Hobbs and Shaw

What is the movie about? :: The movie begins in London, with a group of MI6 agents trying to recover a deadly virus, Snowflake, which is good enough to cause a global pandemic, bringing humanity closer to the sixth extinction. As they retrieve it from the global terrorist organization Eteon, Brixton Lore (Idris Elba), an Eteon soldier fitted with advanced cybernetic implants arrives and kills all agents except for their leader, Hattie Shaw (Vanessa Kirby). She injects Snowflake into herself to keep it away from others’ reach and escapes from the scene. Brixton frames her as a traitor who killed her team and stole Snowflake, and it leads to her being on the run from more than one intelligence agency. Both Luke Hobbs (Dwayne Johnson a.k.a. The Rock) and Deckard Shaw (Jason Statham) are given the duty to track her down and find Snowflake before it gets to Eteon or some other terrorist group.

So, what happens with the events to follow? :: It turns out that Hattie is the younger sister of Deckard, and after talking to their mother Magdalene Shaw (Helen Mirren) in prison, he finds it his duty to protect her. As expected, Luke and Deckard can’t get along, and that does cause problems as far as the mission is concerned. They do find her in the end, and even though she is taken to the CIA office, Brixton arrives with his team of mercenaries and captures her. Luke and Deckard manages to save her after trying to defeat Brixton in hand combat without any success. They manage to get away, and decide to find a way to get the virus out of Hattie who only seems to have a few days remaining. They figure out that she has to be killed needs to use an extraction device from the Eteon factory in Ukraine. Meanwhile, Brixton frames them as terrorists, and makes things further difficult.

And what more is to happen? :: For the same, they are helped by Madam M (Eiza Gonzalez), who is Deckard’s old flame, as well as a robber who lives in Russia – she also provides them with some special, powerful weapons. This leaves them with even lesser amount of time to get the virus out of Hattie. Brixton is also searching everywhere for the virus that he feels will change the world forever. With no option to save her, and after getting all the information from the creator of the virus, Professor Andreiko (Eddie Marsan) they decide to have her transferred to Brixton and then go after her in the factory where it was created, as it is the only place where it can be extracted. With time running out, they get their resources ready, while Andreiko is captured by Brixton. It is a tough task ahead for the two people who just don’t want to see each other – can they defeat Brixton, the man who is more like a superhuman with all the implants, or will death be unleashed on common people?

The defence of Hobbs and Shaw :: This is one movie in the Fast and Furious franchise that could do without its “FF” tag, as it has a story which can stand alone, and with its main characters and all the action around, has such great strength beyond the franchise. It is so good even without those scenes of racing in the streets, even though there are also present. The great action sequences go a long way beyond our expectations. The movie has the chases, hand to hand combat, a vertical walk and a grand final battle which has a group of cars against a helicopter. The best thing about the movie is that it knows where to draw the lines, and how to make things believable, helping the willing suspension of disbelief – it is something that some of those dumb masala Bollywood movies can never do. This one begins well and ends well, and in between has a lot to remember. The visuals are stunning, and the best is in store in the end, at Samoa.

Positives and negatives :: The movie has a certain amount of humour in there, and not all the comedy works here. Sometimes, the comic side tries to come in when not needed and the least expected – sometimes, we just love to avoid it as not being part of this grand adventure. All parts of the movie are also not at the same level, leaving us with ups and downs. The use of family idea gets repetitive, but is once again used effectively with the scene shifting to Samoa bring one more family together. Well, we know how much Fast and Furious 6, Fast and Furious 7 and Fast and Furious 8 talked about family, and that is one element which comes up in anything related to the franchise. There is also the talk about people being above technology, and regarding the final setting and The Rock who comes up with such a situation, it becomes believable. There are moments when we feel that it is this movie that needs the sequel and not the original series – Vanessa Kirby might be one strong reason for that.

The performers of the soul :: Fast and Furious franchise is known for its protagonists who have no hair on their head – this one does the job without Vin Diesel though. This is that kind of an occasion where it works perfectly without him – the contrasting styles of the two actors playing the two real different characters become perfect here. Dwayne Johnson brings the power of the Rock or rather Hercules in the last few scenes as we also have Roman Reigns joining in to give a reminder of that WWE world which we have loved for long. Jason Statham’s protagonist who comes with a different style of action has us asking for more. Vanessa Kirby is too good in the action sequences too, as she brings everything into the scene perfectly – Mission Impossible: Fallout had here doing less action, but not this time, as she has some fine sequences of action which we are going to remember. She can surely have a lot more action movies. Idris Alba does a great job playing the villain too. Elza Gonzalez has a small, but noticeable role.

How it finishes :: We have always wanted more of the Fast and Furious franchise, and this one makes sure that there is more, and that too with the two superstars who could be even bigger than the whole movie. With Dwayne Johnson and Jason Statham launching the right punches, this one offers even more than what we thought it would deliver. A complete entertainer from the beginning to the end, Hobbs and Shaw is a movie that you shouldn’t miss, as far as you are looking for a grand action thriller. There will be more fast and furious movies coming up, but this one will be remembered for what has brought to the screen in a grand fashion. We are gladly past the boring street racing saga to aim at something higher. Creating a spin-off out of a successful franchise and making it as big as the original series requires some fine skills, and here the same is on display. Hobbs and Shaw will keep the expectations high until the next movie in the franchise arrives.

Release date: 2nd August 2019
Running time: 135 minutes
Directed by: David Leitch
Starring: Dwayne Johnson, Jason Statham, Vanessa Kirby, Idris Elba, Eiza Gonzalez, Eddie Marson, Helen Mirren, Cliff Curtis, Roman Reigns, Josh Mauga, John Tui, Lori Pelenise Tuisano

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thor: Ragnarok

What is the movie about? :: Two years have passed after the Battle of Sokovia which happened in Avengers: Age of Ultron, and Thor (Chris Hemsworth) has allowed himself to be imprisoned by the fire demon Surtur (Clancy Brown) in his dark lair. The demon warns him about what is to happen to Asgard in the absence of its ruler, Thor’s father Odin (Anthony Hopkins) after he will be able to combine his crown of fire with the eternal flame that burns beneath the city. The prophecy about Ragnarok which was to be the terrible fate of Asgard in the twilight of the gods, seems to be getting close to becoming true, and Thor fights him to prevent the same. After defeating him and taking his crown, Thor believes that he has prevented Ragnarok only to find his adopted brother Loki (Tom Hiddleston) on the throne, taking the form of Odin, after feigning his own demise. Getting his statues built, and having theatre performances about his own heroic sacrifice, Loki’s fun ends with Thor’s demand to find their father.

And what is to follow in this particular adventure? :: With the help of Doctor Strange (Benedict Cumberbatch), they find Odin in Norway, only to be notified about what is to happen next, with his first-born, the Goddess of Death, Hela (Cate Blanchett) returning from exile following his weakening and death. The powerful warrior goddess who had conquered the nine realms with Odin, was imprisoned and her tales of battle erased after her ambition grew rather too high. As they come across each other, Hela destroys Thor’s hammer, and leaves the two brothers outside the bridge between the two realms to die as if in a void, but they end up on a planet called Sakaar. Meanwhile, Hela who has arrived in Asgard destroys everyone who stands against her, including the military. After appointing the demoted Asgardian Skurge (Karl Urban) as her executioner, and with her army revived from the tombs, her plan is to begin again from where Odin decided to stop the bloodshed, and conquer more realms.

