Tag Archives: evil

Don’t Breathe 2

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Vampire Owl: Do you remember when was the last time we had gone on a trip that had visions that made us forget to breathe?

Vampire Bat: That was to the Lake of Blood, a long time ago.

Vampire Owl: It is actually called the Lake of Death.

Vampire Bat: Yes, but it has so much of blood, and we cannot avoid that name.

Vampire Owl: The trips have been banned for some time.

Vampire Bat: A trip to Munnar always makes things better.

Vampire Owl: You cannot always trust the highlands.

Vampire Bat: What about some lakeside time at Kumbalanghi?

Vampire Owl: Well, the only trip we might be getting is with corona virus.

Vampire Bat: That is more of a visit and not a trip.

[Gets a masala dosa and three cups of black tea].

What is the movie about? :: Eight long years have passed after the incidents of the first film, and things have changed now. Norman Nordstrom (Stephen Lang) the blind Navy SEAL veteran has recovered from his injuries, and now lives with his daughter Phoenix (Madelyn Grace) and a ferocious dog to take care of them and the property. He tells Phoenix that her mother had died in a terrible fire in their old house, after which he has been taking care of her. He keeps training her in the name of surviving. His only contact in the society is Hernandez (Stephanie Arcila), a former US Army Ranger and a good friend of Norman. She is the one who always takes Phoenix outside for some fun. It is the same time when a lot of news about abductions by organ trafficking gangs among others are coming up, and Norman feels that it is not safe at all. She finds Raylan (Brendan Sexton III) in the washroom, but he is scared away by the dog. But it seems that he doesn’t stop following her. Hernandez feels that the girl should be out more, and that Norman should stop thinking about his past wars and be nicer to people.

So, what happens with the events here as we just keep looking? :: Hernandez feels that the man whom he had met earlier was just a weird man, and there is no shortage of such people in the area. But she comes up against the same person much later on the road, and feels that there is more to him than what meets the eye. Soon, she is killed while on the way back home, by the same people. Norman is against her going to school, choosing homeschooling over her meeting more people outside. Soon, a group of led by Raylan reaches their home, and after killing the dog, kidnaps the girl. He tells her that it is not him that she needs to be scare of, but the man next to her. He adds that he is her real father, and that the blind man took her home to replace his own dead daughter. She resists, but is choloroformed, while Norman is left to die after they set fire to the house. He escapes with the help of the dog which the intruders had brought with them. Even though Raylan was looking for his daughter, he does have another motive. What would that be?

The defence of Don’t Breathe 2 :: There are some fine action sequences with interesting use of darkness, as everything is set in two different buildings. The fight scenes have enough to stay in our minds, even though not as much as the first film. Some of the memorable scenes include the blind man’s use of the environment to survive and continue to combat against all odds – it is a much more difficult task for him in comparison to the first movie. The environment has been well-created, and you do feel that presence of evil at all times. Almost everyone in the film is evil, and it is a reminder of inherent human evil itself – you know that people need to be dead to be not evil anymore, as we don’t usually see good people around. The small number of people whom we meet here are reflections of the same evil, with some of them being a little evil, others more evil, and the rest being completely evil. The other characters are not present in the movie, and the girl remains the only hope for a deviation along with the children with whom she play at times.

The claws of flaw :: It is clear that this movie doesn’t maintain the quality of the first film, and it does struggle to live up to the novel idea and quality that it had maintained. The idea of transforming the blind man into saviour might not be interesting for everyone, and he also seems to do a little too much for a man for his situation. He doesn’t seem to have much of a way forward around, as far as the character is concerned – there is no strong motive to support a further character development, with material seemingly less in comparison to the earlier movie. The first film served better as a horror film focusing on survival, but this one moves too much away from that genre which served so well. With a grand change in the character, this is something which struggles to take control of the deviation well enough – maybe it requires another sequel to deal with that, but that would make one wonder what is to be done next. You know that there are better possibilities with horror characters like this one, but the studio seems to think in a different way so as to make the person useful as a protagonist instead.

The performers of the soul :: It is once again the performance of Stephen Lang as the blind man which keeps the movie going – he does seem to play a more tired person here though, as there seems to be a struggle here which is more than the first movie. With a drastic change coming upon the nature of the character, the man does take it with him well enough, even when that often leads to a struggle. He excels in the action scenes, and is good enough to take it to the next level, rising about the others who are part of the fights. Brendan Sexton III makes a pretty good antagonist, even though the idea focuses more on action rather than anything else. Madelyn Grace plays the child well, while Stephanie Arcila’s short presence is memorable enough. Christian Zagia plays a thug with a conscience pretty well. Even then, it is Fiona O’Shaughnessy who seems to be more evil than any other, as she is one mother whom the sons and daughters won’t appreciate for selflessness – there seems to be a certain amount of witch-likeness in her.

How it finishes :: The fans of the first movie will find it difficult to miss this movie, even though it is weaker in comparison the earlier flick. There is no real horror or the surprise element, but the film scores in action. An old and blind man with a special set of skills is someone of interest as he looks forward to save his daughter, and he is also an iconic character. The memories of the earlier movie also keeps us interested well enough. Among the horror movie sequels, this is the one which we have waited for, more than the other usual ones like The Conjuring, Annabelle, Insidious, Sinister etc. After all, Don’t Breathe had the skills to go divergent, and this one takes the path set by that particular movie. It means that you can be assured that this movie has a nice enough background to build on, and cannot go too wrong with this character at the core. Even though it didn’t release here in the theatres at that times, the movie is now available on Netflix, which is a fine relief for us, as we have been waiting for so long.

Release date: 18th December 2021 (Netflix); 13th August 2021 (USA)
Running time: 99 minutes
Directed by: Rodo Sayagues
Starring: Stephen Lang, Madelyn Grace, Brendan Sexton III, Bobby Schofield, Adam Young, Stephanie Arcilla, Fiona O’Shaughnessy, Steffan Rhodri, Diaana Babnicova, Christian Zagia, Rocci Williams

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

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Ghostbusters: Afterlife

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Vampire Owl: You mean to say that they want the ghosts dead.

