Tag Archives: death

Killer Book Club

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Vampire Owl: This would be an interesting book club.

Vampire Bat: You mean to say that there are new book clubs in the castle.

Vampire Owl: Who reads that many books these days?

Vampire Bat: Well, I do read many of them.

Vampire Owl: I am sure that you do not count as an external reader.

Vampire Bat: I do take external book club cards.

Vampire Owl: You can read all the best horror books in the castle.

Vampire Bat: I would read these books like a non-vampire would do.

Vampire Owl: So, it is a fine method to be scared of vampires too.

Vampire Bat: I do not see why we should not be scared of ourselves.

[Gets a butterscotch cake and three cups of tea with kulfi].

What is the movie about? :: Angela (Veki Velilla) is a college student who wishes to be a critically acclaimed and popular writer, now trying to write her second work. Her professor Antonio Cruzado (Daniel Grao) who used to help her with writing seems to have an infatuation with her, and makes advances to her. As Angela’s friends come to know about it, they suggest that they get back to him, and for the same, they choose a killer clown prank which would leave him scared enough for the rest of his life. The group which includes Sebas (Alvaro Mel), Nando (Ivan Pellicer), Sara (Ane Rot), Rai (Carlos Alcaide), Virginia (Priscilla Delgado), Eva (Maria Cerezuela) and Koldo (Hamza Zaidi), plans the whole thing perfectly after sending a fake e-mail to Antonio. But the prank goes terribly wrong, as they end up causing him to fall down from the top of the building and get impaled on the spear held by a statue of Don Quixote below, leading to his instant death.

So, what happens with the events here as we just keep looking? :: Even though their instant reaction is to blame Angela for what has happened, they decide to keep all of these a secret and make a promise that they would never talk about this to anybody. The very next day, as everyone comes to know about his death, the popular opinion is that he committed suicide as his wife had left him, and the police also goes with the same conclusion, leading them to believe that things will get back to normal. But soon, they find out that a masked killer clown is stalking them, and wishes to take them down one after the other as the person wears the same mask as they were wearing. After murdering each person, the clown would write a chapter about the brutal death and post it online, and the readers also have a chance to vote on who will be murdered next. The readers do not have any idea what this is really about, as the original names are provided. The group decides to stop this madness from continuing, but has no idea about whom to suspect. Is this a silent stalker or someone among them?

The defence of Killer Book Club :: Slasher horror movies are welcome to bring new serial killers into a world of chaos in which humans have never hesitated to kill one another. There have been more classic slashers being produced in almost every language these days, even though Hollywood have come up with less interesting ones in the last few years. This one is based on a book, which means that it has promises to keep for the readers. The visuals are really good, and the setting feels like the right one, including the dark corners inciting horror and the architectural beauty that stays alive. The statue of Don Quixote comes as a fine reminder for the connection between the movie and literature, as the horror itself comes from writings here, and the publication of books and online content remains a priority throughout the film’s run-time. This also remains a short movie, as the run-time works to its advantage. The final twist over the twist remains interesting, and the power of mystery has run through this quite well without giving away the chance at predictability.

The claws of flaw :: Killer Book Club might feel like too similar with many other titles, and following the formula, but not well enough to elevate the same. There are enough murders happening here, but none of them creates a terrifying or divergent impact which could have made the environment better. The scares are not that much present as we would have wanted. A killer in a clown mask can achieve wonders – you know what the clowns do, whether in It and its sequel or in Terrifier; the horror in such cases is of a different level, with blood and gore assured. But this one seems to take the safer route, and the need to take the less travelled path among the diverging roads is not taken into consideration here. You are left with the feeling that there could be more, from the early stages itself. You keep looking for more, but that extra ingredient never really arrives. With the scope for a sequel still there, we can hope that this will arrive later.

The performers of the soul :: Veki Velilla leads the proceedings in the movie, and makes the scream queen who is intended to survive till the end, but has the realization that this has been caused due to her for some other reason, which makes the character more determined. She blends into this situation really well, from the author who has a certain amount of writing block to the girl who wishes to survive in a world of chaos created by an unknown killer. Priscilla Delgado remains a notable presence here too, and contributes to the whole thing even when least expected. Ane Rot and Maria Cerezuela also add to the interesting scream queen list here, and one would love to see them in more of similar flicks. Alvaro Mel and Ivan Pellicer become the main male performers here, and they remain important from the beginning to the end. Daniel Grao, even though present for only a few minutes, also leaves an impact. Carlos Alcaide and Hamza Zaidi also comes in as required. For most of us audience, these new names will be staying.

How it finishes :: Killer Book Club seems to be derived from other slasher horror movies that we have known for a long time, with Scream and The Cabin in the Woods being a few of them. The non-English movies were not far away from such inspiration either, as Poland’s Nobody Sleeps in the Woods Tonight and A Classic Horror Story in Italian along with the Indonesian Ivanna are some of the examples. Here, in Spanish, we have a similar work of slasher horror. The group of friends from a college being murdered one after the other, especially after doing something they were not supposed to do, comes as nothing new. But this one also maintains the entertaining and thrilling side well enough with the final twists to keep things interesting. You are always looking for more addition to slasher horror, as they have not been that easy to create effectively during this time period. Based on the Spanish novel El Club de Los Lectores Criminales by Carlos García Miranda, the films becomes another interesting adaptation which brings us back to watching Spanish movies again on Netflix.

Release date: 25th August 2023 (Netflix)
Running time: 90 minutes
Directed by: Carlos Alonso
Starring: Veki Velilla, Alvaro Mel, Ivan Pellicer, Hamza Zaidi, Ane Rot, Priscilla Delgado, María Cerezuela, Carlos Alcaide

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Abraham Ozler

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What is the movie about? :: ACP Abraham Ozler (Jayaram) spends most of his time hallucinating and has sleepless nights after his wife Maneesha Ozler (Anju Kurian) along with their daughter are kidnapped and brutally murdered by a drug addict named Vineeth Ram (Arjun Ashokan), whom he had earlier apprehended in a narcotics case. Vineeth does not hesitate to reiterate the fact that he was under the influence of drugs and killed both of them. Yet, he does not reveal where he buried the bodies and keeps saying that he is not able to remember as he had a heavy dose of drugs. Ozler still continues to be in the police force even though he is not of the same strength and sanity that he used to be. Counsellor Varghese Uthup (Sai Kumar) asks him to get himself busy or the hallucination and insomnia will only get worse. It is then that a young man working in the IT field, Naveen Sivakumar (Harikrishnan) is brutally murdered in the hospital after being hit by a pick-up truck. Maya Naveen (Darshana S Nair), his wife, finds him dead in the hospital room with a note saying Happy Birthday and a note.

So, what happens with the events here as we just keep looking? :: Ozler, supported by SI Divya Sreedharan (Aryam Salim) and SI Sijo Venu (Senthil Krishna) takes over the case. They understand that this hospital was the only place where the victim would have ended up after the accident, and it was really the day on which he was born. As they start with the investigation, another man is murdered in a similar pattern in another hospital, but this time it is a thug who usually gets into fights. He is also left with a similar note where he was murdered. The third murder also takes place without delay, and this time, it is someone who runs a successful restaurant business – the hospital chosen here is different, but the pattern remains the same. The media calls the murderer by the name birthday killer, as Ozler and his team continue to search for possible answers. Whenever they seem to come very close to finding the answer, they realize that it is a dead end.

And what more is there to be seen here with a killer on the loose? :: They understand that the quotes which are given by the killer are from a Latin phrase related to medicine which could be seen in only one area in Kerala, and they reach the Kozhikode Medical College. There is also the understanding that the murders were committed by someone who had medical skills, but not someone who has been practicing regularly as asserted by Dr. Satheesh Madhavan (Anoop Menon). Everything seems to point to the medical college and a number of students there, among which Suja Jayadev (Anaswara Rajan) had committed suicide. From all of these, they find Dr. Sevi Punnoose (Jagadish) as the next potential victim, and he seems to be least bothered about it. A man who underwent surgery at the same hospital, Krishna Das (Saiju Kurup) seems to be missing, and they feel that he might have a role in the murders. But he is not a man who is capable of doing all of these, and the police officers know that death awaits more people and they have no time to waste. Can they finish the investigation in time and bring and end to this sensitive case with no more lives lost?

The defence of Abraham Ozler :: Our world of thrillers is strong, as proven by Drishyam and its powerful sequel, and Abraham Ozler gets a chance to be part of that list. This movie’s ability to keep the audience so interested and engaged from the beginning to end needs to be appreciated – it never asks for the unrealistic from its main characters either. The dark shades are used to its advantage, and the power going off becomes the foreshadowing with ease. Even with many things tried by the same director in Anjaam Pathiraa, this movie is a clear improvement from that one which had a struggling flashback and weaker ending in comparison to Abraham Ozler. The visuals are very good with a dark and gory feeling provided all the time – there are almost no moments of positivity in this one. This movie is also an improvement on the struggle for heroism that the earlier thriller Garudan seemed to possess. The background music further powers our movie here so well – it keeps us immersed in the overall mood of the film, and we are left excited all the time. The emotional side has the power to keep the interesting going too.

Positives and negatives :: The movie could have released during the Christmas holidays, and if that happened, it could have given Neru a challenge which would have helped the audience to be in a full celebration mood, but surprisingly this one backed out despite having everything to make that challenge which would mean healthy competition. This feels like the right holiday movie with all the thrills that it provides. The characters of Anju Kurian and Darshana S Nair gets too less presence in the movie, and we hope that the former can come back for more in a possible sequel. The same can be said about the big names, Sai Kumar and Anoop Menon. The extended cameo becomes the big thing in the movie, even though one would not have wanted the secret to be out too soon. A little bit of predictability comes in with the flashback, and it should not have been this long or detailed, as we have an idea about it from the present situation itself. The serial killer motive remains similar this time too.

The performers of the soul :: This movie means that Jayaram’s run without making impression in new releases have come to an end, for his last best movies were Lonappante Mamodeesa and Panchavarnathatha, both of them not having the quality to live up to the actor who made our childhood awesome. If I have to go back to a movie with him as the solo hero which I really liked, that would be a long way back in the form of Nadan which released in 2013, even though Makal did make some impact in old style. This time, he is just brilliant in this role, as we see the character of the trouble police officer safe with him, and we know that there is more to come in a possible sequel. Mammootty’s extended cameo makes the movie feel even bigger, even though the big revelation should have come only in the later stages. Anaswara Rajan shines in the flashback scenes, and there seems to be no going back for her. Arya Salim whom we remember the most from Minnal Murali, plays her police character incredibly well, and we have the best lady police officer in some time. Senthil Krishna does the same in another way, while Arjun Ashokan seems to promise to bring an even more interesting character in a possible sequel. Jagadish’s serious character once again has our attention here. Saiju Kurup scores well in between.