And what else is to come? :: Hela and her newly recruited undead army are temporarily stopped though, by Heimdall (Idris Elba) who takes away the sword that controls the passage to the other realms. Meanwhile, Thor is captured by Scrapper 142 (Tessa Thompson), who takes him to Grandmaster (Jeff Goldblum) who rules the planet, and conducts a competition of gladiators in a grand arena where he has his own champion who he expects to win every time. After agreeing to participating in the competition, Thor is surprised to find that it is his old friend, the Incredible Hulk (Mark Ruffalo) whom he has to fight. So, the question remains if he can find his freedom by winning the battle against his Avengers team-mate, or get the same done in some other way. With Hela continuing her hunt for the missing Asgardians who might have blocked her way to conquest of all realms, it seems that time is running out.

The defence of Thor: Ragnarok :: There is no shortage of fun in this third movie about the god of lightning – the action is too good, with those stylish sequences which are supported by some wonderful music; then there are the jokes, which are many, and most of them are certain to work without any trouble. We have been missing both Thor and the Hulk, and their absence in Captain America: Civil War was noticed a lot more than one would have thought. The arena battle between Thor and Hulk is among the best of battles, and so is the final battle which is powered by lightning and all things of wonder. The use of Norse mythology can never get any better, and this is surely one of those movies in which gets the eminence back to Marvel, rising over the challenge which Wonder Woman had created, and continuing the humour-action entertainment that Guardians of the Galaxy Vol. 2 had brought earlier this year with ease.

Positives and negatives :: One can find it easy to claim that Thor: Ragnarok is never really serious, as even with those problems which can cause extinction and end of worlds, there is humour coming in so often. There is no serious feeling about terror coming all the way here, and the possible death and destruction won’t make anyone too scared or disappointed – it can’t be related with the lack of moral side though. The dark humour is more suitable for Iron Man considering his bourgeoisie scientist attitude which makes him the millionaire which Batman would never want to be – The Dark Knight would surely choose “Iron Man sucks” as his password, like in The Lego Batman Movie if they were part of the same universe. The action could have focused a lot more on the villain, as she has the power to do a lot more every time. Unlike what one would have thought, Thor no longer provides that many morality messages like Captain America would have done if he was a God of Thunder, Lightning or Strength, not necessarily the Lord of Moral Science.

Performers of the soul :: Chris Hemsworth has come a long way from being Thor in that first movie, and it is evident in each moment, as we keep identifying him with this role, and vice versa more often. He has a fine combination with Mark Ruffalo’s Hulk, as the green monster as well as the scientist has been successful in making things better for this movie which is clearly the Thor movie, with Hulk having rather too less in that category. Tom Hiddleston is at his usual best as Loki, while Tessa Thompson gets to have some of the glory too, being a very welcome addition to this franchise – one can’t help noticing a little bit of Michelle Rodriguez in the Resident Evil, Fast and Furious model. Cate Blanchett shines as the unusual female villain that Marvel needed, but one can be sure that Charlize Theron would have been a great option to be the Goddess of Death too. Karl Urban plays a different role in this one, and it is definitely stylish. Idris Elba nicely suits in his character again, and Jeff Goldblum brings more fun.

How it finishes :: This third movie of Thor has so much of what you might have only dreamed about. Following more of the model of Guardians of the Galaxy with the Avengers touch rather than what would have been the usual Thor style, Thor: Ragnarok becomes a treat to watch in more than one level, rising above many other superhero movies, easily establishing its domination over DC as it did with so many movies, as we see them waiting to retaliate with Justice League. As the Norse gods of Asgard can’t skip the Ragnarok, it is also not appropriate for you to decide to miss Thor: Ragnarok – after all, there is more than one prophecy to be fulfilled, and there is also Avengers: Infinity War coming up in 2018, and its untitled sequel in 2019, which are going to be two of the biggest among them all. If you have read about these two movies, you will know how many of our heroes, we are expecting there. It might be the biggest comics based superhero thing of all-time. But for now, this movie is something that all of you would love a lot, no matter whom you choose as your favourite superhero – it is just pure gratification.

Release date: 3rd November 2017
Running time: 130 minutes
Directed by: Taika Waititi
Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Tessa Thompson, Idris Elba, Jeff Goldblum, Karl Urban, Mark Ruffalo, Anthony Hopkins, Tadanobu Asano, Ray Stevenson, Zachary Levi, Benedict Cumberbatch (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Finding Dory

Vampire Owl: You remember what I had told you earlier, right?

Vampire Bat: You keep telling me so many things of no significance. Which of them are you mentioning here?

Vampire Owl: About finding Nemo the fish!

Vampire Bat: Yes, it was one of the best animated movies of that time.

Vampire Owl: Well, I am talking about us helping to find this Nemo boy.

Vampire Bat: You went to find a fictional fish out of an animated movie?

Vampire Owl: It was a competition in Finding Nemo Extended Vampire Edition.

Vampire Bat: And you found the fish in the end?

Vampire Owl: No, we found some Mackerel and Sardine instead. We had them for dinner.

Vampire Bat: So, the time was well spent. It is good to have happy endings.

[Gets three cups of masala tea with the Book of the Undead].

What is the movie about? :: We see the little fish, Dory (Ellen DeGeneres) with a short-term memory loss getting separated from her parents. She asks many other creatures of the sea about her parents, but due to her memory problems, she is not able to connect well enough to direct them to where she came from. This turns her into an orphan, and also recluse until she finds Marlin (Albert Brooks) and his son Nemo (Hayden Rolence) during an adventure to find the missing boy who was captured by scuba divers. After this long and successfuly journey, she has joined Marlin and Nemo, having forgotten about her past and the lost parents for some time. But at some point, she does have a certain flashback coming to her, and remembers something, which she decides to chase, in an attempt to get herself back to the family.

So, what happens next? :: In this journey, she doesn’t go alone. She is accompanied by her partners of the last adventure, Marlin and Nemo. But this journey not that much of a peaceful one, with them immediately being in danger. With Marlin blaming Dory, she swims to the surface, only to be caught by the staff members from the Marine Life Institute which is nearby. There, she is placed in the quarantine with a tag. There she meets an octopus named Hank (Ed O’Neill) who wish to go to an aquarium in Cleveland rather than live in the ocean, a life which he detests. Therefore, he decides to help Dory in exchange for the tag which would help him to live the life that he wished to. At the same time, Marlin and Nemo are planning to rescue Dory from outside, and for the same, they come up with a rather strange idea. With time running out, can Dory find her parents, and can Marlin and Nemo find Dory in the end?

The defence of Finding Dory :: There is nothing much being lost from the first movie in this second one. They have once again made a simple, touching movie with enough humour to keep you going. It is also an amazingly beautiful world under the sea, with so many creatures and plants; the life forms under water immediately catching our attention, and we want more and more. There is cuteness all around, and kids will love it more than anyone else, along with someone with a kid’s heart. With each character being remembered and loved for one thing or the other, the Finding Nemo effect is carried over to this movie – if you haven’t watched the first movie, there will be absolutely no repetitions, and there is the chance that you will love Finding Dory even more. Well, it has been so long, and there is more possibility of you having forgotten a lot of the first movie by now; still there is the certainty of the essence being always there in the mind – Finding Nemo was that good.

