The Last Mercenary

Vampire Owl: I thought we were done with the vampire mercenaries.

Vampire Bat: Vampires haven’t been mercenaries for a very long time.

Vampire Owl: So the last mercenary is not the last vampire.

Vampire Bat: Well, humans are the best mercenaries as murder is easy for them.

Vampire Owl: At least we have kept them away from the realm for now.

Vampire Bat: They are still very close to getting here through the portal.

Vampire Owl: I thought that the portal was sealed by the selected team of witches, sorcerers and the new necromancers.

Vampire Bat: Yes, but with the human greed letting them achieve more at all times, you never know.
Vampire Owl: Should I inform Doctor Frankenstein then?

Vampire Bat: Well, never inform Mr Frankenstein who always makes things worse.

[Gets a marble cake and three cups of iced tea].

What is the movie about? :: Richard Brumere (Jean-Claude Van Damme), also known as The Mist is a former secret service agent presently working as a mercenary, one of the best of his category during his time – he is forced to return to France, as his son with an Arabic woman named Farah (Ouidad Elma), Archibald Al Mahmoud (Samir Decazza) is falsely accused of arms and drug trafficking. Meanwhile, people are also looking for him to come back so that they can finish the trouble which is him. After getting back to Paris, he meets Dalila (Assa Sylla) who has been a friend. He realizes that someone is using the immunity that Archibald received from Richard, and there are weapons involved. It seems that someone named Simyon Novak (Nassim Lyes) was involved, and he had used this particular immunity. The police is preparing for Richard to come and try to free his son, so that they can shoot and kill him in self-defence. But he takes the unexpected path, and with the help of his former friends in the secret service, manages to get his son out of prison.

So, what happens with the events here as we just keep looking? :: The man who was taking care of Archibald, Fernand (Michel Cremades) is also dead. Archibald who is not ready to take that death, and also not prepared to take another father, doesn’t want to heard about Richard at all. Alexandre Lazare (Alban Ivanov) at the ministry seems to have something about the present situation. Then there is Paul Lesueur (Eric Judor) who seems to have even more in mind. His plans seem to go deeper than ever. Their plan is to kidnap Alexandre and gather enough information. But Archibald, wanting only to be known as Archie is not really the co-operating type. He is the one irritating child resembling his more irritating mother, the one who refuses to grow up, and doesn’t even take responsibility for his own foolish actions. They are basically up against a nation named Taarghistan, and those who support them are former agents who are basically too old for most of the operations. Can Richard and his team fight against all odds and be successful? At least Dalila and her brother seems to be confident about that. Well, lack experience brings more confidence, doesn’t it?

The defence of The Last Mercenary :: The movie focuses on both action and comedy at the same time, and it does manage to hold the two sides together. The focus here seems to be in making an entertaining journey with the usual comic-like spy, but not in a serious manner. The movie does bring some innovation into the usual stuff too. The memorable moments of the film including the protagonists driving a learner’s school car and the fight with two unsuspecting women guards wearing gold. Then there is the last fight which is kept funny, without losing out on style. Most of the performers also seem to be nicely chosen. The visuals are really good, and you never really get tired of seeing Paris on the screen – the big city which is on everyone’s list of places to visit, and another one of those places, most of us might never visit due to the big amount of money that people in this part of the world will have to spend to get there and enjoy the glory. Along with the humour during most of the time, the action is also effective, and this is the combination that successfully brings the entertainment here.

The claws of flaw :: The movie does get slow at times, as there are lot of unnecessary moments – it could have surely done without a few minutes; we do have the feeling that it has been stretched to become longer without any real need for the same. There is the humour for sure, but there are those foolish scenes which are rather too dumb to take. It is okay to make use of that to add to the comic side, but there is the need for some borders to be set. Having the high official on the road like a clown feels very much ridiculous. The son spends rather too much time in being irritating too, and some of the other characters here feel rather unnecessary considering how the movie progresses. Some of the dialogues feel strange rather than anything else. Even when taking it as a parody, there is rather too much here to keep us away from being interested in some of these characters. It could have also had some more of serious action from the protagonist, because we are always looking for that, considering what a big name he has been in the past – some people might be watching the film just for him.

The performers of the soul :: We see Jean-Claude Van Damme back here again, and he is one actor who wish to see coming back like Sylvester Stallone and Arnold Schwarzenegger – one among the three big action stars from the childhood. After all, he has been the Cyborg, Kickboxer and the Universal Soldier from those nostalgic times of childhood. Well, one would feel that he hadn’t really left, but none of his movies made it to the big screen around here for a very long time, except for those in which he was side-lined. He has that classic entry here too, even though there is never that big an action sequence for him to perform, with the movie never getting that serious. Well, he is never really short of the moments, as we look around. The one performer who seems to be of fine support here is Assa Sylla. At the same time, Alban Ivanov brings the comic side to a stronger level. Samir Decazza just goes along as the irritating son, and manages well for most of the time. Eric Judor has the villainy at work quite well.

How it finishes :: The Last Mercenary, as an action comedy flick, feels like a parody. We enjoy the world that the French setting brings us, as we still ruminate and be sad about the fact that most of us might never visit Paris, considering the fact that we will never have that much money to spare, visiting from this part of the world. Well, being the rich bourgeois from here seems to be a long way away, unless you are part of any reserved category or somehow land on a government job – being the politician is the next refuge. The enjoyable ride here adds to the list of action movies that has enough of the humour and action to keep it moving strong. It has Van Damme in action, and this is more or less like seeing some nostalgia coming back again like we had seen past coming back again like in Sylvester Stallone and Arnold Schwarzenegger. Escape Plan and Terminator: Genisys or Terminator: Dark Fate. Then there was The Expendables to have them all together. You are never that far away from the action stars you witnessed on the screen as a child.

Release date: 30th July 2021 (Netflix)
Running time: 110 minutes
Directed by: David Charhon
Starring: Jean-Claude Van Damme, Alban Ivanov, Assa Sylla, Samir Decazza, Eric Judor, Ouidad Elma, Miou-Miou, Valerie Kaprisky, Michel Cremades, Nassim Lyes, Oleksiy Gorbunov

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@ Cemetery Watch
✠ The Vampire Bat.

Oxygen

Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

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@ Cemetery Watch
✠ The Vampire Bat.

The Swarm

Vampire Owl: I can feel the presence of some vampirism in here.

Vampire Bat: You are not talking about vampire locusts, are you?

Vampire Owl: Well, all kinds of vampiric creatures are welcome to our realm.

Vampire Bat: I don’t think that locusts need any special welcome.

Vampire Owl: Everybody needs to be welcomed to the realm.

Vampire Bat: Except for the Corona virus.

Vampire Owl: Who is going to welcome a virus at this point?

Vampire Bat: We cannot be sure about that. Humans are crazy enough.

Vampire Owl: Humans can always be crazier.

Vampire Bat: You can trust them to do that every time.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: Virginie Hebrard (Suliane Brahim) is a widowed mother who has been unsuccessfully raising locusts for proteins, and it is not something which brings her favourable returns. Their family used to have goats around earlier, and her children, Laura Hebrard (Marie Narbonne) and Gaston Hebrard (Raphael Romand) are pretty much embarrassed by the business of locusts, with people ridiculing the same, including people at their school. As the locusts are not active enough, and with a lower level of health and reproduction among the insects, the family struggles to go on. Soon, she becomes more and ore frustrated, as people wouldn’t buy the locusts at even lower rates. As she trashes the locust enclosure and passes out there, she finds out that locusts are eating from the wounds on her arm. Soon enough, she finds out that the locusts are now more active, and lets the locusts feed from her wounded arm.

So, what happens with the events here as we just keep looking? :: Laura is not happy about how things have turned out though, as with everything going well out there and locusts doing better, they will have to continue to stay there. Her hope that they can finally sell the farm and get away from the place is no longer there. She tears open one of the greenhouses, leading for a swarm of locusts to escape. This escaped swarm would make sure that there would be enough supply of blood for them. That wouldn’t stop her from being more and more obsessed about the locusts. The need to feed them more blood comes to the picture, and she is ready to take further risks for the same. At the same time, all these affect her relationships with people around her, including her children. But is it too late for all of these to change now? How much more the locusts will take out of relationships and in the form of blood and flesh?

