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A Quiet Place II

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Vampire Owl: Well, this one is quite a place.

Vampire Bat: They are talking about quiet places only.

Vampire Owl: Well, our castle is quiet enough, especially during day time.

Vampire Bat: There is too much of murmuring in there.

Vampire Owl: You are talking about the intellectual voice transfer.

Vampire Bat: How can you give it such fancy names?

Vampire Owl: It is the name which the vampire elders preferred.

Vampire Bat: The vampire elders are too old to call anything by any name.

Vampire Owl: It is also another Dr Frankenstein approved thing.

Vampire Bat: Mr Frankenstein can’t even approve himself as a doctor.

[Gets a vancho cake and three cups of Vagamon tea].

What is the movie about? :: Evelyn Abbott (Emily Blunt), Lee Abbott (John Krasinski) and their children, along with other spectators, witness the arrival of a strange object resembling an asteroid landing on Earth, while attending a little league game. Even though it lands some distance away from them, it scares them due to the size and sound being involved there. People in the town seems to be already in a state of panic. The police seems to be heading there, but already, some strange extraterrestrial creatures are attacking people. As the aliens cause chaos everywhere, the vehicles on the street are out of control, and people look for shelter. It turns out that the creatures are extremely hostile, tearing people into pieces using their extreme speed and strength, while being protected by what seems to be armoured skin. But the creatures are blind, and yet with hypersensitive hearing, would attack anything that makes even the slightest noise. The police seems to be ineffective against them, as their skin can stand the gunshots with ease.

So, what happens with the events here as we just keep looking? :: An year later, the alien creatures have brutally murdered most of the Earth’s population. With her husband dead while trying to protect her, Evelyn tries to survive with her kids, while their Regan Abbott (Millicent Simmonds)m their dumb and deaf daughter discovers a high-frequency audio feedback which can make the aliens vulnerable, and the same could be transmitted from her implant through a microphone. Her son, Marcus Abbott (Noah Jupe) also hopes to make something out of it, while also searching for a new home. On the way, the group accidentally triggers a sound alarm, alerting the creatures. At the same time, Marcus also steps into a bear trap and screams, thus alerting the creature again. They manage to one creature using the audio device and gun, while escaping from the other. They are taken to a soundproof hideout by one of their old friends, Emmett (Cillian Murphy) who lives in an abandoned steel foundry.

And what more is to follow in a world infested by ruthless alien creatures? :: Emmett had turned cynical and with no hope at all about future after all members of her family died, leaving him to survive for no reason. He feels that the humans who are left are not worth saving at all, even if there is something left. He also asks them leave the very next day, but after hearing the song, “Beyond the Sea” which according to Emmett has been playing continuously for four months, Regan feels that it is a signal which is telling them where to look, and it is on an island. She wants to go to that tower and use her high-frequency signal there, using it as a special weapon against the alien creatures. But it won’t be that easy, as the path in that direction is infested by many creatures, and Regan’s idea of going alone wouldn’t get the support of anyone. Yet, she would leave, and Emmett, with some love left for his old friends, will have to find her. Now, the question remains if her journey is really worth it. What awaits her near the tower? Is it going to work?

The defence of A Quiet Place Part II :: Just like the predecessor, this movie also depends on the same strength of sound effects which the predecessor displayed a few years ago. The alien creatures are also as good as they used to be, maintained the strength yet again. We also have more hope than there used to be. Emily Blunt continues what she was doing in the first film quite well, and she does have the warrior strength which she had displayed in the movies like Edge of Tomorrow and The Huntsman: Winter’s War. There is no loss of determination in her character here too. It is up to Millicent Simmonds and Cillian Murphy to become that characters who further to save the world though, and they are very much effective in doing the same, despite the early doubts put in there. Noah Jupe also joins well with newly found courage and wisdom in the character. Djimon Hounsou plays the man of another lands with authority. John Krasinski appears in the flashback moments, as the director also gets the acting in here again. Scoot McNairy as the leader of bandits could have had more screen space too.

Positives and negatives :: The movie still doesn’t bother to come up with any science fiction explanations about the origins of the creatures – people might have expected that, but they do get a flashback about their arrival with objects from space, which proves that they are indeed from another planet, moon or some interstellar object beyond our understanding. The movie is also in short of dialogues to keep the aliens away, but there is surely more than what we had in the first movie. The strength of the family and the importance of not giving up, also comes into the picture here. There is the idea that there is always hope for humanity, even though one does wonder if the aliens bringing extinction to humanity would have been the right thing to do, considering what mankind has done to their own people as well as the environment around them. Well, we don’t really know what the aliens were up to, as the focus is not on those scientific elements yet again, but we can be sure that there could be a sequel explaining all of these. One more sequel showing the ultimate battle of humanity against the creatures, and we can be done with it.

How it finishes :: The movie nicely continues the world which was left by the first part – the expansion that this world receives is almost as good as the first. Things continue to be kept simple as it used to be, in a post-apocalyptic world infested by ruthless alien creatures. The possibility of terror is always there, and we keep remembering about 10 Cloverfield Lane which dealt with similar creatures, but with not much of the visuals. The idea of the divergent horror movie is maintained here, as it was seen in Malignant, The Witch, The Autopsy of Jane Doe, Don’t Breathe, It Follows and Lights Out. A Quiet Place Part II continues a world of divergence which in this case has the aliens bringing all the horror and very less science fiction. These are the movies which keep the horror alive in different patterns, and with noises at the very centre of everything. Even though it is currently on Amazon Prime Video, this is one movie which could have feel better on the big screen, as there is so much of silence and the sudden sound effects that make the big impact – moments which one needs to live through rather than just get hold of.

Release date: 28th May 2021
Running time: 97 minutes
Directed by: John Krasinski
Starring: Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Hounsou, John Krasinski

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

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Don’t Kill Me

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Vampire Owl: At some point, a werewolf asked me not to kill him.

Vampire Bat: So, you have started fighting werewolves on your own.

Vampire Owl: No, it was an arena battle during the last carnival.

Vampire Bat: Why would you kill a werewolf on an arena?

Vampire Owl: It was part of a great, memorable drama.

Vampire Bat: I knew it. You wouldn’t even slay a zombie juggernaut.

Vampire Owl: Why would I? Let them eat the brains of evil humans.

Vampire Bat: All zombies are not interested in human brains. Some of them just sleep in their graves at all times.

Vampire Owl: They are not undead – they are just the dead.

Vampire Bat: Well, zombies do have the right to make their choices too. Some of them even fall in love.

[Gets a vancho cake and three cups of cardamom tea].

What is the movie about? :: Mirta (Alica Pagani) is madly in love with her boyfriend and drug addict Robin (Rocco Fasano) who is detested by her parents. One day, she decides to have drugs with him, and an overdose leads to the death of both of them. But soon enough, she finds herself waking up in the tomb. She escapes from her tomb in the mausoleum where she was laid to rest and starts walking towards her home. But she understands that she is dead, and leaves the house soon enough. The police informs her parents that someone has stolen her parents. She knows that her body has started decaying, and there are also people hunting her. A strange person also visits her home, and says that they are going to protect the living from the dead – he adds that the parents are going to see their child very soon, but she won’t be the person whom they knew earlier. Soon, she ends up committing her first murder, and after eating the man, feels much better.

So, what happens with the events here as we just keep looking? :: But soon enough, she will understand that there is something more going on out there. There is a sect that has been hunting her kind from 1600s – destroying those who come back to life instead of staying dead, known to the secret organizations as the overdead. The group seems to be heavily organized, with lots of money, weapons and other resources. Mirta does find some help, but she wishes to go back and find Robin, hoping that he will also wake up at some point, as they died in almost the same way. But she is captured by the group, and is put in chains. It is then that she realizes that Robin has also come back to life. But that would also leave her with more revelations about what has happened with her life. It will also mean that she will have to make her own decisions against her heart. Where will that lead her in the end? Is there a war coming between the humans and the overdead? Will she choose one of those sides?

The defence of Don’t Kill Me a.k.a. Non Mi Uccidere :: This is a movie which comes up with some fine surprises, and even shocks in relation to its zombie world. It doesn’t hesitate to try something different, and take a few risks with its progression and scenes. The ability to stay unique in a world of repetitions is to appreciated. There are a few bloody moments in the final scene of the movie, and that result of an undead fighting the hunters has some quality setting which is going to stay for long. The moments of the protagonists meeting after dead are strangely interesting too, and there was that twist that worked out there. The bath scene seemed to point to some of the tales of the witches from the past, and maybe this will also come up with more links if there is a sequel. The visuals are really good here, not just with the scenery, but also with people and objects. The environment has worked in favour of the movie too. The message here seems to be about being careful about whom you are obsessed with, and that it is not about looks in a relationship. The movie also encourages one to take the path required instead of going with the flow.

Positives and negatives :: Don’t Kill Me does more than what was expected from it, and we are only to witness the same. It doesn’t overuse any of the special effects, and keep them to the minimum, but in an effective way. The idea here seems to be about using lower budget to achieve more. It does leave a few things to the imagination, without trying to explain them all. It could have also linked its sequences better, instead of seemingly straying from the path to come up with one scene or the other. Despite the zombie existence, you would still imagine Alice Pagani in a vampire movie, because the looks seem to work well with such an option – the Gothic world seems to suit her well. I would like to see her as part of an Underworld movie at some point of time. She is also suitable for the mood of Byzantium and Interview with the Vampire. The ability to move away from silly romance and keeping it natural also helps here – this movie could have easily been Twilight, but thankfully it is not. This one is a serious adventure at hand. The blood and gore is present, and still continues to be in control.

The performers of the soul :: The movie has its soul fixed on Alice Pagani, an actress who has made the transformation into the undead very smooth and believable – you don’t become the undead that easily and make it feel natural. She has this one in control throughout its run, as the confused youngster in love who doesn’t know much about what she has been forced to go through. Even in a decayed zombie form, she remains beautiful, and displaying the human confusion seemingly in an attempt to retain her humanity. She is there in every key moment of this movie, as if she is this movie, and it is all about her. Despite the thriving human beauty, she will make a fine undead, maybe even a vampire – Hollywood should have her. Rocco Fasano, for most of the movie, is the Robert Pattinson of this movie, the much liked Edward Cullen who is without his Twilight – has the looks of the undead working for him. They have some interesting scenes together, but there are not that much either – the romance doesn’t get overdone, and that is a nice way to keep away from the commonly expected undead infatuation.

