The Gorge

Vampire Owl: I know such a gorge at the end of the vampire world.

Vampire Bat: It is the border of the known vampire lands.

Vampire Owl: Where do we reach if we cross that?

Vampire Bat: They call it the whisper to infinity.

Vampire Owl: There is no infinity in this world. Everyone ends.

Vampire Bat: Our immortality is subject to market risks. It is not the same for everyone.

Vampire Owl: You are talking about the vampire elders.

Vampire Bat: There could be creatures lurking under the border gorge.

Vampire Owl: Yet we leave that area unprotected.

Vampire Bat: Well, if any zombie is going to fall into it, let it better be underneath rather than at the surface. The shadow demons have already crossed over to the surface from the shadow world.

[Gets a paneer samosa and three cups of Wayanad tea].

What is the movie about? :: Levi (Miles Teller) is former United States Marine Sniper who is recruited by a mysterious woman for a special mission which requires his special skills as a record-breaking sniper on the enemy lines. He is taken on a flight to a remote location where he gets down on a parachute in the middle of nowhere. There he meets Drake (Sope Dirisu), a former British Royal Marine corporal, who was in charge of guarding a tower on the west side of a gorge. He explains that the location is kept hidden from the outside world by powerful cloaking antennas and he is not supposed to talk to the outside world about it. He adds that both the west and east towers are armed to contain some strange, monstrous creatures within the gorge, which they have nicknamed “The Hollow Men”. There is also the warning about “Straydog”, an unknown emergency protocol. He talks about the towers’ history which had that battalions of soldiers sent into the gorge in the late 1940s and none of them had ever returned. Drake who leaves the gorge is picked up by helicopter, but is not taken home as he is shot dead.

So, what happens with the events here as we just keep looking? :: Drasa (Anya Taylor-Joy), a Lithuanian sniper who is involved in covert operations assigned by the Russian forces gets a special offer for a year. Her father Erikas (William Houston) who was once associated with KGB, is now dying due to cancer asks her to go on despite Drasa not feeling that good about so many sniping killings from a distance. The offer that she gets is the same as what Levi had received from the mysterious person whose name is revealed to be Bartholomew (Sigourney Weaver). She is given charge of the eastern tower opposite Levi’s tower, fully armed and meant to stop the creatures coming out of the gorge, a position which has been held by so many people throughout the last few years. Levi who suffers from nightmares coming right out of his trauma tries to live by the rules including the ban on having any contact with the person on the other side. But Drasa contacts Levi with a writing which tells him that she does not care and that it is her birthday. With a birthday wish and following contact, they keep fighting the creatures coming up from underneath along with a lot of continuous talks getting them close to each other. But the secrets of the gorge might be the end of them, or will they survive this?

The defence of The Gorge :: The movie’s world is the first thing that catches our attention, as it is really well-created. The feeling that the two towers with horror in between keeps us excited from the beginning itself. A certain romantic side and the feeling of danger keep making an impact from two sides, while there are many heart-warming sweet moments as well as the surprising terror, making the two sides of the coin work so well in balance. The first point of contact between the two snipers is one of the most charming moments that one would ever see, and the quick twist see the danger, and then we see some more of those lovely situations which stay in our minds. The on-screen chemistry between the two is something that lasts since the first point of meeting itself, through the dangers, between all the shooting and explosions and more. As this one blend sci-fi, horror, action, thriller and romance in an unusual way, there is so much of freshness added here and we keep feeling the same throughout its run. The mysterious gorge setting, visual effects and creature and underworld designs are nothing less than classic in nature. What lies beneath gets the best of design as much as the view of the top.

Positives and negatives :: The movie could have had more moments of romance, and the cuteness factor often leaves too early. But we see that the action scenes are so engaging with romantic possibilities never leaving either. The final moments seem to get to that end too early and the climax gets a little bit predictable with a quick finish. Even though the background tale is nicely revealed and remains strong, it is not something new or that innovative – yet, they have made the whole thing look so good and made in a way in which it will remain strong and interesting. The birthday and dance moments are the cutest moments of the movie, and there is also that satisfying lovely ending which would make you hope for a sequel with these two. The battle underneath definitely makes the whole world gain in strength, and such a world could not be made with such quality and style in another movie. The setting itself is the one thing which made this happen. If these protagonists of the movie are not the most likable ones around as they set new meanings for long distance relationships, one can only wonder what else can be.