The defence of The Swarm :: The drama side of the movie is okay, even though they haven’t really tried too much with the characters. There is the feeling of melancholy that runs through the movie, and most of the characters do have a certain amount of the same. There is just enough CGI and gore to keep the interest going. The setting is very much suitable for such a story, and we know that this is even more possible these during the time of Corona virus pandemic, where there is always mutation and people also get to live more alone than ever, facing even more financial crisis than ever. This is not a full insect attack movie, and people will have to remember that while choosing the same – for those who are looking for such full attack films, there are others from the second half of the twentieth century which was never short of such horror attacks from different creatures. Otherwise, you do watch this one as a drama with some insect horror added.

The claws of flaw :: A problem with this particular movie is that it losses its power as a thriller and horror flick, and gives in to the drama all the time – whenever there is a chance to make this one a horror thriller, it goes down to the state of a common drama about a widowed mother looking forward to make a living by farming. Well, a single mother with two children and financial struggles always make drama rise over any other elements of any genre. There could have been more interesting moments related to locust horror, or at least have some connection to science fiction. The characters and their relationships are also not that much explored, especially that of the daughter who could have had some life at the campus, even if not a positive one. It is certainly not what you expect when you go to watch the film, and the ending is also not that strong by any means. You can see some horror ready to go through the rails, but there is never the green flag, as we see a hesitation to let it go, while the movie slows down and drags at times.

Performers of the soul :: Suliane Brahim handles the role of the widowed mother in grief, trying to make her business do better, quite well. The attraction and the later obsession to the locusts which are shown by her, has something unique about it, even though it should have had more terrifying images than she presenting her body to feed for the insects in between – imagine the amount of horror which just that idea could have brought, but has been missed. Marie Narbonne is a lovely addition to the movie, and she plays the confused younger sister who hopes that things can get better if they leave the locust farm and home attached to it. The melancholy that she goes through is reflected on her face at almost all times, and the way she looks at people even with smiles, reflects a certain amount of sadness. Raphael Romand’s character remains a memorable one too. The one character who stands apart is Sofian Khammesas’s, as he plays the man who is always willing to help, a rare one during this age without faith.

How it finishes :: It is still a thing of wonder that this movie doesn’t redeem itself with thrills and horror when there was so much of an opportunity. While the drama goes on, the other elements lag, even though we feel that it scores a family adventure throughout most of its stages. It is the kind of movie which has the elements to confuse us about the genre in which it stays. One would feel that it could have worked even without focusing on the locusts, and maybe even after replacing them. It would have done fine enough by growing some of the more common things in the farm, as we look at them. On another day, this could be a full-horror movie with insect attacks, a thriller which has a family hunted, or a science fiction flick with mutated insects bringing something further terrifying. But it chooses to focus on the drama, and it suits one kind of audience much more than the others. As we are now in fear of the next mutation of the virus and wonders if everything has to go back to lockdown again, enjoy this one outside the theatres.

Release date: 1st August 2020
Running time: 101 minutes
Directed by: Just Philippot
Starring: Suliane Brahim, Sofian Khammes, Marie Narbonne, Raphael Romand, Nathalie Boyer

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@ Cemetery Watch
✠ The Vampire Bat.

Rogue City

Vampire Owl: A rogue city is what we can call a city belonging to the werewolves.

Vampire Bat: You are classifying a whole species into rogues.

Vampire Owl: I think that this should have been done as a declaration a long time ago.

Vampire Bat: Vampire Elders have been against the same since last war.

Vampire Owl: They can say anything, as they are too old to take a strong stand.

Vampire Bat: We cannot devalue the werewolves that much.

Vampire Owl: We have done that for zombies, and so we can do the same everyone.

Vampire Bat: Well, not for the witches, for we can never do that.

Vampire Owl: Yes, I know. It is never the good time to blame a witch.

Vampire Bat: At least we get to agree on one thing in the end.

[Gets a French Naugha cake and three cups of masala tea].

What is the movie about? :: Marseille is caught in the middle of gang wars, as there is something dreadful happening at all times. There are drug deals, smuggling, murders and robberies related to these gangs, which has put a lot of pressure on the police force. A new police chief arrives, and the risk for the police force has never been this high in an already dangerous city which cannot afford mistakes from the side of cops. There are always talks about honour, honesty, courage and other qualities along with quotes from the Holy Bible and other literature, but none of these matters as there seems to be a war going on at all times, sometimes directly, and at other times, hidden for normal view. There is no love, but there is war, and everything seems to be fair in that, and one often wonders which side a person is on, or who is at risk of being killed by which gang. To this uncertain future of violence, a few people seems to be able to make some changes.

So, what happens with the events here as we just keep looking? :: Soon, there is a shoot-out at a party, and Mario Costa (Moussa Maaskri) who is in charge of the investigation fakes a report that the man whom they got in custody attacked him, and was shot dead in the process. At the same time, there are rumours about top secret information being provided to the gangsters by some corrupt police officers. The people who were killed in the shoot-out were part of an Arab gang who were trying to increase their influence among the territories of other gangs. They hope to find out what the dead man was doing in the club, and a determined officer Richard Vronski (Lannick Gautry) is determined to find out what really happened with the shooting, and he also hopes to find the rat in the police force and deal with it himself rather than waiting for the superior officers to make a move. But it seems that all of these is bigger than them, and they might be fighting something which they don’t really know that well.

The defence of Rogue City :: There seems to somewhat a realistic mode being followed in this particular movie. We have a city in France that has gangster infestation, and some of the police also takes sides, leading to so many gunfights between the sides. There is a lot of action that goes on here, and most of it is related to gunshots between police and gangsters, as well as in between them. There are also some twists related to the same being added here. It also maintains a certain amount of the dark mood here, as almost everything about this movie is grim, and that close to reality. The visuals of the city are beautiful, and even in the darker shades of the nights, they have our attention. It does remind one of some of the films set in other parts of Europe with terror awaiting in the streets. The melancholy feeling runs through here, and the same never leaves the film behind. The actors and actresses nicely get into the scheme of things.

The claws of flaw :: The film does provide the feeling of not being polished enough, and it moves on in a rather raw state. It doesn’t provide that much focus towards the thrills and twists when there was so much of chance. The film also moves in a slower pace than one would expect it to. With a shorter run-time, maybe it would have worked better, as some of the scenes and dialogues pass on as the extra thing rather than anything else. The characters that we have here are also not given that much of a depth, and some of them seems to be there to fill up the spaces more than anything else. There is surely more talent and more opportunities here to be explored. The ending is also not that satisfactory, as if all these had to come to this for no real reason. This film really needed to know where to stop, but it goes on adding something or the other, seemingly because there was the feeling that a little more is needed.

Performers of the soul :: Lannick Gautry plays the main character, and indeed the most solid one among the police officers as well as the gangsters. This is the one character who has that kind of a determination which we associate with some of the tragic heroes we have come across in our own films here too. David Belle is the most noticeable actor here, and we remember him the most in Brick Mansions where he combined forces with Paul Walker. But for some reason, his special physical discipline and fight technique of parkour is not used here – the same could have added a lot to the film, and changed the action scenes completely in a stylish manner. Barbara Opsomer is the next person to catch our attention – she is there in the background for most of the time, but has a big influence on the scheme of things as it nears the end. We remember Jean Reno the most for that funny role in The Pink Panther, and he has a solid presence here, and so does Moussa Maaskri. Jeanne Bournaud, Stanislas Merhar and Kaaris, all has something notable to leave for us.

How it finishes :: Rogue City, also known as Bronx has another crime thriller drama going on well with it possesses. It could have used its elements to create a better effect, which it doesn’t, but it remains pretty much solid and realistic during most of its run-time. For those who are interested in this genre, this will something of higher significance. After all, these are the days in which the value of human life is priced at a much lesser amount. With Corona virus on one side, and the even more lethal humans with no remorse on the other, we need movies like this one as a reminder. We had seen a different version of younger gangsters in the Italian film Piranhas, and this one is the more advanced, darker version, also resembling the Spanish film, Adios. There is no change in the basic idea that Lord of the Flies had provided us long ago though, for the inherent evil always has a big enough role to play, and people tend to move too much into the dark grey area.

Release date: 30th October 2020
Running time: 116 minutes
Directed by: Olivier Marchal
Starring: Lannick Gautry, Stanislas Merhar, Kaaris, David Belle, Patrick Catalifo, Jean Reno, Claudia Cardinale, Catherine Marchal, Erika Sainte, Barbara Opsomer, Ambre Pietri, Jeanne Bournaud, Moussa Maaskri, Francis Renaud, Gerard Lanvin, Eriq Ebouaney

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@ Cemetery Watch
✠ The Vampire Bat.

Meander

Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

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@ Cemetery Watch
✠ The Vampire Bat.

