Category Archives: Drama

Pumpkinhead

Posted on by

Vampire Owl: I would accept this one as part of the vampire team.

Vampire Bat: There can never be a pumpkinhead vampire.

Vampire Owl: Dr. Frankenstein had once created a creature out of a pumpkin.

Vampire Bat: Mr. Frankenstein can create only be a creature and can create none.

Vampire Owl: Frankenstein can only be a creature of supreme intelligence.

Vampire Bat: Do not transform him into an alien now.

Vampire Owl: He is not of this realm, and therefore he is an alien, the smartest among them.

Vampire Bat: He is not worthy enough for any designation.

Vampire Owl: You are talking about the greatest scientist of twelve realms.

Vampire Bat: He is the one pseudo-scientist that I would avoid.

[Gets a masala bonda and three cups of kadak tea].

What is the movie about? :: A thirteen-year-old boy named Sam (Bean Reid) who was forced to leave his friends and relocate from New York City to a small village with a seemingly perfect and peaceful farming community called Redhaven with his family. The story of the village points to Palmer (Kevin McNulty), who is known as a generous, friendly old farmer who is the descendant of those agriculturists who saved the town by creating agricultural success out of nowhere at a time when everything was failing in the land and crops were dying. The people of the village have been spreading the word that it was achieved through hard work and advanced farming techniques and the villagers celebrate the same through a harvest festival. During this festival, Redhaven’s unmatched prosperity in compared to the area around them continues to be celebrated as the award-winning crops which are sold in bulk and at high prices throughout the neighbouring villages are remembered in Palmer’s lands. But Palmer keeps people away from his farmhouse, which he keeps away from the village folk, but everyone surrounds the area around the farm where he has kept the celebrations alive.

So, what happens with the events here as we just keep looking? :: Angry about his move to the strange place which seems to have nothing for him, and chased away from the farmhouse by Palmer while looking at a strange pumpkin, Sam decides to steal a massive pumpkin from the farmer’s restricted area just to make the man feel bad about it. The police begin to start searching about the same as a case was registered, and the farmer who was held at high regard by the village gets all the condolences. Sam’s elder brother Finn (Seth Isaac Johnson) finds out about the same, and with hope for the best about the family’s relationship with the village where they have to spend rest of their lives decides to return in back at that night itself, even though Sam remains unhappy about the people of the village and its lack of facilities compared to every place he had stayed before. But Finn who reaches the farmhouse is attacked by some unknown force, and some vines which capture him, take him right into the sand.

And what more is to follow here as things seem to show tendency to get further complicated? :: The next morning, as he cannot find his elder brother anywhere, Sam keeps searching for Finn, but is not able to find him. As he keeps searching for him, he remembers that he was going to Palmer’s house to return the pumpkin, and with his only friend from the area which he had just found, Becka (Adeline Lo), he goes on searching, only to be thrown out of the farmhouse by Palmer. As he tells his mother Cassie (Kendra Anderson) about his elder brother going missing, but he discovers that she does not remember Finn and according to her, such a person never really existed in their memory even as an acquaintance. He brings photos of them together, but she does not see her elder son and asserts than Sam is her only child and they came to the village as a group of two in their car. Becka tells him that children have gone missing from the village before, and none of the adults seem to remember them. She tells him not to waste time with adults of the village anymore, and only an outcast named Rusty (Matty Finochio) might be able to save them. At the same time, the scarecrow in the field seems to look at them. Can they find the secret behind the missing children soon enough or will more of them go missing?

The defence of R L Stine’s Pumpkinhead :: The movie’s biggest point is the scarecrow monster itself, which brings effective scares. The creature’s unnatural and unsettling movements create genuinely unsettling visual scares, and rises a long way above CGI using an actor. The idea of children being erased from the memory and even proof of their existence disappearing makes a scary point here further away from the usual horror. Despite the scares, this one remains a horror which stays within its borders, making it watchable for everyone, and still does enough justice to the genre. The presence of ancient evil makes sure that a high level of danger is always there to unleash chaos into unsuspecting people. The kids do a great job, and the pairing of the leading children works effectively, and the final villain reveal also blends in well. The visuals are nothing less than stunning, as the autumn imagery and the small-town harvest festivals with pumpkins, all with that orange shades provide a stunning look here, and in this case, even the night view has a certain charm as much as the horror that stays. The climax twist feels classic and should inspire a sequel.

The claws of flaw :: This is that kind of a movie which we had not heard about until it was released on Amazon Prime Video, and when something goes unnoticed by the horror enthusiasts, that feels strange. Some of the acting in the beginning does feel like a struggle, especially with the first few moments never really bringing much of an interest. The weak beginning might decrease the number of people who watch movie to its more interesting parts. The main character if written better, would have helped the process in those early stages, and the protagonist being a little more likeable would have surely served the purpose better. The people who look for strong and extremely terrifying moments will be disappointed, as the movie never really goes for something huge. One would also feel if something other than the scarecrow and some vines within a farmhouse could have been added to extend the strength of horror, as the idea of an ancient evil rooted on Earth and nature would have endless possibilities. The supporting characters are not given enough according to the situation either, and our hope to see the pure evil unleashing itself is lost.

How it finishes :: R L Stine’s Pumpkinhead stays different from other horror movies as a work on screen which can be watched by the whole family, never really taking it to the next level – it can be a good thing of something bad, as it limits the movie, but keeps it accessible to everyone. The scares are still effective enough, and staying within a drawn line of control, it can still call for all kinds of audience. Its power as a highly effective, atmospheric gateway horror movie cannot be questioned at all. It balances the spooky nostalgia of 90s horror with modern style, making it a perfect entry point for younger audiences who are looking for horror entry while remaining entertaining enough also for those usual horror fans. It can also be said that the horror here is not just physical, but psychological as the memory of a loved one disappearing also adds on here. The feeling is more or less like folk-horror as centuries-old ancient horror comes out of nowhere with unsuspecting people playing along with the evil plans. Now we will see what can come in this franchise if there is a sequel – there should be more evil to unleash here.

Release date: 17th October 2025
Running time: 90 minutes
Directed by: Jem Garrard
Starring: Bean Reid, Seth Isaac Johnson, Adeline Lo, Kevin McNulty, Bob Frazer, Matty Finochio, Troy James

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Drop

Posted on by

Vampire Owl: I remember that I once dropped bomb in the land of zombies during a lockdown.

Vampire Bat: It was a magical orb; you don’t call it a bomb.

Vampire Owl: In our worlds, the orbs replace the bombs.

Vampire Bat: We are no longer using that magic in our lives.

Vampire Owl: The dark magic has still spread enough in the realm.

Vampire Bat: Such evil has been limited to the lands of the northern witches.

Vampire Owl: Dr. Frankenstein had ended the witches by himself.

Vampire Bat: Mr. Frankenstein won no science vs magic battle.

Vampire Owl: Frankenstein will end all unnecessary magic with the use of science.

Vampire Bat: Now you know why Uncle Dracula banned him.

[Gets a sweet puffs and three cups of Kodaikanal tea].

What is the movie about? :: Violet (Meghann Fahy) had been suffering as she was unable to leave her alcoholic and abusive husband despite her being a therapist herself. But this had changed as the man committed suicide, but she was blamed for it, and people often told the stories about her killing her husband as she was unable to suffer his atrocities anymore, as even the neighbours could not stand the man. On an eventful day, after finishing daily work, she is startled by a metre reading man knocking on her window and she had guided him to the back of her home. Later, Violet decides to leave her young son Toby (Jacob Robinson) at home in the care of her younger sister Jen (Violett Beane) and go for her first date after the death of her husband. Jen makes sure that her sister wears the best clothes and manages to find her true love this time and get married to lead a good life. With everything set and with the best wishes of her sister, Violet reaches Palate, a grand restaurant at the top of a skyscraper for a date with a photographer named Henry (Brandon Sklenar), whom she has been messaging through a dating app.

So, what happens with the events here as we just keep looking? :: As Henry is late, she spends some time at the bar and meets Richard (Reed Diiamond), a little elderly man waiting on a blind date, Matt (Jeffery Self), a server on his first day at the restaurant, Cara (Gabrielle Ryan), the friendly bartender, Phil (Ed Weeks), the restaurant’s pianist, and Connor (Travis Nelson), a young man waiting for his sister. Henry reaches, and as they start their date, Violet begins receiving messages on her mobile phone through a short-rage texting system. These messages from this unknown user starts with memes which gradually become more threatening. Henry tells her that it could only be someone seated in their section of the restaurant as the range would only be that much. Despite Violet trying to ignore the drops, the crisis elevates as the unknown person asks her to check her home security cameras. As she checks for the same through camera, she finds Jen being knocked out by a masked man who locks Toby inside a room, and she is warned against telling everyone about it, as the boy would be killed if anyone comes to know about it.

And what more is to follow here as lives seem to be at stake with time running out? :: The messenger tells her that only by careful actions, her son will be saved, and warns her against leaving from the restaurant, as she is to continue her date. When she moves, it seems that the man knows, and as she moves into the toilet, she finds hidden cameras near the wash, and the same was also seen on the side of her table. She pretends to be scared of heights and ask for the table to be moved from their location with the city view to anywhere else. Henry manages to have the same done with the help of the staff, but she is forced to come back as the messenger asks her to return to the same seat or her child would die. They return to the same table, which the staff says was particularly chosen for them through a call, but both of them remember none of it. The messenger further instructs Violet to find a camera in Henry’s bag kept on a side and destroy its SD card. Violet manages to complete the job and finds out that Henry, who works for the city mayor, has photos which would serve as evidence against the man. But this would not be the last thing she will have to do to save her son. How long can she survive like this?

The defence of Drop :: The movie is powered by a fine performance from Meghann Fahy who drops the anchor with a performance that requires some fine skill, as she has to continue fighting against all odds with control over her actions as much as the emotions. Brandon Sklenar also provides some fine support here as he plays the next significant character. These characters are placed in a situation which does not go much about one and half hours, and with such a short run-time, the movie leaves one with no wasted time. There are some nice situations which feels more real than the others. The anxieties about digital life and surveillance feels very much real as we never really move away from the same, no matter how much we feel that this would not happen to us. The suspense and thrills we feel here are more like taken right out of a world that we know. There is also that emotional side related to the life of the main character. Then there is the stunning world of the restaurant with a view and the tension that something big is going to happen any time soon, and the audience are prepared for the same.

The claws of flaw :: When we think deeply about the movie, we can’t help feeling that the villain’s plan depends on the near-impossible, requiring the best of timing and perfect surveillance that stretches the willing suspension of disbelief at times – this happens in such an area where immense possibilities are there, and just going for the same in the usual manner and then trying to hide the evidence would have been the better options however we look at it. The idea that the main character, despite being a person with skills related to the mind decides to stay with her abusive and alcoholic husband who does not have the right state of mind makes us wonder what kind of skills she has in her field of psychology. The flashback which goes there is not that much either, and we never really go that deep into past, and yet there is so much of talk about the same. Then the finish seems to be done in a hurry as the revealing is done and then the chase happens as if they were just put there to end the film as soon as possible.

