another option, as they would have the thermal reactor exploding very soon. They continue on their journey only to have the first person imploding due to a faulty helmet. The rest of the team finds a distress signal underneath, and goes to check out what seems to be an escape pod. But the only thing they find out is a dead body, and an unidentified creature which doesn’t seem to be of any known definition – a new species which seems to have some interest in human flesh. This leads to many doubts about the cause of the earthquake-like incident which destroyed most of the drilling facility and killed most of the people there. They had also come across some other strange sounds, and this could be even a pre-historic species which had come out from the ocean floor. Now, what would this mean for chances of their survival?

The defence of Underwater :: This is one of those movies which gets quickly into action, as we get the explosion of the drilling facility so early, without introducing us to anyone or anything. There is the feeling of terror spread throughout the world in here. The initial and the final moments are the best, and it is up to Kristen Stewart to make sure about it. Life so many leagues under the ocean is indeed a scary one, and this situation makes the whole thing the thriller that we had expected. There is fear at all corners here, but this could have actually been another franchise like Alien – yet, the movie doesn’t strive that much for the same. The movie has also included the elements from the weird tales of HP Lovecraft, which comes as a fine addition too. Underwater, despite the scope for improvement, is a movie that everyone should love at least up to a certain amount – it is a movie with the minimum guarantee, and with the sound effects nicely added, is worth more.

The claws of flaw :: There is no doubt about the fact that this movie could have used its resources better, to expand the idea well enough to bring an even bigger adventure, something of grand epic proportions. In the middle period, the movie does slow down, and the action could have been more, and could have had further intensity. The creatures could have been better defined, and there is too much of darkness for us to see them clearly, and provide that fear factor. The scenes under the ocean could have been clearer, because we are watching a movie, and not trying to know how it looks underwater without light. When you are waiting to see those monsters coming towards you, it is not nice that you don’t really get to see them with all the possible glory. If you think that the underwater world is not supposed to bring a visual splendour with terror, that is not the right way of thinking – after all, horror can be beautiful on many occasions.

Performers of the soul :: Kristen Stewart steals the show here, unlike what she did with her earlier movies like Twilight and its sequels, as well as those roles like that of Snow White which never had us wishing to see more of her. Underwater has her in a tough role, she does the job really well. The movie is centered around here, as she saves the lives of as many people as she can, when it is possible – there are also those ideologies that guides her really well. Jessica Henwick is also an appropriate addition to this movie, and her depiction is as realistic as her character can get. Vincent Cassel as the captain is quite a solid one. The other characters are of lesser importance when we consider what they do in this situation of crisis. It is to be noted that there are only six remaining human characters in this movie after the early incident. The ocean itself is the only other character and environment around here, later replaced by the creatures as antagonists.

How it finishes :: Underwater makes an interesting adventure under the ocean, and the idea makes one feel that there should be a sequel to this one, which is going along similar to the Alien method, with humanoid creatures not from outer space, but out of the ocean floor. This is time period when we have been worried more by the viruses than the bigger creatures, and so the impact of such huge monsters are rather less in comparison to the microscopic ones. As we face this year with more variants of the microscopic organisms coming up, let us make sure that we stay safe, with all the COVID-19 precautions. Considering what people have been during Christmas and New Year, one would feel that the virus has been gone for long. But, we know that it is not the case, and we have to remain careful at all times. It is more of the responsibility of each individual rather than the government.

Release date: 10th January 2020
Running time: 95 minutes
Directed by: William Eubank
Starring: Kristen Stewart, Jessica Henwick, Vincent Cassel, John Gallagher Jr, Mamoudou Athie, TJ Miller

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@ Cemetery Watch
✠ The Vampire Bat.

Demon Eye

Vampire Owl: This was the name of that artifact which the northern witches used.

Vampire Bat: You mean to say that they were in contact with the demons?

Vampire Owl: Well, aren’t they supposed to be so?

Vampire Bat: They are usually in contact with those who rise from the grave.

Vampire Owl: Well, this is just one portal away from that.

Vampire Bat: Yes, but the demons are not really the undead in any way.

Vampire Owl: You do have something against some popular demons.

Vampire Bat: No, I am not talking about those tik-tok using humans.

Vampire Owl: At least, that episode is over for now.

Vampire Bat: You should know that demons, the masters of hell are not to be treated without extreme care.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Sadie (Kate James) haven’t been in good terms with her father John (Darren Day) for a long time, and never really picks up his call, until one day, she decides to do just that. But she hears some stranhe noise from his room, and he quickly cuts the call, citing an emergency. This is the last time when Sadie sees her father, and the next thing he knows about him is that he is dead. Much to everyone’s surprise, he is supposed to have committed suicide by hanging. This forces Sadie to come back to the house, which is in a remote location, and has nobody else to take over the same. There she meets the man with whom the house keys were left with, Dan (Robert Hamilton), and Sadie feels strange to be at that house which has her old dolls and cameras being set in every room, corridor and staircase. Dan also leaves a job for her in a newspaper, passed on to her by her father who had worked there until his death.

So, what happens with the events here? :: She is immediately hired at the newspaper as a photographer, and finds Dan in an awkward position with Faye (Ellie Goffe) who is supposed to be his fiancee. Dan and Sadie get their first assignment to interview Craig (Liam Fox), a local man who is supposed to have seen The Burning Girl (Alannah Marie) – it was part of a folklore which was supposed to have become reality for some people. There is the legend of the Demon Eye that goes with it, as a girl was burned as a witch a long time ago in the name of causing a famine which she had predicted with the help of an amulet some time ago. But on the way, she sees a fire and a person standing in it, and as she tries to take a photo, the battery goes down. Even while interviewing, she gets into a fight with the man whom she was supposed to interview. She is confused about all the information she had managed to get from different people about her father who she hated. Is there a secret to be unveiled in relation to her father’s death?

The defence of Demon Eye :: We have been falling short of some interesting horror movies, and then this one comes up. It is that movie which deals with its subject in a slightly different way, and the subject itself has more than one angle to take care of. The quick scares are all there, and the most effective one is with a severed head in the bath-tub, then there are hands coming from under the bed, hellish hound kind of thing and the usual burned face with all the creepiness that it can have. The length of the movie is also less in comparison, not going to even ninety minutes, and it does make the most of it, with not having much from the dull moments there. The atmosphere is also good, with a setting in the middle of nowhere, with vast landscapes inspiring dark folktales all around. There is always something about focusing on the folklore, whether it is real or not. This setting will impress you, and with moments to remember, makes its point really well.

The claws of flaw :: Among the horror movies these days, Demon Eye is the one which is rather less known, or not known at all at this part of the world. It should have still achieved more with the premise – you know that with the title itself and also with the idea which is being explored here. Whenever there is a demon involved, you can take it further with ease. The demons might have been less scary in comparison to pandemics, but they are not yet completely out of the equation. We have so many moments which could have been something bigger, but manages to adjust with what it has, not trying to raise the bar. The effects of the low budget are there too, even though they have partially overcome that. The ending of the movie also felt a little rushed, because a horror movie like this requires something bigger, and the case of the climax is also the same. The main character also required to make more out of the situations here.

