Thor: Ragnarok

What is the movie about? :: Two years have passed after the Battle of Sokovia which happened in Avengers: Age of Ultron, and Thor (Chris Hemsworth) has allowed himself to be imprisoned by the fire demon Surtur (Clancy Brown) in his dark lair. The demon warns him about what is to happen to Asgard in the absence of its ruler, Thor’s father Odin (Anthony Hopkins) after he will be able to combine his crown of fire with the eternal flame that burns beneath the city. The prophecy about Ragnarok which was to be the terrible fate of Asgard in the twilight of the gods, seems to be getting close to becoming true, and Thor fights him to prevent the same. After defeating him and taking his crown, Thor believes that he has prevented Ragnarok only to find his adopted brother Loki (Tom Hiddleston) on the throne, taking the form of Odin, after feigning his own demise. Getting his statues built, and having theatre performances about his own heroic sacrifice, Loki’s fun ends with Thor’s demand to find their father.

And what is to follow in this particular adventure? :: With the help of Doctor Strange (Benedict Cumberbatch), they find Odin in Norway, only to be notified about what is to happen next, with his first-born, the Goddess of Death, Hela (Cate Blanchett) returning from exile following his weakening and death. The powerful warrior goddess who had conquered the nine realms with Odin, was imprisoned and her tales of battle erased after her ambition grew rather too high. As they come across each other, Hela destroys Thor’s hammer, and leaves the two brothers outside the bridge between the two realms to die as if in a void, but they end up on a planet called Sakaar. Meanwhile, Hela who has arrived in Asgard destroys everyone who stands against her, including the military. After appointing the demoted Asgardian Skurge (Karl Urban) as her executioner, and with her army revived from the tombs, her plan is to begin again from where Odin decided to stop the bloodshed, and conquer more realms.

And what else is to come? :: Hela and her newly recruited undead army are temporarily stopped though, by Heimdall (Idris Elba) who takes away the sword that controls the passage to the other realms. Meanwhile, Thor is captured by Scrapper 142 (Tessa Thompson), who takes him to Grandmaster (Jeff Goldblum) who rules the planet, and conducts a competition of gladiators in a grand arena where he has his own champion who he expects to win every time. After agreeing to participating in the competition, Thor is surprised to find that it is his old friend, the Incredible Hulk (Mark Ruffalo) whom he has to fight. So, the question remains if he can find his freedom by winning the battle against his Avengers team-mate, or get the same done in some other way. With Hela continuing her hunt for the missing Asgardians who might have blocked her way to conquest of all realms, it seems that time is running out.

The defence of Thor: Ragnarok :: There is no shortage of fun in this third movie about the god of lightning – the action is too good, with those stylish sequences which are supported by some wonderful music; then there are the jokes, which are many, and most of them are certain to work without any trouble. We have been missing both Thor and the Hulk, and their absence in Captain America: Civil War was noticed a lot more than one would have thought. The arena battle between Thor and Hulk is among the best of battles, and so is the final battle which is powered by lightning and all things of wonder. The use of Norse mythology can never get any better, and this is surely one of those movies in which gets the eminence back to Marvel, rising over the challenge which Wonder Woman had created, and continuing the humour-action entertainment that Guardians of the Galaxy Vol. 2 had brought earlier this year with ease.

Positives and negatives :: One can find it easy to claim that Thor: Ragnarok is never really serious, as even with those problems which can cause extinction and end of worlds, there is humour coming in so often. There is no serious feeling about terror coming all the way here, and the possible death and destruction won’t make anyone too scared or disappointed – it can’t be related with the lack of moral side though. The dark humour is more suitable for Iron Man considering his bourgeoisie scientist attitude which makes him the millionaire which Batman would never want to be – The Dark Knight would surely choose “Iron Man sucks” as his password, like in The Lego Batman Movie if they were part of the same universe. The action could have focused a lot more on the villain, as she has the power to do a lot more every time. Unlike what one would have thought, Thor no longer provides that many morality messages like Captain America would have done if he was a God of Thunder, Lightning or Strength, not necessarily the Lord of Moral Science.