Vampire Bat: I am pretty sure that vampires are not included in the list of ghosts.

Vampire Owl: So, they wish to kill us in some other movie.

Vampire Bat: Still, not as much as they have murdered their own kind.

Vampire Owl: That was not enough for an extinction event though.

Vampire Bat: Humans will be extinct sooner or later.

Vampire Owl: Have you checked all possible extinction events?

Vampire Bat: Yes, humans are part of nine thousand out of ten thousand of them.

Vampire Owl: They do have a fair chance to go extinct then.

Vampire Bat: Yes, good for the world around them, right?

[Gets a chocolate cake and three cups of elaichi tea].

What is the movie about? :: It is shown that there is a hunt for a supernatural entity which leads to the death of the man who tried to trap the creature. This leads to his daughter Callie (Carrie Coon) inheriting the farm. As a single mother, she struggles to pay the rent for her apartment. Her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace) are not that fond of the happenings around there. The three moves to the house with the farm which is passed on to them. The new town where they live seems to have earthquakes at all times despite having no seismic activity recorded – there is no volcano around, and not even some loud noise in this town where nothing much happens. Trevor is infatuated by Lucky Domingo (Celeste O’Connor) who works at a nearby diner, and seeing a vacancy there, joins the place for work. Meanwhile, Phoebe joins the class of Gary Grooberson (Paul Rudd), who is there just for the sake of it, and plays movies for the students.

So, what happens with the events here as we just keep looking? :: She also meets Podcast (Logan Kim), another student who is interested in science as much as she is. The three becomes infatuated with a device which Phoebe finds at home, and it turns out to be a ghost trap. Gary who has been a fan of the Ghostbusters for a long time, tampers with the trap with the help of his students, releasing one of the spirits that scares them and immediately flies into the nearby closed mine – the locals used to believe that the place was haunted too. Callie and Gary seem to instantly attracted to each other as the three comes to the inherited home in the middle of nowhere to find clues related to ghosts. Meanwhile, Trevor and Lucky on a trip with their friends also come across a spirit which they seem to dismiss as some random smoke coming out of the abandoned mine as part of some natural process. But a word seems to stay stuck with them.

Now, where would the ghosts lead further in this tale? :: Soon, Phoebe discovers a secret laboratory underneath the outhouse on the side of their house, and it seems that there was more to her grandfather than what met the eye of the villagers who called him the dirt farmer who farmed nothing other than dirt. He was doing some special work indeed. It turns out that the ghost of the grandfather is still there, and he hopes that his grandchildren will take over the Ghostbusters procedures. Phoebe seems to be able to enjoy that prospect very much. But will the very young new generation be good enough to come with a new level of ghostbusting while working against all odds? With a new terrifying evil ready to be unleashed, how good can a group of kids leading a team be? With the evil predating everything that they know, how good can modernity work against such evil grandeur of ancient times?

The defence of Ghostbusters: Afterlife :: The movie would be very interesting for those who grew up watching the original movies of the 1980s – seems like some doses of nostalgia being in store here and there. The setting at a town in the middle of nowhere with some nice locations which are even more remote – things one get better from there. The humour works well in here too. The action is big enough, and there is a lot happening in the final stages with the fights going on against the creatures from the other world. The special effects are pretty well done, even though not with every ghost – the final demonic arrival is a sight to be appreciated though, with the background effects also playing some fine roles. Mckenna Grace remains the soul of this movie, and the one child ghostbuster that you are going to remember for long, with moments to remember. Carrie Coon – Paul Rudd moments also bring some unexpected fun. Celeste O’Connor – Finn Wolfhard team is also an enjoyable one around here.

The claws of flaw :: Anything that is specifically intended for the old fans of the franchise which started in the 1980s won’t work for us, as the series didn’t have much of a fan base in this part of the world which was more into those spirits of Evil Dead, Nightmare on Elm Street, Friday the 13th and others. It was also a reason for the reboot making no impact around here. This one which take place more than thirty years after the 1980s works seem to do better, but doesn’t make an impact around here either. Well, with The Conjuring having brought its own methods of hunting spirits, this method would surely seem less effective – this still seems to be twilight times of The Conjuring franchise and that brings some chance for another sequel. There could have also been some deviation from what seems to be less suited moments around here. It could have also been less inclined to be suitable for children, as ghosts have evolved enough during these days. The beginning stages also take some time to get going, thus stretching the movie to something above two hours.

How it finishes :: Ghostbusters: Afterlife works well with its elements, and seem to know the strength to use to the advantage – the same is done in most parts, even though the film doesn’t go on to become the perfect return vehicle for such ghosts of many people’s nostalgia. Not to be confused with Resident Evil: Afterlife, this movie has enough hunting of ghosts to keep us interested. With another sequel, much more can be achieved by this particular franchise, which seems to have enough family-friendly ghosts in action. Well, this is one film with ghosts which can be watched with all kinds of people as audience. One one side, we have The Conjuring, Insidious, Ouija, The Curse of La Llorna, Sinister, The Nun, Annabelle and team, and on the other side we have this one which is not really for the scares, but has its own ghosts to keep the haunting going strong. Well, as much as we need those other films, this one is in requirement too – no doubt about that.

Release date: 19th November 2021
Running time: 124 minutes
Directed by: Jason Reitman
Starring: Carrie Coon, Finn Wolfhard, Mckenna Grace, Annie Potts, Ernie Hudson, Paul Rudd

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Awake

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Vampire Owl: We are not supposed to be awake at this time.

Vampire Bat: We are awake because we are not supposed to go through eternal sleep.

Vampire Owl: Nothing is eternal, other than our immortality.

Vampire Bat: There are still limitations to our immortal nature.

Vampire Owl: The limitations have been imposed by the suppression of our true nature.

Vampire Bat: There is no definition of true nature of the undead.

