Hey Jude

What is the movie about? :: Dominique Rodriguez (Siddique) and Mariya Rodriguez (Neena Kurup), are living a pretty good life with their children Jude Rodriguez (Nivin Pauly) and Andrea Rodriguez (Apoorva Bose) at Fort Cochin. They trace their lineage a long way back, as one of the most respectable Anglo-Indian families at the place. Dominique runs an antique shop nearby, and his skills in doing business depends on his ability to lie so well that he makes a usual thing a symbol of Dravidian world or the last piece of a part of Indian heritage that is not found anywhere else in the country – he sells them at high prices to unsuspecting foreigners who have a strange fascination for the orient, the fine pearls of the East, especially of India. But his son Jude is just the opposite, never able to lie, but more intelligent than anyone else around; at the same time, he completely lacks in any kind of social skill.

So, what happens with the events to follow? :: Jude has no friends in the city, and his co-workers make sure that he gets fired from his job at a hardware company. He spends his time collecting pictures of different aquatic animals – he has all the information about ocean’s creatures, and loves clown fish, jelly fish and gold fish and his dream is about owning a big aquarium one day. While his parents are worried about his future, his sister finds no hope in him, as he wishes to have food at the exact same time every day, and eats only the same food items all the time. He has a list for almost everything in his life, and talks to his video camera about each day about his thoughts. Twenty eight years old and being different from everyone around him, he has a tough time going through each and every day of his life. But he is not ready to accompany his father with the work.

And what follows next in the adventure? :: When Dominique has to travel to Goa to attend a funeral, things change. He has to take Jude and Mariya with him on the journey, leaving Andrea in charge of the antique shop. There, it turns out that Dominique and Jude have inherited everything which was owned by the dead person who had special love for the distant relatives. Now, the problem that Domique faces in selling the newly acquired property and traveling back to Cochin is Sebastian Chakraparambu (Vijay Menon) who lives with his daughter Crystal Ann Chakraparambu (Trisha Krishnan) in the outhouse which cannot be cleared as the building was rented for a period of five years. Dominique comes up with some plans to get rid of the new neighbours, but nothing works. At the same time, Jude and Crystal become good friends, but both have their own troubles in facing life.

The defence of Hey Jude :: From the first moments itself, you are sure that this is that kind of a light-hearted entertainer with messages for life, which will be developing slowly and steadily as the movie progresses. Hey Jude can be considered as the simplest and the most entertaining movie from the director who has known to provide us with strong philosophical side to ponder about. The humour is a clear winner in this movie, as it keeps dropping in all the time. All the characters in this movie are funny in one way or the other, and things never go out of control to bring a possible dark side. The funny side has us more and more interested in the proceedings, and with the grand visuals of Goa, all becomes good for this movie. The music is pretty good, and as it has been talked about, this is a lovely tale of love, self-discovery, healing and transformation. It gets into the list of inspirational movies which have made the big impact in the industry – we see the support for people to be who they want to be.

The claws of flaw :: The movie is kind of longer than one would have wanted it to be. Then, those who wanted Shyamaprasad to go into those deeper human emotions and situations are going to feel the need for more. One can feel that there has been the effort to make things a little too simple – it was surely not needed considering how far our audience could evolve from the time the first movie of the same director released. The movie could have also ended smarter and without a quick full stop. If you don’t like movies like North 24 Kaatham and Mili, and are unable to connect to the protagonists of those movie, you would have the same trouble here – well, some so called perfect people will always have problems with these kinds of characters, as they jump right out of the firmament with stored thunder in mouth; this one is not for that kind of people born with silver spoons and even golden forks in their mouths.

The performers of the soul :: Nivin Pauly surely has the most divergent as well as different character that he has had to play in his whole career, and he could manage the same with great skill. Meanwhile, Trisha makes her Malayalam debut here, and she does that with ease – it is surely surprising that it took her such a long time to be here, but as she is here, it is all good. Well, she has played a Malayali girl in Vinnaithaandi Varuvaayaa, making this not the first instance of being part of such a character. Siddique plays the father figure again, as we see him at his best just after watching him in Aadhi in the role of a responsible father – this one is actually more challenging, and his work is light-hearted as well as interesting. Neena Kurup is there throughout as the mother figure, and it is nice to see Apoorva Bose back in action; she was being missed. Vijay Menon plays a funny as well as powerful character present throughout the flick. Aju Varghese has a nice, funny cameo to his credit.

