Tag Archives: fear

A Woman Called Mother

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Vampire Owl: Why is this particular woman only called a mother?

Vampire Bat: Maybe it is a name in another language which means mother in another.

Vampire Owl: Or calling a mother not a mother is usual among some humans.

Vampire Bat: And yet it is a horror movie with a mother.

Vampire Owl: There was that movie called Mama with such a theme, right?

Vampire Bat: Yes, but I would not find any relation between the two.

Vampire Owl: The human worlds are never really related to one another.

Vampire Bat: It is a good reason to hate one another for the humans.

Vampire Owl: Is hate another word for humanity?

Vampire Bat: Human hatred is infinite and eternal, like Uncle Dracula’s curse and Frankenstein’s madness.

[Gets a Munnar white chocolate and three cups of Vagamon tea].

What is the movie about? :: Yanti (Artika Sari Devi) goes through a severe psychological breakdown after her husband leaves her and their children and files a divorce. She becomes desperate to claim her independence and provide for her family which is now financially broken. She moves to a new area with her two children, her teenage daughter Vira (Aurora Ribero) and her younger son Dino (Ali Fikry) to a rural town where she plans to open a stylish and advanced new hair salon. Her two children are not confident about the same, as this shop is opened right beside their home which is far away from the roads and town area, seemingly in the middle of nowhere. It is indeed a peaceful place for a home, but not the right place for a salon as Vira keeps asserting. Yanti invites different people of the town to the salon, and her children do notice a certain amount of seductive nature in that invitation. Then all of a sudden, the move seems like a blessing, as people seem to come in big numbers to her new venture.

So, what happens with the events here as we just keep looking? :: The success of the salon brings them a lot of wealth, which interests them, but Vira has not been feeling well at the place which feels as strange as what has been happening with her mother’s business adventure. She sees some shift in the mother’s behaviour and she seems to be doing something strange in the bathroom, lying in the bathtub. Then, she also sees someone else, a shadowy figure with her mother, mostly reflected in the mirror. Yanti is also seen drinking a lot of milk for no reason, while a certain cruelty and brutality when preparing meat can also be seen from her side. Dino had also felt something while trying to explore an abandoned house nearby with overgrown vegetation as part of her attempt to take a video for the social media. Unlike Vira, he feels that it is safe inside the house until he sees his mother both inside the house and outside on the streets at night. But as their room is not bathroom-attached, they might need to walk around at night. Now, what might be the problem with the mother and how can this terrifying situation be solved?

The defence of A Woman Called Mother a.k.a. Dia Bukan Ibu :: The movie places the characters nicely inside the house and the salon making them ready for all the horror which is to come, with the rest of the world only adding less to the scares in comparison. As the mother’s evil presence grows to be more menacing, the danger is even more felt in a world of terror. The focus here is not only on the fear of the supernatural which is ready to unleash itself on the family, the real-world tragedy of a broken home, financial devastation and the immense burden placed on single parents. With the trauma already there much earlier, we see the horror as the extra addition to what is already there. The final moments nicely show the unleashing of pure evil, but we already see the signs of the same in a bathtub and the actions of the mother with shadows and darkness nicely complementing all of these without hesitation. The imagery of horror that we have here catches our attention, and being a fine atmospheric horror is the movie’s advantage.

The claws of flaw :: The movie drags quite a lot as we look at it – there is the time taken to get into horror action, and even after that there is some drag. The middle part drags significantly as the story takes so much time revealing what is actually going on – this would test the patience of viewers looking for clues early itself. The idea in the movie is also not new, and it is not extended that much to provide a new divergent feeling. The movie’s best moments also fall apart after starting very strong. A number of characters of the movie that fails to go relevant also goes through a struggle. The blood and gore might upset some people as it is rather evenly distributed around here, and focused on animals, which can also be found not good for a number of viewers. The supernatural is also not that much explained here. We keep feeling that there is more to this, and enough has not provided around here related to the world of terror. Then we remember that there were many repetitions, and still there was not enough provided here to make the narrative’s movement through the inner evil smoother.

The performers of the soul :: Artika Sari Devi’s performance as Yanti remains something to be appreciated. There is more than one side of the character that she displays around here. She shows the shift from a broken, grieving mother to a feral, unpredictable and possessed monster of pure evil incredibly well. Her work brings the scares and makes the whole thing deeply terrifying to watch with the help of some mysterious gestures and expressions. The bathtub scene and the last moments with her coming in a bloody dress would be two moments which would be remembered as classic additions to an otherwise dark movie which depends on quick scares. Aurora Ribero comes up with a performance to remember as the young woman who does a fine job in understanding that there is something wrong with her mother, and she plays a character with confidence and determination which has us rooting for her. We would feel that she would make a great scream queen in horror movies someday. Ali Fikry has his moments, and the brother-sister moments add well to the side of drama.

How it finishes :: If you are looking for a a highly unsettling piece of psychological domestic horror, this might be the one, even though it is never near perfection in any way. There are so many moments which could have been better, and it is only safe to say that there were so many occasions which could have been dealt in a better way. There are indeed those moments when it falters under its own weight with the repetitions. Furthermore, it treads incredibly familiar territory for anyone already well-versed in Indonesian occult cinema. The movie had made some good impact in the Indonesian Film Festival too, and deserves a watch for its divergence from the usual. Indonesian movies have had some fine horror added here and there which have kept us wondering why more industries could not follow this particular path. It is the one reason why this movie came to the movies to be watched list early. Its availability in JioHotstar was another reason, and this one does not disappoint the audience who loves to have some variety in horror.

Release date: September 25, 2025
Running time: 119 minutes
Directed by: Randolph Zaini
Starring: Artika Sari Devi, Aurora Ribero, Ali Fikry, Fara Shakila, Khiva Iskak, Sita Nursanti, Dian Sidik, Husein Al Athas

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✠ The Vampire Bat.

Pumpkinhead

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Vampire Owl: I would accept this one as part of the vampire team.

Vampire Bat: There can never be a pumpkinhead vampire.

Vampire Owl: Dr. Frankenstein had once created a creature out of a pumpkin.

Vampire Bat: Mr. Frankenstein can create only be a creature and can create none.

Vampire Owl: Frankenstein can only be a creature of supreme intelligence.

Vampire Bat: Do not transform him into an alien now.

Vampire Owl: He is not of this realm, and therefore he is an alien, the smartest among them.

Vampire Bat: He is not worthy enough for any designation.

Vampire Owl: You are talking about the greatest scientist of twelve realms.

Vampire Bat: He is the one pseudo-scientist that I would avoid.

[Gets a masala bonda and three cups of kadak tea].

What is the movie about? :: A thirteen-year-old boy named Sam (Bean Reid) who was forced to leave his friends and relocate from New York City to a small village with a seemingly perfect and peaceful farming community called Redhaven with his family. The story of the village points to Palmer (Kevin McNulty), who is known as a generous, friendly old farmer who is the descendant of those agriculturists who saved the town by creating agricultural success out of nowhere at a time when everything was failing in the land and crops were dying. The people of the village have been spreading the word that it was achieved through hard work and advanced farming techniques and the villagers celebrate the same through a harvest festival. During this festival, Redhaven’s unmatched prosperity in compared to the area around them continues to be celebrated as the award-winning crops which are sold in bulk and at high prices throughout the neighbouring villages are remembered in Palmer’s lands. But Palmer keeps people away from his farmhouse, which he keeps away from the village folk, but everyone surrounds the area around the farm where he has kept the celebrations alive.

So, what happens with the events here as we just keep looking? :: Angry about his move to the strange place which seems to have nothing for him, and chased away from the farmhouse by Palmer while looking at a strange pumpkin, Sam decides to steal a massive pumpkin from the farmer’s restricted area just to make the man feel bad about it. The police begin to start searching about the same as a case was registered, and the farmer who was held at high regard by the village gets all the condolences. Sam’s elder brother Finn (Seth Isaac Johnson) finds out about the same, and with hope for the best about the family’s relationship with the village where they have to spend rest of their lives decides to return in back at that night itself, even though Sam remains unhappy about the people of the village and its lack of facilities compared to every place he had stayed before. But Finn who reaches the farmhouse is attacked by some unknown force, and some vines which capture him, take him right into the sand.

And what more is to follow here as things seem to show tendency to get further complicated? :: The next morning, as he cannot find his elder brother anywhere, Sam keeps searching for Finn, but is not able to find him. As he keeps searching for him, he remembers that he was going to Palmer’s house to return the pumpkin, and with his only friend from the area which he had just found, Becka (Adeline Lo), he goes on searching, only to be thrown out of the farmhouse by Palmer. As he tells his mother Cassie (Kendra Anderson) about his elder brother going missing, but he discovers that she does not remember Finn and according to her, such a person never really existed in their memory even as an acquaintance. He brings photos of them together, but she does not see her elder son and asserts than Sam is her only child and they came to the village as a group of two in their car. Becka tells him that children have gone missing from the village before, and none of the adults seem to remember them. She tells him not to waste time with adults of the village anymore, and only an outcast named Rusty (Matty Finochio) might be able to save them. At the same time, the scarecrow in the field seems to look at them. Can they find the secret behind the missing children soon enough or will more of them go missing?

The defence of R L Stine’s Pumpkinhead :: The movie’s biggest point is the scarecrow monster itself, which brings effective scares. The creature’s unnatural and unsettling movements create genuinely unsettling visual scares, and rises a long way above CGI using an actor. The idea of children being erased from the memory and even proof of their existence disappearing makes a scary point here further away from the usual horror. Despite the scares, this one remains a horror which stays within its borders, making it watchable for everyone, and still does enough justice to the genre. The presence of ancient evil makes sure that a high level of danger is always there to unleash chaos into unsuspecting people. The kids do a great job, and the pairing of the leading children works effectively, and the final villain reveal also blends in well. The visuals are nothing less than stunning, as the autumn imagery and the small-town harvest festivals with pumpkins, all with that orange shades provide a stunning look here, and in this case, even the night view has a certain charm as much as the horror that stays. The climax twist feels classic and should inspire a sequel.

The claws of flaw :: This is that kind of a movie which we had not heard about until it was released on Amazon Prime Video, and when something goes unnoticed by the horror enthusiasts, that feels strange. Some of the acting in the beginning does feel like a struggle, especially with the first few moments never really bringing much of an interest. The weak beginning might decrease the number of people who watch movie to its more interesting parts. The main character if written better, would have helped the process in those early stages, and the protagonist being a little more likeable would have surely served the purpose better. The people who look for strong and extremely terrifying moments will be disappointed, as the movie never really goes for something huge. One would also feel if something other than the scarecrow and some vines within a farmhouse could have been added to extend the strength of horror, as the idea of an ancient evil rooted on Earth and nature would have endless possibilities. The supporting characters are not given enough according to the situation either, and our hope to see the pure evil unleashing itself is lost.

How it finishes :: R L Stine’s Pumpkinhead stays different from other horror movies as a work on screen which can be watched by the whole family, never really taking it to the next level – it can be a good thing of something bad, as it limits the movie, but keeps it accessible to everyone. The scares are still effective enough, and staying within a drawn line of control, it can still call for all kinds of audience. Its power as a highly effective, atmospheric gateway horror movie cannot be questioned at all. It balances the spooky nostalgia of 90s horror with modern style, making it a perfect entry point for younger audiences who are looking for horror entry while remaining entertaining enough also for those usual horror fans. It can also be said that the horror here is not just physical, but psychological as the memory of a loved one disappearing also adds on here. The feeling is more or less like folk-horror as centuries-old ancient horror comes out of nowhere with unsuspecting people playing along with the evil plans. Now we will see what can come in this franchise if there is a sequel – there should be more evil to unleash here.