Performers of the soul :: Kate James plays the protagonist in this movie, even though IMDb hasn’t really listed here at the top, or with a photo. Even though there is some struggle in the beginning stages, she plays the character really well, and only gets better in the later stages. She is part of almost every scary scene in this movie, and the best one is that of the bath-tub with the severed head, even though more could have been done with a character like hers. Her portrayal of the troubled character who need psychiatric help from the early stages is believable, without being melodramatic. The other actors don’t seem to try too hard, but manages to hold on. She is way ahead in that case, when we look closely. The other young lady in the movie is the next person to catch our attention, even though she is not there for too long on the screen – Ellie Goffe does a very good job too. Robert Hamilton, Darren Day and Liam Fox, all of them manage just enough here.

How it finishes :: There are always some interesting horror movies of interest, if we keep checking for them. Demon Eye can be on the list too, depending on your preferences, even though you can’t expect it to do too much with its content. This is the kind of horror movie which you watch on Friday nights for some fun scares, and for that purpose, this film is successful, leaving no doubts behind. With a fine premise, from a situation in which things could have gone much worse, the movie takes itself back to make sure that as a whole, it is a pretty good work. There might be a few things left unexplained though, but through the same, it leaves the scope for a sequel, even as we are not really supposed to expect one, considering the response it had received otherwise. Do add this to your horror collection, as one more demon, this time with another witch-hunting past, will bring the entertainment to you.

Release date: 26th April 2019
Running time: 87 minutes
Directed by: Ryan Simons
Starring: Darren Day, Liam Fox, Kate James, Ellie Goffe, Jimmy Allen, Alannah Marie, Robert Hamilton

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@ Cemetery Watch
✠ The Vampire Bat.

Godzilla II

What is the movie about? :: Five years have passed after the incidents of the 2014 movie. Godzilla had defeated the creatures mentioned as MUTO (Massive Unidentified Terrestrial Organism), saving Earth’s cities and making its way back to the ocean – the questions about a monster saving the city were going to be there as always, and still there is no clear indication of a future co-existence in peace between the two species. Meanwhile at present, Emma Russell (Vera Farmiga) works for an organization called Monarch which is tracking, studying and trying to understand Titans, the almost immortal giant monsters which had dominated Earth millions of years ago. Along with her daughter Madison Russell (Millie Bobby Brown),she is kidnapped by Colonel Alan Jonah (Charles Dance) while witnessing the birth of a giant larva which is to become a Titan later, named Mothra.

So, what happens with the events to follow? :: Ishiro Serizawa (Ken Watanabe) and other from Monarch approach Dr Mark Russel (Kyle Chandler), Emma’s ex-husband so that they can find her and find a device, the ORCA developed by her, which is capable of talking through frequencies that only Titans can hear. It is revealed that Emma and Jonah intend to free a Titan locked in ice codenamed Monster Zero. Monarch, despite chasing them all the way to an outpost in Antartica, is unable to defeat Jonah, while Emma frees and awakens Monster Zero, a three headed monster with wings and running electrical currents through its body. Releasing lightning from its body and traveling inside hurricane created by itself, the monster goes on to try and become the apex predator, while Godzilla feels the effect of a bio-chemical weapon, going into hibernation only to awaken many years later.

And what more is to happen? :: But now the situation demands the presence of Godzilla. Monster Zero is revealed to be Ghidorah, an ancient alien known to have fallen from the stars, one who has been Godzilla’s primary rival for the position of apex predator. As a creature out of this world, the weapons seems ineffective against it, while the monsters destroy different cities in different parts of the world, controlled by their new king. Godzilla needs all the radioactivity to rise from its chamber located past different wormholes under the ocean, and it is up to humans to take it there and awaken the monster before Ghidorah lays waste to the whole world with his newly found minion creatures. Now the question remains if they can do it in time, and if Godzilla can reclaim its position as the king of the monsters against this alien monster which keeps on evolving.

The defence of Godzilla: King of the Monsters :: There are some nicely made action sequences in the movie, with the giant monsters fighting each other. They fill the screen, and we see those moments of glorious action that takes place. Each monster would seem to have something special that keeps them apart. The same brings us destruction like never before, as we notice that not much of the world is left – the visuals of the world are nice to watch, and the creatures are also nicely created. The myth is nicely created with the monsters being the real owners of this world, and humans just living in here because they are allowed to do so – the creatures becomes nature’s natural defence system against the pollution that is present. Godzilla is referred to as one among the first gods worshiped by humans, and it goes deep like Prometheus and Alien: Covenant did when it talks about the distant past history, for some time. We see this mythology seemingly up for even more.

The claws of flaw :: A lot of repetition from the first movie can be seen here too. Once again, there is the need for Godzilla to save the world, and the early doubts continue to be there until the humans once again decide that it has to be left to the monster except for a little help from mankind. The pattern repeats without remorse, even with more creatures being added to the scene – Godzilla always makes a comeback, and it is up to him to make sure that the balance is maintained. The characters are not that developed, and we don’t really feel anything for them – they never seem to be important, and the need for focusing on them is never felt; Pacific Rim was closer to the humans despite being a monster movie. Some part in the beginning could have also been shortened to make the movie stop at two hours; if humans can’t be interesting, what we can do is to cut a few of them and their moments.

The performers of the soul :: The performances here are dependent on the CGI monsters rather than humans who are restricted, with not much of interesting stories, and with less to do. The way in which the monsters are designed and are depicted in action will always have the best of applause. Among the humans, it is Ken Watanabe who steals the show, as he brings the words of wisdom regarding having faith in Godzilla. Kyle Chandler and Vera Farmiga are caught in a forgettable, predictable story of another family in trouble as if we have not had enough of such tales told in an uninteresting manner. Millie Bobby Brown does have her moments to keep her as someone to look out for the future though. Charles Dance as Alan Jonah makes a strong villain, but we never really get the focus on him, with all these monsters around – as the three-headed dragon-like monster becomes the primary antagonist, he is not there to be seen much, but we expect more from him in any of the upcoming sequels.

How it finishes :: As the holidays come to an end for schools and colleges in this part of the world, and with the final weekend before classes begin, children and youth would love to watch this grand monster effect on the big screen. This can serve as the last moments of escapism before that reality of studies is brought to them – Pacific Rim would agree. Godzilla is all set to go to that place which you saw in Kong: Skull Island and battle King Kong in the next movie, and before that you will feel the need to watch that movie with the giant ape as well as the two Godzilla movies. With the destruction of environment, there seems to be a hidden message about how nature comes up with its own defence system – the three-headed dragon-like monster becoming part of a hurricane only powers it, as does Godzilla being revived by nuclear weapons. The same as a fine addition to a high action monster movie.