How it finishes :: Abraham Ozler is surely a better movie than Anjaam Pathiraa and somewhat ahead of the other thrillers like Forensic and John Luther. The last one might still have more similarities with this one than the rest, as in both cases, we have a troubled police officer tracing the murders back to medical students. Memories had the police officer who lost his wife and daughter, and could seek out the serial killer looking for vengeance, and the similarities end there, with this movie coming up with a twist in the end and setting up things for a sequel. Most people would feel that the sequel would do even better, as the film seems to end to point to its beginning, and has everyone thinking deeper. Abraham Ozler never hestitates to bring that mood of investigation with a serial killer lurking in the shadows – the feeling of danger is always there, and even when looking for revenge, there is always the indirect way of going through the same, leaving the red herrings further away. As the predictability only comes late, and with new twists to come, the movie remains engaging from the beginning to end, and we do not feel it to be long.

Release date: 11 January 2024
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayaram, Mammootty, Anoop Menon, Anaswara Rajan, Arjun Ashokan, Jagadish, Senthil Krishna, Arya Salim, Dileesh Pothan, Sai Kumar, Harikrishnan, Assim Jamal, Arjun Nandhakumar, Aneesh Gopal, Sreeram Ramachandran, Boban Alummoodan, Benyamin (cameo)

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Terrifier 2

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Vampire Owl: We are the most terrifying ones.

Vampire Bat: I don’t think that we are that terrifying as we used to be.

Vampire Owl: It is due to Twilight and Vampire Diaries. They don’t count.

Vampire Bat: They do count for the humans.

Vampire Owl: Well, sometimes I feel that only they count for them.

Vampire Bat: Humans are not that aware about true vampires.

Vampire Owl: There are no true and false vampires. There are only us.

Vampire Bat: We have been children of the night for too long.

Vampire Owl: There are no vampires of the day.

Vampire Bat: Well, the vampires that sparkle have other opinions.

[Gets a chicken biryani and three cups of cardamom tea].

What is the movie about? :: Miles County Massacre was one of the most traumatizing events for the people of the town. Art the Clown (David Howard Thornton) who was responsible for the brutal murders does return though. He was considered dead, even though the body was not found – he is once again here though. The police had only provided the statement that the body had just disappeared, and some people do spend the legend that the clown is not dead and might return at some point. The Little Pale Girl (Amelie McLain) is another mysterious entity which wears similar clown costume, and seems to join forces with Art. Meanwhile, a teenager named Sienna Shaw (Lauren LaVera) is finishing the Halloween costume which was designed for her by her father who recently died due to brain tumour. Sienna’s younger brother Jonathan Shaw (Elliott Fullam) is obsessed with Art the Clown though, and wishes to dress like him for the Halloween, after finding details about him from his father’s sketches. Sienna ends up having a nightmare about the clown, and wakes up to find the room on fire, yet has a sword from her father as the same as it used to be. She had also seen people being murdered by the clown in her nightmare.

So, what happens with the events here as we just keep looking? :: On Halloween, Jonathan sees Art and The Little Pale Girl at school playing with a dead animal, and he is held responsible for bringing the creature to school as they disappear without a trace. As the school calls the parent, he is grounded at home. Sienna goes to the Halloween costume shop to buy a replacement pair of wings to fit with her costume as the earlier one was lost in fire, and there she encounters Art who stalks her without mercy, and later brutally murders the shop vendor who is left alone in the store. He also manages to make the later customers believe that it is all part of a Halloween show. Sienna is the only one who believes her brother and that the clown might be real as she had seen him in the shop. Sienna’s friend, Allie (Casey Hartnett) finds herself in trouble too, as Art gets to her home pretending to be trick or treating. Allie who is rude to him for asking for candy at an old age is brutally attcked by the clown and left in pieces. Allie’s mother is also killed in the same way, and her head is kept for putting sweets for Halloween.

And what more is to follow with this brutal adventure featuring a clown? :: Art is well-supported by the clown girl in his actions, even though the brutality is committed all by himself. He also resorts to cannibalism at times, even though the act of brutal murder seems to be the one thing that satisfies him more than anything else. He also seems to display a supernatural side to him after returning to the seemingly unstoppable killing spree which goes mostly undetected as the victims are not found. Jonathan shows the paintings of his father to his mother Barbara Shaw (Sarah Voigt), but unhappy with his obsession with the clown and not believing in his stories, she tears them off. She feels that his son requires some serious counselling. At the same time, Sienna goes to a Halloween party dressed in the costume designed by her father, but it seems that Art has other ideas about this particular celebration, and it would involve her family. She becomes drunk at the party and begins to see the clown girl, while the clown attacks their home. Jonathan runs away from home only to find the clown girl in the way. Art seems immortal evil, but how far will he go?

The defence of Terrifier 2 :: For a slasher, the character development of this movie is at an all time high, especially with Lauren LaVera playing Sienna Shaw. She leads the movie here, and as a battle angel, becomes the last hope for a family and the town in general, a role into which she evolves really well. This is one character who rises above the horror tropes with ease, and promises to continue the peformance into a sequel too, if such a thing happens. Lauren in the Halloween costume fighting the clown is a joy to watch. Elliott Fullam who plays her brother also does a fine job. The movie, with blood and gore as well as the representation of the evil on screen lives up to the name, as a work of terrifying nature. The ambience is very well used too, and the Halloween world as well as the carnival attraction works like a fine nightmare here. As you get transported into the world of a seemingly immortal evil clown, the feeling is forever, and here, the grand clown rises above Stephen King’s It as a movie and its second part as the demonic clown of the century.

Positives and negatives :: Terrifier 2 blends into its genre really well. It has some of the very gory scenes which might not be that good for everyone. The signs of such brutality can be seen in the beginning itself. The border lines for gore has been crossed here and most of the natural horror film fans who prefer only those works like Ouija, The Conjuring, The Nun, Annabelle, Curse of La Llorna, Insidious, Sinister and other would not go further with this after the first scene. A murder on the bed might feel to be too brutal even for the best of fans of the genre. The final moments have a little bit of of too much of the supernatural side added to it, which could have been kept to the minimum, especially as both the protagonist and antagonist deserves more in the form of two people going at each other. The movie does remind of those older slasher films with moments which takes us back to the past memories of slasher horror, a genre which has kept us close to the darker side of humanity, the horror which has been inherent in human beings since the beginning of time. While doing the same, the scares work so well.

How it finishes :: Terrifier 2 is the nice slasher horror which we rarely see around these days. After all, it is easy to lose the way whenever a slasher gets a chance to make it big. The movie delivers most of what it promises, and in the end, leaves an open door for a possible sequel, as death does not come easy for antagonists like this, as proven by many slashers including Halloween which has overused the idea. Most of us around here did not hear about the first movie, and a lot of people still need to hear about this movie. It is the kind of movie that has raised the level of slashers in a decade when it hasn’t scored much. With a third movie, things can get even better, as characters are better developed here. Well, we need to celebrate the horror in raw forms when we see them, as this is one example of the same. One can be sure that Terrifier 2 will have its fans, and can develop into a cult classic horror as most of the old slasher horror films have stopped bringing reboots and remakes of relevance to keep the legacy moving on.

Release date: 6th October 2022
Running time: 138 minutes
Directed by: Damien Leone
Starring: Lauren LaVera, Sarah Voigt, Elliott Fullam, Kailey Hyman, Casey Hartnett, David Howard Thornton

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Scream

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Vampire Owl: We have been good friends with Ghostface for a long time.

Vampire Bat: This is not about that person from the Halloween night.

Vampire Owl: Well, I have seen those movies.

Vampire Bat: The movie you watched was I Know What You did Last Summer.

Vampire Owl: I don’t feel that there is any difference.

Vampire Bat: You are generalizing the slasher horror.

Vampire Owl: I am generalizing the killers who do the job well.

Vampire Bat: We have had enough psychopath vampires around here.

Vampire Owl: Vampires are not psychopaths, for we are just being natural.

Vampire Bat: And humans are naturally psychopaths.

[Gets a chocolate muffin and three cups of mixed tea].

What is the movie about? :: Many years have passed after the earlier attack, and Tara Carpenter (Jenna Ortega) is brutally attacked by the Ghostface killer, leaving her hospitalized. This leads to Samantha Carpenter (Melissa Barrera), her sister returning the town after a very long time, and she is also accompanied by her boyfriend Richie Kirsch (Jack Quaid). Sam feels that some lunatic keeps trying to use the Ghostface mask to become famous. As she reaches the hospital, she meets Tara’s friends, Amber Freeman (Mikey Madison), Wes Hicks (Dylan Minnette), Mindy Meeks-Martin (Jasmin Savoy Brown), Liv McKenzie (Sonia Ammar) and Chad Meeks-Martin (Mason Gooding). It is then that another murder by Ghostface occurs outside a bar. Samantha also finds her under attack by the Ghostface, and due to other hallucinations, she is forced to reveal the truth to Tara that she is the daughter of a serial killer, and they are step-sisters. Tara doesn’t take this secret seriously, and wouldn’t want her presence in the hospital.

So, what happens with the events here as we just keep looking? :: Samantha looks for help from the earlier survivors of the Ghostface attacks, Dewey Riley (David Arquette), Gale Weathers (Courteney Cox) and Sidney Prescott (Neve Campbell) who have now settled down in different places. Dewey meets up with Samantha and Tara’s friends, only to feel that someone is recreating the whole thing in a different way, in the form of continuation of a narrative, but still borrowing heavily from the plot of the original tale – thus it has the new generation as well as the legacy characters. When another death occurs in the town, it brings Gale to the town to cover the incident. When the sheriff is the last one to be killed, and with the police officers in the hospital at the crime scene, Samantha realizes that her sister would be in trouble. But the killer is not someone who has things going in a direct path. Someone would be murdered if the killer really wanted. If it is not about Tara whom he keeps missing, who would be the next one to be killed?

The defence of Scream :: There is a certain standard which has been maintained by the franchise yet again, and it is a level which could be followed by the other films of the genre. The build-up is nice, and the first scene does bring some nostalgia to us. The Ghostface remains a force that the slasher horror can’t avoid. The cast seems to have been nicely chosen, even though some of them deserved more. The movie is a reminder of how bad the fans can be, and even without that much of an influence of the slasher horror genre, the fan fights in this part of the world have already proven the same fact. The sixth movie of the franchise seems to be nicely set from the trailer. Ghostface seems to be forever, even though there is no Halloween kind of killer who seems to be supernatural – this serves the slasher horror world really well. A horror film loving serial killer never ceases to be a person of interest. The elements of horror stays close to the existence of the maniacs at all times.