The claws of flaw :: One thing that this movie follows correctly without doing anything special is to do what Finding Nemo did, and up-to an extent, repeats the same, just like the title suggests. Maybe the fishes going missing and being found is quite natural in the sea community. This is surely a step down from Finding Nemo, because we were always expecting more, to have the sequel come up with new ideas and move forward, or maybe even make the franchise better with second one. Instead, this one chooses to have the blue fish being lost instead of the orange one, and therefore the short-term memory loss is with the lost fish rather than the saviours. This is certain to make one wonder if the next movie will be Finding Marlin – we see that there is a huge world under the sea with so many creatures around, and these immense possibilities need to be explored; otherwise the franchise can’t raise the bar.

Soul exploration :: Finding Dory is all about going on even with disabilities or whatever comes in between in your life. There is the need to find a way, and our protagonist here finds it despite always being on the back foot. Alone or with the help of her friends, she never backs down, and moves on to achieving her target – it is more of a risk in our world full of chaos compared to this little world of fish; but there is no success without trying. Finding Dory asks us to go on, forgetting our limitations, and achieve what seems impossible to many others in the society. With Dory being the protagonist, it is the kind of extra inspiration that we have here, and it is what makes this movie better. What we need is more of the motivation, and all the support that we can get, and not that which we keep asking for and not receiving. All these makes Finding Dory another inspirational movie with different characters in a different world.

How it finishes :: The level of Finding Nemo was so good that it surely deserved an even better sequel. But Finding Dory happens to be almost there, and will work for all kinds of audience with its simple tale and nice humour, as well as those lovely animations and a wonderful world. The level of animated movies have improved, and it no longer remains how it was when Finding Nemo released in 2003. If you consider the two movies which battled so hard for the Academy Award for the Best Animated Film, Moana and Zootopia, there is so little that differentiated the two, and we just can’t stop loving them both. Then you look at the years before, and see Inside Out, Big Hero 6 and Frozen, and you see the level – along with Kung Fu Panda and its sequels, this franchise also needs to make sure that there is no going the Ice Age way – there are five movies, and rather too many of them going a step down each time. Finding Nemo won the Oscar, and Finding Dory never came close.

Release date: 17th June 2016
Running time: 97 minutes
Directed by: Andrew Stanton
Starring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Eugene Levy, Idris Elba, Dominic West, Bob Peterson, Kate McKinnon, Bill Hader, Sigourney Weaver, Alexander Gould, Torbin Xan Bullock, Andrew Stanton, Katherine Ringgold, Bennett Dammann, John Ratzenberger, Angus MacLane, Willem Dafoe, Brad Garrett, Allison Janney, Austin Pendleton, Stephen Root, Vicki Lewis, Jerome Ranft



@ Cemetery Watch
✠ The Vampire Bat.

Zootopia

Vampire Owl: And, here is our Academy Award Winner of the year, Zootopia.

Vampire Bat: It also won the Golden Globe, Critics’ Choice Movie Award and Annie Award for the Best Animated Feature Film.

Vampire Owl: I see that it had also received a nomination for the BAFTA Award for Best Animated Film.

Vampire Bat: But I still thought that Moana would get the award.

Vampire Owl: So did I, with The Rock also there for our entertainment.

Vampire Bat: The movies that we like the most rarely gets the award, does it?

Vampire Owl: Yes, I remember such occasions a lot.

Vampire Bat: Maybe we should get the chance to recommend a few ourselves.

Vampire Owl: We need the Vampire Academy Awards as soon as possible.

Vampire Bat: Still, I don’t think that there is that much of a difference between the Oscar nominated and won movies.

[Gets three cups of masala tea with sweet porotta].

What is the movie about? :: We are introduced to a world in which different kinds of animals thrive, as they live together without considering the differences that their species bring. The lifestyle is more like humans, and they are separated by their species and cuisines like we are by all those things beginning with race, there is a clear reflection of human life. The centre of all these is the place where everyone wishes to live in, the mega city of Zootopia where there is the chance for everyone to be what they want to be, and have a good life. So it is quite natural for a lot of animals to choose to go to this city and try their luck, as it is with many human cities. It is due to the same reason that a rabbit from a village called Bunnyburrow, Judy Hopps (Ginnifer Goodwin) wishes to become a police officer in the city. But it is not that easy, because it is not a usual job for the rabbits.

So, what happens next? :: But Judy does manage to become a police officer, even though her father Stu Hopps (Don Lake) and her mother Bonnie Hopps (Bonnie Hunt) doesn’t believe that she can perform well enough. They believe that she will come back to her some day, and save herself from the dangerous criminal world. With every other person in the police department being a strong mammal, Chief Bogo (Idris Elba) doubts the abilities of her as a rabbit, and puts her in parking duty – her parents like it, but she doesn’t, as she performed so well during her training, and wanted to prove herself. But with other animals being bigger in size and strength, like buffaloes, leopards, tigers, lions along with others, it was always going to be a tough task for her to prove something physically. But she decides that she will prove everyone wrong.

What is to follow now? :: As she leaves the parking duty to arrest a thief Duke Weaselton (Alan Tudyk), Bogo is furious about her. As she even volunteers to solve a case related to Mrs. Otterton (Octavia Spencer) whose husband has gone missing, he decides that he will give the case to her, but she will have to quit if she fails to solve it. Dawn Bellwether (Jenny Slate) who is the assistant mayor of Zootopia, supports her, but she gets only forty eight hours to solve the case of this particular person and many other missing mammals. She makes a small-time con artist fox Nicholas P. Wilde (Jason Bateman) also join her, because he was the last one to see the missing person, and he also has many contacts in the city. Even though reluctant at first, he decides to join her in the end, and they go on a search deep into this problem – can they solve this or will Judy have to go back to her carrot farm in the village?

Zootopia as a tale with a fine core :: The movie has to be admired for how it uses its idea of different species to symbolise different people. There is difference in everyone whom we meet, and the idea of being different in many ways, is shown here too. It is up-to each one of us to go chasing that dream as a different person, and it is what everyone needs to do, no matter what problems come in between. At least the attempt has to be made here. The message against bullying is there, and we can also see that judging others is the worst thing that can be done against a person with an opinion on his own life. If someone wants to pursue something with all their hearts, the society just comes in between – what we want to do, we rarely gets to achieve; lets hope that Zootopia brings the inspiration for people who wish to be different with their lives.

What it says about the world :: Still, the other major idea in this movie is rather something which is so difficult to come true that it will work for almost nobody – you really can’t be anything that you want, and it is a fact; no matter how much one tries, he or she will be only become what the society wants them to be. There are so many people who are caught in this web from which there is no escape. We wonder why is the world so much interested in judging us, and eventually we fall into that trap. We are judged at home and we are further judged at the office if we have a job – we are judged by our relatives if we don’t have a job or are not married. The judgment is passed in such a way that we are good only for one thing, and people will rate us by what we earn – they will decide what we are capable of – it is a shameful thing, isn’t it?