The performers of the soul :: The movie thrives on its performances as the leading cast make the whole thing so lovely and believable. We have known Miles Teller from Divergent, Insurgent and Allegiant making a trilogy, and that version of Fantastic Four which is not remembered in compared to two other more famous ones. Here, he comes up with a performance to remember for very long. Meanwhile, Anya Taylor-Joy is so lovely in such a way that she stays in our minds like a beautiful memory of a lost world. She was someone who started so well with her first flicks, The Witch and Morgan, followed by being a part of Split and Glass, and she made Furiosa: A Mad Max Saga a movie known as much as for her performance as it was for the action and world building. We know that she is also part of the Dune series, and we are sure to have more of her around. She could be the perfect Resident Evil protagonist, but Umbrella Corporation’s people seem to have other ideas even with reboots. She could also be in an Underworld reboot with the action skills. These two protagonists share such an onscreen chemistry that it is the viewer who falls in love. The two are just remarkable also in the action sequences as they were with those cute moments of romance together.

How it finishes :: The Gorge is the one movie which comes out of nowhere to make a huge impact while blending its genres as it hesitates to be limited to one thing or even two. While the film’s mystery leads to some genuine suspense in the first half, the later revelations and action-filled climax keep the movie at the same level, while never losing the romantic side in the process. The blend of romance, horror, action, thrills and impressive visuals make it a worthwhile watch with some genre-bending science fiction. The combination of Miles Teller and Anya Taylor-Joy is something that we will remember for a long time, as the movie keeps itself emotionally strong, with no dull moment at all. I would consider this movie as one of those rare flicks which appealed to us as part of all genres which it represented. The same is not an easy job, but it has been achieved with such ease, thanks to the performances. I would recommend this for fans of different genres and almost everyone, and I would have loved to watch this one on the big screen.

Release date: 14th February 2025
Running time: 127 minutes
Directed by: Scott Derrickson
Starring: Miles Teller, Anya Taylor-Joy, Sigourney Weaver, Sope Dirisu, William Houston, Ruta Gedmintas

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@ Cemetery Watch
✠ The Vampire Bat.

Black Phone 2

Vampire Owl: Are they talking about the only phone in the castle?

Vampire Bat: It is one phone that has never worked.

Vampire Owl: But the vampire elders used to call Uncle Dracula with it.

Vampire Bat: Vampire elders always had their telepathic powers.

Vampire Owl: You think that nobody including Uncle Dracula ever used that phone?

Vampire Bat: The phone is meant to be more of a presence.

Vampire Owl: You mean to say that it has served as an afterlife presence.

Vampire Bat: It cannot be considered undead though.

Vampire Owl: Yes, there cannot be electronic undead, I guess.

Vampire Bat: Why don’t you ask your super-best friends?

[Gets a chilli porotta and three cups of Darjeeling tea].

What is the movie about? :: A few years had passed after Finney (Mason Thames) had killed the psychopath known by the name Grabber (Ethan Hawke), but his sister Gwen (Madeleine McGraw) begins having dreams and nightmares where she sees certain incidents and also the murders that happened at Alpine Lake Camp in 1957, leaving her mostly sleepless. Their mother Hope (Anna Lore) is also known to have had similar dreams at the time of the murders, and this has Gwen worries, while Finney has not come out of the trauma which unfolded in front of his eyes due to that psycho killer unleashing himself after abducting him four years ago. Gwen convinces both Finney and Ernesto (Miguel Mora), her best friend who has a crush on her, to travel to Alpine Lake Camp and find solutions to her problems with mysteries to be solved. Her father Terrence (Jeremy Davies) also gives permission despite early reluctance. They hope that this would solve her problems, even though she is not that sure.

So, what happens with the events here as we just keep looking? :: Despite a planned journey, a heavy blizzard traps them, but the supervisor of Alpine Lake camp, Armando (Demián Bichir) and his niece, the young and energetic Mustang (Arianna Rivas) shows them the way. Two camp employees are also there, in the form of Barbara (Maev Beaty) and Kenneth (Graham Abbey). As Finney receives a call on the camp’s dead land phone from the Grabber, he goes into panic. Speaking from hell as it seems, the Grabber vows revenge on him and his family by brutally murdering Gwen. Soon, Gwen is violently attacked in her dream by the Grabber, but the group manages to save her in the last moment from being thrown into fire. Barbara feels that Gwen is possessed by a demon, especially with the young girl having no control over her tongue, using curse and sexual words. The group feels that they have to find the dead bodies of the Grabber’s victims to loosen his hold over the dream realm, and hope that Gwen sleeps less. But can they do it without Grabber knowing or attacking them with a better plan?