How it finishes :: There are the usual romantic zombie movies like Warm Bodies which try to go the Twilight way, and then there is this one, which tries to be as divergent as possible. It knows that it has to be innovative in the zombie horror genre, as the idea has been repeated too many times. This is the realization which makes the whole thing better. One can only feel that Andrea De Sica is a visionary director who has brought another zombie origins story which can have a prequel or a sequel according to the need, as this one doesn’t end here at all. Italian movies have had some quality works in the last few months, like Security and A Classic Horror Story, both of them coming up with their own divergence in the process. When we look at these movies, despite the genres to which they belong, there is no exaggeration at all. Well, you know how wrong you can go with the zombies, and how much nonsense can be added in the name of the undead – here, we get them in our world, without those unnecessary ornaments or overdose of romance. The low ratings seem to be from those who expected a Twilight, but the beauty of this movie is that it is not here.

Release date: 21st April 2021 (Italy); 21st February 2022 (Netflix)
Running time: 90 minutes
Directed by: Andrea De Sica
Starring: Alice Pagani, Rocco Fasano, Silvia Calderoni, Fabrizio Ferracane, Anita Caprioli, Sergio Albelli, Giacomo Ferrara, Esther Elisha, Kateryna Aresi, Francesca Alice Antonini, Federico Ielapi, Marco Boriero, Marco Matteo Donat-Cattin, Marco Pancrazi

<<< Click here to go to the previous review.

<<< Click here to go to the first Italian film review here.

<<< Click here to go to the last Italian film review here.

@ Cemetery Watch
✠ The Vampire Bat.

The Devil Below

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Vampire Owl: There is no devil below us. I am sure about it.

Vampire Bat: You know that there was quite a long talk about such a creature’s existence.

Vampire Owl: Well, I would consider it as absurd. There are only the dead below.

Vampire Bat: The dead becomes one with the devil, they say.

Vampire Owl: The devil do not wish for vampires, I am sure about that.

Vampire Bat: I have known about one of his minions meeting Uncle Dracula.

Vampire Owl: It could be Mephistopheles. He is not from under the castle.

Vampire Bat: Well, you can never be sure about the pure evil ones.

Vampire Owl: I am sure that they are teamed up with the witches of the north.

Vampire Bat: Well, those witches belong to another level, don’t they?

[Gets an onion vada and three cups of mixed tea].

What is the movie about? :: In a mining station, Schuttmann (Will Patton) has a meeting with a strange, terrifying creature in a mine, where his son is taken by it, after stabbing him on the shoulder, leaving him paralyzed. There has been something about the place, which forced a team of scientists to come there, a few years later. The group including Darren (Adan Canto), Shawn (Chinaza Uche), Terry (Jonathan Sadowski), and Jaime (Zach Avery) are led in the right direction by an adventurer named Arianne (Alicia Sanz). They don’t get any signal on the mobile phone which makes their journey a very difficult for everyone. They are looking for the same mine known as Shookum Hills Coal Mine which seems to have been taken out of the maps since the 1970s. The meet a very few people in the town which doesn’t seem to have too many people living there. The people whom they meet out there asks them to go back, and they are also chased by a car on the way, which she also manages to leave behind, avoiding a possible encounter while driving smartly.

So, what happens with the events here as we just keep looking? :: This seems to be a place nobody wants to talk about, or even think about visiting, but Arianne has agreed to take these, and she will do exactly that, whatever be the circumstances. They do find the entrance in the middle of nowhere, but there is an electric fence being put on their way – they manage to use a rope to get past it, and it seems that the new location doesn’t have any human presence as of now. There are many conspiracy theories among the scientists related to sinkholes, superdeep unidentified creatures, unexpected fire and others, but they finally decide that instead of making speculations, they would just need to find out this thing by themselves. When they do find the actual mine, things don’t go well though, as Terry is dragged into a tunnel. They are not able to find him despite looking into the tunnel, and he won’t be the only person to go missing at that time. There is something extremely dangerous hidden in there, and the locals might be right about asking them not to go to the mines. Is it late to have another warning?

The defence of The Devil Below :: You are introduced into the possible horror awaiting us underground with the initial scene of The Devil Below itself, even though it takes more than an hour to get the scares from deep beneath returning. The elements of horror are provided through the dialogues, and there are some chasing scenes in the dark to add to the things. This is the kind of world where a computer game would work perfectly, especially a first person shooter with one of these characters to choose from. The blinking lights can nicely add to the gameplay, and there can be multitudes of monsters to hunt in different levels. The world of this movie is one without hope for survival, and it adds to the scares really well. The atmosphere contributes to the same with a lot of quality, as the world underneath has been created with skill, and the space above is no happy place either. The scares do work differently with this one, as we hope that a sequel can some day elevate this. It is also effective as a survival movie in parts.

The claws of flaw :: After the first incident involving the creature, the movie does take some time to get a monster for it once again. There is also not enough of the monsters, as we rarely get to see much of them – the darkness and the camera shots don’t really help that much in finding them with all the required terror. The movie could have also had better explanations of the happenings around there, and a Doom model situation could have suited the flick better, with action and fear combining the forces in a balanced way. All these creatures could have had better detail, and the difference between them within the species could have been celebrated. One has to wonder why it doesn’t manage to be clear in what it shows around. There are so many things happening in what seems to be a blurred state around here. All these creatures required more focus on their designs and more screen space in a better, clearer form. The movie can have a sequel with the main character as the big action star, but from the opinions this one received, one has doubts about it.

The performers of the soul :: The Spanish actress, Alicia Sanz plays the lead here, and as the protagonist, she is more or less a figure like Lara Croft in Tomb Raider – she plays an explorer who was recently in Africa, and has traveled all around the world, leading expeditions. She could have more action sequences here, and moments which Lara Croft would be proud of, but she manages to do well with what she gets. She could a promise for a future action or horror movie too, as the signs seem to be pretty much clear. Imagine what she could have done with a few ledges to climb, some ruins to explore, along with a lost city or sunken ship underwater to check out. She has the determination and expressions of a Tomb Raider type explorer too. Will Patton as Schuttmann makes a strong fighter from the looks itself. He also has some fine dialogue to go with it, as he is related to everything that happens around there, one way or the other, and has the mission to protect his world. Adan Canto as Darren is the man with not-so-direct intentions, a job done okay.

How it finishes :: We have seen a similar idea expressed in a better with the Russian movie, Superdeep. Well, Russian movies seem to be able to stay ahead of some good number of Hollywood movies when dealing with horror, war and science fiction, dealing better with ghosts and aliens, creating the better atmosphere. This English version of superdeep monsters does its job for sure, but not that much at the level one would expect it to be. The environment is well set, and with some horror, it makes an interesting flick to watch in a human world which is full of the demonic people, but never has enough horror on the screen. With one Corona virus scaring people enough, it might not be that easy to find horror from some random monsters in a mine which you don’t know about, but we can use all the scares in the world to move away from the real evil creatures of our world, humans. Let us try to add this one to our list of interesting horror which has managed to have the courage to take it underneath the surface.

Release date: 5th March 2021
Running time: 88 minutes
Directed by: Bradley Parker
Starring: Alicia Sanz, Adan Canto, Zach Avery, Chinaza Uche, Jonathan Sadowski, Jesse LaTourette, Will Patton, William Mark McCullough, Alpha Trivette, Tom Proctor, Nathan Phillips

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1994

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Vampire Owl: A slasher from Hollywood with three parts on Netflix. How interesting is that?

Vampire Bat: It is surely what the vampires ordered.

Vampire Owl: We can always take a lot of horror, especially through OTT.

Vampire Bat: Yes, it is always nice to take some horror home.

Vampire Owl: Unless we can get some home made horror here.

Vampire Bat: We don’t really come up with horror anymore. Humans do.

Vampire Owl: Well, human horror is out of evil, Ours have been just natural reaction.

Vampire Bat: End of mankind is surely the end of nonsensical evil.

Vampire Owl: Mankind won’t end, for even the virus couldn’t do the job.

Vampire Bat: Corona virus has been just too mild and decent in nature.

[Gets a chocolate cake and three glasses of oreo shake].

What is the movie about? :: Heather (Maya Hawke) who works at a bookstore in a mall is brutally stabbed and murdered by her friend Ryan (David W Thompson) who also works in the same mall. After he had murdered many other employees in the mall, he is shot dead by a police officer Nick (Ashley Zukerman). It is said that the eighteen year old graduate just lost his mind and murdered all these victims for absolutely no reason. But this only one of the many murders which happen in the town, as it is more less referred to as the murder capital of the country. There are multiple murders being committed at different areas, mostly for no real reason at all. This cycle of violence seems to have no end at all, and even in the year 1994, people seem to point to a witch named Sarah Fier, who placed a terrible curse on the town before being executed for witchcraft in 1666. It is also the early days of AOL and internet in USA, with people still spreading conspiracy theories online, as World Wide Web does have its own addicted youngsters. The murders have been going as the hot topic in the internet for too long.

So, what happens with the events here as we just keep looking? :: Deena (Kiana Madeira) doesn’t believe in all of these though, as she feels that everyone in the city of Shadyside is so miserable that killing others and committing suicide comes naturally to people. Simon (Fred Hechinger) and Kate (Julia Rehwald) are her best friends, while she is still addicted to Samantha Fraser (Olivia Scott Welch), but had kept her lesbian relationship a secret to most people. Deena’s brother Josh (Benjamin Flores Jr) spends his time to solving the mysteries behind the murders online, while Kate and Simon tries to get out of the city by selling drugs and making more money. Samantha is now with Peter (Jeremy Ford), and both are now part of the city of Sunnyville, which is a richer place with more opportunities and less murders and other crimes happening around. A romantically, emotionally and sexually frustrated Deena has a fight with Samantha as latter decides to go for a straight relationship instead of the lesbian one. The students of Sunnyville and Shadyside starts fighting each other at the same time, and things only get worse for everyone at both side.

The defence of Fear Street: 1994 :: The film is indeed beautifully shot, and there are some colours and beautiful reflections of the world which we are meant to witness with horror. The darkness and the lights contribute nicely too. The 1990s setting works well here. It lets us feel the need to watch the rest of the movies of the trilogy too, and in the end, has put something in there to bring the interest. Movies like these are reminders of a past, a world where we were afraid of monsters – these creatures are now replaced by humans who are much more evil in comparison. With a near unstoppable evil thing at the centre, we are glad to have a witch dealing with things. The film also provides a case for nostalgia, as we are all those kids who grew up in the 1990s, and were introduced to that early stage of internet – we were among the very few people who got to use it then, and can actually feel the memories again. Fear here is powerful within, and it is as close to reality than never ending human nature that inclines towards pure evil.

