Doom: Annihilation

Vampire Owl: Do you remember Doom? The only and only Doom?

Vampire Bat: Doom is not one and only. There are many Dooms.

Vampire Owl: What do you mean? How many do you know as of now?

Vampire Bat: I played the video game named Doom, in the 1990s.

Vampire Owl: Okay, the game which you played before you had Unreal Tournament, Warcraft, Age of Empires, Resident Evil, Silent Hill, Hitman and Need for Speed.

Vampire Bat: Yes, and then I had a little bit of Doom II until it was replaced by Unreal Tournament and later adding some Quake 3 Arena.

Vampire Owl: I remember you having said something about Quake and Quake II. You had quite a metamorphosis with the computer games then.

Vampire Bat: There were others from the same video game developers, id Software including Wolfenstein, Heretic and Hexen.

Vampire Owl: So, your memories go beyond The Rock starrer movie of the same name.

Vampire Bat: Yes, those PC gaming memories are beautiful, and there was no reason why I wouldn’t watch this particular movie. Doom is like a legendary game during those days when I first had a computer. It was first love.

[Gets some french fries and three cups of masala tea].

What is the movie about? :: United Aerospace Corporation (UAC) has established a base on Phobos, the innermost and the larger one among the two natural satellites of Mars. Dr. Malcolm Betruger (Dominic Mafham), after years of research, tries to teleport a volunteer from a UAC lab in Nevada to their lab on Phobos by using teleporters. Even though the experiment seems to be successful in the begining, with the subject travelling all the way to Phobos and returning in one piece, there seems to be some problem with him – there are some deformities with him, not just outside, but also inside, with nothing much normal about him. Against the wishes of the other scientists inclduing the senior Ahmed Kahn (Hari Dhillon), Malcolm decides to make one more teleportation, this time with himself on the portal. But things don’t go as planned, and there is a problem with the power supply, and things don’t go as planned.

So, what happens with the events here? :: On a UAC transport vessel, a group of Marines on a mission to guard the Phobos base wakes up from cryo-sleep. Joan Dark (Amy Manson), a disgraced lieutenant is among the first to wake up and go through the procedures. She is someone whom nobody in the team wants to work with, except for her former boyfriend Bennett Stone (Luke Allen-Gale), a scientist who is excited to be sent to that high tech facility on a moon far away from Earth. The team is led by Hector Savage (James Weber Brown) who is not happy about the fighting going on inside the team, and hopes that they will work together well during their next mission on Phobos, which could be more or less about making sure that nobody steals from the high-tech facility, as almost everything in there is supposed to be worth millions of dollars. Unable to communicate with the base, they enter through the emergency entrance only to find trouble. Can they survive the horror inside the facility and restore it, or will they perish?

The defence of Doom: Annihilation :: This movie brings that long gone video game feeling back, as it is something that we fans of the first person shooters have always wanted, getting that much needed nostalgia too. Even with a low budget, the movie has brought the looks of a moon and space station into believable mode. With the usual first person shooter look written into it, there are maps in the helmets of the marines which they can access, and the characters move accordingly – they also have different access cards, and entering some areas are prohibited just like in those good old video games. This movie is more or less deserving a gamer’s love rather than of the others. Still, you can’t deny its quality shooting sequences, creatures attacking all of a sudden and continuing to create a world of terror, simple but effective work of a facility in space, a hell being designed and looking pretty effective and above all, the idea which we know from the game itself. The movie also has its heart and soul at the right place, while it also adds some humour and hope for an even better sequel.

The claws of flaw :: Doom: Annihilation does suffer from the low budget, and the signs can be seen here, and with some of the demons and places showing missing links in the design. It could have actually had more demons, with some more locations inside the facility – each creature and space could have been different, with one grand antagonist in the end. But the movie doesn’t try that, and neither does it have as many weapons as the game, only trying to get one big gun before the ending moments. They could have brought some fine effects into place here with variety in demons and also the action sequences. Instead the movie chooses to go the straight path, which was too easy, considering the fact that a good number of games established the path a long time ago. It also has to be noted that some people had already declared this to be a bad movie because they didn’t like the previous movie, and because this is based on a video game, especially a first person shooter – that seems to have affected the number of people watching this.