The claws of flaw :: There is the feeling that we could have nothing new with this franchise, as repetition often gets into the nerves. As the franchise hesitates to move away from the predictable, one just wonders if change can ever be a part of this series. The twist is not that strong as one would expect, as there is at least one antagonist whom one would have guessed with ease. Multiple twists would have done this movie a lot of good, and this is the kind of a franchise which could have afforded to leave better openings in the end. Scream along with I Know What You did Last Summer was the slasher horror that we have always remembered whenever the name of the genre came into the picture. There were so many moments of horror being missed out in this movie, and this was one flick which could have thrived on it using the Ghostface appearances and killings. Terror was there to be spread, and this one hesitates rather too much.

The performers of the soul :: Melissa Barrera leads the slasher here as the new scream queen of the franchise, who has a legacy to maintain here. She gets something bigger to do in the final stages of the movie, and Jenna Ortega who plays the younger sister also gets more to do than being the victim of the Ghostface as one would have expected from the initial stages. Jenna would have done well in most of the main roles in the movie, as she seems to have blend into this environment really well. Neve Campbell and Courteney Cox make an interesting return to the franchise here, but one might also wonder if they were needed, as horror slashers are often made as new films with quality. Among the other performers, it is Mikey Madison who catches our attention the most, while Jasmin Savoy Brown has some of the most interesting lines in there. David Arquette’s return could have actually been better and longer, but the fans would have actually had enough.

How it finishes :: Scream with its return has worked well to suit these times when horror has suffered due to lack of ideas, even though it has not been innovative enough with the content. The opportunity to become the one classic horror slasher to remember has not been taken here. With this base of Ghostface already set, there was so much more which could be achieved. The movie holds on to its past, and has the elements for the fans of the genre, but the repetition is something that could have been kept to the minimum. It could have also added some scares here and there to bring further effectiveness to the idea which is present there. After all, a serial killer like this could do more, but we are still happy with what is shown around here. For those who need more of terrifying sequences, there is always another kind of scary Sinister, Evil Dead, Annabelle, Nun or Conjuring coming up.

Release date: 14th January 2022
Running time: 114 minutes
Directed by: Matt Bettinelli-Olpin, Tyler Gillett
Starring: Melissa Barrera, Mason Gooding, Jenna Ortega, Jack Quaid, Marley Shelton, Courteney Cox, David Arquette, Neve Campbell

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Invitation

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Vampire Owl: You are talking about the invitation to the witches’ lair.

Vampire Bat: No vampire goes to the land of the witches.

Vampire Owl: You are afraid of the curse.

Vampire Bat: There is no witch who can curse a vampire.

Vampire Owl: You mean vampirism itself is a curse.

Vampire Bat: We have the curse that has become a blessing.

Vampire Owl: The vampire curse has been suspected by many.

Vampire Bat: Your favourite doctor called it a bane.

Vampire Owl: Doctor Frankenstein can be wrong once in a year.

Vampire Bat: At least you agree to it now.

[Gets a chocolate brownie and three cups of Munnar tea].

What is the movie about? :: Evelyn (Nathalie Emmanuel) and Grace (Courtney Taylor) are two friends who keeps doing some freelancing for a catering business, and it seems to be working just okay for them. After taking a DNA test, Evelyn discovers that she has a distant cousin in England named Oliver Alexander (Hugh Skinner). They meet each other, and after Oliver tells Evelyn about the great scandal which happened with their grandparents, and also about a wedding of their cousin which is to take place soon. He invites her to the wedding in England, and even though it feels strange, Evelyn accepts the offer, as it is a full-paid trip all the way to another nation in another continent; she doesn’t have anyone else as part of family either. As she arrives at the grand manor of the De Ville family to whom their cousin is going to be married, she finds Walter De Ville (Thomas Doherty), the Lord of the Manor. She finds herself instantly attracted to his good looks and polite manners, even though Grace advices her not to be foolish in her actions, at least in the early stages in the manor.

So, what happens with the events here as we just keep looking? :: Evelyn finds out that there is something strange occurring in the manor, especially at night. She meets the maids of honour Lucy (Alana Boden) and Viktoria (Stephanie Corneliussen), both of them having nothing in common. It is revealed that a lady had committed suicide by hanging, and maids have started disappearing while shadowy figures seem to wander in the darkness of the night. There seems to be a certain secret about her grandmother that would be revealed, and she would feel that there is more to it than what meets the eye. But as she is infatuated with Walter, she avoids negative sides. But soon, the truth about the families would be revealed to her, and when she knows everything, it might be too late for to call for help or escape from this trap. Will Evelyn be able to escape from this family haunting and go back to the New World in the same form as she arrived in England?

The defence of The Invitation :: This is a movie which thrives on the atmosphere, as we have almost the whole of the movie happening in a very old mansion, which seems to be separated from the civilization with a long line of trees which run through the sides of the road which leads there. The reminder of a certain mystery about the family’s dark past is always there. The darkness is used by the movie to the best of effects, and there are enough terrifying effects that make fine additions. The beginning shot itself gives a clue about what is to come, and there is something eerie in the air at all times. This film reminds us that there is always something dangerous lurking in the dark shadows, nothing comes for free, even if it is within the family. The movie has the skill of creating something dangerous out of what seems to be the usual sequences, and the scares often come out of nowhere to make an impact. When we see the evil presence revealing itself, we feel the strength of truth in horror. The cast nicely works on this revelation, and the audience would enjoy it with a touch of fear. For the same, the costumes also work like a dream.

The claws of flaw :: The movie could have had a smarter ending, and the extra edition which comes after the death of the main antagonist is a big disappointment, as this is no superhero or vigilante movie to get a deviation like that. The world seemed to promise more, as we are transported to that dark atmosphere where the building and the clothing of the people around seems to hide more than what is revealed around there. The script does not try to go deep though, as the idea used here would not look that new for most people, and the attempt to end the whole thing goes through a struggle too. An opportunity at the exploration of evil has gone missing. The first half is surely better than the second, as in the end, the movie seems to be only working at going in one direction without the surprises which could have been there and connected well. The director also seems to talk about a few things which are not really connected to this film, and when losing focus just because there is a female protagonist does not do this film any good. There were many directions through which this film could have traveled, and here we only see the easy one.

The performers of the soul :: The cast is led by Nathalie Emmanuel who proves to be another talented scream queen to be added to the list. We have already seen her skills in Army of Thieves and Fast and Furious franchise where she excelled in her own way. The way in which she blends into the atmosphere of this movie leaves us impressed. Her scenes with other main characters feel very much natural and suitable for the situation. With the supporting roles, Stephanie Corneliussen goes through the more interesting and believable path. Alana Boden has a cure presence here, even though there is more about the character; yet she is used less. Thomas Doherty also makes his presence felt, and the transformation that comes across him is memorable. Hugh Skinner plays another character with a mysterious side to him, which threatens to come out. Sean Pertwee also has a strong and memorable presence. Courtney Taylor plays the small good friend role fine enough. Tian Chaudhry and Carol Ann Crawford have those smaller and yet notable roles here.

How it finishes :: We have a tale of terror nicely told here, and the entry of the vampires in a world of darkness only makes things better. The settings in this movie reminds us of the type of horror which was evident in Crimson Peak. Guillermo del Toro’s version of horror, even without vampires was a beautiful piece of horror. The Invitation does go through an unnecessary shift in between, which seems to make it lose the focus, as the mystery is revealed a little too early. But the movie stays strong with its cast and the environment which never ceases to keep us interested. We could always have a sequel to this movie though, as world like that of Byzantium or Night Teeth could be made for the vampires. Good movies with vampires have been more difficult to find these days in comparison to the world of Dracula, Carmilla and Ruthven, and taking that into consideration, this one could develop into something more with a search for blood and bloodlines.

Release date: 26th August 2022
Running time: 104 minutes
Directed by: Jessica M Thompson
Starring: Nathalie Emmanuel, Thomas Doherty, Stephanie Corneliussen, Alana Boden, Hugh Skinner, Sean Pertwee, Courtney Taylor, Tian Chaudhry

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@ Cemetery Watch
✠ The Vampire Bat.

Evil Dead Rise

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Vampire Owl: I think that they are talking about me.

Vampire Bat: You are not part of any Evil Dead stuff.

Vampire Owl: I am the rising evil coming from the dead.

Vampire Bat: Yes, but the movie is surely not about your rise.

Vampire Owl: Does my rising from the dead every day bother these humans?

Vampire Bat: I don’t think that humans are bothered about dead owls returning to trees.

Vampire Owl: Don’t they have time to bother about such important things?

Vampire Bat: They are only worried about silly things which make no sense.

Vampire Owl: Yet, zombies are interested in eating their brains too.

Vampire Bat: A common zombie would eat the brain fried rice of anyone.

[Gets a paneer masala dosa and three cups of cardamom tea].

What is the movie about? :: Jessica (Anna-Maree Thomas), Teresa (Mirabai Pease) and Caleb (Richard Crouchley) are having a vacation in a cabin in the woods by the lakeside, when something strange happens to one of them. As Jessica seems to be possessed by some strange supernatural entity, there is the reminder about a series of incidents which happened in an apartment block back in the city of Los Angeles. In the city, Ellie (Alyssa Sutherland) is a single parent who takes good care of her children Bridget (Gabrielle Echols), Dannie (Morgan Davies) and Kassie (Nell Fisher), and is also loved by everyone living in those apartments. They are visited by Beth (Lily Sullivan), the only sister of Ellie who works in the music industry. They have had some misunderstandings in the past, but are back to their past as loving siblings. It is then that an earthquake hits the apartment complex while the kids are at the basement as they return with pizza and drinks. They notice that the earthquake has created a massive hole on the basement floor.

So, what happens with the events here as we just keep looking? :: Danny decides to investigate the strange hole, and discovers that there are different religious artifacts, along with some phonograph records and a strange-looking book which he takes back up to his room, even though the other children are not really fond of the findings. It turns out that the Book of the Dead has been found, and as he plays the phonograph records against the advice of Bridget, he unleashes the demons. These creatures take control of Ellie in the elevator through the vines which runs through her body, almost twisting her body parts. As she returns to the apartment, she begins to act strangely, and collapses all of a sudden. Beth and the children feel that she is dead, as there is no sign of life in her body. Her body seems to be in a somewhat decomposed already. But very soon, Ellie seems to wake up from her sleep, confused for a few seconds, but soon getting to attack her own family. All the family members work hard to keep her outside their apartment, but the possessed mother ends up murdering everyone in the nearby apartments who try to come out.