The claws of flaw :: The movie could have had more of the slasher elements than it has as of now. We know what all a typical slasher flick should have as natural part of it. The romantic side is absolute nonsense, and it could have had a happy ending with the appropriate deaths, but that doesn’t happen. The final moments are also not that effective enough, but how they leave scope for a sequel is to be appreciated – the final possession has you asking for more indeed. As of now, most of us only know about Goosebumps from the authors of the books on which this is based – RL Stine. So, we don’t really know how much this one does justice to the original work. There are similarities to the divergent horror films like It Follows, even though this one is not that different in content. The serial killers who come back as monsters and the witch could have also been shown in a better and scarier manner, as we know how the undead can be captivating in terror. The feeling a slasher parody also comes in between, but nothing can have the fun of The Cabin in the Woods in the case too.

Performers of the soul :: This is the kind of the movie where almost everyone seems to contribute equally, and even though there seems to be one main character who comes as close to a protagonist as one can get, she is not the one in control, and also not the one whom the movie fully depend on – it is not really all about her. Kiana Madeira who is seemingly the protagonist, is a selfish character, and that she does well. Olivia Scott Welch serves the requirement as the beautiful girl to be loved, and the typical damsel in distress, nothing more as we look at her. The two characters are very much unlikable by all means, thinking only about themselves. It would have been more suitable for a slasher to have them dead, but unfortunately, that doesn’t happen. Julia Rehwald, Fred Hechinger and Benjamin Flores Jr are more likable characters, and they are all part of this equally. The monsters which come back to life here also could have had their own flashbacks.

How it finishes :: We have been in short of some good slasher horror for a long time. This first part of a trilogy makes sure that there is something for us to cherish in a world of terror and chaos. There are enough serial killers in this particular film to keep us interested, and as they don’t really have a motive, going on slashing, it is that quality which was seen rarely in films around here – Tovino Thomas’ Forensic was one grand expectation. This is one slasher film with its own quick scares that work well, even though it does misses some points in between. Well, it does take some skill to get the slasher horror right, and there is often the sequel weakness that comes unto the picture, even though we do have enough from Friday the 13th, The Hills Have Eyes, Wrong Turn and A Nightmare on Elm Street to keep us interested in the slasher genre, maybe forever. Even though the quick release of Madres and The Manor were what Amazon Prime Video did in quick succession, Netflix seems to be one step forward with its collection of good horror.

Release date: 2nd July 2021 (Netflix)
Running time: 107 minutes
Directed by: Leigh Janiak
Starring: Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr, Julia Rehwald, Fred Hechinger, Ashley Zukerman, Darrell Britt-Gibson, Maya Hawke

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

<<< Click here to go to the previous film review out of Netflix.

<<< Click here to go to the previous film review of a direct Netflix release.

@ Cemetery Watch
✠ The Vampire Bat.

Monster Hunter

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Vampire Owl: I know that humans call us the monsters.

Vampire Bat: Well, this is not about us, for sure.

Vampire Owl: I do know that humans are the monsters though.

Vampire Bat: That idea has been reiterated so many times.

Vampire Owl: We have seen the same clearly in the film, Kuruthi.

Vampire Bat: I am sure that there are many more examples outside the movies.

Vampire Owl: I had known the same from an alien in The Blackout too.

Vampire Bat: The aliens always know things better.

Vampire Owl: Yes, it is why the aliens won’t talk to humans.

Vampire Bat: I think that it is better for aliens to not talk to these humans. They are hopeless creatures living in hatred for their own kind.

[Gets a marble cake and three glasses of blackcurrant shake].

What is the movie about? :: In a parallel world, referred to as the New World, humans are fighting monsters all the time, and these creatures come from under the sands, while people use ships looking like galleys and galleons to travel on the sands of this particular world. There, one of the people (Tony Jaa), a skilled warrior against monsters is separated from the other crew members of their ship, as they are attached by Diablos, a huge, powerful subterranean monster. Back on Earth, United States Army soldiers led by Natalie Artemis (Milla Jovovich) and her United Nations team are searching for their missing team in a desert. They come across a huge storm with lightning which seems to activate some stones there having inscriptions. They are taken into a portal, and from there, they enter a space without gravity and then into the New World. There they find what remains of the missing soldiers and also their vehicles. The don’t figure out what happened, and the place looks like a different type of desert with so much of sand.

So, what happens with the events here? :: The map doesn’t match with what is seen at the map, and all the technology they have for guidance is messed up without any chance for a repair. They are relieved to find that at least their weapons and vehicles seem to work. But none of their weapons are even a little effective against the monster which seems to be protected against such weaponry with some kind of armour. Some of them are killed, and the remaining troops go into a cave, only to be attacked another type of monsters, spider-like, and crawling through the caves. There are many such monsters who fill up the cave, and they are all infected by the monsters, dead or almost all good as dead. Natalie manages to escape from their cocoons because she was only paralyzed earlier, and had overcome the same. She manages to escape the same, and it is still to found if she can survive in this world full of monsters, and it is to be seen what role Hunter has to play in her survival and a possible return to Earth. But with monsters everywhere, that is indeed doubtful.

The defence of Monster Hunter :: This is one full action film with the terrifying monsters adding nicely to it in style. The creatures are all terrifying and detailed enough to catch our attention, and the slaying methods entertaining as they should be. There are grand moments with such creatures all around and attacking with full strength, and you have dragons as well as sand-serpents along with crawlers. The new world with its elements are also a joy to watch. There are so much to be seen with the visual splendour, even thought it is not that colourful – the situation is rather dark when we look at it, seemingly a lost world. A new world created makes our escapist tendencies feel better every time. The film, as it is based on the video game of the same name, does remind us of a computer game with its features – the world itself is something which suits a high quality video game, but it is not a game which is popular around here, and I am yet to find someone from life to have played it. The sound effects and the music nicely adds to what is seen on the screen. It also has a special scene in between the credits, so do look forward to that.

The claws of flaw :: This doesn’t manage to move out of the video game feeling enough to create a full film effect. There is very less importance given to the characters, and we don’t really know much about what is happening in the new world or the old one. We just have the action, and so many characters from the original world are killed too early for our liking. As this is more or less like an origin story of a possible franchise, there should have been a better explanation for things in the beginning. Waiting for a sequel with only this much action done is a little too less for our liking. A few things also get repetitive at times, not just related to this film, but also about other movies. The focus is also only one two characters, and we have a few others in the beginning and the end, and nothing more. The game also happens to be Capcom’s second biggest seller after the Resident Evil franchise, and so one has to wonder if this film is enough for the game, and only those who have played one or two of the games in the franchise can tell us clearly about it.

Performances of the soul :: Milla Jovovich in an action film is always joy to watch, as she has shown the best in the Resident Evil films, which ended with Resident Evil: Retribution and Resident Evil: The Final Chapter. Whenever she is around, we can be sure that there can a lot of spectacular action sequences coming together, and this one is no exception. She is like the action heroine who is there for such sequences forever. It is the similar case of Tony Jaa who is also known for the same genre, even though Mila had some horror added to her films every time, mixing the genres rather than sticking to one thing. Other than these two, there is no other character who has anything significant to do here. They do make a good team, especially as action is all that they need to do here. Maybe, there could be a video game based on this film some day, rather than the other way around. The only other person whom I can think of, related to such action films is Kate Beckinsale, the lady vampire of Underworld and its sequels as well as Total Recall.

How it finishes :: Adapted from the video game of the same name, this film also maintains the effect of being inside a game, and even though it might not have received the positive reviews just like the other game adaptation, this is an effective one. I did find movies based on computer games to be better than what the critics said, and Hitman: Codename 47, Need for Speed, Doom: Annihilation, Prince of Persia and Max Payne are a few of them. There were surely the bad ones, like Assassin’s Creed, but movies based on games have a tendency different from the rest. Well, this one makes an interesting film in that list for sure. You are transported into a new world that reminds on of Avatar and John Carter, even though this is mostly a world of desert terrain, which means there is not that much to enjoy the colours. But with this one, you enjoy the action set in a new world with monsters all around, and watching such monster hunting is fun enough. You are never really short of some fine monsters around here, that is for sure.

Release date: 28th May 2020
Running time: 116 minutes
Directed by: Paul WS Anderson
Starring: Milla Jovovich, Tony Jaa, Meagan Good, Tip Harris, Diego Boneta, Josh Helman, Jin Au-Yeung, Ron Perlman

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shadow in the Cloud

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Vampire Owl: I wonder what is stopping them from understanding this shadow?

Vampire Bat: You mean to say that you know this shadow?

Vampire Owl: Yes, it should be Uncle Dracula trying to get some moonlight.

Vampire Bat: I don’t think so. He prefers darkness over any light.

Vampire Owl: Well, he is now being lunar powered.

Vampire Bat: What? You mean, like those werewolves and witches?

Vampire Owl: Yes, the technology in the cells in now shared.

Vampire Bat: You mean to say that Doctor Frankenstein did another experiment.

Vampire Owl: Yes, now the advantage that the werewolves had over us is gone.

Vampire Bat: Advantage? The barbarians can make any empire fall at some point.

[Gets a vegetable cutlet and three cups of ginger tea].

What is the movie about? :: During the final stages of the Second World War, the Flight Officer Maude Garrett (Chloe Grace Moretz) finds herself assigned to a B-17 bomber named a The Fool’s Errand, but as she boards the airplane with her orders, nobody in the crew is happy to see a young woman being assigned to what seems to be a tough and dangerous journey which lies ahead. She feels that she saw something on the side of the flight, which resembled an unidentified creature, but people have a difficult time believing her as they had reached a lot of height. After being left in the turrey for takeoff, she is not able to get back to the flight, as the hatch is stuck and nobody is able to open the door. They keep trying from above and below, but as she begins demanding that she be taken out immediately, they cut off the communications to her, and goes on checking her credentials, if she is really a flight officer like she claims to be.