Performers of the soul :: When a movie tries to live by the name of the highly successful, magnificent, nostalgic first person shooter gaming franchise, it would provide more action, thrills and even horror than dialogues, and we have the same here. The Scottish actress Amy Manson is in the lead here, and she has undoubtedly done a fantastic job here, as the marine punished for disobeying a direct order from the higher authorities. From the moment she gets out of the cryo-sleep chamber, we know that she is to play the determined marine is a very much believable manner – she keeps that level throughout the movie’s run. She has an emotional side, and is perfectly suited to action, making us hope that the movie’s possible sequel would also have her in the lead. After Amy, Jemma Moore is the next one we see early, among those marines, but she is not there to stay, while most of the marines follow the same pattern, except three who stays further, and you know who has to survive till the end, as it is no surprise. Dominic Mafham reminds one of Event Horizon, and does well.

How it finishes :: If you have played any of the games in the Doom franchise, there is a certain amount of nostalgia related to this particular movie. As far as I can remember, Doom was the first of the first person shooter games which I had played. There we fought our way through demons from the other world, playing the game which would be considered as a pioneer among the titles of the same kind. It had also inspired me to buy Quake, another video game built on the style of Doom. For all of us who have played computer games in the 1990s, this is a dose of nostalgia, and for others, there is that memory of the 2015 version – the one which had quite a star cast including The Rock, Karl Urban and Rosamund Pike. With the negative reviews all around, it was not quite a success, and even with a cast which is not that famous, this one manages to be a better adventure. It might have something to do with my love for the game franchise, but I did enjoy watching this movie very much.

Release date: 1st October 2019
Running time: 96 minutes
Directed by: Tony Giglio
Starring: Amy Manson, Dominic Mafham, Luke Allen-Gale, Nina Bergman, Katrina Nare, Clayton Adams, James Weber Brown, Jemma Moore, Gavin Brocker, Amer Chadha-Patel, Chidi Ajufo, Hari Dhillon, Arkie Reece, Louis Mandylor, Cassidy Little, Plamena Bozhilova, Lorina Kamburova, Nathan Cooper

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@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim: Uprising

A flashback to the first movie :: The story of Pacific Rim had its focus at the area where about 90% of the world’s earthquakes and 81% of the world’s largest earthquakes occured, and it was discovered that something more was responsible for the same. Then came the giant alien creatures attacking Earth after coming in through an inter-dimensional portal located at the bottom of the Pacific Ocean. As it was discovered that these creatures named Kaijus would keep coming, and no wall could stop them, there were massive robotic machines called Jaegers constructed to combat the threat. These machines were too huge and complicated that each Jaeger had to be controlled by two or more people who shared the load inside the machine. They were connected by a neural bridge in a process called “drifting” through which they shared their minds with the machine. With Jaegers getting destroyed faster than they are built, they needed to stop the attacks by closing the bridge.

What is the movie about? :: Years have passed after the pilots of the iconic Jaegar Gipsy Danger Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kikuchi) using the jaegar’s nuclear reactor to seal the breach through which the creatures passed through. There hasn’t been a Kaiju attack for a very long time, and former Jaeger pilot Jake Pentecost (John Boyega), son of Kaiju War hero and martyr General Stacker Pentecost (Idris Elba) makes a living by stealing and selling old Jaeger parts on the black market. But him, along with the teenager Amara Namani (Cailee Spaeny) are arrested for their illegal work with Jaegars. In return for being set free, he is forced to begin training Jaeger program recruits with his former co-pilot, Nate Lambert (Scott Eastwood), and Amara who has knowledge of Jaegers is also taken into the programme as new recruit for pilot training.