How it finishes :: Drop takes advantage of the fear of being watched digitally with no idea of who is doing the same; it is indeed one of the scariest feelings that one could have, as this has become an inevitable part of our life in one way or the other. Meghann Fahy carries the same tension while not really out of the character’s long trauma right on her shoulders. Her performance that stands apart makes sure that the emotional stakes feel raw and very much human, even when the technology around her tries to take over. It is to be noted that all of these happens in the restricted space of the top floor of a skyscraper where the restaurant is situated. There, it expertly turns an everyday social setting into a terrifying nightmare, and for the same, it needs the applause, as some of us might think twice about talking to a digital stranger too. It could have still become something more, but it chooses not to, as the terror lies a little too much in the messages and a video cam rather than on the main location in real space, and we should have had a little bit more of the main character’s past and a less quick journey in the final stages. But we have everything that ends well, and we are left with messages, which is very much fine.

Release date: 11th April 2025
Running time: 95 minutes
Directed by: Christopher Landon
Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jeffery Self, Ed Weeks

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

The Wrecking Crew

Posted on by

Vampire Owl: We have acted as wrecking crew of our vampire army before.

Vampire Bat: I thought you preferred the words, destruction and devastation.

Vampire Owl: I had also used the word, annihilation. But not anymore.

Vampire Bat: So, you are becoming more positive in your ideology.

Vampire Owl: As long as I do not see any human; they are too evil towards infinity.

Vampire Bat: Human evil in a particular form is also shown in this movie, I believe.

Vampire Owl: Humans can only elevate the evil; there is no escape.

Vampire Bat: Shadow demons once called them the true demonic ones.

Vampire Owl: Shadow demons, despite their strength in shades are lesser evil.

Vampire Bat: Human evil will always find a way, even better than the undead witches.

[Gets a pineapple cake and three cups of Vagamon tea].

What is the movie about? :: James Hale (Dave Bautista) and Jonny Hale (Jason Momoa) are step brothers who have been living apart for a long time, never really feeling the need to meet each other or even have a talk over the phone in the last few years. Jonny has moved to Oklahoma, and is working as a police officer with his girlfriend Valentina Silva (Morena Baccarin) a Portuguese-speaking immigrant from Brazil. After he makes a mess of things again as he has been doing for a long time, he gets suspended, and despite all the begging about him needing her and in spite of all the sweet talk about her being the most beautiful Latino girl he ever known, Valentina decides to leave him citing the lack of concern and talk he had with her in the last few months. At the same time, James is an officer in the United States Navy, and is living a happy and peaceful life with his wife Leila Hale (Roimata Fox) and his two children back in Hawaii, and takes his job very seriously. He is a much-loved figure in his town for his responsible and helpful behaviour, and the family has built quite a positive reputation.

So, what happens with the events here as we just keep looking? :: The death of their father by a car accident brings them together, even though they know nothing about him from the last few years, and have not seen him quite some time. Jonny decides to stay at Hawaii for some time to attend the funeral as well as investigate his death. The meeting with James and his family feels like a thought process, as they had not seen each other for such a long time, and never even called to know the other. Their cousin Haunani Palakiko (Frankie Adams) also arrives for the funeral, and she is one of the few people permanently settled in the area as she works for the mayor of the town, Peter Mahoe (Temuera Morrison). Jonny tells James that the death of their father was not an accident, as he was attacked by some Yakuza thugs at his Oklahoma home, and they were asking for a package which was sent by their father. James does not want Jonny to investigate and get into trouble as the police had already called it an accident, and their father was carelessly standing on the road while the car was speeding.

And what more would happening here as there is indeed a mystery to solve? :: James feels that Jonny just keeps getting into trouble for one reason or the other like the day when he had to leave home for a long time while being hunted by a local crime syndicate who still seeks vengeance. But James decides to go through the investigation just to make sure, and Jonny is already on the same, beating up people according to the need for information. As their paths converge to their father’s apartment, they find plans for a casino and resort. With their cousin’s help, they discover that the casino is to be built on the Hawaiian homes which are already occupied by the locals. It is to be built by an influential billionaire known as Marcus Robichaux (Claes Bang), and the brothers decide to crash one of their grand parties. There, they meet Monica Robichaux (Lydia Peckham), who is Marcus’ wife, and also the members of the same gang who launched an attack on Jonny. Monica tells him that she had hired their father to investigate on her husband. They realize that all of these are connected and there might have been some secrets which got out. But can they find out anything before they are hunted or the evidence is destroyed by money and influence?

The defence of The Wrecking Crew :: The movie works the best more due to its use of its leading cast, the two classic action heroes who do such a fine work. Dave Bautista, the Drax of Guardians of the Galaxy from Marvel and Jason Momoa, the Aquaman of Justice League of America from DC, manages to do deliver heavy punches as they did in those movies where they had superpowers, but this case remains much believable. The different characters which they have been playing in the past also helps in the purpose, and they genuinely look like they belong to one bloodline and fights together like a near-perfect team of two brothers. The hand-to-hand fight scenes are intensely physical and very much gory, with the fight between two brothers also adding to the same. Then there is Morena Baccarin who gets into the action so well, and that sequence with a helicopter chasing the car is too good especially with her around. Along with the rest, she also handles the humour really well. Morena transforms into an action star very soon, and the other female characters despite following well, just got to do the usual thing.

The claws of flaw :: The movie depends too much on the main characters and does not come up with anything different or special. The action and the journey itself never really leave the predictability as we look at the beginning and the initial situations. We should have also had more of Morena, as she seems to have come to leave her lover and drive a car away from a helicopter, and is not present during the rest of the movie at all. Lydia Peckham could have also had a bigger role here, as she looked stunning when she was there, and her character had a lot of scope too. Then the investigation could have also been as interesting as the action, as we wonder how this could have been made more of a suspense-filled search for a murderer and what lies beneath all of these. The final moments become predictable in nature as the bigger revelations happen too soon. The later moments of the movie after the big fights serve less than one would expect. This could have also used the beaches to a better advantage as we look closer.

How it finishes :: The Wrecking Crew goes through its action and a certain amount of humour without looking back at any moment. There are some stylish and classic action moments which would be remembered for how well it is shot with that humorous side, and never really moving away from that light-hearted side. The energy that the characters possess in unparalleled, and it is not just limited to the main protagonists, but also to their partners. As Dave Bautista’s serious strength and Jason Momoa’s wild-man energy matches each other, we watch it in the style of watching a computer game with wrestlers beating up the bad guys – with the case of WWE’s Batista, this would feel as perfect as it could be, as he and the Rock has provided the feeling that wrestling has come to Hollywood, and John Cena has also did it up to an extent. It is a privilege to have wresters who can act in action thrillers, as they make the whole situation better in a believable manner with that kind of a physique. After all, there is no better places to build performers for action that World Wrestling Entertainment which had some of the most classic scripts and on-ring works that we watched during childhood.

Release date: 28th January 2026
Running time: 122 minutes
Directed by: Ángel Manuel Soto
Starring: Dave Bautista, Jason Momoa, Claes Bang, Temuera Morrison, Jacob Batalon, Morena Baccarin

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Project Hail Mary

Posted on by

Vampire Owl: I feel that this movie is a little bit too complicated for my liking.

Vampire Bat: It surely has some extra amount of science added to it.

Vampire Owl: I was wondering if I should connect Dr. Frankenstein to understand it.

Vampire Bat: Mr. Frankenstein has understood no real science so far.

Vampire Owl: Frankenstein was also nominated for Best Undead Scientist Award.

Vampire Bat: He used a fake recommendation letter from Uncle Dracula.

Vampire Owl: You are just jealous because he found the presence of aliens in your room.

Vampire Bat: I am pretty much confident that it was a cockroach from the human world.

Vampire Owl: Do you think that cockroaches can scare our vampire friends?

Vampire Bat: Well, it has been centuries since they saw one, and so they can feel a certain amount of scared confusion.

[Gets a gobi paratha and three cups of Yercaud tea].

What is the movie about? :: Ryland Grace (Ryan Gosling) wakes up from a temporary coma status in an interstellar spacecraft named Hail Mary, and suffers from memory loss, only slowly realizing that the year is 2032. Soon, Grace realizes that he is the only survivor of a three-person team of newly trained astronauts that was traveling towards a constellation known as the Tau Ceti system, about twelve light-years from Earth. This keeps him confused about what is next for him as memories come back to him slowly and steadily. As it goes on, he keeps enjoying his solitude while going back into flashbacks and he gets close to the destination. But soon, he is surprised to find an alien spacecraft docking with the Hail Mary despite him trying to evade it after disengaging autopilot. The spacecraft is made of a solid form of xenon, which Grace considers to be xenonite. The ship has only one occupant, and is revealed to be a rock-like, five-legged alien from what is known as Erid, a planet in the 40 Eridani A system that goes a long way further from their location.

So, what happens with the events here as we just keep looking? :: Grace recalls that scientists had discovered a line of infrared light stretching from the Sun to Venus and a substance running through the line, called astrophage which was getting on the Sun’s surface, dimming the Sun at a rate that could cause so much cooling within thirty years that human life would cease to exist. The head of the Petrova Taskforce, Eva Stratt (Sandra Hüller) had recruited Grace who was a middle school science teacher and a former molecular biologist to study the astrophage as she has seen his works and could understand his ability to think beyond the usual limitations. After a few days of work, Grace discovered that astrophage was full of certain unicellular organisms which absorb electromagnetic radiation from the Sun and expel it at great strength for propulsion, and he also figured out how to breed these organisms and create more of the same kind. Grace further remembers that he had joined Project Hail Mary, an international near-impossible mission to send a crewed spacecraft to Tau Ceti, the only star in Earth’s solar neighborhood not affected by astrophage, and is shining brighter than ever.

And what more happens here and complications are sure to come in space? :: Grace who was able to breed astrophage a lot, which was to serve as fuel for the ship, also helped the crew in learning to deal with the same. The flight to Tau Ceti was to be a suicide mission, as the ship could only carry enough astrophage for a one-way trip, and all findings were to be sent back inside smaller space probes. With most of his memory back, Grace names the alien as Rocky, and manages to communicate with it using a machine translation system which is able to convert Rocky’s strange noises into English. It is revealed that Rocky is a mechanical engineer, and the only survivor of the Eridians’ mission to save their world from astrophage infection. Grace understands that others from that spacecraft had died from radiation poisoning, while Rocky was unaffected due to being shielded by their astrophage supply, which was kept around Rocky’s workshop. Both starts working together towards that common aim of saving their stars and planets. But can they find what is different with this particular star and can the same be applied to their respective planets?

The defence of Project Hail Mary :: The movie’s best part, without doubt is the interaction between the human and the alien – the contact feels like happening in a more realistic manner than what we usually see in any movie with an alien around. The relationship between the two are beautifully depicted, and this is the kind of connection which humans would hesitate to have in our world of chaos and hopelessness. Then there are the stunning visuals, with a nicely detailed interior of the ship and the vastness of space giving a spectacle for us. The visuals of the Eridian homeland at the very end of the movie feels like a perfect example of creating something to remember just with the view itself. The final moments are not just visually satisfying, but also leaving us with a feel-good effect. Well, there are not many alien movies which can bring that effect, and not many space movies can be this kind of effective in multiple levels. Ryan Gosling’s performance makes sure that that the emotional side works with so much efficiency, and in a world which is almost all about him, he manages to come with that performance we would not forget with ease.