So, what happens with the events here? :: But it turns out that there is something else happening in the flight. After seeing a Japanese plane close to the flight, she is attacked by the creature, a gremlin, but somehow manages to fight it off. The crew finds out that nobody by her name exists in the force, and feels that she could be an imposter, or an enemy spy who boarded the flight with some sinister plans. There was a bag which she had brought with her, and the crew begins to wonder what its content could be. But Maude continues to try and make them believe what she had earlier said. It is then that the gremlin returns, and they are also attacked by Japanese fighter planes. Now, they have more than one thing to worry about, but the question remains if they can trust her enough to have her fight with them. As of now, it seems that only Staff Sergeant Walter Quaid (Taylor John Smith) seems to believe her up to an extent. Can the crew survive this?

The defence of Shadow in the Cloud :: The music in the beginning itself provides us with that fun feeling, and it comes right after a short animation video regarding the gremlins. The movie focuses on that kind of entertainment, which is not that much based on finding the reason behind everything. Without that much of thinking involved, this movie can be nicely set on that flight during the Second World War, which serves as a nice setting for the same, and it makes the whole thing feel divergent. It does the same by leaving all the accuracy behind, but gets to be fun enough even with that loss – criticism would find fault out of many things. The film is surely good looking, and the plane is also stylishly designed. The soundtrack is really good, and it provides a special feeling to the action. The title of Shadow in the Cloud is justified nicely too. It is the kind of movie which you watch when there is a lot of time to spare, and need quick entertainment.

The claws of flaw :: The movie requires to focus on the entertainment and nothing the rest of the things around. When one searches for logic in this one, it won’t suit the movie much, as there are lots of things which seems to be out of it. There is World War, Japanese fighter planes and strange things happening at such a height – when the leading characters falls down from the flight, she gets blown up by an exploding plane and she falls into the plane, and she also beats up a gremlin with her own hands – I thought we were done fighting on the top of flights, but these people are still having that. The movie is also too short – even then, the movie takes a little too much time to get going in the first few minutes, which are full of dialogues. Talking about too many things might be one of the problems, as the movie does lack focus. It could have actually focused on being the monster movie in such a height, and there could have been some real terror being unleashed, but the same is certainly not the case here.

Performers of the soul :: There is absolutely no doubt about what Chloe Grace Moretz is capable of, as she has been showing the same in some of those big movies, most of them underrated due to no reason. Her performance is somewhat pulled back due to some bad dialogues and writing – if this was a better work in totality, the work would have been noted further. If this movie used more sense, the result would have been outstanding for her. Almost every movie which Chloe has acted in, you see her doing a fantastic job, and you find it difficult to not like the movie – it is certainly an advantage which the makers of her films have. When you have acted in such a young age, some of the acting skills are lost when you get old – we have seen the same in Malayalam movie industry, some child actors have become pain to watch when they became older. But Chloe is clearly an exception, as she is too good. The rest of the cast is only there to support her.

How it finishes :: Shadow in the Cloud makes a fine display of what fun movies can be, with an interesting setting added to it. It is a shorter movie of less than one and half hours which throws logic and accuracy out through the window, and seems to be very proud of such an action. Even if you are not too fond of this kind of movies, you can watch the film for Chloe Grace Moretz, the child actor who has been doing so well also as the leading lady in the last few years. If this movie had released before COVID-19 pandemic, may be a lot of people would have watched and enjoyed the movie – it would have ben such a nice time-pass thing. If you are supposed to remain in home for two to three months without break, you will watch anything, but entertainment like this is a mood booster – not that much of a thing for the brain though. Do give it a chance, and see how it will turn out to be, according to your preferences and demand.

Release date: 12th September 2020
Running time: 83 minutes
Directed by: Roseanne Liang
Starring: Chloe Grace Moretz, Taylor John Smith, Beulah Koale, Nick Robinson, Callan Mulvey, Benedict Wall, Byron Coll, Joe Witkowski

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

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<— Click here to go to the first Norwegian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

Castle Freak

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Vampire Owl: This is certainly not the castle that I know.

Vampire Bat: Not all castles are related to vampires.

Vampire Owl: Yes, but I was expecting at least this one to be related in some way.

Vampire Bat: I wouldn’t question your right to be disappointed.

Vampire Owl: Disappointed at the time of Corona virus. It is two levels of sadness.

Vampire Bat: Well, all viruses will have to meet the end, one day or the other.

Vampire Owl: Yes, except for those viruses which makes people zombies.

Vampire Bat: I am sure that the apocalyptic event was postponed until further notice.

Vampire Owl: We might see it coming as a Corona virus variation some day.

Vampire Bat: You can surely use a computer virus in your head as of now.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: Rebecca (Clair Catherine) and her boyfriend John (Jake Horowitz) used to have some good time wasting their time, until a terrible car accident which was caused by latter leaves Rebecca blinded, and things wouldn’t be the same any more. But things seem to change for the better, as she is contacted by a real estate agent, Marku (Genti Kame) who tells her that she has inherited a castle in Albania from her mother Lavina Whateley (Kika Magalhaes) who had left her for adoption. Rebecca is interested in solving the mystery behind the death of her mother, who is supposed to have whipped herself to death, while John looks forward to selling the castle, and earn a good amount of money which would help them to have a better future. There seems to be sinister secrets about the castle, as she begins to have terrible nightmares, while the two also find out strange memories of a forgettable past within the stone building.

So, what happens with the events here? :: John also invites their old friends to the castle, even though it is not something Rebecca needed to see, considering their past which was full of alcohol, drugs and that one fatal accident which had her losing eyesight. What they don’t understand is that things are not that easy or direct as it seems, as they are being stalked by someone who seems less human, and more like a creature. Rebecca does realize that early enough with her ears set on the walls, but it is not easy for anyone else to believe in the same. They also find Necronomicon, the book of spells around there, and it only points out to the possibility of something too old and beyond their understanding in there. Shelly (Emily Sweet) who is still in love with John wants to claim him back as she returns with his friends who find out connections of the castle with monstrous entities from the past known as the Great Ones. Now, things can only get worse, as they understand.

The defence of Castle Freak :: The best advantage of this movie is its setting, which is beautifully Gothic in nature, with scope of horror being placed almost everywhere – the beginning scene itself is a sign of what can follow later. There is the idea of creepiness which is follow here, and the scenery is also as beautiful as the world is terrifying. It is also nice to have everything coming together towards something which we hadn’t imagined in the beginning, as the sinister plans quickly turn into more than what had met the eye before, towards something not of this world. The similarities to Lovecraft’s The Outsider are there, and in the end, the movie also seems to connect to a world of terrifying creatures reminding us of his own tales of horror. The movie makers seem to have made this with a low budget, and it has certainly been managed really well. The first flogging scene, murder of Shelley and the open space ritual can be considered as the three scenes of unexpected quick shock.

The claws of flaw :: There was surely some scope for improvement around here. We have such a grand setting in here, and it is only fair to expect more out of it. There could have surely been some more scares in here, as many occasions seem to be all prepared to come up with something, but suddenly leaves that behind. We also see that the blood and gore stuff go a little bit over the board with the violence really climbing over the usual limitations. There are many occasions when this one doesn’t seem to be the movie for everyone, with it taking many steps to make the film more and more weird. The quality of graphics is also quite low when we consider all those demonic elements coming into the picture. The movie is also quite slow in getting into the action after that first scene, as we get to the present – the party moments and the initial moments of the couple at the castle take a little bit too long to get things going here. The ending could have also been more polished with bigger and more terrifying moments supported by possible twists.

Performers of the soul :: Clair Catherine leads the way as the blind protagonist really well, and it is a controlled, realistic performance, something which is not easy to find in a horror movie. She can be seen here as more or less a stoic one, accepting her fate without complaining, but still can’t help being curious herself. One would want to see her in more horror flicks or thrillers. Jake Horowitz provides pretty good support too. Genti Kame suits the mood of the place really well, as the story moves forward. Kika Magalhaes as Lavinia Whateley is the one who sets things in motion in the beginning, and she does that really well with a very creepy start that might bring the early shock to some – she has that kind of looks which suit her character’s background. Emily Sweet plays the usual kind of role in a horror movie, but she makes it interesting in her own way – she could have more of the genre and be the perfect scream queen, even though stereotypical in nature. The unknown entity also has the creepy performance to do, which is indeed the usual thing.

How it finishes :: Castle Freak is the kind of horror movie which comes out of nowhere to score above expectations, and it comes out of the usual horror movie list, deviating on the repeated style. It has the Lovecraftian influence, and there is another movie of the same name which came in the 1990s, which people around here seems to have missed. The movie is somewhat disturbing with its content, and therefore not recommended for all types of audience. This is not for those people who get disgusted with such content, and are looking for those flicks to watch with family members. If you feel aversion for any kind of the usual old style slasher horror content, you would have to keep away. Otherwise, it is certainly an interesting watch for people who are tired of these usual movies on ghosts, vampires, zombies and werewolves. These have been the years of one freak virus, and so we can take this particular freak too.

Release date: 4th December 2020
Running time: 106 minutes
Directed by: Tate Steinsiek
Starring: Clair Catherine, Emily Sweet, Kika Magalhaes, Chris Galust, Jake Horowitz, Klodian Hoxha, Elisha Pratt, Genti Kame, Klodjana Keco, Omar Shariff Brunson Jr

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Ukrainian movie review on the site.

<— Click here to go to the first Indonesian movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Black as Night

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Vampire Owl: I thought this would be dark as night.

Vampire Bat: I am sure that they meant the exact same thing.

Vampire Owl: Yet, night is not black. It is just dark due to the absence of light.

Vampire Bat: I didn’t know that you were that interested in being exact.

Vampire Owl: Well, the are going to deal with the vampires. So they better be.

Vampire Bat: These are not really our type of vampires.

Vampire Owl: When they talk about real vampires, it has to be about us.

Vampire Bat: They are preferring variations these days.

Vampire Owl: Such a ridiculous human world. No wonder they have the virus.

Vampire Bat: Maybe they did create the virus. We cannot be sure.

[Gets a chicken puffs and three cups of iced tea].