And what is to follow in this particular adventure? :: As the Jaeger training continues hoping to battle any possible return of the Kaijus or any alien creature from another planet or dimension, the programme itself is threatened by the Shao Corporation’s remotely controlled giant drones idea lead by Liwen Shao (Jing Tian) and supported by scientist Dr. Newton Geiszler (Charlie Day). There is the plan to get more giant robots controlled from a safe location, without the need for neurally compatible pilots risking their lives in battle. But Mako is doubtful about the possibilities of such an idea, as the system could be hacked with long distance signals responsible for success and defeat in combat. But before she is able to submit her final report about the possibility of such a programme, an unexpected event occurs, which brings the twist to the proceedings.

And what else is to come? :: It is then that a rogue Jaeger, Obsidian Fury attacks the city, and kills Mako along with many other civilians, and causing destruction to the city. Gipsy Avenger, the spiritual successor to Gipsy Danger controlled by Jake Pentecost and Nate Lambert manages to hold on against the far advanced design of Obsidian Fury, before the rogue Jaegar retreats with the arrival of the other Jaegars, Saber Athena, Bracer Phoenix and Guardian Bravo. This leads to a quick approval of the drone programme, and the first group of drones are deployed faster than they intended to be. But it turns out that the drones are not on their sides, as they are quick to get rid of the cannons and attack the Jaegers at the base of operations. As Gipsy Avenger finally finds and defeats Obsidian Fury, there is a secret revealed, and it is not sweet, or positive for humanity and its continued existence, as extinction threatens.

The defence of Pacific Rim: Uprising :: Despite missing this year’s Academy Award winner Guillermo del Toro at the helm, this movie has held its ground – even after not matching the first flick, this one has enough to make it better than any transformers movie that has released in the last few years including the last one. The detailing on the screen remains nice, even though not as much as the previous movie which had better quality there. The action sequences are more though, as it is where the movie focuses the most, along with a few twists in between; special effects are great without doubt. The robots look nice, and the Kaijus, even though are present for lesser time than they used to be in the first movie, keeps us further interested. The movie is even lighter than its predecessor, and makes it more for the families. There is also some good acting and fantastic visuals to go with it, plus we also have a final scene that calls for a possible sequel.

The claws of flaw :: There is no chance to match the Guillermo del Toro vision of Pacific Rim, as Pacific Rim: Uprising surely falls short with its content. This kind of a comparison was always expected to be done, and we see that the same strange beauty and smartness is not displayed in this one which just follows the route to make the best out of the success of the first flick. There are more robots, but none of them matches the first movie’s Gipsy Danger, Crimson Typhoon, Cherno Alpha and Striker Eureka. The story also trails in comparison to the first movie, and those moments of goosebumps are missing this time. The movie is also very less about its characters this time, and the neural bridge never really gets the attention as it used to get, and repetitions can be seen. This one requires the possible third movie to take it to the next level, and lets hope that Guillermo del Toro plays a bigger role in that one to make sure that this franchise gets a big boost, as we need it as much as they do.

How it finishes :: Pacific Rim continues to do what Transformers movie franchise could have done better. I have found this one to be even better than the big hyped superhero movie, Black Panther. It is something that has the core in Guillermo del Toro’s grand vision, and due to the same, we will always enjoy a movie in this series. It is sure to make Transformers fans jealous, and lets hope that the franchise with autobots and decepticons will take something out of this movie to make those talking robotic aliens make the best use of its resources rather than repeating its events. With all its big action sequences and special effects, we won’t be able to wait for a third movie for very long; we are sure that there can be more – but even this sequel had taken about five years and so, lets hope that we have the next one before we are out of the robotmonster effects witness on the big screen. Until then, enjoy Pacific Rim: Uprising as the big entertainer that it successfully manages to be. Who needs Independence Day when we have these?

Release date: 23rd March 2018
Running time: 111 minutes
Directed by: Steven S DeKnight
Starring: John Boyega, Scott Eastwood, Cailee Spaeny, Jing Tian, Rinko Kikuchi, Burn Gorman, Adria Arjona, Zhang Jin, Charlie Day

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@ Cemetery Watch
✠ The Vampire Bat.