Release date: 31st May 2019
Running time: 132 minutes
Directed by: Michael Dougherty
Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr, David Strathairn, Ken Watanabe, Zhang Ziyi

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

A Quiet Place

What is the movie about? :: Years into the future, Earth has been taken over by strange creatures which has been murdering humans at will. They can be seen almost everywhere, ready to finish off any human that they can detect. These creatures which have hypersensitive hearing, attacks by listening to the noise, as they are blind. Due to their impenetrable armored shell along with the strength, speed and reflexes, the creatures have been almost impossible to kill, as they spread all around the world, leading to the near-extinction of mankind. There are only a few survivors here and there, and all of them are able to do nothing, but keep running with all that they can gather, and that too, without making any noise to ensure their survival in a world which brings death to the noise makers.

So, what happens with the events to follow? :: It is during these times of trouble that the Abbott family which includes the couple – Lee (John Krasinski) and Evelyn (Emily Blunt) along with their deaf daughter Regan (Millicent Simmonds), and sons Marcus (Noah Jupe) and Beau (Cade Woodward) go through the abandoned supermarkets of a town for supplies. The family is very careful that none of them makes any noise that can bring one of the creatures – they use sign language instead of talking so that there is no chance for trouble. As the little boy Beau is attracted to a battery-operated space shuttle toy, he couldn’t help giving it a try, and attracted by the noise, the creatures finish him off, despite Lee’s best efforts to save him from the terror.

And what is follow with the events? :: The family of four is traumatized by the event, and they decide to survive, as they live in the countryside with all preparations to make sure that no sound goes outside the house. They live in regret of not being able to save their family member, and comes close to distracting the creatures more than once, yet surviving through the situations well enough. But the problem arrives when the due date of pregnant Evelyn arrives, and they have to go through the whole thing without making a sound. The system that they had built is not without defects, and one small mistake could result in the death of all of them. With an enemy that seems to be invincible, and knowing whatever sounds they make, can they survive through these troubled times and maybe even provide a fight?

The defence of A Quiet Place :: The idea can be considered too good here, as we are taken to that world which follows a near-extinction event for humanity, with only a few survivors, and you see that death comes naturally, and life is eternally difficult. There is heavy intensity that we feel with this movie, and the horror is real, as it makes us feel so much, even the grief of the characters. The credit to the horror’s strength goes to silence, and what comes after it. There are the creatures being different and scary when we look at them visually, but it is the right use of special effects that brings glory to this one. The feeling of danger here is so real too, and each moment has the same – one wrong step, and you are gone; this one has such a low amount of hope than any other horror film with complete human extinction easily possible.

Positives and negatives :: There is certain mystery about the creatures, which can take all the terror further, but some people would still want more information related to them. We don’t know where they come from, if it is a Pacific Rim moment with them coming from under Earth or in space ships like Alien or Independence Day, and there is also the option of an incoming wave of demonic monsters from hell. There are not many dialogues in this movie, as the sign language seems to take over, but we have those subtitles which make sure that there is no problem. As silence is the master here, all those other sounds contribute to the story better than dialogues, and adds to the horror like no visual can, and it is a certain beauty of another kind. There is also the strength of family being depicted here, and the idea of sacrificing one’s life for the others and not giving up, can be seen right in the core of this movie.

The performers of the soul :: Emily Blunt leads the way in this one, and most of the viewers from this part of the world would remember her from Edge of Tomorrow, The Huntsman: Winter’s War, Sicario and The Girl on the Train – very unlike those characters there, this one has her struggling for survival with her family. There are moments which some other actress couldn’t have done this well, but she excels here without displaying any signs of stepping back. John Krasinski has a touching performance here too, and with him being the real-life husband of Emily Blunt, the pair has no problem with facing the post-apocalyptic event as on-screen couple too. The two kids, Millicent Simmonds and Noah Jupe make sure that they contribute very efficiently to the scheme of things.

How it finishes :: The movie’s simplicity is so much effective like no other usual horror film. Through the lines of 10 Cloverfield Lane, this one is mostly set within an area, and there is the possibility of terror being present all around. With some wonderful performances from every name on the list of actors, this one makes sure that John Krasinski who has also acted in this one, is one director that we need to trust, and the short one and half hours of the movie makes sure that there is no moment which goes wasted. The horror here feels real, artistic and innovative, and lets enjoy this divergence as we did with those other well-received horror movies like The Autopsy of Jane Doe, Don’t Breathe, It Follows and Lights Out. After some time, A Quiet Place makes sure that horror is alive, and there is more than one idea behind the genre. Why wouldn’t you watch this one at least now, a month and half after its release? The movie deserves it.

Release date: 6th April 2018
Running time: 90 minutes
Directed by: John Krasinski
Starring: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe, Cade Woodward

<— Click here to go to the previous review. Click here for new Deadpool and Avengers.

@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim: Uprising

A flashback to the first movie :: The story of Pacific Rim had its focus at the area where about 90% of the world’s earthquakes and 81% of the world’s largest earthquakes occured, and it was discovered that something more was responsible for the same. Then came the giant alien creatures attacking Earth after coming in through an inter-dimensional portal located at the bottom of the Pacific Ocean. As it was discovered that these creatures named Kaijus would keep coming, and no wall could stop them, there were massive robotic machines called Jaegers constructed to combat the threat. These machines were too huge and complicated that each Jaeger had to be controlled by two or more people who shared the load inside the machine. They were connected by a neural bridge in a process called “drifting” through which they shared their minds with the machine. With Jaegers getting destroyed faster than they are built, they needed to stop the attacks by closing the bridge.

What is the movie about? :: Years have passed after the pilots of the iconic Jaegar Gipsy Danger Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kikuchi) using the jaegar’s nuclear reactor to seal the breach through which the creatures passed through. There hasn’t been a Kaiju attack for a very long time, and former Jaeger pilot Jake Pentecost (John Boyega), son of Kaiju War hero and martyr General Stacker Pentecost (Idris Elba) makes a living by stealing and selling old Jaeger parts on the black market. But him, along with the teenager Amara Namani (Cailee Spaeny) are arrested for their illegal work with Jaegars. In return for being set free, he is forced to begin training Jaeger program recruits with his former co-pilot, Nate Lambert (Scott Eastwood), and Amara who has knowledge of Jaegers is also taken into the programme as new recruit for pilot training.

And what is to follow in this particular adventure? :: As the Jaeger training continues hoping to battle any possible return of the Kaijus or any alien creature from another planet or dimension, the programme itself is threatened by the Shao Corporation’s remotely controlled giant drones idea lead by Liwen Shao (Jing Tian) and supported by scientist Dr. Newton Geiszler (Charlie Day). There is the plan to get more giant robots controlled from a safe location, without the need for neurally compatible pilots risking their lives in battle. But Mako is doubtful about the possibilities of such an idea, as the system could be hacked with long distance signals responsible for success and defeat in combat. But before she is able to submit her final report about the possibility of such a programme, an unexpected event occurs, which brings the twist to the proceedings.