Vampire Owl: It is what separates us, the undead from the undying.

Vampire Bat: You feel that it is going to matter in the end, do you?

Vampire Owl: Yes, we are going to live for such a long time.

Vampire Bat: Life after death do no usually count as life with its original meaning.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Jill Adams (Gina Rodriguez) is a recovering drug addict, who is now working as a security guard at a local college, after serving as a United States Army medic much earlier. Along with the same, she also steals drugs from the research lab to sell them outside. She picks up her children Noah (Lucius Hoyos) and Matilda (Ariana Greenblatt) after work, only to meet an accident on the road, as it seems that everything which works with electricity is malfunctioning. All the cars lose control on the road, and there are many accidents. All the buildings have also lost power. The three somehow manages to get to the nearby hospitals, as people keep talking about this being a terrorist attack, maybe from the Chinese. In the hospital, they find out that the patients in coma have awakened, much to the surprise of the doctors and nurses who were treating them. At night, they are not able to sleep, and they attribute this inability to the trauma which they had to go through, related to the accident. As she travels to work using a bicycle, she is surprised to find out that the whole neighbourhood is awake.

So, what happens with the events here as we just keep looking? :: It turns out that nobody is able to sleep anymore. It turns out that anything with a microchip is fried, and of no use to anyone. Dr Murphy (Jennifer Jason Leigh), a psychiatrist understands that the sleeplessness will soon lead to the symptoms of complete sleep deprivation, and finally to death, but at a quicker pace. The only exception to this seems to be an old woman, whom they are researching on, hoping to find a cure to this seemingly terrifying disease. Jill then remembers that unlike others, Matilda could also fall asleep, and she searches for her, finally finding her at the church. Brian (Finn Jones) also tries to help them, and asks her to bring her daughter to Dr Murphy, but she disagrees. The pastor tells the followers that the girl is a beacon of hope, and they should pray to God for another miracle like her. But the sleep-deprived people feels that they should sacrifice her. As there is a fight in the church, and as Brian also asks for the girl to be handed over, Jill escapes with her children. But how far can they go?

The defence of Awake :: The movie does have the smart and innovative idea and the fine beginning, which could have surely served better if the move was quicker and better focused. The idea of humans not being able to sleep, which finally leads to their loss of mind and in the end, the extinction, is really an interesting concept – anyone who might have read about it or had a clue about the same would wish to watch the movie. This one can still use the same to make a better sequel in a world which has almost reached its end with humanity. The first few moments of accidents and waking up makes a good start, and then there is the scene at the church which makes one question humanity’s inherent evil, followed by the beginning of the journey of the protagonists – all of these have some good strength. The strange moments of the movie are also innovative enough, and mostly working, especially in the first half. The mother trying to save her children and teaching the little girl how to drive, are all interesting survival additions, and could have had better purpose. Along with the same, the visuals are pretty much beautiful.

The claws of flaw :: Awake is a movie which goes on with a slower pace than it would suit a post-apocalyptic film. It often seems to slow down for no reason at all. It also hesitates to take the opportunities which are there, and despite the grand premise, cannot come up with an ending of similar grandeur. This was one great chance to make something that would be remembered for long, but that is not case here. There are so many moments which could have been dealt with, and it is surprising that both science and religion don’t have the solution, but nonsensical kids do. There could have been better explanation of the happenings around here, as we have had strange events with alien or other paranormal attacks from the skyline or even from beneath. It could have also had more action, and maybe some horror elements too, as we have the beginning of a post-apocalyptic world here, and after all, humans are capable of the worst every time. Some more special effects could have also done this one good.

The performers of the soul :: Gina Rodriguez plays the mother figure really well. There has been better appreciated mothers in the past, but she has her moments too, even though her character remains one flawed mother. Ariana Greenblatt as Matilda is pretty much an annoying kid who is weird enough, and one has to wonder if the character was deliberately designed so – we surely had some better kids in the past. Lucius Hoyos as Noah doesn’t have that much of a work to do, as this one is just another teenager moving around during a terrible event, and nothing more is added here. Finn Jones played an interesting character, but unfortunately, the person is killed all of a sudden. Frances Fisher plays the grandmother figure pretty well too. Barry Pepper who plays the pastor has some fine moments, and he also has the dialogues of faith and hope to remember. Maybe, the pastor and the church could have been there for a longer period of time than a few minutes that we had. Jennifer Jason Leigh also has something to add, but we expected her to do more, after we had her in the earlier stages of the movie.

How it finishes :: The movie has a really interesting main idea – what would happen if we lose our ability to sleep? It is a question which can haunt us for a very long time, and this could have been a brilliant movie with the best use of the same idea. But it is certainly not the case here, as even though they have tried, the movie has struggled to live up to the idea, making it just another usual movie which goes through the post-apocalyptic world without surprises. It is often disappointing that a movie doesn’t use the best use of the opportunities presented to it. But we continue to watch this one as we are curious, and we are concerned about what is to happen next – the movie manages to create that desire to watch, and even with its slow pace, there is the movement towards that final destination, keeping it floating. It is the kind of movie which you can surely watch to pass the time, and at the same time, also ponder about the core idea – what if sleep evades you? How long can you hold on without being able to go to sleep?

Release date: 9th June 2021 (Netflix)
Running time: 96 minutes
Directed by: Mark Raso
Starring: Gina Rodriguez, Jennifer Jason Leigh, Barry Pepper, Finn Jones, Ariana Greenblatt, Gil Bellows, Barry Pepper, Lucius Hoyos, Jennifer Jason Leigh, Sebastian Pigott

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Monster Hunter

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Vampire Owl: I know that humans call us the monsters.

Vampire Bat: Well, this is not about us, for sure.

Vampire Owl: I do know that humans are the monsters though.

Vampire Bat: That idea has been reiterated so many times.

Vampire Owl: We have seen the same clearly in the film, Kuruthi.

Vampire Bat: I am sure that there are many more examples outside the movies.

