Chathur Mukham

What is the movie about? :: Clement (Alencier Ley Lopez) used to be a professor in the Kerala Agricultural University, and even though he has retired from service, has a certain amount of interest in science which can be matched by nobody else. Due to his skills in science, he is approached by Antony (Sunny Wayne) who wishes to talk to him about a certain kind of energy which can be associated with ghosts, but this time, he is trying to connect the same with science in one way or the other. Clement is a strong believer in science, but not in ghosts, and he is not ready to believe in Antony’s tale about energy in the form of ghosts. Then, Antony comes up with the full story about the woman who was haunted by ghosts, Thejaswini (Manju Warrier). She is someone who spends most of her time in the social media, and has everything related to her life posted on Instagram. She belongs to a new generation which believes that technology is an important part of life, and also that women needs to have education and financial independence before getting married.

So, what happens with the events here? :: Hailing from Kollam, she works with her old friend, Antony who has been running a CCTV business at Thiruvananthapuram as a new venture. Things seem to work out well for her until a strange incident occurs during a ritual at temple and she losses her phone in the temple pond. This leads to her deciding to go for another phone, and she hopes she can find the cheapest one with multimedia features. It is then that she comes across a special offer in a website which seems to have started only a few days ago. This is a type of phone belonging to a brand that nobody had heard about, and they guess that it is some kind of new Chinese device. She orders the same, and gets it only to find out that there is something strange about it. She finds out that there are messages going out of it without her consent, and she even gets electrocuted from the charger, but the mobile phone seems to have full charge even after a long time period of usage. Initially, she feels that only the selfie camera of the phone is the weaker link.

And what is to follow with the terrifying series of events? :: But there is much more to the mobile phone than what meets the eye. The sequence of events unfold in such a way that she becomes afraid of her own mobile phone. She tries to get rid of the phone multiple times, but it ends up being with her, or forces her to take it back in one way or the other. Even dropping the phone in the middle of the road or the temple pond doesn’t help. As the phone continues to come towards her and cause problems, she becomes confident that there is a ghost haunting the phone. She approaches a local magician, but the spirit scares him away too, and she is forced to live with the phone which seems to slowly taking her to death. Clement is still not convinced, and decides to see the woman anyway. But this leads them to a strange past that the mobile phone seems to have a strange and mysterious past, and it is not the only phone that belongs to the same category.

The defence of Chathur Mukham :: The film provides a good deviation from the usual horror films, with technology bringing the horror again, as it was surely tried before, but not with this much focus on science. The cinematography is one thing that increases the effectiveness of this film, as we can see them. These are not the usual horror settings, but the different ones which can provide the environment in a similar manner with variety. With the mobile phone at the centre, this doesn’t even need to have that much of the usual jump scares in action to bring the horror to the social media and the usual dose of technology. There is also the chance of a sequel which is left behind at the end. The special effects are used well enough, and there are some fine explanations to the horror which is added here too. Having Manju Warrier as the main character is also a good addition. With technology being an integral part of our lives, the ghost from technology is more relevant here in comparison to those spirits which wandered through cemeteries and old haunted houses.

The claws of flaw :: There are the usual kind of things which have been done before, and these repetitions bring us back to different films which we have seen before, like The Ring and The Final Destination series. The dramatic side is also not that effective in comparison, and some characters are just not used well enough. With the concept having the deviation, the film could have made it even more innovative, but by the end, film is moving more towards a safer side rather than anything else. It could have also focused on the background, or added more scares, which are not considered either. The ending could have also been better, because there was the chance for creating something grand. It could have also had some science fiction elements taking over in between, but that doesn’t happen, and the film could have also had more deaths, and more spreading of terror. When you have spirits in store within a mobile phone and when it has effect on technology and electricity, you know there are no limits that need to established – it could have run free.

Performers of the soul :: Manju Warrier leads the way in a horror film, and even though this genre is not unfamiliar to her, when we consider The Priest, this is time she faces the ghost, her own fears and death as a strong character. Sunny Wayne, just like he did in Sara’s and June, has the supporting role in another heroine-centered film, which he does in his usual way, being the second most important character around here. He doesn’t really have his moments this time though, but manages to hold on. Niranjana Anoop is unfortunately wasted in a small role here, and the character doesn’t even get killed by the ghost – a few others at least had moments in that way in comparison. The other actors who deserved more attention, including Rony David, Srikant Murali, Babu Annur etc also have their roles limited. Alencier Ley Lopez is the only other actor who comes into the spotlight, and this happens to be a nice change for him from the usual roles. Meanwhile, Shyamaprasad is notable in his small role, while mobile phone is definitely a character all by itself with its ghostly presence.

How it finishes :: Identified as techno horror, the film does have its moments. We have already had ghosts haunting electronic devices, especially mobile phones – the Bollywood film 3G was related to the same, and this one is certainly a better creation in comparison, even though it released eight years later. Pretham and Pretham 2 were also wanderings through the spiritual presence in technology. There are many things that make Chathur Mukham different though, and Manju Warrier is surely one of those elements. This one also works as a warning against the presence of technology in our lives. This is the kind of film which could have released on the OTT platforms much earlier – this delay has made the interest in the movie much lesser, and the fact that it didn’t release in Amazon Prime Video also contributes to that. Cold Case with its ghost in the refrigerator had already made the supernatural working online, and now we have this ghost to haunt the OTT, which it surely does pretty well.

Release date: 8th April 2021 (India), 8th July 2021 (ZEE 5)
Running time: 138 minutes
Directed by: Ranjeet Kamala Sankar, Salil V
Starring: Manju Warrier, Sunny Wayne, Alencier Ley Lopez, Rony David, Shyamaprasad, Niranjana Anoop, Babu Annur, Srikant Murali, Shaju Sreedhar, Kalabhavan Prajod, Balaji Sarma, Navas Vallikkunnu, Saranjith

@ Cemetery Watch
✠ The Vampire Bat.

Replicas

Vampire Owl: Do you think that there will be people like us forming replicas?

Vampire Bat: Yes, I am sure that there will be at least a few, but not with the same vampiric characteristics and skills.

Vampire Owl: Do you think that a vampire can be cloned?

Vampire Bat: Yes, but the resulting person can only be a human, because vampiric traits cannot be taken into a clone.

Vampire Owl: So, you are saying that a vampire when cloned, becomes human?

Vampire Bat: I would think so. It is what Doctor Frankenstein said.

Vampire Owl: I wouldn’t listen to the mad doctor in this particular case.

Vampire Bat: Maybe, you can see what happens in this movie.

Vampire Owl: Keanu Reeves is back with another science fiction movie?

Vampire Bat: Yes, it hasn’t managed to have many positive opinions, but I have a feeling that we are going to like it. After all, there are more people like our Frankenstein.

[Gets a paper roast and three glasses of pineapple juice].

What is the movie about? :: William Foster (Keanu Reeves) and Ed Whittle (Thomas Middleditch) are scientists working for a a rich and influential American company set in Puerto Rico. This research firm known as Bionyne Corporation has been known for trying the impossible, with the amount of money they have put in to the scientific research which would help many people in the United States of America, and all around the world. Their attempt to transfer the mind of dead soldiers into a robot codenamed 345 keeps failing, and with the last attempt, it shows self-destructive behaviour, and the scientists are forced to stop the experiment until they find the missing link which would help them to connect the brain with the new robotic body. William and Ed tries to find a solution using their skills in defining neural pathways and human cloning respectively.

So, what happens with the events here? :: Jones (John Ortiz), their boss warns them about stopping this project and firing them, because those who had invested in this project needed results, and not just progress. William decides to go to a boating trip with his wife Mona Foster (Alice Eve) and three children Sophie Foster (Emily Alyn Lind), Zoe Foster (Aria Leabu) and Matt Foster (Emjay Anthony). But the trip turns to be a disaster, as a tree falls on the car, and the vehicle which losses control crashes into a river, leading to the death of William’s wife and children. But William doesn’t want to give up, and he calls Ed with the necessary equipment, hoping to bring his family back again. But will that work out as he expect them to? Is he good enough to do what he had earlier tried, this time with his family? Will the returning members of his family be the same? What will the company think if they find out what he has beeing trying to do?