The defence of Black Phone 2 :: The way in which the movie expands the original lore and adds new supernatural elements beyond the simple horror is something that should be appreciated, as we feel the creativity behind all of these in a world when horror has always struggled, especially after the ConjuringAnnabelleNun trio had started losing power from that memorable beginning. The world has been nicely built for the same and the evil being stronger than ever and almost invincible, keeps the strength of horror at a higher level. The exploration of trauma and the related character growth with an emotional side works well. The visual style with the support of snow and ice all around, is something to be noted too. For most of us who are not that familiar with blizzards and such snow brings further horror with the dialogues from the antagonist about ice of hell and the burns that it delivers – the dialogues further elevates the terror, and there are some unexpected horror moments which keep the world strong.

The claws of flaw :: The movie takes too much time to get interesting, and by the time it provides that feeling, it would have gone through half of its runtime. One feels the need to see why it takes so much time in showing dreams and hallucinations, when all of these could be over in a few minutes, as many moments like those are just random and not that much scary. The dream sequences, especially the initial ones often struggle and do not go on making the impact as Freddy of Elm Street would make. The quality of the same is also something to be questioned here, as it also remains tiring for the eyes. The horror in there do not feel real or dangerous until some time passes in the movie. This asserts the fact that the movie was about twenty-five minutes more than what it should have been. The emotional side and random fears do not raise the movie during the beginning stages. For those who have not watched the movie will also find themselves in a receiving side of some confusion which leaves rather late.

The performers of the soul :: The movie’s biggest strength is Ethan Hawke, the antagonist who takes it to the next level, despite not showing that much of his face – the mask itself would be remembered by the horror fans for long and could become iconic, thanks to his performance. Well, it is not limited to Freddy, Jason, Michael, Chromeskull or Ghostface. This has not been the kind of role in which we have been seeing him, but the movie reminds us that we should be. Madeleine McGraw whom we have seen more in the younger child roles in American Sniper, Ant-Man and the Wasp and Pacific Rim Uprising, gets to be the scream queen here, and despite some struggles in the repetitions of the first half, manages to finish so well. Mason Thames is the other main lead, and he also manages the same nicely. Miguel Mora also follows well. Arianna Rivas as Mustang remains nicely noted here, and is a lovely presence. Demián Bichir also has a strong and responsible role which is managed well, while Jeremy Davies adds well. Anna Lore’s small presence is memorable.

How it finishes :: I was not aware of the existence of a first movie, as this is not the kind of movie which has become known among the horror fans of this part of the world. This one surely deserves better attention in this part of the world, but its lack of attention towards the usual slasher elements got it pulled back a little. As one watches this one it can be said that this is a visually stylish and ambitious sequel that benefits from Ethan Hawke’s strong performance and its darker, and a dream-like atmosphere. Still, the drag in the beginning, uneven pacing, repetitive elements, and missing scream queen elements got this one in some struggle at times. The added supernatural elements might not feel positive to everyone, especially the fans of the first movie. Well, we can always have some divergent horror here and there. The scope never goes low for this one, as there is something that comes up strong at every moment – the idea seems to have been worked with nicely with different elements, and this would indeed remain an engaging watch.

Release date: 17th October 2025
Running time: 114 minutes
Directed by: Scott Derrickson
Starring: Mason Thames, Madeleine McGraw, Jeremy Davies, Demián Bichir, Ethan Hawke, Arianna Rivas, Miguel Mora, Maev Beaty, James Ransone, Anna Lore, Simon Webster, Shepherd Munroe, Chase B. Robertson

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@ Cemetery Watch
✠ The Vampire Bat.

Doctor Strange

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What is the movie about? :: In the city of Kathmandu in Nepal, the sorcerer Kaecilius (Mads Mikkelsen) and his small group of followers sneaks into the library of the place known as Kamar-Taj and kills its librarian. There they steal a magic ritual from the forbidden texts of the sorcerer who is known as the Ancient One (Tilda Swinton). This ancient sorcerer who has lived for centuries and has taught all these sorcerers including Kaecilius, won’t give up pursuit though, and still the group manages to evade her and escape through a portal right in the middle of the city. The Ancient One is forced to retreat to Kamar-Taj and prepare to defend her place as well as appoint new librarian and better guardians for the place, as she realises that something terribly evil is ready to be unleashed on her world, considering the powerfull spell that those pages possess.