Atlantics

Vampire Owl: Have you tried flying over the Atlantic Ocean?

Vampire Bat: Why would we do that when we have so many portals?

Vampire Owl: Do all these portals serve as gateways now?

Vampire Bat: Not everyone. But the rest are also being repaired by Doctor Frankenstein.

Vampire Owl: I don’t know why you keep calling that inefficient person for repairs.

Vampire Bat: Well, you don’t get many undead doctors with multiple skills.

Vampire Owl: But most of his qualifications are fake, and I am sure about that.

Vampire Bat: I don’t think that all of these will be important related to this movie.

Vampire Owl: There seems to be something strange about this film though.

Vampire Bat: It is not set in France or even Europe, and that does make a difference.

[Gets a strawberry cake and three cups of cardamom tea].

What is the movie about? :: In a popular suburb of Dakar, the capital and largest city of the African nation of Senegal, people are forced to work on the construction site of a futuristic tower, without payment even after long hours of continuous toil. The high-rising ultra-modern tower is exactly the opposite of the rest of the city which is seen around there. The tower keep getting taller, but there is no hope for the people working there, as they go on for days without getting paid the proposed wages. As there is no hope for people like them, the only option remains running away from there and finding a job elsewhere, maybe in another nation. Adding to that, the climate change has led to a consistent decline in rainfall and a certain increase in temperature. The climate change and further environmental concerns also greatly impact the very weak economy and the already struggling population. The city no longer remains an option for the young man Souleiman (Ibrahima Traore) who is in love with the charming young lady, Ada (Mame Bineta Sane) who is from the same neighbourhood.

So, what happens with the events here? :: The workers decide to leave the nation by sea, in search of a brighter future in Spain, and Souleiman accompanies them so that he can come back and try to marry his lady love who is to be married to Omar (Babacar Sylla), a rich man who seems to be the better option for Ada in the eyes of everyone. Ada’s family has almost everything set for the big function, which they hope to arrange in a few days. Spain is quite far away, and it is to be a tiring and risky journey, but that doesn’t hold Souleiman back from making the choice. Ada is highly disappointed about the fact that Souleiman decided to leave without giving her an idea. Her friends like Mariama (Mariama Gassama) does try to console her, and even for her friends, Omar is the right person for her, while Souleiman is just a hindrance in front of her objective of marrying the right man. But would he choose to wait for him for years instead of getting into wedlock? Would that be the right decision, or is it something that would go as far as eternity?

The defence of Atlantics :: There are two sides to this movie, one being the social commentary which is not far away from life, and the other one is something which you wouldn’t expect from a movie like this, a supernatural drama which is rather unpredictable. Unlike what the posters seem to suggest, this is a movie which cannot be restricted to such smaller displays. The problems of poverty, unemployment, class divide, forced migration, lack of hope and many others are shown in the movie, even though they are not always staying in the front. The visuals feel different, and beautiful even in the absence of any spectacular scene being made. We do feel the culture of the area, and there is also that feeling of inherent terror of not being among those who are supposed to be born into the advantage. It also reminds one of the 2013 Tamil movie, Maryan, the Dhanush starrer set in Kanyakumari and parts of Sudan, which had the habit of growing on you, after watching the same, a reminder that the tale of the subaltern remains the same at all places.

The claws of flaw :: You do have so much scope as far as this movie with such a setting is concerned, and the movie doesn’t use its core elements well enough. It is also quite slow, especially in the beginning stages. There was enough with this idea to speed up things, but the movie decides not to take it. The handling of pace would have a much bigger role to play inthe middle stages of the flick. The idea itself could have been clearer, and it might have helped to add some extra polishing here, but the movie doesn’t use the same either – you feel that there could be something bigger at moments, but that is not provided here. They could have also made sure that the story-line made more sense for everyone. The strange feeling of this movie might not be interesting for everyone, and it makes very much a subjective experience leading to polarised opinions among common men despite winning it completely with the critics. It is also quite surprising that their possible destination is Spain, as the location makes it a difficult place to reach by the sea.

Performers of the soul :: The cast is an unknown one, even for us who watch a lot of movies, including English, and those multiple foreign languages. But it is to be noted that they are often better than most of those so called superstars who are sons and daughters of those bigger superstars who bring them into the movie industry just because they can do whatever they please – the terrible plight of Bollywood; but here, we have a skilled cast. Mame Bineta Sane who plays Ada leads the way with ease here. Amadou Mbow also follows the procedure well to make his role memorable enough. The characters played by Aminata Kane and Mariama Gassama are also memorable as you look at them. Babacar Sylla as Omar makes a usual character which you see in the romantic movies with separation as a major theme, and he does his job quite well. In this movie, you feel more or less like the setting itself becomes a character, especially the tower and the sea, which reflects the human situation there in an interesting manner, as you look deep.

How it finishes :: As a movie which was selected as the Senegalese entry earlier for the Best International Feature Film at the 92nd Academy Awards, this movie does make a pretty good impact, as it already did in the Cannes Film Festival. It is also said that the former United States President Barack Obama had named this film among his favorite films and television series of 2019 in Twitter. It would be difficult to bring the supernatural even in the normal situations, and this one tries to do the same against all odds in a situation which is based on multiple real life themes, but manages to come through well enough in the end. You are sure to feel that there is more than what meets the eye, as far as this movie is concerned. It is surely not your usual kind of film, and this divergence definitely sets it apart. This is the time when we celebrate the variety, and for the same, the movie becomes the kind of flick that one should watch and take the ideas back home.

Release date: 29th November 2019
Running time: 106 minutes
Directed by: Mati Diop
Starring: Mame Bineta Sane, Amadou Mbow, Nicole Sougou, Aminata Kane, Traore, Coumba Dieng, Ibrahima Mbaye, Diankou Sembene, Abdou Balde, Babacar Sylla, Arame Fall Faye, Ya Arame Mousse Sene, Babacar Samba, Astou N’Diaye, Khouda Fall

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@ Cemetery Watch
✠ The Vampire Bat.

Proxima

Vampire Owl: Have you heard about the vampire team planning to travel to Proxima Centauri?

Vampire Bat: No, such a plan was discarded after Doctor Frankenstein created a portal and ended up being crazy for three weeks.

Vampire Owl: It is depressing, because vampire space travel was only beginning to get popular.

Vampire Bat: You could have some temporary relief by watching a movie on space travel.

Vampire Owl: This one seems to be drama and not really science fiction.

Vampire Bat: Drama is more close to life than science fiction as far as humans are concerned.

Vampire Owl: I wouldn’t disagree with that statement. They always create some drama.

Vampire Bat: It is also the one reason why humans stopped evolving.

Vampire Owl: I do feel that they can still evolve like some of the alien species which we had met while traveling through one of those portals.

Vampire Bat: Well, lets see how far they can go and fight their own upcoming extinction.

[Gets a carrot cake and three cups of masala tea].

What is the movie about? :: Sarah Loreau (Eva Green) is preparing herself for a one-year mission aboard the International Space Station, after different stages of training on Earth, and a final quarantine which would follow. She is very excited about it, as she finally had the chance which she was waiting for, throughout these years. She had kept so many things away just for this special opportunity which rarely comes to her field. But her daughter Stella Akerman Loreau (Zelie Boulant-Lemesle) is certainly not even close to being happy about it. She does like the idea that her mother is going to the stars, but hates the fact that she has to leave her for such a long period of time, first out of the nation and then far away from Earth itself. This would mean that Stella and her cat would have to stay in a new house in a new neighbourhood in a distant city, with her father Thomas Akerman (Lars Eidinger) as the parents had separated, despite falling in love while working at the same space agency.

So, what happens with the events here? :: But things have to go as planned, and they have to follow the procedure, as she has qualified with great difficulty, and now there will be no replacement in her place. Sarah leaves for further training, much to the dismay of Stella who is left to adjust with the new home and the new school were she keeps struggling with Mathematics and also in making new friends, being a new loner. At the same time, Sarah has some initial struggles with keeping up, and her colleague from the United States, Mike Shannon (Matt Dillon) considers her to be more of a space tourist, as he is a war veteran who has served in Irag and Afghanistan. But he does appreciate her hard work as time progresses, but as she develops an infection in a new wound, Sarah has further struggles to go with. At the same time, the bond between the mother and daughter which was very strong and special seems to be having some cracks here and there. Now, Sarah has to keep up both her lives going, and it is a question whether she can do the same.