What is the movie about? :: In the beginning, it is seen that a homeless man who is searching for cans is attacked by a group of three vampires who show no mercy. At the same time, in the same city of New Orleans, Shawna (Asjha Cooper), a teenage girl lives with her father Steven (Derek Roberts) and her big brother Jamal (Frankie Smith) as the mother Denise (Kenneisha Thompson) is living apart after becoming a drug addict. At the same time, there are many things going on the streets, including protests, with the distant possibility of riots too. Pedro (Frabizio Guido) who is her best friend forces her to be close to Chris (Mason Beauchamp) on whom she has a big crush, but that doesn’t seem to be a good idea, with her not being of his interest, and she also coming up against vampires who attacks her, but leaves when a car comes to the area. That leaves her scared as she feels that she would turn into a bat or a vampire. Along with the disappointment of not getting the attention of Chris after a talk, she is not afraid of noy being human anymore.

So, what happens with the events here as we just keep looking? :: In the morning, she sees that she is not affected by sunlight, unlike what she had read about. She feels that there is something vampiric about the place where her mother was staying, and when she reaches there with a doubting Pedro, they find out that Denise was bitten too. But unlike her, Denise is quick to transform into a vampire, leading to the curtains being taken off, only to have her burnt till death. As New Orleans is full of strange beliefs, and a lot of spiritual and magical stuff, she decides to get the help of some people who have some expertise in the same – the police have no idea about what has happened. Instead of going to the usual voodoo and hoodoo practitioners, they go to Granya (Abbie Gayle) who is supposed to be the great vampire expert. They still base their assumptions on vampire fiction, but they do feel that there is some idea about the same, and a sympathetic Chris also joins the team. But are they enough?

The defence of Black as Night :: We do have another addition to the vampire tales, and this does add up when we look at it that way. The first scene does add some power, and that adds the scary feeling that something interesting is surely going to happen soon enough – the film’s strength seems to be the beginning rather than the rest. The setting of New Orleans is all very good, and it keeps us interested enough, with the feeling that something could happen at any particular point. It could be suitable for the teenage audience more, like Twilight was largely successful with them, even though not with those who have traditionally liked the vampires through great works of fiction brought to us as classics from history. The ending provides us with a chance to have another sequel, and the same can keep us hoping for a better film to come later, without the extra nonsense social commentary added in between. If you are looking for one more vampire film in a world which seems to have moved away from the earlier vampire interest, this one will be a reminder.

The claws of flaw :: The emotional side is rather too weak, and we often have nothing to care about here, not just the protagonist, but also the remaining ones. There is also a lot more to care about when you are making a vampire movie – it is not like coming up with a creature movie with demons or aliens. It doesn’t have that vampire power which a movie like this should have possessed. When vampire terror should have been effectively, it does struggle to do the same, and often holds back without any particular reason. The opportunity to make this a horror comedy is not used well enough either. The movie is indeed a master in making the opportunities go missing. The chance to add some message about inequality and race in there also goes missing, and the usual good use of history in vampire works also falls flat. You cannot use social commentary where it doesn’t fit, and this one keeps pouring that at all places without success. It is also very quick to have us tired of all these things repeating, and has no big action happen unlike expectations.

Performers of the soul :: Asjha Cooper leads the way here as the leading lady, and happens to be okay in her work. Then there is also Mason Beauchamp and Frabizio Guido who seems to be leading the film together. But the one who seems to be more suitable to this situation is Abbie Gayle, with a character who is very much into the vampires. The others do have more screen time, but she seems to play the role of more relevance in comparison. The one face which seems to be somewhat familiar might be that of Keith David, who plays one of the major character really well, and so does Craig Tate, both of them being memorable people of darkness in the film. Sammy Nagi Njuguna and Tunde Laleye also have some notable roles around here, even though they are of significance only in the last moments of the film. Frankie Smith and Derek Roberts adds on with some less utilized characters, all of them seemingly reduced as the movie lasts less than one and half hours, rather too less for a film which seems to try to look back into some turbulent history – it is a shame.

How it finishes :: Here we have another vampire tale, even though the focus here is not that strong, and it is not the regular vampire thing as we usually know it. If there was better innovation, this could have been one fine vampire movie. Throughout the film, you know that vampires deserve better – films like Interview with the Vampire and Byzantium has already gone through the vampire world with class, and the Underworld series had the right vampire action. This one never really gets strong enough. Black as Night, despite seemingly having something in store, doesn’t really have the same. As we are going through the Corona virus pandemic which never seems to end, and all the natural disasters which never seems to move way, we do need some movies to fill up, and this one might do just fine for some people. After all, theatres have not opened in this part of the world yet, and you know that all the things that we are to fear will stay long enough, we have the intuition.

Release date: 1st October 2021 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Maritte Lee Go
Starring: Mason Beauchamp, Asjha Cooper, Theodus Crane, Keith David, Abbie Gayle, Frabizio Guido, Tunde Laleye, Al Mitchell, Sammy Nagi Njuguna, Andrew Penrow, Nicole Barre, Derek Roberts, Joseph Singletary, Frankie Smith, Tim J Smith, Craig Tate, Kenneisha Thompson

<— Click here to go to the previous review.

<— Click here to go to the previous English film review.

<— Click here to go to the previous Amazon Prime horror release.

@ Cemetery Watch
✠ The Vampire Bat.

The Manor

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Vampire Owl: Are we talking about the Dracula Manor?

Vampire Bat: There is no such a manor. We only have the castle.

Vampire Owl: Well, this could be a manor which looks like a castle.

Vampire Bat: Well, Uncle Dracula certainly has some specific ideas about what a great vampire abode should be.

Vampire Owl: His ideas are as outdated as the castle dungeon coating.

Vampire Bat: We are not supposed to talk like that about the vampire elders.

Vampire Owl: Uncle Dracula is still a few centuries away from being a true elder.

Vampire Bat: The elder status is not always gained by age.

Vampire Owl: Yet, all our vampire elders are older than history.

Vampire Bat: Well, you will see how Uncle Dracula is an exception.

[Gets a pineapple cake and three cups of ginger tea].

What is the movie about? :: Judith Albright (Barbara Hershey) had considered herself to be of perfect health, and enjoyed her life with family including little kids, until she suddenly faces a stroke. She decides to move into a famous nursing home, even though her family feels that it is totally unnecessary. Her grandchildren considers her to be young and healthy as anyone of a lower age, but she is adamant. In comparison to her, the other residents of the nursing home are not really that healthy, both physically and mentally. For the peace and quiet of the place, the authorities actually keep a no mobile phone policy, much to her dismay, as she hoped to text her relatives and find some interesting photos and news from the social media. Judith had chosen to stay at this place, as she didn’t want to be a problem for her family, especially if she gets bed-ridden at some point, and has the feeling that things might not be the same again after the stroke.

So, what happens with the events here as we just keep looking? :: Soon, she feels that there is something really strange about the manor and the people around there, even though she does make some good friends out there. The nights no longer allow her to sleep, as something is seen or heard all around. The surroundings around this particular nursing home is also pretty much spooky, as we look on. Her room-mate makes some strange noises, and doesn’t seem to be of good mental health. She also feels that there is a supernatural presence there, with nurses also acting strange, and wants to escape. But the problem is that it was her own decision to choose the nursing home – now she needs to act against it. For the same, she would have a lot of convincing to do though, as everything looks perfect from outside. There is a mystery to be revealed here, about what is it that haunts this particular world, but can it be known?

The defence of The Manor :: There are some fine moments of terror which comes out of nowhere, even though there are not many, and nothing much that we would remember for that long. The setting is really good, and they do use the environment to the best advantage, from the building to the surroundings. There is always something about the world around, whether having an enchanted feeling, or about being ready to unleash the terror at any moment. We also have fine concept behind this film, even though not at its full strength when executed. As expected, there is indeed the twist that awaits us, and there is a certain amount of deviation regarding that too. With Barbara Hershey in the lead, this was going to create a certain amount of impact, and one could be confident that the same was going to increase the positive effect.

The claws of flaw :: The Manor could have done a lot more, and we know that from the premise itself. The film is also very slow, and slower than any horror film would have wanted to move forward. When a horror film cannot go at a good enough pace, it affects the whole thing rather too much. Such a film is also expected to use what is required to keep itself in the genre. The idea here should have been executed better, and there could have been many paths to follow. The scares that it uses could have been manufactured in a better way. It also doesn’t try to build on a possible message which was standing so close out there. The structure could have been better as we look at it. As part of a bigger series, Welcome to the Blumhouse, this one had the chance to stand out, but really doesn’t try to do that. Well, it is our right to expect more here.

Performers of the soul :: Barbara Hershey plays the main role here, and she is also the old lady in distress around. She is the name that has been familiar the most for the supernatural horror film, The Entity more than anything else. It is also one film of those times which has had its presence well known. After so many years, she is part of another horror flick, and she blends in here really well once again. Bruce Davison is the next notable face here, as he has a bigger role to play here than what it seems in the early stages. Then there are actresses like Ciera Payton, Stacey Travis and Jill Larson who also contribute to the film naturally. Nicholas Alexander plays another significant role here, which becomes even more important in the later stages of the movie. Katie Amanda Keane and Shelley Robertson also drops in, along with Fran Bennett. As this is a nursing home, there are enough in-mates here to add to the characters, even though not all of them are used to the best advantage.

How it finishes :: The Manor is the latest addition to the thrillers added to Amazon Prime Video, and last month we did have The Voyeurs doing the job. It doesn’t use enough of horror to its advantage, unlike what was expected, and if it had done that too, The Manor could have had its own good fan base with its premise. In the world of films like The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others, this is no grand horror fest, but a small one to be part of the group. The focus here is more on the mystery, and as we go through the environment, we are going to be part of this journey, at a lower pace. In a world slowed down by COVID-19 pandemic, there is always scope for some slow horror too. During these days when you cannot trust the people or the virus enough, all you need is some supernatural horror.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 81 minutes
Directed by: Axelle Carolyn
Starring: Barbara Hershey, Stacey Travis, Bruce Davison, Ciera Payton, Jill Larson, Mark Steger

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Godzilla vs Kong

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Vampire Owl: These are not the monsters we expect around here.

Vampire Bat: Well, we cannot stop any of them from entering the realm.

Vampire Owl: So, you mean to say that there is no active vampire defence against monsters.

Vampire Bat: Whatever remains will only be active against werewolves.

Vampire Owl: You mean to say that a transformed ape and lizard won’t count.

Vampire Bat: We can ask Doctor Frankenstein to try and contain the radioactivity.

Vampire Owl: I am afraid that it won’t be enough.

Vampire Bat: We are already prepared for the huge impact.

Vampire Owl: These are sacred lands. There should be no fight for supremacy here.