So, what happens next? :: Meanwhile, in the city of New York, Stephen Strange (Benedict Cumberbatch), a famous but arrogant neurosurgeon is spending his life in luxury and also in an attempt to gain more and more fame with new discoveries. He considers the rest of the doctors as people below him, and that includes his own friend and former lover Doctor Christine Palmer (Rachel McAdams). One day, his car meets with an accident, and he loses the use of his hands. Even though Christine asks him to move on with his life as there are so many other things that he could do, he is adamant that there should be ways in science through which he could find a cure that could get him back on track as a neurosurgeon. He dedicates his time and spends most of his money in an attempt to do the same, and feels that he could have done better with his hands if he was operating himself.

So, what all follows in his life? :: Stephen has exhausted almost all his resources and is about to lose faith on everything when he comes across a man who is able to walk again after a terrible accident affecting his spine – this person was considered incurable by Stephen himself, and when asking about how this miracle happened, he is lead to Kamar-Taj. He travels to Kathmandu as the final resort, having no money or reputation left. There, he is attacked by thieves, but is saved by a socerer called Karl Mordo (Chiwetel Ejiofor) who was trained by the Ancient One too. As he reaches Kamar-Taj and meets the Ancient One over a cup of tea, he remains a non-believer who holds on to his beliefs in science. But as the Ancient One brings a display of her powers, he begs them to take him in, and she finally does.

Towards Doctor Strange, the sorcerer :: Without the strength of his hands, it seems difficult for him to cast the spells in the beginning, but he turns out to be a quick learner soon. Even as the Ancient One finds the same qualities in him that she had seen in Kaecilius, she feels that he can achieve much more, and Karl Mordo feels that he will be instrumental when their new enemy attacks them. It is said that the Earth is protected from creatures of other dimensions by the Sanctums, the three buildings which are found in New York, London, and Hong Kong. It is up-to the sorcerers to defend these sanctums as if their lives depended on them. Getting more and more interested in the ancient magic, Stephen attempts to go deeper, but Mordo and the new librarian Wong (Benedict Wong) warns him against disrupting the laws of nature, as there will be consequences. As he gets through his training, evil visits the sanctums, and the question remains if Doctor Strange can be the man to change the future of the world, or will he be just a man called Stephen?

The defence of Doctor Strange :: The best thing about this movie is that it is amazingly good-looking. As a movie which is based on ancient magic, Doctor Strange has used all the visual possibilities of this situation, which is easily visible as sorcerers battle through more than one world. Benedict Cumberbatch becomes the perfect cast for the same, and we see that as Iron Man was once Sherlock Holmes, Doctor Strange was also Sherlock, thus linking all of them together as part of a spectacle. With the best use of special effects and action sequences, this Marvel movie also has a fantastic supporting cast, and a good story-line to go with the same. It is also a message about finding oneself when facing a personal tragedy, and reminds us that the answer is not in science for most of the time, as humanity is more than that – it is not the conventional medicine that works the best, and it is something well-known among the people who have the ability to think and understand differently.

The claws of flaw :: There was still the need for the better use of some of the characters too, as someone like Mads Mikkelsen isn’t allowed to unleash himself as the man of terror, and instead a creature who wishes to bring the end of the world once again comes to the scene – one has to wonder for how long the world will be in such terror which seems to be too similar to each other; all these Marvel and DC superheroes have been saving the world since the beginning of time, and still it is not saved. Yes, a lot of destruction also begin to happen here, and it goes to boost the visual effects though. Another thing is that Rachel McAdams’ role is restricted to saving people, for it is what she keeps on doing in this one. There is also the question of how the wizards will come in with the superheroes, and how both of these groups come in both the teams – can this world of too many superheroes be in control with this new addition which expands the whole thing so much? We can only wait and see.

How it finishes :: Doctor Strange is more like an experience with a superhero who is also a wizard, a sorcerer or a magician, whichever title you would like to provide for the character played by Benedict Cumberbatch. It is a movie with a superhero as well as a flick with a lot of magic – it works both ways, and along with the same, it provides us with a new superhero, this one based on magic like Mandrake the Magician whom we have been reading in those Malayalam newspapers during our childhood, and watching as part of that animated series, Defenders of the Earth with The Phantom and the others. With no Lothar, and providing us with the visual treat, Doctor Strange does remind us of those times during the childhood, and the fact remains that none of us really knew this particular magician during those time – it was all about Mandrake as far as magic was concerned. Now, there is a lot of them with movies like The Avengers, Avengers: Age of Ultron and Captain America: Civil War. And the latest for full superhero fun is indeed Wonder Woman.