The defence of Proxima :: As one would expect, the movie thrives in the work of Eva Green, who excels as the astronaut mother who struggles to keep the two sides of her life going. The movie serves as a reflection of anyone who is trying to seek new heights, but cannot let go of the old world to which the person belongs to. The training sequences are nice, and the emotional moments are all in control, with everything safely handled by Eva herself, for this is her movie. As the movie was shot in different original training facilities of the European Space Agency, everything feels more real, just like the feelings. The movie’s progress is also steady, even though we are given the idea of what to expect in the beginning stages itself. As the movie chooses to go realistic over everything else, we do have the interesting family drama which depicts the mother-daughter relationship without much of a trouble. In the same, there is quality guaranteed.

The claws of flaw :: Proxima had scope to be something more, with both its dramatic side and it could have been an action thriller of a lesser level too, with more twists being added to the training sessions and time of quarantine. People who are looking for some science fiction are going to be disappointed, because the same is not there, and we can say the same about the action and thriller side too. It could have also had more of emotional moments together, and there could have been more of bonding scenes between the astronauts in the facility. The fact that it keeps changing the language in between is a little bit strange, as it remaining a French movie with English subtitles would have been fair enough. It could have also used some flashback to add to the tale, because our protagonist here does seem to have had a long interesting past. If it had used all the elements perfectly, there was chance for a flawless film here, but Proxima does come somewhat close.

Performers of the soul :: With birthday on the 6th of July, it is a good time to give Eva Green some lovely birthday wishes, as she is one actress who has been special throughout her career, reminding us of some fine roles which she had played so well – this movie is not that much of an exception in that case too. The lovely actress has that kind of movies in her list which I have loved to watch, with the last few being my personal favourite Dark Shadows, the grand sequel 300: Rise of an Empire, the much different Sin City: A Dame to Kill For and Miss Peregrine’s Home for Peculiar Children to be added to the list. She is fantastic in this movie, and we see the emotions running wild on one side, and the determination of the character on the other – Eva is delightful to watch in this film too, and she carries the movie on her shoulders with so much of ease. Zelie Boulant who plays the daughter also comes up with a fine performance. Matt Dillon does a fine job in the supporting role too. The rest just working along, as this one is indeed the Eva Green show from the first moment to the time when the credits starts rolling.

How it finishes :: It is no surprise that Proxima‘s biggest asset is Eva Green, and the same is reflected throughout the flick, with the focus never really shifting from her, as she brings the magnificent performance to elevate this movie to where it would have been, with another actress in her place. But those who watch this movie should note that it is not science fiction unlike some idea being given here. As the movie stays as close to a realistic world as possible even with an upcoming space travel, Proxima does deliver a strong drama which works with the mother-daughter relationship very well. It is the kind of movie that one can choose to watch during Eva Green’s birthday week, and the French actress’ work is reason enough to go for it. If you are going for science fiction in space or other planets, we do have those other titles, and expecting a Gravity, Interstellar or The Martian in this case will be wrong, as the tendency will be there as people see the lady wearing the spacesuit on the poster, but that is just one side of the tale.

Release date: 27th November 2019
Running time: 107 minutes
Directed by: Alice Winocour
Starring: Eva Green, Matt Dillon, Zelie Boulant, Lars Eidinger, Sandra Huller, Aleksey Fateev, Nancy Tate, Svetlana Nekhoroshikh, Anna Sherbinina, Vitaly Jay, Lionel Ferra, Manuela Aguzzi, Gregoire Colin, Trond-Erik Vassal

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@ Cemetery Watch
✠ The Vampire Bat.

15 Minutes of War

Vampire Owl: This is till longer than our last war against the werewolves.

Vampire Bat: That was not a war, but an ideological difference problem.

Vampire Owl: Okay, then what about the war against the zombies?

Vampire Bat: There has never been a direct war with the zombies.

Vampire Owl: You are denying the existence of life-threatening situations.

Vampire Bat: I am only denying its status as something it is not, and not its existence.

Vampire Owl: Okay, what is this particular war about?

Vampire Bat: The movie itself is about a hostage situation and not a war.

Vampire Owl: It seems that nobody got time for a real war.

Vampire Bat: Yes, everybody is busy with the war against the Corona virus which seems to be a long and tiresome process.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: In February 1976 in French controlled Djibouti, a school bus suddenly sees a number of gunmen and is taken hostage. After continuing to drive to the border of Djibouti attempting to cross the Somalian border, only to be stopped just before that, as the border security forces of Djibouti shoots it on the wheels, leading to them to halt just before the border, with the Somalian forces looking on from the other side, ready for anything including a full shootout with their neighbours. A negotiation doesn’t seem to be possible, as they intend to take the bus to the other side of the border. The terrorists won’t show any mercy as they don’t care about the children at all because they are white, and are most probably all French. They would be happy to see some of them dead, and didn’t care if the kids are hungry or not. This creates a crisis on both sides of the border, with each second being important.

So, what happens with the events here? :: Francois Simon (Claudio Dos Santos), the bus driver is asked to inform the military and police that any attempt to come near the bus will lead to the death of the kids. Jane Andersen (Olga Kurylenko), one of the teachers of the students’ class rushed to the scene evading the barricades, and asks the terrorists to let her help the children, as they let her stay on the bus as long as she doesn’t create any trouble there. This becomes a crisis which is to be dealt with extreme care, as the life of children are at stake. Groupe d’intervention de la Gendarmerie nationale a.k.a GIGN, an elite police force from Paris specialized in counter-terrorism and hostage rescue reaches there with the intention of freeing the school bus with zero hostilities among children. They are lead by Andre Gerval (Alban Lenoir) who decides to hide behind the rocks around the bus, and wait for the signal from Paris. But will that be coming in time?

The defence of 15 Minutes of War :: It has to be noted that the movie doesn’t even take fifteen minutes to begin the initiation of action with the school bus abduction happening so early. The situation of the hostages and the terrorists are presented well, and the movie is always in control regarding the same. Saving innocent children from terrorists and criminals never really loss its value in movies, for having little kids in the captivity of cruel, remorseless men with guns is something that has everyone tensed, even those who do not care about the movies of this genre. The location has some nice visuals with the shades of the sand having one green bus in the centre. The action is all nicely done, and the tension has been built really well. The final shooting is something which has us at the edge of the seat, and as there is a large amount of uncertainty in play here, 15 Minutes of War has us hoping for the special skill or at least the miracle or luck to help the kids.

The claws of flaw :: Most of the big action, as said in the title is limited to the last fifteen minutes or rather been ten and fifteen minutes here. The movie doesn’t really rush around here, and there is a certain amount slowness that we can find, as it changes focus towards people outside the bus a little more than expected – it should have kept more within the bus unless there were some plans being made about the possible attack on the bus to kill the terrorists and free the children. There are movies which have dealt with the hostage crisis even better, when we look back further, and they had all focused more on where the hostages were held, and in this case, that was even more needed. Some people can choose to be on the side of the terrorists citing reasons from the past, but anyone who holds children at gunpoint to get what they want can only be pure evil, and someone creating terror on the innocents will be called by one name only.

Performers of the soul :: When the Olga Kurylenko is attached to a title, you feel that it could be an interesting thriller, for the Bond girl from Quantum of Solace has been a name associated with some of the most entertaining titles. From the video game shooters made into cinema like Hitman and Max Payne, to Centurion from the past and Oblivion in the future, both history and science fiction had some fine movies for her. Johnny English Strikes Again had her with the gun in a different way while The Courier had her back to action thrillers. We now await more of interesting titles with her in the lead, like The Translators, Empires of the Deep and The Bay of Silence, all supposed to have their own dosage of thrills. If you go in between, you will see Mara and The Emperor of Paris. So, there is not doubt about her skills in movies like these, and she continues her fine form. Alban Lenoir is the next one to catch our attention, and he is very good here.

How it finishes :: Originally titled L’intervention, the movie makes another fine French war thriller which will catch your attention by keeping the tension going, with a thrilling beginning itself. Well, when you see a school bus with white children in what seems to be an African country, and you have also seen that this is an action movie with a hostage crisis right in the middle – that is a heads up with only a few seconds advantage, as the movie takes you on the bus with the children so well. There has been the absence of movies featuring hostage crisis well enough, and this one does manage to solve that absence up to an extent. This is also among the three movies of Olga Kurylenko which I watched in the recent past, and I have to say that all of these have been eight plus out of ten movies for me, and that would make me consider the leading lady as one safe bet as far as movies are considered, both English and French in language spoken.