Performers of the soul :: Chris Hemsworth has come a long way from being Thor in that first movie, and it is evident in each moment, as we keep identifying him with this role, and vice versa more often. He has a fine combination with Mark Ruffalo’s Hulk, as the green monster as well as the scientist has been successful in making things better for this movie which is clearly the Thor movie, with Hulk having rather too less in that category. Tom Hiddleston is at his usual best as Loki, while Tessa Thompson gets to have some of the glory too, being a very welcome addition to this franchise – one can’t help noticing a little bit of Michelle Rodriguez in the Resident Evil, Fast and Furious model. Cate Blanchett shines as the unusual female villain that Marvel needed, but one can be sure that Charlize Theron would have been a great option to be the Goddess of Death too. Karl Urban plays a different role in this one, and it is definitely stylish. Idris Elba nicely suits in his character again, and Jeff Goldblum brings more fun.

How it finishes :: This third movie of Thor has so much of what you might have only dreamed about. Following more of the model of Guardians of the Galaxy with the Avengers touch rather than what would have been the usual Thor style, Thor: Ragnarok becomes a treat to watch in more than one level, rising above many other superhero movies, easily establishing its domination over DC as it did with so many movies, as we see them waiting to retaliate with Justice League. As the Norse gods of Asgard can’t skip the Ragnarok, it is also not appropriate for you to decide to miss Thor: Ragnarok – after all, there is more than one prophecy to be fulfilled, and there is also Avengers: Infinity War coming up in 2018, and its untitled sequel in 2019, which are going to be two of the biggest among them all. If you have read about these two movies, you will know how many of our heroes, we are expecting there. It might be the biggest comics based superhero thing of all-time. But for now, this movie is something that all of you would love a lot, no matter whom you choose as your favourite superhero – it is just pure gratification.

Release date: 3rd November 2017
Running time: 130 minutes
Directed by: Taika Waititi
Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Tessa Thompson, Idris Elba, Jeff Goldblum, Karl Urban, Mark Ruffalo, Anthony Hopkins, Tadanobu Asano, Ray Stevenson, Zachary Levi, Benedict Cumberbatch (cameo)

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✠ The Vampire Bat.

Ezhamathe Varavu

ezhamathevaravv

Do you have nostalgia about the old Malayalam movies or do you feel nostalgic very often and feels that the Malayalam movies have degraded a lot and the effect of the new generation movies has not been that good? Do you feel that Malayalam movies should go back and be inspired from a former golden age of movie history or at least appreciate that age which was undoubtedly a memorable one? If the answer of these questions is yes, this is a movie you should watch and this is a review you should read. Otherwise, I would suggest that you return to what you were doing before falling into this ocean of nostalgia instead of poking your nose at a place which is not good for the kind of move loving soul which you have. The movie hasn’t done that well as it should have, and it reveals the lack of nostalgia around or rather the inability to sell this nostalgic feeling due to that horrible change which the audience has undergone with the rise of new generation movies and that mindless entertainer power which has cast a shadow on the beautiful woods of nostalgia. If you haven’t left this page yet, I suggest you reclaim it with this movie.

The film’s script which was written by M. T. Vasudevan Nair in the 1970s and was filmed by Hariharan himself with Sukumaran playing the role of the major antagonist, a role which has been passed on to his son with this new version. But as we have heard about it, the older version of the movie didn’t get released. So this remake of the Sukumaran-Venu Nagavally starrer Evideyo Oru Shatru has Indrajith-Vineeth combination instead. The movie might seem a little bit old generation for the liking of most of the people, but one thing that most of the viewers have to keep in mind is that in spite of all the changes that has come upon the world, may be with laptops, mobiles and tablets taking over what was to be their absence, the environment remains the same. The story of the subaltern undergoes no significant change as a whole, no matter how much the man can claim to have improved and changed their attitude towards their fellow beings. Another thing is that there will always be something in this world that humanity shall never understand, and it is supernatural, either divine or devilish.

But the movie doesn’t follow the path of the older movies with exaggeration or overdose of any element. Yes, there is one good man who comes into a forest with tribals around, and finds his former lover as the wife of the evil man who has control over the lands; and he tries to protect both a young tribal girl as well as the environment from the eyes of the man-devil – a plot which has been used for ages. In this remake, there is a certain amount of realism which has been added for sure, and even during this age of disgusting relationships, the plot remains striking enough. All of the characters are simple ones who doesn’t make a big mess around. None of them try to be heroic and try something which is too unexpected of them, and they stick to the stereotypes of the earlier ages, but carries over the impact which they would have created at that time, to this age which has no fixed quality in its movies. Hariharan and M T Vasudevan Nair have indeed created another beauty in the form of Ezhamathe Varavu, literally translated as The Seventh Coming and not to be confused with the Tamil movie Ezham Arivu.