Vampire Owl: I had known the same from an alien in The Blackout too.

Vampire Bat: The aliens always know things better.

Vampire Owl: Yes, it is why the aliens won’t talk to humans.

Vampire Bat: I think that it is better for aliens to not talk to these humans. They are hopeless creatures living in hatred for their own kind.

[Gets a marble cake and three glasses of blackcurrant shake].

What is the movie about? :: In a parallel world, referred to as the New World, humans are fighting monsters all the time, and these creatures come from under the sands, while people use ships looking like galleys and galleons to travel on the sands of this particular world. There, one of the people (Tony Jaa), a skilled warrior against monsters is separated from the other crew members of their ship, as they are attached by Diablos, a huge, powerful subterranean monster. Back on Earth, United States Army soldiers led by Natalie Artemis (Milla Jovovich) and her United Nations team are searching for their missing team in a desert. They come across a huge storm with lightning which seems to activate some stones there having inscriptions. They are taken into a portal, and from there, they enter a space without gravity and then into the New World. There they find what remains of the missing soldiers and also their vehicles. The don’t figure out what happened, and the place looks like a different type of desert with so much of sand.

So, what happens with the events here? :: The map doesn’t match with what is seen at the map, and all the technology they have for guidance is messed up without any chance for a repair. They are relieved to find that at least their weapons and vehicles seem to work. But none of their weapons are even a little effective against the monster which seems to be protected against such weaponry with some kind of armour. Some of them are killed, and the remaining troops go into a cave, only to be attacked another type of monsters, spider-like, and crawling through the caves. There are many such monsters who fill up the cave, and they are all infected by the monsters, dead or almost all good as dead. Natalie manages to escape from their cocoons because she was only paralyzed earlier, and had overcome the same. She manages to escape the same, and it is still to found if she can survive in this world full of monsters, and it is to be seen what role Hunter has to play in her survival and a possible return to Earth. But with monsters everywhere, that is indeed doubtful.

The defence of Monster Hunter :: This is one full action film with the terrifying monsters adding nicely to it in style. The creatures are all terrifying and detailed enough to catch our attention, and the slaying methods entertaining as they should be. There are grand moments with such creatures all around and attacking with full strength, and you have dragons as well as sand-serpents along with crawlers. The new world with its elements are also a joy to watch. There are so much to be seen with the visual splendour, even thought it is not that colourful – the situation is rather dark when we look at it, seemingly a lost world. A new world created makes our escapist tendencies feel better every time. The film, as it is based on the video game of the same name, does remind us of a computer game with its features – the world itself is something which suits a high quality video game, but it is not a game which is popular around here, and I am yet to find someone from life to have played it. The sound effects and the music nicely adds to what is seen on the screen. It also has a special scene in between the credits, so do look forward to that.

The claws of flaw :: This doesn’t manage to move out of the video game feeling enough to create a full film effect. There is very less importance given to the characters, and we don’t really know much about what is happening in the new world or the old one. We just have the action, and so many characters from the original world are killed too early for our liking. As this is more or less like an origin story of a possible franchise, there should have been a better explanation for things in the beginning. Waiting for a sequel with only this much action done is a little too less for our liking. A few things also get repetitive at times, not just related to this film, but also about other movies. The focus is also only one two characters, and we have a few others in the beginning and the end, and nothing more. The game also happens to be Capcom’s second biggest seller after the Resident Evil franchise, and so one has to wonder if this film is enough for the game, and only those who have played one or two of the games in the franchise can tell us clearly about it.

Performances of the soul :: Milla Jovovich in an action film is always joy to watch, as she has shown the best in the Resident Evil films, which ended with Resident Evil: Retribution and Resident Evil: The Final Chapter. Whenever she is around, we can be sure that there can a lot of spectacular action sequences coming together, and this one is no exception. She is like the action heroine who is there for such sequences forever. It is the similar case of Tony Jaa who is also known for the same genre, even though Mila had some horror added to her films every time, mixing the genres rather than sticking to one thing. Other than these two, there is no other character who has anything significant to do here. They do make a good team, especially as action is all that they need to do here. Maybe, there could be a video game based on this film some day, rather than the other way around. The only other person whom I can think of, related to such action films is Kate Beckinsale, the lady vampire of Underworld and its sequels as well as Total Recall.

How it finishes :: Adapted from the video game of the same name, this film also maintains the effect of being inside a game, and even though it might not have received the positive reviews just like the other game adaptation, this is an effective one. I did find movies based on computer games to be better than what the critics said, and Hitman: Codename 47, Need for Speed, Doom: Annihilation, Prince of Persia and Max Payne are a few of them. There were surely the bad ones, like Assassin’s Creed, but movies based on games have a tendency different from the rest. Well, this one makes an interesting film in that list for sure. You are transported into a new world that reminds on of Avatar and John Carter, even though this is mostly a world of desert terrain, which means there is not that much to enjoy the colours. But with this one, you enjoy the action set in a new world with monsters all around, and watching such monster hunting is fun enough. You are never really short of some fine monsters around here, that is for sure.

Release date: 28th May 2020
Running time: 116 minutes
Directed by: Paul WS Anderson
Starring: Milla Jovovich, Tony Jaa, Meagan Good, Tip Harris, Diego Boneta, Josh Helman, Jin Au-Yeung, Ron Perlman

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Dybbuk

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Vampire Owl: I am surprised that they have come up with a remake of Ezra after four years.

Vampire Bat: Yes, four years is a long time for a movie like Ezra.

Vampire Owl: Do you remember the last time when we had loved a Bollywood horror movie so much?

Vampire Bat: I am also not sure about that. We have been into Hollywood and other foreign language horror only.

Vampire Owl: I would like to know where this one stands in comparison with the original.

Vampire Bat: We had watched the original too long ago. Therefore, I am not sure if we can compare these well enough.

Vampire Owl: I only hope that our memories are as sharp as the vampire manual says.

Vampire Bat: I am sure that this one will have some difference, surely more than what the remakes like Drishyam have.