Release date: 17th October 2025
Running time: 90 minutes
Directed by: Jem Garrard
Starring: Bean Reid, Seth Isaac Johnson, Adeline Lo, Kevin McNulty, Bob Frazer, Matty Finochio, Troy James

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@ Cemetery Watch
✠ The Vampire Bat.

Drop

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Vampire Owl: I remember that I once dropped bomb in the land of zombies during a lockdown.

Vampire Bat: It was a magical orb; you don’t call it a bomb.

Vampire Owl: In our worlds, the orbs replace the bombs.

Vampire Bat: We are no longer using that magic in our lives.

Vampire Owl: The dark magic has still spread enough in the realm.

Vampire Bat: Such evil has been limited to the lands of the northern witches.

Vampire Owl: Dr. Frankenstein had ended the witches by himself.

Vampire Bat: Mr. Frankenstein won no science vs magic battle.

Vampire Owl: Frankenstein will end all unnecessary magic with the use of science.

Vampire Bat: Now you know why Uncle Dracula banned him.

[Gets a sweet puffs and three cups of Kodaikanal tea].

What is the movie about? :: Violet (Meghann Fahy) had been suffering as she was unable to leave her alcoholic and abusive husband despite her being a therapist herself. But this had changed as the man committed suicide, but she was blamed for it, and people often told the stories about her killing her husband as she was unable to suffer his atrocities anymore, as even the neighbours could not stand the man. On an eventful day, after finishing daily work, she is startled by a metre reading man knocking on her window and she had guided him to the back of her home. Later, Violet decides to leave her young son Toby (Jacob Robinson) at home in the care of her younger sister Jen (Violett Beane) and go for her first date after the death of her husband. Jen makes sure that her sister wears the best clothes and manages to find her true love this time and get married to lead a good life. With everything set and with the best wishes of her sister, Violet reaches Palate, a grand restaurant at the top of a skyscraper for a date with a photographer named Henry (Brandon Sklenar), whom she has been messaging through a dating app.

So, what happens with the events here as we just keep looking? :: As Henry is late, she spends some time at the bar and meets Richard (Reed Diiamond), a little elderly man waiting on a blind date, Matt (Jeffery Self), a server on his first day at the restaurant, Cara (Gabrielle Ryan), the friendly bartender, Phil (Ed Weeks), the restaurant’s pianist, and Connor (Travis Nelson), a young man waiting for his sister. Henry reaches, and as they start their date, Violet begins receiving messages on her mobile phone through a short-rage texting system. These messages from this unknown user starts with memes which gradually become more threatening. Henry tells her that it could only be someone seated in their section of the restaurant as the range would only be that much. Despite Violet trying to ignore the drops, the crisis elevates as the unknown person asks her to check her home security cameras. As she checks for the same through camera, she finds Jen being knocked out by a masked man who locks Toby inside a room, and she is warned against telling everyone about it, as the boy would be killed if anyone comes to know about it.

And what more is to follow here as lives seem to be at stake with time running out? :: The messenger tells her that only by careful actions, her son will be saved, and warns her against leaving from the restaurant, as she is to continue her date. When she moves, it seems that the man knows, and as she moves into the toilet, she finds hidden cameras near the wash, and the same was also seen on the side of her table. She pretends to be scared of heights and ask for the table to be moved from their location with the city view to anywhere else. Henry manages to have the same done with the help of the staff, but she is forced to come back as the messenger asks her to return to the same seat or her child would die. They return to the same table, which the staff says was particularly chosen for them through a call, but both of them remember none of it. The messenger further instructs Violet to find a camera in Henry’s bag kept on a side and destroy its SD card. Violet manages to complete the job and finds out that Henry, who works for the city mayor, has photos which would serve as evidence against the man. But this would not be the last thing she will have to do to save her son. How long can she survive like this?

The defence of Drop :: The movie is powered by a fine performance from Meghann Fahy who drops the anchor with a performance that requires some fine skill, as she has to continue fighting against all odds with control over her actions as much as the emotions. Brandon Sklenar also provides some fine support here as he plays the next significant character. These characters are placed in a situation which does not go much about one and half hours, and with such a short run-time, the movie leaves one with no wasted time. There are some nice situations which feels more real than the others. The anxieties about digital life and surveillance feels very much real as we never really move away from the same, no matter how much we feel that this would not happen to us. The suspense and thrills we feel here are more like taken right out of a world that we know. There is also that emotional side related to the life of the main character. Then there is the stunning world of the restaurant with a view and the tension that something big is going to happen any time soon, and the audience are prepared for the same.

The claws of flaw :: When we think deeply about the movie, we can’t help feeling that the villain’s plan depends on the near-impossible, requiring the best of timing and perfect surveillance that stretches the willing suspension of disbelief at times – this happens in such an area where immense possibilities are there, and just going for the same in the usual manner and then trying to hide the evidence would have been the better options however we look at it. The idea that the main character, despite being a person with skills related to the mind decides to stay with her abusive and alcoholic husband who does not have the right state of mind makes us wonder what kind of skills she has in her field of psychology. The flashback which goes there is not that much either, and we never really go that deep into past, and yet there is so much of talk about the same. Then the finish seems to be done in a hurry as the revealing is done and then the chase happens as if they were just put there to end the film as soon as possible.

How it finishes :: Drop takes advantage of the fear of being watched digitally with no idea of who is doing the same; it is indeed one of the scariest feelings that one could have, as this has become an inevitable part of our life in one way or the other. Meghann Fahy carries the same tension while not really out of the character’s long trauma right on her shoulders. Her performance that stands apart makes sure that the emotional stakes feel raw and very much human, even when the technology around her tries to take over. It is to be noted that all of these happens in the restricted space of the top floor of a skyscraper where the restaurant is situated. There, it expertly turns an everyday social setting into a terrifying nightmare, and for the same, it needs the applause, as some of us might think twice about talking to a digital stranger too. It could have still become something more, but it chooses not to, as the terror lies a little too much in the messages and a video cam rather than on the main location in real space, and we should have had a little bit more of the main character’s past and a less quick journey in the final stages. But we have everything that ends well, and we are left with messages, which is very much fine.

Release date: 11th April 2025
Running time: 95 minutes
Directed by: Christopher Landon
Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jeffery Self, Ed Weeks

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@ Cemetery Watch
✠ The Vampire Bat.

Eesha

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Vampire Owl: Looking for recent horror movies, we have to go into another industry.

Vampire Bat: Well, not all industries have all movies exactly as they project for outside world.

Vampire Owl: I think that the best movies are those which are not known to many people.

Vampire Bat: True. They do not release the best movies in the theatres.

Vampire Owl: Yes, the theatres are for heroes who fly and beat up thousands of people.

Vampire Bat: They do even worse things, and it is strange for our world, not for theirs.

Vampire Owl: Can’t one of these movies become highest grossers instead of that mass masala?

Vampire Bat: Well, mass has the advantage because theatres are for the masses.

Vampire Owl: Yes, strange humans and their love for the mass thing.

Vampire Bat: This is the exact reason why humans are not allowed inside the Dracula Castle. Even the worst of the witches or fully drained zombies would not let them in.

[Gets a Chicken curry puffs and three cups of Wayanad tea].

What is the movie about? :: Kalyan (Thrigun), Naina (Hebah Patel), Vinay (Akhil Raj Uddemari) and Aparna (Siri Hanmanth) are four youngsters who try to find the truth behind supernatural situations and expose fraudulent spiritual leaders who try to extort money out of unsuspecting believers – they find out that the easy targets for spiritual practitioners are those who feel that evil has possessed their own people or homes or maybe even believes that some curse has been unleashed, and death or hell awaits them. As they were childhood best friends, and Vinay and Aparna had managed to get married some time ago, and is expecting a child. But this has not stopped their plans to expose more people who are involved in spiritual practices and they become well-known for the same in the city. But they extend their plans to go for something much bigger, far away from their city, but Aparna is hesitant about it. But with the support of the rest, who are firm believers in rationalism, they set out to investigate the case of Aadidev (Babloo Prithiveeraj), a former neurosurgeon who has turned into a spiritual healer.

So, what happens with the events here as we just keep looking? :: Aadidev has been treating individuals who claims to be afflicted by supernatural forces at an ashram which he found in a remote village in the border between Andhra Pradesh and Odissa. He had left his job as a reputed neurosurgeon who conducted so many surgeries which saved many lives after the death of his wife. The friends find a video of the woman before his death and feels that she was just mentally disturbed and the attempt at exorcism killed her. As they travel to the remote area on the border of two states through a twisted road on the hills, they almost meet with an accident when coming against a motor-bike carrying a family, but the woman who was sitting on the back of the vehicle dies as she falls down the cliff. But the friends remain unaware of the same as they reach their destination. When they reach the ashram, they are attacked by a strange man, but Aadidev saves them. But the friends call all of these to be staged with paid actors and Aadidev faces such strong lack of belief for the first time.

And what more can happen in this world of faith against another one which lacks the same? :: This makes him take the friends to an abandoned house in the middle of nowhere. He tells them that the place is haunted with spirits and after three days of living there, the friends will start believing in life after death. The friends accept it as a challenge, but he tells them that it is no usual place, as there have been so many deaths including murders and suicides right in the building. He also has his disciples write some incantations for protection along with leaving a few religious and spiritual items there. He also asks them not to cross a certain area which would take them out of his protection and the same would be extremely dangerous. They do not really care about the same as they find the spiritual man to be a fraud who uses the faith and belief of the locals to his best advantage – they feel that he had chosen this particular way of life as it seemed as the easier and influential job through which he could earn the most with the least efforts while taking no real risk. Can the friends stay there for three days and come back alive or will they lose all their rationalism and might even be killed by the evil spirits who roam in the area?

The defence of Eesha :: The movie has some very impressive visuals which serves the purpose or horror very well. The darkness, shadows, and the shades give the film an eerie, high-quality visual beauty of horror. The atmosphere is nicely created and some fine settings serve like a special boon here. The background score nicely supports the same. The beginning itself had nicely set the mood here. Babloo Prithviraj’s work is a big bonus here, and we see that even though not on the side of the protagonists, he scores so well that we like him from the beginning even when the heroes talk about him. Hebah Patel as Naina plays the biggest sceptic of the movie really well, and she reminds us of the actions and talks of Gayathrie Shankar playing Meena in the Tamil horror movie called Pechi, but there is no similar twist for this one. Siri Hanmanth as Aparna has her moments, while the male cast seems to be more in support with the two women seemingly deviating into their thoughts well. The dramatic twist which comes in the end remains a strong one, and it is something which make on think, and is not limited to one world.