Our story follows the path of an archeologist, Prasad (Vineeth) who has reached the forests of Wayanad, in an attempt to find the remains of a kingdom which is supposed to have existed in the area which now stands in the wilderness. As he tries to find helpers for the cause, he comes across a simple and innocent tribal girl Maala (Kavitha Nair) who helps him with the forest and its people. He lives in the mansion of Gopi (Indrajith Sukumaran) a rich planter and land owner of the area. Gopi is a wife-beating ego-maniac, heavy drinker, womaniser and a self-proclaimed expert in hunting. He is ruthless in getting what he wants, and always look forward to asserting his wishes on others. He also comes across his former lover Bhanu (Bhavana) who is married to the same man, but has turned out as an alcoholic due to his behaviour towards her. Meanwhile, a tiger makes frequent visits to the tribal village, claiming people during regular intervals. Gopi sets out to kill the animal for the thrills along with having his eyes set on Mala, while Bhanu gets closer to Prasad. But the tiger seems to succeed more despite of the efforts of Gopi and the villagers. What happens next shall end a few lives and change the others.

Indrajith Sukumaran plays the antagonist of the movie, and still wins the round for souls with another performance of brilliance which he carries over from his awesomeness in the movie Left Right Left. To be frank, he is the biggest reason why we had rushed to the theatre despite the number of shows being reduced to one. He portrays that dark shade of a hunter, a predator of no regret with such beauty that one would begin to wonder if anything could be worth missing watching such villainy. Vineeth plays the exact opposite, the side of the light, as the man who decided to give up his love for her own good, along with loving poetry as well as the symphony of the forest along with history. He seems to be in a familiar territory, as he progresses which ease, as a model archaeologist, a great lover of history and a big admirer of poems. Bhavana plays her character with ease and a certain amount of serenity, but Kavitha Nair has more screen presence as the symbol of innocence, the beautiful tribal girl whom the landlord has his eyes set on. The simplicity and the innocence of the newcomer’s portrayal of the girl is sure to have a long lasting influence on the viewers.

There is also the presence of some beautiful music, as we go back in time to the love story of Prasad and Bhanu, but the more touching one would be the song by Maala who is portrayed on screen by Kavitha Nair with such lack of blemish and so much of simple innocence that there is an instant liking that the audience develops with the character. As she is ravished by the predator of the human world and the revenge is half-done, the rest is taken over by the nature, or the symbol of the tribal beliefs or rather the vehicle of the Goddess whichever way the poetic justice prevails, more in a divine manner rather than anything else. If there is an outdated feeling at any point, the more appropriate word would be antiquity, and deserving an excavation as well as a mind which supports the same. What everyone can be sure about is that the evil is punished, and even in the suffering, the good finally survives, may be to thrive later. The possible pessimism which could have fallen into this movie is averted due to the use of the old formula, as the thrills, love as well as the vengeance is well balanced and well thrown on screen.

The movie’s hold on traditions, customs as well as the beliefs is also worth mentioning, as we wonder what the tiger actually depict, as William Blake had written as a part of his collection Songs of Experience in 1794; “Tiger, tiger, burning bright, In the forests of the night, What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies, Burnt the fire of thine eyes”? Yes, we are talking about the visual experience here, for the vision of the burning eyes of the tiger in the darkness comes before the first display of the majestic creature. It is the creature which delivers the final judgement, from the nature itself, for the man who loved nature and the woman who was part of nature. So that adds to this visually superior movie which you can blame for having a predictable plot, and for lacking in mass masala qualities. You can cry about it dragging a bit. But you can never avoid this one, and let me tell you one thing, that this is still a faster movie than Annayum Rasoolum by kilometres and kilometres. Think about it – nostalgia; don’t you need it more than a little?

Release date: 15th September 2013
Running time: 150 minutes (estimate)
Directed by: Hariharan
Starring: Vineeth, Indrajith Sukumaran, Bhavana, Kavitha Nair, Mamukkoya, Nandhu, Suresh Krishna, Koottickal Jayachandran, Captain Raju

ezhamathevaravuu copy

@ Cemetery Watch
✠The Vampire Bat.