The Void

Vampire Owl: I have always liked the Void. It made sure that there was nothingness in our realm. It was beautiful.

Vampire Bat: There is more than void that brings the nothingness.

Vampire Owl: Void is actually better than the rest. It is quite harmless, unless you use it to tamper with the wheel of time.

Vampire Bat: You can’t manipulate the wheel of time with just the void.

Vampire Owl: Well, you can’t just manipulate anything like the humans do. They just lie, cheat and steal as they want to.

Vampire Bat: These days, they are busy spreading the same on the internet, right into the social media.

Vampire Owl: Maybe, we can put them right inside the Void.

Vampire Bat: The Void doesn’t take anyone who tries to get in – it chooses people with quality.

Vampire Owl: What about the Shadow Domain?

Vampire Bat: The humans might be capable of entering that domain, because they are that evil. We can keep this in the list of suggestions.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A man named James (Evan Stern) is seen running away from two people who shoots him, but misses. They hope to continue the chase and find him, but he reaches the main road and stumbles across a police car which is parked on the side. The police officer Daniel Carter (Aaron Poole) gets him to the nearest hospital which only has parts of it working after a fire, and will be closing down soon. There are only the minimum number of staff present there including Doctor Richard Powell (Kenneth Welsh), nurses Allison (Kathleen Munroe) and Beverly (Stephanie Belding), along with the inexperienced intern Kim (Ellen Wong) who was supposed to leave much earlier. Other than them, there are only a pregnant girl Maggie (Grace Munro), her grandfather Ben (James Millington), and the only patient admitted there, Cliff Robertson (Matt Kennedy).

So, what happens next? :: The hospital is not the best preference for anyone who is looking for the best of treatments, but its proximity makes it a good choice for the people living around. It is the only reason why at least three people from outside are already there for treatment. The state trooper Mitchell (Art Hindle) also follows there, as there has been a blood bath in a farm house, and he is also looking for James, who could be the one responsible for the same, as the is known to take drugs. Meanwhile, Beverly murders Cliff and attacks Daniel, who is caught with surprise by her skinless, bloody face, but manages to shoot her dead. Mitchell attributes this to James and some drugs which he was taking, which the nurse could have used for herself. Daniel who goes out to use the radio in his car finds things getting complicated as he is attacked by a cultist wearing a hood having the picture of a triangle.

And, what is to follow next in the adventure? :: An escaped Daniel manages to get himself back into the hospital, but two strangers are also inside (Daniel Fathers and Mik Byskov) who wish to kill James – in the confrontation, the doctor gets killed. As more and more cultists gather outside the hosptial, they understand how messed up the situation is, and tries to have some control. But it turns out that Beverly has come back from the dead, and she doesn’t even come close to looking the same. After failing to get hold of James, this animated version of her takes Mitchell, and kills him. They survivors finally manage to kill the creature, but there seems to be some more evil lurking under the hospital. They can’t get out as the armed cultists are waiting outside, and something threatens to come up and finish them off from the hospital’s basement – what will they do? The pregnant girl’s time is running out, and Daniel himself was stabbed – will they survive the night?

The defence of The Void :: Without wasting any time, The Void is ready and right into action, and this one keeps building on what it has in the beginning, bringing more horror into the material. You can feel the evil present throughout, and there is almost no way of how terrible it is; we just keep knowing its existence, and understand the chance that it could be fully unleashed at any moment. The scary moments work really well, and we see the effective use of terror in the form of undead creatures which are not zombies by definition. There is one nice scene where the heroes are caught between the creatures seemingly right out of hell rather than becoming walking undead in the form of zombies. There is scope for unleashing the most ancient and the most powerful of evil around here, and we know that death is only the beginning, once again. The cast is also pretty good, even though there is nothing big done. Caught in a half-burnt hospital, it is a nice setting for all.