Release date: 4th November 2016
Running time: 115 minutes
Directed by: Scott Derrickson
Starring: Benedict Cumberbatch, Rachel McAdams, Mads Mikkelsen, Chiwetel Ejiofor, Tilda Swinton, Benedict Wong, Michael Stuhlbarg, Benjamin Bratt, Scott Adkins, Linda Louise Duan, Mark Anthony Brighton, Topo Wresniwiro, Chris Hemsworth (cameo), Stan Lee (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Deliver Us from Evil

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Vampire Owl :: You are obviously talking about me.

Vampire Bat :: No, I am not. Why should I talk about you now when I am going to watch a horror movie?

Vampire Owl :: You said “deliver us from evil”. I am evil.

Vampire Bat :: No, you are not evil, not even remotely close to being a bad guy.

Vampire Owl :: But I am bad. Super evil.

Vampire Bat :: Owls are not evil. It is impossible. Bats are evil.

Vampire Owl :: You cannot take my right to be evil. I am going to owlify the world and establish my greatness.

Vampire Bat :: As if that is going to happen. You said you would do it before Mangalyan reached Mars.

Vampire Owl :: Damn. It all happens too fast. These strange space related things are not covered by the vampire newspapers.

Vampire Bat :: I would say that it is more due to your brain’s clock working so slow.

[Gets into the theatre].

What is it about? :: A cop Ralph Sarchie (Eric Bana) is going through some strange situations, as weird incidents happen in the city, and some of them has almost no reason or solution. A Spanish priest Mendoza (Édgar Ramírez) tries to convince the police officer that these incidents have something with it than what meets the eye. There are three former soldiers from Iraq who seems to be involved with the crimes that has occured in the city, and the priest warns Sarchie that it is beyond the human comprehension as there are two types of evil, primary and secondary, and it is only the second about which the humanity can find answers with its ability to understand things in the scientific way. At first, the cop refuses to believe that the three men are possessed, but he might not be able to hold on with that viewpoint for too long, as things go out of control, and it affects even his own relationships with his wife and daughter.

The defence of Deliver Us from Evil :: The scares are surely working, especially with a number of scenes in the basement which brings the best out of horror. The atmosphere is creepy, and is successfully kept that way and the tension is efficiently maintained. The darkness and the rain are two elements that nicely supports the shocks that the movie dares to come up with. The movie nicely manages to stay in control with the blood and gore elements as well as the horror, and this intermediate path which it has taken can make it a safer bet. There is an attempt to explain evil with the need for faith, and there is some skill in the characterization of the two leading characters who go on to fight evil. The moments in the zoo and the basement of a family with a complaint are two very nicely done scenes, invoking terror as well as mystery, and a certainty that there is something yet to come. The cast is also a fine boost for this movie.

The claws of flaw :: The movie needed a lot more explanations about what is happening around with demons possessing people and making them do things, and by passing through the portal into this world from the other dimension, the question would remain about what they achieve other than scaring people and in the process, killing a few. There had to be a plan which isn’t seen anywhere here. A comparison to The Exorcism of Emily Rose and Sinister which comes from the same director is not possible as this belongs to a lower level, and any comparison to The Conjuring is clearly impossible. The movie should have used more special effects, and it could have given a much needed boost to the scary sequences. The end scene is also weaker with a usual exorcism performed in not that powerful manner as it was expected from the way the movie was working with its creatures from the other world. The second half is weaker compared to the first which was an impressive start.

Performers of the soul :: Eric Bana is in full control of things here in one of my favourite performances from him ever. There is something about him that makes him good with this character, and I would guess that his looks and style is pretty much best suited to playing this role. Édgar Ramírez also has left a mark as the new generation priest who has kept himself modern, but has still remained within his priestly world. I remember him mostly as Ares from Wrath of the Titans, and here he seems to fit in better. The prettiest one around, Olivia Munn has an admirable stay, and her character has presence, but she is left is not much to do in a world of demons repelled by one priest and a police officer. Sean Harris as Santino is impressive with his possessions and nicely compliments the horror elements of the movie with his performance. Meanwhile, Joel McHale is also good in his supporting role. Olivia Horton also delivers some terror with her role as the possessed lady.