Release date: 30th January 2019
Running time: 98 minutes
Directed by: Fred Grivois
Starring: Olga Kurylenko, Alban Lenoir, Kevin Layne, Michael Abiteboul, Sebastien Lalanne, David Murgia, Guillaume Labbe, Vincent Perez, Josiane Balasko

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@ Cemetery Watch
✠ The Vampire Bat.

Sibyl

Vampire Owl: I have heard that name before, and not just once.

Vampire Bat: Yes, if you go back in history, sibyls were oracles in Ancient Greece.

Vampire Owl: They had prophesied at holy sites of Greece, right?

Vampire Bat: Yes, and their prophecies were supposed to be influenced by the gods.

Vampire Owl: I guess that they also lead to the foundation of many great cities.

Vampire Bat: Yes, because they go a long way back, with Heraclitus mentioning them in the 5th century BC itself.

Vampire Owl: Well, when gods speak through these women, you are forced to accept that it is the truth.

Vampire Bat: What they spoke were also collected in Sibylline Books. The Romans had them.

Vampire Owl: I have seen them at other places too, I am sure about it.

Vampire Bat: Michelangelo shows five sibyls in the Sistine Chapel ceiling. There are other similar art works, and has references in the works of Shakespeare. It is to be seen how this relates the movie here or if it is just a name used for the sake of it.

[Gets an marble cake and three cups of cardamom tea].

What is the movie about? :: A popular psychotherapist Sibyl (Virginie Efira) decides to quit her job and become a famous writer as she always wanted to. Her job no longer interested her, and work satisfaction gets to zero despite her patients feeling otherwise, not being able to continue without her expertise in their lives. As Sibyl begins to turn away patients, she has a lot of time, but no inspiration, reaching the writer’s block earlier than she had expected. It is why when she gets a call from Margot (Adele Exarchopoulos), a young new actress caught in a dramatic affair with a popular actor, Igor (Gaspard Ulliel) in the same movie, who is living with the film’s director Mikaela Sanders (Sandra Huller). This seems to be a complicated enough tale for a story as far as Sibyl is concerned, just like the newspapers finding entertainment from the lives of these celebrities who make news from the dress they wear, places they visit, food they eat and the people they meet.

So, what happens with the events here? :: The celebrity life becomes something special for the new writer, as far as entertainment is concerned, as she asks Margot about the minute details of their life, and records them using her mobile phone’s sound recorder to listen to the same later. Becoming further interested and immersed in Margot’s life, Sibyl begins to use Margot’s life as the main source material for her novel, finally seeming to get the inspiration and ideas that she always wanted, and at times, it also reflects moments from her own life. But where will that lead her, Igor and Margot, as Sibyl also has a one night stand with Igor while trying to help them to focus on the film instead of being uncomfortable with each other? None of them are really happy as they try to move to the end of shooting schedule because the film has already been delayed enough for different reasons. Now one has to wonder if it is the movie or the novel that completes first, whether it is the releasing or publishing that will bring the people earlier – Sibyl and Mikaela would definitely want things to speed up.

The defence of Sibyl :: Here we have a complex movie which has elements that go deep into a person’s eventful mind. The main character, even though specialized in dealing with such minds, is not a strong enough person in herself. As the complicated psychologist, the confused writer, the lustful lover and the struggling mother, all of these going safe with the leading lady who plays the main character, the only thing that the movie and the rest of the characters need to do is to follow her. She has easily risen above the level of the whole movie itself, as she is as much natural as she is a complex personality. There are questions about relationships and professional life, as well as love and career, as people struggle to keep both going in the same pace. There are a few dramatic, emotional and romantic moments which stand apart, and we have other moments which come as a mixture of different feelings. The visuals of France are very good as expected.

The claws of flaw :: There is no doubt about the fact that Sibyl does drag right from the beginning. The slow pace comes on to pull it back a little bit, but we can go past it eventually. The beginning itself was not that great, and the interesting moments takes a little bit extra time to come on the screen. Adele Exarchopoulos who was part of Blue Is the Warmest Colour is also not used well enough in this movie, and she deserved a role close enough to having a similar interest as the main character here. The twenty six year old actress earned such international attention and critical appreciation for that role, that being in a drama movie like this one, she could achieve even more. Adele is indeed that kind of a performer, and she is forced into the shadow of the main character here. The film could have also had some more action in between, and we are left with needing even more.

Performers of the soul :: It is Virginie Efira’s performance that elevates this movie to another level, and we can be only glad that we could witness he same, as it has many sides to it – she plays a character having so many sides, and all of them are indeed interesting. The forty three year old actress brings both experience and style into this movie, and it has to be noted that she looks at least ten years younger in this movie, as there is a certain amount of youthful vivacity in her, and this enthusiasm catches our attention more than anything else. Playing a complicated character like this required quite some skills. Adele Exarchopoulos is more or less known for Blue Is the Warmest Colour, a movie which has been known for its controversy, but was appreciated more – yet, it has to be noted that she doesn’t have that much of a work to do here while Virginie scores highly with each and every moment she is on the screen. But she remains close to her character, and so does Gaspard Ulliel. The rest are just smaller parts of the movie’s proceedings.

How it finishes :: Unlike the other French movies which I have reviewed on this page, this is one film which provides us with the feeling that it is clearly not American or British – maybe, the French feeling is there throughout it, somewhat the same being already there in Portrait of a Lady on Fire which made us feel the same less because it was more or less historical drama. Sibyl is not the kind of movie that everyone would love to watch with a psychotherapist with a complicated past trying to write a novel in which the characters who are from real-life, and they also have some similar problems. There is also the question about the meaning of life being asked, as many events happen with hope not being the strongest thing. The movie makes an interesting slow journey through the lives of these people, who become more or less like the common people rather than the big complex personalities which they seem to be in the beginning, and the movie comes to a simple end.

Release date: 24th May 2019
Running time: 100 minutes
Directed by: Justine Triet
Starring: Virginie Efira, Adele Exarchopoulos, Sandra Huller, Laure Calamy, Gaspard Ulliel, Niels Schneider, Paul Hamy, Arthur Harari

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@ Cemetery Watch
✠ The Vampire Bat.

Anna

Vampire Owl: There is nothing more interesting than a spy thriller.

Vampire Bat: Do you remember The Man from UNCLE?

Vampire Owl: Yes, that was one of my favourite movies of that time.

Vampire Bat: This one is a very serious movie in comparison though.

Vampire Owl: I have heard that this is partially Russian, French and American.

Vampire Bat: Well, there is more to this movie than what meets the eye.

Vampire Owl: Can Anna be a John Wick or Hitman with the gunfights?

Vampire Bat: Well, we are going to know that with clarity, soon.

Vampire Owl: Still, my favourite Anna names have been Anna Kournikova and Ana Ivanovic without the extra N.

Vampire Bat: This Anna should make an impact too, even for the vampires.

[Gets a vegetable puffs and three cups of masala tea].

What is the movie about? :: During the time period between 1985 and 1990, the tension is high between the United States of America and the Soviet Union, as CIA and KGB try to prove the quality of their work in the final few years of the Cold War. At the same time, Anna (Sasha Luss), is a young Russian girl whp has been the victim of domestic abuse, being abused both physically and sexually by her husband, Piotr (Alexander Petrov). The man is a criminal and a drug addict, forcing his wife to become part of his illegal actions while wasting no time in making her feel as his property – she would do anything to get out of her situation. One day, after a failed attempt to take money from an ATM using an American tourist’s card and shooting at police, he attempts to leave the city with her, only to be stopped by Alexander Tchenkov (Luke Evans) who murders Piotr and offers Anna a job at the agency for five years, as he was impressed by her earlier profile and background before she became enslaved at her present situation with her husband.

So, what happens with the events here? :: Her father was earlier in the military force, and she had also tried to enlist into the navy. With the problems created by her husband looming over her, she agrees to Alexander’s offer and serve the country in a different way in comparison to her father, and joins the training. Later, we see that she becomes an undercover agent, after selling dolls in a marked in Russia, and later being taken to France, becoming one of the top models in Paris. As a part of her cover, she also pretends to be in a relationship with the lesbian model who worked with her, Maude (Lera Abova). She does manage to assassinate her target Oleg (Andrew Howard) who had revealed to her something which KGB wanted to hear, the revelation ending up as the reason for his death. Leonard Miller (Cillian Murphy), a CIA agent does get some clue of her involvement in the murder, but he lets him go at that time. But there is something else happening in the background – what could that be?