And what else is to come? :: It is then that a rogue Jaeger, Obsidian Fury attacks the city, and kills Mako along with many other civilians, and causing destruction to the city. Gipsy Avenger, the spiritual successor to Gipsy Danger controlled by Jake Pentecost and Nate Lambert manages to hold on against the far advanced design of Obsidian Fury, before the rogue Jaegar retreats with the arrival of the other Jaegars, Saber Athena, Bracer Phoenix and Guardian Bravo. This leads to a quick approval of the drone programme, and the first group of drones are deployed faster than they intended to be. But it turns out that the drones are not on their sides, as they are quick to get rid of the cannons and attack the Jaegers at the base of operations. As Gipsy Avenger finally finds and defeats Obsidian Fury, there is a secret revealed, and it is not sweet, or positive for humanity and its continued existence, as extinction threatens.

The defence of Pacific Rim: Uprising :: Despite missing this year’s Academy Award winner Guillermo del Toro at the helm, this movie has held its ground – even after not matching the first flick, this one has enough to make it better than any transformers movie that has released in the last few years including the last one. The detailing on the screen remains nice, even though not as much as the previous movie which had better quality there. The action sequences are more though, as it is where the movie focuses the most, along with a few twists in between; special effects are great without doubt. The robots look nice, and the Kaijus, even though are present for lesser time than they used to be in the first movie, keeps us further interested. The movie is even lighter than its predecessor, and makes it more for the families. There is also some good acting and fantastic visuals to go with it, plus we also have a final scene that calls for a possible sequel.

The claws of flaw :: There is no chance to match the Guillermo del Toro vision of Pacific Rim, as Pacific Rim: Uprising surely falls short with its content. This kind of a comparison was always expected to be done, and we see that the same strange beauty and smartness is not displayed in this one which just follows the route to make the best out of the success of the first flick. There are more robots, but none of them matches the first movie’s Gipsy Danger, Crimson Typhoon, Cherno Alpha and Striker Eureka. The story also trails in comparison to the first movie, and those moments of goosebumps are missing this time. The movie is also very less about its characters this time, and the neural bridge never really gets the attention as it used to get, and repetitions can be seen. This one requires the possible third movie to take it to the next level, and lets hope that Guillermo del Toro plays a bigger role in that one to make sure that this franchise gets a big boost, as we need it as much as they do.

How it finishes :: Pacific Rim continues to do what Transformers movie franchise could have done better. I have found this one to be even better than the big hyped superhero movie, Black Panther. It is something that has the core in Guillermo del Toro’s grand vision, and due to the same, we will always enjoy a movie in this series. It is sure to make Transformers fans jealous, and lets hope that the franchise with autobots and decepticons will take something out of this movie to make those talking robotic aliens make the best use of its resources rather than repeating its events. With all its big action sequences and special effects, we won’t be able to wait for a third movie for very long; we are sure that there can be more – but even this sequel had taken about five years and so, lets hope that we have the next one before we are out of the robotmonster effects witness on the big screen. Until then, enjoy Pacific Rim: Uprising as the big entertainer that it successfully manages to be. Who needs Independence Day when we have these?

Release date: 23rd March 2018
Running time: 111 minutes
Directed by: Steven S DeKnight
Starring: John Boyega, Scott Eastwood, Cailee Spaeny, Jing Tian, Rinko Kikuchi, Burn Gorman, Adria Arjona, Zhang Jin, Charlie Day

<— Click here to go to the previous review & more.

@ Cemetery Watch
✠ The Vampire Bat.

Underworld: Blood Wars

Vampire Owl: This movie has been going on and on, and we, the vampires have spent so much money or trying to attain copies of the same.

Vampire Bat: I have heard that even Werewolf Anger has a copy of the first three movies of the franchise.

Vampire Owl: Why would he have those copies? He is angry at all movies.

Vampire Bat: He is angry at everything, and so this anger is actually a reflection of his less angry side.

Vampire Owl: But it is still Werewolf Anger, the angriest werewolf of all-time.

Vampire Bat: There is some competition regarding the same, from Werewolf Hunger.

Vampire Owl: Well, hunger is a strong emotion, and he is named after that; so I would expect some tough competition.

Vampire Bat: I hope that watching Blood Wars won’t make them more interested in wars.

Vampire Owl: Watching Underworld: Awakening awakened nobody though.

Vampire Bat: Well, all the movies in this franchise will be better tales than Twilight for sure.

[Gets three cups of cardamom tea with Little Hearts biscuits].

What is the movie about? :: The war between the two species goes on, and vampires are in trouble with the advanced werewolves, the stronger and the sharper versions of Lycans going through them, with only two strongholds left for the formerly high class species of undead, the Eastern Coven and the Nordic Coven. Semira (Lara Pulver), a beautiful and ambitious council member of the vampires, sees Selene (Kate Beckinsale) as the only hope for saving their coven as well as preserving their world as it has been for many years. With Lycans only getting stronger under their ruthless and fearsome leader Marius (Tobias Menzies), Semira gets the support of Thomas (Charles Dance), a Vampire Elder who is the father of David (Theo James), whose life was saved by Selene herself. They are successful in getting the support of the council which declares Semira fully responsible for whatever actions Selene comes up with when inside the coven.

So, what happens next in the movie? :: The vampires have been searching for Selene already, seeking justice for the deaths of Viktor (Bill Nighy) and Marcus (Tony Curran), and this becomes her opportunity to return to the coven, forgiven, even though not forgotten as a murderer of her own kind. David pleads her to return to the coven, as she could join her kind and defend everyone against Marius who also wishes to capture Selene for information about her daughter Eve (India Eisley) whose blood could prove vital to the werewolves in attaining ultimate supremacy over vampires. Alexia (Daisy Head) arrives with her team and the order from the coven and takes Selene home just in time before the Lycans arrive at the scene. There they are given a warm welcome, but Varga (Bradley James), the leading Death Dealer of the coven isn’t happy that Selene has returned to train his team of Death Dealers, and with his intimate relationship with Semira, a twist seems to be coming up.

The defence of Underworld: Blood Wars :: There is the usual style of the Underworld franchise that we see here, and it is reflected not just on the visuals and the action sequences, but also in the overall dark mood. Vampires facing werewolves is the kind of idea that never gets old, and will remain interesting as long as you don’t put too much drama in there by the way of Twilight an its evil twin sisters. The tale continues with all those elements that are to satisfy the fans of the franchise. The movie also finishes off smartly, with having an option to end the tale there, as well as to continue it – the scope for a new dawn in this movie will be an entirely different one too. Still, whatever they do it will be eternally impossible to have the pre-determined critics to rate a movie like this any higher; if this was a Bollywood movie with a heavy dose of nonsense, maybe the reviewers here would have rated it a lot high; add a big superstar to it, and you know what happened with dumb movies like Krrish and its sequels.

