Don’t Kill Me

Vampire Owl: At some point, a werewolf asked me not to kill him.

Vampire Bat: So, you have started fighting werewolves on your own.

Vampire Owl: No, it was an arena battle during the last carnival.

Vampire Bat: Why would you kill a werewolf on an arena?

Vampire Owl: It was part of a great, memorable drama.

Vampire Bat: I knew it. You wouldn’t even slay a zombie juggernaut.

Vampire Owl: Why would I? Let them eat the brains of evil humans.

Vampire Bat: All zombies are not interested in human brains. Some of them just sleep in their graves at all times.

Vampire Owl: They are not undead – they are just the dead.

Vampire Bat: Well, zombies do have the right to make their choices too. Some of them even fall in love.

[Gets a vancho cake and three cups of cardamom tea].

What is the movie about? :: Mirta (Alica Pagani) is madly in love with her boyfriend and drug addict Robin (Rocco Fasano) who is detested by her parents. One day, she decides to have drugs with him, and an overdose leads to the death of both of them. But soon enough, she finds herself waking up in the tomb. She escapes from her tomb in the mausoleum where she was laid to rest and starts walking towards her home. But she understands that she is dead, and leaves the house soon enough. The police informs her parents that someone has stolen her parents. She knows that her body has started decaying, and there are also people hunting her. A strange person also visits her home, and says that they are going to protect the living from the dead – he adds that the parents are going to see their child very soon, but she won’t be the person whom they knew earlier. Soon, she ends up committing her first murder, and after eating the man, feels much better.

So, what happens with the events here as we just keep looking? :: But soon enough, she will understand that there is something more going on out there. There is a sect that has been hunting her kind from 1600s – destroying those who come back to life instead of staying dead, known to the secret organizations as the overdead. The group seems to be heavily organized, with lots of money, weapons and other resources. Mirta does find some help, but she wishes to go back and find Robin, hoping that he will also wake up at some point, as they died in almost the same way. But she is captured by the group, and is put in chains. It is then that she realizes that Robin has also come back to life. But that would also leave her with more revelations about what has happened with her life. It will also mean that she will have to make her own decisions against her heart. Where will that lead her in the end? Is there a war coming between the humans and the overdead? Will she choose one of those sides?

The defence of Don’t Kill Me a.k.a. Non Mi Uccidere :: This is a movie which comes up with some fine surprises, and even shocks in relation to its zombie world. It doesn’t hesitate to try something different, and take a few risks with its progression and scenes. The ability to stay unique in a world of repetitions is to appreciated. There are a few bloody moments in the final scene of the movie, and that result of an undead fighting the hunters has some quality setting which is going to stay for long. The moments of the protagonists meeting after dead are strangely interesting too, and there was that twist that worked out there. The bath scene seemed to point to some of the tales of the witches from the past, and maybe this will also come up with more links if there is a sequel. The visuals are really good here, not just with the scenery, but also with people and objects. The environment has worked in favour of the movie too. The message here seems to be about being careful about whom you are obsessed with, and that it is not about looks in a relationship. The movie also encourages one to take the path required instead of going with the flow.

Positives and negatives :: Don’t Kill Me does more than what was expected from it, and we are only to witness the same. It doesn’t overuse any of the special effects, and keep them to the minimum, but in an effective way. The idea here seems to be about using lower budget to achieve more. It does leave a few things to the imagination, without trying to explain them all. It could have also linked its sequences better, instead of seemingly straying from the path to come up with one scene or the other. Despite the zombie existence, you would still imagine Alice Pagani in a vampire movie, because the looks seem to work well with such an option – the Gothic world seems to suit her well. I would like to see her as part of an Underworld movie at some point of time. She is also suitable for the mood of Byzantium and Interview with the Vampire. The ability to move away from silly romance and keeping it natural also helps here – this movie could have easily been Twilight, but thankfully it is not. This one is a serious adventure at hand. The blood and gore is present, and still continues to be in control.

The performers of the soul :: The movie has its soul fixed on Alice Pagani, an actress who has made the transformation into the undead very smooth and believable – you don’t become the undead that easily and make it feel natural. She has this one in control throughout its run, as the confused youngster in love who doesn’t know much about what she has been forced to go through. Even in a decayed zombie form, she remains beautiful, and displaying the human confusion seemingly in an attempt to retain her humanity. She is there in every key moment of this movie, as if she is this movie, and it is all about her. Despite the thriving human beauty, she will make a fine undead, maybe even a vampire – Hollywood should have her. Rocco Fasano, for most of the movie, is the Robert Pattinson of this movie, the much liked Edward Cullen who is without his Twilight – has the looks of the undead working for him. They have some interesting scenes together, but there are not that much either – the romance doesn’t get overdone, and that is a nice way to keep away from the commonly expected undead infatuation.

How it finishes :: There are the usual romantic zombie movies like Warm Bodies which try to go the Twilight way, and then there is this one, which tries to be as divergent as possible. It knows that it has to be innovative in the zombie horror genre, as the idea has been repeated too many times. This is the realization which makes the whole thing better. One can only feel that Andrea De Sica is a visionary director who has brought another zombie origins story which can have a prequel or a sequel according to the need, as this one doesn’t end here at all. Italian movies have had some quality works in the last few months, like Security and A Classic Horror Story, both of them coming up with their own divergence in the process. When we look at these movies, despite the genres to which they belong, there is no exaggeration at all. Well, you know how wrong you can go with the zombies, and how much nonsense can be added in the name of the undead – here, we get them in our world, without those unnecessary ornaments or overdose of romance. The low ratings seem to be from those who expected a Twilight, but the beauty of this movie is that it is not here.

Release date: 21st April 2021 (Italy); 21st February 2022 (Netflix)
Running time: 90 minutes
Directed by: Andrea De Sica
Starring: Alice Pagani, Rocco Fasano, Silvia Calderoni, Fabrizio Ferracane, Anita Caprioli, Sergio Albelli, Giacomo Ferrara, Esther Elisha, Kateryna Aresi, Francesca Alice Antonini, Federico Ielapi, Marco Boriero, Marco Matteo Donat-Cattin, Marco Pancrazi

<<< Click here to go to the previous review.

<<< Click here to go to the first Italian film review here.

<<< Click here to go to the last Italian film review here.

@ Cemetery Watch
✠ The Vampire Bat.

5 thoughts on “Don’t Kill Me

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