The defence of Anna :: There is no doubt about the ability of this movie to thrill, as it has a large number of twists in store – you rarely see what is coming, as at one moment you see something and think about it, but the very next moment, you are up for a surprise. The action sequences are really good, reminding you of movies like John Wick and Hitman among the others, and you love how well the leading lady has handled everything around here. The tale does have something to keep us interested at almost every point, meaning that there is no dull moment at all. There are also some beautiful visuals set for us here, and we watch the wonderful action take place in different nations in the middle of all that magnificence. There is one final action sequence which is so long, and the protagonist going on shooting people – it is impressive, and so are many other sequences which catch our attention, while staying with us, especially the fans of genre.

The claws of flaw :: Anna has a little more flashbacks than one should want it to have. They also come up at a time when you are not expecting them, and are not needed, making it not that easy to follow the movie in the way it should be followed. The problem it creates affects the timeline more than anything else, and we are confused about what happened before which incident – we just cannot keep track of everything which has happened in the timeline, because there are so many of separate incidents, and when you squeeze something from another point of time into the world when something interesting is going on, there is a certain loss of control. The movie should have done very well with everything going in a straight line, with one or two flashback sequences. It could have also used a little bit of humour which was there to be taken on a number of occasions, but the movie avoids it to go back to its usual pace.

Performers of the soul :: Sasha Luss as Anna Poliatova does a fantastic job as the femme fatale, assassin and the spy who works as a model when she is undercover. As she is really a Russian fashion model in life, it seems to work well for her, and as the assassin, she is perfect too, without feelings as she shows almost no regret after the murders. The one person who seems to match her in such action is Olga Kurylenko, the Ukraine-born model who moved from Russia to France just like the main character here. Luke Evans who had slain the dragon in The Hobbit: The Battle of the Five Armies, brought the villainy in Fast and Furious 6, embraced vampirism in Dracula Untold and went on an unstoppable killing spree in No One Lives, gets to be strong one here too, as he plays the KGB agent who recruits the protagonist. Cillian Murphy on the other side plays the CIA agent with ease. Helen Mirren’s role is the usual, and plays with no difficulty in regular style.

How it finishes :: Anna is one of the best thrilling action adventures which you might have seen in a long time, and it reminds one of movies like The Man from UNCLE. Luc Besson, the director has already given us some wonderful films in the recent past including the fantastic interstellar adventure Valerian and the City of a Thousand Planets and the strong action thriller Lucy, along with those older classic movies like Leon: The Professional, La Femme Nikita and The Fifth Element. This one is just another wonderful addition to the list, as you go through the twists and thrills without taking your eyes off what is going on. The Brian De Palma movie starring Antonio Banderas and Rebecca Romijn-Stamos, Femme Fatale is one another movie which comes to the mind with this flick, but nothing matches Anna in its twists along with the action, as there is one coming after the other, and in the end, you know that nothing was happening the way you felt earlier, or later.

Release date: 10th July 2019
Running time: 118 minutes
Directed by: Luc Besson
Starring: Sasha Luss, Luke Evans, Cillian Murphy, Helen Mirren, Lera Abova, Anna Krippa, Nastya Sten, Alexander Petrov, Nikita Pavlenko, Aleksey Maslodudov, Eric Godon, Jean-Baptiste Puech, Andrew Howard, Ivan Franek

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Vietnamese movie review on the site.

<— Click here to go to the first Russian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

Paradise Beach

Vampire Owl: Why does this movie remind me of your trip to Thailand?

Vampire Bat: Because this film was shot in Thailand itself.

Vampire Owl: A French film shot in Thailand, and that is a fine choice.

Vampire Bat: Still, our visit to Thailand was not to the place shown in the movie.

Vampire Owl: So, the package was not to Phuket?

Vampire Bat: No, it was a Bangkok and Pattaya package.

Vampire Owl: Well, there is not much of a difference for people who don’t know.

Vampire Bat: But we do know that it is different in many ways.

Vampire Owl: Let us watch the movie and find the differences and similarities then.

Vampire Bat: Another French movie is the deal then.

[Gets an egg puffs and three cups of iced tea].

What is the movie about? :: Six friends manage to pull of a bank heist in Paris, but one of them Medhi (Sami Bouajila) gets caught by the police in the process, and he urges them to escape. The five of them manage to leave France before being caught, and goes to Phuket in Thailand and manages to start some business with the money they had stolen, and live a happy life, while Medhi lives his life in prison for fifteen years, not telling the police anything about the others who were part of the bank heist with him. Phuket, the country’s largest island hosting one of its oldest cities, along with another thirty two smaller islands off its coast, provided some of the best sources of income through tourism by bringing so many of visitors from different parts of the world. As all of them run some kind of resort, restaurant, nightclub or pub in the city, Medhi hopes that he could finally get his share, as he comes back from prison after fifteen years of silence – the first place he visits is Phuket, and it comes as no real surprise for anyone.

So, what happens with the events here? :: Being at Phuket, his plan is to get the money and return to France, but then he has to face the big problem that there is no share left, as they have all invested money in businesses, without getting much in return – some of them have completely failed in their work and there has also been the damage done by the tsunami which it South East Asia. As he keeps asking for money, his friends begin to get frustrated, except for his brotherly figure, Hicham (Tewfik Jallab) who is married to Aom (Sonia Couling) a Thai girl with whom he has two children. At the same time, his girlfriend Julia (Melanie Doutey) comes all the way there from France, and it complicates things. With gangwars and police involvement, things get further complicated, and one has to wonder if Medhi somehow manages to get his share – but will he leave without that? What can he do to make sure that he gets that? How long can the friends remain close to each other as the case of money comes in between?

The defence of Paradise Beach :: When you know that the location is going to Phuket in Thailand, there is the certainty of some fine visuals around here, as it is the third most visited place there after Bangkok and Pattaya, as long as people from this part of the world are concerned. A trip to Thailand, Malaysia, Indonesia and Singapore has been the usual thing for almost everyone around here. With beautiful visuals, we get to the rest of the movie with a better feeling. There is also the feeling of a usual gangster movie, with problems arising over money, drugs and women in a night club. The movie does manage to keep close to the same level throughout its run, even though it is not that high a level, as we will be able to notice. There are some shooting sequences, and the other fights are also there, even though less in comparison. In the end, the movie does make sure that we are interested in visiting Thailand, especially Phuket on that particular side of the nation.

The claws of flaw :: Paradise Beach is pretty much a predictable movie as you think and look at it. There are many common things which are repeated here. It shows the same elements when showing Phuket, which reflects the idea that many people have here about Pattaya, as depicted in the foolishness of the movie, Amar Akbar Anthony. The final ending doesn’t impress that much even though we are glad that it happened to those people, and the twists which are put in there just before that, doesn’t prove to be that effective either. There is the feeling of absence here and there, which we can feel too. The idea of having dead people vanishing from group of photos is kind of dumb too, and one wonders why such a plan was being made. A better utilization of the beauty of Phuket is not there, and we don’t see the best use of the movie’s female characters either, which is disappointing, even though they have a few moments to be remembered.

Performers of the soul :: Sami Bouajila plays the main character here, as the one who goes to prison for his friends, the partners in crime. The movie does depend on him, and he doesn’t disappoint. Melanie Doutey plays Julia, his love interest. Melanie’s work is lovely, and has a certain amount of tranquility related to it, among all the possibility of violence waiting to happen. When you say Melanie, the name which comes to the mind first is that of Melanie Laurent though, another French actress, who was in Now You See Me and Enemy, catching our attention in both films. Sonia Couling as Aom is the next one to catch our attention, and she has more to do in this movie than we think she would have in the beginning. Flore Bonaventura as Tatiana also brings some good work here. Tewfik Jallab as Hicham is of importance, and has some good moments here. The others just manage to hold on there, and there is nothing special to be done as far as this movie is concerned.

How it finishes :: Paradise Beach hasn’t gathered many positive reviews with its existence, but it has to be noted that the movie is not as bad as some critics had shown it to be, for we see something in there to keep watching. We are given the feeling that it will bring something more than what we think. But if you are hoping for something special, or anything to raise its level above most of the other movies of the same kind, you are going to be disappointed. This is the kind of movie which is to be watched with lower expectations so that better results can be felt. So, watch the film, and make a visit to Phuket after all the COVID-19 pandemic problems are over. You will love the place, and the movie reflects the beauty well enough. At the same time, you would want to read reviews on movies in other languages like Spanish, Portuguese, Italian, Russian, Vietnamese and Latin which all did make fine entry into Movies of the Soul during the period of Corona Virus crisis.