The claws of flaw :: The movie leaves too many gaps in the tale as it seems to have some trouble about understanding what it really wishes to achieve. There is a certain amount of confusion about the dead person’s spirit coming back as revenge instead of anything else, but then the situation of the four friends explained in the end does not seem to match with the same leading to multiple confusions in the thread that binds all of them. Then the rationalist friends also act a little too strange even when they see things that could make even the most sceptic people believe in all of these, and after exploring so many fraud cases, they cannot seem to feel a difference here, as the act of being brain dead makes it appearance at times, but we knew that this was coming, but they surely manage to solve some of those problems in between, not aggravating the whole situation in any manner. Adding more cases and their comparison with this, as well as revealing the modus operandi of the friends to such situations, would have made the whole thing more interesting; yet we just have them just going through the whole thing with no real plan.

How it finishes :: The movie manages its horror with a difference, and the deviation from the usual can also be seen around. It can be considered a visually striking, technically superior horror film that feels like being pulled down by its own ambitions to make it more twisted than it should have been, especially considering the overall mood going on another path. When the standard paranormal terror strikes with that divergent twist, the narrative struggles to get them together. The concept of a rationalist group facing the consequences of their arrogance is still interesting, but the overlapping of reality, hallucinations and spiritual possession often asks for more, but we are happy with what we get here. One can thank the mood, background scores, and high-quality visuals which brings that creepy experience, as we horror fans get the horror we have always wanted. After all, for a horror movie, it is more about what is one the screen, and what experience we are going to have, with hope for fear more than anything else.

Release date: 25th December 2025
Running time: 127 minutes
Directed by: Srinivas Manne
Starring: Thrigun, Hebah Patel, Akhil Raj Uddemari, Siri Hanmanth, Mime Madhu, Babloo Prithveeraj

<<< Click here to go to the previous review.

<<< Click here to go to the biggest movie of last year.

<<< Click here to go to the most awaited sequel of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Silent Night

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Vampire Owl: We have always wished for silent nights in favour of vampire activity.

Vampire Bat: Vampires have always hoped for silence to keep on hunting, that too in a flash.

Vampire Owl: For vegetarian vampires, we do hunt really well.

Vampire Bat: We have hunted evil better these days.

Vampire Owl: Yet, humans consider us to be evil.

Vampire Bat: There will never be bigger evil than humans. Their evil returns every time and rises like a phoenix.

Vampire Owl: Well, we are yet to find a good human during our visits to their lands.

Vampire Bat: But serial killers are too easy to find, especially on the 11th day of terror. We are watching them at all times.

Vampire Owl: They call these people psychos, but this cruelty comes natural to them.

Vampire Bat: There are always much bigger modes of cruelty among humans. Just make a call on the vampire phone.

[Gets some tacos and three cups of taro tea].

What is the movie about? :: On a Christmas evening, a child is seen traveling by car with his parents from his grandfather’s place and their vehicle is seen as stopping on a remote road. A man dressed as Santa Claus arrives in another car and murders Billy’s parents in front of him. The killer, who is also stabbed, is revealed to be Charlie (Mark Acheson). As the child comes into physical contact with Charlie, an electrical surge appears to pass between them, and there seems to be something which has passed on from the dying killer. As the child grows up, known to the society as Billy Chapman (Rohan Campbell), he is seen as taking over the duty of committing murders while wearing the costume of Santa Claus during the Christmas season. The idea goes like this – during each Christmas, he begins hearing Charlie’s voice urging him to punish people who have been evil, and from then he would need to commit a murder for each day leading up to Christmas. There will be no failure to follow this particular procedure.

So, what happens with the events here as we just keep looking? :: After committing a quick murder at a motel, Billy escapes from the scene to avoid suspicion and arrives in the town of Hackett. There he becomes instantly interested in the beautiful, but angry lady of the town Pamela Sims (Ruby Modine) and her father Dean Sims (Lawrence Brown) who runs a gift shop. He gets a job in the same shop, and gets closer to Pamela, finally beginning an intimate relationship. But he never really losses his skill in murders as new victims is found and killed without remorse. A local police officer and Pamela’s abusive ex-boyfriend Max Benedict (David Tomlinson) is not happy about Billy being around her, and also develops suspicions about the new person moving into the town after which too many murders happen at the same place. But it is revealed that there is some other series of incidents happening in the same area, with little kids going missing one after another. There is a suspected abductor referred to as “the Snatcher”, but it is to be seen how the incidents go on as Christmas gets closer.

The defence of Silent Night, Deadly Night :: The slasher horror mode activated very quickly with this one, not really wasting that much time. The protagonist here is a tragic anti-hero who is forced to go through what he does, rather than the usual supernatural or psychotic villain, and that surely brings a change from the usual. There is time spent in exploring his trauma and motivations, which makes the character more relatable. To add to it the same, there is a mythology, supernatural elements and mystery involving missing children. The horror effects work well with the blood and gore, as one would expect from a slasher horror movie, and deaths become natural part of the film with ease. The killing are also justified for a change, instead of making the whole thing random or a case of revenge like some other flicks. The holiday mood can also be felt with the Christmas elements around, and the ending nicely supports a sequel which could have further variety with the kind of serial killer it develops with the finish.

The claws of flaw :: Silent Night, Deadly Night feels absurd even for a slasher horror movie with its content which does not innovate, or chooses not to bring some nice creative elements. There were many moments which it could have made more interesting, especially by adding usual elements of the genre which have been going through a classic path for a very long time. The question about what special elements this one brings or what it brings as part of the genre, would need better answers here. There is also a certain amount of extra complication that comes with some of these additions here, and the background tale with the mythology is not that much thought about. There is the slow pace and drag that comes in between, and the romance is also not going too deep, and never being emotional enough. The strange ideas are not that much explored, and we feel the need during regular intervals. Many viewers could feel that there is something missing around here, as the movie seems to just go on as it wishes to, and thinks not that much about connections.

The performers of the soul :: Rohan Campbell makes the main character memorable, and worth being the Christmas killer that we would need to follow. There is something more than a serial killer or a murderous psychopath about him, as more aspects of the character are nicely shown by him. A man with a deeply damaged childhood and never-ending emotional conflicts also with the trauma and violent impulses, remains safe in his hands while going through vulnerability and terrifying menace. Ruby Modine makes her character interesting, and there is something about the same all the time, and might have even more to contribute later in a possible sequel – there is a lot that a scream queen in a slasher can do. There are violence and darkness in her, which she manages to display with a charming ease. Her scenes bring some of the most emotionally grounded moments to the movie, and elevate the whole thing. Mark Acheson has a more unusual role, but contributes nicely to the film’s dark and supernatural elements.

How it finishes :: This serves as the second remake of the 1984 film with the same name, after the 2012 reimagining of the same. The audience who enjoys traditional slashers focused mainly on the brutal kills and other elements may find the added mythology and the strange emotional storytelling distracting, as deviation from the usual ideas is surely present here. This is not your classic old slasher of nostalgia and memories for sure. But those who are willing to accept its strange mix of genres are likely to find a surprisingly engaging work with a divergence. Despite not sticking to a classic tradition, it remains a solid Christmas horror film that will probably appeal most to a certain kind of audience. One would guess that making it interesting for all kinds of viewers was never really the idea with this one. Still, we are having the slashers in this world which is going after nonsense because it pretends to be funny, and that much is hope with feathers. Something more sinister might still be coming in a sequel.

Release date: 12th December 2025
Running time: 96 minutes
Directed by: Mike P Nelson
Starring: Rohan Campbell, Ruby Modine, David Lawrence Brown, David Tomlinson, Mark Acheson

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The Gorge

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Vampire Owl: I know such a gorge at the end of the vampire world.

Vampire Bat: It is the border of the known vampire lands.

Vampire Owl: Where do we reach if we cross that?

Vampire Bat: They call it the whisper to infinity.

Vampire Owl: There is no infinity in this world. Everyone ends.

Vampire Bat: Our immortality is subject to market risks. It is not the same for everyone.

Vampire Owl: You are talking about the vampire elders.

Vampire Bat: There could be creatures lurking under the border gorge.

Vampire Owl: Yet we leave that area unprotected.

Vampire Bat: Well, if any zombie is going to fall into it, let it better be underneath rather than at the surface. The shadow demons have already crossed over to the surface from the shadow world.

[Gets a paneer samosa and three cups of Wayanad tea].

What is the movie about? :: Levi (Miles Teller) is former United States Marine Sniper who is recruited by a mysterious woman for a special mission which requires his special skills as a record-breaking sniper on the enemy lines. He is taken on a flight to a remote location where he gets down on a parachute in the middle of nowhere. There he meets Drake (Sope Dirisu), a former British Royal Marine corporal, who was in charge of guarding a tower on the west side of a gorge. He explains that the location is kept hidden from the outside world by powerful cloaking antennas and he is not supposed to talk to the outside world about it. He adds that both the west and east towers are armed to contain some strange, monstrous creatures within the gorge, which they have nicknamed “The Hollow Men”. There is also the warning about “Straydog”, an unknown emergency protocol. He talks about the towers’ history which had that battalions of soldiers sent into the gorge in the late 1940s and none of them had ever returned. Drake who leaves the gorge is picked up by helicopter, but is not taken home as he is shot dead.

So, what happens with the events here as we just keep looking? :: Drasa (Anya Taylor-Joy), a Lithuanian sniper who is involved in covert operations assigned by the Russian forces gets a special offer for a year. Her father Erikas (William Houston) who was once associated with KGB, is now dying due to cancer asks her to go on despite Drasa not feeling that good about so many sniping killings from a distance. The offer that she gets is the same as what Levi had received from the mysterious person whose name is revealed to be Bartholomew (Sigourney Weaver). She is given charge of the eastern tower opposite Levi’s tower, fully armed and meant to stop the creatures coming out of the gorge, a position which has been held by so many people throughout the last few years. Levi who suffers from nightmares coming right out of his trauma tries to live by the rules including the ban on having any contact with the person on the other side. But Drasa contacts Levi with a writing which tells him that she does not care and that it is her birthday. With a birthday wish and following contact, they keep fighting the creatures coming up from underneath along with a lot of continuous talks getting them close to each other. But the secrets of the gorge might be the end of them, or will they survive this?

The defence of The Gorge :: The movie’s world is the first thing that catches our attention, as it is really well-created. The feeling that the two towers with horror in between keeps us excited from the beginning itself. A certain romantic side and the feeling of danger keep making an impact from two sides, while there are many heart-warming sweet moments as well as the surprising terror, making the two sides of the coin work so well in balance. The first point of contact between the two snipers is one of the most charming moments that one would ever see, and the quick twist see the danger, and then we see some more of those lovely situations which stay in our minds. The on-screen chemistry between the two is something that lasts since the first point of meeting itself, through the dangers, between all the shooting and explosions and more. As this one blend sci-fi, horror, action, thriller and romance in an unusual way, there is so much of freshness added here and we keep feeling the same throughout its run. The mysterious gorge setting, visual effects and creature and underworld designs are nothing less than classic in nature. What lies beneath gets the best of design as much as the view of the top.

Positives and negatives :: The movie could have had more moments of romance, and the cuteness factor often leaves too early. But we see that the action scenes are so engaging with romantic possibilities never leaving either. The final moments seem to get to that end too early and the climax gets a little bit predictable with a quick finish. Even though the background tale is nicely revealed and remains strong, it is not something new or that innovative – yet, they have made the whole thing look so good and made in a way in which it will remain strong and interesting. The birthday and dance moments are the cutest moments of the movie, and there is also that satisfying lovely ending which would make you hope for a sequel with these two. The battle underneath definitely makes the whole world gain in strength, and such a world could not be made with such quality and style in another movie. The setting itself is the one thing which made this happen. If these protagonists of the movie are not the most likable ones around as they set new meanings for long distance relationships, one can only wonder what else can be.