How it finishes :: Zootopia is a movie that has so many messages in store, which makes this a movie for the adults as well as for the children. One has to wonder if this movie was preferred over the rest of the movies nominated for the Academy Awards due to the message against “racism” rather than the rest of the things including those nicely detailed characters and the extra messages that come into the picture – so, it got to follow Inside Out, Big Hero 6 and Frozen in that winning path. Everyone can hope to leave the theatres with questions as well as the messages that linger in the mind, and at the same time, with that feel-good effect. Well, the animated movies are the best whenever it comes to bringing some fine messages for the children and the adults alike. Zootopia follows the same path without giving its viewers a chance to complain, and there is a lot of fun in store without doubt.

Release date: 4th March 2016
Running time: 108 minutes
Directed by: Byron Howard, Rich Moore, Jared Bush (co-director)
Starring: Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J.K. Simmons, Octavia Spencer, Alan Tudyk, Shakira, Raymond S. Persi, Maurice LaMarche, Phil Johnston, John DiMaggio, Gita Reddy, Katie Lowes, Jesse Corti, Tom Lister Jr., Josh Dallas, Leah Latham, Rich Moore, Peter Mansbridge, Byron Howard, Jared Bush, Mark Smith, John Lavelle, Kristen Bell, Josie Trinidad

@ Cemetery Watch
✠ The Vampire Bat.

Star Trek Beyond

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Vampire Owl: So where does it go beyond?

Vampire Bat: How can I know? I have only seen enough to know that it is Star Trek.

Vampire Owl: Can it be beyond the gates of hell?

Vampire Bat: Yes, it is indeed possible.

Vampire Owl: Do you know that there are many other interesting gates which can lead to better places?

Vampire Bat: Yes, but everyone makes their own choices about movies, and we do go for this one!

Vampire Owl: And we do make some wise choices.

Vampire Bat: We made such choices for the previous movies of this franchise.

Vampire Owl: This should be the chance to make three out of three.

Vampire Bat: I don’t see why not.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: As the USS Enterprise arrives at the space station known as Yorktown, Captain James T. Kirk (Chris Pine) has applied for a position as Vice Admiral because he can find no meaning to what he has been doing with the spaceship with endless journeys which had stopped making sense to him. Spock (Zachary Quinto) is to be the new captain of the ship according to him, but the man from Vulcan is also not without his problems as he wishes to continue the work of his own future self as the person has died. His relationship with Nyota Uhura (Zoe Saldana) had become too strained that it no longer exists. Kalara (Lydia Wilson) who comes out of an uncharted nebula to Yorktown, seeks help to reclaim her stranded ship along with its crew. The Enterprise volunteers to be of use and is immediately sent on a rescue mission.

So, what happens next? :: The only place where USS Enterprise reaches is right into trouble, as an ambush awaits them led by an enemy called Krall (Idris Elba) who seems to be some kind of mutated alien creature from unknown space. Krall and his army search for a relic called the Abronath which the crew had as part of an unsuccessful diplomatic mission. As his search turns out to be unsuccessful, he takes most of the crew as prisoners instead, and the ship is destroyed. Only a few of them including Kirk and Spock manage to be free on the new planet. There, they would come across Jaylah (Sofia Boutella), an alien scavenger and with Leonard McCoy (Karl Urban) and Montgomery Scott (Simon Pegg), prepare plans to save their crew members and try to stop the dangerous villain from finding that relic to use it as a weapon which could destroy life on more than one planet.

The defence of Star Trek Beyond :: The movie looks really good, and the visuals effects keep saving the day again and again. We know that there are so many worlds, and this one makes use of such presence to bring some visual splendour on the screen. There are also some interesting action sequences to go with it, or rather a lot of them. We cannot question this movie’s skills as an action movie, as Star Trek Beyond excels right there, even though one might feel that it happens at the expense of other factors of the flick. With evil trying to destroy the whole world and our heroes trying to save it again, the thrills are there as expected too. There is also the message about unity in diversity, if you want to look at it that way. We also have all out interesting characters continuing to be here, except for the one played by Alice Eve, which is surely a bad miss.

The claws of flaw :: For some reason, this third movie of the franchise doesn’t make the best use of all those which are available. It had the opportunity to make us explore a new world with the protagonists, but they just choose to go normal, which is not that appropriate considering the kind of scope this franchise has. The villain is also not that powerful as the antagonists of the previous movies – we feel that he is stronger in the beginning, but as things progress towards the end, he becomes part of that twist which is not that effective. It is a lot like the ideas getting limited for no reason. There was so much scope with how things were going, but all of a sudden, people seems to be afraid to try anymore, and even when they have managed to keep this one enjoyable, we are always looking for more with a Star Trek movie – it is supposed to get better and cross frontiers to go beyond without being repetitive!

Performers of the soul :: This movie’s entertainment is surely not that much dependent on its performers who don’t get to do that much as they did in the previous movies, as the movie provides less chance with going for the visual effects and action instead of concentrating enough on the characters. The one person who impresses more though, is Karl Urban who gets to bring more fun to us than in the previous flicks. There is also Sofia Boutella playing an alien scavenger, and even though her character is more cliche and without providing us with the surprises, she is really good there – we had to get a good character in here, and here is one. Even with Idris Elba playing the villain, they just couldn’t get enough of that ‘evil creature trying to destroying the world’ idea. We surely had it working better in the previous two movies. Zoe Saldana does mostly nothing, and Chris Pine as well as Zachary Quinto are not that much fun as in earlier movies with the crisis in their characters’ minds.

How it finishes :: One does feel that the makers shouldn’t take this much time to come up with a sequel, as we know that three years is too much of a gap between movies in a franchise like this – they did the same with the first two movies too, but this time, the time period between the two feels even more. I have to say that even though this movie is not as good as its predecessors, it is still an enjoyable flick, and we can look forward to another movie in the series with better ideas. There is still one thing that I would hope for – for the space ship in this movie to not be destroyed partially or completely, and I would also make a humble request not to make the action take the centre stage – it should not get to become Fast and Furious or XXX in space, because Star Trek should always be more than that. We trust the franchise enough to hope for that.

Release date: 22nd July 2016
Running time: 122 minutes
Directed by: Justin Lin
Starring: Chris Pine, Karl Urban, John Cho, Simon Pegg, Zachary Quinto, Sofia Boutella, Zoe Saldana, Anton Yelchin, Idris Elba, Lydia Wilson, Sara Maria Forsberg, Deep Roy, Joe Taslim, Melissa Roxburgh, Shohreh Aghdashloo, Greg Grunberg, Danny Pudi, Kim Kold, Anita Brown, Doug Jung, Dan Payne, Shea Whigham

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@ Cemetery Watch
✠ The Vampire Bat.

Age of Ultron

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What is it about? :: The movie begins with the team of Avengers including Captain America (Chris Evans), Iron Man (Robert Downey Jr), Thor (Chris Hemsworth), Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and the Hulk (Mark Ruffalo) attacking a Hydra fort which is concentrated around a town in Eastern Europe. They manage to recover Loki’s Scepter and get out of there, even though they meet two enhanced humans, the Maximoff twins (Elizabeth Olsen and Aaron Taylor-Johnson) who offer tough resistance with their special superpowers. But an attempt by the two part-time superhero scientists of the group to use the artificial intelligence within the artifact goes the wrong way as it unleashes what they called the Ultron and it takes over almost all the available information in the internet including the protected information. The new creation attempts to get stronger with one aim in mind – the extinction of mankind.