Soul exploration :: The movie is based on the real life experiences of Ralph Sarchie recorded in his book, Beware the Night also co-written by Lisa Collier Cool. I would guess that it would add to the spookiness and surely has me wishing to read the work some day – it would be difficult to get it here, but there will be a way. The title of the movie is the ending of the Lord’s Prayer. It is that need to be saved from evil that we can see in this movie. There will always be things which are not in our control, and humanity’s minuteness and vulnerability are among those factors which will solidify the same fact. It is a clear thing that we can’t know everything, and no mater how or to whom we pray, there is something that prayer can always do. There is evil in this world, and however we categorize them, there is the need for God’s grace to save ourselves. The free will is there, but it is not the permission to do evil; as there is the presence of sinister forces at work, and only by goodness and faith that one can be redeemed.

How it finishes :: The reviews from critics which were negative, has now improved and the movie has come close to getting a fifty percent, and I would expect it to increase further as the opinions from most of my acquaintances have been quite positive. The other movie of the week happens to be November Man which should have its own audience due to the presence of Pierce Brosnan. Surprisingly, Lucy and The Maze Runner are the movies which stay on to this week, and I wonder more about the former, as it seems to have stayed there so much longer than it was expected to thrive. Deliver Us from Evil should be the movie of the week, and it is going to be replaced by Annabelle as the most awaited horror movie of the year. There is also that expectation for Haider the Hindi contemporary adaptation of William Shakespeare’s Hamlet along with the seemingly dumb remake of Knight and Day which has been named Bang Bang! which attempts to repeat what Besharam did during last year’s Gandhi Jayanthi. Let’s hope that horror will find a way to thrive!

Release date: 26th September 2014 (India); 2nd July 2014 (US)
Running time: 118 minutes
Directed by: Scott Derrickson
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Olivia Horton, Dorian Missick, Rhona Fox, Valentina Rendón

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@ Cemetery Watch
✠ The Vampire Bat.

Sinister

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There was a time when I had a longing for movies of pure horror rather than the ones with blood and gore. My prayers were answered this year with The Conjuring, but I later came to know that there was a movie in 2012 which I missed, that was also dependent less on the blood and gore and more on the shocks and thrills. That movie was Sinister, and even as I almost confused it with Insidious for apparently no specific reason, here is another addition to my long list of favourite horror movies which can extend beyond any long paper. This is one of those movies which got released before our theatres had the courage to release horror movies here – lack of cowardice which they gained with The Conjuring and its long run in the theatres here. There was the pure absence of horror movies in the theatres before that, with the exception of hybrid movies like those of Resident Evil series. It is a strange thing, because they could have had a lot of success with Silent Hill last year and Evil Dead this year, but they decided to keep both out of theatres just like they did to Sinister. But there would be not many people who wouldn’t know of this movie, and that is a certainty.

We have the director of Hellraiser: Inferno and The Exorcism of Emily Rose working on this one – that was inspiring even as I can’t recollect the first movie and I never did watch the second. He would also direct Deus Ex, a movie based on the awesome computer game of the same name. The presence of Ethan Hawke was also interesting, as the last time I saw him was in an action-horror mix of a movie called Daybreakers, and I loved his performance in it. The movie also had a very interesting poster almost giving us the feeling of presence of a serial killer more and of a supernatural entity less. But what it gives us would be another result, a mixture of horror which has evolved into something innovative and new compared to the other horror movies of the year. I had also expected a lot of blood and gore, but this one has not much of it, and that works mostly to its advantage rather than against it. From what we see, it is just a simple horror film with innovation inside it. But it might be more than that, as there is a lot to this movie than what meets the eye. We have a lot of interesting things in the movie which arouse our curiosity by a good margin.

The movie begins with a Super 8 footage depicting a family of four standing under a tree with heads covered, hands tied and nooses around their necks, and someone causing their deaths by hanging. We can later see that a true crime writer Ellison Oswalt (Ethan Hawke) moves into the house with his family of his wife, daughter and son. He was not having a good run as a crime writer for sometimes, and believes that this might change his situation. He doesn’t tell his family that this was the house where the murders took place. By staying there, he hopes to unveil something about the murders and write about it in his book thus bringing him back to fame and fortune. As he tries to mix fact and fiction without much hope, he soon discovers a projector and several reels of Standard 8 mm footage under the label of home movies. To his shock, he discovers that they are rather snuff movies, and it shows different families being brually murders in several ways: being burnt in a car, drowned in a pool, throats being cut, being run over by a lawn mower and finally the hanging which was shown in the beginning of the movie.