Vampire Owl: Ghosts need to be shown as somewhat different, because they are all not the same when at different places and affecting different people.

Vampire Bat: Well, maybe the demon of Ezra really needed another outing, and this one can serve it well, like vampires always needed.

[Gets some spicy tapioca chips and three cups of cardamom tea].

What is this remake of Ezra all about? :: The death of a Jew in Mauritius marks the end of a century old history of Jews in Mauritius – he was the last Jew around there, part of a group of Jews who had taken refuge in the island to escape persecutions and possible genocides. A mysterious box from the house goes missing, and soon, a local man is found dead without leaving any clues about the murder. It is indeed a strange case, and police hopes that something will lead them in the right direction. A newly married couple, Sam Issac (Emraan Hashmi) and Mahi Sood (Nikita Dutta) seems to be having a problem-free life until they move to Mauritius and the latter brings an antique box back to their new residence in the island. It is an isolated place, more or less like a holiday home, with no human to disturb them. But that would change soon enough, as what she brought back home as part of decorating the place turns out to be a Dybbuk box, which is supposed to be claimed by a Jewish demonic spirit called Dybbuk.

So, what happens next in this tale of horror out of a myth? :: Meanwhile, Sam is still working, as he is part of a company named Zayke, which deals with the disposal of nuclear waste from Europe. He feels that there is a certain amount of hallucination going on with her, as she had a miscarriage just some time ago. The spirit maintains all the qualities of the usual spirits, but is supposed to be among the most dangerous among them all. There is not much known about the same though, as there are not many Jews they know, with most of them migrating to Israel early enough. There would be strange things happening in the house very soon, and soon, a nightmare would begin for them. They think about getting rid of the box, but the spirit already has its place. To read the Hebrew inscription on the box, they contact a professor who gives them the translation. The same person also gives them the contact details of a rabbi who seems to be the only one who can help them. But are they moving in the right path against this particular evil spirit?

The defence of Dybbuk :: There is variety here, which this move inherits from its original, and there is quality in the looks too, with improvements there. The visuals are used well to create the horror advantage, and the darkness as well as the creepy elements are adjusted well with the use of sound effects, and these work really well in the first half to make us interested in a second half which promises further. The visuals of Mauritius nicely adds to the beauty in totality. There is also a lot in the story here, unlike the usual horror movies, and the creature that does the haunting around here is not among the usual ones, as the myth is comparatively new, especially for those who haven’t watched the original. There is the feeling of antiquity as well as a beauty not of this world being portrayed here. There is also that one twist that happens by the end, but that is not too innovative. But we do see that this one has a very slight edge over the original, and yet both remains the same in many elements as well as repeated scenes.

The claws of flaw :: It has to be noted that the evil spirit doesn’t have the terrifying presence that it had in the first half, being repeated in the second – the final exorcism, brings nothing huge, even though were always going for the big finish to lift the film in the end. There were so many possibilities with this movie with the new demon, and the unlimited number of chances are not used at all – it is kind of strange that the movie doesn’t take its opportunities as much as it could, just like the original didn’t. Dybbuk could have been scarier, and there is no doubt about that, with the original idea already being displayed on the big screen with the support of big sound systems – this one being released on Amazon Prime Video, there was the requirement of more power to keep the audience in fear and at the edge of their seats, but we see that such strength is not there, even though we can approve and appreciate the improvements which were made here. Yet, the background story of the spirit was better in the original.

Performers of the soul :: In a movie that has Emraan Hashmi as the protagonist, it is him who leads the way – in comparison with Prithviraj Sukumaran, one has to say that there has been some difference added to the role, but he has managed well, as he did the same in Chehre, the thriller which also released on Amazon Prime Video a few days ago. His affiliation with horror is here to stay, as it seems – there are a few other Malayalam films with certain thriller elements which could have him in the remake, one would feel. Nikita Dutta has come up with a very good performance as the lady in distress, being forced to be part of a demonic activity in which she is completely immersed. There is not much difference in her performance in comparison to the work in the original, but she does seems to have more emotions coming her way – there was the requirement to have a song like “Lailakame” for her too, with that much quality. The rest of the cast fills in well, and we have to look out for the Rabbis this time, and not the priests of the usual background – they have chosen the appropriate ones to play these roles too.

How it finishes :: There has a little shortage of horror movies in Malayalam movie industry, but Bollywood has chosen to remake this one, which is why, one can be sure that the Indian cinema as a whole, has the requirement is for more good horror. We do not have the need for more drama and more romance – there is so much of the same already, as well as those silly masala movies, and we need to move out of them whether with remakes or originals. Therefore, Ezra‘s remake is something which has to be appreciated, and the fact that there is no missing out here is a fine thing. Remaking a Malayalam movie can only mean good things for Bollywood, even though the exact opposite might not mean the same. As far as this film is concerned, the remake is done really well, and even with the limitations of the original maintained the same, there are a few moments which make this movie work as an improvement, with added visuals and special effects. So, Amazon Prime Video can be happy to have this one at a time when people are slowly just starting to think about choosing the theatres over OTT.

Release date: 29th October 2021 (Amazon Prime Video)
Running time: 152 minutes
Directed by: Jay K
Starring: Emraan Hashmi, Nikita Dutta, Darshana Banik, Pranay Ranjan, Denzil Smith, Ivan Sylvester Rodrigues, Vivana Singh, Sudev Nair, Manav Kaul, Yuri Suri, Vipin Sharma

<— Click here to go to the previous review.

<— Click here to go to the previous Hindi film review.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Listen

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Vampire Owl: We, vampires don’t really need to listen because we know.

Vampire Bat: Still, we don’t know everything.

Vampire Owl: I know almost everything, and I am sure about that.

Vampire Bat: Your certainty of knowledge only creates doubts.

Vampire Owl: My doubts are the results of me knowing, and nothing more.

Vampire Bat: You should at least listen to Uncle Dracula.