Positive and negatives :: The movie can feel a little bit too long, and the beginning itself is a little bit slow – the moments back on Earth feels like dragging, and one cannot stop oneself from feeling that there should have been less flashbacks, with everything happening at exactly the one place where the big action takes place. The science also goes a little too much forward for the common audience, but the movie cannot do without the same. Any more complication would have left the audience not interested in the movie, as most of us do not go for this kind of science anymore, and our knowledge about such things could mean a deep struggle, as evident from our visits to the different science cities and museums of natural science. But these are the kind of movies which will create fine science enthusiasts out of interested children who improve themselves at school. The fact that the movie also has some fine humour in there makes it more interesting for the young and keeps the light mood at a time when the world as we know could come to an end sooner or later.

How it finishes :: The movie becomes a classic on the lines of some big space movies, Gravity, The Martian and Interstellar, and this one proves that we do need all kinds of films set in space. As an adaptation of a book, the faithfulness to the original can only be spoken about by the fans of the original work. The emotional core and the visual splendour never really leave the movie, and this journey’s grandeur is not limited to one side. For the common audience, this is indeed a space triumph that one has been waiting for with great expectations. As it goes through that successful exercise of sci-fi world-building, there is no point that makes the viewer doubt its process. One would have loved to watch this movie on the big screen with all that we have as a spectacle, but we are so much past those days when we frequent the theatres – Amazon Prime Video has enough of this movie of us, and that should do. After all, we have come to that stage when no multiplex can raise our chances of watching anything on the big screen, but if there was a movie or two to be watched like that, this is one of them.

Release date: 20th March 2026
Running time: 156 minutes
Directed by: Phil Lord, Christopher Miller
Starring: Ryan Gosling, Sandra Hüller, James Ortiz, Lionel Boyce, Ken Leung, Milana Vayntrub

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Companion

Posted on by

Vampire Owl: Vampires have always looked for eternal companions for togetherness.

Vampire Bat: These people are talking about companion robots.

Vampire Owl: Haven’t we developed a vampire robot yet?

Vampire Bat: We do not need any more scientific development now.

Vampire Owl: I am sure that Dr. Frankenstein would have other ideas.

Vampire Bat: Mr. Frankenstein and his ideas are surely not real science.

Vampire Owl: They are science, especially after inventing that time machine by the doctor.

Vampire Bat: He just declared that he travelled through time.

Vampire Owl: Yes, and it is truth, as he has proven with records.

Vampire Bat: He has always created all the fake records by himself.

[Gets a choco-marble cake and three cups of Chinese tea].

What is the movie about? :: Iris (Sophie Thatcher) and her boyfriend Josh (Jack Quaid) travels to a mansion on the edge of civilization, a huge property around a lake owned by a billionaire named Sergey (Rupert Friend), who is the boyfriend of his Josh’s best friend Kat (Megan Suri) – Kat still calls herself Sergey’s property, keep or mistress due to the nature of Sergey, yet they remain open to welcoming friends as Kat maintains that influence on the Russian billionaire. They also invite two other friends Eli (Harvey Guillen) and his partner Patrick (Lukas Gage). The group seems to spend some happy moments in the mansion at night, and everyone seems to get along with each other well. But on the very next day, Sergey attempts to sexually assault Iris at the lakeside, and Iris ends up killing him in self-defense. She returns to the house in panic, attempting to explain what happened, but Josh tells the blood-covered Iris to go to sleep, and she losses her consciousness, waking up only to find herself strongly tied up to a chair.

So, what happens with the events here as we just keep looking? :: Josh tells her that she is a companion robot that he is renting from a robotics company known as Empathix. He adds that her emotions and intelligence are controlled by an app on his phone, and the love and sexual desire are also under his control. He adds that the memory of them meeting for the first time is a lie, coming out of a pre-loaded idea chosen from many options, and it is her programming that makes her fall in love with him, and the past has all been part of that programme. He adds that now he has to take her back to the company, and maybe dismantle her there, but she does not believe her. He makes her believe by making her speak in the language he wishes to, and also shows that there are many other customizable options. As he goes for one final talk with Kat, Iris manages to escape though, and she also takes her phone to have full control over herself, increasing her intelligence and changing other options as the friends start to look for her.

The defence of Companion :: The movie can boast of a fine cast led by Sophie Thatcher and Jack Quaid, along with Megan Suri’s perfect contribution as she makes that one the most interesting human character around. The film nicely explores the themes of control, need for freedom and toxic relationships through an entertaining sci-fi situation which is thrilling no because of the scientific situation, but the human predicament. The surprises of the movie are good, and even without those big twists, manage to keep us interested. The multiple elements of horror, thriller dark comedy and sci-fi nicely come together effectively while also leaving a few social messages about people, relationships, rights and freedom. The one and half hour length is supportive of the movie’s cause as it goes through the whole thing perfectly during that time period, never too much or less. There is no loss of strength here as we understand that we are quickly getting to a twisted situation, and the mood would remain somewhat similar throughout its run.

The claws of flaw :: The idea of artificial intelligence with a conscience, emotions and physical relationships may feel familiar to viewers with movies like Wifelike and Ex Machina which did the same better – the exploration of the ideas were so much better with an emotional side there, and the latter was indeed that sci-fi classic which deserved all the appreciation in the world. Those two movies were rather courageous with the depictions, but the movie here seems to keep to the safe zone, and at times, even comes up with just the blame game for all characters except the robotic main character. The science fiction mode is also on a struggle at times, as there is no clear focus on the robot either, and its making and structure, as well as the parent company are restricted to a few dialogues. One cannot say that the idea is original, and there is no real further development on the same available data. Some of the character decisions would seem illogical or seem to exist only to create more situations of interest, and the final hesitation of the robotic character to shoot is just one of them. This often feels like an opportunity for glory missed out.

The performers of the soul :: Sophie Thatcher delivers a fine performance, and the way in which she makes even the usual situations remarkable needs a mention. The final moments have her making an even bigger impression. Jack Quaid can also be considered highly effective in the darker role, and sometimes raise the level so much above what we expect according to the proceedings. This is one antagonist who brings the unexpected. Then, who strikes the most playing the side characters is Megan Suri, who is fantastic as the only woman character with a villainous side – among the characters, she seems like the most determined, and someone with a clear vision, and the same is depicted perfectly by her. For a slasher horror movie with supernatural or psycho killers, she would make a perfect choice – there is something about her that suits the genre. Lukas Gage’s work also remains notable, while Harvey Guillén does fine. Rupert Friend as Sergey has his moments despite being there for only a short amount of time. Jaboukie Young-White, Matthew J McCarthy and Marc Menchaca are there in smaller, but relevant roles.

How it finishes :: Companion becomes interesting because it successfully combines different genres with social commentary without being preachy or slow, and the cast nicely supports the same by adapting to the situations. The strongest points here are the performances, dark humour and interesting surprises, while it never really gets out of the familiar themes and the predictable side that comes even in the end. This will never be one of those movies which comes up with innovation in the topic, as it chooses the safe side, but the entertaining side is safe around here. It seems to know what kind of movie it needs to be, and with this knowledge, touches the necessary elements which need to keep the world interesting. The movie is currently available in Jio Hotstar, but you should remember that this idea can be seen in a few other movies which did the same better earlier. So, choose wisely, and go through the idea. Yet, remember that this is the newest version of the same, and therefore has made some nice changes too.

Release date: 31st January 2025
Running time: 97 minutes
Directed by: Drew Hancock
Starring: Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, Rupert Friend

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Return to Silent Hill

Posted on by

Vampire Owl: I thought that we had returned to Silent Hill just enough.

Vampire Bat: There is no enough going back to the Silent Hill.

Vampire Owl: Yes, I remember you playing computer games about the same.

Vampire Bat: Yes, both Silent Hill and Resident Evil belonged to the same world.

Vampire Owl: And Mortal Kombat in the same world of Street Fighter.

Vampire Bat: The computer games have kept us alive for a long time.

Vampire Owl: Your Unreal Tournament, Age of Empires, Age of Wonders, Warcraft, Age of Mythology and Disciples journey is known to be legendary.

Vampire Bat: Then there was the later Mass Effect journey which took over like no other.

Vampire Owl: Your gaming journey has been as eternal as your immortality and our borderland wars.

Vampire Bat: Still, Silent Hill is much more than that, for it is the journey to eternal horror like no other, even deeper than Resident Evil.

[Gets a sea salt fries and three cups of Japanese tea].

What is the movie about? :: James Sunderland (Jeremy Irvine) is an artist who is spending a vacation further away from the city, and he comes across Mary Crane (Hannah Emily Anderson) who was leaving her hometown, the small area known as Silent Hill. As he almost causes and accident which leads to Mary missing her bus, she decides to go back to her place and he gives her a ride, after which they fall in love, and the two start living together in Silent Hill. He also meets the strange friends and relatives of Mary, and despite her warning, declares that their love is forever. The scene then shifts to many years later, as James has moved away to the city after breaking the relationship, and has turned into a severe alcoholic, despite continuing to be an artist. One day, despite the warnings of his psychologist, he decides to go after Mary who had written a letter to him to get back to her. He feels that Mary needs to be back in his life one way or the other, and makes his way to the town which seems to be abandoned, and that surprises him more than anything else.

So, what happens with the events here as we just keep looking? :: The town seems to be covered in fog and there is also some falling ash. He also meets a strange woman on the way who seems to be not completely in her senses, and is also attacked by a strange monster. It seems that the day has passed, and soon, after a siren, the town transforms into a twisted version of itself, as it hell itself has unleashed on it, and he is forced to escape to an apartment building where he had lived with Mary. He meets a mentally unstable man named Eddie (Pearse Egan) as he reaches there, and a young girl named Laura (Evie Templeton) who is chased by a terrifying monster known as Pyramid Head (Robert Strange). As they all run away from the monster, James comes up against a strange-shaped naked woman who transforms into another monster, the Spider Lady (Giulia Pelagatti) and chases him, only two be found by the Pyramid Head who beats her up until the creature can no longer stands on its feet.

And what more is to happen here as terror keeps visiting? :: He is only saved by a siren and the night ending, and as he wakes up in the original Silent Hill, he leaves for Brookhaven Hospital where Mary seems to have been taken. He understands that there was some health issue with Mary, and she used to have a bleeding nose. He remembers that Mary was part of a ritual as part of the cult which her father had begun, and the rituals involved a lot of blood. She had also told him that there was something strange about her and her people. He remembers ritual as the one thing which led to them ending their relationship. He understands that Mary has been suffering and there is no escape from her, but he will not leave without her despite the warnings of different people he meets in the strange town. He feels that the town has turned into a portal to hell, but decides to stay. Now, the question remains if any of the two shall remain alive to see outside the terror of the town, as the demonic forces seem determined. This is not one relationship that one would doubt for sincerity, but sinister forces might have other say.