And what more is to follow in this tale of evil unleashed from a book of the dead? :: Ellie in her possessed form is still smart enough to almost make Kassie open the door for her. Bridget soon finds herself also possessed by the demons after being attacked and wounded by Ellie. Meanwhile, Ellie finds out that vents can be a good option to attack her own family. Bridget soon begins to attack the family, only to be impaled by accident by Kassie. Beth tries to learn more about the demons by listening to the phonograph. At the same time, Bridget manages to rise from the dead again, and Ellie gets into their home through the vents. At the same time, the dead people outside also find themselves alive in their undead state, ready to attack the family. They declare with confidence that the whole family would by dead by dawn. At the same time, the elevator doesn’t seem to work, and the stairs have also collapsed. There is the option of fire escape, but that would be a long distance away, with the undead awaiting them outside their home. Now, can Beth find a way to save what remains of the family with herself? Is there any chance to stop the possessed Ellie and Bridget? Does anyone know how to stop the ancient demons right out of the Book of the Dead?

The defence of Evil Dead Rise :: This rise of the dead makes sure that things get interesting from the beginning stages itself – it is the first few minutes that establishes the return of horror like no other moment. There are some nice dialogues which contribute well to the horror too, and most of them come from the main antagonist herself. The tall Los Angeles building seems to serve the demons’ purpose very well, if used well enough. The bloody side is strong, and the elevator filled with blood makes the point well. There is some difference from the other movies in display here too. The leading ladies have also come up with some fine performances. Lily Sullivan is the scream queen who can do wonders with a possible sequel too, as she has already shown here. Alyssa Sutherland is a fine possessed creature in the movie, even though the humour added to her character make it feel strange at times. Another interesting thing would be to guess how Anna-Maree Thomas would work with her character in the next possible movie if it chooses to continue this story, and one would also like to see Mirabai Pease in an alive character. The dark and gloomy atmosphere of this world would stay for long, that is for sure as we wait for more sequels.

The claws of flaw :: It is surprising that Evil Dead Rise often descends too much into comedy instead of continuing as the terrifying piece that it was always expected to be. It didn’t need those silly sequences which weakens the demon power. After all, these are demons who are to make human lives living hell, and they are required to act like them. There could have been more scary sequences used, and the shocking elements used here are not of that much of an effect. The demons could have come up with so many things with their chaotic skills, but it is too much limited in scope. The makers have to remember that these are not the viewers of those days when those first three movies released. There was the need for more innovation to make things better. The vine scene in the elevator could have been creepier, as the same in the forest was more terrifying in nature with the support of the environment. The surroundings of the tall apartment complex could have also been better used. You just cannot expect blood and gore to do the job all the time, as some real terror can always do better. When we look at the film reviews too, there is much more that everyone had expected, seemingly clear from the reaction of the audience in the theatre.

How it finishes :: When it is the case of Evil Dead, we are all interested. We have all been interested from childhood itself, as it has been that franchise which introduced many of us into the bloody and gory horror which knew no substitutes. Whether it is with the older franchises of horror or with those newer ones, there is nothing that matches the level of Evil Dead. The earlier version of the movie had come out in 2013, and it was no exception. The first movie was there before we were born, and that was legendary. This one comes so many years later, and during these times, it is even more difficult to make the horror work with such efficiency. This version of the movie manages to do the same up to an extent in style. There are indeed those moments to remember in this film, and we are only glad to have this particular sequel, which leaves the door open for more. The demons of Evil Dead will always have a different status in comparison to others, and the newer crowd favourites like The Conjuring, Insidious, Sinister and Annabelle can remember.

Release date: 21st April 2023
Running time: 97 minutes
Directed by: Lee Cronin
Starring: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher, Mirabai Pease, Anna-Maree Thomas, Richard Crouchley, Jayden Daniels, Billy Reynolds-McCarthy, Tai Wano

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@ Cemetery Watch
✠ The Vampire Bat.

John Wick 4

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Vampire Owl: So, this man is still alive.

Vampire Bat: It seems to be so in the movie.

Vampire Owl: I was beginning to wonder if he is immortal like us.

Vampire Bat: He is just like the Hitman, but killing more people without stealth infinitely.

Vampire Owl: He might be using the stealth machine invented by Doctor Frankenstein.

Vampire Bat: He cannot really invent anything of use.

Vampire Owl: You are blaming the great scientist for no reason, once again.

Vampire Bat: Mr Fankenstein has never really been a true doctor of scientist.

Vampire Owl: Even the witches have approved his status.

Vampire Bat: They know nothing about science either.

[Gets a vegetable cutlet and three cups of Munnar tea].

What is the movie about? :: The world’s most reputed assassin John Wick (Keanu Reeves) continues to be on the run after a series of events leading to committing murder at The Continental Hotel, violating the basic rule that there would be no blood spilled on its grounds. He has the support of Bowery King (Laurence Fishburne), a former underworld crime boss who has a score to settle with the High Table, the powerful council of crime lords. As a part of this, he murders the Elder (George Georgiou), the only person who is above the High Table, and this leads to further actions against him. Marquis Vincent de Gramont (Bill Skarsgard), a senior member of the High Table takes over the course of actions against John Wick, and decides to finish this forever, with a certain amount of arrogance over his power. As the first step towards this, Winston Scott (Ian McShane) has his privileges taken away from him and his hotel destroyed. At the same time, Charon (Lance Reddick) losses his life, as the Marquis decides to have things working his way for a change, as the man in charge. He is determined to achieve only one thing in his life, something which others of his status failed to achieve, to have John Wick dead and buried for the betterment of all other assassins.

So, what happens with the events here as we just keep looking? :: John Wick is someone who is not ready to die, as he is determined to live on with the memories of his dead wife. To end him, Marquis appoints Caine (Donnie Yen), a blind assassin whom he threatens with the life of his daughter and in the name of the obligation that he has for the High Table. Caine agrees despite being an old friend of John to ensure his daughter’s survival. John takes refuge in the Continental hotel at Osaka in Japan where another old friend Shimazu Koji (Hiroyuki Sanada) is the manager, assisted by his daughter Akira (Rina Sawayama). There, a group of highly armoured assassins sent by Marquis attacks them, along with Caine who accompanies them. Almost everyone under Koji’s command is killed, while John barely makes it out alive as a tracker Mr Nobody (Shamier Anderson) who had been trying to collect the bounty on his head decides to keep him alive until the price on his head gets higher. John murders a full wave of assassins until finally getting to the safe house.

And what more is to follow for the former assassin on the run? :: Caine murders an already wounder Koji, while Akira is left to tend to her own wounds. Both John and Winston are in requirement of vengeance, but the end of Marquis and winning their lives back is no easy task. John would require the help of his family which has lost its head and is now led by his adopted sister Katia (Natalia Tena) who is determined to avenge the death of her father. He has to do the job for her and murder the German High Table crime lord who was responsible for that death. But at the same time, he is followed by Caine and Mr Nobody, both determined that they would not let the other person kill John. Both of them hate Marquis and would love to see him dead too, but are left with no option to move on with their respective futures. The Marquis has his assassins everywhere to prevent John from having any of his plans working against him. John Wick seems to be the man whom nobody can get rid of, as he keeps coming back for more, but for how long and against what all forces which have been arranged to fight him seemingly for eternity?

The defence of John Wick 4 :: The movie is a clear improvement from the first two films, and is almost as good as the previous film which had the perfect style and the right length which works for a movie like this one. The sequences of action are once again done very well with artistic beauty supported by charming visuals, and the fight in Japan is indeed a classic one, even though it came too early. The final fight in the streets is a long and memorable one, often getting longer than the longest battle that we can imagine, and the duel in front of the sunrise Sacre-Coeur church building in Paris is a sight to remember. The beauty in the fights and the artistic spilling of blood have their own merits. John Wick is someone whom we will remember for longer after this movie, and as the Hitman who has lasted so long, he defines Keanu Reeves as much as The Matrix and Constantine, the two other classic films that we shall never forget. It is Keanu Reeves who once again keeps the franchise strong. Donnie Yen makes a fine addition while Bill Skarsgard plays the usual rich villain who has so much money and power to control everything in sight. We also have Hiroyuki Sanada and Laurence Fishburne contributing well even though they could have been present for more time on screen. Rina Sawayama as Akira and Natalia Tena as Katia are fine additions who could make in a spin-off or sequel – the latter is someone whom we remember so well for their performance in Game of Thrones series. Ian McShane does the usual in style.

The claws of flaw :: This version of John Wick is too long, whichever way we look at it, as it touches three hour mark with a total run-time of 171 minutes with the interval, trailers, advertisement and national anthem added to the list, even though the censor board seems to have helped in keeping it at three hours and nothing more. With every movie, there has been an increase in run-time. This length is surely a disadvantage as there are moments when this one seems to drag, especially with the dialogues. The action does get repetitive, and we see so many things happening again and again. The movie could have used France’s monuments like Notre Dame Cathedral, Pantheon and Louvre Museum as much as the others, as Paris looks like a dream in this movie. The end of the movie could have also been much bigger, as there have been three films contributing so much towards coming to this grand finish which also seems uncertain if there could be a sequel or spin-off as vengeance continues to be the main thing on the list. John Wick also does not seem to be that stylish with his work anymore, even though we were always expecting him to bring more with the progression in films. There is also the lack of a good female character with presence throughout the movie, as they just come and go with some contributions here and there.

How it finishes :: There are not many Hollywood movies which have made an impact here like John Wick, if we leave the superhero films behind. There are so many kills, and we have people appreciating the action which is very unlike the dumb action in Bollywood movies and some of those overrated mass masala films from South India which earns so much with some nauseating performances, often with the products of nepotism at the helm. The total run-time of this movie might scare some people, but we can stand this as there is artistic beauty and creativity associated with, and not the dumb skill to make hundred enemies fly away as the so-called hero makes a move. The movies like this one are not easy to make as plot never has that much of focus, but this is another movie in the franchise that gets things right, especially with the action, and the choice of actors for the particular roles. There will always be something special about John Wick, even when he would not be of the strength that he used to be, and Keanu Reeves power further strengthens it.

Release date: 24th March 2023
Running time: 171 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Donnie Yen, Bill Skarsgard, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Ian McShane

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@ Cemetery Watch
✠ The Vampire Bat.