The defence of Replicas :: The idea that lies beneath is movie is really strong, and serves well enough to keep the movie going – we have seen the dead person’s mind being transferred to a robot before, in movies like RoboCop, a franchise which has had some interesting movies, and a not that interesting reboot. We had also seen similar elements in Ghost in the Shell, and therefore, the scope was surely there. The movie’s best moments include the scene in which the wife is taken out of the pod, the man taking the corpses of his family and placing it on the side of the river, the moment when the wife knows what is happening, and also the final moments of the movie which has an interesting twist. The movie does have its thrilling moments in between, and the last few minutes are even quicker in action. After all, you know what Keanu Reeves is capable of.

The claws of flaw :: The opinions about the movie hasn’t been that good, but it is mostly because people have been overthinking this idea. After all, this is science fiction, and we are not really bothered about the science part as much as fiction, because most of us leave it with the tenth standard of plus two. Most of us haven’t used most of the advanced science and mathematics which we learned during those later years of school in life, and having chosen another stream, frying the brain with such things are indeed useless. But, there is no denying the fact that Replicas could have been better if it had dealt with the problems of cloning – instead, everything seems to be too easy here, and finally, our protagonist has a fine solution to all of these, and it all seems to be custom made for him, with him getting all that he wanted. After all, he is not John Wick, at least for now.

Performers of the soul :: Keanu Reeves has been a man known for Speed and The Matrix, and recently, very much as the hitman in John Wick, as he kept on murdering people one after the other as the popular assassin. Other than the action thrillers, he has suited the best for science fiction movies, and we have already seen that some movies actually combined these genres to make the best out of his works. He has no problem in working with role either, as he remains solid. Alice Eve is the perfect choice to play the cloned wife, as she gets that kind of a look in her face perfectly, and we remember how well she had dealt with her role in Star Trek Into Darkness – she gets into science fiction very well. Thomas Middleditch played his role, just okay while John Ortiz makes a pretty good villain. Emily Alyn Lind who was seen in Doctor Sleep also does good with the other kids, even though they are not significant around here.

How it finishes :: Replicas is the kind of movie which we usually miss at the theatres because there are not many screens being assigned to it, and it is also the kind of movie which the critics tend to bash by trying to find some science in it, when what the usual audience wants from a science fiction is only a very minute amount of science – otherwise, it would be too boring for the common man. I found the movie to be an entertaining one, and the thrills felt real, as we wanted to know the consequences of the protagonist trying to play god like Frankenstein did in a novel, many years ago. The emotional sequences also connect very well, and Keanu Reeves could easily pull this off, but he couldn’t satisfy the critics enough, as it seems from the low rating the movie received. During this lock-down season, try giving Replicas a chance, and lets see how much you agree to the critical opinions.

Release date: 11th January 2019
Running time: 107 minutes
Directed by: Jeffrey Nachmanoff
Starring: Keanu Reeves, Alice Eve, Thomas Middleditch, John Ortiz, Emily Alyn Lind, Emjay Anthony, Aia Leabu, Nyasha Hatendi

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@ Cemetery Watch
✠ The Vampire Bat.

9

What is the movie about? :: Dr Albert Lewis (Prithviraj Sukumaran) is a very successful astrophysicist who have had a love for science since his childhood. He didn’t have that family life that he wanted though, as his wife Annie (Mamta Mohandas) died with childbirth, and his son Adam (Master Alok) is a known menace in the neighbourhood as well as school, leading to multiple change of educational institutions. As Adam was involved in another incident which left his cousin on a wheel chair, even the relatives are hostile to the boy. With Adam being expelled from his school in the middle of the term for another fight with a student, he gets an assignment from his mentor, a world famous scientist, Dr Inayat Khan (Prakash Raj). The idea is to watch, analyze and record the scene of a huge comet from the Himalayas, where it would bring a different scene altogether. With his team mates and Adam, he reaches the place, and stays at a remote guest house owned by his mentor.

So, what happens with the events to follow? :: It turns out that this comet is not your usual one. It produces an Electro Magnetic Pulse which would disrupt the modern day life – there would be no electricity, internet or mobile phone; modern day vehicles wouldn’t be able to provide transportation. It would be more or less like going back to nature, without having those facilities which people hold dear. There is panic all around, and Albert who reaches the seemingly Victorian-styled huest house makes sure that there are enough candles and lanterns. He also makes some adjustments to an older vehicle and makes sure that it works even though the usual transportation shuts down. As the shut down occurs, the sky turns red. Albert who is watching the amazing sight comes up again a stranger, Ava (Wamiqa Gabbi) who is lost in the woods. He takes her to the guest house, but there seems to be something special about her. She seems to be holding on to some secrets – what would they be?

The defence of 9 :: There are so many things being dealt with, in this movie which is a combination of genres. The horror in this movie is nicely done, and we have the same with a seemingly Victorian Gothic setting which has everything for a horror thriller. The supernatural, death and decay, ancient beliefs, unsolved mysteries, nightmares, hallucinations, large old building with only a few people, darkness, loneliness, fear – they are all there, and at the same time we wonder if some alien terror is going to be unleashed or if the world is going to end. The mystery element is also nicely made up, and it goes right through the movie. The darkness is the most beautiful thing in the movie, and you fall in love with night here. There is quality in how the setting has been used, with the beautiful as well as creepy visuals; the sound effects are also lovely. There are many Hollywood movies that comes to your mind, and also that same quality.

The claws of flaw :: The story here is not that easy to digest for everyman. It just puts too many things in here and also has an ending which is left open as well as unclear. It is also too long and has too many scenes with the apparition of one dead wife appearing, a case of terrible repetition which could have been avoided. The ending could have also been more direct – even though having multiple interpretations is not that bad, the horror feeling that was established earlier should have been allowed to continue to make an impact and leave the theatre with the audience. After all, the audience have gone through all these, and one of those interpretations just nullify the same. It is the supernatural of the movie that rises above everything else here, and the same should have taken full control and came to a conclusion in the end – well, when there is a chance to go full Gothic in a setting like this, I would take it.

The performers of the soul :: Prithviraj takes another divergence and another risk with this movie, but this doesn’t trouble him that much because he has been to such a situation before. He has played the protagonist looking for answers, who would be wandering through mystery and horror in different films. We have seen him in the dark flicks like Memories, Adam Joan7th Day and Ezra, making nice impact. The Hollywoodish feeling that he maintained even in last year’s Ranam and Koode are also to be remembered. Prakash Raj is just there for some time, and there is just him going through the long talk and no action. Mamta Mohandas is just there for the song with very short flashbacks and to keep coming back as apparitions in stylish clothing – there could have been more. Mamta is not someone who is to be restricted to that, as we feel that the flashback is more relevant than ever in this movie.

Further performers of the soul :: At the same time, Master Alok brings a fine performance as the child in trouble, and we see something that makes him right for the genre. Back after the much appreciated Godha, Wamiqa Gabbi is fantastic as the mysterious girl who turns out to be more than just a damsel in distress troubled by a piece of comet. There are fine moments which reflects the creepy side is a beautiful way, as she walks through the huge building as lights are turned off, staring outside from a bath-tub and coming up with a mysterious, creepy smile on more than one occasion. She seems to blend into the Gothic horror so well, and I will be glad to see her in a full-horror movie. You look here, and feel that she could be in something like Crimson Peak. Rahul Madhav and Adil Ibrahim are there in smaller roles, and we also see some unknown actors who are there for a short period of time leaving something nice behind.

How it finishes :: It can be seen that 9 goes through different genres at the same time. There is science fiction and the supernatural, as the movie is a psychological horror thriller with a scientific background. It is the first big movie to combine all these well, and one of the first movies to deal with some science fiction of such grand scale. There are questions that go unanswered with the same, and there are moments when we feel that the grip is lost – it could have surely been better, but as it is now, makes an interesting watch. 9 is surely an effort in the right direction, and we can hope to have more movies of the same kind after this. If a combination like this can have everything in the right quantity and quality, there is no limit to how good it can be. Until such a movie is made, we can go to the theatres and enjoy 9 this week.

Release date: 7th February 2019
Running time: 149 minutes
Directed by: Jenuse Mohamed
Starring: Prithviraj Sukumaran, Prakash Raj, Wamiqa Gabbi, Mamta Mohandas, Master Alok, Tony Luke, Vishal Krishna, Rahul Madhav, Adil Ibrahim

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@ Cemetery Watch
✠ The Vampire Bat.