The defence of Return to Silent Hill :: The atmosphere remains the biggest strength of this movie, and it has always remained the same for the franchise. The foggy town which mist providing a world out of ours, ash-filled streets which seem to symbolize something which is to come, continuing classic creature designs and seemingly never-ending nightmare-like imagery makes the movie’s moments a journey to hell and its demons from where escape seems near impossible – it has served the series of adaptations really well till now. From what we know, the movie is also a faithful adaptation of the second game of the series which is sure to satisfy the gamers. The focus on guilt, romance and obsession has the moments which work, even though the deviation from horror can be clearly seen at times. The creature detail remains outstanding, as along with the first monster, the Spider Lady and Pyramid Head got some amazing detail associated with them, and so does the demonic nurses which move on to attack anything and everything. The leading cast also shines.

The claws of flaw :: The movie’s deviation from the supernatural to the psychological could have elevated the whole thing, but here, the loss of the demonic world has only hurt the cinematic strength. The transition between two worlds have lost the strength, and due to this type of approach, the feeling of danger is also lost at times, and with the monsters like Pyramid Head and Spider Lady even fighting each other, there is no spectacle like that flaying of skin of the woman in the graveyard by the former in first movie – that was one classic scene which would define the movie series, but such a situation never really came around here. The emotional and psychological depth is lost at times, and the random scenes from past making way to the nightmarish world as flashbacks bring further struggle here. The past could have come together, and the ending seems to be too ambiguous, and one is left wondering about the purpose of the whole thing as nothing much among the actions of the protagonist seems to have made the difference. The narrative is not managed in a manner which is easy or interesting to follow either.

How it finishes :: Silent Hill has been that game which kept us interested and scared at the same time, as it became the other side of Resident Evil which had the horror action running with a scientific side – mutants there, and demons on the hill. That game had also inspired so many movies as part of a franchise which focused on stylish action with a lady protagonist. It is to be noted that this kind of movies never really get that much of a positive opinion from the critics, but we remember that such movies have always been better than what the reviews say. As the adaptation of the second game of the series, the supernatural elements here were always going to make way for the psychological side, and the reality of terror which was present in the earlier movie adaptations go down the drain. The focus on the romantic side would also keep the horror fans wondering, which makes this film not that kind of a world of chaos for everyone. It has its horror, but the movie will not rise that much within its genre, which makes watching this one a choice according to your interest, but is an entertaining journey for sure.

Release date: 4th February 2026
Running time: 105 minutes
Directed by: Christophe Gans
Starring: Jeremy Irvine, Hannah Emily Anderson, Evie Templeton, Pearse Egan, Nicola Alexis, Robert Strange, Giulia Pelagatti

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Killer Whale

Posted on by

Vampire Owl: I remember talking to the Vampire Whale last night.

Vampire Bat: There is no Vampire Whale among us. It could only be a fake vampire.

Vampire Owl: Why not? I have already checked the teeth. The fangs are fine.

Vampire Bat: Everyone with fangs is not a vampire, or even a werewolf.

Vampire Owl: So, it was a Demon Whale or a resurrected shadow demon?

Vampire Bat: Couldn’t it have just been a usual creature of the ocean?

Vampire Owl: This could have been better known if Aquaman became a vampire.

Vampire Bat: He could no longer breath underwater if he became a vampire.

Vampire Owl: Oh right! Vampires were never really water resistant.

Vampire Bat: You have never really listened to the study classes, which becomes a problem now.

[Gets a plate of nachos and three cups of Korean tea].

What is the movie about? :: Maddie (Virginia Gardner), an aspiring musician, is very close to making an impact, and also in taking the next step with her long-time crush Chad (Isaac Crawley), as he feels that the happiest moments of her life are just a few days away. But as Chad tries to protect Maddie from a robbery, he is run over by one of the robbers, and she also losses most her hearing ability to the continuous gunshots. This begins a life of melancholy for her, as she stops playing music and keeps to herself at home for most of her time, with no entry for friends into her life. Her best friend Trish Stevens (Mel Jarnson) who is a PhD student studying gene editing and a social media influencer who attracts a huge fan following visits her after a year to make her feel better. She surprises her with a luxury vacation to Thailand in the Andaman Sea, as she uses her influence with her fans of exclusive social media content to find a perfect place where they could have fun and forget the gruesome past, with her own exotic journeys already making an impact.

So, what happens with the events here as we just keep looking? :: Trish also finds a new interest in another tourist named Josh (Mitchell Hope), and they together visit a local attraction featuring a captive orca. Disapproving of keeping the creatures in captivity, but finds out that orca had already killed someone who had fallen into its pool. The park management decides to get rid of the orca on the same night by just flushing it into the sea, where it is not known to attack humans. The next morning, the three decide to explore a secluded lagoon which locals consider to be haunted and therefore not explored by curious tourists. But soon, Josh and Trish riding a jet ski are ambushed by the same orca who kills Josh while Trish manages to swim and reach Maddie’s inflatable boat. The two are forced to swim on to a rock and with injuries on their leg, are forced to stay there with nothing other than bikinis on their bodies and a torch. They try to signal to a distance with the torch, but with no result, as time passes. They try to survive against all odds and at the same time share a few secrets with each other, but it remains to be seen about how long they can do the same.

The defence of Killer Whale :: The movie’s premise is more interesting than the usual movies featuring danger from underneath the sea, as the main character is already set, and the possibilities of the orca is also being talked about. There is also a message in support of these mammals to be taken out of captivity to their original habitats. The idea that years of captivity and mistreatment can make animals more of a monster is asserted here, and supported by the protagonist. There is that scene when the two girls are moving in the inflatable boat, and the orca is moving underneath them, as they look in terror. Then there is orca moving around them as they take shelter on a rock surrounded by water. We also have both protagonists swimming in full strength as if their lives depend on their quick movement through water, and those are all tense moments, as much as their search for anything useful. The survival skills are nicely put into test here, and we see them fighting nature’s predator as much as their own emotions, with this becoming another movie of fighting against all odds.

Positives and negatives :: One cannot stop noticing that the whale could have looked better as the creature features and the effects of the sea often looked cheap, seemingly due to a low budget, but that does not make us feel the danger to be that far away or of lesser strength. People can feel that this is another shark movie, and just ended quickly without adding some extra strength, but considering the fact that this is film of different dimensions, the same can indeed be forgotten. The movie also has us sympathetic to the whale, and makes us wonder about what humans to do to each other as much as to the creatures of nature. There are multiple shots of the main characters surrounded by the orca from above and underneath, all of them making one feel the danger of the situation. The camera shots also keep us close to the characters, and we also go through that journey with them with what they see as much as what the creature see of them from underneath the sea. Then there are some beautiful shots of their world in the end at sea and out of it, which facilitates an ending that looks well.

The performers of the soul :: The movie focus on two characters, played by Virginia Gardner as Maddie and Mel Jarnson as Trish Stevens, with others and their performances being less relevant, even though we would remember Isaac Crawley and Mitchell Hope more than others. The movie perfectly moves towards a female-sisterhood-survival movie in that manner. Virginia comes up with a charming and emotional work, as we see her character move through emotions, from that romantic happy beginning to chaos, while she tries to survive. Mel Jarnson also handles the emotions incredibly well, with guilt and attempt for hope gaining on her. She remains stunning out there as she was perfect in Witchboard, but this time having an influencer and social media powerhouse running right through her character. This is where beauty comes also with performances, and the two on the rock is a sight to behold not just with those looks, but also with the emotional performances. There is no artificiality here, as they strive through their characters’ toughest times for survival as much feelings.

How it finishes :: If you have watched The Shallows and 47 Meters Down, this can be felt as a repetition, but this one also has that emotional side, and the weight of the past, which makes the world of two best friends different around here. In between, there are some beautiful moments, as the emotions surely have more than one side. If you like creature thrillers with a touch of deviation, but never losing the survival mode, this would be entertaining. If you are expecting a big budget classic with realistic orca behaviour with terrifying high budget world on the level of grand shark attacks, this might lag behind at times. The movie is available of Lionsgate Play which would come as an addition with the usual Airtel unlimited recharges, and therefore is an easy watch, in the form of a never-boring survival adventure with hidden human emotions that power through, while compassion, remorse, guilt and forgiveness remains themes to look out for, even though not always coming to the front in a direct manner. You know if you like the survival mode, like in Survive, Oxygen, Meander, Nowhere, Crawl etc.

Release date: 6th March 2026 (Asia)
Running time: 89 minutes
Directed by: Jo-Anne Brechin
Starring: Virginia Gardner, Mel Jarnson, Mitchell Hope, Isaac Crawley, Ron Smuck, Aliandra Calabrese, Mia Grunwalkd, Shinji Ikefuji, Scott James

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Together

Posted on by

Vampire Owl: We, the vampires have been together for an eternity.

Vampire Bat: I am sure that there is more about togetherness in this movie.

Vampire Owl: So, you think that there is not enough of the same among us.

Vampire Bat: Togetherness is not something that can be evaluated.

Vampire Owl: At least the movie is on Amazon Prime Video to be evaluated.

Vampire Bat: I wonder about the kind of supernatural present in that movie.

Vampire Owl: Should I consult the parapsychologist Dr. Frankenstein on the matter?

Vampire Bat: When did Mr. Frankenstein graduate in psychology?

Vampire Owl: He has so many graduations that we will never know all of them.

Vampire Bat: This Frank needs to be reported to Uncle Dracula for his fake degrees.

[Gets a podi masala dosa and three cups of Kodaikanal tea].

What is the movie about? :: A man has been searching for a missing couple with his two dogs. But after the unsuccessful search, he finds the dogs fused together as one. A few days later, Tim Brassington (Dave Franco) and Millie Wilson (Alison Brie), a couple going through an emotional path, and at the same time, latter finds a job of teaching elementary school English. Tim has been trying to make his mark as a musician, but has not been himself since the memories of his dead parents have been haunting him. Millie proposes to Tim at a going away party held by their friends but, he shows some hesitation which makes them further ponder over their relationship. As Millie meets her new co-worker Jamie McCabe (Damon Herriman), he tells them about the interesting walking trails near their home that goes deep into the woods and remains a beautiful view. While hiking through such path, they fall into an underground cave and decide to camp inside for the night due to the rain getting heavier. Tim drinks from a pool of water but Millie does not.

So, what happens with the events here as we just keep looking? :: As they wake up on the next morning, Tim and Millie find their legs stuck with each other with some material which looks like glue, but they are able to separate them without much difficulty, and feels that it was some random sticky thing of fungal nature. Tim feels like he is physically and brutally drawn towards Millie, which leads to complicated situations which makes them feel that this is a psychological problem. The doctor that Tim sees also dismisses the incidents as panic attacks and asks him to use some muscle relaxant pills, and reminds him that the place has its charm, but also dangers, as a local couple had also gone missing. Tim looks at the news and also at the social media pages of the couple, and finds out that these particular couple had also visited the same cave, identified by some of the marked bells outside and some signs on walls of the cave. Jamie arrives at their place and welcomes them to the neighborhood, and they have a dinner together.

And what more can happen as the couple seems to be confused in between? :: The couple recounts their experience at the cave, which Jamie explains was a hippie-type church which had some activities which were considered strange for the commonly accepted churches. He adds on that people who got better options moved away to cities with their families, the church was abandoned, and became part of the cave system, as time passed. He adds that this is not a terrifying Satan worshipping cult of anything, and no followers of the same remains there. Even though Millie drops Tim off at the train station for his journey to the city for a musical programme, he experiences another episode of being attracted to her and immediately goes to Millie’s school, much to her surprise, as he gets on to her. This time, she is also attracted to him, but she denies the same, but it the strange attraction would come to her at night too, and the mystery deepens. Can they get out of this as they seem to be getting attached to each other, and this seems to be a problem to which there is no solution?