Vampire Owl: Uncle Dracula is no longer a proper source of knowledge.

Vampire Bat: I feel that you are thinking about starting a revolution.

Vampire Owl: Nonsense. I am not a revolutionary. I am beyond that.

Vampire Bat: Okay, let us see how far you can take that.

[Gets a vanilla chake and three glasses of blackcurrant shake].

What is the movie about? :: Daniel (Rodolfo Sancho) and Sara (Belen Fabra) moves into a new house with their son Eric (Lucas Blas), and hopes that they would have a happy time there, as it is a big house in the beautiful countryside. But things don’t turn out to be that good as they had expected. In this old house in a rural setting, they are not longer happy. Daniel and Sara still plans to restore and sell the house, and they don’t care much about the voices which Erice talks about, and the fact that he cannot sleep much either. Soon, a psychiatrist who comes to help Eric dies, seemingly in the same way as Eric was drawing. Eric also had the feeling that the voices were making him draw things. The boy continues to make problems at the school too, and keeps waking up at night, screaming aloud. The problems continue in the house with further weird occurrences, and soon Eric is found dead in a swimming pool just outside the house on a strange night. This separates the two who can no longer handle the pain of losing the child.

So, what happens with the events here as we just keep looking? :: Sara is not able to handle it anymore and moves to her parents’ place, but Daniel decides to stay in the house and renovate it to sell it some day. Sara hopes that he will leave the house with terrible memories and follow her back to the city soon enough. That night, when he records a voice message and sends it to Sara, there are many voices in it. Right in there, he hears the voice of Eric, asking for his help. The same frightens him and he meets a supernatural investigator specialized in electronic voice with a paranormal touch. He is the one who is supposed to have gone through so many of similar paranormal events and have written books related to the same. Even though he is reluctant to believe the depressed father in the beginning, he finally decides to have a look, and travels to the place with his daughter, hoping to find something. Everything seems normal from a distance, but as they go inside, there are a few things that need to be taken care of.

The defence of Don’t Listen :: The atmosphere is well created for the movie, with everything happening in a house in the middle of nowhere. This is a house with a past, and it is located perfectly away from civilization for the people other world to make an appearance. Visually, it has a fine score, and it also scores well with the sound effects that asserts the supernatural presence strongly. The movie had also got into action quite early. It does have its scares, and there are some effective ones around here that does have the repetitive elements, but do work as we would have wanted it to. There are some interesting moments in the end, and there is a twist to go with it too. The haunting of this particular house and the people associated with it does have a different touch at times, along with the added history. It is to be noted that the movie has managed to achieve most of its positive things without using much of the gory elements, and with a simple tale. You have watched Hollywood do this before, and now we have the same in Spanish.

The claws of flaw :: This is another movie which reminds us of the usual horror films of Hollywood, even though not exactly the same as The Conjuring, The Nun, Annabelle, Sinister or Insidious – the common ones of our times which people try to watch all the time. It doesn’t move that much away from the usual path here too. The ideas of witchcraft and possession could have been much stronger here. The tale could have been twisted at many points, but they go for the safe background story yet again. The film is also slow in parts, and when there were so many opportunities to minimize such problems, it doesn’t make the best use of them. There were moments of horror which could have been better used, and the atmosphere could have been heavily worked on. After all, we have gone through so much of horror already, and there are enough resources to elevate the level of horror. Without thinking enough about the same, a horror film is more of a work of mystery, and that is the pothole where the movie almost fell during an earlier point.

Performers of the soul :: Rodolfo Sancho plays the father figure, and the one who is looking to get his son back in whatever way possible – the good father is played well, and he goes through the horror elements well too. The final moments have him at his best too. Belen Fabra plays the mother with less to do, but the two make the family well enough. Ana Fernandez is the one who catches our attention the most though, and she also plays the smarter character around there. She takes on the supernatural rather sensibly, and there is the bond with the father that runs through. She should give a try with Hollywood horror too. Ramon Barea is more or less the usual paranormal activist that we see around, and he suits the role very well – very much with experience. The kid has very less to do in comparison, as death comes rather too fast for him. As it is in most of the horror films, it is the demonic presence that maintains the scary work.

How it finishes :: Don’t Listen makes an attempt at the usual horror, with some differences which comes with the “voice” idea. One would have wished for it to bring more horror, but it does have some fine points. We do need our horror movies at regular intervals. It is good enough to watch one more horror film, while waiting for Ezra to be remade for Bollywood. We cannot be sure about that remake’s quality, but from the trailer, it is certain that it is done well enough. Corona virus pandemic has unleashed a different kind of horror into our world, and the usual horror is currently of lesser significance, but we await the return of the monsters of the night, as well as the demons which are part of our life. As we are certain that they will slowly and steadily return to haunt us, Don’t Listen is a pretty good reminder that we can go back to that at some point. Until we get to that particular horror, let us be safe from the present terror, the COVID-19 pandemic. We do have too many horror movies to watch in our short life time.

Release date: 24th July 2020
Running time: 97 minutes
Directed by: Angel Gomez Hernandez
Starring: Rodolfo Sancho, Ana Fernandez, Ramon Barea, Bethlehem Fabra, Lucas de Blas, Nerea Barros, Javier Botet , Viti Suarez, Ruben Corvo, Jorge Oubel, Peter van randen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Cadaver

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Vampire Owl: I have got some doubt if they are talking about us.

Vampire Bat: This is surely not about the undead. You can have my assurance.

Vampire Owl: Well, dead people have no rights in the human world. So, we cannot be sure.

Vampire Bat: Such doubts that you have are usually wrong.

Vampire Owl: This is just our second Norwegian film to be watched.

Vampire Bat: Yes, the last one, Lake of Death was a good one, right?

Vampire Owl: There is something sinister about these movies. I can feel it.

Vampire Bat: You can reserve your feelings for later, after watching the film.

Vampire Owl: Yes, but I am a vampire of extreme doubt, you know that.

Vampire Bat: Yet, you remain the leader of a large vampire battalion.