Ghost in the Shell

Vampire Owl: Now my vision is clear. It was those ghosts. They did it!

Vampire Bat: What are you talking about?

Vampire Owl: The ghosts stole the seashells which I had collected and stored near the warehouse on the beach.

Vampire Bat: No, you can’t blame the ghosts or Lich Queen’s zombies on this one.

Vampire Owl: Does that mean I can blame the werewolves? Or the witches?

Vampire Bat: Why do you want to blame someone because you lost a few seashells which are not at all valuable to the realm?

Vampire Owl: Because it is quite natural for them to steal from us. I wouldn’t tolerate being made a fool.

Vampire Bat: I got the feeling that Vampire Raven threw it back into the sea which he was cleaning the area. He was assigned to the beach.

Vampire Owl: What? That evil black bird! I told you that he was evil! Not that much as Vampire Crocodile, but still…

Vampire Bat: Just watch this movie and see what the ghost here is all about.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A long way into the future, humanity has depended on science a lot, and has developed very much. There are a lot of enhancements available for the human body which involves the improvement of vision, hearing, strength, accuracy and intelligence, which are all available on the market for a price. In a godless world, it is science that decides every action of man, with more and more inventions coming up, and technology proving it to be endless in scope. It is that point of time when death by disease seems to be a difficult thing to happen as most parts of the body are replaced with ease. Hanka Robotics, which is world’s leading developer of human augmentative technology decides to take it one step further. In a world which has robots and Artificial Intelligence to do a lot of things, they come up with the idea to develop of a mechanical body termed as shell, that could integrate human brain and use it.

So, what happens next? :: Dr. Ouelet (Juliette Binoche), a champion at what she does, is chosen to do this job. She is someone who is known to have done wonders with her research, and is the easy choice here. Now, there is the question of a volunteer, and it comes as a result of terror. Mira Killian (Scarlett Johansson), a young lady who somehow survives a terrorist attack in which everyone in her family other than her is killed, is chosen to be the brain of the shell, with her body damaged in the attack beyond repair. It seems to work well, as the test subject awakens, and is able to talk and move without any problem. The CEO of the organization, Cutter (Peter Ferdinando) observes the progress which has been made with the shell and the resultant cyborg organism, and decides that this new creation should be used against terrorism as soon as possible. He considers her as their future, and their best hope against terrorists.

And, what is to follow next in the adventure? :: After an year passes, Killian has become a Major in the anti-terrorist bureau Section Nine. Working along with the counter-terrorism operatives Batou (Pilou Asbaek) and Togusa (Chin Han) and under the command of Chief Daisuke Aramaki (Takeshi Kitano) she continues the hunt for terrorists, making amends for the death of her parents due to such an attack. Among those attacks which she and her partners have witnessed, there is one which looks rather strange, with robots going rogue for no reason and hacking into the mind of a Hanka employee. Even for the best of hackers, this seem unnatural, and she feels that there is something deeper regarding this. Despite the hallucinations that she keeps having, she decides to dive deep into the Artificial Intelligence of the robot, and there she finds an unknown entity, known only as Kuze (Michael Carmen Pitt). But this entity is not human, or robot, or a hybrid – it is something that exists within. She needs to find more before time runs out.

The defence of Ghost in the Shell :: The action sequences are really good, and the visuals are a joy to watch; the movie is rich on the screen, and you can’t deny it at any moment – the world of the future is so nicely created that we keep looking at every detail carefully. Scarlett Johansson leads the way as the perfect choice for this protagonist. She seems to be doing what Mila Jovovich has been doing for Resident Evil and Kate Beckinsale has been working for Underworld. Looking so good, and removing all doubts about why she was cast in this role, she goes on to become the true ghost inside the shell – more than Black Widow in The Avengers and it’s sequel or those Captain America flicks. Along with her, the movie also has a tale which will have our attention very early. When the idea is also so good, we keep staring, and when every detail of the visual is that good, we just can’t stop admiring the awesomeness on the screen. Along with the same, the movie has its own twists; some people will come close to guessing the same, but it still counts as pretty good ones which adds to totality.

Positives and negatives :: Ghost in the Shell should feel a little short with how much it really has – there is the hundred percent need for a sequel as we wish to see Scarlett Johansson going through all the action again in a sequel which would take this away from its origin story mode where it is now. There will be shades of other movies, but everything in here is enhanced, and nothing dares to go a step down, which is the beauty of what we see here. I haven’t gone through the Japanese manga of the same name by Masamune Shirow on which this is based, and that should be left for the fans – I would just watch this movie and enjoy how good it happens to be. A movie which entertains as well as brings something to think about is a glorious watch. It is also for us to think about who is right and who is wrong, and how correct is all that we are thought to believe in – maybe there is hope outside the thought process or maybe there is none at all.

How it finishes :: Ghost in the Shell can be considered as one of the best movies of the year, easily rising above big flicks of huge franchises like Alien Covenant and Wonder Woman, and the same is done in style. It also successfully provides a message against the human desire to look better and have an easier life – science has made all these easier, but is humanity good enough to negate the harmful effects of technology? Well, we are already slaves to technology, and so the answer might be no already. In future, it is clearly stated that wars will be fought on science and technology, and there will be terror. While hoping that such a day will never come, we also get a look at how mind finally takes over in the battle against all odds. Well, let the mind power win, and go on to watch this wonderful action thriller which has no moment which will want you turn back and exit.

Release date: 31st March 2017
Running time: 106 minutes
Directed by: Rupert Sanders
Starring: Scarlett Johansson, Juliette Binoche, Michael Carmen Pitt, Pilou Asbæk, Chin Han, Peter Ferdinando, Danusia Samal, Kaori Momoi, Lasarus Ratuere, Anamaria Marinca, Michael Wincott, Yutaka Izumihara, Tawanda Manyimo, Daniel Henshall, Rila Fukushima, Pete Teo, Yuta Kazama, Chris Obi, Adwoa Aboah, Tricky

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@ Cemetery Watch
✠ The Vampire Bat.

Hey Jude

What is the movie about? :: Dominique Rodriguez (Siddique) and Mariya Rodriguez (Neena Kurup), are living a pretty good life with their children Jude Rodriguez (Nivin Pauly) and Andrea Rodriguez (Apoorva Bose) at Fort Cochin. They trace their lineage a long way back, as one of the most respectable Anglo-Indian families at the place. Dominique runs an antique shop nearby, and his skills in doing business depends on his ability to lie so well that he makes a usual thing a symbol of Dravidian world or the last piece of a part of Indian heritage that is not found anywhere else in the country – he sells them at high prices to unsuspecting foreigners who have a strange fascination for the orient, the fine pearls of the East, especially of India. But his son Jude is just the opposite, never able to lie, but more intelligent than anyone else around; at the same time, he completely lacks in any kind of social skill.

So, what happens with the events to follow? :: Jude has no friends in the city, and his co-workers make sure that he gets fired from his job at a hardware company. He spends his time collecting pictures of different aquatic animals – he has all the information about ocean’s creatures, and loves clown fish, jelly fish and gold fish and his dream is about owning a big aquarium one day. While his parents are worried about his future, his sister finds no hope in him, as he wishes to have food at the exact same time every day, and eats only the same food items all the time. He has a list for almost everything in his life, and talks to his video camera about each day about his thoughts. Twenty eight years old and being different from everyone around him, he has a tough time going through each and every day of his life. But he is not ready to accompany his father with the work.

And what follows next in the adventure? :: When Dominique has to travel to Goa to attend a funeral, things change. He has to take Jude and Mariya with him on the journey, leaving Andrea in charge of the antique shop. There, it turns out that Dominique and Jude have inherited everything which was owned by the dead person who had special love for the distant relatives. Now, the problem that Domique faces in selling the newly acquired property and traveling back to Cochin is Sebastian Chakraparambu (Vijay Menon) who lives with his daughter Crystal Ann Chakraparambu (Trisha Krishnan) in the outhouse which cannot be cleared as the building was rented for a period of five years. Dominique comes up with some plans to get rid of the new neighbours, but nothing works. At the same time, Jude and Crystal become good friends, but both have their own troubles in facing life.