Kooman

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Vampire Owl: This man might be familiar to us.

Vampire Bat: I am sure that he is not the kind of night rider whom we can call here.

Vampire Owl: But he is surely an owl like me.

Vampire Bat: Well, you have to check for the meaning which is intended here.

Vampire Owl: I decide the meaning around here for all owls.

Vampire Bat: They belong to a different world though.

Vampire Owl: Yes, the world which goes for terrible evil while pretending to be good.

Vampire Bat: You mean like Mr Frankenstein.

Vampire Owl: Dr Frankenstein has always been a decent man.

Vampire Bat: Chucky has been more decent than him.

[Gets a choco-marble cake and three glasses of orange juice].

What is the movie about? :: Civil Police Officer Giri Shankar (Asif Ali) is a respected member of the police station in the village of Nedumpara who is known for finding those clues to the cases which nobody else is able to find. Circle Inspector Soman Pillai (Renji Panicker) and Sub Inspector Sukumaran (Meghanathan) appreciate his skills as a young detective, but not everyone in the police station likes him showing better skills than the rest. The others feel that all the focus on him means that they mostly go unnoticed, despite doing some good job as expected from them. Despite his skills which can be put to good use, Giri is also an egoistic individual, who becomes angry for simple reasons and holds grudges against people as if his life depends on taking revenge on them. He is that kind of a person who could become a psychotic serial killer bigger than the ones whom he might catch in his long career as the policeman which is to follow. He would get enough advice from his senior officers, but that would not bring that much of a change on him.

So, what happens with the events here as we just keep looking? :: As Soman retires, the new Circle Inspector is Harilal Dev (Baburaj), and the situation becomes tense between him and Giri. As Harilal pushes him into the dirt in front of his childhood friend Lakshmi (Hannah Reji Koshy), Giri becomes really angry, and promises himself that he would have his vengeance against Harilal one way or the other. But that would take some time as his other opponents include Thampi (Baiju) and Suresh (Deepak Parambol) among a few more. To deal with the policemen, he seeks the help of the retired thief Maniyan (Jaffar Idukki). They decide to make the police circle feel the heat by increasing the crime rate. As more and more robberies happen in the area, Harilal feels the pressure, and Giri feels that he can nicely manipulate the situation to get back on his opponents. But as he takes one wrong step due to his ego, things go out of control. He understands that it is not really about him, as there are some other forces at work. There are deaths, and he needs to get to the bottom of a number of deaths which have happened in the last few years.

The defence of Kooman :: The movie works really well with its flawed hero who blends in to the situation with ease. The first half sets up things really well to that the second one which brings the mystery further. The weaknesses of the hero are explored well, but it does not bring the villainy to him, as he walks through the thin bridge that connects the two sides. It reminds one of the films like Salute which moves slowly with the protagonist who finds it difficult to solve cases due to his own limitations. The elements of darkness is nicely used, and there are enough red herrings around here to mislead those who make the guesses. The final twist gets another one attached to it, and the revelation reasserts that there is more than what meets the eye around here. As it points to something which has made the headlines in Kerala, the movie seems to have some prophetic skills too, with a release having a two week gap after the incidents became part of the television discussions.

Positives and negatives :: This movie is not for those people of the mass masala who who wishes to make all the nonsense happen on the big screen in the form action mass masala disguised as thrillers with all the dumbness. But it has managed be of better intellect in comparison. It does makes one feel that there is the need to explore the past of the protagonist further. Maybe, in a distanct future, some of these police officers in Jeethu Joseph’s universe played by Asif Ali, Prithviraj Sukumaran and Suresh Gopi could come together to investigate a case in a realistic manner, unlike the Bollywood cop universes where people fly around for reason and gravity gets no chance to prove its existence – much to the dismay of Newton. It is a fine relief that on this side, we have movies like Kooman which keeps its world realistic. We can always feel safe when a movie like this is taken at this corner of the country, and for those who want such films to happen elsewhere, would have the remake option to mint some money. Still, this might feel a little too lengthy in the absence of humour, and the robbery element gets a little overdose.

The performers of the soul :: Asif Ali gets a much different role to perform, and it can be seen that he embraces the changes to perfection. He was caught on the wrong side in Innale Vare, and this time, he is on that side where he can dictate terms, even though while staying within the struggles of a well-written character, the policeman with flaws, something the director created well with his another classic thriller, Memories. When we look at further performances, Hannah Reji Koshy has been a much underrated actress, someone who is capable of coming up with some big performances – she had supported well in Darvinte Parinamam, Theerpu and Rakshadhikari Baiju Oppu, something which she does nicely in this film too. Renji Panicker plays the likable police officer with ease, and it comes as no problem for someone like him. Jaffar Idukki continues to make an impression in supporting roles, and here we have no exception to him leaving a mark. Baburaj and Meghanathan are not far behind in being part of some moments to remember.

How it finishes :: After 12th Man which did not reach the director’s usual level, Jeethu Joseph gets strong with the genre of thrills and mysteries yet again, outside Drishyam 2 and its remake of Drushyam 2, creating something to remember outside the franchise which created the magic like no other. Kooman is a solid work which gets to the list of interesting investigative thrillers with ease. Even though Jeethu Joseph has not written the script in this case, there are high quality thriller elements still present here. I would feel that there are more indigenous elements elements added here. With its thrills, the movie is close to enough to horror and also connected to some of the incidents which were reported in news recently, making it having further contemporary relevance in this part of the world than one would think about it. There serves the reminder that even in the modern world, there will be people who are rooted in the ancient and the supernatural, which always find a way to reach the present with all the strength.

Release date: 2nd December 2022 (Amazon Prime Video); 4th November 2022 (Theatre)
Running time: 153 minutes
Directed by: Jeethu Joseph
Starring: Asif Ali, Hannah Reji Koshy, Baburaj, Renji Panicker, Baiju, Meghanathan, Pauly Valsan, Nandhu, Rajesh Paravoor, Karate Karthi, Adam Ayub, Deepak Parambol, Jaffar Idukki, Jayan Cherthala, Vinod Bose, Prasant Murali, Riyas Narmakala, Abhiram Pothuval, George Maryan, Ramesh Thilak, Pradeep Kottayam

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@ Cemetery Watch
✠ The Vampire Bat.

Old

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Vampire Owl: I wonder if they are trying to say that Uncle Dracula is old.

Vampire Bat: Everybody knows that he is very old.

Vampire Owl: But nobody ever dares to mention that.

Vampire Bat: Why should they keep mentioning that when it is well-known?

Vampire Owl: There might be vampire apprentices who wish to know.

Vampire Bat: They are have joined as vampire apprentices because they know.

Vampire Owl: They still don’t know enough, do they?

Vampire Bat: Well, you can’t expect them to know that much until they reach the next level.

Vampire Owl: You know that Uncle Dracula is planning to dismiss those partial vampires before reaching the next level, so that he doesn’t have to give them a bigger salary.

Vampire Bat: It is expected from the oldest miser in the realm. His habit goes back by so many centuries and vampire resurrections.

[Gets a green apple cake and three cups of mint tea].

What is the movie about? :: Guy Cappa (Gael Garcia Bernal) and Prisca Cappa (Vicky Krieps) are going through a situation which makes a divorce on the way. They decide to go on a vacation with their children Maddox Cappa (Thomasin McKenzie and Embeth Davidtz) and Trent Cappa (Alex Wolff and Emun Elliott) for the one last time, and then talk to them about the upcoming separation. Prisca does seem to have a medical condition, but is adamant about the divorce. The family is treated very well at the beach resort which they visit, and the children are really happy to be there, despite having to listen to their parents shouting at each other regularly. The next morning, the manager of the resort invites the family to a beach located further away, where not many people goes. They are taken to the area with a few others, who also join them on the journey. The others are also really happy to be there, as it seems like a really beautiful area, with no rush at all, a world where they could actually do whatever they wanted.

So, what happens with the events here as we just keep looking? :: But the place doesn’t seem to be that serene as they had thought earlier, and earlier told by the van driver (M Night Shyamalan), who is not ready to come to the beach with them, even though the tourists surely need some help. They find a fully naked woman (Alejandra Useche) in the sea, and they soon realize that it is a dead body. Agnes (Kathleen Chalfant), who is oldest member of the group dies, and the children quickly turn into teenagers, making them difficult to recognize even for their parents. Kara (Eliza Scanlen), the smallest among children come up with the biggest surprise. At first, it seems like a problem with the kids, and the old woman seems to be just having those old-age diseases. But it soon seems that everyone there are aging rapidly, like one year in every thirty minutes. They try to get out of there, but ends up having blackouts and waking up where they had started. Almost everyone out there seems to have a medical condition out there. When they have injuries, they quickly heals. The dog out there also dies.

What more would happen in a situation from where there might be no escape? :: Jarin Carmichael (Ken Leung) and Patricia Carmichael (Nikki Amuka-Bird) are from the medical field, but they don’t seem to have any clue about what has been happening. Brendan (Aaron Pierre), a famous rapper is also there, but it seems that he has been there for longer than any of them, and has no clue about what is happening around there. Prisca is revealed to have cancer in her stomach, which also grows very quickly, and it has to be taken out. Charles (Rufus Sewell), a surgeon with schizophrenia is the only person who seems to be qualified enough to save her, but is not in a state which will prove to be helpful to anyone. His wife and Kara’s mother Chrystal (Abbey Lee) has low calcium level and is continuously suffering as she gets older. They think about swimming all the way around the beach, but that seems to be a really difficult task, and a person had already died while swimming.
Climbing the steep hills also seems to be a difficult task, as they are not really the healthy adults required at the stage. Now, is there a way out before all of them will be dying soon enough?

The defence of Old :: M Night Shyamalan always has something different for us, and he seems to choose from such topics or materials which possess such a scope. This seems like a divergent thriller for sure, and has some interesting moments in the form of not just an adventure and struggle for survival, but also as a distant science fiction. As it nicely moves towards what awaits us, we are surely engaged early. The strange incidents at the beach also keeps us guessing, and the characters from different backgrounds nicely adds to the same. Along with the same, the scenery is nothing less than enchanting, and it surely feels like that unexplored beach which we really needs to explore, even if it means that we are all going to get older quickly and die around there. Well, all of those rich celebrities having crores which they need to somewhere might really want to check out this place – after all, they escape nicely from India whenever there is a problem here. In the current situation, being a big film star, cricketer, politician or political businessman is necessary to survive around here, unless you are a government-salaried employee.