The defence of Avengers: Age of Ultron :: This second movie is a big improvement from the first movie, even though there will be big fan boys of the predecessor who will find it very difficult to accept the same. Here, we see more brains than any usual Marvel movie. There is improvement in almost every department, with the characters, special effects as well as the action sequences. The addition of the two new characters, Quick Sliver and the Scarlet Witch in the form of the Maximoff has powered the movie big time. Even the dialogues get better with this one as the funny as well as the thought-provoking moments work wonders, and there is more strength in each department added separately. The action and the dialogues are given so much attention that we feel that just the minimum plot is needed. This looks so good and works so good, and the defence says that you money will be well spent as sparks fly with maximum strength.

Positives and Negatives :: Some of these can give the feeling of being repetitive, and even with a small presence of this repetition, if you feel more than a small amount of the same, it is because you don’t see the big complete picture here. The plot about having the artificial intelligence seeking the destruction of mankind and the loading of consciousness happen to be too common these days, but this has managed to handle the same very well so that the feeling of having gone through this is minimal. It takes a big effort to improve from a movie which was so loved, and the success of Avengers: Age of Ultron comes as a lesson to many superhero movies which are waiting to be released. You can say that there was too much action and so many superheroes, but count them as positives. The only one thing which we miss from the previous movie is the presence of Tom Hiddleston as Loki – but considering how the Marvel Universe is progressing, he should come back only in another story.

Performers of the soul :: What you have to love here is that Jeremy Renner finally gets his due, as Hawkeye becomes that identity of the group who is more human that anybody else, and helps his team to come back together. To be frank, all the characters get some extra in this one, and the only person who might have got slightly lesser in significance might be the Iron Man itself, but then, he comes up with moments of his own – for he is Robert Downey Jr. Chris Evans’ Captain America still remains the most likable character in movie and he is so much the man to admire. Mark Ruffalo’s Hulky side continues being the better one and the romantic elements are rather unnecessary, as it also makes Scarlett Johansson less Black Widow and more Natasha Romanoff when not needed. You also have to love how Cobie Smulders makes an impression in what seems to be a smaller role, and Samuel L. Jackson continues to make the big impact – well, he is the fury with all the fury!

Further Performers of the soul :: Anthony Mackie as Falcon has a small presence while Don Cheadle as War Machine gets more even though not anywhere close to the Avengers and the big newer additions to this movie. The two artificial intelligence creatures are well-portrayed, but if you ask me about the best addition to this sequel, I would go for the enhanced twins. I remember last seeing Aaron Taylor-Johnson and Elizabeth Olsen together as husband and wife in Godzilla, and now we have them as the twins. Even though the former has some very nice moments of action, it is the latter who steals the show as the character we know in the comics as the Scarlet Witch. When the former depends on the slow motions sequences which are created to indicate his speed as the Quicksilver that he is in the comics, the latter has her much weirder skills as she goes on and makes the character a joy to watch – she is so perfect in this avatar; check her expressions and movements while in action, and you have to love this casting.

Soul exploration :: While it will be interesting to see what Elizabeth Olsen’s Scarlet Witch will have to offer for the Avengers in the next movies, let’s get into this movie’s soul. The first movie was too simple, and it was like there is an alien invasion coming up and a superhero team has to save the world just like that – but here we have a movie which is more than just mindless superhero action – this one has space for thoughts, and an expansion of the movie’s ideas in our own way. The movie asks one major question about chaos and order, and where the truth and a perfect righteous situation lies – in the acceptance of order or in the chaos that comes with a revolution? Another question is if the human extinction is the only right way to peace. We all want a better world, are we prepared to change? There are times when you have to feel the mankind itself is too less worthy. Do we find peace these days? We haven’t even evolved out of religious, caste-based and ethnic hatred, and we always have new ones coming up.

How it finishes :: Avengers: Age of Ultron is a spectacle of a very high quality, may be matching that of the immortals of Asgard, and you need to watch this one at the theatre itself. I was not surprised by the houseful shows of this movie at the local theatre too, as this is that good, even in the non-3D version which was there. Yes, it is quite understandable that Fast and Furious 7 managed to be pretty much okay and for the love for the series and Paul Walker, we just can’t stop thinking about that movie. But after two weeks, the big one has released, and this might the highest grossing movie of 2015 if surprises won’t jump in. Well, it will be more of a shock to me if this one won’t end up as the movie which brought the most money for its makers. Avengers: Age of Ultron deserves your presence, and there is absolutely no need to wait for anything else right now. Mark my words, and don’t listen to the lesser mortals, for the Vampire Bat finds this one better than its predecessor, and this is like the heaviest action ever.

Release date: 24th April 2015 (India); 1st May 2015 (US)
Running time: 141 minutes
Directed by: Joss Whedon
Starring: Elizabeth Olsen, Chris Evans, Robert Downey Jr, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Mark Ruffalo, Don Cheadle, Cobie Smulders, Aaron Taylor-Johnson, Hayley Atwell, Paul Bettany, Anthony Mackie, Samuel L. Jackson, Idris Elba, Stellan Skarsgård, James Spader

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@ Cemetery Watch
✠ The Vampire Bat.

Thor II

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***The first three paragraphs have details of a few Indian superhero movies; skip if you are not interested – I had to say this before the review as it was something I owed to real movies and true movie fans; I was asked to write about a ridiculous Hindi movie, not something I am ready for. Well, as I begin here, I dedicate this review to all of my friends who suffered with a painful poison which was sent into the theatres of India packed inside a horrible catastrophe which is commonly called Krrish 3. There were too many of them to be named here, and I am glad that most of my friends are sensible ones. But that was more of a movie for Hritik Roshan fans and little kids which is the only reason it could be forgiven despite of copying from too many Hollywood movies and adding horrible melodrama and pathetic graphics to it. From my friends and the internet, I could collect the names of a number of movies from which it copied. X-Men, Man of Steel, The Avengers, Iron Man and The Matrix are the major ones. Toad, Mystique, Sabretooth, Professor X – Magneto Hybrid they are all there; and Jean Grey you are always there! Okay, do copy; I have known a good number of nice copied movies in Hindi, but this kind of copying is absurd. Why lift from this many movies and why even copy when you have so much scope for great ideas right in our nation!