The claws of flaw :: The blood and gore in this movie is going to keep some people away, as the movie gets violent early enough, only to get a few steps further as it moves forward. The Void might also be a little late in its arrival; if it had come a lot earlier, we could have enjoyed it as the first flick of a franchise which would have a fine cult following. The movie could have also used some fine, detailed creatures for its horror rather than those half baked ones, which surely adds to the horror, but not as whole. There could have also been better clarity with its story, and it could have made up a grand one with its proceedings – with this kind of a premise, there are so many places that its tale could go. But its chances are not fully explored here, as it ends in just an ordinary way instead of making it a big terrifying finish to a journey resembling the idea of hell.

How it finishes :: The Void will get more of interesting horror, and there is not that much of delay for this movie to take you on the terrifying ride. Even if not as good as those divergent horror movies like Don’t Breathe, A Cure for Wellness, Get Out, Lights Out, The Autopsy of Jane Doe and It Follows, this one has also has its own variety in treatment, as horror gets its dimensions explored yet again. There will be those haunting tales about ghosts on one side, and then there are these stories, which takes it to a different level – we will always love those movies like The Conjuring, Insidious and Annabelle, but we want things to bring more twist like this one, even if it is not a perfect story with all things coming together. Maybe, there could be a nice sequel to this one, working on its established origins, and making things better. We can only hope and wait for that though.

Release date: 7th April 2017
Running time: 90 minutes
Directed by: Steven Kostanski, Jeremy Gillespie
Starring: Aaron Poole, Kenneth Welsh, Daniel Fathers, Kathleen Munroe, Ellen Wong, Mik Byskov, Grace Munro, Evan Stern, James Millington, Art Hindle, Stephanie Belding, Matt Kennedy

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@ Cemetery Watch
✠ The Vampire Bat.

Warcraft

warcraft

Vampire Owl: An orc story? How can you even think about it? This is a no-orc zone around here.

Vampire Bat: It is a humans against orcs tale.

Vampire Owl: Whatever it is, I just can’t stand these orcs. They don’t even smell good.

Vampire Bat: Why do you try to smell them? It is totally unnecessary.

Vampire Owl: It is not intentional. We just come across one or two of them at the Goblin Market all the time.

Vampire Bat: Why do you go to the Goblin Market?

Vampire Owl: What? I just love their special fruit juice.

Vampire Bat: Dude, they are not healthy drinks. You should just stick to the natural vampire drinks.

Vampire Owl: Still healthier than those human-made things like Pepsi and Coca-Cola.

Vampire Bat: Well, I can agree to that.

[Gets three cups of masala tea with banana chips].

Flashback to the game :: As all of you would know by now, Warcraft is an adaptation of the game of the same name, just as Resident Evil, Silent Hill, Hitman, Max Payne, Need For Speed, Alone in the Dark and Prince of Persia had been, among the others. But what Warcraft has achieved here, is that it has gone on to become the highest grossing video game adaptation of all-time, thus creating a fine record, despite what the critics have been saying. We know that the critics are never fond of a movie made from a video game, as they are all sitting there waiting to blame the attempt. But Warcraft has a longer history for me than any other game, as Warcraft II: Tides of Darkness is the first real-time strategy (non-turn based) or any strategy game that I had ever played, thus making way for more strategy games getting into my head, from Age of Empires to Caesar, Age of Wonders, Age of Mythology, Disciples and Civilization. Therefore Warcraft has a special place in my mind, as for many others.

What was the game about? :: The game had orcs entering this dimension through a portal, and after the initial raids, were slowly making their way more and more into the human lands. The first game, Warcraft: Orcs & Humans, even though it might look too simple for the gamers of this age, had a firm base for the battles established, which Warcraft II: Tides of Darkness nicely used to its advantage with new additions. Winning a good number of awards during the year of its release, the second game was nothing less than top quality fun. In the game, even though orcs have the superior strength and keeps on gaining brutal victories, there are interesting units on both sides. Warcraft III: Reign of Chaos which comes much later introduces two new races, the Night Elves and the and Undead. It was followed by the expansion, The Frozen Throne. Then there was World of Warcraft, a massively multiplayer online role-playing game, and with a number of expansions, the saga continues – so can the movie live up-to that?