Positives and negatives :: The execution cannot be considered as that perfect, as there seems to be some problem with how it has been edited, and regarding how a few things seems to be intentionally left out, but as we see the aging process done so well, there is a lot of smartness involved. Some dialogues also seem to be strange, and a few male characters seem rather unnecessary in comparison to the female characters who come up with something to note throughout the movie’s run. There could have also been something special added around here, as it is a movie set on a strange beach. But none of these seem to matter when we look at the entertainment level of the flick. The best performers here are the children jumping to their teenage – Thomasin McKenzie, Alex Wolff and Eliza Scanlen are the ones we look out for, as they deal with their too quick a jump. Vicky Krieps and Gael Garcia Bernal makes a good couple around here too. Abbey Lee’s work is also notable, as she plays one character who has always been in trouble. In the end, the movie seems to come up with the message that we don’t really have that much time as we think in our lives, and it is always best to do what we need to do as early as possible – instead of gaining regret late.

How it finishes :: M Night Shyamalan seems to be the right kind of director who comes up with the movies which feels so beautifully strange – the last one I remember is The Visit, a movie which remained divergently different in its own way and style. We also remember how well he managed to finish with the two movies of one interesting series, Split and Glass, with some special qualities. This one is based on Sandcastle by Pierre Oscar Levy, which he received as a gift for the Father’s Day a few years ago. Even though most of us do not know that much about the original work, we can be sure that he has managed to recreate the world in his way, as he has done in many other films. Well, if Shyamalan would do a movie on Corona virus pandemic, that would be very special, unlike any other film on the same topic. When we consider the same, we know that this movie surely has something special from his imagination, adding to the original material – as we won’t be reading that one, for now we will just have to think it is so, and enjoy the very interesting adventure here.

Release date: 23rd July 2021
Running time: 108 minutes
Directed by: M Night Shyamalan
Starring: Vicky Krieps, Gael Garcia Bernal, Abbey Lee, Rufus Sewell, Alex Wolff, Thomasin McKenzie, Nikki Amuka-Bird, Ken Leung, Eliza Scanlen, Aaron Pierre, Embeth Davidtz, Emun Elliott, Alejandra Useche, M Night Shyamalan

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@ Cemetery Watch
✠ The Vampire Bat.

Soul of the Dragon

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Vampire Owl: Do you know that Uncle Dracula once owned a dragon?

Vampire Bat: Vampires don’t own dragons. The sorcerers do.

Vampire Owl: Well, with the rise of the witches, there are not many left.

Vampire Bat: At least, the necromancers live well with the zombies.

Vampire Owl: You should know that the dragons lived in the dungeons of this castle.

Vampire Bat: You are talking about a legend spread by the villagers.

Vampire Owl: Dr Frankenstein has assured me that it is true.

Vampire Bat: Well, he is one scientist who knows nothing.

Vampire Owl: You don’t know the doctor enough.

Vampire Bat: Well, I know Mr Frankenstein well enough.

[Gets a paneer biriyani and three cups of iced tea].

What is the movie about? :: Bruce Wayne a.k.a. Batman (David Giuntoli) has a visit from Richard Dragon (Mark Dacascos), an old from a very long time ago, and Bruce is very glad to see him again, but they are attacked by some strangers with axes in their hands. It is then revealed that before he became the vigilante crime fighter known to the world as Batman, he had traveled to Nanda Parbat, a secret monastery in the Hindu Kush area of the Himalayas where he received training in martial arts. There, he was trained by the master of the arts, O-Sensei (James Hong), along with other students, and Richard was one of them. The others included Lady Shiva (Kelly Hu), Ben Turner (Michael Jai White), Jade Nguyen (Jamie Chung) and Rip Jagger (Chris Cox), who are supposed to among his best students – those who are already well-trained in the art. Bruce decides to train among them despite the doubts being present there. He had also learned to control his emotions and redirect them efficiently, along with using the darkness to his advantage.

So, what happens with the events here as we just keep looking? :: O-Sensei bestows upon Shiva, the responsibility of guarding a Muramasa sword called Soul Breaker, after Rip who also claims the same is defeated by her with ease. But Rip has other plans with the sword. He takes the sword, murders Jade who seems to blindly trust him with everything, and ends up opening a portal with the weapon. The area has a magical gate which is guarded by the master, and it would open this portal to world of the serpent god who is mentioned more as a demon, Naga. They had closed the gate once after a long fight against the giant serpents, but not without the sacrifices which had to be made including that of the master himself. Richard had discovered that the millionaire Jeffrey Burr (Josh Keaton) who leads a cult based on snakes named Kobra had taken control of the gate, and hopes to stop him and his allies at any cost. The strangers who attacked them were also mercenaries sent by him, and were expected to stop any progress.

And what more is to be offered here with the bat and his people on the hunt? :: They look for allies, and also hope to find and protect the sword before it is used to open the gate to the other world. For the same, they travel all the way to the Chinatown in Gotham where Shiva who is still in possession of the sword, and is controlling the world of crime out there. Batman is aligned to the opposite side of the law, but she is only happy to see a good friend again. But they are attacked by a bigger group of trained cultists, and the sword is also taken. The cult now owns a highly fortified island where they hope to open the gate using the sword and along with the same, sacrifice a number of kidnapped children. Now, they have to think differently to stop the worst from happening. They do find Ben and manage to make him a part of the team. But will they be enough to stop the evil from spreading? Are they fast enough to make the difference around here? Can Bruce Wayne contribute to all of these better as the Batman with all the equipment?

The defence of Batman: Soul of the Dragon :: There is something divergent about this particular animated movie that we see as following a different path. We do have the feeling of watching something nostalgic around here, reminding us of the animated series which came in the television, and this one surely has a lot of action along with some nice background music to go with it. You know that there is something about those times which we would wish to remember. The memories of the old kung-fu and karate movies also seem to come back to us to make an impact. It seems that there is also the chance to bring a sequel which can prove to be better than the original – a lot of action seems to be waiting to be unleashed, as we look at the final moments. With a short run-time that goes even below one and half hours, there is no drag in this particular movie as it keeps on going quick and smooth throughout its run. The antagonist of this movie serves really well as the one force of another world which seems to be near impossible to stop.

The claws of flaw :: There is not that much of a strength as in a Batman movie, whether as a detective or a superhero thing; for this one chooses a different path in comparison. It is certainly not the kind of DC movie which is expected too. The title is rather misleading as this is not really about Batman, as not just battle is shared – we just have the superhero in this movie which belongs more to the other characters. Well, Batman seems to be more like the guest who has decided to stay and own parts of the flick. The myth on the demon could have also been used in a better way. This also changes the Batman a little too much than what we know from the other movies, and that feels strange as so many things about our dark superhero seems to go some other way. When you have Batman in what feels more like a martial arts movie, this is expected, but the question still remains if it is what the fans of Gotham’s favourite vigilante would want. Well, you have supernatural forces, and Batman is also forced to go Mortal Kombat against them instead of being himself.

How it finishes :: Batman: Soul of the Dragon reminds one of the many interesting animated movies which DC has come up with in the last few years. Justice Society: World War II, Batman: The Long Halloween Part One and Batman: The Long Halloween Part Two are a few of them which made the impact earlier, and there are a lot of more of them which seems to be ready to contribute further to the world of the live-action, supplementing Aquaman, Batman, Wonder Woman, Superman and everyone around. While Marvel doesn’t seem to have these, DC surely has managed to keep one in the animated world too. Well, we know that animated superheroes have been our first love, and any reminder of the same only helps things further. We are all waiting for the bigger movies from DC, and there is no shortage of love for superheroes. After all, there is none in real life, as the only people who are termed super in our world are the most evil among them all.

Release date: 12th January 2021
Running time: 83 minutes
Directed by: Sam Liu
Starring: David Giuntoli, Kelly Hu, Jamie Chung, Mark Dacascos, Michael Jai White, James Hong, Josh Keaton

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@ Cemetery Watch
✠ The Vampire Bat.

Ghostbusters: Afterlife

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Vampire Owl: You mean to say that they want the ghosts dead.

Vampire Bat: I am pretty sure that vampires are not included in the list of ghosts.

Vampire Owl: So, they wish to kill us in some other movie.

Vampire Bat: Still, not as much as they have murdered their own kind.

Vampire Owl: That was not enough for an extinction event though.

Vampire Bat: Humans will be extinct sooner or later.

Vampire Owl: Have you checked all possible extinction events?

Vampire Bat: Yes, humans are part of nine thousand out of ten thousand of them.

Vampire Owl: They do have a fair chance to go extinct then.

Vampire Bat: Yes, good for the world around them, right?

[Gets a chocolate cake and three cups of elaichi tea].

What is the movie about? :: It is shown that there is a hunt for a supernatural entity which leads to the death of the man who tried to trap the creature. This leads to his daughter Callie (Carrie Coon) inheriting the farm. As a single mother, she struggles to pay the rent for her apartment. Her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace) are not that fond of the happenings around there. The three moves to the house with the farm which is passed on to them. The new town where they live seems to have earthquakes at all times despite having no seismic activity recorded – there is no volcano around, and not even some loud noise in this town where nothing much happens. Trevor is infatuated by Lucky Domingo (Celeste O’Connor) who works at a nearby diner, and seeing a vacancy there, joins the place for work. Meanwhile, Phoebe joins the class of Gary Grooberson (Paul Rudd), who is there just for the sake of it, and plays movies for the students.

So, what happens with the events here as we just keep looking? :: She also meets Podcast (Logan Kim), another student who is interested in science as much as she is. The three becomes infatuated with a device which Phoebe finds at home, and it turns out to be a ghost trap. Gary who has been a fan of the Ghostbusters for a long time, tampers with the trap with the help of his students, releasing one of the spirits that scares them and immediately flies into the nearby closed mine – the locals used to believe that the place was haunted too. Callie and Gary seem to instantly attracted to each other as the three comes to the inherited home in the middle of nowhere to find clues related to ghosts. Meanwhile, Trevor and Lucky on a trip with their friends also come across a spirit which they seem to dismiss as some random smoke coming out of the abandoned mine as part of some natural process. But a word seems to stay stuck with them.

Now, where would the ghosts lead further in this tale? :: Soon, Phoebe discovers a secret laboratory underneath the outhouse on the side of their house, and it seems that there was more to her grandfather than what met the eye of the villagers who called him the dirt farmer who farmed nothing other than dirt. He was doing some special work indeed. It turns out that the ghost of the grandfather is still there, and he hopes that his grandchildren will take over the Ghostbusters procedures. Phoebe seems to be able to enjoy that prospect very much. But will the very young new generation be good enough to come with a new level of ghostbusting while working against all odds? With a new terrifying evil ready to be unleashed, how good can a group of kids leading a team be? With the evil predating everything that they know, how good can modernity work against such evil grandeur of ancient times?