How it finishes :: Shyamaprasad is the one director whom we know the most for adapting the American classic expressionist play, The Glass Menagerie by Tennessee Williams for the Malayalam audience, and doing that with such skill, that Mahatma Gandhi University has included it in the paper, Comparative Literature for the final semester BA English students. Arike, which signified the exact opposite meaning to Akale, was another beautiful flick with its quest for love. Ivide with its quest for identity and reflecting rootlessness, was also with philosophical undercurrents. But Hey Jude is rather direct in all that it reflects on the screen, and it can be considered as the most light-hearted as well as the funniest movie from the director with messages to go with it. If you liked movies like North 24 Kaatham and Mili, I don’t see why you won’t watch this one with family.

Release date: 2nd February 2018
Running time: 146 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Trisha Krishnan, Siddique, Neena Kurup, Vijay Menon, Apoorva Bose, Aju Varghese (cameo), Shyamaprasad (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Aurangzeb

aurangzeb (4)

Talking about Aurangzeb, one has to wonder why this name for a movie which resembled Don and its remake in its first trailer shown in the theatres, but then you remember the Mughal Emperor who fought for kingship over kinship (“kingship knows no kinship” as declared by the movie itself in some of the posters), as the young emperor battled his brothers and also put his father under house arrest in the Agra Fort for the control of the throne; then after his formal coronation in Delhi, he does execute his brother, the eldest son and the heir apparent of Shah Jahan and his wife Mumtaz Mahal, Dara Shikoh – as it is recorded in the annals of history. But his striving towards achieving his aim, and his master tactics might have also been considered while giving this name to the movie. His continuation of warfare might be another thing – the desire to achieve more heights, as he built up a massive army for more and more military expansion throughout the boundaries of his already vast empire. He was among the wealthiest of the Mughal rulers if what is written about him is true. By 1690, Aurangzeb had territories stretching from the South to the Afghan area. But after his death, the empire built on blood and intolerance breaks apart, something which has to be considered with the kingship of this movie.

The movie starts with a quote from The Odes, a collection of Latin lyric poems by Horace a.k.a Quintus Horatius Flaccus, the famous Roman poet from the age of the first emperor and the founder of the Roman Empire, known to us as Augustus Caesar. I can’t bring myself to remember that quote, but here we have another emperor! Never mind, our story follows the illegal real estate developer Yashvardhan (Jackie Shroff) and his always pleasure-seeking arrogant son Ajay (Arjun Kapoor). Rishi Kapoor, Prithviraj and Sikandar Kher is one cop family and challenges the family of criminals in a battle which is more unseen than seen. The police department succeeds in capturing Ajay and torture him, while they send out Ajay’s twin brother, Vishal (Arjun Kapoor), to Yashvardhan to find his secrets and bring his empire down to earth from the sky which it has set as the limit. Vishal joins the crew and becomes an informer, with a desire to take revenge for his mother who had to run away from his father Yashvardhan due to his dirty deeds. Here, the two brothers create the idea of Aurangzeb – the king, who puts his throne, sceptre and crown ie kingship above kinship. But in another way, Arya (Prithviraj) is also Aurangazeb – the concept not being limited to one person. Even his family of police officers has interest in real estate and they are all businessman on the end of the day. They fight their own battles, and the result is clearly unpredictable with the high emotional element involved.

Prithviraj Sukumaran has come up with a simple, yet excellent performance. There was evidently no mistake when he was declared as the future of Malayalam movie industry, and now he has moved further north and extended his domain more than once. He has been both the most liked and the most disliked movie actors the Malayalam movie industry has ever seen, and there has been unnecessary controversies for sure. For the Bollywood audience who don’t know him, right from the beginning of his career through Nandanam to establishing himself as part of the elite class in Thalappavu, he had a good number of ups and downs in Malayalam movie industry, and is now at the zenith of his glory with Ayalum Njanum Thammil and Celluloid, which brought to him the Kerala State Film Award for the second time, after a gap of six years. Lets just forget Aiyyaa and consider this his Grand Hindi debut, as he is indeed leaving a permanent mark with this one. Along with these movies mentioned, if you need to watch more of his movies, I would recommend Vargam, Akale, Indian Rupee and Classmates, two of his interesting performances which also have their own entertainment value.