[Gets a vegetable samosa and three cups of Darjeeling tea].

What is the movie about? :: One of the big Norwegian cities was hit by a nuclear disaster, and people struggling to survive with devastation all around. There is no hope for future in this post-apocalyptic situation – food is very difficult to find, and there is also no electricity. Dead bodies could be seen in different parts of the city with devastated buildings, and the climate seems to be very rough, as news about nuclear disasters, conflicts and possible world wars are everywhere. Leonora (Gitte Witt) and Jacob (Thomas Gullestad) live in this particular city with their little child, Alice (Tuva Olivia Remman). The child has regular nightmares, as they live alone in what seems to be an abandoned apartment. They understand that they cannot just hang in there with nothing left other than each other. It is then that they find out that there is a theatre play happening nearby, with a free meal. They understand that it is their chance to have some food for the family, and decides to go there at night, even though they do have some initial doubts about the same.

So, what happens with the events here as we just keep looking? :: Leonara hopes that these are the signs of things getting better, and her optimism leads them to the thaetre building – she feels that even if the meals are not enough, they could still have some fun, which the child desperately needs. Even though Alice is first refused entry, the hotel director, Mathias (Thorbjorn Harr), personally gets there and allows the child inside. The building seems to the one last thing standing tall in between all the destruction around. They are all happy to see what is like a new world for them, with a lot of food and it is more like a festival. Everyone seems starved, and they all eats as much as they want. There are other people who are also there for the first time. Mathias tells the guests that the play will be performed by using the whole hotel without curtain, seats and intermission. Everything during the night would be part of the show, with spectators given masks to wear, and the actors would be without the masks, as they move around.

And things can get only stranger in this world of chaos :: The performance starts all of a sudden, without a warning. The guests have the option to attend any performance at any part of the huge building with so many rooms and floors. Everyone keeps looking for things that would catch their interest, and there are so many different spaces without masked people. As everyone keeps walking around, soon Leonara and Jacon understand that Alice is not with them anymore. They remember seeing her just before, but now she seems lost. They keep searching for them, while others also seems to have lost people who were with them. Soon, it seems that there are no more spectactors, and all of them seems to have disappeared without trace. The show still seems to continue in the same manner, but without people. There are some strange trapdoors and creepy rooms around, while things only get more sinister as they keep moving on. It seems that we have more than what meets the eye with this particular building and the show – how dangerous is it?

The defence of Cadaver :: There seems to be so many mysteries hidden in this particular world, and after the initial introduction to the world of chaos hit by an apocalyptic world, we have a terrifying post-apocalyptic world outside, and we are then introduced into something even more frightening inside a building, that is two levels of horror unleashed without warning. The world inside is creepier than one can imagine. The structure, with its creepy corridors, rooms, paintings, darkness – this old-style building is something which will stay in our minds for a very long time. The terror that the movie brings feels much realistic than it is supposed to be, because it is more or less a reflection of humanity and the inherent evil that has led it for a long time throughout history. People have always been evil, as William Golding had shown in Lord of the Flies, a long time ago – it is the same reflection that we see here. As we look at where humanity has reached as of now, what happens in this film is only a little distant probability, for modernity has taken a part of everyone’s soul, as people go for riches above everything else.

Positives and negatives :: The film could have made itself a bigger blood and gore fest with terrifying secrets being brought to light on after the other, but it gains some remarkable ground in its current form. There were more opportunities in between, with all those strange acts being possible with this premise – the film could have used it for the better. The conclusion is pretty good, there are some moments in between that seems to stretch the movie rather than doing anything else. There is also a little bit of predictability, but we can go past that quick enough. Yet, when you are transported into this particular world, you are more or less in a mystery which seems to get thicker and thicker as time passes. When you have a horror thriller set inside a strange building which is part of a post-apocalyptic world, what can be there other than consistent scope of danger? Well, that much has been achieved really well with this particular movie which thrives on its atmosphere again and again. The idea of survival of the fittest, when applied here works remarkably well. The performances are pretty good, but that is not the focus here.

How it finishes :: This Norwegian film seems to rise above the usual horror flicks, as it rises above the genre which has depleted some of its strengths due to modernity and the lack of belief in traditions. The way in which Cadaver uses its scares should come as inspiration to Hollywood too, as one cannot always depend on The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others to do the thing, and even come up with more and more sequels, for originality matters. Cadaver is innovative enough to create something special out of an already terrifying premise, and the ability to display some extra skills to keep the audience engaged makes sure that this is one of the most effective horror flicks of these times. The atmosphere, setting, situations – all seems to come together so well. If you haven’t watched this one, you are missing the opportunity to watch a well-made horror movie making unexpected impact. This is indeed a film to stay with you even after the whole thing ends – as effective as you can expect from such a world of mystery.

Release date: 22nd October 2020
Running time: 86 minutes
Directed by: Jarand Herdal
Starring: Gitte Witt, Thomas Gullestad, Thorbjorn Harr, Tuva Olivia, Kingsford Siayor, Maria Grazia Di Meo, Jonatan Rodriguez, Trine Wiggen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Madres

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Vampire Owl: How many horror movies can one watch in a small gap of a few hours?

Vampire Bat: We vampires do not have limitations in horror.

Vampire Owl: During the Corona virus times, there should be restrictions.

Vampire Bat: Not in the case of films, for we are not watching them in theatres.

Vampire Owl: You mean to say that vampires should go back to horror.

Vampire Bat: We were always in horror. You didn’t know that?

Vampire Owl: This is not the horror that we were born into.

Vampire Bat: You should remember that all kinds of horror are connected.

Vampire Owl: Not in the watch of owls. Maybe that works for bats.

Vampire Bat: Still doing better than the Vampire Crocodile.

[Gets a choclate cake and three cups of Munnar special tea].