The defence of Ghostbusters: Afterlife :: The movie would be very interesting for those who grew up watching the original movies of the 1980s – seems like some doses of nostalgia being in store here and there. The setting at a town in the middle of nowhere with some nice locations which are even more remote – things one get better from there. The humour works well in here too. The action is big enough, and there is a lot happening in the final stages with the fights going on against the creatures from the other world. The special effects are pretty well done, even though not with every ghost – the final demonic arrival is a sight to be appreciated though, with the background effects also playing some fine roles. Mckenna Grace remains the soul of this movie, and the one child ghostbuster that you are going to remember for long, with moments to remember. Carrie Coon – Paul Rudd moments also bring some unexpected fun. Celeste O’Connor – Finn Wolfhard team is also an enjoyable one around here.

The claws of flaw :: Anything that is specifically intended for the old fans of the franchise which started in the 1980s won’t work for us, as the series didn’t have much of a fan base in this part of the world which was more into those spirits of Evil Dead, Nightmare on Elm Street, Friday the 13th and others. It was also a reason for the reboot making no impact around here. This one which take place more than thirty years after the 1980s works seem to do better, but doesn’t make an impact around here either. Well, with The Conjuring having brought its own methods of hunting spirits, this method would surely seem less effective – this still seems to be twilight times of The Conjuring franchise and that brings some chance for another sequel. There could have also been some deviation from what seems to be less suited moments around here. It could have also been less inclined to be suitable for children, as ghosts have evolved enough during these days. The beginning stages also take some time to get going, thus stretching the movie to something above two hours.

How it finishes :: Ghostbusters: Afterlife works well with its elements, and seem to know the strength to use to the advantage – the same is done in most parts, even though the film doesn’t go on to become the perfect return vehicle for such ghosts of many people’s nostalgia. Not to be confused with Resident Evil: Afterlife, this movie has enough hunting of ghosts to keep us interested. With another sequel, much more can be achieved by this particular franchise, which seems to have enough family-friendly ghosts in action. Well, this is one film with ghosts which can be watched with all kinds of people as audience. One one side, we have The Conjuring, Insidious, Ouija, The Curse of La Llorna, Sinister, The Nun, Annabelle and team, and on the other side we have this one which is not really for the scares, but has its own ghosts to keep the haunting going strong. Well, as much as we need those other films, this one is in requirement too – no doubt about that.

Release date: 19th November 2021
Running time: 124 minutes
Directed by: Jason Reitman
Starring: Carrie Coon, Finn Wolfhard, Mckenna Grace, Annie Potts, Ernie Hudson, Paul Rudd

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@ Cemetery Watch
✠ The Vampire Bat.

Sweet Girl

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Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

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@ Cemetery Watch
✠ The Vampire Bat.

Heaven

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Vampire Owl: Do you think that Uncle Dracula is going to heaven?

Vampire Bat: I am sure that vampires have a different afterlife.

Vampire Owl: You mean beyond heaven and hell?

Vampire Bat: Somewhere in between, to be exact.

Vampire Owl: Are you talking about the purgatory?

Vampire Bat: I wouldn’t know before death, but there would surely be blood.

Vampire Owl: Well, as long as there is blood, I am okay with it.

Vampire Bat: You don’t really take the blood substitute anymore?

Vampire Owl: Until Doctor Frankenstein invents the perfect substitute, I won’t.

Vampire Bat: Then, be assured that it will a long wait, because that pseudo-doctor and scientist with fake degree is involved.

[Gets a paneer puffs and three cups of iced tea].

What is the movie about? :: A group of NCC cadets discover a dead body in the forest area where they were camping for the holidays from their school. The first police officer to the scene is Bijoy Kuruvilla (Sudev Nair), and the dead person is identified to be Fabian John (Deepak Parambol), with the help of the forensic experts who are led by Narayana Swami (Joy Mathew). According to the descriptions from the witnesses and circumstancial evidences, the police discover the murderer to be none other than Peter Kurishingal (Suraj Venjaramoodu), another police officer. Then, the movie gets a flashback when Peter is in charge of a police station in a village. He had only recently lost his wife, and has a number of cases for investigation, which he takes very seriously so that he can use them to forget the grief of loss. His mother Mariyam Kurisingal (Vinaya Prasad) takes care of his only son, as he remains mostly busy as a strict police officer. But things get worse as he comes up against a case which would prove to be personal for him, as a family is murdered, and along with them, he also find his son’s dead body, much to his shock.

So, what happens with the events here as we just keep looking? :: Peter’s subordinate Sukumara Pillai (Alencier Ley Lopez) is posted in the case with the new officer in charge of the investigation, Inspector Kishore (Padmaraj Ratheesh) who seems to be solving the case rather quickly, and a man named Stephen (Jaffar Idukki) confesses to have committed the crime with an immigrant labourer from West Bengal, as part of an attempted robbery. Peter has his doubts, but as one of the victims is his son, his superior officer Revathi Subramaniam (Abhija Sivakala) declines him an opportunity to be part of the investigation team, but lets him have a look at it as part of a parallel investigation for which he would be solely responsible. Soon, he discovers that the man who is accused of murder, Stephen actually had nothing to do with it. This home named Heaven, where the murders took place, seem to have more than one secrets to be discovered. His discoveries soon lead to him taking over the case after joining back on duty. But it remains to be seen if he will like what he would discover.

The defence of Heaven :: Here is one more addition to the smart thrillers of our times with some fine red herrings. The investigation shown in the movie feels solid, and so does the emotional side. The movie achieves its motives without exaggerating anything at any moment. There are twists till the end of the movie, and we see that it has nicely solved the puzzles to come strong in the end with enough strength. The realistic mode is maintained while bringing up the thrills and twists, and it surely feels like something which could happen during these days when different crimes are part of the news more than ever. Even the police procedures seem to be much accurate, and it doesn’t seem to venture into those areas where the smartness of the audience is questioned; maybe it is because the film chooses to have no such superstars who have so many fans wishing for their favourite actor to destroy evil like a fallen angel. Well, this movie is also something with fallen angels, but it knows how to keep it realistic. This is the kind of film that can teach valuable lessons for Bollywood which has its non-performers coming out of nepotism, not able to emote.

The positives and negatives :: The visuals are really good, and the camera is particularly good in capturing the emotions of Suraj Venjaramoodu, with all the grief which is part of the character’s life. The moments after the son’s death is as emotional as it can get, and it is only matched by the determination in his face that comes up later. There are the inner and outer battle shown here are with their own relevance. Heaven does not hesitate in going through the emotional path of the police officer and his investigation, just like it was seen in the movie Memories which had that abiding sadness in it which would return to haunt the viewer. The movie could have actually focused on the darker side even more. The return to the initial moments come rather too late, and due to the same, people might have actually forgotten the events which had happened earlier. The movie does slow down after the deaths and following emotional troubles, and it could have used a serial killer instead of the usual vengeance ideas being repeated. The music doesn’t feel as that great in comparison to some of the other thrillers which dealt with similar themes.

The performers of the soul :: Suraj Venjaramoodu handles the regretful cop role really well, and it reminds us of his earlier movie Pathaam Valavu, where he had also lost his child. The helpless and lack of hope can be seen on one side, while there is smartness on the other. He is the police officer and father to remember. The emotional struggle which was best displayed in Kaanekkaane, and added with mass in Jana Gana Mana and Driving License works really well here too, as he is indeed one of the best actors to go through a strong emotional side. The biggest support to him is provided by Alencier Ley Lopez who makes a fine cop in a supporting role; I had felt that John Luther could have really used him as a police officer too. The actors like Sudheesh and Jaffer Idukki add more of an emotional side to the film with their shorter presence. Vinaya Prasad also has the emotional grandmother role. Padmaraj Ratheesh and Sudev Nair also makes some fine police officers. Abhija Sivakala as the superior police officer is also solid. Deepak Parambol’s as well Nimisha Sajayan’s smaller roles are effective too. The collection of performers here makes sure that there is something interesting about all of them.

How it finishes :: Heaven gets into the list of interesting thrillers including the recently released Twenty One Grams and Solamante Theneechakal, as well as many others which came earlier. After all, the thrillers of this world mean more than just Drishyam. The movie working a lot better than the heavily hyped movies like CBI 5: The Brain is a reminder that we have some new names who can do the same thing better. Well, this is the kind of film which can never work for Bollywood as the sons and daughters of superstars would not agree to act in movies which cannot progress without throwing hundreds of villains around. Movies like this should open their eyes to the idea that there is the need for more thinking differently, or the drought in Bollywood of blockbusters is going to continue forever. Bollywood’s fight with its own incompetence might be forever, but during those times, Malayalam movie industry, just like the other South Indian film industries, is coming up with some fine works of quality which are to be remembered.

Release date: 19th August 2022 (Hotstar); 17th June 2022 (Theatre)
Running time: 130 minutes
Directed by: Unni Govindraj
Starring: Suraj Venjaramoodu, Sudev Nair, Sminu Sijo, Sudheesh, Joy Mathew, Alencier Ley Lopez, Jaffer Idukki, Vinaya Prasad, Abhija Sivakala, Deepak Parambol

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@ Cemetery Watch
✠ The Vampire Bat.

John Luther

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Vampire Owl: It has been 826 days. That is a long time.

Vampire Bat: 826 days after watching a movie in the theatre, and now we are back.

Vampire Owl: The OTT life was quite long during that time, right?

Vampire Bat: Yes, mostly of Prime Video and Netflix, and then others.

Vampire Owl: The last one we watched was Forensic.

Vampire Bat: That was a good end to the sequence before corona virus.

Vampire Owl: Well, we remain the same even now.

Vampire Bat: We continue to live in a world without hope.

Vampire Owl: There is no movie that can be close to the reality of hopelessness.

Vampire Bat: Well, we will watch this movie for now, and think about the meaninglessness of a hopeless life later.

[Gets a vegetable samosa and three cups of cadamom tea].

What is the movie about? :: Circle Inspector John Luther (Jayasurya) of Devikulam police station is someone who is very much committed to his duty. He is fully supported by Sub Inspector Felix Joy (Deepak Parambol) who also spends a lot of time dedicated to duty. The absense of John during the major programmes at his home has his wife Jessy (Athmeeya Rajan) and sister Leena (Drishya Raghunath) in sadness, and his parents (Siddique and Sreelakshmi) in disappointment. On the night before his sister’s engagement, John finds him in trouble due to two cases. The first one is related to a political murder and the second one is a man-missing case following an accident which kills another person. The first case leads to John getting physical with the goons and ends up getting smashed on the head with a tube-light, which leads to him going deaf on one year, and requiring to use hearing aid on the other. But with a boy also found to be missing, he has to get back to the case and solve it within a deadline of two weeks.