The defence of Hey Jude :: From the first moments itself, you are sure that this is that kind of a light-hearted entertainer with messages for life, which will be developing slowly and steadily as the movie progresses. Hey Jude can be considered as the simplest and the most entertaining movie from the director who has known to provide us with strong philosophical side to ponder about. The humour is a clear winner in this movie, as it keeps dropping in all the time. All the characters in this movie are funny in one way or the other, and things never go out of control to bring a possible dark side. The funny side has us more and more interested in the proceedings, and with the grand visuals of Goa, all becomes good for this movie. The music is pretty good, and as it has been talked about, this is a lovely tale of love, self-discovery, healing and transformation. It gets into the list of inspirational movies which have made the big impact in the industry – we see the support for people to be who they want to be.

The claws of flaw :: The movie is kind of longer than one would have wanted it to be. Then, those who wanted Shyamaprasad to go into those deeper human emotions and situations are going to feel the need for more. One can feel that there has been the effort to make things a little too simple – it was surely not needed considering how far our audience could evolve from the time the first movie of the same director released. The movie could have also ended smarter and without a quick full stop. If you don’t like movies like North 24 Kaatham and Mili, and are unable to connect to the protagonists of those movie, you would have the same trouble here – well, some so called perfect people will always have problems with these kinds of characters, as they jump right out of the firmament with stored thunder in mouth; this one is not for that kind of people born with silver spoons and even golden forks in their mouths.

The performers of the soul :: Nivin Pauly surely has the most divergent as well as different character that he has had to play in his whole career, and he could manage the same with great skill. Meanwhile, Trisha makes her Malayalam debut here, and she does that with ease – it is surely surprising that it took her such a long time to be here, but as she is here, it is all good. Well, she has played a Malayali girl in Vinnaithaandi Varuvaayaa, making this not the first instance of being part of such a character. Siddique plays the father figure again, as we see him at his best just after watching him in Aadhi in the role of a responsible father – this one is actually more challenging, and his work is light-hearted as well as interesting. Neena Kurup is there throughout as the mother figure, and it is nice to see Apoorva Bose back in action; she was being missed. Vijay Menon plays a funny as well as powerful character present throughout the flick. Aju Varghese has a nice, funny cameo to his credit.

How it finishes :: Shyamaprasad is the one director whom we know the most for adapting the American classic expressionist play, The Glass Menagerie by Tennessee Williams for the Malayalam audience, and doing that with such skill, that Mahatma Gandhi University has included it in the paper, Comparative Literature for the final semester BA English students. Arike, which signified the exact opposite meaning to Akale, was another beautiful flick with its quest for love. Ivide with its quest for identity and reflecting rootlessness, was also with philosophical undercurrents. But Hey Jude is rather direct in all that it reflects on the screen, and it can be considered as the most light-hearted as well as the funniest movie from the director with messages to go with it. If you liked movies like North 24 Kaatham and Mili, I don’t see why you won’t watch this one with family.

Release date: 2nd February 2018
Running time: 146 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Trisha Krishnan, Siddique, Neena Kurup, Vijay Menon, Apoorva Bose, Aju Varghese (cameo), Shyamaprasad (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Chunkzz

What is the movie about? :: Romario (Balu Varghese), Riyas (Ganapathi), Yoodas (Vishak Nair), and Athmaram (Dharmajan Bolgatty) are best friends, also known as Chunkzz. They are all studying in Adi Shankara Institute of Engineering Technology at Kalady, near the town of Perumbavoor. Romario, Yoodas and Athmaram are studying in the Mechanical engineering department and hoping to find at least one girl in their class – none has entered their department yet except for teaching; some students have even declared the place “no entry for girls” as they are confident that there would be none. But Riyas who is in the Computer Science department has problem in the same, as he is seen wandering around with the girls of his class all the time. The four friends study almost nothing at the college, and struggles to pass the exams by copying in one way or the other.

So, what happens with the events to follow? :: It is then that the twist occur, when Romario’s father Varkey (Lal) has his friend Pappichan’s (Siddique) daughter, Riya (Honey Rose) get admission in the same college for the final year, as she had to face some problems at the institution where she was studying in Bangalore. She has returned home with her best friend Sherine (Mareena Michael Kurisingal) who seems to be hiding something too. Riya’s arrival at the Mechanical engineering department changes things, with her being established as the new or rather the only Mech Queen in the college. The four are completely after her, and she spends her time enjoying her time as the newly established queen of the department. But things change after a trip to Goa, which has more twists happening around. So, what is the role of the new queen in the lives of the Chunkzz?

The defence of Chunkzz :: The best of comedy set in an engineering college is usually considered to be in Koothara, which lost its charm, and stooped very low after its focus shifted in the second half, and then there was Happy Wedding and Aanandam which was trip-based – Chunkzz attempts to make its entry there and is mostly successful in bringing the funny side to the front. There is the attempt to bring comedy all the time, and even with emotional sequences, the same is tried – one can say that there is no real sad moment even when the characters go through some bad phase, for the overall mood never really changes. There is also a twist in the end, which despite providing the feeling of villainy, does work, and something like that was required to end this movie well enough – Happy Wedding also has a twist in the end, even though it was a rather cute one then.

The claws of flaw :: The silliness factor might feel to rather too much in this movie, and there is exaggeration in the name of comedy for sure. Despite beginning everything in the engineering college, it deviates quite a lot, and as it moves towards the end of the first half, the idea of the mechanical engineering department itself has vanished. So, if that is your aim, and it is mechanical engineering tale that you are focusing on, the movie you are looking for might be Queen directed by debutante Dijo Jose Antony that is to be released later, with a lot of new faces coming up. There is a also that kind of comedy which is rather forgettable and outdated – there is nothing fresh added here, and by the end of the first half to most of the second half, we keep seeing those predictable moments coming up again and again. The repetition here is something which we will find hard to appreciate. There would have been no shortage of some good comedy with that college setting, but they say no. Yes, as expected logic goes for a long walk far away, and the jokes doesn’t rise to the best of standards.

Performers of the soul :: When we look at the cast, and see the progress, we understand that this movie would be dependent on Balu Varghese to do more than the rest – he is more of the protagonist, as it is based on his life that everything follows. He is surely in control of this one, even though his character goes too low on too many occasions. Vishak Nair of Aanandam fame gets his next big noticable role here, and he has no problems in joining the funs. Ganapathi adds to the crew in style, while Dharmajan has his next biggest role in recent times after Kattappanayile Rithwik Roshan and Pretham, which he handles in his usual funny way – there are some nice dialogues given to him, which stay a level higher. The four are responsible and are leading the battle against the two other rather bigger releases this weekend, Sarvopari Palakkaran starring Anoop Menon, Aparna Balamurali and Anu Sithara, as well as Varnyathil Aashanka which has a long list of performers lead by Kunchacko Boban.

Further performers of the soul :: Hareesh Perumanna extends his own comic style, but here we see him having so less to do, just like the case of Kadam Katha which released last weekend – one just got to wonder why he is not there for more. Then there are the two veterans, Lal and Siddique who are in control of their moments – the former has more fun to provide with his role. Honey Rose does very well coming back from Avarude Raavukal; her work as the Mech Queen at the college is better than the rest. Mareena Michael Kurisingal returns after her most noticable role in Aby this year earlier after having her first heroine role earlier than that in Mumbai Taxi. Even though she plays the secondary role, surely gets her own moments without doubt. It would have been nice to have her in the college too. Kailash, Shammi Thilakan and Anjali Aneesh are also there in notable roles in the movie.

How it finishes :: Chunkzz is not different from the director’s earlier movie, Happy Wedding. Even in the absence of the big stars, it rested on the talent that could handle the comic side really well – Siju Wilson, Sharafudheen and Soubin Shahir. This time, it is up to Balu Varghese, Vishak Nair, Ganapathi and Dharmajan Bolgatty to do the same. When the previous movie had Anu Sithara and Drishya Raghunath, this one has Honey Rose and Mareena Michael Kurisingal, the latter having played a role in the previous movie too. Even the run-time is so similar at just above two hours. There is just not that much of a different fun in this one, as nothing more is there. If you are expecting the same only, you can go for this one without second thoughts. But just like it was the case of Happy Wedding, there is nothing much to take home, and not much that will stay. This would be more for the youth of this generation rather than families.