The performers of the soul :: The movie thrives on its performances as the leading cast make the whole thing so lovely and believable. We have known Miles Teller from Divergent, Insurgent and Allegiant making a trilogy, and that version of Fantastic Four which is not remembered in compared to two other more famous ones. Here, he comes up with a performance to remember for very long. Meanwhile, Anya Taylor-Joy is so lovely in such a way that she stays in our minds like a beautiful memory of a lost world. She was someone who started so well with her first flicks, The Witch and Morgan, followed by being a part of Split and Glass, and she made Furiosa: A Mad Max Saga a movie known as much as for her performance as it was for the action and world building. We know that she is also part of the Dune series, and we are sure to have more of her around. She could be the perfect Resident Evil protagonist, but Umbrella Corporation’s people seem to have other ideas even with reboots. She could also be in an Underworld reboot with the action skills. These two protagonists share such an onscreen chemistry that it is the viewer who falls in love. The two are just remarkable also in the action sequences as they were with those cute moments of romance together.

How it finishes :: The Gorge is the one movie which comes out of nowhere to make a huge impact while blending its genres as it hesitates to be limited to one thing or even two. While the film’s mystery leads to some genuine suspense in the first half, the later revelations and action-filled climax keep the movie at the same level, while never losing the romantic side in the process. The blend of romance, horror, action, thrills and impressive visuals make it a worthwhile watch with some genre-bending science fiction. The combination of Miles Teller and Anya Taylor-Joy is something that we will remember for a long time, as the movie keeps itself emotionally strong, with no dull moment at all. I would consider this movie as one of those rare flicks which appealed to us as part of all genres which it represented. The same is not an easy job, but it has been achieved with such ease, thanks to the performances. I would recommend this for fans of different genres and almost everyone, and I would have loved to watch this one on the big screen.

Release date: 14th February 2025
Running time: 127 minutes
Directed by: Scott Derrickson
Starring: Miles Teller, Anya Taylor-Joy, Sigourney Weaver, Sope Dirisu, William Houston, Ruta Gedmintas

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The Mummy

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Vampire Owl: We already know a good number of mummies.

Vampire Bat: They are not talking about Mr. Frankenstein’s friend here.

Vampire Owl: Dr. Frankenstein’s friends are legends are we have always known.

Vampire Bat: You are still calling that Frank a doctor, when he has never been one.

Vampire Owl: You are still doubting the scientist’s greatness in an inferior world.

Vampire Bat: He is the scientist who invents things which were already invented.

Vampire Owl: His variations are very significant in vampire progress.

Vampire Bat: Well, whatever he does, he would never be a vampire.

Vampire Owl: He is still a leading candidate on the list.

Vampire Bat: The best he can become is a mummy or a demon.

[Gets a uzhunna vada and three cups of Vagamon tea].

What is the movie about? :: Charlie Cannon (Jack Reynor), an investigative television reporter and his wife a pregnant nurse Larissa Cannon (Laia Costa) are living in Aswan in Egypt for about a year before planning to go back to the United States. Katie Cannon (Natalie Grace/Emily Mitchell) and Sebastián Cannon (Shylo Molina/Dean Allen Williams) are their two children with whom they make a happy family with the children all ready to go back to their grandmother settled in New Mexico Carmen Santiago (Verónica Falcón). But one day, Katie who is playing outside finds a woman (Hayat Kamille) identifying herself as the mother of the girl whom she used to meet and play with, Layla Khalil (May Elghety/Aisha Laouini). She uses candy to lure Katie away from the premises before kidnapping her. Charlie tries to chase her, but loses them in an unexpected sandstorm. He and Larissa report the kidnapping to the police, and are assigned an English-speaking junior detective, Dalia Zaki (May Calamawy). She tries to help them, but her seniors feel that it is some family matter and they are responsible for the child going missing.

So, what happens with the events here as we just keep looking? :: In the cellar, the woman has a black pyramid with a black basalt sarcophagus containing mummified human remains. There is no clue about these people for the police, and the couple are forced to leave for the United States and live with Carmen. Years later, they go through a peaceful time with their son and the third child Maud Cannon (Billie Roy) as well as Carmen. Back in Aswan, a cargo plane carrying the same sarcophagus crashes, and inside the police find Katie wrapped in parchment inscribed with an unknown ancient language. Katie, who is in a catatonic state and inflicts self-harms, is taken to a hospital and her parents are informed about the situation. Dalia feels that this is one of the cases related to human trafficking, as many people were taken in and out of Egypt in pyramid pieces ancient coffins due to a history which goes a long way back. But as the girl goes back home, she no longer remains anywhere close to her past or even as a child. Now, the question remains about what has happened to her and what secret she brings.

The defence of Lee Cronin’s The Mummy :: Unlike that series of movies which we have known for some time, this is a darker and more intense horror style related to a mummy, and is not your regular dead wrapped in bandages coming alive. There is no chance for a sword fight here, and the focus here as left a long way from action, focusing completely on horror, and even with another movie titled The Mummy which came separately, the same was not really achieved. But this one becomes a worthy one with that name, and it often makes us feel an Evil Dead model, but with a Sinister model ancient fear ready to be unleashed, making this journey divergent and yet in a model which one would anticipate a horror movie with evil rising out of nowhere to do well. The fans of supernatural horror will not stop appreciating the film’s frightening moments and suspenseful sequences that raise its level. Along with the horror, there are emotions, and in front of the invincible, there is helplessness, and then there is that finish which would bring the whole thing to an end, as this world of fear gets the journey with the final moments that it deserved. We are once again reminded of the evil from the children with inherent evil.

The claws of flaw :: If one would keep looking for some big-time grand action with people fighting the mummies of Egypt with the usual weapons or fists are going to be disappointed, as this one never gets to be that kind of a movie. The movie is also not that quick to get to the interesting part, and we also feel that the narrative style could have been better, and some of the characters might have been better if they were more sensible within a world of horror. The supporting characters could have managed better attention, and the darkness could have been used better in the movie. The Pyramids should have also been given more focus here. The comparisons to other movies will also be there as we keep having the feeling that we have seen some of these before. The horror also gets repetitive and predictable at times, and we keep wondering how too much focus on the past could be avoided, and how the ancient could be mixed with the world shown in the movie. More of the film should have also been set in Egypt.

The performers of the soul :: Jack Reynor comes up with a compelling lead performance as he balances fear, vulnerability and determination as a father while facing supernatural terror. He keeps searching for the secret behind the incidents which led to the crisis that threatens his family and goes to any end to save his daughter. All the feelings are very well depicted around him. Laia Costa as the mother and wife makes the personal stakes feel much more, as she handles the emotional side really well. May Calamawy as the detective provide solid performances and at the same time, adds credibility to this world which is more about horror – for her character, it is her duty and the trust of others that matters, as he goes through a supernatural case and puts her life on the line. There are lots of moments that strike with her around, and along with her, another Egyptian actress who scores the best is May Elghety who blends in with that vulnerability and seemingly some regret from the character so well. Verónica Falcón does well and could have been given a bigger role and more to do against the evil force. The kids come up with some classic performances too.

How it finishes :: It can be said that the movie successfully reinvents the iconic monster for a horror-loving new generation by choosing a darker and more horror-driven approach above the earlier action-adventure model which had very less scope for fear generation. The focus on atmosphere, suspense and psychological terror successfully brings a chilling and unsettling cinematic experience which will inspire further movies with similar ideas focusing on mummies or something similar from even pre-historic ages. Still, we do feel that the movie could have had better pacing and more character development for lesser characters, along with something that transcends through to a newer age added. A deeper exploration of the film’s mythology and a more detailed examination of the ancient curse could have further enriched the story and made this one worth so many movies in a franchise which could even have a prequel – for now, this is all we know about the movie, and we still hope for a sequel. After all, horror is not limited to The Conjuring, The Curse of La Llorna, Annabelle, The Nun and team to score, and this one also brings some nostalgia from those old movies with same title.

Release date: 17th April 2026
Running time: 133 minutes
Directed by: Lee Cronin
Starring: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Verónica Falcón, May Elghety, Shylo Molina, Hayat Kamille, Billie Roy, Lily Sullivan

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Primate

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Vampire Owl: A movie with another monkey at the core?

Vampire Bat: This is an ape who is not really a toy like that movie.

Vampire Owl: I feel that Vampire Monkey will not be that happy. Neither will be Uncle Dracula.

Vampire Bat: Vampire Monkey is no longer affiliated with the vampire castle.

Vampire Owl: So, he is a freelance vampire with part-time work.

Vampire Bat: We do not offer part-time work anymore, as it affects overall quality.

Vampire Owl: Well, there has been some strange things going on around here.

Vampire Bat: Still, not that strange as the human field of work.

Vampire Owl: Well, humans have never been the species to look forward to. They are the fallen ones. Ask Dr. Frakenstein for details.

Vampire Bat: Even humans after death are not the kind of people we should choose. Compared to them, witches and zombies are clean.

[Gets a savala vada and three cups of Wayanad tea].

What is the movie about? :: Lucy (Johnny Sequoyah) is a young college student, who is on the way back to her home in Hawaii after spending many years far away from her family and friends. Her best friend Kate (Victoria Wyant) is also with her and meets her in the airport, but is dismayed to see that Kate has also invited an additional guest, Hannah (Jessica Alexander), without telling her earlier, and this particular acquaintance is not someone she is really fond of. While boarding the flight, the three friends also meet Drew (Charlie Mann) and Brad (Tienne Simon), two young men who are taking the same flight to have a grand vacation in the same place. In Hawaii, they meet up with Kate’s brother Nick (Benjamin Cheng) who drive them to the family home located on a cliff with all the modern facilities. They also meet Lucy’s father Adam (Troy Kotsur), who is a famous novelist, and a deaf man who mostly communicates through sign language. Then they also come across Erin (Gia Hunter), Lucy’s younger sister. Ben (Miguel Torres Umba), a chimpanzee owned by the family is also present at the house.

So, what happens with the events here as we just keep looking? :: Ben is considered to be highly intelligent and has been taught to communicate using a software on a tablet by creating sounds by clicking on it. Ben lives in an enclosure outside the house, but comes into home when he is taken there by the family members during daytime. Later that night, Ben begins acting strangely after being bitten by a mongoose in his enclosure. He plans to take the mongoose to a lab the following morning to check for infections and asks Lambert (Rob Delaney), a veterinarian to check on Ben as he has to leave for a book signing. But as the friends enjoy the party by the outdoor infinity pool at the cliff’s edge, Lambert who enters Ben’s enclosure, is attacked and brutally killed by Ben, who is clearly infected by rabies after that bite by mongoose. Ben escapes the enclosure and moves towards the pool, towards unsuspecting youngsters, only to be noted by Kate and Lucy who found the teddy bear covered in blood. As Ben unleashes chaos, the youngsters enter the pool and hopes that the ape would leave, but is it possible?