So, what happens with the events here as we just keep looking? :: He discovers that the two missing cases have no relation with each other, and there is soon a woman that goes missing. The death in the first accident, and the missing person of the same accident seem to have no common person behind them. Their only clue is a pickup truck which doesn’t have the registration number displayed on one side, which makes it very difficult for them to go forward. All of these incidents have happened in a certain area which doesn’t seem to have many people around. As this takes place in the high-ranges between the tea plantations, there seems to be a shortage of CCTV cameras too. But they hope that there could be that one witness who might have seen one of these victims just before or after being taken away by the criminal. Still, it is to be noted that the man who is behind all of these can’t be a common criminal – there might be a lot more to him. John and Felix have to be very careful in this case. Can they find out the mastermind before there are more victims?

The defence of John Luther :: As far as the thrills are concerned, they are here to stay with this particular movie. There is the grand mystery running through the middle, which never losses strength. The suspense could be maintained, and it keeps us guessing. There are red herrings which almost makes us think the other way. The quality that we see on the big screen is too good – the beauty of visuals is always there, whether it is about the long shots of the enchanting Munnar and Cochin or the classic shots of night with danger lurking in the corners. The final moments have us more in fear than anything else, as the villain is revealed, but not with further twists. The songs are interesting, and they support the happenings of the movie well. The background score is effective, and the use of sound effects to support the proceedings also need to be appreciated. The darkness in a very good ally for this particular movie, as much as the different noises used around here – the scene at the beginning is a nice example of the same.

Positives and negatives :: One would be right to find some cliches here, but we have always required most of them to keep the cinematic world moving forward with strength. The movie could have given more significant chances to its female main leads to perform, as they are pushed to the background rather too early. There is a little bit of horror touch to the movie at times, and that could have worked even better if the elements were introduced much earlier. The movie is a reminder to us that any person among us could be a psycho killer, and idea that could save lives – well, those who enjoy when we fall are no less of such killers either. After all, all human beings are born evil, and this film once again shows how effective in evil they can be, especially when they feel that they are done with the society. We blame the evil spirits and demons, and maybe even categorize vampires as pure evil, but humans have always been the root of all evil. The dark world of the investigation in this movie also points towards the same, and we can’t agree less.

The performers of the soul :: Jayasurya is someone who performed all alone in Sunny last year, and this time, he gets a fine team, and we have him with a fine performance here. We believed that he was indeed the actor to be trusted while booking a movie ticket after such a long time, and also at Lulu Mall; quite an expensive one in this case. One would think that after watching so many films in the theatre from 2013 to 2020 until corona virus brought the trouble, the celebrities will be supporting this blog, but that is wrong, because only a very few of my reviews like Meppadiyan and Luca have been shared by the leading actors of respective films. Anyway, coming back to Jayasurya, he looks and performs like the dedicated actor that he always has been. From the perfect police officer to the flawed one like we see in Memories, he is to be appreciated for how well he has brought the quality in here. It is to be noted that Deepak Parambol also brings some fine support in here, as the police officer who is not left far behind, but stays beside the main character. Athmiya Rajan and Drishya Raghunath are lovely, but has less screen time. The villain is really good, but can’t reveal more about him due to spoiler possibilities.

How it finishes :: You always have time to support a dark mystery thriller placed on an investigation. We did welcome movies like Anjaam Pathira, Antakshari and Forensic with much appreciation. Like the latter movie, this one also keeps its killer as the psycho and not a revenge seeker, which lets it have the advantage over the rest of the similar movies which attempt to turn themselves into random movies of vengeance. The time it takes to come to the final villain also needs to be appreciated, as the suspense is successfully maintained until then. This is also the first movie I have watched in the theatre after 826 – the last one was Forensic just before corona virus had made that big run. It is always good to watch thrillers as much as horror movies, as we are better prepared to face all the evil in the world after watching these movies, and we know when to be ready, and when to give up and just die. After all, evil is too natural for humans, and there is always someone trying to lie, cheat and steal, as well as murder us, or make our life a living hell; its in human nature.

Release date: 27th May 2021
Running time: 135 minutes
Directed by: Abhijith Joseph
Starring: Jayasurya, Athmeeya Rajan, Drishya Raghunath, Siddique, Deepak Parambol, Sivadas Kannur, Pramod Velliyanad, Sreelakshmi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Black Island

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Vampire Owl: Are we talking about the island near the Northern Witches territory?

Vampire Bat: That one is called the Dark Island of Magic.

Vampire Owl: Well, that depends on the translation.

Vampire Bat: Let the vampire elders deal with the translation of ancient languages.

Vampire Owl: Doctor Frankenstein is good with languages.

Vampire Bat: I am sure that Mr Frankenstein was talking about computer languages.

Vampire Owl: He has worked with the Northern Witches in relation to creating new magic potions through scientific experiments.

Vampire Bat: This is why I told you that he is a pseudo-scientist of no real value.

Vampire Owl: You should say the same thing when he wins the Vampire Nobel Prize,  and gets elected to the Vampire Science Academy.

Vampire Bat: There is no Vampire Nobel Prize for pure nonsense.

[Gets a green apple cake and three cups of ginger tea].

What is the movie about? :: Jonas Hansen (Philip Froissant) is an orphan who lives under the sponsorship of the last member of his family. He recently lost his grandmother to the attack of a dog on a beach, while his parents had died in a car crash caused by another driver, both incidents seemingly having something strange about it. Nina Cohrs (Mercedes Muller) who lives in the island is instantly attracted to Jonas, and they become good friends. Most of the girls of the island do have some attraction towards him. It is that kind of a place where there is not that much of a modernity – beautiful scenery seems to make the best out of tourism, but even then, not many tourists visit the area. The place doesn’t have a lot of things happening around there either, and it remains a place of serenity throughout the year. Helena Jung (Alice Dwyer) takes over the German classes in an island which is located far away from the mainland in Europe. She is the replacement for a teacher who just had an accident, and would take a lot of time to make a return.

So, what happens with the events here as we just keep looking? :: The new teacher feels like someone whom everyone would like, and she remains friendly with almost every student. She asks the students to call her by her first name when they are not at the educational institution, or when nobody else is listening. She also shows great interest in making the students write poetry and improve their creative writing skills, and with the friendly attitude, becomes a favourite of almost all the students. Soon, Helena seems to get really close to Jonas, or rather too close for a teacher and student, while Nina maintains a certain amount of dislike for her. Nina’s suspicions are at place, but the relationship between the teacher and the student only becomes more intimate. There are too many secrets related to the new teacher, and any attempt to venture any deeper into it will put Nina in peril. But can she stay away from this mystery as she cares too much about Jonas? Will Jonas really understand what is going on here? What is the motive of Helena, and why would she choose to be in a remote island instead of the city from where she arrived?

The defence of Black Island :: The movie does work as a mystery thriller a few minutes into action itself. There is the eerie feeling that spreads through the movie especially due to the setting on an island which reminds one of that strange world surrounded by water shown in Sacrifice. The twists await us, and the movement forward, even though slow, is rather smooth. It also makes sure that there is no falling into that usual pit of nonsense with the relationship at the centre. The visuals are really good, as we are introduced into a world with natural beauty within, and surrounded by beaches and crystal clear ocean water, reminding us to go for a journey soon enough. Well, after that COVID-19 scenario, travel hasn’t really opened up for most of us, and it is nice to see this world of beauty at least on the screen. The atmosphere does suit the thirst for revenge, and we know that this kind of a world can have even a serial killer on the loose with maximum effect. There will be the moments to cherish right in between.

The claws of flaw :: This is not the kind of idea that one would need to appreciate for theme – elder teachers falling in love with too young a student is not something that should be encouraged, even with seemingly decent movies like Premam which would use pretensions to play with the minds of the unsuspecting people – as part of a plan of vengeance, that wouldn’t look that bad in this case; there is enough of a past around here. Still, the relationship should have looked more convincing, and the things around here looks rather too easy. These are the kind of things which are to be dealt with more intensity. The movie also kills off one of the most interesting characters in there rather too early. The investigation into all of these should have also been stronger, and people in this movie are not as smart as they should have been. The moments which are of importance here should have also been edited better, showing them as the parts which shouldn’t be missed. The movie could have also picked up pace too.

The performers of the soul :: The movie is mostly an Alice Dwyer work, with her as the centre of attraction. There are still moments when one would feel that she could have been completely into this case of revenge, but at times, she seems be not in focus at more than one thing. It could be more because of her character not being written with that vision that a revenge-seeker should have. A stronger character would have been better for our eyes and the rest of the senses. Yet, she maintains that mystery about her well, especially during the first half of the flick. Mercedes Muller plays a strong role, and she is lovely in her infatuation towards her long-time friend. She seems to be the one intelligent and determined person like nobody else in the movie, and she surely required a screen presence throughout the movie. Philip Froissant plays a usual character who surprisingly has too less to do other than listening to his teacher who became the lover and the friends around him – he is reduced into a person of not that much of importance. The other performers are of not that importance in this small world.

How it finishes :: I have come across some of the interesting German movies in the last few years, and they seem to keep a certain level with the thrillers. Whether it was Blood Red Sky, Freaks or Breakdown Forest, there is some attempt at thinking differently instead of going with the usual things. Well, horror movies and thrillers are the only things which seem to keep me going in this world of chaos and hopelessness. There has been the down-feeling which came with the Corona virus which doesn’t seem to leave, and it feels worse as we are going back to the society. Still, when we see the hatred that is seen in movies like these, we feel that this is real, a reflection of the society that we know, the one full of liars and cheaters. We have to accept horror as a normal part of life, more real than romance and drama which are considered too real. With some more focus, this movie could have done better, and as of now, it goes on as a thriller which also a work of drama and mystery that takes over on many occasions. The movie works better than what some of the reviews had talked about.

Release date: 18th August 2021 (Netflix)
Running time: 106 minutes
Directed by: Miguel Alexandre
Starring: Jolene Andersen, Alice Dwyer, Susan Angelo, Hanns Zischler, Mercedes Muller, Jonas Hansen

<<< Click here to go to the previous review.

<<< Click here to go to the first German film reviewed here.

<<< Click here to go to the first full-length German film reviewed here.

@ Cemetery Watch
✠ The Vampire Bat.