Release date: 4th August 2017
Running time: 121 minutes
Directed by: Omar Lulu
Starring: Balu Varghese, Honey Rose, Mareena Michael Kurisingal, Lal, Siddique, Dharmajan Bolgatty, Vishak Nair, Ganapathi, Kailash, Harish Perumanna, Anjali Aneesh, Shammi Thilakan

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@ Cemetery Watch
✠ The Vampire Bat.

Life

Vampire Owl: This looks like the tale of someone new to life.

Vampire Bat: Not just life; something extra-terrestrial in nature.

Vampire Owl: You mean like aliens returning once again to get rid of humans from this world for everyone’s good.

Vampire Bat: Extra-terrestrials are kind of better than humans, you know.

Vampire Owl: Yes, I recently met an alien who also gave me the idea to get rid of these humans and save Earth.

Vampire Bat: Absence of humans actually proves to be better for all other life-forms, I wouldn’t deny that.

Vampire Owl: There is no point in denying the same, because it is the truth. We should have actually finished them off when we had a chance.

Vampire Bat: Don’t you remember that it was a team decision to let them not become extinct, as we needed them to write stories about us?

Vampire Owl: But we have been trying to get the voters against the same after they decided to come up with Twilight and its successors. The current voting status in the vampire imperial chambers against human extinction is 591 against 409. It was 880 against 120 earlier.

Vampire Bat: Well, humans are becoming so evil that everyone except them want them extinct. They are giving competition to even the demons.

[Gets three cups of Munnar tea with a piece of pineapple cake].

What is the movie about? :: A probe which was collecting information about possible existence of life in Mars has returned from the planet, with something that is to prove the same and change the future of humanity forever. Even though it strays of the path, the same is intercepted by the crew of an International Space Station. The exobiologist of the team, Hugh Derry (Ariyon Bakare) is successful in reviving a dormant cell from this sample received from Mars after repeated attempts and failures. This new organism fascinates everyone among the crew who belongs to different nationalities, including the medical officer Dr. David Jordan (Jake Gyllenhaal), quarantine officer Dr. Miranda North (Rebecca Ferguson), systems engineer Rory Adams (Ryan Reynolds), pilot Sho Murakami (Hiroyuki Sanada) and the commander of the space station, Katerina Golovkina (Olga Dihovichnaya).

So, what happens next in the movie? :: One day, this organism which was named Calvin, seems to be dead. While trying to revive it, Hugh is attacked by Calvin who escapes by smartly using the electric shock tool used on it. Rory who gets in to save him, gets killed by the creature which keeps getting bigger and bigger. As it escapes through the vent, the rest of the crew are concerned about what is to happen next. Calvin also gets to Katerina, who is also killed, but leaves it outside. Despite the crew trying their best to keep Calvin outside and launch it into deep space using the thrusters, it manages to get through. The International Space Station, after having used so much of fuel through the thrusters to attempt to kill the creature, keeps getting closer to Earth, and seems to be slowly getting into the planet’s atmosphere to get burned. They come up with a plan to finish off the creature, but this one is a lot smarter than they think, and will adapt to anything they can bring – so, what will follow?

The defence of Life :: You have the feeling of going through something close to the Alien franchise with its creature. The execution is also very nice as we can see this one progress. This has its elements of mystery and horror working during the early stages itself. The creature itself develops steadily, and we see it through the different stages of evolution. With Mission Impossible‘s own Rebecca Ferguson and Jake Gyllenhaal around, this also well-acted without causing any change for doubt. The special effects are really good, and we see the space and the ships looking really good. There is also nobody to be the star here, except the alien, with a name, manages to be the one who controls things all the time as an intelligent life-form just recently born. Life surely provides the entertainment with its memorable moments, and the final scene surely brings a nice twist, and is better than what most of the people might expect for a movie like this.

The claws of flaw :: The similarity with Alien franchise is there, which doesn’t really give that original feeling with this one, especially considering the fact that Alien Covenant shares the same year of release with this one, and happens to be a better movie than Life. We have actually watched a little too much of Alien franchise to easily like another one so similar to it. Maybe, it is more like Alien combined with Gravity kind of feeling with its mood. You do have so many space movies with big ideas, like Interstellar, The Martian and Passengers – well, this one comes below them all as far as the rating is considered. As you go on, you will see that this one can’t be considered that evolved with the creatures like Alien, as there is one thing here, which is not that huge, but that could change with the possible sequels which look a little bit too far away right now. Ryan Reynolds disappears too early into the movie, and it is a sad thing for the fans of Deadpool. Maybe, they could have brought some big scary moments with the alien attacks, while using the setting of space along with the same.

Soul exploration :: As the title suggests, the movie is about “life”, but not of humans or any species on Earth, but rather on what exists outside. This search for life which has been going on for many years, seems to land humanity in trouble without doubt, and with no chance for redemption, as you witness how it ends here. Life tells you that there are some boundaries which are not to be crossed. With so much to do otherwise for your own fellow beings, this is not something which is urgent, as references are made to the situation on Earth too. But as with all those big inventions of science for the rich, making life better for the common man is not the first option. The rich always have the first chance at science and its inventions. It also makes too much of curiosity, which surely kills the cat, the reason for all the terror which is to follow. The crew, with its partners on Earth just crosses a line, and understands the consequences of what they had done. Also, a human life is more important than any other creature, and so one should understand.

How it finishes :: There is also that kind of ending which will ensure that “life” goes on, and it can be taken through more than one meaning. The option for sequel is left open there, and lets see if this can develop into a franchise like the Alien series, even though the box-office collection doesn’t really point to the same. Still, you can’t deny the fact that this could be a franchise that has the potential to give the Alien group of movies a challenge for supremacy. With Prometheus and Alien Covenant, that franchise has started exploring further, and Life could just do the same thing. One has to think that this movie has just begun its adventure, and its alien life-form has more and more to do with its humans. A good science fiction horror movie in space is often too hard to find, unless there is a future when something like Event Horizon or Pandorum are to be found here and there, all the time. But for now, Life is indeed the fine addition to the list which is rather small.

Release date: 24th March 2017
Running time: 104 minutes
Directed by: Daniel Espinosa
Starring: Rebecca Ferguson, Jake Gyllenhaal, Olga Dihovichnaya, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Alexander Nguyen, Hiu Woong-Sin

@ Cemetery Watch
✠ The Vampire Bat.

Get Out

Vampire Owl: This reminds me of the first two words Dracula uncle told me. It is nice of them to make a movie titled the same.

Vampire Bat: You are talking about what happened when you applied for apprenticeship with the wrong biodata.

Vampire Owl: Yes, I wasn’t trained in vampiric language at that time, and messed it up.

Vampire Bat: You could have just used the universal blood language at that time. It was an official language too.

Vampire Owl: I was just glad that I could get these two words from him without thinking that much about the same.

Vampire Bat: It was all that you were looking for?

Vampire Owl: Well, we are all satisfied with what we have, aren’t we?

Vampire Bat: Yes, we are happy with what we are, and what all exist for us.

Vampire Owl: It is something that we need to to teach the humans.

Vampire Bat: Unfortunately, even after being just mortals, they learn nothing about what could face them in the afterlife. The Lego movie characters know better.

[Gets three cups of evening tea with a piece of mango cake].

What is the movie about? :: A photographer named Chris Washington (Daniel Kaluuya) and his girlfriend Rose Armitage (Allison Williams) have been in love for a few months, and they decide to visit her parents at a far away place, in the countryside, where they own a huge area of land of and property by the side of a lake. Chris is a little bit concerned about meeting her conservative parents because he is black, and her parents seem to be having a white legacy going with her grandfather having lost to Jesse Owens in front of Hitler during the Berlin Olympics of 1936. But the parents seem to be happy with their relationship, Dean Armitage (Bradley Whitford) and Missy Armitage (Catherine Keener) welcomes him to their home as part of their family, even though his brother Jeremy Armitage (Caleb Landry Jones) does come up with some strange remarks which they don’t mind that much.

So, what happens next in the movie? :: The servants at the house who are black, act rather too strange towards him, with Walter (Marcus Henderson) and Georgina (Betty Gabrietl), both doing strange things and also talking as if there is some hostility in the air. Chris has a strange feeling about the happenings at the place, and has a walk at night, during which he is hypnotised by Missy who is a psychiatrist, after which he feels no desire to smoke. He also seems Walter and Georgina doing some strange things, and Jeremy even tries to put a headlock on him, making him really uncomfortable. There is an annual gathering supposed to happen at the place too, during which a lot of guests seem to have special interest in him, except for the only black man in the group, Logan King (LaKeith Stanfield) who also acts strange. He talks about the same to his best friend, Rod Williams (Lil Rel Howery) who asks him to get out of there.