The defence of Primate :: The movie maintains strong tension, jump scares and edge-of-the-seat situations which keeps the terrifying situation quite strong. The survival mode is activated soon enough, and after that, the movie keeps us close to the main characters, going through the journey of trouble with them. The attacks are also violent and the gore adds to the seriousness of the situation and reminds the pet owners to be careful, not just for themselves, but also for those who live around them, or with them. There has been too many cases of violent dogs affected by rabies attacking even little children and elders who cannot move away in time, and it has been more of the result of animal lovers not taking the right action and the pets being left on the road without care – replace the chimpanzee with dog and you have the exact reflection. The attack here seems to be unique and never exaggerated, making us feel close to the whole situation. The setting is too good, not just perfectly suited for the situation, but also visually stunning. The movie is of short length, and never really makes us feel bored as something seems like ready to make a difference all the time.

The claws of flaw :: The movie’s tale is just the usual repeated one with a number of youngsters hunted by a force which feels almost impossible to stop. Some of the characters are just generic, and feels even less important than other horror movies which at least brands them into a group as even more clearly said in The Cabin in the Woods. This one has the extra characters seemingly just to get killed by a chimpanzee which is too smart and is powered as much by his earned skills as by the rabies which just got into him. There are two friends of the main girl added here instead of her coming alone, but the use of the characters seems to be in the minimum. As in other horror movies, they remain not that smart, but in those movies, they were at least smarter than chimpanzees in the forest around them. There is also that chance to bring innovation being lost here, as there was such a fine setting, and so much to be done – here, they just have the swimming pool, lost phones and the cliff which are not used to the best efficiency.

The performers of the soul :: The biggest performers of the movie is indeed its main antagonist, the work with the ape has been quite remarkable. The rest of the work is led by Johnny Sequoyah, who comes the closest to what should be called the protagonist-like character, even though this one is also not written that much with never really getting enough time alone or with a past that could make the movie and performances stronger. It is more like the character is placed there and the rest, we have to create with imaginary characterizations. But she surely becomes what would be the closest to the scream queen around here, leading the way as the movie nears the end as much as the lives of the remaining characters who have somehow manages to be not ripped into pieces by the ape. Jessica Alexander just supports well and so does Victoria Wyant while Gia Hunter manages just fine. Troy Kotsur is good when he is around, while Benjamin Cheng, Charlie Mann and Tienne Simon are there mostly to serve the ape purpose.

How it finishes :: The movie’s journey is quick and strong, even though there is not that much of a focus on the story. The reminder to keep the pets checked and the fact that animals will always remain with their characteristics is reiterated here with ease – those who were chased by some dogs on the streets or those who were frightened by the neighbour’s dog will know this the best. The thrills are surely there, and the strength of a survival movie is also present along with being a horror flick with moments that will stay for the quick effects and the everlasting gore. The terror of the ape feels real and lasting. But the storyline, predictable structure and mostly shallow characters hold it back from being a memorable one which is there to stay. Yet, it you want entertainment or is with a wish to be scared, this one is definitely there for delivering the same. For the other kinds of survival movies, there is always something like The Shallows in the ocean and Gravity in space or even Bollywood’s own Trapped in an apartment, but this one is more about bringing the scares as much as providing the need to survive against all odds.

Release date: 18th September 2025
Running time: 89 minutes
Directed by: Johannes Roberts
Starring: Johnny Sequoyah, Jessica Alexander, Victoria Wyant, Gia Hunter, Benjamin Cheng, Troy Kotsur

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Scream 7

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Vampire Owl: So, we have one more Scream as a part of an infinity.

Vampire Bat: Well, you just cannot stop the Ghostface from keeping on coming.

Vampire Owl: The serial killers of Hollywood never stop the process.

Vampire Bat: The serial killers never really stop, do they?

Vampire Owl: I am surely not asking them to stop.

Vampire Bat: Well, serial killers should focus on killing only evil humans.

Vampire Owl: That would be a lot of such victims if you ask me.

Vampire Bat: I hope that none of the victims turn into vampires.

Vampire Owl: I see no humans worthy enough for that.

Vampire Bat: Well, they know that death is only the beginning; so they will try.

[Gets a ulli vada and three cups of Kodaikanal tea].

What is the movie about? :: Two lovers visit the original Ghostface killer’s home as a horror tour only to find themselves killed by someone wearing the same mask. The Ghostface also sets the house on fire and leaves. Meanwhile, Sidney Prescott (Neve Campbell) is married to the police chief Mark Evans (Joel McHale) and is living a happy family life in Pine Grove, Indiana. She also named their elder daughter after her old friend, and this daughter Tatum Evans (Isabel May) is trying not to have any memory of her mother’s terrifying past come to her. Everything seems to get into track with a successful café already under their ownership until Sidney gets a video call from a scarred Stu Macher (Matthew Lillard) who announces that he is going after Tatum and is outside the theater where she is rehearsing for her upcoming play with her friends. Sidney informs her husband and arrives with the police but Ghostface escapes after killing Tatum’s best friend Hannah Thurman (Mckenna Grace) and another friend who has been helping with the play’s background work.

So, what happens with the events here as we just keep looking? :: Their neighbour Lucas Bowden (Asa Germann) tries to help, but his mother Jessica Bowden (Anna Camp) is suspicious about them as she feels that trouble follows the family and her son who follows these stories of murders could also end up being a suspect for absolutely no reason. On the same night, Ghostface comes right out of Sidney’s attic and after a fight with the family, knocks Mark unconscious. Sidney takes Tatum to a safe room and uses the room’s alternate exit to go and get help. But Ghostface who finds the movement on the other side of the wall, tries to stab both of them right through, but fails in the same, only to face Mark again. As he tries to run away, is hit by the car with Gale Weathers (Courteney Cox), Mindy Meeks-Martin (Jasmin Savoy Brown) and Chad Meeks-Martin (Mason Gooding), the three survivors of former attacks of Ghostface. After removing the mask, Sidney recognizes the killer as Karl Gibbs (Kraig Dane), a murderer who escaped from a nearby mental institution who was earlier at their café.

And what more can happen here with a serial killer on the loose? :: Sidney visits the mental health institution, where supervisor Marco Davis (Ethan Embry) recognizes Stu as a mental patient that had no memory and lived in the room next to Karl, and tells them that those two were best friends. He further adds that the man was only recently released, and Karl who was a true psychopath had left the hospital following him. Sidney does not want Tatum’s boyfriend Ben Brown (Sam Rechner) to help her, as she distrusts him due to her own personal experiences. Mindy, Chad, Ben, Asa and Tatum joins Chloe Parker (Celeste O’Connor), another friend of Tatum in a tavern to discuss possible plans to find out who the killer is. But the only thing they end up finding out is that almost everyone is a suspect. At the same time, Sidney reluctantly agrees to be interviewed by Gale on live television to make Stu interested in the situation, only to leave the interview as she is asked too many questions about her children whom she wants to protect. At the same time, Mark is brutally attacked by the Ghostface, and soon, the killer calls and reveals what he is going to do. Can any of these people stop the person in time?

The defence of Scream 7 :: The movie starts really well, and the first one itself is a fine kill with some nice scares here and there with surprises that quickly come out of nowhere. But it is only the beginning, as many murders follow, and the first one had really set the mood for this flick. Neve Campbell as Sidney Prescott and Courteney Cox as Gale Weathers brings the old model slasher nostalgia back as the original characters come strong and stays right at the centre. Isabel May is the perfect addition here, and with her around, we can be sure that this scream queen legacy will live on for long – she gets in here with such an ease that we feel her to be a long-time part of the franchise. Some meta-horror humour along with smart references to horror tropes keep the movie working further. The final twist works as the suspense is not something that one would guess with ease. The Ghostface remains an antagonist that will continue to impress us with moments and this is one serial killer who needs no supernatural support with so many characters taking on that mask, and that works really well here too.

The claws of flaw :: The movie got rid of Mckenna Grace too early, and as we look at her as a future scream queen who was part of Ghostbusters: Afterlife, Ghostbusters: Frozen Empire, Malignant, Annabelle Comes Home and others needed a bigger spot in this horror franchise than just get killed by the Ghostface in a minute or two. The repetition that we have been seeing in the franchise continues with this one, and so many things keep happening again and again. The motivation of the killers does seem to be rather unconvincing, weak and strange in character. Then there are those characters which are not developed, and most of the side-characters miss the strength, with too many deaths occurring too quickly rather than everything happening as part of the development of the story. The dependence on nostalgia does not let it go for something bigger or to bring too much innovation, and one can only keep wondering what more can this franchise bring in a next movie if it comes, for this is like a franchise that seems to stretch towards eternity.

How it finishes :: This movie is surely better than the predecessors except for the first few movies which set the whole thing very well. The slasher mode works well here with that nostalgia attached to it, but does not get the innovation working here due to that overdependence on a past which remains the core of the movie’s present and future. The Ghostface remains an image that we will remember for long, and even its parody would remain scary enough – the movie seems to know its advantages and focuses on the same without taking much of a risk; the world is direct here without any complications. This would be a light, nostalgic slasher experience which seems somewhat set to pass on the baton to a new generation with the introduction of the daughter character to the scene, but how it would turn out is yet to be seen. This is like that eternal slasher movie which gets new characters behind that well-known mask, and with this one, we know that there has just been enough again, and any more expectation from the fans would be a demand, but not a right. May our favourite Halloween season mask live on.

Release date: 27th February 2026
Running time: 114 minutes
Directed by: Kevin Williamson
Starring: Neve Campbell, Isabel May, Jasmin Savoy Brown, Mason Gooding, Anna Camp, David Arquette, Michelle Randolph, Jimmy Tatro, Mckenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Mark Consuelos, Tim Simons, Matthew Lillard, Joel McHale, Courteney Cox

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@ Cemetery Watch
✠ The Vampire Bat.

Influencers

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Vampire Owl: I still do not understand why humans call some online people influencers.

Vampire Bat: These online people have the power to affect the purchasing decisions and behaviours of others, through their presence and content on social media platforms.

Vampire Owl: But we are influenced by everyone around us.

Vampire Bat: Yes, but these people consider this as their job.

Vampire Owl: We also influence people, don’t we?

Vampire Bat: Yes, but we do not make people buy things.

Vampire Owl: That should be because we do not take cash to talk of a product.

Vampire Bat: So, technically, the influencers are those who do ads.

Vampire Owl: It feels like celebrities coming in advertisements.

Vampire Bat: True, those celebrities have always been the influencers, never really using the products, but taking cash to speak high of them.

[Gets a uzhunnu vada and three cups of Yercaud tea].

What is the movie about? :: The movie begins by showing a visibly disturbed woman cutting her own throat after looking at the mobile phone. Meanwhile, it is seen that Catherine (Cassandra Naud) had left behind her past of taking on the identities of influencers on social media after abducting or murdering them. Her last victim Madison (Emily Tennant) had remained a suspect in the murders of influencers and their friends while nobody had any proof to make her a suspect – at least a photo of her to prove her to be the mastermind behind identity theft and killings was never to be discovered anywhere. Madison’s influencer life ended as she was continuously blamed online for the murders despite the court letting her go – she no longer remains a face for the advertisers who have gone after new viral names. Meanwhile, Catherine manages to hide nicely in France, and also finding a lesbian partner in a photographer named Diane (Lisa Delamar). This relationship goes stable as it becomes more and more romantic and intimate with their first anniversary which they decide to celebrate with another trip.