The defence of Together :: The romantic drama mixed with disturbing body horror is something unusual, and thus provides a fresh feeling that will keep the audience interested. It is nice to see that this becomes a metaphor for interdependent relationships and also signifies the need for togetherness in a relationship rather than keeping on separating each other – as it says in the Holy Bible: “A man leaves his father and mother and is united to his wife, and they become one flesh.” – Genesis 2:24. This seems to be a strange coming together of the same, as at least the same thought process should guide a relationship, as the fusion of ideology will guide them better; something which could often include religious ideology. In this case, everything is shown with that body horror that stays effective, and the fear factor is surely active, and it includes being scared of losing identity. Alison Brie with Dave Franco of Now You See Me and Nerve do manage to bring some real chemistry, as they are also real-life couple, despite the former at times looking much older. Their moments together are very good with a certain amount of love which feels apart, but so much longing to be together, like the body horror itself calls for. Disturbing transformations and dark humour remain effective too.

The claws of flaw :: The movie remains repetitive in parts, and there seems to be moments when nothing much past. There is also a little too much useless time spent in pondering over the past of the main male character when it could have easily gone on with just a small mention of the same, thus making the length of the movie exact as intended. The narrative just goes on the usual path with the couple story while moving towards the fresh twists. The mixture of romance and body horror does not always work the best, and signs can be seen here – some people can even find part of this to be gross, thus justifying its rating in India. Some cringe moments are also present and dialogues get a little too weak at times. The emotional connection could have been also more, as the romantic background is already set. There is also the need for a lot more explanations with this one, as the weird mode keeps on being active. We can see the chance for some people clearly missing out on the idea.

How it finishes :: If you are looking for experimental horror with focus on the body-based terror, this might be the movie for you, as performances and hidden ideas and messages also seem to come in here and there, despite there is nothing too grand about it with moments where the movie just seems like a usual random journey that stays repetitive. Even if togetherness story is your key, this will be your relationship-focused tale with a dark twist, as the darkness would take the whole world to something beyond comprehension. But you are not to look for fast-paced and plot-drive works with this one. But seeing the fusion of the couple, you might not stop feeling that there is the need for togetherness coming from religious scriptures fulfilled right here, whether some subterranean or alien entity is involved in the process. After all, we know that there shall always be too many things that we do not understand, and can stay on the mysterious side; and so we go through this movie, and enjoy the same in moments, with one final shot of togetherness with innovation. Still, the body horror of The Substance remains one of its kind.

Release date: 30th July 2025
Running time: 102 minutes
Directed by: Michael Shanks
Starring: Dave Franco, Alison Brie, Mia Morrissey, Karl Richmond, Damon Herriman, Jack Kenny, Francesca Waters, Sarah Lang, Aljin Abella, Rob Brown, Charlie Lees, M J Dorning, Ellora Iris, Melanie Beddie, Rom Considine, Nancy Finn, Flynn Wandin, Mark Robinsom, Michael Shanks. Sunny S Walia

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

It Feeds

Posted on by

Vampire Owl: It should not be it, for it should be a he or she.

Vampire Bat: I am sure that they are not talking about vampires.

Vampire Owl: Who feeds better than vampires these days?

Vampire Bat: Who follows better? Then it should be “It Follows”.

Vampire Owl: What is there to follow for us?

Vampire Bat: We follow art, and we further follow beauty beyond exceptions.

Vampire Owl: You still think that there is beauty in this world of chaos and destruction.

Vampire Bat: The beauty of chaos cannot be taken out of the equation.

Vampire Owl: The vampire elders have always absorbed power out of chaos nodes.

Vampire Bat: Chaos nodes have powered the vampire animation for centuries.

[Gets a parippu vada and three cups of Coonoor tea].

What is the movie about? :: Cynthia (Ashley Greene) is an experienced psychiatrist who is also able to see into the minds of her patients, identifying the exact problem, as she basically walks inside that world of their minds. Through these special skills, she has solved a number of problems faced by her patients, some of them actually clueless until meeting Cynthia. Her daughter Jordan (Ellie O’Brien) is very much supportive of the same, and she comes across a girl named Riley (Shayelin Martin) who comes to visit Cynthia as advised by Agatha (Juno Rinaldi), a friendly woman who was cured by a visit. But the girl’s father Randall (Shawn Ashmore) also arrives all of a sudden and takes her away, asking Jordan not to be bothered about her, but not before Cynthia has a quick glimpse of a creature that looks from under Riley’s shoulder. Jordan talks about Riley, and how she was talking about someone who always accompanies her, but is only visible to her, and when Cynthia says that she saw something, she asks her to help her.

So, what happens with the events here as we just keep looking? :: The Creature (Brooklyn Marshall) reminds Cynthia of a troubled past, and the attempts which had made her husband commit suicide after they had gone after such supernatural troubles. Even now, Cynthia has been very careful, even with her psychiatric journeys so that nothing goes out of control and comes back to her, causing trouble to her family again. Therefore, she rejects the possibility of helping the girl who seems to be too much affected by some terrible force of darkness, an entity belonging pure evil and chaos. Still, Riley’s claim that a supernatural entity has been feeding off of her, makes Jordan determined to help the girl at all costs. She goes to meet Agatha despite Cynthia’s warnings, and finds the address of the girl and her father. But soon, she finds her tied up firmly to a chair, not able to move any part of her body at all. Her jacket is removed, and as the girl places her hands on Jordan’s shoulder and upper arm, she sees the creature for the first time, touching her, and burning her body. Now, can she escape from this family and the creature that seems to be also feeding off her?

The defence of It Feeds :: The wraith-like entity with an extremely creepy burnt skull and long fingers is visually terrifying enough to keep haunting people in their nightmares. The creature on its throne is a majestic visual of a demonic rule that could cross over from its world to the human lands. The looks are as much disturbing as a terribly burnt corpse which has come back alive without much of the body left. At the same time, the movie explores trauma, fear and healing of wounds of the past while emotions run right through, as the creatures becomes unable to feed on any of them from the past and present. The continuous present of the dark lighting makes sure that something is going to happen all the time, while tense scenes during the supernatural and sudden scares from out of the world keep the horror going for the fans. The situations outside this world are nicely created and there is a certain amount of quality related to the same. With the available elements, the movie has managed to be worth the time.

The claws of flaw :: The movie does not feel like original, as elements of other movies seem to have come across here to become this film, the combination of many things, not many of them coming up as an innovation, even when there was the chance to take this further. The content here seems to rather less, and some of the moments seem to be there just to point to the jump scares. The nice poster surely gave the feeling that there would be more around here with horror level to be increased much more. Then, there are times when movie losses its connection despite having ideas active here and there. The characters also show the tendency to overdo things. The movie also seems to end up with the negative idea that helping people without second thoughts is not always the best thing to do; but that being truth is not to be avoided. The world remains uneven, and it would not go on to become a movie that we could remember for a long time; Amazon Prime Video is just the platform that will make this one something for which people will be interested.

The performers of the soul :: Ashley Greene leads the way really well here as the determined mother who is looking forward to save her daughter, even though she is not of that power throughout the movie. Still, the one who catches our attention more is Ellie O’Brien, who plays that character who tries to save lives, but is helplessly caught in trouble, tied up, attacked by the creature, and even buried alive – tough moments indeed, but she manages the same really well. In the end, the mother-daughter duo scores even further with the creature facing them, and a moment with creepers which does not strike like the Evil Dead trees, but does just enough there too. Shawn Ashmore also brings more strength to the cast, and there is also a certain amount of emotional weight which also gets added here as he scores as the father figure who listens to nobody while trying to be the big protector against all odds. Juno Rinaldi and Mark Taylor in smaller roles makes impact, despite not staying on for more. Shayelin Martin as the child with a haunting on her, does very well too.

How it finishes :: The movie is your usual horror movie which works with elements of many other movies, but the one which uses what is available effectively enough. It holds the ground as a good atmospheric horror with solid acting and creepy visuals which increases its effectiveness, but the story feels generic without more to be said about it and without doubt, predictable enough to make sure that it does not raise the level enough to be remembered for that long. When you have movies like Evil Dead, Sinister, Insidious, The Conjuring, The Nun, Annabelle and others becoming big things with the quality associated it with, one would find it strange that a movie like this which establishes the premise so well in the beginning and catches our attention could do only this much. Well, we cannot always have enough with a big start, but for this one, that was expected. After all, it is recommended with some of those better movies when on Amazon Prime Video, and more people would surely watch it there.

Release date: 28th March 2025
Running time: 102 minutes
Directed by: Chad Archibald
Starring: Ashley Greene, Shawn Ashmore, Ellie O’Brien, Juno Rinaldi, Brooklyn Marshall, Mark Taylor, Shayelin Martin, Julian Richings

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Frankenstein

Posted on by

Vampire Owl: I have been informed about this particular movie.

Vampire Bat: I know who told you about this.

Vampire Owl: There is no reason why Dr. Frankenstein would not approve of this movie.

Vampire Bat: Anyone named Frankenstein do not count as the real one.

Vampire Owl: He is the vampire certified version of a true scientist.

Vampire Bat: Too many versions for most of us to comprehend.

Vampire Owl: The demons have also approved of the same.

Vampire Bat: When did you start asking the shadow demons about anything?

Vampire Owl: They have provided a telepathic connection to the vampire blood bank.

Vampire Bat: Your friendships these days have become too questionable.

[Gets a chilli porotta and three cups of Vagamon tea].

What is the movie about? :: In 1857, a significant crisis arises when Horisont, a Royal Danish Navy ship sailing for the North Pole becomes caught in ice, and something unexpected also gets added as they find blood all around with signs of some brutality. Captain Anderson (Lars Mikkelsen) saves an injured Baron Victor Frankenstein (Oscar Isaac) who is caught in the snow and is attacked brutally by the Creature (Jacob Elordi) which shows no signs of backing down despite everyone of the crew trying their best, as it seems almost impossible to stop from unleashing unlimited chaos. The humanoid creature demands Victor’s surrender while destroying everything on the way, but ends up going under the thin layer of ice, bringing relief to the crew, as Victor begins to tell his story. Victor explains to the captain that he is not attacked by some random abomination from another world, as he admits that he was the one who created the Creature and recounts the events leading to this particular creation.

So, what happens with the events here as we just keep looking? :: Victor remembers having a strict and abusive childhood due to his father beating him for even the smallest mistakes in his studies, as Baron Leopold Frankenstein (Charles Dance) wanted his son to be a surgeon like him, an expert in medical science like himself. He had married Victor’s mother for convenience and money, and nothing else – she dies with the birth of the second child, William Frakenstein (Felix Kammerer), who quickly becomes a father’s favourite, but Victor keeps mourning his mother and hates his father for what he feels like hesitation to save her life. Fueled by the hatred towards his father and indifference towards his young brother, Victor becomes a brilliant, but arrogant surgeon obsessed with curing death through science, based on the words of Leopold which meant nobody could defeat death. After years of trying to achieve the impossible, he is expelled from the Royal College of Surgeons of Edinburgh for reanimating corpses, which every major member of the society considered a brutal sacrilege.