And what is to follow with a twist of events? :: Chris also meets a man called Jim Hudson (Stephen Root), who is blind, but appreciates his work with photography, as he has his assistant who describes them to him. With all focus on him only, Chris asked about how it feels to be an African-American, but he passes the question to Logan who seems to have a certain problem answering the question, and when Christ tries to take his photo, gets angry, asking him to get out of there. Logan, bleeding from his nose, seems to feel better after a session with Missy, and Chris keeps narrating the happenings to Rod, who tells him that those people there might be brainwashing the black people with Missy’s hypnotizing ability, and keeping them as slaves, or even sex slaves, which at first seems funny, but Chris realizes that there is more to this strange behaviour of the people than what meets the eye.

The defence of Get Out :: The movie has its viewers feeling that there is something coming, right from the first sequence itself, and it keeps throwing something again and again on the way, to make sure that the audience is kept excited about what is to come. There is a big mystery ready to be revealed, and throughout the movie, there is the feeling of weirdness and danger which is nicely reflected through more than one character. The early feeling of waiting for the suspense to reveal itself has its replacement in the form of thrills and a certain amount of horror that get stronger by the end. We know that there is something eerie about it, but then we realize that there is even more to come as the movie progresses towards the end. There is tension that is shown between the characters here, and there is something like a rising intensity about it – we feel that this movie is getting better and better towards the end, as we know that something unexpected is to happen, and things are going to go bad for the protagonist, and then towards terrible.

The claws of flaw :: The humour doesn’t work much, and it also gets pretty much violent in the end, something which we weren’t expecting that much considering the first half. We do look at the huge amount of critical appreciation, and expect something even bigger, like a masterpiece, but we will only get this movie – on Rotten Tomatoes, the movie manages to have an approval rating of 99% based on 269 reviews; it is something that we don’t see that often, for things tend to come down a few days after a movie’s release. Metacritic has adjusted with an 84, but something like 99 is what keeps the expectations at a top level. People who have no understanding of the movie’s basic premise will find some trouble too. There is the certainty of some missing logic, with the way the movie becomes something not that natural by the end, which will raise some eyebrows here and there. If you are expecting the twist to be like The Skeleton Key, you are in for a surprise, with doctors and medical science being attached here, even without that much of a deep explanation.

How it finishes :: With Daniel Kaluuya and Allison Williams staying strong as the leading actors, we have a movie to look out for, right here. It is a flick which is not that well-known around here with a rather unknown cast for our audience, and not much of a title that grabs attention, but there will be a lot of fans for this one from here later, that is for sure. The opinions on this one are going to be divided here though, as the racial stuff is not going into the roots with our audience – maybe the caste would do if we make a similar movie here. The movie seems to reflect how things are, when we see another person as “the other“, as someone who really doesn’t belong to our group, and there are some people who pretend to accept them, even though they really don’t. People are such good actors in real life these days, aren’t they? We see so many of such people in this flick, and then there are others who just hate those who are different – the world still needs change for sure, and you see the need stored right within, with a smart horror thriller here. At the same time, lets hope that the viewers take something out of this movie and be better towards the others, the different, those who are not like everyone else.

PS: Check out the review of the latest release, Sunday Holiday.

Release date: 24th February 2017
Running time: 103 minutes
Directed by: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Lil Rel Howery, Bradley Whitford, Caleb Landry Jones, Stephen Root, Catherine Keener, Betty Gabriel, Marcus Henderson, Erika Alexander, LaKeith Stanfield, Stephen Root, Geraldine Singer

@ Cemetery Watch
✠ The Vampire Bat.

Passengers

What is the movie about? :: It is a long time into the future with space technology being very much capable of almost anything that has been dreamt about right now. It has reached a state of near perfection that science is now something that cannot fail to deliver the promises which are calculated and made, no matter what the circumstances are. There is the highly advanced spaceship named Avalon which is transporting around five thousand colonists and a crew of two hundred and fifty eight suspended in hibernation pods to the new colony far away in space, the planet Homestead II through a journey that is expected to take one hundred and twenty years. Just thirty years into its journey, the ship comes across an asteroid belt, and despite keeping the shield strength at its highest, hits one of the huge projectiles, and faces multiple errors, all of it the ship repairs by itself while on autopilot, but there is the connection to pod number 1498 which gets struck hard, and the system is unable to repair the same.

So, what happens next? :: This problem awakens the passenger in hibernation inside the pod, a mechanical engineer named Jim Preston (Chris Pratt), ninety years earlier than he was supposed to wake up. After the early briefing and classes, he realises that he is the only one awake, and it is too early considering the fact that he was supposed to wake up only four months before the ship made landfall – at this rate, he was only going to age and die before the ship reached its destination. He tries sending a message to Earth, but not only does it prove expensive, the same is going to take nineteen years to arrive at the home planet, and the earliest reply is estimated to take fifty five years. He tries getting inside the pod again, and even repairing the pod using the instructions and his own technical skills, but there is no hope there. He tries to contact the people responsible, but the only people whom he gets to speak with are the machines and all he receives are automated answers.

And where does things go from there? :: After having tried everything including breaking in to places, Jim gets ready to accept his fate, talking and spending time with Arthur (Michael Sheen), an android bartender on the ship, as well as forcing himself into the areas of higher class passengers and enjoying special privileges. One year goes by, and Jim gets more and more disappointed about his situation, and even thinks about committing suicide, despite finally deciding against it. There is almost nothing new happening out there, and the spaceship just goes on through its path. But one day, while going through the pods, he come across Aurora Lane (Jennifer Lawrence) sleeping in her pod. He watches her profile and video and immediately falls for her, a writer. After thinking deep about it, he makes her pod malfunction, and she also awakens. He tells Arthur not to reveal the truth behind her pod to her.

And where are things heading now? :: Aurora, hopeless at first about the fact that she is going to age and die before reaching her dream destination, goes through the same things that Jim tried, and finally decides to write about her experiences during the journey. Soon, the two become very close to each other. Aurora trusts Jim as the only other person there, and the one last human being she is going to see in her life before she dies. But things don’t go that smooth as expected, and there is no perfect love story coming up here. The secret will be revealed, as Aurora will find out the truth behind her pod failure, and she won’t be the same person after that. At the same time, another pod will malfunction, and the same will awaken Gus (Laurence Fishburne), a Chief Deck Officer. He will reveal a few things about the current situation of the ship, which will threaten the lives of everyone on board. Can the ship be saved from a terrible fate that awaits, and can Jim and Aurora work together for the same?

The defence of Passengers :: Chris Pratt and Jennifer Lawrence are undoubtedly great together – there is a great chemistry going on there. The visuals are nothing less than stunning, and the spaceship is something that will stay in your minds for its splendour not just outside, but also inside. The swimming pool without gravity is among the best. Yes, the space remains amazing, and so do our ship and the leading characters. This is about the two people, their emotions and the space ship – along with all the saving that is needed in the end. Unlike what the reviewers are constantly saying without thinking deeper about there is one act of sacrifice and selflessness that we get to see in the end. Above all, this is also more like the tale of Adam and Eve, with the two protagonists getting to live with themselves, as the spaceship which faces devastation like our planet does, many years later – it can only be told later if the world in space survives, as the rest of the four thousand nine hundred and ninety eight people will get to be born again into a new world.

The claws of flaw :: There could have been better pacing for a two hour long movie, even though it never really brings the boredom to us. It is also not so good that Laurence Fishburne gets to come too late – there is a little too much going on before that, to be exact. We could have gotten this movie to be shorter by at least fifteen minutes, or rather could have had more action rather than extending the lonely life of the protagonist, and the relationship between the two main characters so much. There is even that happy climax which seems to be forced, but as I read some reviews by a few self-proclaimed intellectual reviewers, I feel that that climax and ending is the best, for it should have irritated their stubborn side a lot more. Maybe, you can search for the reviews with a lot of use of the word “selfish”, and then you can find out the flaws which have discovered, or rather created in this movie – most of them don’t really exist if you look at the flick; for I was very much immersed in this movie.