Claws of flaw :: People are certain to think that there is too less added to this movie as another significant movie in the franchise – for there was the scope for deviation while retaining the basic elements, which is not taken. The journey here is just the easy way, with no special ingredient. I would also consider to be the second least interesting movie of the franchise following the one movie that was the prequel without Kate Beckinsale in it. Even though the critical opinions are without doubt biased and prejudiced as it was with almost every Underworld movie, this is surely a step down from the previous movie, Underworld: Awakening. Without a proper understanding of the background used in this movie, the weaklings will also find it difficult to go through this movie, and some reviewers need to be shown all movies of this franchise, without which they seem to struggle to find out which movie is this particular flick which they watched.

Performers of the soul :: Kate Beckinsale is also at her best as usual, and she becomes Selene and shines through this movie too – she looks almost the same as when the first movie released fourteen years ago, something that the Resident Evil series and Milla Jovovich will have in common. There is not much that separates her, all the action, and the style of this movie. We had also seen the same in the remake of Total Recall as well as Van Helsing. Selene is a character whom we have identified as one of the most recognizable vampires in live-action movies, and with her being played by the same person, and having the same looks throughout the franchise has helped the cause further. Giving her company as the other gorgeous vampire is Lara Pulver, whom we will all remember as the special Irene Adler from the Sherlock television series, with that introduction scene and what followed from A Scandal in Belgravia. Clementine Nicholson is another actress who will be a big asset to the franchise without doubt. We are also glad to see the Divergent franchise‘s own Theo James here again.

How it finishes :: Anna Foerster’s first movie has the fans of the franchise interested for sure, with the vampire-werewolf tale never running out of opportunities make more and more movies. This is also one of those movies which release first in India and then in the United States – something which happens at a few occasions mostly with those superhero movies and not with anything that has a vampire or a werewolf. This tale can surely bring more sequels, prequels and even spin-offs, and with some divine intervention, maybe there will be a movie which will be loved by the critics – but the chance of the same is very little. But it is up-to us to enjoy movies like these, instead of overrating those local superhero movies which has nothing inside them other than some so called superstars who come down to such a terrible level to act in such nonsense – we will have anyone without intellectual poverty will have trouble watching such flicks, but both the common viewers and the reviewers will claim that the movies are of epic level.

Release date: 6th January 2017 (USA); 2nd December 2016 (India)
Running time: 91 minutes
Directed by: Anna Foerster
Starring: Kate Beckinsale, Lara Pulver, Theo James, James Faulkner, Daisy Head, Clementine Nicholson, Tobias Menzies, Charles Dance, Oliver Stark, Peter Andersson, Bradley James

@ Cemetery Watch
✠ The Vampire Bat.

The Mummy

Vampire Owl: It seems that finally the mummy has scope to be a real mummy.

Vampire Bat: What are you referring to, here?

Vampire Owl: Usually in the movies, the mummies are men, and so the mummy is usually a daddy.

Vampire Bat: And you are talking like a dummy, for which there is no need.

Vampire Owl: No, you should see the mummy lady in this one. She is cooler than most of the known mummies.

Vampire Bat: You know one mummy which is cooler. You just can’t pronounce his name.

Vampire Owl: Yes, why don’t they have simple names like Count Dracula?

Vampire Bat: Well, mummies are from very ancient Egypt, and going so long back, such names had to exist.

Vampire Owl: I am going to call them Mummy A to Mummy Z.

Vampire Bat: Yes, please do it, as long as they don’t hear the same.

[Gets the tickets with cardamom tea and special popcorn].

What is the movie about? :: In ancient Egypt, Princess Ahmanet (Sofia Boutella) is an expert in almost everything, and is undoubtedly the best warrior, and the next in line for becoming the Pharoah of the lands. The Pharaoh, Menehptre (Selva Rasalingam) also sees his successor in her, strong, courageous and one who doesn’t give up. Things are all going smooth until the Pharoah has a son with a newer, younger wife, which angers her as she realises that all her work has been for nothing, with this young child taking over the kingdom as the Pharaoh of Egypt when he grows up. Frustrated with the situation, she decides to take the throne in one way or the other. Knowing that she can’t do it by himself against the extremely powerful Pharaoh, chooses to worship Set, the god of evil, chaos and war. This particular god who had even killed his own brother Osiris helps her in return for unleashing himself on Earth – but, after killing her father, his wife and the baby boy, she is captured by the guards and mummified.

So, what happens next? :: With the princess mummified, and buried in a land far away, the curse of Set remains, as the promise to him in unleashing the god was not kept. Years later, somewhere in the present Iraq, Nick Morton (Tom Cruise) and his best friend Chris Vail (Jake Johnson) spend their time looking to gather what all antiques they can get from the area of the nation called Mesopotamia, which used to be the cradle of civilisation while having their own trouble with the locals as well as the terrorist organisations operating from there. It is during these times when they accidentally uncover a tomb, which seems to be Egyptian, much to the surprise of the archaeologist, Jennifer Halsey (Annabelle Wallis) who also lands there as part of her excavations. With the approval of Colonel Greenway (Courtney B. Vance), she goes into the tomb supported by Nick and Cris, ending up with a sarcophagus immersed in mercury, which they decide to take home.

And, what is to follow next in the adventure? :: Their trip is rather cut short as the flight is attacked by a huge group of crows, and Cris who was bitten by a spider inside the tomb also turns undead, and Nick has to kill him. The plane ends up crashing, and Nick manages to save Jennifer by using the parachute, but he as well as the others in the airplane are assumed to be killed. But Nick ends up waking up in the mortuary, with a vision of an undead Cris, and he also has visions about the princess. He begins having more and more visions of the princess and undead, and goes to the crash site only to escape from the princess and her newly resurrected undead. It is a secret society headed by Dr. Henry Jekyll (Russel Crowe) that helps them to escape, and after chaining the princess in such a way that there is no way to get away, explains to Nick that he is the key to her finishing the curse, which why he escaped without a scratch from the plane crash. Well, evil would always find a way, and so does the princess to escape and unleash herself – can anyone stop her in time?

The defence of The Mummy :: The movie does begin strongly, and there is certainly a nice beginning to the tale, with the interesting tale of the power-hungry princess of Egypt told and also with the mummy being unearthed, followed by the plane crash – there are also some nice visuals with everything, and the visual beauty is there throughout this movie no matter where things happen. Tom Cruise does a great job as the protagonist, and Sofia Boutella is amazing as the princess of Egypt returning as the mummy – the censor board seems to have worked very well to cover most of her tattooes; maybe they are against Indian culture more than we think they are, and it is not the movie makers who decide what we can watch, it is the current Chairperson of Central Board of Film Certification in India, after himself getting to watch everything because he can – we saw most of it in the trailer, seriously. Russell Crowe is sadly wasted in his role though, and so is Annabelle Wallis, both having characters going nowhere against a powerful, love-seeking mummy and an even more powerful human Cruise.