And what more could happen here as the arrogance and pride would have more to do in a world of chaos and meaninglessness? :: With all hopes seemingly lost, Victor is approached by an arms leader and billionaire Henrich Harlander (Christoph Waltz) who is impressed by his presentation and the movement on the face and arms of an animated dead body, offers Victor unlimited funding and an isolated Gothic tower in the middle of nowhere to continue his experiments, seemingly with his own sinister plans about life, death and afterlife. After successfully gaining the maximum of his, as well as William’s assistance in developing his laboratory out of nowhere, Victor also becomes interested in a young lady named Elizabeth (Mia Goth), Henrich’s niece and William’s fiancée. She appreciates his efforts towards greatness, but does not like his nature at all, with him seemingly lacking in morality and becoming more and more greedy without concern for anyone around him. Victor keeps running out of time as Crimean War breaks out and Henrich is on a hurry, but what is the best he can finally achieve here?

The defence of Frankenstein :: The movie is a visual stunner, and it is the first thing that we notice about the movie. The Gothic world of the film keeps us completely immersed in the same, as we are never out of the architectural beauty and the use of colours, along with the images of the archangels, and the spires that point to heaven as much the scientific equipment which also create an impact. The dark tower is symbolic of the overreacher, with our hero continuing to be the hero that seeks more, like many others that we know, most significant name among them being Doctor Faustus. Guillermo del Toro’s Crimson Peak kind of effect continues here, as the Gothic world would always remain safe with him, not just with the darkness and the sinister alleys, but also with the colours, red being one of the most beautiful one as always, this time with that guardian angel imagery staying further in memory than the rest. This one is surely a more sensitive and emotional take on the original story, which have felt rather basic and rushed compared to some of its fine adaptations of later times. The film takes the creature out of its tough shell and shows it as a sensitive and intelligent being trying to help people, and also seeking love and belonging, without which, it changes; the same is depicted smartly.

Positives and negatives :: Oscar Isaac manages a good job with the character which is a little bit overdone for our liking. Mia Goth makes a good presence, but is not used that much as she should have been – A Cure for Wellness was the movie that used her the best, and then there was X; in this movie, she seems to be in the background like a conscience in mind. The last one and half movies are the ones which keep us so much interested, after those beginning stage, for there is so much strength there, leading to that finish, which makes one satisfied with that finish. The one hour after the first ten minutes or so have a struggle, and the pace also struggles. The movie is too long and stretched feeling is there, often also adding unnecessary elements; not all deviations are good either with theme elements going the wrong way in the process. Christoph Waltz’s character will surely catch our attention again, and Charles Dance continues to impress in a short period of stay. Felix Kammerer and David Bradley will also keep us interested in the world, which had a grand beginning with that fight in the snow.

How it finishes :: We have always had a fine dose of Frankenstein stories along with the original one which has kept going strong and inspiring so many derivates including Victor Frankenstein, I, Frankenstein and that guest role in a tale Castle Transylvania and its sequels. This one is another fine deviation which works, and is incredibly beautiful with the world – still, it could have been much better when we think about Guillermo del Toro as the director who brought us some of the most classic versions of myths and legends from the fantasy Pan’s Labyrinth to the full action Pacific Rim. This is that kind of a world where he makes his characters thrive, which would be a reason for the audience to expect more. The critical opinions have surely been positive, and as Mary Shelley’s ideas get expanded through a different path, we would still miss the horror, and despite an attack in the early stages of the movie, there is not much to bring the fear to us. As the monster and the creator are forever, this one would also be for long, as we ponder over the dangers of uncontrolled use of science, loneliness and rejection and above all – responsibility of creators for their creations, which some of the new age parents really need to understand instead throwing children to society, teachers, friends and relatives.

Release date: 7th November 2025
Running time: 150 minutes
Directed by: Guillermo del Toro
Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Krammerer, David Bradley, Lars Mikkelsen, Charles Dance, Christoph Waltz, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Ralph Ineson, Burn Gorman, Nikolaj Lie Kaas

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

The Monkey

Posted on by

Vampire Owl: Is this a movie about the vampire monkey in Amazon Prime Video?

Vampire Bat: You know that there is no real vampire monkey.

Vampire Owl: Why would monkeys be out of the equation?

Vampire Bat: Because there have been no vampires among them.

Vampire Owl: I believe that I had seen one during the last war.

Vampire Bat: That was a zombie monkey with some real bad teeth.

Vampire Owl: But he looked like a classic vampire.

Vampire Bat: That was before him losing those teeth.

Vampire Owl: So, they are all restricted to the zombie area?

Vampire Bat: Yes, zombies have almost everything, even the most impossible ones.

[Gets a paneer fried rice and three cups of Ooty tea].

What is the movie about? :: In 1999, Captain Petey Shelburn (Adam Scott) tries to take a wind-up drum-playing toy monkey to an antiques shop, but the toy plays a drum, triggering a chain reaction that ends with a harpoon gun brutally the shop owner, and after attempts to destroy the toy, it is seen that the captain disappears without trace. It is seen that after making an impact in the life of Hal Shelburn and Bill Shelburn (Theo James in a double role) during the childhood, and causing the death of their mother Lois Shelburn (Tatiana Maslany) and babysitter Annie Wilkes (Danica Dreyer) in the childhood leading to their disposal of the doll, it seems to come back after a very long time. It was something which they had from their father, and now Hal gets the call of Bill regarding the same at a time when he is separated from his wife, and is almost losing the custody of their only son Petey Shelburn (Colin O’Brien) much to the dismay of both the father and the child. They decide to go a final trip together for a week, as they are going to be cut down from each other.

So, what happens with the events here as we just keep looking? :: After the death of his aunt Ida Zimmer (Sarah Levy), with whom the twin brothers were staying post the demise of their mother, he is forced to go to her home and see if there is the monkey doll in that house. He realizes that his aunt had also gone through a brutal death, like all the deaths which the money doll had caused. He also realizes that there have been many other brutal deaths in the area, and some of them seemed to have caused with no real reason at all. He understands the seriousness of the situation and tries to keep his son away, but Petey only gets further mad that he was not told that his father had a twin brother. Hal was always considered to be a single child by him and his mother, and despite having asked about the family tree, nothing was told at all. Barbara (Tess Degenstein), a real estate agent who guides them with further process is also brutally killed as a shotgun falls down, and this leaves them caught in the village pending enquiry from the police department. What would this mean to the twins, and what is happening with that missing doll?

The defence of The Monkey :: The story about a supernaturally affected or cursed toy monkey causing deaths is rather unusual compared to the usual, and also memorable for the image of that particular toy. The mixture of violent horror scenes with dark humour makes an impact, even when they come out of nowhere and disappears without trace. It can be said that the inventive and twisted death sequences combine different elements very well. As much as it is an adaptation of the short story by Stephen King, it also reminds us of the story, “The Monkey’s Paw” by W. W. Jacobs, which became part of the Mahatma Gandhi University of Kottayam syllabus as part of the common English paper. The movie has included its own elements, developing the short story, and the emotional side becomes good as it gets towards the end, and the final scenes are quite memorable with a pale horseman and the school bus. The monkey imagery remains effective as we keep seeing it in a dual mode, with the side of horror taking the front seat. This also gives the feeling that we have the kind of supernatural from where there is no escape.

The claws of flaw :: The movie keeps losing strength in between, as it seems to focus on the main characters while seemingly avoiding most of the other things including the supporting characters who have also affected this particular world. There seems to be the feeling that the movie might not be that appealing to the audience of this part of the world, as its focus on the supernatural and its origins, as well as journey is rather less developed compared to the effect that it creates. Taken right out of Stephen King’s short story with the same name, this could have surely done better with ease, and that was one base material which could have gone many ways, and supported a lot of further extension on the way. The seriousness of the original movie is lost in some of the humour which is used here, and when absurdity comes in front of horror with that comic side, the supernatural power is often lost in the silliness – being dumb is surely not always welcome. When there is too much focus on brutality and comedy by losing the original horror power, the overall strength is surely lost, and the slow pacing in between and the lack of power with emotions also struggle.

The performers of the soul :: The movie has some strength with its leading cast, even though it never really feels like a performance-oriented movie. The focus is more on the image of the monkey and the deaths, with focus more on the terror that it creates on the characters as much as it does on the regular audience who finds the shock. In between, the characters have to work with some dark humour and the emotional effect, both of which never really have a permanent effect here – it does not stay with us for that long, and it is evident from the fact that not many recommendations of this particular horror movie came into the groups of horror genre admirers that we know from around this side of movie love. Theo James is here in the lead, and as he remains the one who makes the impact in two characters, the others are of not much of a relevance here. The different modes of humour and fear are pretty much safe with him, while Christian Convery who plays the younger versions follows well. Colin O’Brien is the next one to be relevant and the character is also blended in well enough.

How it finishes :: The movie had immense potential, which is never really used, but remains a nice mysterious horror movie with a seemingly invincible killer toy at the centre, and some humour that works well. But coming out of a very serious and terrifying short story, this one loss some charm in the form of dark humour and gory scenes which turn not that scary in the process. One has to wonder why humour has to come in along with absurd deaths instead of following the Final Destination mode, which would have given this better strength. But there is fun for sure, and one cannot easily doubt that here. But we keep wondering how this movie could have been better, while enjoying the same, especially because you see how interesting scenes of childhood and later pass on without expanding the same, from those bullying moments to the later rural scenes. Maybe, we can hope for a better sequel, with a classic developed story from this one with less humour, making the world more serious as much as emotional.

Release date: 21st February 2025
Running time: 98 minutes
Directed by: Osgood Perkins
Starring: Theo James, Tatiana Maslany, Christian Convery, Colin O’Brien, Rohan Campbell, Sarah Levy, Adam Scott, Elijah Wood

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here for more of Stephen King.

<<< Click here for even more from Stephen King.

<<< Click here for my favourite from Stephen King in a long time.

<<< Click here for an earlier favourite from Stephen King.

@ Cemetery Watch
✠ The Vampire Bat.

The Fantastic Four

Posted on by

Vampire Owl: We should have been the fantastic two.

Vampire Bat: So, you do not wish to include Vampire Penguin and Vampire Panda to make it four.

Vampire Owl: This would be more than enough. Anyone else would make Vampire Alligator and Vampire Crocodile too angry.

Vampire Bat: You can still have a fantastic four plus two.

Vampire Owl: Why would I wish to make too many people become fantastic?

Vampire Bat: Maybe we can develop a team good enough to fight zombies all by ourselves.

Vampire Owl: To fight such mindless creatures, random vampire troops will be enough.

Vampire Bat: We do not have a standing military force anymore.

Vampire Owl: We, the vampires are always military civilians.

Vampire Bat: We are no longer the hunters that we used to be.

[Gets a tea cake and three cups of Valparai tea].