How it finishes :: The reviews on this movie have remained prejudiced, and that is not surprising considering how these people have been degrading the good movies in favour of those particular kind of movies, and try to make these movies score better at the box-office; it has been going on as a trend. The good thing is that a lot of reviewers from India have succeeded in going beyond that prejudice to like this flick. What surprises us the most is that almost all these reviewers who would do the exact same thing when caught up with a situation like this, have chosen to blame the protagonist, as well as the makers of the movie for so many factors related to the same – some people are just too idiotic to take only selected things into heart, when all these have finally come together to save so many lives in the end. We don’t have one selfish person here, but two, as it is evident from the second character, and it is selflessness and sacrifice that wins in the end – lets hope that people who have no idea of love and sacrifice will one day understand that. Well, who needs a more human story in space when there is Interstellar full of science and no humanity? For action, there are the Star Trek movies, Jupiter Ascending, Guardians of the Galaxy and many more. But this one is also worth it! If you liked this, do watch Pandorum.

Release date: 21st December 2016 (USA); 6th January 2017 (India)
Running time: 116 minutes
Directed by: Morten Tyldum
Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Nazanin Boniadi, Andy García, Aurora Perrineau, Vince Foster, Kara Flowers, Julee Cerda, Conor Brophy, Lauren Farmer, Aurora Perrineau, Emerald Mayne, Kristin Brock

@ Cemetery Watch
✠ The Vampire Bat.

Morgan

morgan-2

Vampire Owl: I thought that this title was Morgue.

Vampire Bat: From how you usually think, I am not surprised at all. You could have even thought “Graveyard”.

Vampire Owl: Well, I am the one who found this as the movie to watch.

Vampire Bat: You just made a random guess about it, nothing more.

Vampire Owl: I guess well, and I also do choose well.

Vampire Bat: What you need is a better choice of words.

Vampire Owl: I think that you could be the protagonist of this movie.

Vampire Bat: I am not even going to comment on that.

Vampire Owl: Well, after watching this movie, you will comment.

Vampire Bat: Lets see. I am in need of a science fiction movie right now.

[Gets three cups of masala tea with vegetable puffs].

What is the movie about? :: Lee Weathers (Kate Mara) works as a risk management specialist for a genetic engineering company. Firm in her actions and thoughts, she is given a new assignment, which she is expected to complete without giving any chance for errors. It is concerning the company’s latest experiment, with a genetically engineering human called Morgan (Anya Taylor-Joy) who has displayed acts of aggression all of a sudden due to which injuries have happened. This person is a lot smarter than humans, and has an advanced growth rate, looking like an adult, but is only five years old in reality. This girl had suddenly become violent and stabbed a scientist Kathy Grieff (Jennifer Jason Leigh) in the left eye. It is revealed that there was another incident earlier at Helsinki which the main scientists Lui Cheng (Michelle Yeoh) and Simon Ziegler (Toby Jones) acknowledges.

So, what happens next? :: It is Amy Menser (Rose Leslie) who is considered to be closest to Morgan, as she used to take her outside. Morgan also considers her as her best friend, and the one whom she loves the most in the world. After the psychologist Alan Shapiro (Paul Giamatti) has an evaluation of Morgan and pushes her to the limits, she attacks and kills him, which leads to Lee taking the decision that Morgan as well as the whole experiment is a threat and need to be terminated. But most of the scientists don’t approve of the same due to their emotional attachment to the subject, and Morgan is certainly not keen to get killed by the humans who are both intellectually and physically inferior to her. Lee reasserts that it is her job to make sure that the subject is terminated, but others feel that she is fighting an unnecessary, lone battle. The question remains about what Morgan thinks about the same with her superior intellect.

The defence of Morgan :: There is one nice twist awaiting you at the end of Morgan, and it can also make way to bring another movie to follow this one – something which could be even better as a sequel, keeping that core idea alive to be explored further. Morgan does make sure that there is a lot of action in there too, as we see the close combat scenes to be very interesting, making it the science fiction action movie that a good number of people had missed. The second half of the movie is more intense, and we are left with a number of questions about being human – and it might be the emotions that make one more human, but what kind of emotions will make one really human? There is also that twist in the end which works well, and that also provides an answer which many people would have wanted while going through the movie.

The claws of flaw :: The most possible comparisons of this movie would be to Ex Machina, which will certainly leave Morgan at a disadvantage. As this one goes for action instead of developing its interesting core ideas into something amazing, the audience does doubt what all it could have achieved otherwise – maybe even with some scares, this could have gone through another path. More fights and less dialogues might be the key for more than one character here, and it is surely more than many people would have liked. There could have been more interesting moments in the beginning stages too, and the predictability in between should have also been shown the door to the outside. When the opportunity to be complex is there, I would say that all science fiction movies should take it, but Morgan just hesitates in doing so.

Performers of the soul :: Kate Mara looks really good as the determined character, and there are moments when you feel that things get even better – the hairstyle as well as the clothing supports the effectiveness of the character a lot. She has been one of my favourite actresses on a list which goes long, along with Rooney Mara too. Anya Taylor-Joy comes up with another impressive performance after The Witch, and here, we see her getting right into a character that shares not much in common with her work in that special horror movie. There is a certain amount of balance in her character, as we love this particular creation as well as hate it, and see it with sympathetic eyes while seeing the same thing as creepy and dangerous. Rose Leslie is there in a role that does her not much justice, but it is good to see her again.

How it finishes :: Morgan is directed by the son of Ridley Scott, Luke Scott. He has worked as the second unit director on Exodus: Gods and Kings and The Martian, both directed by his father. Even though he has directed a science fiction short film Loom, this is his directorial debut with a full-length movie, and it works very nicely indeed. There is even scope for a possible sequel with this one, as we look at how things finish. Morgan is the kind of movie which is thrilling, and at the same time delivers a message, despite not being fully an idea which is not seen before. With the twist right where it needs to be, Morgan might be the flick that most of you haven’t heard about much, but will need to give a try because it is smart science fiction, and there is more to it for thinking about; more than what immediately meets the eye. When you need more of smart entertainment, choose Morgan.

Release date: 2nd September 2016
Running time: 92 minutes
Directed by: Luke Scott
Starring: Kate Mara, Anya Taylor-Joy, Rose Leslie, Toby Jones, Boyd Holbrook, Michelle Yeoh, Jennifer Jason Leigh, Paul Giamatti, Michael Yare, Chris Sullivan, Vinette Robinson, Crispian Belfrage, Luke Whoriskey, Jonathan Aris, Brian Cox, Courtney Caldwell, Amybeth McNulty

morgan

@ Cemetery Watch
✠ The Vampire Bat.

Victor Frankenstein

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Vampire Owl :: None of our undead doctors have approved of this movie.

Vampire Bat :: That will not be a problem at all, because neither have the critics.

Vampire Owl :: So, we should still watch this one?

Vampire Bat :: As long as there is no ban, we can surely do that.

Vampire Owl :: Thankfully, we are not from a realm where there are bans on certain types of food, cinema and clothing.

Vampire Bat :: Yes, unlike these humans who are elected for no reason, Uncle Dracula is a lenient and intelligent ruler. Even the brain-dead Lich Queen knows better.

Vampire Owl :: We should let the clever film makers from the human side to work on their movies here.

Vampire Bat :: Yes, that will also be a big bonus for tourism; all is well as long as they keep their hatred, vanity, greed and envy outside our realms.

Vampire Owl :: And to avoid any temptation for the vampires, they should lock their necks, especially those veins…

Vampire Bat :: Stop! I am going to pretend that I never really heard that!

[Gets three cups of tea with tapioca chips].

What is it about? :: The tale begins and goes through the perspective of a nameless hunchback (Daniel Radcliffe) who works as the clown in a circus. He has been part of the circus for so long, and is more of a property of the circus, treated badly by most of the people there. But he secretly reads books that are stolen, mostly related to science, particularly human anatomy. He has feelings for an aerialist, Lorelei (Jessica Brown Findlay) who is injured during one of the shows. With no hope for her survival after falling from a good height, the hunchback tries his best to do anything, and at that exact moment, is aided by a stranger known by the name Victor Frankenstein (James McAvoy) who was attending the circus performance. Both succeeds in saving the girl who is taken to a hospital. This becomes the turning point in the life of the hunchback.