So, what happens with the events here as we just keep looking? :: As they decide to get the best room in a hotel to share their intimacy, Catherine is frustrated to find out that the hotel had given the same room to an influencer Charlotte (Georgina Campbell), seemingly to get some promotion of their property. As Charlotte seems to message her and ask her to give her company on a journey, Catherine is further irritated. She gets out of the room early, and after finding Charlotte, tells her that she will accompany her and will take some nice photos. They go to an abandoned monument to take some special photos and she pushes Charlotte off to her death. After the act, she begins to impersonate the influencer on social media as she had done a long time ago. She even messages Diane from Charlotte’s mobile phone that she had left for Spain to make the disappearance feel natural to her. As Charlotte, like many other online influencers, did not have many friends in real life, which leads to her going missing being attributed to her usual journeys.

The defence of Influencers :: There is the strength of dark humour that this movie uses to effectiveness, as Cassandra Naud seems to make use of the same perfectly. Her negative role is something that need to become a measuring scale for similar performances of later – the close shots show the perfection in her facial expressions, and it is like the mark on her face also performs with her. The movie does make fun of the hashtag obsession, digital narcissism and unmatched addiction for social media in a way in which the movie world is in the realistic mode. In a world in which people create videos for money praising something and call themselves influencer despite not really knowing a product, the question remains if the word “influencer” can ever be used in a positive way. Well, during these days, people get viral by doing all the nonsense, and otherwise, there is the option to show partial nudity as much as it is allowed on the social media; Instagram being the most affected platform. It is always fair to satirize this kind of a situation as it influences the youth so much, and even causes suicides.

Positives and negatives :: There are moments when the movie seems to have missed chances for making it bigger, and the psychological terror could have reached bigger heights – but those are just small elements in a movie which makes uses of its minutes so well that even if it was a longer movie, we would have continued to watch it with the same interest. The visuals are so good with locations in France, Thailand and Bali. We get immersed in so many moments of the movie, as the antagonist’s manipulation is so good, as she known when to be a psychotic killer with a knife or axe, an intimate and romantic lover, a seductive beauty who sheds her clothes or a damsel in distress with tears coming out of her eyes as the situation demands. The way in which this difficult character with multiple shades has been done to perfection by Cassandra Naud is something nobody will miss around here. We would love to see her in a full horror movie with a psychotic serial killer or supernatural entity on the other side – she could be a scream queen of something like Evil Dead, Scream, Halloween or other long franchises or the next generation ones like X, I Heart Willie and others that we are to cherish for a long time. Just watch the final scene of fighting and stabbing and you will know.

The performers of the soul :: Cassandra Naud’s performance here might be the strongest element of the movie, as she elevates the whole thing at the beginning itself. It can be seen that she carries the movie with unparalleled confidence, and she does the same for a role which would have made the common actresses struggle or even overact, as we have seen in many cases. Even in those scenes which seem serene, her expressions and body language create such tension and the fear that the whole situation is going to be more twisted. The chaos in her cuteness and beauty will be something that we remember, and the way in which she manages that with grace is her class as an antagonist to remember. The chance to be a loud and exaggerated villain is avoided, and she is just too good in this manner – calm, calculated and manipulative like never before. Her friendliness and detachment and going there and back feels so good. The facial birthmark adds to the uniqueness of her character’s screen presence making the character so much visually and intellectually memorable. The others, especially Emily Tennant, Lisa Delamar and Veronica Lang shines and Jonathan Whitesell nicely adds to the same.

How it finishes :: Influencers is that movie which keeps one interested with dark humour and a possibility of infinite horror that too in a realistic way, as Cassandra Naud leads the path in a manner that not many lady antagonists have done before. She breathes life into this movie and raises the bar, keeping us wondering and surprised with different moments. Even though I have not watched the first movie, it feels that this can only be an improvement on that one unless that one had some special ingredient other than being the first of the franchise. The sharp commentary on influencer culture is the need of our world indeed. If you enjoy those modern psychological thrillers about identity, fame and online obsession, this is surely the movie for you, and Cassandra Naud’s magnetic performance attracts you more and more as your time in the movie passes, and despite her being the antagonist, you want to see her more, and keep asking for a sequel. Such a demand is just natural as she is indeed too good.

Release date: 12th December 2025
Running time: 110 minutes
Directed by: Kurtis David Harder
Starring: Cassandra Naud, Emily Tennant, Georgina Campbell, Lisa Delamar, Jonathan Whitesell, Veronica Long, Dylan Playfair

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@ Cemetery Watch
✠ The Vampire Bat.

Whistle

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Vampire Owl: I have a doubt whether these people are fans of Chennai Super Kings.

Vampire Bat: I am sure that there are not talking about a normal whistle.

Vampire Owl: All whistles are normal enough for the undead.

Vampire Bat: You mean to say that even dead whistling through life is normal?

Vampire Owl: Well, if death decides to do so, who am I to complain?

Vampire Bat: You should remember that it is still not normal behaviour.

Vampire Owl: If you include Chennai Super Kings, it will stay normal.

Vampire Bat: You should understand that we Chennai fans do not blow an Aztec Death Whistle.

Vampire Owl: Let there be death whistles to all the opponent teams.

Vampire Bat: I am sure that you will be banned from all IPL stadiums soon enough.

[Gets a paneer pakoda and three cups of Wayanad tea].

What is the movie about? :: Mason Raymore (Stephen Kalyn) leads his basketball team to victory despite having visions of burning man, but after the celebrations, finds himself caught by the same man, and the teammates find him burning to death in a shower, to the surprise of everyone. A few months later, a new transfer student Chrys Willet (Dafne Keen) gets to use Mason’s old locker and finds a strange skull-shaped whistle. After a fight over the locker, Chrys is sent to detention by their teacher Mr. Craven (Nick Frost), along with her cousin Rel Taylor (Sky Yang), Mason’s old teammate Dean Jackson (Jhaleil Swaby), Dean’s girlfriend Grace Browning (Ali Skovbye) and the smart girl of the particular institution Ellie Gains (Sophie Nélisse) who also has diabetes. Mr. Craven who finds and confiscates the whistle after discovering that there is some Meso-American, probably Mayan antique value about it, just blows the whistle out of curiosity post the feeling that the writing is Mayan. Soon, as a chain smoker, he finds a strange apparition that somewhat looks like him which gets on to him and crushes his lungs.

So, what happens with the events here as we just keep looking? :: Later, the detained students who meet at a pool also has Grace blow the whistle, whose sound causes everyone who listens to the same to be haunted by apparitions which are revealed to be themselves in a brutal, tormented form which looks very less like themselves. The next day, as they go back to the educational institution, they realize that Craven’s death is reported as extreme stage lung cancer, but they realize that there was no sign of any illness on him when they last met. Chrys and Ellie later meet Mason’s antique-collecting grandmother Ivy Raymore (Michelle Fairley) to return the whistle, but she gives it back to them while saying that it is a centuries old Aztec death whistle carved with the phrase “summon your death” instead of “summon the dead” which they had thought. She adds that anyone who hears the whistle becomes stalked by death and is soon killed by a manifestation of their own body just before dying. As they understand that Mason was to die by burning at some stage of his life and Craven by lung cancer caused by excessive smoking, Grace dies after rapidly aging into an old woman, and Dean is later killed in a manner resembling a motor accident. Now, can they stop it in time before anyone else dies?

The defence of Whistle :: When you take horror our of some Aztec whistle, there is the feeling that not much can be known about it, and therefore escape is to be near impossible. The early coming of death in the exact same way as destiny has planned is something innovative, and a twist on death coming to us in multiple brutal ways. The atmosphere created by the movie is really good, and we see some nice spooky thing coming out of nowhere every time, as being visually engaging seems to be a skill around here. The death sequences remain creative, with the addition of old-age apparition as much as the other brutal death modes. The mystery elements of the movie continue to stand strong, and we see the power of death not being a gentleman, thus not making Emily Dickinson with her poetry not that agreeable. There is no complication with the basic idea and with the characters and the quick pace, will be appealing to the new generation from the beginning itself. They mystery remains mysterious and sets tone for an even bigger sequel, if there is a chance.

The claws of flaw :: There are moments which make one feel that there are missed opportunities which could have easily been taken to elevate the movie. There was always the chance for more, with the scares as much as with the imagery. The supernatural elements taking the form of a future death could strike terror like no other. The appearance of apparitions could be scarier with some extra blood and gore, with more frequent appearance also possible. The middle part feels like a little deviating as the characters do make some strange decisions, yet it is not something we have not seen in other horror movies where the some characters die early, some others refuse to listen and often make the dumbest decisions; these have become a regular part of the genre, but this movie could have deviated from that formula as it had already taken some divergence with the premise and a myth that goes a different way. The idea also seems to move on and on, and the possible solution also seems a little too predictable.

The performers of the soul :: Dafne Keen who has been known for Logan, The New Mutants and Deadpool & Wolverine, has the lead in this particular horror flick, and we already know the kind of intensity she has displayed as a mutant and therefore would have no doubt about her possibilities in a horror movie. Her performance remains the highlight of the movie. Then there is Sophie Nélisse of 47 Meters Down: Uncaged which had its own sharks to bring the horror underwater – this time, she does an even better job. The two becomes a fine team together, and keeps on moving the story with defiance against death and its methods. Ali Skovbye is another lovely addition here, and becomes the person who set things in motion for friends, scoring more in a run against death than anyone else. Sky Yang plays another interesting character well, while Jhaleil Swaby comes next with some fine moments. Percy Hynes White plays a negative character with further shades of evil later revealed, and that surely works. Michelle Fairley nicely adds to the mystery of the movie, while one would feel that Nick Frost and Stephen Kalyn are missed too early.

How it finishes :: Bringing variety in horror has been one of the most difficult tasks of these times, and the movie has managed to do so, seemingly taking an extended inspiration out of something which is not that well-known or followed. After all, there is a lot of scope with different kinds of horror as part of separate myths and legends, like the franchise having Stree, Munjya, Thamma and others had in India, and remains relevant throughout the world, as just the vampire legends would do the job. This movie takes itself beyond the usual world of The Conjuring, Annabelle, The Nun, Sinister, Insidious, Evil Dead and similar flicks to create innovative horror from an idea from the past. The full effectiveness of the same might not be there to be taken at all times, but this one remains something to be remembered for going through that divergent route, and make the whole thing work well enough. Well, we never have enough of horror in a world of chaos which can have nothing more than hopelessness and death – if death comes in many forms beyond Final Destination, we also take them into our hearts and hope for the human suffering to end.

Release date: 13th February 2026
Running time: 100 minutes
Directed by: Corin Hardy
Starring: Dafne Keen, Sophie Nélisse, Sky Yang, Jhaleil Swaby, Ali Skovbye, Percy Hynes White, Michelle Fairley, Nick Frost, Stephen Kalyn, Conrad Coates, Mikayla Kong, Lanette Ware, Christine Sahely, Dina Pino, Izaak Smith, Vicki Kim

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@ Cemetery Watch
✠ The Vampire Bat.

Vash 2

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Vampire Owl: This would feel like a strange way to watch a sequel.

Vampire Bat: We are watching the second part of a Gujarati film which we watched in Hindi.

Vampire Owl: It would not have been too strange if the story was not somewhat changed.

Vampire Bat: Well, it seems that Bollywood takes liberties with everything except Drishyam.

Vampire Owl: Bollywood should have wanted the same in that case too, but not allowed.

Vampire Bat: Bollywood just takes out of the best out of its essence multiple times.