What is the movie about? :: The orcs are in a battle for existence as their world is almost near extinction – they look forward to finding new lands for their people, as Gul’dan (Daniel Wu), a powerful orc warlock opens a portal to the human world, and invites all tribes of orcs to join forces for one purpose, to claim new lands for themselves. Durotan (Toby Kebbell), the chief of the Frostwolf Clan is a man who believes in honour and fairness, and he also joins the first group of orcs who come through the portal as he is looking for a better place for his family to thrive. With the brutal raids from orcs destroying villages, Khadgar (Ben Schnetzer), a mage finds the evil magic of fel in the bodies of the dead, and warns the knight Sir Anduin Lothar (Travis Fimmel). King Llane Wrynn (Dominic Cooper) chooses to call for the Guardian, Medivh (Ben Foster) with whose help, they capture Garona Halforcen (Paula Patton), a half-orc. But things are more than just about a battle between the two races.

The defence of Warcraft :: There is one thing about Warcraft that everyone should agree on – it is an amazingly good-looking movie; with visuals which will make one feel the fantasy world with all its beauty. There are shots from the top which often reminds one of the game itself, not just the one this is inspired from, but also about many other strategy fantasy games. The visual effects make sure that the magic combined with swordfights create even better impact. Among the characters, it is the half-orc played by Paula Patton that steals the show. The movie’s message is sacrifice throughout its run, as both the races got the respective leaders striving to make sure that it gets better for their own people. Even in an effort to survive, there is no loss of honour on the good side, and there is no missing pieces of evil on the other side, the dark magic that comes in between the two races. Fans have waited for this movie so long, and so they should like it without doubt.

The claws of flaw :: There are places where Warcraft could have been better and less predictable. It could have had more races in the battle scenes instead of just being present there. The orc characters are actually better than the humans too, winning our respect, while the humans trail – it is surprising that the orcs decide not to finish off the human knight, but they allowed their own cheftain to be killed earlier; there is something strange in the working in totality. The two main human characters, the guardian and the commander knight become flaws of the movie as they keep losing strength all the time. Well, it is the time for orcs to have some fun – the hobbits had so much of the same, and the undead have been enjoying too much; let the orcs get their due too. There are times when one wonder if the movie could have used more of the games, and there will be the question if the special effects were overused.

How it finishes :: There can be many claims against Warcraft, but the truth is that it manages to be better than many other movies which doesn’t have the backup of a video game – just because this is based on a popular game, this has been given too much negative reviews. But Warcraft is better than all that, and along with being the highest grossing video game adaptation of all-time, it also has enough in it to gain the attention of those who are not prejudiced. With the chance for a sequel open, we can be sure that this can expand into a fine franchise, as long as the sceptics won’t bother us with more of the prejudice saying that this is from a video game and so it can’t be good. This one has almost all that one needs in an entertaining movie without going through the path of some dumb fun. Therefore, it needs to be shown some appreciation that it deserves.

Release date: 10th June 2016
Running time: 123 minutes
Directed by: Duncan Jones
Starring: Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Robert Kazinsky, Daniel Wu, Ruth Negga, Anna Galvin, Callum Keith Rennie, Burkely Duffield, Ryan Robbins, Dean Redman, Terry Notary, Michael Adamthwaite, Glenn Close

warcraft

@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim

pacificrim (5)