He actually notices a figure with a demonic face witnessing all these murders from some part of the screen. He also discovers childish drawings showing the murders, along with sketches of a demonic figure, whose name is written as Mr. Boogie. He finds out that the sketches are made by the one member of the family who went missing in the case of each murder which took place at different places during different time periods, with the helps of a deputy at the nearby station. He feels that there is some killer specialized in the occult or demon worship behind it after seeing a sign and knowing that it is a little kid who went missing all the time. He feels that he is on to something huge this time. Trying to decipher the symbol seen in the films, he comes to know that it is relate to a pagan Sumerian deity named Bughuul (Nick King), who would usually kill entire families before he takes their children into his world and consume their souls. Meanwhile, strange things happen at his house, as he has visions of dead, decaying children as well as the monster. His son has night terrors and his daughter draws strange things on the wall. So the game is on – are they hallucinations, an extremely smart killer or something supernatural at work?

Ethan Hawke is the star of the movie, as the man who investigates for money and fame, and almost feels that he has got something about a serial killer which the police didn’t, but later realizes that by moving into that house and searching for information, he has put the lives of himself and his family in trouble. We can see him making a sincere effort to portray his character who is determined at first, hopeful later and beyond all expectations by the end. The character himself is the tragic flaw which has them in peril, or accurately talking about it, there is the desire to unravel a mystery which was not supposed to be known to him. In one way or the other, this writer becomes another Doctor Faustus and even without signing a deal with the demons, brings about bleeding dagger on the head of his family and himself. His idea of hiding this information from his family, and telling his wife that the place is nowhere near any house where any murders took place doesn’t help at all. He might have been a best-selling author with a lot of fans, but not everyone would care about the same. He needs this work to be done so badly, and we can see his feelings, and well done Ethan Hawke in bringing the same to us.

Our director also bounces back from a not that good remake of The Day The Earth Stood Still with Keanu Reeves, and gives us a lot to expect from Deus Ex. The movie shocks with its child images itself [Spoilers Ahead – you may skip to the last paragraph] One of the most shocking things in the movie is the realization about the children, as they wanders around in their decaying state – as if the result of the evil that has befallen them in the form of Mr. Boogie. Yes, the children are damned, and taken to the other world of the evil deity whom we can interpret as a demon. Before they are taken, there is the manipulation by the creature they call Mr. Boogie who makes them kill all their family members themselves before taken into the other dimension inside that movie. The process repeats very often as the creatures takes his own collection of souls to feed on. We do remember the 2008 horror movie The Children, don’t we? Yes, the children are the evil ones, manipulated out of their supposed innocence, like William Golding depicted in Lord of the Flies. This movie also asserts the fact that they can be easily corrupted – by circumstance or by a villain; or even by the circumstance which is the villain.

One has to wonder if Sinister gives a little too much and fails to keep the suspense glowing till the end. But it is a clear fact that they have rightly added those shocks to help the procedure. It does remind one of many movies, but none directly and therefore it is quite fresh for most of the audience. This could rather be a predecessor to what awesomeness which was to come next year in the form of The Conjuring. I did feel that keeping the creature from the other world as simply the devil would have been much better, as it is more of an entity whom we can attribute taking human souls with. With its theory of goodness plagued by the branches of evil, and the multiple shocks involving decaying children as well as that shadowy figure that is Mr. Boogie, Sinister does something that most of the horror movies fail; that is to bring a powerful plot with lots of brains behind it. The creepy atmosphere rightly ornate this movie with such an ease, and if someone other than Ethan Hawke scores, it is our own monster from the movie with right support from the kids who have turned into his own children.

PS: Thanks to Simon (http://simonsayswatchthis.wordpress.com/) for the recommendation 😀

Release date: 12th October 2012
Running time: 110 minutes
Directed by: Scott Derrickson
Starring: Ethan Hawke, Juliet Rylance, Michael Hall D’Addario, Clare Foley, Fred Thompson, James Ransone, Vincent D’Onofrio, Nick King, Victoria Leigh, Blake Mizrahi, Cameron Ocasio, Ethan Haberfield, Danielle Kotch

sinister copy

@ Cemetery Watch
✠The Vampire Bat.