Vampire Owl: Thanks to the OTTs, we still have other choices.

Vampire Bat: The choices that we make never really matter.

Vampire Owl: It matters for us.

Vampire Bat: Just what matters for immortal matters.

[Gets a pina colada and three cups of sweet tea].

What is the movie about? :: Atharva (Hitu Kanodia) has gone past the terrifying incidents which he had to face under the influence of a man practicing black magic, but the feeling never really leaves him as his daughter Aarya (Janki Bodiwala) still remains under a dark influence – even after twelve years, goes on with her life with a smile on her face, as she grows up and her body changes, but nothing else does. As she does nothing else than that particular smile, this would be more or less like a paralysis. It keeps reminding him of that supernatural grip which remains even after he had imprisoned and tortured the man responsible for her state. He hopes for a better situation and continues to care for her, but knows that future is bleak. It is during the same time that ten schoolgirls jump from the top of a school together, despite the pleas of the headmistress, teachers and security, telling them that an uncle told them to do so, and they have no option but to obey his orders without questioning.

So, what happens with the events here as we just keep looking? :: This leaves the headmistress Rashmika (Monal Gajjar) scarred, while parents of all students including the remaining ones as well as the police storm into the school compound while it becomes nation-wide news. But very soon, more chaos unleashes as the girls ask for one man to be found, and warns that there would be some bigger terror to be unleashed. Soon, several other girls who had food in the same canteen behave violently and manages to break out of the school campus, attacking strangers including children, destroying property, and setting vehicles and buildings on fire. Stopping the girls seem to bring more trouble as they keep attacking everyone and also themselves if restricted. Some of the parents manage to come in and try to take their children home, but the girls are not ready to leave with them, and ask for the particular man to be found before next wave of evil is unleashed. The police have no clue about what is happening, as things seem to be outside their payroll, and some of them also gets injured in the process.

And what more is to follow here as evil keeps finding its way of nowhere? :: Atharva who finds out about the situation from news, gets to the school, and declares him to be the one who has the man whom they search and can solve this particular problem. These strange incidents are revealed to be the result of certain mind control charm orchestrated by Rajnath (Hiten Kumar), the younger brother of the black magician whom Atharva had captured. Unlike his imprisoned brother, Rajnath is more after control and seeks to establish his own power through chaos that nobody can ever imagine. He considers his brother to be better than him, as he lacks one special spell which could lead to his way towards world domination. He seeks to find his brother and learn it from him, making him complete. Atharva finds the man in the canteen, as he had hidden himself before pretending to be a worried parent of one of the girls and coming straight to view. Now, the question remains if Atharva can end this evil once and all, and whether his own daughter can finally get better.

The defence of Vash Level 2 :: This is one movie that gains momentum early itself, and that scene of jumping from the top of school is further complemented by similar scenes, as this one feels more zombie-like, and with the realization that evil never ends even if goodness has a limit. The performances of Hitu Kanodia and Hiten Kumar are very much convincing, and we can see that they never really try to overdo this either, as the work is stable and even in a fantasy situation, there are enough realistic moments to keep a balance. The clash between morality and selfishness can also be seen in between. If you have enjoyed Stree, Munjya, Thamma and other folk-tale horror, you would want to keep the eyes for the full-horror experience here, as the local mode of fear also has its say in a world of The Conjuring and its unlimited membership camapign in horror. After all, black magic and witchcraft go a long way back here too, and there has been more terrifying tales ready to inspire horror-makers as long as one would feel the need for the same.

Positives and negatives :: The movie can be considered to be moving smoothly towards that classic ending, and it also leaves the viewers with the relief that evil has been nicely vanquished, and even without that grand a spectacle, there is a fine resolution that we are going to remember. There is no loss of strength for this movie in between either, and the pace is maintained well. Janki Bodiwala is restricted to a nothing role, and that is depressing because she was the strongest point of the franchise, and most people would have the same opinion about her work. Her place on the posters would make one feel like she would have a big role to play, but that never really happens here. If a comparison to the earlier movie is made, I would have to say that this one does not manage to come up with that much of a strength. The movie could have had that knock-out experience which could make it the sequel that thrives on the first; maybe the Bollywood version would have too much of it, but we would have to wait for the same. After all, mind control has no limits.

How it finishes :: Most of us have only watched the Bollywood version, Shaitaan, which was not this much dark in comparison, and we are quickly made to realize that the proceedings and ending of that particular movie was different from the Gujarati original. The movie beginning without that Bollywood overdose of things itself is a reminder of the same – we all remember how Drishyam’s Hindi versions whether original or sequel could not survive without some extra unnecessary additions or changes here and there, even though they were small and not relevant. Well, this movie had gained its power right at the beginning itself, and its remake would also have the same, as there would be a number of changes that need to be there with the Hindi edition, whenever it comes. With that movie’s ending, one can be sure that Janki Bodiwala will get a better role to play around there as the main characters had a rather positive finish with the Bollywood trying to keep its world as usual and appealing to its common audience. This movie is a fine sequel, and leaves us with hope about it too.

Release date: 27th August 2025
Running time: 103 minutes
Directed by: Krishnadev Tagnik
Starring: Janki Bodiwala, Hitu Kanodia, Hiten Kumar, Monal Gajjar

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✠ The Vampire Bat.

Together

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Vampire Owl: We, the vampires have been together for an eternity.

Vampire Bat: I am sure that there is more about togetherness in this movie.

Vampire Owl: So, you think that there is not enough of the same among us.

Vampire Bat: Togetherness is not something that can be evaluated.

Vampire Owl: At least the movie is on Amazon Prime Video to be evaluated.

Vampire Bat: I wonder about the kind of supernatural present in that movie.

Vampire Owl: Should I consult the parapsychologist Dr. Frankenstein on the matter?

Vampire Bat: When did Mr. Frankenstein graduate in psychology?

Vampire Owl: He has so many graduations that we will never know all of them.

Vampire Bat: This Frank needs to be reported to Uncle Dracula for his fake degrees.

[Gets a podi masala dosa and three cups of Kodaikanal tea].

What is the movie about? :: A man has been searching for a missing couple with his two dogs. But after the unsuccessful search, he finds the dogs fused together as one. A few days later, Tim Brassington (Dave Franco) and Millie Wilson (Alison Brie), a couple going through an emotional path, and at the same time, latter finds a job of teaching elementary school English. Tim has been trying to make his mark as a musician, but has not been himself since the memories of his dead parents have been haunting him. Millie proposes to Tim at a going away party held by their friends but, he shows some hesitation which makes them further ponder over their relationship. As Millie meets her new co-worker Jamie McCabe (Damon Herriman), he tells them about the interesting walking trails near their home that goes deep into the woods and remains a beautiful view. While hiking through such path, they fall into an underground cave and decide to camp inside for the night due to the rain getting heavier. Tim drinks from a pool of water but Millie does not.

So, what happens with the events here as we just keep looking? :: As they wake up on the next morning, Tim and Millie find their legs stuck with each other with some material which looks like glue, but they are able to separate them without much difficulty, and feels that it was some random sticky thing of fungal nature. Tim feels like he is physically and brutally drawn towards Millie, which leads to complicated situations which makes them feel that this is a psychological problem. The doctor that Tim sees also dismisses the incidents as panic attacks and asks him to use some muscle relaxant pills, and reminds him that the place has its charm, but also dangers, as a local couple had also gone missing. Tim looks at the news and also at the social media pages of the couple, and finds out that these particular couple had also visited the same cave, identified by some of the marked bells outside and some signs on walls of the cave. Jamie arrives at their place and welcomes them to the neighborhood, and they have a dinner together.

And what more can happen as the couple seems to be confused in between? :: The couple recounts their experience at the cave, which Jamie explains was a hippie-type church which had some activities which were considered strange for the commonly accepted churches. He adds on that people who got better options moved away to cities with their families, the church was abandoned, and became part of the cave system, as time passed. He adds that this is not a terrifying Satan worshipping cult of anything, and no followers of the same remains there. Even though Millie drops Tim off at the train station for his journey to the city for a musical programme, he experiences another episode of being attracted to her and immediately goes to Millie’s school, much to her surprise, as he gets on to her. This time, she is also attracted to him, but she denies the same, but it the strange attraction would come to her at night too, and the mystery deepens. Can they get out of this as they seem to be getting attached to each other, and this seems to be a problem to which there is no solution?

The defence of Together :: The romantic drama mixed with disturbing body horror is something unusual, and thus provides a fresh feeling that will keep the audience interested. It is nice to see that this becomes a metaphor for interdependent relationships and also signifies the need for togetherness in a relationship rather than keeping on separating each other – as it says in the Holy Bible: “A man leaves his father and mother and is united to his wife, and they become one flesh.” – Genesis 2:24. This seems to be a strange coming together of the same, as at least the same thought process should guide a relationship, as the fusion of ideology will guide them better; something which could often include religious ideology. In this case, everything is shown with that body horror that stays effective, and the fear factor is surely active, and it includes being scared of losing identity. Alison Brie with Dave Franco of Now You See Me and Nerve do manage to bring some real chemistry, as they are also real-life couple, despite the former at times looking much older. Their moments together are very good with a certain amount of love which feels apart, but so much longing to be together, like the body horror itself calls for. Disturbing transformations and dark humour remain effective too.

The claws of flaw :: The movie remains repetitive in parts, and there seems to be moments when nothing much past. There is also a little too much useless time spent in pondering over the past of the main male character when it could have easily gone on with just a small mention of the same, thus making the length of the movie exact as intended. The narrative just goes on the usual path with the couple story while moving towards the fresh twists. The mixture of romance and body horror does not always work the best, and signs can be seen here – some people can even find part of this to be gross, thus justifying its rating in India. Some cringe moments are also present and dialogues get a little too weak at times. The emotional connection could have been also more, as the romantic background is already set. There is also the need for a lot more explanations with this one, as the weird mode keeps on being active. We can see the chance for some people clearly missing out on the idea.

How it finishes :: If you are looking for experimental horror with focus on the body-based terror, this might be the movie for you, as performances and hidden ideas and messages also seem to come in here and there, despite there is nothing too grand about it with moments where the movie just seems like a usual random journey that stays repetitive. Even if togetherness story is your key, this will be your relationship-focused tale with a dark twist, as the darkness would take the whole world to something beyond comprehension. But you are not to look for fast-paced and plot-drive works with this one. But seeing the fusion of the couple, you might not stop feeling that there is the need for togetherness coming from religious scriptures fulfilled right here, whether some subterranean or alien entity is involved in the process. After all, we know that there shall always be too many things that we do not understand, and can stay on the mysterious side; and so we go through this movie, and enjoy the same in moments, with one final shot of togetherness with innovation. Still, the body horror of The Substance remains one of its kind.

Release date: 30th July 2025
Running time: 102 minutes
Directed by: Michael Shanks
Starring: Dave Franco, Alison Brie, Mia Morrissey, Karl Richmond, Damon Herriman, Jack Kenny, Francesca Waters, Sarah Lang, Aljin Abella, Rob Brown, Charlie Lees, M J Dorning, Ellora Iris, Melanie Beddie, Rom Considine, Nancy Finn, Flynn Wandin, Mark Robinsom, Michael Shanks. Sunny S Walia

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✠ The Vampire Bat.