The claws of flaw :: There is a certain loss of direction regarding this movie – the same can’t be called as positive divergence, because it just goes on and on, even adding the elements of Jekyll and Hyde, and one has to wonder why it had to be done, when enough material is available from the tales of mummies; people end up wondering if they are going to add the Hulk next. It is as if the idea about making good blockbusters by reboot, is leaving Hollywood. Not sure why decided to bring the mummy from Egypt to Iraq and then to England, with not much of Egypt there in the picture – we would have preferred to see the Pyramids whenever the word mummy was associated, and not like what they did with the third of the mummy movies. It was Dracula who really had to come to England, a vampire, not a mummy. The humour is of no use, and the climax is of no strength, with weak twists, and the final sequence not interesting at all. Also, Tom Cruise’s character gets bigger than the mummy on whom the movie is really supposed to be about, and it is also a creature who can be captured with sharp weapons.

How it finishes :: The Mummy brings the tale of the undead creature from Egypt once again, and this time not exactly in the same path. This certainly won’t prove to be a match for the movie of 1999 and its sequel, The Mummy Returns. This is surely better than The Mummy: Tomb of the Dragon Emperor though, and one has to wonder if this stands any chance against Wonder Woman, or even the still running Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol 2. It will certainly not bring three sequels and four spin-offs unless there is a big improvement with a sequel. Even though not a bad movie as it has its interesting moments supported by visuals and thrills, the execution is not that much there, which should give it a disadvantage against the movies which released earlier – but with Tom Cruise around, this should do okay at the box-office. After all, it has been a long time since we saw a Mummy movie, and a female Mummy as the main villain brings more variety to the tale. But where we want Tom Cruise more is in movies like Edge of Tomorrow, Mission Impossible, Jack Reacher, Minority Report, Oblivion and many others. Underworld and Resident Evil franchises, despite being in confusion due to too many movies, could combine action and horror better.

Release date: 9th June 2017
Running time: 107 minutes
Directed by: Alex Kurtzman
Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe, Javier Botet, Selva Rasalingam, Dylan Smith, Rez Kempton, Chasty Ballesteros

@ Cemetery Watch
✠ The Vampire Bat.

Miss Peregrine’s Home

missperegrineshome

Vampire Owl: I once knew a tooth fairy by this name. It was when I was having the best of times.

Vampire Bat: Oh! I thought you only knew witches during those days.

Vampire Owl: Stop being judgmental. She was a nice tooth fairy. She even dealt in fangs.

Vampire Bat: Okay, and then what happened?

Vampire Owl: She died and I embraced the fact that I was immortal. I really felt my eternity.

Vampire Bat: It could have been most romantic tale that I have ever heard, if I never knew how to read.

Vampire Owl: You just have no empathy. Even my zombie minions clapped to my story. It is a long one, and I can let you hear it if you provide me with one hundred and thirty four days.

Vampire Bat: No, thanks. Why don’t you write a book instead?

Vampire Owl: I don’t write anymore. I spread ideas through telepathy.

Vampire Bat: Yes, I can see your ideas taking over the world from a very long distance.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Jake (Asa Butterfield) has grown up listening to the tales which his grandfather Abe Portman (Terence Stamp) has told him about battling monsters along with fighting the World War II. The centre of attraction in all of these stories is Miss Peregrine’s Home for Peculiar Children, which has Miss Alma Peregrine (Eva Green) as the headmistress, and the place has children with some amazing abilities, and are called peculiars. Each of these special abilities make them what they are, and this headmistress herself is more than what meets the eye. His parents are not that fond of these strange, folk-tale kind of stuff that Abe is feeding his grandson, and wishes that they could stick to the usual things. But things are not that easy as they seem to be.

So, what happens next? :: One day, he gets a call from his grandfather and later finds him with his eyes missing. Before he dies, he leaves Jake with some clues to what he is to do, and there is also a monster there, which disappears. Left clueless about what he is to do next, the psychatrist tells them to go to this particular place mentioned by Abe, and it is the only thing that can make him believe that it is all fiction, with stories made up by the old man every day. So, accompanied by his father, Jake travels to Cairnholm and finds that the children’s home mentioned by his grandfather was destroyed during a Nazi air raid on September third, 1943. But he is surprised to find a number of children there, who seems to be more than just normal. They invite him to their secret place.

So, how do things go from here? :: There he meets Miss Peregrine who explains to him that she can manipulate time and belongs to a special class of peculiars called ymbrynes. To live in peace, she has created a time loop which repeats all over again and again on the third of September, 1943 just before the bomb falls on their building. As they keep living the same day again and again, none of them ages either. There he understands that a team of monsters called Hollows, lead by Mr. Barron (Samuel L. Jackson) hunt Peculiars to devour their eyeballs hoping to gain immortality in the process. With these people on the hunt for more peculiars and waiting to enter the loops, can Jake save the day, and also save his new found love interest, the aerokinetic Emma Bloom (Ella Purnell)?

The defence of Miss Peregrine’s Home for Peculiar Children :: The movie is undoubtedly something that looks very good on the screen – the setting, the costumes and the special effects; they all look impressive. The pace gets better, and by the time it reaches the end, we are very much into one loop or two. The movie has a good mix of things, and never really gets lost in what it has to provide us – and it has been done in style. Among all the cast, it is Ella Purnell who leaves something beautiful with her charming performance. Then there is Samuel L. Jackson who once again scores high as the antagonist – there are some dialogues from him which are so much memorable; Eva Green also follows the same path, but on the other side. Asa Butterfield reminds one, and brings some of the Harry Potter effect in this one too.

The claws of flaw :: There is no shortage of the feeling that we have seen this before so much. We have always known X-Men and what they called as the Xavier’s School for Gifted Youngsters. The peculiar children just become another version of the X-Men when they were all younger. There is also no big mission to do here, which makes this not that much of a flick that most people would have expected. The monsters remind one of some Guillermo del Toro effect, as if Pan’s Labyrinth or Crimson Peak has decided to have a peek – they are still not that less interesting. With its magic and its protagonist accompanied by the magic, one is certain to feel some amount of Harry Potter in this one. There is also the lack of best use of the available resources – this could have been one big movie of magic, but that much is certainly not there.

How it finishes :: Tim Burton surely brings something special in making these kind of movies, as we have already seen in the two nice Johnny Depp starrers Dark Shadows and Alice in Wonderland, both having their fantasy elements at the right places. Well, referring to the same actor with this man at the helm, there was also Sweeney Todd: The Demon Barber of Fleet Street. Also in that list is Planet of the Apes, which I consider better than the franchise which is going on now, and that earlier special flick, Sleepy Hollow. Miss Peregrine’s Home for Peculiar Children might be the kind of movie which had left people wondering about what it contains, but based on a book by American author Ransom Riggs, seems to have left us with enough to be interested in, watching the whole thing on the screen.