Vampire Bat: This is just a temporary space. They will pass through this area, through the portal.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Five years have passed after Godzilla defeated the legendary monster, King Ghidorah and all the other monsters had bowed down to him, accepting his supremacy as the great king of the monsters. He is limited to a small space within the Skull Island, as a dome is created to hold him inside, so as to avoid any contact with Godzilla who wouldn’t appreciate the fact that there are two titans. A deaf and mute child, Jia (Kaylee Hottle) is the only person who could successfully bond with Kong, who is not really happy to be restricted to a small space, which he often tries to damage when he is angry. Jia is also the adopted daughter of the Kong expert Ilene Andrews (Rebecca Hall), and she hopes that they can hold on to Kong as much as possible, and avoid the epic clash which could happen between the two. Bernie Hayes (Brian Tyree Henry), tries to get into a facility which is attacked by Godzilla at the same time, and that gets everyone worried, as Godzilla has never attacked without a reason.

So, what happens with the events here as something big is coming up? :: Madison Russell (Millie Bobby Brown) feels that there is something wrong here, as Godzilla should have attacked only because there was a reason for the same, and something sinister is happening within. Walter Simmons (Demian Bichir), the CEO of the organization recruits Nathan Lind (Alexander Skarsgard), to lead a journey into the Hollow Earth, the homeworld of the Titans, which could have enough energy to fuel the planet and bring a defence against Godzilla. Nathan is not sure about as his books related to same was poorly received by everyone, and going into such a world would mean death, but as he understands that he has developed HEAVs, some specialized crafts able to withstand the high pressure which is exerted by the gravity field. Ilene understands that there is chance for Kong to find a new home in Hollow Earth, and agrees to the idea. But this journey is not that direct as they thought, as there are other motives for the rich businessman behind all these.

The defence of Godzilla vs Kong :: As expected, the film focuses on the action, with huge monsters ruling the screen, asking for bigger screens to watch it with the best effect, and we already had similar feeling with earlier films of Godzilla and King Kong, as well as the unrelated robot v/s monster battles of Pacific Rim. Among the monsters, it is Godzilla who continues to impress us more, as Kong continues to bring the feeling of enlarged ape rather than the alpha creature, still pretty good enough. The grandeur of Godzilla continues to impress us in many ways, and there is no dinosaur from Jurassic World that could stand up to that glory. When these two collide, there is the classic battle of the highest level indeed. There are so many great battles, and one final one with one extra human made monster – as we know, the worst of them are human or created by humans, proven through centuries, and if you have watched the Russian alien film, The Blackout, you will know what humanity is capable of, and this thrilling ride with great visuals asserts it again.

The claws of flaw :: The focus on giant action means less attention on the other things, and it is also not something which was unexpected. The building of the monster is something that was unexpected, and human greed is once again explored in a more predictable manner rather than anything else. There is no absence of Seven Deadly Sins as far as science is concerned, and it is as if they have taken that one directly from religion. The repetition that we feel here is more or less what was expected, but something which has less innovation except for Godzilla fighting Kong and having a mechanical monster also to join the fight. The evil plans of corporates in hold of scientific inventions is expected, but it is still good to see the evil being shown again. Maybe, they could have been shown as more evil that what they seemed, because it was leading to human extinction in one way or the other. This looks like we would need another sequel to use the film to its best advantage.

Performers of the soul :: Unlike what was expected, it is Millie Bobby Brown is the one who has the best of our attention. She plays who seems to be the only really smart person around here, as she seems to figure out what is happening before anyone, the so called smart scientists and researchers figure out things, and throughout the film, she seems to be the only real hope for the world. Rebecca Hall and Alexander Skarsgard plays the usual scientists being misguided into something which they wouldn’t have wanted if they had some common sense about what they giant corporations really wanted, but they play along well enough. Brian Tyree Henry plays the other smart person around, and it is being displayed nicely too. Shun Oguri and Demian Bichir plays the villains quite well, and they are more or less the usual villains that we have in this kind of films. Eiza Gonzalez also plays a meaty role, and she could be one strong action star with works in full scale action thrillers, for we know how effective she was in her small role in Hobbs and Shaw.

How it finishes :: Godzilla vs Kong is the kind of film which should be watched on the big screen, but with the COVID-19 pandemic’s second arrival ending that opportunity, and the fear about the same will keep it to the smaller screens for us, except for others who can afford a grand home theatre at home. It is exactly what you would expect from a monster film, and you might have already guessed that with ease from the experiences from the movie’s predecessors. When monsters of such grandeur collide, you know that there will be a spectacle on the screen, and the quality of this glory will be dependent on your screen and your audio devices. Even though we are missing it on the big screen, we can still appreciate the fact that it is not available on an OTT platform in India, and they have chosen the one which is used the most by people here, Amazon Prime Video. Let us hope that after The Tomorrow War, there will be more Amazon Original Movies coming soon, for we are without the multiplex experience now, and might stay so for some time.

Release date: 14th August 2021 (Amazon Prime Video), 31st March 2021 (USA)
Running time: 113 minutes
Directed by: Adam Wingard
Starring: Rebecca Hall, Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Brian Tyree Henry, Shun Oguri, Julian Dennison, Lance Reddick, Kyle Chandler, Demian Bichir

<— Click here to go to the previous review.

<— Click here to go to the previous high rated movie.

@ Cemetery Watch
✠ The Vampire Bat.

The Tomorrow War

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What is the movie about? :: From a distant future of war and destruction, we come back to December 2022, as a biology teacher and Iraq War veteran, Dan Forester (Chris Pratt), is highly disappointed during the Christmas season, as he fails in his dream, which was to get a job at a research center. As he watched the FIFA World Cup with his family at a Christmas party, he was shocked to see a few soldiers from thirty years into future arrive in the middle of the ground. They warn everyone that humanity is facing extinction while facing a group of aliens unless they get some help for this timeline. The world’s militaries respond with drafting, and a huge number of well-trained people are sent into the future, but less than 20% survive, and there is always the need for more people to be sent to future. There are lots of rebellions against the war, because people feel that they are going to die anyway, and there is no need to finish one’s life much earlier. Everyone is depressed because there is the clear idea that it is the alien group that is going to win in the end, and there is no real hope related to that.

And what more is to follow? :: As the hope remains low, there is not much that there is left to be done, but the drafting goes on, and Dan is also chosen to fight in the war of the future. His family is not happy with what has happened, and his wife Emmy Forester (Betty Gilpin) hopes that he can find a way to bypass the drafting with the help of his father James Forester (JK Simmons), a former veteran soldier who has turned an anti-government activist after the Vietnam War. But he has to go anyway, and joins the team which is undergoing basic training under the troops from the future. But there is an emergency as there is an attack going on in the future, and without any further training which was to last about seven days, they are sent forward in time to Miami Beach but the coordinates get messed up, with most of the members of the team dying. Soon, they are ordered by Colonel Forester (Yvonne Strahovski) to rescue the nearby lab personnel and recover their research data before the area is bombed for clearance from alien infestation.

So, what happens with the events here? :: The team does manage to complete the mission, and they barely escape from the situation. Charlie (Sam Richardson), a techie, and Dorian (Edwin Hodge), a third time traveler into the future are the two survivors who are able to make it to the camp. Now, there is a lot to be done in a future, which seems to point towards human extinction, and the alien control over the planet one way or the other. In the new world of the future, they have to capture a female alien, and the types are rarer than the males which are basically everywhere. As they are living in a future where there are not many safe areas, with most of the continents already infested by the creatures which have reproduced enough to limit the human activity to certain areas, a research into causing the aliens to go extinct instead of humanity is a near possible adventure. The question also remains if there is a future that they can save, and if all these are worth the pain which they take.

The defence of The Tomorrow War :: There is an interesting future in store within The Tomorrow War, as this film with both aliens and time travel have you interested in the science fiction elements yet again. This is a combination which has worked really well before, with films like Edge of Tomorrow, working so well with the audience – being in a tomorrow with a war going on against aliens is a fair deal as far as any sci-fi fan is concerned. There is a lot of action in store here, and the alien detail is nice, even though having similarities with the Alien franchise which we have been missing since Prometheus and Alien Covenant, two films which had us asking for more. The visuals of the future Earth is also very nicely detailed, and the destroyed cities make us want to have more battles with aliens out there. The post-apocalyptic side of the film remains strong, thanks to all the action and the special effects, with the visuals never ceasing to remain stunning. This one can also have a prequel about the coming of the aliens, and maybe bring a franchise into motion.

Positives and negatives :: This is the kind of film which could have scenes which the Russian movie The Blackout had in its early stages, and that particular flick’s first half could actually be one interesting prequel to this one, with connections being made to the colder areas of Russia. There was surely scope for more terrifying sequences with aliens. To add to it, the pseudo-intellectuals can always find a reason to blame this film, but I am yet to discover what exactly would be their reason this time, for they have all randomly bashed Hollywood action films which were nothing less than grand. After all, it is not easy to make a film like this, and if Bollywood would try anything close, they can do nothing else than mess it up completely, with a long line of cast which is there in the name of nepotism instead of skills and quality. There are a few things which can be predicted here, and some of them come naturally to us, and not as surprises. There could have also been a few sequences about the missing years of alien attack, and a clearly defined theory about what has happened with the aliens.

Performers of the soul :: Chris Pratt whom we had last seen in Avengers: Endgame and Jurassic World: Fallen Kingdom gets to save the world again, and this time against the aliens. We could be having another Guardians of the Galaxy or Jurassic World in his usual roles, but this one has indeed established another memorable action role for him. Yvonne Strahovski is very much suitable to action flicks and thrillers, as we have seen before with The Predator, I, Frankenstein and Angel of Mine. But her presence in the future feels kind of restricted. Betty Gilpin has very less to do in comparison. JK Simmons has some nice moments to be added in the end. Others like Edwin Hodge and Sam Richardson are good additions to this kind of a movie. Others like Mary Lynn Rajskub, and and Seychelle Gabriel also have limited presence, but one would want them to have extended roles to play here. The film could have expanded rather than keeping its focus into the personal side in an alien invasion situation which is moving towards human extinction as well as the end of the world as we know it.