Now the others, who will never be my friends – the ones who liked this movie, and coming up with the typical lie that “they at least they tried” – to be frank, they didn’t try; they copied and instead of concentrating on what is Indian, and on the values and traditions that the nation has, they concentrated on style, glamour and pathetic graphics, to make it interesting for no sensible person. Don’t try what you can’t do right and show off your weaknesses, stick to the strengths instead! These people who come up with such pathetic excuses of “trying” for a third movie of a cent percent copied series, don’t deserve to be talked to. Please don’t like a movie just because your favourite actor is in there or the characters talk your language or as it is from your state or nation, but look at the merits. Ever heard about a romantic comedy in Malayalam called Amen? See how CGI is used to perfection in that low budget movie which could have done fine without it, but it contributed immensely and really well. May be the movie makers could learn from Shaktimaan, India’s only real superhero who is rooted in its rich traditions and teaches something good to its citizens and children. There was actually a lot original about it, even as it is not a flawless or a pure innovation. It was a great thing for its age, but Krrish 3 is outdated for this age just like its two predecessors which copied from E.T. and Superman. Please, my dear movie makers, stop making bad movies just because you need to make a lot of money – you owe something to the viewers, or come up with a notice “stupid, retarded movie”.

Krrish 3 has succeeded though, with high scores at the box-office, and it shows our inability to accept the good and reject the bad, and I have decided to skip all the Hritik Roshan movies until there is redemption. I actually had enough of him with that horrible Agneepath itself, and it is a shame that the talent is wasted. His first movie, Kaho Naa Pyar Hai will always be his best. Even as some of my friends said that Shaktimaan was better, the rest told me about the stories in some of the Malayalam books for children, Balarama, Poombaatta and Balamangalam were better. There were a few superheroes there – two of them were monkeys, one of them a little devil and another a rat. All of these were better superheroes in heart and also in the brain. My question is about why people go for movies which has trailers like this one? This movie is a curse on the Indian movie industry and I shall not watch such nonsense even for bashing it. I shall stick to those movies which doesn’t bring shame when there is a lot of potential for greatness. See innovation in the form of Go Goa Gone and Madras Cafe. They could have made a good innovative sequel to Krrish, but they spoiled it, and congratulations to all who are making it a blockbuster, and thanks to the paid reviews. Just don’t copy from Thor for Krrish 4 – it is a humble request.***

So we know that why the world is going to end and why my hope in humanity is fading. Now lets leave the movie of kids and fans which came to existence to destroy good movies. Lets get to the movie which has become my second favourite Marvel movie ever, and also become my favourite superhero movie of the year 2013. Yes, lets back to this wonderful sequel of Thor which has restored our hope in superhero movies. Let me deal with the first question that comes to the mind of any viewer. Is it better than its predecessor? The answer is surely yes. There is a lot about this movie which does a great job in fitting not only into the Norse mythology, but also into the Marvel universe. There is a lot of great graphics and special effects which beautify this movie which is a treat to watch in 3D even as the 3D possibilities could have been developed even further. Its visual beauty is comparable to not many movies. There is a little more needed from the story-line too, but not much. There is a good flow of the plot, and there is nothing lost, and Thor: The Dark World is a real good addition to the Marvel cinematic universe. The only good Avenger hero movie I like better would be Captain America: The First Avenger.

The story beings with talks about the legendary story of Malekith (Christopher Eccleston), the leader of the Dark Elves who are on a mission to destroy the world with a weapon known as the Aether, but were defeated by Odin (Anthony Hopkins)’s father, Bor. But our leader and a group of Dark Elves escape from their home world of Svartalfheim, and knowing not about the same, Bor hides the weapon deep in an unknown world. During the present day, Loki (Tom Hiddleston) is imprisoned for his crimes on humans, and Thor (Chris Hemsworth) is on a mission to restore peace in the nine realms with his friends, and is haunted by the memories of the one human he loved, Jane Foster (Natalie Portman). Meanwhile, Jane makes attempts to contact Thor and in the process, gets teleported to another world where Aether was hidden, and is infected with the same. Seeing the trouble, Thor takes her to Asgard, but doesn’t succeed in taking the thing out of her as it defends itself and the story of Aether and Dark Elves were too long forgotten too.

The Dark Elves come to know about it and attacks the city both from inside and outside in an effort to get to Jane and get their dark material. They end up killing Thor’s mother, Frigga (Rene Russo) and escape before help arrives. Asgard is left without its shields, most of its soldiers and a good number of turrets after the surprise attack by the Dark Elves who used brutal dark energy as well as stealth as their weapons. But striken by grief over the death of his wife, Odin decides to wait for the Darl Elves at Asgard and strike with all he got and fight until death. But seeing the devastation of their capital city, Thor decides to take the attack to the Dark Elves with the help of Loki who also agrees in order to avenge their mother. They decide to take Jane with them and get rid of the Aether, even as Odin had completely prohibited it and it would be treason. It is obvious that the Dark Elves would also target Earth, and as Jane found signs of it in London, it would surely be there. Can Thor and Loki work together to save more than one world or will the trickster take his own side? Now there are some good surprises in wait right there. The talks about them not being gods, and still living five thousand years is interesting.

Chris Hemsworth saves the day again as Thor, as if he is custom made for that role. We love this character, and we see the man again in good form after that great performance in Rush. Natalie Portman contributes significantly, and I would wonder if I can resist any of her movies. Tom Hiddleston’s Loki is as good as ever, but needed more screentime. Anthony Hopkins is good as usual, and Jaimie Alexander could have had more to do. I have to say that I loved the comic releief Kat Dennings and her intern provided when Loki is not around. Christopher Eccleston’s villain is also a wonderful pure evil creature, who will come to our minds, every time we play a computer game involving mythical creatures and races. I used to choose Dark Elves in most of them. Another thing I loved was the way they showed the hypocrisy of the people who had chosen not to believe the man who spoke the truth – it is true, for science has indeed become the modern man’s superstition, and we will be force fed by many things which are supposed to have proven, but are actually not. Actually, what all are really experimented and proven, is something that common man will never know. They will tell us that they landed on Moon, Mars and everything, and we will just believe them because scientists are the new kings and clergy of the medieval ages, and the only thing we will know for sure is that the sun rises in the east and sets in the west.

Release date: 8th November 2013
Running time: 112 minutes
Directed by: Alan Taylor
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano, Jaimie Alexander, Rene Russo

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@ Cemetery Watch
✠The Vampire Bat.

Pacific Rim

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The fictional stories concerning the aliens from outer-space have always been with us through those books, movies, cartoons and comics right from the childhood. Alien, Predator and Event Horizon were among the best feeders of outer-space horror. It was just a few weeks ago, that the audience accepted the friendly neighborhood alien in Man of Steel, and the same space travel thing was explored thrice in the last few months, with Star Trek: Into Darkness, Oblivion and the weaker of the group, After Earth. Well, this time, from the depths of abyss comes the alien creatures, not from the sky, but from underneath the oceans to the above world. The first choice of looking for alien life form was always beyond the stars, which is actually quite surprising. For the common man, it should not have been so, but unfortunately they have been loaded with ideas of life on other planets by science even as the fact remains that they have never seen any of these planets or stars in the way they are taught in the school. I would have preferred not to study the same and choose only art and literature, but unfortunately, education is clearly biased towards science. What this study of science does is that it unintentionally makes religion the more believable thing around for the intellectuals of the highest class. It is on a blind faith of technology and scientific extremism that the concept of space aliens are based on, and it is this same thing that Guillermo del Toro has annihilated here; not that it was not done before, but this time, it is in the form an incredibly powerful spectacle.