Release date: 30th September 2016
Running time: 127 minutes
Directed by: Tim Burton
Starring: Eva Green, Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell, Lauren McCrostie, Judi Dench, Samuel L. Jackson, Finlay MacMillan, Pixie Davies, Cameron King, Georgia Pemberton, Milo Parker, Raffiella Chapman, Hayden Keeler-Stone

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@ Cemetery Watch
✠ The Vampire Bat.

10 Cloverfield Lane

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Vampire Owl: I have an intense desire to say no to this movie.

Vampire Bat: Why would that be so? Is it your death anniversary?

Vampire Owl: No, it is because I have watched the 2008 movie called Cloverfield.

Vampire Bat: This is the sequel for that movie, but is not really a continuation of the same.

Vampire Owl: That makes things quite bad.

Vampire Bat: A spiritual successor to the 2008 movie, as they say.

Vampire Owl: I couldn’t stand the 2008 movie. It was as terrible as the usual found foootage movies.

Vampire Bat: And we do wonder why the critics like such an immature genre so much.

Vampire Owl: You call it a genre? I call it a disaster.

Vampire Bat: Well, this one is not found footage. The camera is good here and they use it well this time.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: Michelle (Mary Elizabeth Winstead) drives through the countryside after having an heated argument with her lover whom she was hoping to marry, but meets with an accident on the road and losses consciousness. She wakes up with injury on her leg, chained to a bed in a cellar with no idea where is she is or how she reached there. Her questions are answered by a man called Howard Stambler (John Goodman) who comes there and unchains her. He tells her that he saved her life, as it was certain death out there. The world has been devastated by a massive nuclear or chemical attack, most possibly by aliens or maybe even from an enemy country. The air outside is contaminated and people are all dying out there. All those whom she loves should have already died and there is no hope outside.

So, what happens next? :: Michelle finds it difficult to believe him at all. Then she meets Emmett (John Gallagher Jr.), how is Howard’s employee, who had helped him build this bunker and had forced his way in there when something terrible seemed to happen outside. She realizes that Howard has been planning this for a long time, as he got ready to face the apocalypse – he always believed that the world was going to end soon, and he had to surive; this idea from him had even kept his wife and daughter away from him. Howard shows Michelle two dead pigs outside the bunker with terrible sores on their bodies which seemed to prove that the air is contaminated. But at the same time, she sees the pick-up truck which had hit her car causing the accident, and it makes her wonder if it is all something planned to keep her a captive.

The defence of 10 Cloverfield Lane :: There are so many questions in 10 Cloverfield Lane, and there are twists all around, as the suspense is maintained right till those final moments in the bunker. Throughout the movie, there is the question if there is some attack going on outside the bunker, or is it just a lie used to keep the girl a captive – there is also the doubt about what all are outside – are they aliens, demons or an enemy nation bringing the war to the United States? You don’t know the exact answer for most of the movie. Despite this lack of answer, there is always the feeling of danger – we never really get to see the outside world till the final moments, but there is so much tension that we know that something really bad is going to happen, and the only question is if it is from an outside force or from the humans inside. The doubt is if they are safe inside the bunker or outside it. This is the mystery that you need.

The claws of flaw :: There will always be people who wishes for this movie to go the usual way, and there will be the fans of the first movie looking forward for this movie to follows the same path – but both of them are not going to happen here. There are also moments when you feel that the movie is stretched, and also those scenes outside the bunker which won’t do that much justice to this movie as a whole. There could have also been more scares, even without seeing what happens outside. There could be darkness and there could easily be nightmares that could have ruled the world underneath – but 10 Cloverfield Lane takes a more direct approach which is effective in another way, but without the quick and surprise scares. This movie also asks you to get into the setting, which you will need to do to get the maximum effectiveness – with the minimum resources and maximum effect, that may not be possible for everyone.

Performers of the soul :: Mary Elizabeth Winstead is the kind of actress whom you can choose for this kind of a movie without second thoughts – she has been nothing less than amazing in this role which had so much focus on her, as the central character – the leading lady as well as the protagonist; the survivor who needs to make it through the whole thing. Most people must have seen her as Bruce Willis’ popular character John McClane’s daughter Lucy in Live Free or Die Hard and A Good Day to Die Hard, the two of the last Die Hard movies. We remember her more for Final Destination 3 though – yes, the one with the roller coaster ride, and one of those five movies in which they all die a painful death. She is perfectly suited as the horror queen for this kind of a setting. John Goodman also brings a fine work here, and keeps us guessing about his past as well as the intentions. John Gallagher Jr. provides the needed support.

How it finishes :: The best thing about this movie is that it is not a direct sequel to the 2008 movie, Cloverfield. It would have been such pain to watch this one as a similar found footage horror movie which is the cheapest genre available. With this one daring to be different, and developed from a script titled The Cellar, manages to be a movie which has only a supernatural invasion as the one thing that joins the two. There is also the third movie in the franchise coming up in 2017, titled God Particle, which has a team of astronauts on a space station with Earth having disappeared – this one seems to be more or less a spiritual successor too, and lets see how it goes. As we wait for the next movie to come, we can watch 10 Cloverfield Lane and enjoy the variety in horror – there is always the need for the same, and this movie delivers that.

Release date: 11th March 2016
Running time: 103 minutes
Directed by: Dan Trachtenberg
Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher Jr., Suzanne Cryer, Bradley Cooper (voice)

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@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim

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The fictional stories concerning the aliens from outer-space have always been with us through those books, movies, cartoons and comics right from the childhood. Alien, Predator and Event Horizon were among the best feeders of outer-space horror. It was just a few weeks ago, that the audience accepted the friendly neighborhood alien in Man of Steel, and the same space travel thing was explored thrice in the last few months, with Star Trek: Into Darkness, Oblivion and the weaker of the group, After Earth. Well, this time, from the depths of abyss comes the alien creatures, not from the sky, but from underneath the oceans to the above world. The first choice of looking for alien life form was always beyond the stars, which is actually quite surprising. For the common man, it should not have been so, but unfortunately they have been loaded with ideas of life on other planets by science even as the fact remains that they have never seen any of these planets or stars in the way they are taught in the school. I would have preferred not to study the same and choose only art and literature, but unfortunately, education is clearly biased towards science. What this study of science does is that it unintentionally makes religion the more believable thing around for the intellectuals of the highest class. It is on a blind faith of technology and scientific extremism that the concept of space aliens are based on, and it is this same thing that Guillermo del Toro has annihilated here; not that it was not done before, but this time, it is in the form an incredibly powerful spectacle.