The fictional stories concerning the aliens from outer-space have always been with us through those books, movies, cartoons and comics right from the childhood. Alien, Predator and Event Horizon were among the best feeders of outer-space horror. It was just a few weeks ago, that the audience accepted the friendly neighborhood alien in Man of Steel, and the same space travel thing was explored thrice in the last few months, with Star Trek: Into Darkness, Oblivion and the weaker of the group, After Earth. Well, this time, from the depths of abyss comes the alien creatures, not from the sky, but from underneath the oceans to the above world. The first choice of looking for alien life form was always beyond the stars, which is actually quite surprising. For the common man, it should not have been so, but unfortunately they have been loaded with ideas of life on other planets by science even as the fact remains that they have never seen any of these planets or stars in the way they are taught in the school. I would have preferred not to study the same and choose only art and literature, but unfortunately, education is clearly biased towards science. What this study of science does is that it unintentionally makes religion the more believable thing around for the intellectuals of the highest class. It is on a blind faith of technology and scientific extremism that the concept of space aliens are based on, and it is this same thing that Guillermo del Toro has annihilated here; not that it was not done before, but this time, it is in the form an incredibly powerful spectacle.

Del Toro’s work has always come up with beauty in horror, and this movie is no exception. The movie plunges into the depths of the theme of alien invasion and comes up with that pure awesomeness which The Avengers missed by some distance and Transformers: Dark of the Moon missed by quite a million light years. This is what Transformers should have been, but unfortunately that series lost all the good things with the second and third parts of the movie. Pacific Rim shows how a fighting machine should be. From the man who gave us Pan’s Labyrinth, at least this much was expected, and he has delivered it, with fantastic power which would make this the movie of the year so far, and may be even the best science fiction action move in two years. I didn’t really free myself from his Hellboy II: The Golden Army when I went to see this one, thanks to the television channels; and not to forget Blade II. There is one warning though, as this is not recommended for the movie cynics – they are the kind of people who will dislike this movie and come up with weird unimaginative reasons which are less significant than the smallest robot’s toe. If this movie can’t leave a smile on your face by the end, there is no doubt that such people belong to the Kaiju group, as the monster sympathizing kids who can’t bear to see their little dinosaur things losing to robots.

The movie takes the viewers to the future, when the planet is under attack by Kaiju, a name they call for the gigantic monsters continuously emerging from a portal beneath the ocean. After a number of attacks and destruction, the humans understand that it is not going to stop. To combat these big monsters, all the nations unite and use all their remaining resources to create the giant robots called Jaegers, each controlled by two (or more) pilots whose minds are joined by a neural bridge, as it would be too huge for two of them. But,The plot follows Raleigh Becket (Charlie Hunnam), a former Jaeger pilot who had lost both his machine and his brother while fighting. He is called out of retirement by Stacker Pentecost (Idris Elba) and is teamed with a rookie Mako Mori (Rinko Kikuchi) in a last effort to defeat the monsters. At a time when Jaeger program is being decommissioned, and walls are built to protect the cities from the monsters, there is chance for one final attempt on closing the portal and saving the world with only four last robots remaining. As the monsters continue to evolve and adapt to the methods chosen by humans, the survival of both the man and the machine was becoming difficult, and with bigger and stronger monsters coming up, and the robots only getting older, the situation had turned clearly in favour of the monsters who are found to be controlled by minds and on a mission to colonize Earth.

Charlie Hunnam and Rinko Kikuchi gives the movie that right dose of memory, as they give to their giant machine in the story. Idris Elba gives a powerful performance throughout the movie. There is no romantic side to this story, and the feelings are of brotherhood and respect rather than some silly emotions of infatuation. The rest goes to the robots, except for some funny scenes. The movie is a fantastic visual treat, as if a wizard has combined his powers with a sorcerer of the other world. This is not a dark movie, as that ghost has currently gripped every story which is detached from the real world. There is beauty even in the monsters and the destruction that takes place, something which Transformers and The Avengers missed out on the artistic side. There is pure poetry in motion throughout the sequences involving the robots and the monsters. They are all beautifully done, with each minute detail given importance. There is even detail on the tiny insects which feed on the monsters – not that tiny when the humans see them though. The fight scenes are powerful and stylish, with 3D coming to the aid at the right moments. The cynics can stop asking scientific questions about the invasion as the creatures come out of portal underneath the ocean and not from underneath Earth in its literal sense. It might be surprising that just a portal answers so many questions, and in this case, it does. Another thing to be noted is that times flies throughout this movie, and one gets too busy with the movie that it goes unnoticed.