Del Toro’s work has always come up with beauty in horror, and this movie is no exception. The movie plunges into the depths of the theme of alien invasion and comes up with that pure awesomeness which The Avengers missed by some distance and Transformers: Dark of the Moon missed by quite a million light years. This is what Transformers should have been, but unfortunately that series lost all the good things with the second and third parts of the movie. Pacific Rim shows how a fighting machine should be. From the man who gave us Pan’s Labyrinth, at least this much was expected, and he has delivered it, with fantastic power which would make this the movie of the year so far, and may be even the best science fiction action move in two years. I didn’t really free myself from his Hellboy II: The Golden Army when I went to see this one, thanks to the television channels; and not to forget Blade II. There is one warning though, as this is not recommended for the movie cynics – they are the kind of people who will dislike this movie and come up with weird unimaginative reasons which are less significant than the smallest robot’s toe. If this movie can’t leave a smile on your face by the end, there is no doubt that such people belong to the Kaiju group, as the monster sympathizing kids who can’t bear to see their little dinosaur things losing to robots.

The movie takes the viewers to the future, when the planet is under attack by Kaiju, a name they call for the gigantic monsters continuously emerging from a portal beneath the ocean. After a number of attacks and destruction, the humans understand that it is not going to stop. To combat these big monsters, all the nations unite and use all their remaining resources to create the giant robots called Jaegers, each controlled by two (or more) pilots whose minds are joined by a neural bridge, as it would be too huge for two of them. But,The plot follows Raleigh Becket (Charlie Hunnam), a former Jaeger pilot who had lost both his machine and his brother while fighting. He is called out of retirement by Stacker Pentecost (Idris Elba) and is teamed with a rookie Mako Mori (Rinko Kikuchi) in a last effort to defeat the monsters. At a time when Jaeger program is being decommissioned, and walls are built to protect the cities from the monsters, there is chance for one final attempt on closing the portal and saving the world with only four last robots remaining. As the monsters continue to evolve and adapt to the methods chosen by humans, the survival of both the man and the machine was becoming difficult, and with bigger and stronger monsters coming up, and the robots only getting older, the situation had turned clearly in favour of the monsters who are found to be controlled by minds and on a mission to colonize Earth.

Charlie Hunnam and Rinko Kikuchi gives the movie that right dose of memory, as they give to their giant machine in the story. Idris Elba gives a powerful performance throughout the movie. There is no romantic side to this story, and the feelings are of brotherhood and respect rather than some silly emotions of infatuation. The rest goes to the robots, except for some funny scenes. The movie is a fantastic visual treat, as if a wizard has combined his powers with a sorcerer of the other world. This is not a dark movie, as that ghost has currently gripped every story which is detached from the real world. There is beauty even in the monsters and the destruction that takes place, something which Transformers and The Avengers missed out on the artistic side. There is pure poetry in motion throughout the sequences involving the robots and the monsters. They are all beautifully done, with each minute detail given importance. There is even detail on the tiny insects which feed on the monsters – not that tiny when the humans see them though. The fight scenes are powerful and stylish, with 3D coming to the aid at the right moments. The cynics can stop asking scientific questions about the invasion as the creatures come out of portal underneath the ocean and not from underneath Earth in its literal sense. It might be surprising that just a portal answers so many questions, and in this case, it does. Another thing to be noted is that times flies throughout this movie, and one gets too busy with the movie that it goes unnoticed.

This is obviously different from Guillermo del Toro’s Pan’s Labyrinth and Hellboy and therefore it is a crime to expect the same kind of thing here, even as there is the clear “del Toro tag” throughout the movie. Each and every detail of the robots and the monsters is to be looked at, for they are not simple giant robots and gigantic monsters. Gipsy Danger, the old model which saves the day differs considerably from Crimson Typhoon, the three armed robot with three pilots. The Russian robot Cherno Alpha gives another feeling at the mean time, and Striker Eureka comes up with its robotic structure almost the exact opposite. Coyote Tango, piloted by Stacker Pentecost has a lesser appearance. Even the monsters are never the same, as some of them can spit acid, some of them can fly, and some of them can move at lightning speed – none of them looking the same. The climate, and the whole setting of the fights also seem to assert this powerful detail which has been running through the movie. Another point is the use of collective memory, as a shared group of memories, only this time, it is really what it means literally. There is that world of shared memory and shared folders which we found easier to attach with the computers and electronic devices – it has such a powerful significance; and such a thing would solve the differences and save the world threatened by humans.

One question shall haunt me for a long time though; to watch this movie two or three more times or to be so satisfied with this spectacle that I take a break from watching movies. There are moments which can make one feel that it is the ultimate satisfaction, and as long as science fiction movies are considered, this is close enough to the same. There are all the morals and the inspiring factors in place, but there is no preachy side to this one. The moments to watch out for should be I. The first battle between Gypsy Danger and a monster (just because it is the first fight), II. The return of Gypsy Danger to the field (that moment of sudden appearance), III. The battle in the air (when the sword takes over), IV. The final underwater climax battle (from the moment the first monster strikes). There is no forgetting the use of ship as a weapon during that moment of awesomeness. This could be better summarized by saying that the movie has a very good beginning and a fantastic last fourty five minutes. It takes you to another world, where these monsters are real, and they can be beaten. There is inspiration, and there is the ability to keep you on the edge of your seats; there is the message of never-ending hope and the assertion of faith and belief. Along with that there is the rain and the water of the ocean which seems to have a purifying effect in 3D. The movie has a lot of trust and sharing of other’s memories going on, which points a lot to the current world. So what can we expect from a possible sequel than pure awesomeness? This one was a safe bet for me though, as there is one director who has never come close to disappointing me, and he is directing this movie.

The fact remains that Pacific Rim will continue the winning run of Warner Bros, and the reason for its success at this part of the world should be the trailers and the posters at the multiplexes which does nothing less than being impressive. Another thing is that the early reviews have all been very positive, and those which are negative, I wouldn’t call them reviews, as none of them has come up with any valid argument to not recommending this movie. It is a known truth that people love some random human being in a metal suit as they have appreciated Iron Man, and they also love robots, considering the huge success of Transformers with nothing much to offer in the last two movies of the series. Pacific Rim has both of them, and with the right people to handle the same. Considering the kind of audience the movie attracts, the only movie which can give some challenge is The Wolverine, as the release of White House Down next week here won’t change a thing, thanks to Olympus Has Fallen. R.I.P.D. and The Conjuring will attract only selected viewers, and RED 2 has a chance of making lesser impact than expected here. Then there would be The Smurfs 2 which would take not much of the audience of this movie away from action. The movie would stay in the theatres here till August unless The Wolverine comes up with a miracle, or there is an influx of Hindi and Malayalam movies of high quality.

Release date: 12th July 2013
Running time: 132 minutes
Directed by: Guillermo del Toro
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman, Robert Maillet, Heather Doerksen, Burn Gorman

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@ Cemetery Watch
✠ The Vampire Bat.