So what happens next? :: Victor Frankenstein has been a very ambitious medical student who has been working on something special. His aim has always been to make a discovery that would change the future. He has been scarred by his earlier experiences and wishes to make amends with his father (Charles Dance) who thinks that he is good for nothing and will never be anywhere close to his brother. He wanted to create life, and fascinated by a simple, uneducated hunchback’s knowledge in human anatomy, decides to recruit him for the cause as his assistant, and make things better and easier. So, he plans and manages a grand escape for the hunchback whom he names Igor, after his former room-mate. He drains the new assistant’s hump with his expertise and successfully hides him as the room-mate that he once had.

How does the journey go? :: The newly named Igor instantly impresses Victor, and they realize that they can go a long way forward. The police inspector Roderick Turpin (Andrew Scott) who investigates the disappearance of the hunchback realizes that something strange is going on, and it is against God. Considering Victor’s experiments as sins and his creations as unholy, he decides to stop him, whatever it might cost. They also come up against Lorelei once again, but this time as a different person. She also asks them to rethink about going against the natural order of things. But Victor and Igor are so close to their first case of success, but will that bring them glory or terror? What role will Lorelei play in this dangerous attempt at glory? Is it really an act against God, and what danger can this new creation from the grave bring?

The defence of Victor Frankenstein :: The visuals are really good with this one; there is a lot of style associated with the movie, and the cast also saves the day. Daniel Radcliffe and James McAvoy are good, especially the former who seems to have more control over his character. Jessica Brown Findlay also brings some charm while Andrew Scott is a fine opponent to the protagonists. The differences when compared to the original story has been nicely created. The messages are well placed, and they are mostly against vanity and the false ambition which stay strong within the main protagonist – he is so close to becoming Doctor Faustus, not just Doctor Frankenstein. It also asserts that there are things that cannot be changed and we have to accept them. There are some nice dialogues which keep making the point too. It has its own dose of entertainment too, and that matters.

The claws of flaw :: Victor Frankenstein needed a better flow in its story. It surely begins nicely, but gets lost at times. It is quite strange that the movie doesn’t try that hard to deviate from its source material from which it hasn’t really followed – there seems to be an attempt to return but at the same time staying different. The movie needed to be more certain with its story, and also could have dealt with its main characters differently – even though the main actors handle the whole thing well, better characterization and a much better background would have done them all, some more good. More horrors and thrilling moments could have been added to make its central idea about life and death more appealing; for now, they have done well to do that with the dialogues – maybe they could have done so without speaking that much about the same.

How it finishes :: Victor Frankenstein is another interesting movie based on Mary Shelley’s 1818 Gothic horror novel. The different versions of the same story or newly written extensions always bring something that can catch our attention, just like I, Frankenstein which extended the tale very nicely. In another case, there was Dracula Untold which brought another angle to the popular 1897 Gothic horror novel by Bram Stoker. If you are going to judge this one based on the many years old story, this is not the movie for you; but if you are ready to think from another angle, and understand the imagination behind making such a different attempt, you can surely go for this one, as despite not being that big Frankenstein movie, this is a fun movie which also leaves the viewers with some interesting messages to take home.

Release date: 27th November 2015 (India); 25th November 2015 (USA)
Running time: 110 minutes
Directed by: Paul McGuigan
Starring: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Charles Dance, Freddie Fox, Mark Gatiss, Callum Turner, Daniel Mays, Spencer Wilding

victorfrankenstein

@ Cemetery Watch
✠ The Vampire Bat.

Chappie

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Vampire Owl :: I thought you were going to watch Cinderella.

Vampire Bat :: Yes, but then Chappie was there and that show started earlier by ten minutes.

Vampire Owl :: That name actually makes me depressed.

Vampire Bat :: It happens when you say that in Malayalam.

Vampire Owl :: Do you know that India actually lost against Australia?

Vampire Bat :: Did they? I thought some extra-efficient online Keralites once again saved India by abusing Mitchell Johnson and the Australian Cricket Team.

Vampire Owl :: Yes, just like Maria Sharapova lost to Serena Williams and the Pakistan Hockey Team played bad after the abuse by Keralites.

Vampire Bat :: Dude, everybody losses to Serena Williams. It is quite natural. And Asia is not a hockey powerhouse anymore.

Vampire Owl :: Damn! The cent percent literacy is wasted.

Vampire Bat :: Cent percent literacy! It is the literacy for abuse!

[Leaves for the tea shop].

What is it about? :: As the South African police at Johannesburg a group of advanced robots from weapons and ammunition manufacturer called Tetravaal, the crime rates are brought to a new low, and as expected the criminals and their bosses are concerned. The inventor is Deon Wilson (Dev Patel) who seems to be getting most of the appreciation much to the dismay of another engineer, Vincent Moore (Hugh Jackman) who wishes to send his own robot model named Moose into operation. But as it is very costly and is highly equipped with too much firepower needing full human control, it is rejected until further notice. But when our inventor creates an artificial intelligence which is rather too human, things take a twist, and things are no longer in his control. A group of criminals also decide to take control of a robot.

The defence of Chappie :: There are some good ideas running through this movie, and it becomes evident right after the first few minutes of Chappie. The robot instantly becomes interesting even with the scope for improvement always there. There are lots of action sequences in the movie, and there is a certain amount of emotional strength whenever a different kind of thing comes to existence and tries to cope with the world around, which works in this one too. There are thoughts left behind, and there is the social message which we can take home, even though it rarely becomes the big thing in this movie. There are surely some good performances to support this one.

The Claws of Flaw :: Chappie doesn’t really use its strengths to its advantage, and has problems with dealing with its central ideas – not really there in making them work completely and bringing things to the right finish. Instead, the movie is too addicted to consciousness, a lot more than Transcendence did, and it is like one can never die as the same keeps getting transferred from one body to the other. The character of our dear robot never really gets to display the awesomeness, and the criminal characters are not really up-to the mark either. Along with reminding us of Transcendence, this one has its own Robocop elements to add to the same. It is a big surprise that still this couldn’t better than what it really is.

Performers of the soul :: Sharlto Copley gives voice to biggest performer of the movie, which is the one robot with its name as the film title. He was there in the same director’s District 9, Elysium and now this one – here in the non-human form for the first time. Hugh Jackman is good, but in a different avatar, and doesn’t impress at all times – still, makes a fine villain. Dev Patel is so natural in this movie, and as he plays the second most significant character in the movie after our own protagonist robot, does very well. This role seemed to suit him so well, and he manages it with ease. Yolandi Visser was nice in a special avatar, and Sigourney Weaver leaves no impact in her less significant role.

Soul exploration :: Chappie does focus so much on the soul elements. There seems to be questions asked, but none of them are direct, and the answers are never really there. There is the talk about making the robot which is more like a human, and also the transfer of human consciousness to robots as well as the consciousness of one robot to the other – they seems to get things working all of a sudden and keep doing the same without fail. The idea of the robot consciousness developing from nothing to a new thing is interesting, but one has to wonder if that was given enough significance in the right manner and was portrayed with enough attention to the details. It is like they speeded up a few things to reach the desired end, which is not what the viewers really wanted.

How it finishes :: Chappie doesn’t finish that strong as expected, and it leaves me with the thought that may be Cinderella or Focus might have been a better choice. They are still running though, and the choice stays. As the maker of District 9 and Elysium, this is another step downward for the director, Neill Blomkamp – it is also evident in the opinion of the critics. In the movie poster, they label Chappie as humanity’s last hope, but that makes one wonder if that really matches the movie. No, this robot is not really humanity’s last hope; there is no point at which he proves to be that unless you take a few characters as “the world” – yes, there are things that he can do, but in his absence, may be things would have just gone on and on. You can watch this one for the ideas, and not for many other things.

Release date: 20th March 2015 (India); 6th March 2015 (US)
Running time: 120 minutes
Directed by: Neill Blomkamp
Starring: Sharlto Copley, Hugh Jackman, Dev Patel, Watkin Tudor Jones, Yolandi Visser, Jose Pablo Cantillo, Sigourney Weaver, Brandon Auret, Anderson Cooper

chappie

@ Cemetery Watch
✠ The Vampire Bat.