Del Toro’s work has always come up with beauty in horror, and this movie is no exception. The movie plunges into the depths of the theme of alien invasion and comes up with that pure awesomeness which The Avengers missed by some distance and Transformers: Dark of the Moon missed by quite a million light years. This is what Transformers should have been, but unfortunately that series lost all the good things with the second and third parts of the movie. Pacific Rim shows how a fighting machine should be. From the man who gave us Pan’s Labyrinth, at least this much was expected, and he has delivered it, with fantastic power which would make this the movie of the year so far, and may be even the best science fiction action move in two years. I didn’t really free myself from his Hellboy II: The Golden Army when I went to see this one, thanks to the television channels; and not to forget Blade II. There is one warning though, as this is not recommended for the movie cynics – they are the kind of people who will dislike this movie and come up with weird unimaginative reasons which are less significant than the smallest robot’s toe. If this movie can’t leave a smile on your face by the end, there is no doubt that such people belong to the Kaiju group, as the monster sympathizing kids who can’t bear to see their little dinosaur things losing to robots.

The movie takes the viewers to the future, when the planet is under attack by Kaiju, a name they call for the gigantic monsters continuously emerging from a portal beneath the ocean. After a number of attacks and destruction, the humans understand that it is not going to stop. To combat these big monsters, all the nations unite and use all their remaining resources to create the giant robots called Jaegers, each controlled by two (or more) pilots whose minds are joined by a neural bridge, as it would be too huge for two of them. But,The plot follows Raleigh Becket (Charlie Hunnam), a former Jaeger pilot who had lost both his machine and his brother while fighting. He is called out of retirement by Stacker Pentecost (Idris Elba) and is teamed with a rookie Mako Mori (Rinko Kikuchi) in a last effort to defeat the monsters. At a time when Jaeger program is being decommissioned, and walls are built to protect the cities from the monsters, there is chance for one final attempt on closing the portal and saving the world with only four last robots remaining. As the monsters continue to evolve and adapt to the methods chosen by humans, the survival of both the man and the machine was becoming difficult, and with bigger and stronger monsters coming up, and the robots only getting older, the situation had turned clearly in favour of the monsters who are found to be controlled by minds and on a mission to colonize Earth.

Charlie Hunnam and Rinko Kikuchi gives the movie that right dose of memory, as they give to their giant machine in the story. Idris Elba gives a powerful performance throughout the movie. There is no romantic side to this story, and the feelings are of brotherhood and respect rather than some silly emotions of infatuation. The rest goes to the robots, except for some funny scenes. The movie is a fantastic visual treat, as if a wizard has combined his powers with a sorcerer of the other world. This is not a dark movie, as that ghost has currently gripped every story which is detached from the real world. There is beauty even in the monsters and the destruction that takes place, something which Transformers and The Avengers missed out on the artistic side. There is pure poetry in motion throughout the sequences involving the robots and the monsters. They are all beautifully done, with each minute detail given importance. There is even detail on the tiny insects which feed on the monsters – not that tiny when the humans see them though. The fight scenes are powerful and stylish, with 3D coming to the aid at the right moments. The cynics can stop asking scientific questions about the invasion as the creatures come out of portal underneath the ocean and not from underneath Earth in its literal sense. It might be surprising that just a portal answers so many questions, and in this case, it does. Another thing to be noted is that times flies throughout this movie, and one gets too busy with the movie that it goes unnoticed.

This is obviously different from Guillermo del Toro’s Pan’s Labyrinth and Hellboy and therefore it is a crime to expect the same kind of thing here, even as there is the clear “del Toro tag” throughout the movie. Each and every detail of the robots and the monsters is to be looked at, for they are not simple giant robots and gigantic monsters. Gipsy Danger, the old model which saves the day differs considerably from Crimson Typhoon, the three armed robot with three pilots. The Russian robot Cherno Alpha gives another feeling at the mean time, and Striker Eureka comes up with its robotic structure almost the exact opposite. Coyote Tango, piloted by Stacker Pentecost has a lesser appearance. Even the monsters are never the same, as some of them can spit acid, some of them can fly, and some of them can move at lightning speed – none of them looking the same. The climate, and the whole setting of the fights also seem to assert this powerful detail which has been running through the movie. Another point is the use of collective memory, as a shared group of memories, only this time, it is really what it means literally. There is that world of shared memory and shared folders which we found easier to attach with the computers and electronic devices – it has such a powerful significance; and such a thing would solve the differences and save the world threatened by humans.

One question shall haunt me for a long time though; to watch this movie two or three more times or to be so satisfied with this spectacle that I take a break from watching movies. There are moments which can make one feel that it is the ultimate satisfaction, and as long as science fiction movies are considered, this is close enough to the same. There are all the morals and the inspiring factors in place, but there is no preachy side to this one. The moments to watch out for should be I. The first battle between Gypsy Danger and a monster (just because it is the first fight), II. The return of Gypsy Danger to the field (that moment of sudden appearance), III. The battle in the air (when the sword takes over), IV. The final underwater climax battle (from the moment the first monster strikes). There is no forgetting the use of ship as a weapon during that moment of awesomeness. This could be better summarized by saying that the movie has a very good beginning and a fantastic last fourty five minutes. It takes you to another world, where these monsters are real, and they can be beaten. There is inspiration, and there is the ability to keep you on the edge of your seats; there is the message of never-ending hope and the assertion of faith and belief. Along with that there is the rain and the water of the ocean which seems to have a purifying effect in 3D. The movie has a lot of trust and sharing of other’s memories going on, which points a lot to the current world. So what can we expect from a possible sequel than pure awesomeness? This one was a safe bet for me though, as there is one director who has never come close to disappointing me, and he is directing this movie.

The fact remains that Pacific Rim will continue the winning run of Warner Bros, and the reason for its success at this part of the world should be the trailers and the posters at the multiplexes which does nothing less than being impressive. Another thing is that the early reviews have all been very positive, and those which are negative, I wouldn’t call them reviews, as none of them has come up with any valid argument to not recommending this movie. It is a known truth that people love some random human being in a metal suit as they have appreciated Iron Man, and they also love robots, considering the huge success of Transformers with nothing much to offer in the last two movies of the series. Pacific Rim has both of them, and with the right people to handle the same. Considering the kind of audience the movie attracts, the only movie which can give some challenge is The Wolverine, as the release of White House Down next week here won’t change a thing, thanks to Olympus Has Fallen. R.I.P.D. and The Conjuring will attract only selected viewers, and RED 2 has a chance of making lesser impact than expected here. Then there would be The Smurfs 2 which would take not much of the audience of this movie away from action. The movie would stay in the theatres here till August unless The Wolverine comes up with a miracle, or there is an influx of Hindi and Malayalam movies of high quality.

Release date: 12th July 2013
Running time: 132 minutes
Directed by: Guillermo del Toro
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman, Robert Maillet, Heather Doerksen, Burn Gorman

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@ Cemetery Watch
✠ The Vampire Bat.