Release date: 20th February 2019
Running time: 93 minutes
Directed by: Xavier Durringer
Starring: Sami Bouajila, Melanie Doutey, Tewfik Jallab, Hugo Becker, Kool Shen, Seth Gueko, Dosseh, Hache P, Hubert Kounde, Nessbeal, Bruno Lopes, Chalad Na Songkhla, Karnpitchar Ketmanee, Vithaya Pansringarm

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Vietnamese movie review on the site.

<— Click here to go to the first Russian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

The Wolf’s Call

Vampire Owl: So, we are back to watching French movies again.

Vampire Bat: Yes, this time, a thriller with clarity.

Vampire Owl: Our journey into global movies have been quite good.

Vampire Bat: Yes, we are only watching selected movies which we consider to be special among others.

Vampire Owl: We do make some good choices then, I guess.

Vampire Bat: Yes, all of them have been specially picked, making sure that there is a high possibility that we will like the flicks.

Vampire Owl: Especially with a few cups of tea to go with it.

Vampire Bat: Considering the fact that there has been a lock-down in the name of a virus, we are doing quite well representing the vampire community.

Vampire Owl: Vampires have all been doing some interesting thing or the other during the times of lock-down.

Vampire Bat: Yes, I have heard that the castle has seen rather too many.

[Gets a chocolate cake and three cups of mint tea].

What is the movie about? :: The French submarine Titan is sent through the Mediterranean Sea, to reach the coast of Tartus in Syria to bring back a French Special Forces unit fighting in the area during the time when Syrian Civil War is at its highest point, leaving no room for errors. As they are all prepared to take the troops in away from the Iranian and the Russian forces, Chanteraide a.k.a. Socks (Francois Civil), the sonar expert identifies it as a wounded sperm whale after multiple checks and moments of confusion. But it turns out to be another submarine which can’t be identified. It has detected Titan, and has provided the information about its presence and exact location to an Iranian warship nearby, which launches a helicopter hunting them right above water. But the submarine, with the help of its crew using an anti-tank gun against helicopter, somehow manages to survive the attack including torpedoes, and get the team to safety.

So, what happens with the events here? :: Later, when they are back to the ground, they get the information that Russia is invading Finland’s Aland Islands, which lead to the French President deciding to send a naval task force to the Baltic Sea, supporting the Scandinavian nation. At the same time, Chanteraide, while trying to identify the unknown submarine near the Syrian coast, finds out that it was a Russian made Timour III ballistic missile submarine, which was supposed to be dismantled earlier. During his similar searches for information regarding detailed underwater acoustics, he meets a young and charming bookshop owner, Diane (Paula Beer), whose original name is Priarie. After spending some time at the pub, they get emotionally and physically attached to each other, soon falling in love. But at the same time, a war and even a nuclear attack seems close with further problems arising between Russia and France, and Chanteraide needs to be back in action in Titan facing the nuclear armed submarine, Formidable. Can he do the right thing this time?

The defence of The Wolf’s Call :: This movie thrives on its smart moments here, and we have been presented with top quality thrills. With most of the shooting supposed to have happened in the real submarines, this is a fine achievement, and the whole thing indeed looks very realistic – the accomplishment powers this movie, as it needed to have most of its time within the underwater vessels. There are some highly thrill-packed moments in here, as the world stares at a possible nuclear war beginning with one wrong action from a European superpower, something that would have made that averted Soviet Union nuclear submarine torpedo launch happen many years later. It has to be noted that this movie begins in the middle of action, and there is no dull moment in here, and even those romantic sequences are to be loved. The Wolf’s Call does manage to show how a thriller in a submarine is to be created, with all the action and thrills.

The claws of flaw :: Some points in the movie have terms which we don’t understand that easily, and has to resort to Google – there are words related to military and the submarines which keeps coming back. But that is expected in movies like these, because otherwise, the realistic feeling will be gone. The romantic side could have also been better explored, taking a little bit more time. Paula Beer could have been used better in that case, considering the fact that is well-suited for such roles and moments of romance. The final moments could have also been a little better worked out, as we are battling to avoid a nuclear war, and something more could have been there in the picture. It could have also quickened up things a little bit more in the middle part, even though this one also has a higher pace that regular movies in their middle areas. The Wolf’s Call provides you that underwater world of wars, and you need to be prepared for that to get the best out of it.

Peformers of the soul :: Francois Civil manages to come with a good job in this thriller which shows nations on the brink of war. He seems to be someone who can handle the two sides quite well, being in the military as well as outside, with a happy love life. Paula Beer’s addition to this movie is more about being the love interest, and it is provided, in a cute, lovable way. Other than a few dialogues, adding the feel-good factor and an intimate scene, she adds less, but surely adds a light feeling to the movie, and the young and beautiful German actress is surely someone whom we expect to see more, maybe in Hollywood flicks too, very well suited to light-hearted romance or the fantasy movies based on the good old fairy-tales. We needed some female presence in this movie, and she makes sure that we have it. I would want her to be part of movies like Maleficent, Cinderella, Jack the Giant Slayer or Hansel and Gretel: Witch Hunters any day. Reda Kateb and Omar Sy plays the two commanders very well, and we have them as strong leaders.

How it finishes :: Originally titled Le Chant du loup in French, The Wolf’s Call has very good ratings on Rotten Tomatoes, and we have to agree to it, even though the number of reviews are rather less. The Wolf’s Call is a movie that needs to watched more, for how it manages the whole thing without any single boring moment – it is a serious quality that many more movies need to have during a time when it is Hollywood which struggles to make films like these, and Bollywood’s idea of an action thriller is still that old age masala, which appeals only for the brainless these days. Meanwhile, The Wolf’s Call does the job so well that it might end up inspiring more moves with underwater warfare or can even have remakes coming from different parts of the world after the Corona Virus crisis ends. This COVID-19 pandemic might be the only thing stopping it from happening for an year or two, depending on what is happening in our epidemic affected areas.

Release date: 20th February 2019
Running time: 115 minutes
Directed by: Antonin Baudry
Starring: Francois Civil, Paula Beer, Omar Sy, Mathieu Kassovitz, Reda Kateb, Alexis Michalik, Jean-Yves Berteloot, Damien Bonnard

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Portrait of a Lady on Fire

Vampire Owl: Have you read The Portrait of a Lady by Henry James?

Vampire Bat: Yes, I had read that novel as a part of writing an assignment during my English Language and Literature post graduation.

Vampire Owl: What would adding some fire to the title mean?

Vampire Bat: I don’t think that this has any relation with it. This one is actually French. This is not Korean or Chinese for a change. Let this burn bright!

Vampire Owl: So, the portrait is not really the portrait that one might be led to believe it is. I would still choose a Polaroid camera instead.

Vampire Bat: It was about a young woman who inhered a large amount of money, and becoming prey to some scheming.

Vampire Owl: I have heard about the author, but most of the people I know haven’t.

Vampire Bat: Well, he hasn’t been writing the kind of works, the vampires have been reading, and so its natural not to know.

Vampire Owl: So, you are now choosing French.

Vampire Bat: Yes, we have been going further international these days.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: The story is set at some time period during the end of the late eighteenth century. Marianne (Noemie Merlant) is a young painter who takes painting classes to her eager students. As she makes them paint her portrait, one of her students asks her about a special painting from her, which Marianne used to call Portrait de la jeune fille en feu. It takes us back to the origins of that particular painting, and the same has a close relationship with Marianne’s past and her emotional side. Once upon a time, Marianne was called to an isolated island in Brittany in the west of France, to paint a portrait of a young woman named Heloise (Adele Haenel) by her mother The Countess (Valeria Golino). Marianne struggles to reach there, as she herself, and the canvas falls into the sea on her way.

So, what happens with the events here? :: There, she meets Sophie (Luana Bajrami), a beautiful young girl who works as the servant to the Countess and her daughter. They become good friends, and comes to know that Heloise was at the convent, and was forced to come back to marry a wealthy Italian nobeleman because her sister had died, supposed to have jumped off a cliff. Now, this portrait is to be sent to that possible husband of Heloise as soon as possible. The Countess says that her daughter was not ready to pose in front of any painter, and so Marianne will have to pretend that she was someone who had come to accompany her during her walks, to get rid of her boredom. It seemed to be the only way for her, and Marianne started being friends with Heloise who arrived there. She also started observing Heloise enough to paint her in parts. But there will be more than just a painting that we will be having here.