Prometheus

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Enter the most significant flashback to 2012, and welcome Prometheus, the Greek titan who is credited with stealing the fire and giving into humans. The punishment of Prometheus for this generous act is the most significant and the most interesting part of his tale, and it is a major part of ancient as well as modern works of literature and art. He was immortal and thus open to eternal torture, an opportunity which someone like Zeus was not supposed to miss, as he was tied to a rock, and each day an eagle would test its beak on his liver and eats them, which would then grow back to be eaten again the next day. Prometheus is said to be freed at last by the strongest of the Greek heroes, Heracles a.k.a Hercules. So how does Prometheus fit in this movie? Well, he is the symbol of human quest for knowledge, and also that of the risk of unintended consequences. The Modern Prometheus was used as the subtitle by Mary Shelley for her 1818 Gothic horror novel Frankenstein with its hero attempting something which was not supposed to be done according to the divine will, thus creating life which is not just abominable, but too strong for him to end. Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus can take it better, as Doctor Faustus crossed the limits himself, and paid for it with a lovely, intellectually superior soul for dinner in the inferno that night as Mephistopheles, Lucifer and Belzebub are concerned.

The movie does the same, it is the story of a search to another world in a ship was rightly named Prometheus, even as I think the name Icarus would have also done good, considering the fact that they are going after a thing which could burn themselves as well as their world. You can have your own wings of fire, but they will eventually burn out – Icarus could at least drink water before he died, but for the seekers for something bigger than sun, one can’t be so sure. The biggest advantage of the movie is that it raises questions about the origin of human life and doesn’t provide the viewers with answers, making them use their brains as well as wait for a possible sequel with all the answers. There are also times when one should stop searching for answers and logical explanations for everything, as there are things for which there is no suitable explanations, for the world was not built on science, and controlling life and nature is just a distant impossible dream. Therefore, those who watch the movie will have to understand the mystery and accept the fact that it has to remain the same. There are things that you shouldn’t and couldn’t understand. The other group of people who oppose this movie are the trolls of the worst kind, who are always looking for attention, pretending that they know everything with their off-topic nonsense.

Another thing about the mystery is that if you do understand what you are not supposed to understand with the help of stupid logical explanations, there would be disasters, and you would end up being nothing more than another Greek mythological figure, Sisyphus who was forced to roll a huge boulder up a hill, only to see it roll back down, and to repeat this action forever – no you won’t get to be Naranath Bhranthan, as he was divine and intellectual, and you will be termed fools. He pretended to be mad, but in your case, there might be no need to pretend as long as you keep seeking things that you shouldn’t. You can keep searching for something which is not supposed be found and shall never be found, therefore initiate a meaningless action similar to that of our Sisyphus. Why should one create such a cruel situation for oneself in a world which is complete in itself unless human beings won’t interfere with the progress of natural life with too much science and technology? Wonder why the so called rational minds are so proud and prejudiced that they can’t accept what they can’t understand; unfortunately, that well has the devil prepared his webs of sin and lies. Just see how much destruction man has brought upon the planet by seeking the wrong things rather than God. Lets learn from it, and stop searching for the wrong answers and cease asking the wrong questions.

As a spaceship is seen to depart from a world similar to Earth during an unspecified time period, and a humanoid alien drinks a vial, then starts to disintegrate and then fall into the waterfalls under his feet and his remains would seem to create some biological transformation on the world. In 2089, Peter Weyland, the CEO of Weyland Corporation, funds an expedition to a distant moon LV-223 on the spaceship Prometheus on a mission to find the creatures who predated humanity, calling them the Engineers. The Prometheus lands on the moon near a large artificial structure. The place looked good enough to live, as if someone already lived there, or someone was supposed to. During an exploration, they find a huge number stone cylinders which are arranged in an orderly manner, a large and a monolithic statue of a humanoid head reminding of the large stone-heads of the Easter Island of Chile. From a corpse of a large alien, a head is taken which is later found to be similar to that of humans in the DNA. There would be questions to be asked and some of the answers would come at a price, including th total annihilation of the human race on Earth. The only thing which is predictable is the presence of alien life forms which would attack humans, and even form a parasite-provider relationship with them if possible; something which will end in the same mode as the original Alien movie.

Noomi Rapace plays the protagonist, Elizabeth Shaw, an archaeologist, and a firm believer in God who keeps the crucifix close to her heart and the mind. No, she was never like Alien franchise’s own alien destroyer, Ellen Ripley. This one is a more believable character for sure, and there can still be questions about her being another Ripley as the series get a second part. She had faith and it kept her making the right decisions, and also helped her in being the one sensible person out there. She has kept her beliefs in that time of turmoil, and what kept her strong is that symbol of faith which she carried. In a society which was so advanced, and might have surely persuaded her to leave it by hook or by crook, she held on to it like any righteous person would do. It is her faith that makes her the true protagonist, and considering the person she is portrayed to be, the lack of it would have ended whatever was good in her, just like it can be seen in the other characters. She survives the alien creature coming out of her stomach, and also the death of her lover; she even stops the alien life forms from destroying Earth, something which was made possible by her faith and belief, which the other lacked. She searches her own God even when looking for the so called superior creatures; she is a noble soul and the heroic character, a lady knight for the mankind against the aliens, a title which she might truly gain by the end of the franchise.

Charlize Theron as Meredith Vickers has another villain-like role for her after her evil queen in the worst movie of 2012, Snow White and the Huntsman, in which she was the fairest of them all, and Kristen Stewart who played Snow White looked pale and useless. She is still not that evil this time, as she is just trying to take control all the time, and remain the lady in command throughout the mission. There might still be questions about her being real human, with her decisions which is without emotions, these doubts only proven wrong when she comes out drop-dead-gorgeous out of that tube like chamber in which she was cryogenically frozen in a hyper-sleep and then again when she tries to save herself, something which a machine would have cared about less. She looks incredibly beautiful throughout the movie, and still working her character to its strong, selfish motives. To be frank, she was rather good in some of her decisions, and I would be deeply saddened to say that they have killed off the character with a spaceship on her head – still there is a little hope in the second part, as she could have fallen into some pit when the spaceship crashed on her; well, they brought back significant characters in Fast & Furious 6 and G.I.Joe: Retaliation from the dead, and so it is there for giving a chance.

Michael Fassbender scores as David, the android robot whose action leads to the death of Elizabeth Shaw’s lover as well as her impregnation with the alien. He works for Peter Weyland (Guy Pearce), and both act together in their logical need for immortality for the boss. Along with great performances from the case, the movie continues to score with its mind-blowing CGI and the 3D which can be termed optional. There is nothing about Prometheus that a sensible person can hate, and when the movie takes unexpected turns and take to a least expected universe, learn to live with that, because it is for the good. It is evident from the fact that sensible critics did give the movie a good rating. James Cameron, the director of Aliens, has said that the movie is great. There might be a few people who think otherwise, and their problem should be the inability to take in the awesomeness, and this one was clearly out of their comprehension, as they gave away all their imagination and creativity to the demon of logic. Prometheus doesn’t wander around people like you, slaves of logic, it is for the people who dare to create their world and live in it without going with the modern barbarians looking for nonsense logic and talk bad about everything which remains beyond their tiny brains. These people can stop playing dogs and asking for bones. Prometheus is a brilliant start to something new, and if it was released before Alien, it would have been the top grosser of the year or even the decade.

Release date: 8th June 2012
Running time: 124 minutes
Directed by: Ridley Scott
Starring: Noomi Rapace, Charlize Theron, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green

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@ Cemetery Watch
✠ The Vampire Bat.