How it finishes :: The Tomorrow War will remind the audience of Edge of Tomorrow, even though the core idea remains different, and the film lacks someone like Emily Blunt in its full run. There is no denial of the fact that the film is complete entertainment, and you don’t really need to listen to some self-proclaimed great critics who write for some newspapers – they are more interested in providing lower reviews to science fiction in comparison to Bollywood nonsense as most of them are not able to understand the idea or enjoy the grandeur on the screen. You can only guess who impressive this would have been on the big screen, if not for the COVID-19 pandemic. These are the kind of films which can stun us with what is displayed on the screen with the special effects and maybe even a little bit of 3D effects. As of now, it seems that it is better for us to remember that feeling and enjoy the film on a laptop with Amazon Prime Video. After all, we are all restricted in that case, but not restricted as far as enjoying action-packed science fiction is concerned.

Release date: 2nd July 2021 (Amazon Prime)
Running time: 139 minutes
Directed by: Chris McKay
Starring: Chris Pratt, Yvonne Strahovski, Betty Gilpin, JK Simmons, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers

<— Click here to go to the previous review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Underwater

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Vampire Owl: I am sure that this not the best time to go underwater.

Vampire Bat: Why would you think so?

Vampire Owl: Because there is Corona Virus underwater.

Vampire Bat: They are actually everywhere. You are never safe from them.

Vampire Owl: I have heard that they have infected the underwater kingdoms too.

Vampire Bat: I am pretty sure that they can’t go that deep.

Vampire Owl: An emergency has been declared in twenty one underwater kingdoms.

Vampire Bat: It should be due to the election process.

Vampire Owl: The virus might have spread during the elections.

Vampire Bat: Well, I wouldn’t deny that possibility, because the election process is the perfect super-spreader in any realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Norah Price (Kristen Stewart), a mechanical engineer wakes up in the morning only to find that the underwater research and drilling facility where she is staying and working is beginning to fall apart. Within a few seconds, Kepler 822 facility which is operated by Titan Industries at the bottom of the Mariana Trench has water coming in, and with great difficulty, Norah manages to seal herself inside the safe part of the facility and finds Rodrigo Nagenda (Mamoudou Athie) and Paul Abel (TJ Miller), as they make their way to escape pod bay. They find the captain W Lucien (Vincent Cassel) along with a researcher working as an intern, Emily Haversham (Jessica Henwick) and also another engineer Liam Smith (John Gallagher). They are not able to communicate anymore, and the escape pods are no longer an option. Their only option is to walk to the next area through the ocean floor and try to contact outside world from there.

So, what happens with the events here? :: The idea is indeed a risky one, but there doesn’t seem to be another option, as they would have the thermal reactor exploding very soon. They continue on their journey only to have the first person imploding due to a faulty helmet. The rest of the team finds a distress signal underneath, and goes to check out what seems to be an escape pod. But the only thing they find out is a dead body, and an unidentified creature which doesn’t seem to be of any known definition – a new species which seems to have some interest in human flesh. This leads to many doubts about the cause of the earthquake-like incident which destroyed most of the drilling facility and killed most of the people there. They had also come across some other strange sounds, and this could be even a pre-historic species which had come out from the ocean floor. Now, what would this mean for chances of their survival?

The defence of Underwater :: This is one of those movies which gets quickly into action, as we get the explosion of the drilling facility so early, without introducing us to anyone or anything. There is the feeling of terror spread throughout the world in here. The initial and the final moments are the best, and it is up to Kristen Stewart to make sure about it. Life so many leagues under the ocean is indeed a scary one, and this situation makes the whole thing the thriller that we had expected. There is fear at all corners here, but this could have actually been another franchise like Alien – yet, the movie doesn’t strive that much for the same. The movie has also included the elements from the weird tales of HP Lovecraft, which comes as a fine addition too. Underwater, despite the scope for improvement, is a movie that everyone should love at least up to a certain amount – it is a movie with the minimum guarantee, and with the sound effects nicely added, is worth more.

The claws of flaw :: There is no doubt about the fact that this movie could have used its resources better, to expand the idea well enough to bring an even bigger adventure, something of grand epic proportions. In the middle period, the movie does slow down, and the action could have been more, and could have had further intensity. The creatures could have been better defined, and there is too much of darkness for us to see them clearly, and provide that fear factor. The scenes under the ocean could have been clearer, because we are watching a movie, and not trying to know how it looks underwater without light. When you are waiting to see those monsters coming towards you, it is not nice that you don’t really get to see them with all the possible glory. If you think that the underwater world is not supposed to bring a visual splendour with terror, that is not the right way of thinking – after all, horror can be beautiful on many occasions.

Performers of the soul :: Kristen Stewart steals the show here, unlike what she did with her earlier movies like Twilight and its sequels, as well as those roles like that of Snow White which never had us wishing to see more of her. Underwater has her in a tough role, she does the job really well. The movie is centered around here, as she saves the lives of as many people as she can, when it is possible – there are also those ideologies that guides her really well. Jessica Henwick is also an appropriate addition to this movie, and her depiction is as realistic as her character can get. Vincent Cassel as the captain is quite a solid one. The other characters are of lesser importance when we consider what they do in this situation of crisis. It is to be noted that there are only six remaining human characters in this movie after the early incident. The ocean itself is the only other character and environment around here, later replaced by the creatures as antagonists.

How it finishes :: Underwater makes an interesting adventure under the ocean, and the idea makes one feel that there should be a sequel to this one, which is going along similar to the Alien method, with humanoid creatures not from outer space, but out of the ocean floor. This is time period when we have been worried more by the viruses than the bigger creatures, and so the impact of such huge monsters are rather less in comparison to the microscopic ones. As we face this year with more variants of the microscopic organisms coming up, let us make sure that we stay safe, with all the COVID-19 precautions. Considering what people have been during Christmas and New Year, one would feel that the virus has been gone for long. But, we know that it is not the case, and we have to remain careful at all times. It is more of the responsibility of each individual rather than the government.

Release date: 10th January 2020
Running time: 95 minutes
Directed by: William Eubank
Starring: Kristen Stewart, Jessica Henwick, Vincent Cassel, John Gallagher Jr, Mamoudou Athie, TJ Miller

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Demon Eye

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Vampire Owl: This was the name of that artifact which the northern witches used.

Vampire Bat: You mean to say that they were in contact with the demons?

Vampire Owl: Well, aren’t they supposed to be so?

Vampire Bat: They are usually in contact with those who rise from the grave.

Vampire Owl: Well, this is just one portal away from that.

Vampire Bat: Yes, but the demons are not really the undead in any way.

Vampire Owl: You do have something against some popular demons.

Vampire Bat: No, I am not talking about those tik-tok using humans.

Vampire Owl: At least, that episode is over for now.

Vampire Bat: You should know that demons, the masters of hell are not to be treated without extreme care.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Sadie (Kate James) haven’t been in good terms with her father John (Darren Day) for a long time, and never really picks up his call, until one day, she decides to do just that. But she hears some stranhe noise from his room, and he quickly cuts the call, citing an emergency. This is the last time when Sadie sees her father, and the next thing he knows about him is that he is dead. Much to everyone’s surprise, he is supposed to have committed suicide by hanging. This forces Sadie to come back to the house, which is in a remote location, and has nobody else to take over the same. There she meets the man with whom the house keys were left with, Dan (Robert Hamilton), and Sadie feels strange to be at that house which has her old dolls and cameras being set in every room, corridor and staircase. Dan also leaves a job for her in a newspaper, passed on to her by her father who had worked there until his death.

So, what happens with the events here? :: She is immediately hired at the newspaper as a photographer, and finds Dan in an awkward position with Faye (Ellie Goffe) who is supposed to be his fiancee. Dan and Sadie get their first assignment to interview Craig (Liam Fox), a local man who is supposed to have seen The Burning Girl (Alannah Marie) – it was part of a folklore which was supposed to have become reality for some people. There is the legend of the Demon Eye that goes with it, as a girl was burned as a witch a long time ago in the name of causing a famine which she had predicted with the help of an amulet some time ago. But on the way, she sees a fire and a person standing in it, and as she tries to take a photo, the battery goes down. Even while interviewing, she gets into a fight with the man whom she was supposed to interview. She is confused about all the information she had managed to get from different people about her father who she hated. Is there a secret to be unveiled in relation to her father’s death?

The defence of Demon Eye :: We have been falling short of some interesting horror movies, and then this one comes up. It is that movie which deals with its subject in a slightly different way, and the subject itself has more than one angle to take care of. The quick scares are all there, and the most effective one is with a severed head in the bath-tub, then there are hands coming from under the bed, hellish hound kind of thing and the usual burned face with all the creepiness that it can have. The length of the movie is also less in comparison, not going to even ninety minutes, and it does make the most of it, with not having much from the dull moments there. The atmosphere is also good, with a setting in the middle of nowhere, with vast landscapes inspiring dark folktales all around. There is always something about focusing on the folklore, whether it is real or not. This setting will impress you, and with moments to remember, makes its point really well.

The claws of flaw :: Among the horror movies these days, Demon Eye is the one which is rather less known, or not known at all at this part of the world. It should have still achieved more with the premise – you know that with the title itself and also with the idea which is being explored here. Whenever there is a demon involved, you can take it further with ease. The demons might have been less scary in comparison to pandemics, but they are not yet completely out of the equation. We have so many moments which could have been something bigger, but manages to adjust with what it has, not trying to raise the bar. The effects of the low budget are there too, even though they have partially overcome that. The ending of the movie also felt a little rushed, because a horror movie like this requires something bigger, and the case of the climax is also the same. The main character also required to make more out of the situations here.

Performers of the soul :: Kate James plays the protagonist in this movie, even though IMDb hasn’t really listed here at the top, or with a photo. Even though there is some struggle in the beginning stages, she plays the character really well, and only gets better in the later stages. She is part of almost every scary scene in this movie, and the best one is that of the bath-tub with the severed head, even though more could have been done with a character like hers. Her portrayal of the troubled character who need psychiatric help from the early stages is believable, without being melodramatic. The other actors don’t seem to try too hard, but manages to hold on. She is way ahead in that case, when we look closely. The other young lady in the movie is the next person to catch our attention, even though she is not there for too long on the screen – Ellie Goffe does a very good job too. Robert Hamilton, Darren Day and Liam Fox, all of them manage just enough here.

How it finishes :: There are always some interesting horror movies of interest, if we keep checking for them. Demon Eye can be on the list too, depending on your preferences, even though you can’t expect it to do too much with its content. This is the kind of horror movie which you watch on Friday nights for some fun scares, and for that purpose, this film is successful, leaving no doubts behind. With a fine premise, from a situation in which things could have gone much worse, the movie takes itself back to make sure that as a whole, it is a pretty good work. There might be a few things left unexplained though, but through the same, it leaves the scope for a sequel, even as we are not really supposed to expect one, considering the response it had received otherwise. Do add this to your horror collection, as one more demon, this time with another witch-hunting past, will bring the entertainment to you.