What is the movie about? :: Reed Richards (Pedro Pascal) with the ability to extend his body to any lengths, Sue Storm (Vanessa Kirby) who can be invisible and also generate force fields, Ben Grimm (Ebon Moss-Bachrach) with superhuman strength and durability, and Johnny Storm (Joseph Quinn) who can control fire and fly, together makes the superhero team known as the Fantastic Four that keeps their Earth safe from evil that tries to keep unleashing on the common people. After after they gained superhuman abilities from exposure to cosmic rays during a space mission as astronauts, they have been appreciated and celebrated by media. The team became celebrities like no other, with on other heroes to rely on on that Earth. Reed’s inventions have improved technology while Sue’s diplomacy has brought peace for most of the world. When Reed and Sue reveal that they are expecting a child, thing could not be any better, with their world even thinking about a kid with superpowers, making it a Fantastic Five team instead of the usual four.

So, what happens with the events here as we just keep looking? :: One day, they witness meteors in the sky, and along with then, a humanoid alien called Silver Surfer (Julia Garner) descends on a surf board. She tells them that Galactus (Ralph Ineson), a gigantic cosmic creature has chosen to consume their planet and that all life on Earth shall perish without leaving any sign of previous existence. He is someone who predates the universe as everyone knows it, existing like a cosmic vampire as well as an unstoppable godlike power lasting for billions of years, feeding on planets. Silver Surfer has been providing Galactus assistance in his objectives in exchange for him sparing her planet. She has been traveling through space on a surfboard in search of the right planets for Galactus to feed on. The team decides to go to space to stop Galactus from coming to Earth and destroying it. They do not feel that this is something they cannot handle, as negotiation was also an option along with fighting just two superpowered aliens.

And what more in to follow as a planet faces total annihilation? :: They track the Silver Surfer’s energy signature and reach a planet which is quickly destroyed by Galactus, only to escape for the devastation at the last moment. The team is found by the Silver Surfer and brought to Galactus, who tells them that it is his need to feed on planets to hunger that has been going on for billions of years. Galactus senses that Reed and Sue’s unborn child has an immense cosmic power and could take on his place, thus freeing him from hunger. He offers to spare their planet in exchange for the child, but the team refuses and escapes to the spaceship. The team, with a tough effort, manages to delay Silver Surfer who was chasing them, and reaches Earth with Sue giving birth during the journey in space. As Reed reveals the details of their encounter with Galactus during a press conference, their decision to save one child over billions of humans on Earth leads to negative opinions on them. People call for the sacrifice of the child, as saving them is what superheroes should do, and one life should not be valuable than billions of lives. As time keeps running out, what can Fantastic Four finally figure out to save both the world and the newborn child?

The defence of The Fantastic Four: First Steps :: The movie has an interesting cast that begins well, except for the emotional lag, as they get into action nicely. The visuals are nothing less than stunning with focus not only on what happens on Earth, with other areas also getting some nice detail. Galactus, his spaceship and Silver Surfer, all look really good. There seems to be a lot of effort to make the whole thing close to comics as well as suitable for the real world in live-action. There are some stunning action scenes which keep the viewers thrilled as danger is that huge with almost no hope left for Earth, as even superheroes just hope and believe rather than go for anything with full confidence. Back on Earth, the retro-style futuristic world is something that will keep us interesting, and the nice use of colours do not cease to amaze us, as a new Earth is brought to us. The fact that origin story is skipped gives us some more time to work with the world, as we do know how these particular superheroes came into being, and the small reminder added in the beginning helps the new viewers too. It is to be noted that any connection made to the superheroes of the other universes is going to make the whole thing so huge.

The claws of flaw :: None of the new cast matches the team of Ioan Gruffudd, Jessica Alba, Chris Evans and Michael Chiklis, with Jessica being the one true Invisible Woman as we know them – the new cast still got a long way to establish themselves in their newfound roles. That movie was just classic nostalgia material which could not be matched by that one reboot which came next either. Compared to that which had lots of fun, this movie becomes an emotional absurdity at times, especially related to a kid who is valued more than a billion lives. Even the antagonist’s helper seems to know this and values human lives, as she herself has gone through personal sacrifices to save others. This over-emotional side seems to curse the movie more than anything else, as the cheap melodrama often gets into our heads. The final battle also feels like the four members of the team having too much power against such a godlike cosmic undefeated creature, especially the character of Sue, which feels overdone in not just emotions, but also with the powers and meaningless anger. The characterization and story struggle often shows up as if it needed to be there.

How it finishes :: The superhero team in a fresh universe with a retro-futuristic 1960s model provides this particular movie with a new style, as this one also seems to get the critical appreciation on its favour, even though I would always love the Jessica Alba starrer above others for its simplicity with a classic tale without messing it up with too many misdirected emotions – the reboot never came close after that. There is some bigger action here and real danger, even though the attempts at solving problems seem to be misdirected, and emotional get the weaker side of superhero despite movie trying to make some characters feel too strong. Yet, the team of cast seems to work well as one, and the beauty of the visuals cannot be easily matched, whether on Earth or outside. For a fan of the Fantastic Four series, this version is surely more ambitious, and might mean more when connected with the universe with a sequel or as part of other Marvel movies. As we remember seeing a Fantastic Four spaceship in Thunderbolts, we know that something grand is yet to be seen and Avengers: Infinity War or Avengers: Endgame might not be the biggest Avengers movie on Earth.

Release date: 25th July 2025
Running time: 114 minutes
Directed by: Matt Shakman
Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, Ralph Ineson

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of the year.

@ Cemetery Watch
✠ The Vampire Bat.

The Woman in Cabin 10

Posted on by

Vampire Owl: I hope they are not talking about Cabin 10 in the castle.

Vampire Bat: We do not have cabins here. We have resting places.

Vampire Owl: Okay, then it should be Resting Place 10.

Vampire Bat: I also do not think that there is the number 10 in the castle.

Vampire Owl: You mean those young vampires cannot count?

Vampire Bat: No, we start with the number 13. It is our lucky number.

Vampire Owl: You mean to say that you do not count downwards either.

Vampire Bat: Then, we will have to stop at zero or one.

Vampire Owl: Dr. Frankenstein usually counts through the negatives.

Vampire Bat: Mr. Frankenstein does things in the most ridiculous ways.

[Gets a Milk Bikis biscuit and three cups of Munnar tea].

What is the movie about? :: Laura Blacklock (Keira Knightley), known in the field of journalism as “Lo”, is one of the best-known figures of investigative journalism, and is recovering from the trauma of witnessing the death of one of her informers, and her co-workers keep asking her to take a break, at least a short one so that they could come back stronger. As she could not be completely out the job, which she never wishes to be, she gracefully accepts an invitation from terminally ill billionaire named Anne Bullmer (Lisa Loven Kongsli). She is asked join her and her husband Richard Bullmer (Guy Pearce), along with their extremely wealthy guests, on their high luxury superyacht which is sailing to a fundraising gala in Norway. She is never really out of the journalism job, as she has to write about the Bullmers’ new charitable foundation while she is there, and get it to the public through the media. Laura finds this to be a good break from the office for a change, and is offered the best of amenities.

So, what happens with the events here as we just keep looking? :: There she meets Ben Morgan (David Ajala) again, a fellow journalist and photographer who used to be her lover, and has been assigned to cover the programmes with his camera. Dr. Robert Mehta (Art Malik) who is also on the ship to help Anne, feels that she does not have much time due to the spreading cancer. While trying to avoid Ben, Laura ends up in the cabin numbered 10, and sees a blonde woman, but the meeting is short-lived. But when she feels that there is someone who fell off the ship, and drops of blood from a distance, she feels that the lady in that cabin might have fallen off, but Captain John Addis (John Macmillan) assures her that there was nobody in the cabin, and it has been empty all the time. But she is sure that she saw someone, but everyone assures her that it could be the trauma. She also feels that she was pushed into the swimming pool, and that someone wrote something on her bathroom’s glass when she was naked and taking a shower, as if someone is keeping a watch on her all the time after talking about the cabin 10. Now it remains to be seen if she is hallucinating or if there is something more sinister around.

The defence of The Woman in Cabin 10 :: The sense of mystery remains central to the main idea of the movie as it keeps us guessing, even when the pace is not that much to be taken here. The cast seems to be rightly suitable for the movie, as we see them rising above the simplicity of the movie here. The luxury yacht setting works well to build atmosphere even though there is not much focus on the facilities of the ship as it could have been done. The contrast of emotions facing different realities going between what is seen and what is not, goes on well. The movie remains suitable for the OTT streaming, and as it released directly to Netflix, it does feel like the right one for the platform. Based on the 2016 novel by Ruth Ware, this is one movie which seems to keep that kind of a mood, even though that freedom to visualize could have meant more. The setting that provides the view of the luxury yacht keeps working well, even though that much focus is not provided there. The twist is pretty good even though revealed easily and without providing a powerful impact when it is known.

The claws of flaw :: The movie is just too slow for this kind of a run, and it often seems to walk slowly with utmost care. The drag is felt on so many occasions, and there is nothing much to keep us interested in between, as we just keep moving around without the real sense of danger or any kind of fun, making this one not dark, but rather dull in between. This one surely needed at least some moments of terror or some classic visuals – after all, we have such a good-looking luxury yacht, and the makers could show some parts of it so that those who might never travel in one can enjoy the beauty; that could make the whole thing more interesting. The failure of the movie to do anything special and instead go on a path as if to bring that final suspense and twist which comes in as end nears would not make a movie become a favourite, even with some fine performers around. The movie does need to know itself more as much as its audience. After all, we are all looking for something extra in a movie.

The performers of the soul :: The movie gets the advantage of having Keira Knightley around at the top. As we have always known, even after these many years, she is one performer whom we have trusted to do the job. Her presence itself is an assurance that the tale will go on well with the support of fine performances that will automatically come. She provides a true reflection of what happens on the ship. Guy Pearce also stays solid in a very serious role as we see multiple character depths on him, while David Ajala adds on well, and is a more relevant character than one would think about. Art Mallik adds a certain amount of depth to the whole thing. Gitte Witt can be seen adding some more good work too. Other performers like Gugu Mbatha-Raw, Hannah Waddingham, John Macmillan, Paul Kaye, David Morrissey, Kaya Scodelario, Pippa Bennett-Warner, Daniel Ings and Christopher Rygh add on further. Lisa Loven Kongsli’s smaller role is notable than one would think. There are not too many characters with that much of a depth for us check in detail with the performances.

How it finishes :: The Woman in Cabin 10 is that kind of a slow thriller with its suspense and thrills coming on slower and slower as the finish is near. There is no denying its ability to bring the suspense and twist and keep it thrilling as the end comes, but the way in which it does the same cannot be interesting to many people. I have found this one to be something of interest, but not by that much. I would not deny the fact that I have been looking for the secrets to be unveiled as the movie progresses, but remain surprised how it ended just as if it had to end, for there are many more things that could be done. For now, this seems like a movie meant to go be identified as a thriller, but not done without that much of an effort – if this was a Malayalam movie, it would have identified as a drama movie, with some extra additions becoming part of it. As it is on Netflix, it would not hurt to watch it when there is spare time, and come up with some explanations on how it could have been better, and enjoy the journey as much as it can be, without too much of expectations to go with it, for we will survive.