Osiris

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Vampire Owl: A movie about the Egyptian god who brings the dead back to life?

Vampire Bat: I feel that there will be only a small connection.

Vampire Owl: The name should actually be associated with us as we come back from the dead.

Vampire Bat: The vampire elders do not approve of the dead given more importance than the undead.

Vampire Owl: Is there any undead who do not come from the dead?

Vampire Bat: The undead are also summoned through magic.

Vampire Owl: Aren’t they the animated skeletons of necromancers and northern witches?

Vampire Bat: And they call us the animated ones.

Vampire Owl: The necromancers have been banished for too long.

Vampire Bat: There are still the necromancer vampires.

[Gets an avocado shake and three cups of Vagamon tea].

What is the movie about? :: US Special Forces on a mission in the desert, Kelly (Max Martini), Rhodie (LaMonica Garrett), Jax (Jaren Mitchell), Reyes (Michael Irby), Gibbs (David Meadows), Nash (Linds Edwards), Bull (Dawson Towery) and Scars (Stanley White Jr) find themselves in a tough battle on the ground, only to find something else also coming up. They are abducted by some strange floating structure of gigantic proportions that appears on the sky after unleashing some kind of weapon on the ground. The floating structure seemed to cause enough havoc on the ground, much more than what was happening around. After a series of nightmares, those who survived awaken, disoriented and confined within some stasis pods, on what seems to be an alien spaceship or an extra-terrestrial building, maybe even located outside the planet. The structure seems to be scientifically advanced, with very less lighting, even though not without stains and dirt, as if straight out of a realistic first-person shooter game.

So, what happens with the events here as we just keep looking? :: As the soldiers further explore the areas, they come across skinned human corpses hanging from above and unfamiliar but seemingly advanced weapons and technology. They also find a struggling young Russian woman Ravishka (Brianna Hildebrand) who is tightly chained to a pole, and as they rescue her, they meet her captors too. The captors are strange creatures, tall, eyeless humanoids with armored skin, sharp claws and energy-based weapons and shields. They keep fighting their way with the help of alien devices which they manage to take from the fallen ones. Ravishka tells them that she feels that she is from around there as she has been around for a long time, and explains that the ship collects humans to be processed as food. She guides them in a journey away from danger through lesser-traveled maintenance tunnels. After a series of encounters with aliens and near-death situations, they fall into a pool of blood filled with remains of dead humans.

What more happens here as aliens seem to be near-invincible and ready for food? :: They are rescued by another survivor named Anya (Linda Hamilton), Ravishka’s mother, who tells them that she has been there for a very long time, and was part of a Russian team which tried to fight the aliens who tried to take over the world. None of them are left now with the last group being captured with Ravishka and brutally murdered. Now, they have to depend on the newly found friends. There, they realize some of the strangest truths about what happened on Earth and how aliens have been going about. They have now lost almost half their soldiers, and are only fortified better with the alien weapons and ammunitions – but the aliens are tracking them through heat signatures and sound. After knowing more, they realize that they have a bigger mission than they thought about and it would be tougher than ever. Can they accomplish that without losing any more of their people?

The defence of Osiris :: The movie has some fast-paced combat that keeps us interested at all times. The signs are shown early enough with the first battle in the desert before the aliens’ arrival, and points to some military warfare more than a random alien invasion. The shootouts feel great from the desert to the alien ship and we have an action game mode feeling going on here. The details are very good, with the spaceship having a classic look, and aliens looking like part of a fine design. There are those moments when we first see the aliens, and the second just before that, which kept us at the edge of the seat like not many other alien movies could do. These are the kind of aliens that we can accept more than any other, and brings some nostalgia back to us. The action feels classic, and we are reminded of Doom in its multiple forms as aliens are no less than demons either, even supported further by some dialogues spoken. The intensity of the battles keeps a certain level at all times. The need for survival is always there, hoping against hopelessness.

The claws of flaw :: The movie does not go deep into the material, and is happy with the surface level journey. There seems to be a little bit too much dependance on the early science fiction movies, including Alien and Predator as well as those sequels. The innovation was there to be taken, but it does not come to the front. The script could have used a push, with more classic elements, and as we see how the movie ended, there could have been more clues in between, with better connection to the title. By the end of the movie, saving the girl gets too much of an attention despite her being introduced as a fighter in captivity in the beginning. Some of the characters are just there for the sake of being there, and even the main characters seem to get less attention to their detail. The moments of survival and twists could have also been better written to create better impact, and alien invasions could have been explained with visuals. There were so many opportunities to make the situations more and more interesting.

How it finishes :: There was always scope for so much more, but that much is not taken here, with the safe zone seemingly the place to be, without that extra innovation. There are not many deviations which seem to be in the mind of the makers which could come out of the box. Still, this remains a very much entertaining journey – there is no boring moment as you are transported to this dangerous world. It is that strong sci-fi action entertainer rather than a thoughtful science-fiction movie. The fast-paced action, alien attacks and nostalgic appeal the best for some time-pass watch rather than provoking thoughts. But some struggle in writing, predictability in plotting, and thin character development keep it from standing out within its genre or leaving a lasting impact. It feels more like a derivative sci-fi action film that never ceases to be entertaining, and also has a scary side taking it close to another genre, as we wonder if this could also become a successful computer game in future.

Release date: 25th July 2025
Running time: 108 minutes
Directed by: William Kaufman
Starring: Max Martini, Brianna Hildebrand, LaMonica Garrett, Linds Edwards, Jaren Mitchell, David Meadows, Michael Irby, Linda Hamilton

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@ Cemetery Watch
✠ The Vampire Bat.

It Feeds

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Vampire Owl: It should not be it, for it should be a he or she.

Vampire Bat: I am sure that they are not talking about vampires.

Vampire Owl: Who feeds better than vampires these days?

Vampire Bat: Who follows better? Then it should be “It Follows”.

Vampire Owl: What is there to follow for us?

Vampire Bat: We follow art, and we further follow beauty beyond exceptions.

Vampire Owl: You still think that there is beauty in this world of chaos and destruction.

Vampire Bat: The beauty of chaos cannot be taken out of the equation.

Vampire Owl: The vampire elders have always absorbed power out of chaos nodes.

Vampire Bat: Chaos nodes have powered the vampire animation for centuries.

[Gets a parippu vada and three cups of Coonoor tea].

What is the movie about? :: Cynthia (Ashley Greene) is an experienced psychiatrist who is also able to see into the minds of her patients, identifying the exact problem, as she basically walks inside that world of their minds. Through these special skills, she has solved a number of problems faced by her patients, some of them actually clueless until meeting Cynthia. Her daughter Jordan (Ellie O’Brien) is very much supportive of the same, and she comes across a girl named Riley (Shayelin Martin) who comes to visit Cynthia as advised by Agatha (Juno Rinaldi), a friendly woman who was cured by a visit. But the girl’s father Randall (Shawn Ashmore) also arrives all of a sudden and takes her away, asking Jordan not to be bothered about her, but not before Cynthia has a quick glimpse of a creature that looks from under Riley’s shoulder. Jordan talks about Riley, and how she was talking about someone who always accompanies her, but is only visible to her, and when Cynthia says that she saw something, she asks her to help her.

So, what happens with the events here as we just keep looking? :: The Creature (Brooklyn Marshall) reminds Cynthia of a troubled past, and the attempts which had made her husband commit suicide after they had gone after such supernatural troubles. Even now, Cynthia has been very careful, even with her psychiatric journeys so that nothing goes out of control and comes back to her, causing trouble to her family again. Therefore, she rejects the possibility of helping the girl who seems to be too much affected by some terrible force of darkness, an entity belonging pure evil and chaos. Still, Riley’s claim that a supernatural entity has been feeding off of her, makes Jordan determined to help the girl at all costs. She goes to meet Agatha despite Cynthia’s warnings, and finds the address of the girl and her father. But soon, she finds her tied up firmly to a chair, not able to move any part of her body at all. Her jacket is removed, and as the girl places her hands on Jordan’s shoulder and upper arm, she sees the creature for the first time, touching her, and burning her body. Now, can she escape from this family and the creature that seems to be also feeding off her?

The defence of It Feeds :: The wraith-like entity with an extremely creepy burnt skull and long fingers is visually terrifying enough to keep haunting people in their nightmares. The creature on its throne is a majestic visual of a demonic rule that could cross over from its world to the human lands. The looks are as much disturbing as a terribly burnt corpse which has come back alive without much of the body left. At the same time, the movie explores trauma, fear and healing of wounds of the past while emotions run right through, as the creatures becomes unable to feed on any of them from the past and present. The continuous present of the dark lighting makes sure that something is going to happen all the time, while tense scenes during the supernatural and sudden scares from out of the world keep the horror going for the fans. The situations outside this world are nicely created and there is a certain amount of quality related to the same. With the available elements, the movie has managed to be worth the time.

The claws of flaw :: The movie does not feel like original, as elements of other movies seem to have come across here to become this film, the combination of many things, not many of them coming up as an innovation, even when there was the chance to take this further. The content here seems to rather less, and some of the moments seem to be there just to point to the jump scares. The nice poster surely gave the feeling that there would be more around here with horror level to be increased much more. Then, there are times when movie losses its connection despite having ideas active here and there. The characters also show the tendency to overdo things. The movie also seems to end up with the negative idea that helping people without second thoughts is not always the best thing to do; but that being truth is not to be avoided. The world remains uneven, and it would not go on to become a movie that we could remember for a long time; Amazon Prime Video is just the platform that will make this one something for which people will be interested.

The performers of the soul :: Ashley Greene leads the way really well here as the determined mother who is looking forward to save her daughter, even though she is not of that power throughout the movie. Still, the one who catches our attention more is Ellie O’Brien, who plays that character who tries to save lives, but is helplessly caught in trouble, tied up, attacked by the creature, and even buried alive – tough moments indeed, but she manages the same really well. In the end, the mother-daughter duo scores even further with the creature facing them, and a moment with creepers which does not strike like the Evil Dead trees, but does just enough there too. Shawn Ashmore also brings more strength to the cast, and there is also a certain amount of emotional weight which also gets added here as he scores as the father figure who listens to nobody while trying to be the big protector against all odds. Juno Rinaldi and Mark Taylor in smaller roles makes impact, despite not staying on for more. Shayelin Martin as the child with a haunting on her, does very well too.

How it finishes :: The movie is your usual horror movie which works with elements of many other movies, but the one which uses what is available effectively enough. It holds the ground as a good atmospheric horror with solid acting and creepy visuals which increases its effectiveness, but the story feels generic without more to be said about it and without doubt, predictable enough to make sure that it does not raise the level enough to be remembered for that long. When you have movies like Evil Dead, Sinister, Insidious, The Conjuring, The Nun, Annabelle and others becoming big things with the quality associated it with, one would find it strange that a movie like this which establishes the premise so well in the beginning and catches our attention could do only this much. Well, we cannot always have enough with a big start, but for this one, that was expected. After all, it is recommended with some of those better movies when on Amazon Prime Video, and more people would surely watch it there.

Release date: 28th March 2025
Running time: 102 minutes
Directed by: Chad Archibald
Starring: Ashley Greene, Shawn Ashmore, Ellie O’Brien, Juno Rinaldi, Brooklyn Marshall, Mark Taylor, Shayelin Martin, Julian Richings

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@ Cemetery Watch
✠ The Vampire Bat.