Release date: 26th April 2019
Running time: 87 minutes
Directed by: Ryan Simons
Starring: Darren Day, Liam Fox, Kate James, Ellie Goffe, Jimmy Allen, Alannah Marie, Robert Hamilton

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

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<— Click here to go to the first Polish movie review on the site.

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<— Click here to go to the first Serbian movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Godzilla II

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What is the movie about? :: Five years have passed after the incidents of the 2014 movie. Godzilla had defeated the creatures mentioned as MUTO (Massive Unidentified Terrestrial Organism), saving Earth’s cities and making its way back to the ocean – the questions about a monster saving the city were going to be there as always, and still there is no clear indication of a future co-existence in peace between the two species. Meanwhile at present, Emma Russell (Vera Farmiga) works for an organization called Monarch which is tracking, studying and trying to understand Titans, the almost immortal giant monsters which had dominated Earth millions of years ago. Along with her daughter Madison Russell (Millie Bobby Brown),she is kidnapped by Colonel Alan Jonah (Charles Dance) while witnessing the birth of a giant larva which is to become a Titan later, named Mothra.

So, what happens with the events to follow? :: Ishiro Serizawa (Ken Watanabe) and other from Monarch approach Dr Mark Russel (Kyle Chandler), Emma’s ex-husband so that they can find her and find a device, the ORCA developed by her, which is capable of talking through frequencies that only Titans can hear. It is revealed that Emma and Jonah intend to free a Titan locked in ice codenamed Monster Zero. Monarch, despite chasing them all the way to an outpost in Antartica, is unable to defeat Jonah, while Emma frees and awakens Monster Zero, a three headed monster with wings and running electrical currents through its body. Releasing lightning from its body and traveling inside hurricane created by itself, the monster goes on to try and become the apex predator, while Godzilla feels the effect of a bio-chemical weapon, going into hibernation only to awaken many years later.

And what more is to happen? :: But now the situation demands the presence of Godzilla. Monster Zero is revealed to be Ghidorah, an ancient alien known to have fallen from the stars, one who has been Godzilla’s primary rival for the position of apex predator. As a creature out of this world, the weapons seems ineffective against it, while the monsters destroy different cities in different parts of the world, controlled by their new king. Godzilla needs all the radioactivity to rise from its chamber located past different wormholes under the ocean, and it is up to humans to take it there and awaken the monster before Ghidorah lays waste to the whole world with his newly found minion creatures. Now the question remains if they can do it in time, and if Godzilla can reclaim its position as the king of the monsters against this alien monster which keeps on evolving.

The defence of Godzilla: King of the Monsters :: There are some nicely made action sequences in the movie, with the giant monsters fighting each other. They fill the screen, and we see those moments of glorious action that takes place. Each monster would seem to have something special that keeps them apart. The same brings us destruction like never before, as we notice that not much of the world is left – the visuals of the world are nice to watch, and the creatures are also nicely created. The myth is nicely created with the monsters being the real owners of this world, and humans just living in here because they are allowed to do so – the creatures becomes nature’s natural defence system against the pollution that is present. Godzilla is referred to as one among the first gods worshiped by humans, and it goes deep like Prometheus and Alien: Covenant did when it talks about the distant past history, for some time. We see this mythology seemingly up for even more.

The claws of flaw :: A lot of repetition from the first movie can be seen here too. Once again, there is the need for Godzilla to save the world, and the early doubts continue to be there until the humans once again decide that it has to be left to the monster except for a little help from mankind. The pattern repeats without remorse, even with more creatures being added to the scene – Godzilla always makes a comeback, and it is up to him to make sure that the balance is maintained. The characters are not that developed, and we don’t really feel anything for them – they never seem to be important, and the need for focusing on them is never felt; Pacific Rim was closer to the humans despite being a monster movie. Some part in the beginning could have also been shortened to make the movie stop at two hours; if humans can’t be interesting, what we can do is to cut a few of them and their moments.

The performers of the soul :: The performances here are dependent on the CGI monsters rather than humans who are restricted, with not much of interesting stories, and with less to do. The way in which the monsters are designed and are depicted in action will always have the best of applause. Among the humans, it is Ken Watanabe who steals the show, as he brings the words of wisdom regarding having faith in Godzilla. Kyle Chandler and Vera Farmiga are caught in a forgettable, predictable story of another family in trouble as if we have not had enough of such tales told in an uninteresting manner. Millie Bobby Brown does have her moments to keep her as someone to look out for the future though. Charles Dance as Alan Jonah makes a strong villain, but we never really get the focus on him, with all these monsters around – as the three-headed dragon-like monster becomes the primary antagonist, he is not there to be seen much, but we expect more from him in any of the upcoming sequels.

How it finishes :: As the holidays come to an end for schools and colleges in this part of the world, and with the final weekend before classes begin, children and youth would love to watch this grand monster effect on the big screen. This can serve as the last moments of escapism before that reality of studies is brought to them – Pacific Rim would agree. Godzilla is all set to go to that place which you saw in Kong: Skull Island and battle King Kong in the next movie, and before that you will feel the need to watch that movie with the giant ape as well as the two Godzilla movies. With the destruction of environment, there seems to be a hidden message about how nature comes up with its own defence system – the three-headed dragon-like monster becoming part of a hurricane only powers it, as does Godzilla being revived by nuclear weapons. The same as a fine addition to a high action monster movie.

Release date: 31st May 2019
Running time: 132 minutes
Directed by: Michael Dougherty
Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr, David Strathairn, Ken Watanabe, Zhang Ziyi

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@ Cemetery Watch
✠ The Vampire Bat.

A Quiet Place

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What is the movie about? :: Years into the future, Earth has been taken over by strange creatures which has been murdering humans at will. They can be seen almost everywhere, ready to finish off any human that they can detect. These creatures which have hypersensitive hearing, attacks by listening to the noise, as they are blind. Due to their impenetrable armored shell along with the strength, speed and reflexes, the creatures have been almost impossible to kill, as they spread all around the world, leading to the near-extinction of mankind. There are only a few survivors here and there, and all of them are able to do nothing, but keep running with all that they can gather, and that too, without making any noise to ensure their survival in a world which brings death to the noise makers.

So, what happens with the events to follow? :: It is during these times of trouble that the Abbott family which includes the couple – Lee (John Krasinski) and Evelyn (Emily Blunt) along with their deaf daughter Regan (Millicent Simmonds), and sons Marcus (Noah Jupe) and Beau (Cade Woodward) go through the abandoned supermarkets of a town for supplies. The family is very careful that none of them makes any noise that can bring one of the creatures – they use sign language instead of talking so that there is no chance for trouble. As the little boy Beau is attracted to a battery-operated space shuttle toy, he couldn’t help giving it a try, and attracted by the noise, the creatures finish him off, despite Lee’s best efforts to save him from the terror.

And what is follow with the events? :: The family of four is traumatized by the event, and they decide to survive, as they live in the countryside with all preparations to make sure that no sound goes outside the house. They live in regret of not being able to save their family member, and comes close to distracting the creatures more than once, yet surviving through the situations well enough. But the problem arrives when the due date of pregnant Evelyn arrives, and they have to go through the whole thing without making a sound. The system that they had built is not without defects, and one small mistake could result in the death of all of them. With an enemy that seems to be invincible, and knowing whatever sounds they make, can they survive through these troubled times and maybe even provide a fight?

The defence of A Quiet Place :: The idea can be considered too good here, as we are taken to that world which follows a near-extinction event for humanity, with only a few survivors, and you see that death comes naturally, and life is eternally difficult. There is heavy intensity that we feel with this movie, and the horror is real, as it makes us feel so much, even the grief of the characters. The credit to the horror’s strength goes to silence, and what comes after it. There are the creatures being different and scary when we look at them visually, but it is the right use of special effects that brings glory to this one. The feeling of danger here is so real too, and each moment has the same – one wrong step, and you are gone; this one has such a low amount of hope than any other horror film with complete human extinction easily possible.

Positives and negatives :: There is certain mystery about the creatures, which can take all the terror further, but some people would still want more information related to them. We don’t know where they come from, if it is a Pacific Rim moment with them coming from under Earth or in space ships like Alien or Independence Day, and there is also the option of an incoming wave of demonic monsters from hell. There are not many dialogues in this movie, as the sign language seems to take over, but we have those subtitles which make sure that there is no problem. As silence is the master here, all those other sounds contribute to the story better than dialogues, and adds to the horror like no visual can, and it is a certain beauty of another kind. There is also the strength of family being depicted here, and the idea of sacrificing one’s life for the others and not giving up, can be seen right in the core of this movie.

The performers of the soul :: Emily Blunt leads the way in this one, and most of the viewers from this part of the world would remember her from Edge of Tomorrow, The Huntsman: Winter’s War, Sicario and The Girl on the Train – very unlike those characters there, this one has her struggling for survival with her family. There are moments which some other actress couldn’t have done this well, but she excels here without displaying any signs of stepping back. John Krasinski has a touching performance here too, and with him being the real-life husband of Emily Blunt, the pair has no problem with facing the post-apocalyptic event as on-screen couple too. The two kids, Millicent Simmonds and Noah Jupe make sure that they contribute very efficiently to the scheme of things.

How it finishes :: The movie’s simplicity is so much effective like no other usual horror film. Through the lines of 10 Cloverfield Lane, this one is mostly set within an area, and there is the possibility of terror being present all around. With some wonderful performances from every name on the list of actors, this one makes sure that John Krasinski who has also acted in this one, is one director that we need to trust, and the short one and half hours of the movie makes sure that there is no moment which goes wasted. The horror here feels real, artistic and innovative, and lets enjoy this divergence as we did with those other well-received horror movies like The Autopsy of Jane Doe, Don’t Breathe, It Follows and Lights Out. After some time, A Quiet Place makes sure that horror is alive, and there is more than one idea behind the genre. Why wouldn’t you watch this one at least now, a month and half after its release? The movie deserves it.

Release date: 6th April 2018
Running time: 90 minutes
Directed by: John Krasinski
Starring: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe, Cade Woodward

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@ Cemetery Watch
✠ The Vampire Bat.