There are also a number of critically acclaimed off-beat movies, like Akasathinte Niram, Veettilekkulla Vazhi and Manjadikuru. City of God and Manikyakallu are also worth mentioning here. But still, there might be no other movie like Celluloid, and as watching it might also be a tribute to the Indian movie industry, I would recommend it the most – Prithviraj is also at his best there, and therefore it is a must watch for all the true lovers of movies. His presence in Tamil is also to be noted and he is there in Telugu too, even as I have not explored that much. His other release in Malayalam, Mumbai Police also seems to be running pretty good in the theatres. After having a bad patch, he is now back in full power, and he is slowly blending into that police officer role which didn’t seem to suit him in a number of movies which failed miserably, but has now become part of his new series of roles in more than one language. Prithviraj had the opportunity and the option to step up, and he has successfully done that. There shall be more of him in Bollywood too, there is no doubt about that.

For the people who are confused already, Prithviraj is not the hero and neither is he the villain in this movie. But he surely does more than one job, as a businessman police officer, as the saviour and upholder of the law, the husband who forgets to smile at home (even as he has a grin when dealing with crime) and finally, as the family man who does what is expected of him. The big screen presence might have actually come up as a surprise for both his fans as well as the common movie watcher. He also narrates throughout the movie, and has presence on the big screen very often. Thus he does something more than being the supporting actor here. His character is there from the beginning to the end, as if he is the one who watches everything. His character has his understandings and transformations, and none of them seem to put the actor out of ease. The role of the two protagonists belong to Arjun Kapoor does the two characters with so much ease, especially the more evil side – the other one is just fine. There is no doubt that he is among the best of the young talents and he has proven it once again through this movie. After his performance in the action romance drama Ishaqzaade, here he comes up with another treat for the viewers. So, here are two actors, doing their job very well.

Sashaa Agha, the daughter of the Pakistani singer and actress Salma Agha also makes her Bollywood debut in this movie. Other than being the gorgeous presence in the movie, the twenty one year old also sings in the movie, the song being well received already. Even if one has to wonder if she is a little uncomfortable out there and there is a sure confusion around, the plot would have run well without that character, and considering that, she has done more than enough. She has surely earned her spot to be there, and her bikini-shot has already made it to the trailers; her song video already watched a lot; her debut surely a great one which has touched the stars with the role in an Yash Raj Films production. In total, it should be a perfect beginning for her. Jackie Shroff is a solid presence in the movie and same is the case of Rishi Kapoor, both of them contributing with more of themselves than anything else. The two would seem to be on the sides of evil and good in the beginning, but later fade into a grey from which the roles would seem to be reversing a bit, even as none of them really gets out the greyness which engulfs them. The latter stands out as the mastermind and the visionary. The cast makes the movie mostly about performances rather than the plot or anything else, as they have all done a very good job.

Despite the rise of my new blog; http://divineepic.wordpress.com/ and a possible further development which awaits it, the movie reviews shall continue and the movies of the soul shall continue to influence the minds without any halt, as they form an integral part of the weekend which restores the soul from its low energy stage to the supreme stage. Aurangzeb doesn’t fall behind in doing the same either. We have loved Don, and this movie leaves us no option, but to like it for what it is. With all the thrills and action sequences, Aurangzeb leaves the viewers with another thing – a message about the importance of brotherhood and the divine superiority of kinship over kingship in a complicated simplicity as it adds a certain kind of “thrill of eventual goodness” to whatever might have been a game of blood otherwise. With a little more vision, it could have been a classic for sure. The last week might have belonged to space travel and zombies with one English and one Hindi movie, and the earlier week belonged to a shootout or rather an encounter, but this is undoubtedly the week of Aurangzeb – not the emperor of history, but the new king of this century. The new blog belongs to another world, not of the movies; but this one belongs completely to this one world of celluloid, even as it shall never be free from the effects of that outside world which decides more than what it can handle.

Release date: 17th May 2013
Running time: 137 minutes
Directed by: Atul Sabharwal
Starring: Prithviraj Sukumaran, Arjun Kapoor, Sashaa Agha, Amrita Singh, Jackie Shroff, Swara Bhaskar, Deepti Naval, Tanve Azmi, Rasika Dugal, Sikandar Kher

aurangzeb copy

@ Cemetery Watch
✠ The Vampire Bat.