This is obviously different from Guillermo del Toro’s Pan’s Labyrinth and Hellboy and therefore it is a crime to expect the same kind of thing here, even as there is the clear “del Toro tag” throughout the movie. Each and every detail of the robots and the monsters is to be looked at, for they are not simple giant robots and gigantic monsters. Gipsy Danger, the old model which saves the day differs considerably from Crimson Typhoon, the three armed robot with three pilots. The Russian robot Cherno Alpha gives another feeling at the mean time, and Striker Eureka comes up with its robotic structure almost the exact opposite. Coyote Tango, piloted by Stacker Pentecost has a lesser appearance. Even the monsters are never the same, as some of them can spit acid, some of them can fly, and some of them can move at lightning speed – none of them looking the same. The climate, and the whole setting of the fights also seem to assert this powerful detail which has been running through the movie. Another point is the use of collective memory, as a shared group of memories, only this time, it is really what it means literally. There is that world of shared memory and shared folders which we found easier to attach with the computers and electronic devices – it has such a powerful significance; and such a thing would solve the differences and save the world threatened by humans.

One question shall haunt me for a long time though; to watch this movie two or three more times or to be so satisfied with this spectacle that I take a break from watching movies. There are moments which can make one feel that it is the ultimate satisfaction, and as long as science fiction movies are considered, this is close enough to the same. There are all the morals and the inspiring factors in place, but there is no preachy side to this one. The moments to watch out for should be I. The first battle between Gypsy Danger and a monster (just because it is the first fight), II. The return of Gypsy Danger to the field (that moment of sudden appearance), III. The battle in the air (when the sword takes over), IV. The final underwater climax battle (from the moment the first monster strikes). There is no forgetting the use of ship as a weapon during that moment of awesomeness. This could be better summarized by saying that the movie has a very good beginning and a fantastic last fourty five minutes. It takes you to another world, where these monsters are real, and they can be beaten. There is inspiration, and there is the ability to keep you on the edge of your seats; there is the message of never-ending hope and the assertion of faith and belief. Along with that there is the rain and the water of the ocean which seems to have a purifying effect in 3D. The movie has a lot of trust and sharing of other’s memories going on, which points a lot to the current world. So what can we expect from a possible sequel than pure awesomeness? This one was a safe bet for me though, as there is one director who has never come close to disappointing me, and he is directing this movie.

The fact remains that Pacific Rim will continue the winning run of Warner Bros, and the reason for its success at this part of the world should be the trailers and the posters at the multiplexes which does nothing less than being impressive. Another thing is that the early reviews have all been very positive, and those which are negative, I wouldn’t call them reviews, as none of them has come up with any valid argument to not recommending this movie. It is a known truth that people love some random human being in a metal suit as they have appreciated Iron Man, and they also love robots, considering the huge success of Transformers with nothing much to offer in the last two movies of the series. Pacific Rim has both of them, and with the right people to handle the same. Considering the kind of audience the movie attracts, the only movie which can give some challenge is The Wolverine, as the release of White House Down next week here won’t change a thing, thanks to Olympus Has Fallen. R.I.P.D. and The Conjuring will attract only selected viewers, and RED 2 has a chance of making lesser impact than expected here. Then there would be The Smurfs 2 which would take not much of the audience of this movie away from action. The movie would stay in the theatres here till August unless The Wolverine comes up with a miracle, or there is an influx of Hindi and Malayalam movies of high quality.

Release date: 12th July 2013
Running time: 132 minutes
Directed by: Guillermo del Toro
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman, Robert Maillet, Heather Doerksen, Burn Gorman

pacificrim copy

@ Cemetery Watch
✠ The Vampire Bat.