Release date: 10th October 2025 (Netflix)
Running time: 95 minutes
Directed by: Simon Stone
Starring: Keira Knightley, Guy Pearce, Art Malik, Gugu Mbatha-Raw, Kaya Scodelario, Daniel Ings, Hannah Waddingham

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

<<< Click here to go to the biggest movie of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Smile 2

Posted on by

Vampire Owl: Vampires are not really supposed to give good smiles.

Vampire Bat: Our smiles are the shadows of the smiles.

Vampire Owl: You mean to say that shadows have smiles.

Vampire Bat: Yes, those are the perfect scares that anyone can have.

Vampire Owl: The shadow of a smile. Sounds like it would make a fine movie.

Vampire Bat: Well, vampires make no movies at all.

Vampire Owl: Dr Frankenstein once told me about a particular movie.

Vampire Bat: That vampire movie was not made by vampires.

Vampire Owl: Well, Mr Frankenstein talked about a half-vampire.

Vampire Bat: I warn you – do not trust anything that smiles, even a Frankenstein.

[Gets a chilli porotta and three cups of Munnar tea].

What is the movie about? :: Joel (Kyle Gallner), a police officer who was cursed by an evil entity tries to transfer the curse to a new person by killing someone in front of another, as it would make him commit suicide and transfer itself to the watcher otherwise. The curse passing in the usual manner past smiling hallucinations when he dies – right to someone he knew would be unbearable to him, and therefore he chooses a murderer and his brother, killing one and making the other witness. But in the resulting shootout after he kills a brother, the witness is also murdered. But a drug dealer named Lewis (Lukas Gage) is a silent victim to all of these incidents and the curse lands right up on him. With Joel getting hit by a truck while running away, nobody gets to know about this particular evil spreading to Lewis, and ready to bring the horror working through people and their smiles. Lewis is unaware of this, but begins to have hallucinations.

So, what happens with the events here as we just keep looking? :: Skye (Naomi Scott) is a New York-based pop music star who is ready to make a reappearance to the public after a long struggle with substance abuse and a car accident which killed her boyfriend and severely injured her. She still feels her health, and with the need to get back to the drugs, she reaches the home of Lewis, one of her high school friends who continues to deal with drugs even after the incident. At his apartment, Skye witnesses Lewis screaming and panicking, but soon finds him smiling, and brutally killing himself. A scared Skye leaves the place, not wishing to be found near the corpse and the drugs. This makes her situation worse, with the hallucinations all around and seeing people with some terrifying versions of smiles feels like a natural thing for her. At the same time, she receives a message from an unknown number, talking about her presence at the apartment when the friend was killed, and about the knowledge of what is going on with her with the hallucinations resembling a supernatural presence. But can this smiling evil be stopped in time?

The defence of Smile 2 :: This one has a new idea, and even though shown in its predecessor, most of us might not have watched it. The franchise is indeed a setup for some new kind of horror, which transforms smiles into something terrible, the evil that needs to be feared. There are not many occasions when innocent smiles from children can be scary, but this one surely has that quality and keeps us in the lair of fear. The main character keeps us glued too, as the performance is of top quality and the same person works out of trauma. The creepiness never leaves the movie, and we know that from the beginning itself. There is the challenge to see beyond what meets the eye, and beyond the surface and the jump scares, this one raises the bar. The psychological elements and celebrity culture, all gets a few moments here. There is a certain emotional side here too, as the terror goes beyond everything that could be imagined. The smiles, you take them scared, and those scares coming out of nowhere with an even terrifying finish.

The claws of flaw :: The movie does not use its resources to the maximum effect, with hallucinations taking too much time than reality, and seemingly wasting time to make this movie longer than the usual horror flick. These visions could have actually been more terrifying and far away from reality, instead of keeping us in confusion. Too many false visions with incidents that do not happen only spoils the overall quality, and an ambiguous side helps nobody. This is also too powerful a supernatural force, and with all realities of perception changed, there is not much to fight with for the protagonist, making the movie feeling a world without hope, especially with that particular ending. When there are too many things shown, and with none of them happening or even leading to a change in the end, too many things feel to be unnecessary. In the end, the movie might be found guilty of overdoing certain things, and in the end, it remains not that movie which everyone, or every horror lover would like to watch.

The performers of the soul :: Naomi Scott does a perfect job in this movie, and she is the one person who elevates the flick by a long way – there are so many moments of her to remember, like Margaret Qualley and Demi Moore did in The Substance, another movie which had enough of the drug abuse and something far away from reality with hallucinations playing a major role. That movie had more to work with, and there is quality written all over it, but with the help of horror, this one surge forward led by Naomi. The movie almost completely rests on Naomi, and she makes sure that it stays that way. The next significant character seems to be the one played by Dylan Gelula, who stands strong to give her company. Lukas Gage makes a fine impression in the beginning stages itself. Peter Jacobson’s role could have been more significant to the incidents which were to follow, but it is moved to the backside, but we hope there will more from him in a sequel. The other performers also play along, even though the focus remains on the lady in the centre.

How it finishes :: Smile 2 makes one wonder why the first movie was missed, and it is strange that such a horror movie was not brought to the theatres here – the first one would have set a better beginning to the series, but watching the second one first feels fine too. The idea of smile itself is so well used here, and when we see someone smiling so well and when that makes us scared, it provides another level of scares. Smile 2 is quite a creepy horror movie, but remains predictable, with too much of hallucinations that deviate the movie from its original path and at times confuses people. The scares do work and the social commentary is effective, making it that movie which often stands above the usual horror movies with supernatural presence. With a third entry in the series, any confusion could be solved, and the ending is just nicely setting up for the same. This one surely adds to those nice deviations in horror.

Release date: 18th October 2024
Running time: 127 minutes
Directed by: Parker Finn
Starring: Naomi Scott, Rosemarie DeWitt, Miles Gutierrez-Riley, Kyle Gallner

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Frozen Empire

Posted on by

Vampire Owl: I feel that this movie is about the Lich Queen.

Vampire Bat: Are you talking about that witch who called herself the Lich?

Vampire Owl: She is the Lich Queen, and it is a status bigger than the regular witch.

Vampire Bat: Only an undead female sorcerer qualifies as a lich.

Vampire Owl: Well, witches are hard to kill in the world of magic.

Vampire Bat: You should see that undead sorcery is of another level, outside regular magic.

Vampire Owl: I am sure that she possesses the ancient frozen power.

Vampire Bat: Well, only if she is already dead and risen.

Vampire Owl: That would make her a vampire, a nosferatu, right? A vampiric officer on duty?

Vampire Bat: Liches once tasted the frozen evil would never be vampires. They also have no nocturnal qualities, and wait until dawn to unleash their full potential. The separation can be clearly seen in the atlas.

[Gets a masala bonda and three cups of Munnar tea].

What is the movie about? :: The team of Gary Grooberson (Paul Rudd), Callie Sengler (Carrie Coon), Trevor Spengler (Finn Wolfhard) and Phoebe Spengler (Mckenna Grace) goes through a fight in the streets of New York, three years after the battle in the countryside. The come across Hell’s Kitchen Sewer Dragon which they manage to capture, but only after causing quite some destruction to the city. The mayor of the city Walter Peck (William Atherton) finds this as a fine opportunity to threaten the team and close the Ghostbusters down for the best. He fins Phoebe to be under eighteen years old, and as a minor, warns her in specific. This leads to the team leaving Phoebe behind during their adventures, much to her dismay. As she is disappointed and wanders around in the park, she comes across the ghost of a girl who was killed in fire, Melody (Emily Alyn Lind), with whom she becomes a friend and plays chess to free her mind.

So, what happens with the events here as we just keep looking? :: Things change when a man named Nadeem Razmaadi (Kumail Nanjiani) sells a strange brass orb with Mesopotamian ritual markings to them. There seems to be something sinister about it, as Nadeem also disappears, and it also seems to affect other artefacts. As something seems to be coming and as they can feel the energy, they contact Dr. Hubert Wartzki (Patton Oswalt), a New York Public Library research librarian and anthropologist, but what they do not understand here is that an ancient power is ready to be awakened, and it would not stop until it takes over the world. It is revealed that the orb was supposed to be a prison built over four thousand years ago somewhere in South West Asia by four sorcerers serving as the masters of fire to imprison a creature of ice that wished to conquer humanity with its power of Death Chill. Now, things would get more serious – can they stop this villain from being unleashed in the modern world?

The defence of Ghostbusters: Frozen Empire :: The movie tries to keep up with the spirit of its predecessor and is partially successful in doing the same. There is fun in between and the spirit has its role to play too. The presence of a dumb little kid who makes all the mistakes to unleash the evil is once again here in the form of the foolish daughter who is not really old enough to be even talking to ghosts, as revealed in being the silliest creature in the universe – well, we require a usual dose of such dumb people to bring evil upon this world so that it can be saved. There are some fine visuals at the end of the movie to support the same time too. The ancient monstrous entity looks good, even though it is there for only a few moments. The ghosts look fine, even though there could have been bigger and better-looking ones. The combination of science and supernatural is good, even though the talking could have been less and action should have been more. The performers do try to bring as much fun in here as possible.

The claws of flaw :: The movie is surely too long for anyone, and there are too many dialogues in a film that should focus on action. It would have served the previous movie more as some introduction was needed, but not this time. Too much talking kills more than one ghost cinema for sure. After all, people in this part of the world are not fans of this particular series of movies, and the nostalgia that means to these people about it is very low. This kind of an approach is also not going to be appealing for the children of this age who are looking for quick results and have very less patience in comparison to our generation and the one that follows it. The funny side could have also been stronger, and the danger often leaks in its strength, even though there Is something greater needs to be there for this work for bringing the entertainment. Well, with kids not acting like they need to be, you know this movie also has its limitations. The grandeur that we were expecting is not really there and the evil struggles even though it is ancient and all – it should have been creating that demonic spectacle that we never get here.

The performers of the soul :: This seems to be one fun-loving cast that tries to keep this world interesting, even when there seems to be some limitations regarding the same. They also seem to keep a certain amount of nostalgia going, even though most of do not have it due to our love focused on other movies like Evil Dead and more. But this cast makes it work indeed. Paul Rudd is the one who leads the way in style, even though we keep wondering why he was not given more action. The movie focuses more on Mckenna Grace, and even though she does good, there is too much of focus on her character while others are shown less in comparison. Carrie Coon and Finn Wolfhard follows well, even though gets limited. Kumail Nanjiani nicely adds to the fun and there is some humour whenever he is around – he also gets it big in the final stages of the film. Emily Alyn Lind makes a fine ghost with a melancholic side that would stay with us for long. The other characters play along well.

How it finishes :: This version of ghostbusting tries the best to bring some nostalgia along with some scares and fun, and all these are partially effective as we look at them. There are many funny and scary ways that this film could have gone, and it is surprising to say that it is sticking to the minimum instead of bringing some innovation of our times. Without even a classic ending, it does struggle, but manages to hold on at times to keep some entertainment going. The movie required to have more of a soul than what it displayed. The lack of enough screens here does not come as a surprise as people do not really think about a movie like this, as it might not have had much with the earlier version too. It is that kind of a movie which we can go through on an OTT platform, and speed things up in between. This will make us feel like the overall length has been reduced, and is enough for us to spend a weekend when there is not much to do.

Release date: 22nd March 2024
Running time: 115 minutes
Directed by: Gil Kenan
Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, William Atherton

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.