The defence of Portrait of a Lady on Fire :: There is some beautiful serenity that runs through this movie and its silence which serves more than anything else, as the main actresses really make a lovely impact with their expressions and body language itself, getting us immersed into this tale set in the late eighteenth century Brittany. The setting is incredibly beautiful, making you wish to make a visit, and one wonders where this particular island stands in history. This environment created as part of this movie is a charming one, but it is also a very simple one – it is not that usually colourful world from a grand historical past as we usually see in historical drama, action or thriller movies. We go through the eyes of an artist who is not just a painter, but someone with intimate feelings which she seems to have gained in connection to her work on the canvas – it reflects there as much as it shows up in her soul.

The claws of flaw :: Portrait of a Lady on Fire is a very slow movie, as you might have expected it from the talks about it, and also by what you have further read about the same. The movie also has some moments which are not utilized the best, especially related to the artistic work, the painting. The focus could have been more on that painting, and the artists feelings should have been above the person’s intimacy. There is also a lot of time taken in the beginning, and in between, which is felt more because of the movie’s slow pace. There could have also been some more characters to provide support, and this movie’s viewpoints are rather limited when you look at it. There is a lot of silence and a good number of dialogues, but there is less happening for the people who are looking for that as the thing which defines a movie – after all, this is close to being what you call the award movie in this part of the world. Two hours were not needed for this movie for sure.

Performers of the soul :: Portrait of a Lady on Fire is a movie nominated for Golden Palm, the highest prize awarded at the Cannes Film Festival, where it lost to the Korean Oscar Winner, Parasite, and so you know that this one had to score in its performances more than anything else. It has to be noted that all the main characters in this movie are female, and you see some men for that amount of time which can be better counted using seconds rather than minutes. The movie is that much dependent on its female characters, especially the two main ladies, with more to be added from a third young character, and a little more from the much older character who plays the mother. I haven’t watched many French movies, but Noemie Merlant is the one lovely actress who has come up with a perfect performance here which cannot be matched. She has been very expressive, and very much enchanting as the painter, closely followed by Adele Haenel who manages almost the same. Luana Bajrami, the next important character is done well, and Valeria Golino is there for less time, and does fine.

How it finishes :: The movie is not to be confused with The Portrait of a Lady by Henry James, as the title only has the addition of fire in the end, which might have been enough to prove its point. But people are more or less attracted into feeling that this is the same thing, and only the fact that this is not a British or American movie making them feel that this is something else. But the movie is not a lesser classic when you look at it, as it feels like an old-fashioned throughout its run. It is a slow-moving thing of charm, which makes sure that the moments are there to stay. Portrait of a Lady on Fire is more or less a feeling set in that historical period, and it has that delicate beauty with the realistic touch which is to stay for the beauty of tranquility, and not for what we usually remember a movie for. Portrait of a Lady on Fire takes you through the different, classic path.

Release date: 18th September 2019
Running time: 120 minutes
Directed by: Celine Sciamma
Starring: Noemie Merlant, Adele Haenel, Luana Bajrami, Valeria Golino

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Descent into Darkness

Vampire Owl: Do you remember the famous quote which has been very much applicable to us?

Vampire Bat: There has been more than one of them that applied to us.

Vampire Owl: I am talking about the one which was regularly referred to, during our first few classes for vampire apprentices.

Vampire Bat: You are talking about one of those quotes about darkness, aren’t you?

Vampire Owl: Yes, it was also written on the first page of our vampire texts.

Vampire Bat: I didn’t realize that you actually read those books.

Vampire Owl: Yes, I read them when I want to sleep. Reading them gives me sleep at times when it evades me.

Vampire Bat: Now you are talking like one of those strange school kids.

Vampire Owl: Well, the quote was about the need for vampires to get into that darkness.

Vampire Bat: Yes, about descending into darkness.

[Gets three cups of masala tea with Arrowroot biscuits].

What is the movie about? :: Sorgoi Prakov (Rafael Cherkaski) arrives in Paris from an Eastern European country, to make a documentary about the European Dream, in the lines of the American Dream which is rooted in the Declaration of Independence, that proclaims that all men are created equal” with the right to life, liberty and the pursuit of happiness. In the beginning, his journey through the capital of France seems to be all going well, with wonderful places to visit and people being very nice to him. It seems to him that his European Dream is going to work so well. There seems to be happiness all around, and Paris seems to be the perfect place to begin his European Dream. It makes him believe that he has taken the right decision to go on this journey, and that things can only get better. But it turns out that it is the other way around.

And what is to follow in this particular adventure? :: Things were certainly not going to get any better for him, as there was always the chance for all going worse, with some bad decisions, and bad luck – being at the wrong place at the wrong time was just one of the villains. He does get beaten up by people who tries to steal his camera, which is broken, because of which he has to buy another one. He runs short of money, as he doesn’t hear from his producer, and has to adjust in many ways living in the city. He still thinks that everything is in control, but it turns out that not much remains in his hands. The artificial world of pubs and parties with drugs and alcohol adds to him being further away from the reality, creating one of his own, which includes brutality in his madness. His world changes, and he goes on becoming the exact opposite of what he was, bringing in a European Nightmare instead of European Dream.

The defence of Descent into Darkness :: The movie’s highlights come in the last few minutes, with the madness reaching a terrible level. The last scene at the house brings the best of them all. It deserves applause about how those scenes are managed in a realistic, but cruel manner. In the end, we realize how the world changes people, and the idea about hope is mostly that much of a lie, as this party culture with alcohol and drugs contribute to making a person worse through pubs and all their unnecessary additions to the life of youth. The performances are good, not just with the lead, who excels, the rest also follows up well even if they are only those smaller roles. The alternate title of the movie somehow reflects The European Dream: How Europe’s Vision of the Future Is Quietly Eclipsing the American Dream, a book, by Jeremy Rifkin. But in the end, we know that there is no big dream that can be achived by a common man all by himself.

The claws of flaw :: The accent used in this movie might feel a little difficult to understand for people at this part of the world at some points. There are moments in there which seems to be added for the sake of being there, or maybe to have the flick at a good length in totality. We also feel that the movie could have been really scary with its madness, and while some are surely part of the madness in a depressing manner, others are just funny – but it gets really better in the end. The dark humour is somewhat there, and the cultural differences might be bringing it down for our audience here. There is also the feeling of the need for more after we watch the trailer, and the expectations were surely bigger. The movie also misses out on having a memorable female character; even as the movie was based on one person in particular. Someone whom he meets in the city, maybe? Or someone whom he decides to murder?

The newfound love for the subgenre :: There are not many people who love to watch the found-footage horror around here, and I am myself a new person interested in the genre. When a found-footage horror movie can catch your attention, you know that it is going to get better for the genre here. There was The Last Witch being an interesting one made in low budget in the genre, and now there is this one. We remember the movies like Cannibal Holocaust, The Blair Witch Project, Paranormal Activity, [REC] and Cloverfield which were talked about a lot, with The Blair Witch Project and Paranormal Activity becoming the representations of the subgenre a lot. With this movie showing signs of some smart plans, maybe, we are awaiting more to come in the found-footage horror, and the best might be yet to come, as did horror with The Autopsy of Jane Doe, Lights Out and Don’t Breathe last year.

[Walks into the balcony with another cup of tea].

Vampire Owl: The strange things that humans do these days. Even Doctor Frankenstein is better.

Vampire Bat: Their control over their own mind and heart is rather questionable.

Vampire Owl: I am sure that most of these humans are already insane.

Vampire Bat: Well, they are better blood-suckers than vampires are, and they have proven the same with their wars.

Vampire Owl: There is the certainty of evil in them.

Vampire Bat: They possess inherent evil, and still call themselves to be of neutral alignment between good and evil, while holding that evil in mind.

Vampire Owl: I am pretty sure that they are more aligned to evil than our kind ever had been.

Vampire Bat: I would rank them with werewolves and dark elves, and at times with the zombies.

Vampire Owl: With their latest technology, they are already zombies enough.

Vampire Bat: Yes, more or less like your zombie minions.

[Walks into the silence of darkness].

Release date: 15th December 2017 (World-wide release on Amazon Video, POV Horror Roku, POV Horror Amazon Fire TV, and all Android devices)
Running time: 92 minutes
Directed by: Rafael Cherkaski
Starring: Simon-Pierre Boireau, Elodie Bouleau, Rafael Cherkaski, Roland David, Charles Dhumerelle, Xavier Kerf, Corentin Koskas, Denis Larzilière, Loïc Lefebvre, Philippe Pasquini, Omar Salim

<— Click here to go to the previous review. Movies of the Soul recommends Thor: Ragnarok as the movie not to be missed this year.

@ Cemetery Watch
✠ The Vampire Bat.