What is the movie about? :: In the 1970s, a Mexican-American couple are expecting their first child, and during this time period, they move from Los Angelos to a migrant farming community in the nineteen seventeens, and he would be working as a manager in a farm. The area chosen for the same is in California, and the place seems to be quite peaceful and quiet enough for the baby when it arrives. Diana (Ariana Guerra), the pregnant lady is American, while Beto (Tenoch Huerta) is Mexican, and had migrated to the United States. The small town where they move to, seems to have more of a Spanish influence too. The first person that they meet in the town is Anita (Elpidia Carrillo), who provides them with a blessing of Holy Mary, and assures them that the town can be a wonderful place to live in, much to the dismay of Diana who wonders why it is not already such a place. Beto doesn’t work much about the same.

So, what happens with the events here as we just keep looking? :: As Beto goes for work, Diana feels that there is something strange about the place, and that doubt leads her to the outhouse building near the house, and she finds a few things which might have belonged to the previous owners. She also gets locked inside, and after somehow getting out, finds a severed eye being hung on tree outside the house. Beto feels that these were not things to be worried about, as the door might have closed due to the wind and the severed eye might have been there for a very long time, and maybe it meant something for the previous owners or the locals. They also meet the locals who seems to be friendly enough, but don’t get much of information, even though they end up having more acquaintances. Still, they remains more of Beto’s friends, as he is Mexican and good at Spanish. Diana only gets more and more disoriented during her time there. She wonders if there is more than what meets the eye about the place.

The defence of Madres :: The one advantage that this film has over the others is that it really has its creepy world going strong during all times. The environment here is really good, and very much notable. An ancient curse in the background seems through run through here, and adds to the creepy atmosphere really well. Even though there seems to be something supernatural around here, we soon come to know that it is not all, and we soon face the mystery being revealed. Some of us might be able to guess the final twist, but it also has its own small changes related to the same. It also leads to a few things which really happened, and it does remind of a few things which can happen if we are not aware. It leaves the message that with or without the presence of the supernatural, the world and its people are not what we feel they are, for people will always have their hidden agenda and a good dose of hatred inside. The music here is also very much suitable for the same.

The claws of flaw :: Just like the case of The Manor, this film also has the problem of being classified completely into the category of horror, as this one is also no fully something that focuses on the scares. It could have used the horror, as well as the grand atmosphere that it possesses with the house and the town with maximum effectiveness, for these days, many horror films are on a continuous struggle to be what it really should be. It is actually not restricted to one location with scope for here, as there is a lot more in here, for the town itself has something in store at different parts. A faster movie could have dealt with all of these with better strength, but this one hesitates to pick up the pace. The movie also released without much of a hype, and not many people know about its entry into Amazon Prime Video – the title also has people confused about the language. The movie came silently, and it is still there, but not many people know about the same.

Performers of the soul :: Ariana Guera plays the one character who seems to be fully English, and she is also the upcoming mother in trouble, here she is acting as the main protagonist, as well as the centre of attraction. She achieves the same really well, as we look at the scenes here. She is not that much of a believer in the supernatural, and we see her knowing things the hard way. Tenoch Huerta gets into his role really well too. The next important character is played by Elpidia Carrillo, and you will remember her from Predator, fighting the monster with her newly discovered American allies. She has blended into this role, even though one does feel that it should have been better written. The others are just part of the usual process, and they just blend in here too. Most of these characters become relevant at some later stage of the movie, and we are not to avoid them – there is the twist about this particular mystery that awaits us later.

How it finishes :: This one has some similarities with The Manor with how it progresses, how it deviates from its genre, and how it joins different things in a building as well as with an environment that catches our attention. Instead of the old age home and the strange surroundings, this one has one home and a lonely enough world around it. As far as the whole atmosphere is concerned, and related to the progress that happens in each minute, Madres has the advantage. This is also part of the Welcome to the Blumhouse film series, just like The Manor. I would suggest this movie to those who are interested in some slow, atmospheric horror, with a strong base on ancient legends and curses, and this is not your Annabelle, The Conjuring, Insidious, Don’t Breathe and Lights Out. You just need to live through this atmosphere rather than trying to be scared at all times, for there are different things of interest here.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 83 minutes
Directed by: Ryan Zaragoza
Starring: Elpidia Carrillo, Ariana Guera, Tenoch Huerta, Jennifer Patino, Kerry Cahill, Evelyn Gonzalez, Britton Webb

<— Click here to go to the previous big hype movie released on Amazon.

@ Cemetery Watch
✠ The Vampire Bat.

It: Chapter Two

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Vampire Owl: Have you met the vampire clown?

Vampire Bat: We have a vampire clown now?

Vampire Owl: Yes, even the zombies have their own clowns in a zombie-infested theme park, and it was necessary for us to arrange one.

Vampire Bat: Now we have to pay him too. Being a clown is not even a real job in the vampire world with base in horror.

Vampire Owl: It is okay, because he will be playing the It clown only.

Vampire Bat: It clown is a creature that vampires shall not accept as their own.

Vampire Owl: But he has become a trend, and we have to accept him as our own too. This is not child’s play.

Vampire Bat: Well, I am sure that he was not the kind of clown the vampire elders had approved.

Vampire Owl: But he is trending on Vampire Twitter, and it has been so for the last one year.

Vampire Bat: What? Even the vampires are letting a clown trend when we have pure non-vegetarian vampires!

[Gets some tapioca chips and three cups of iced tea].

What is the movie about? :: In 1988-1989 time period, in the streets of a small and lesser known town Derry, a his six-year-old child was taken into the sewers and eaten by Pennywise the Dancing Clown (Bill Skarsgard), and a team of children had forgotten their fears to destroy the creature, and send it into hibernation for twenty seven years, hoping that it would starve and die during the time period with no option available. The team of children known as the Losers swears a blood oath that they shall be returning to to the town of Derry as adults if It returns to haunt the place ever again. Twenty seven years later, a young man is murdered by a clown which is said to have eaten his heart. A young girl who was watching a match in a stadium is also lured by It, and murdered under the seats of the gallery. Derry town now has more than what it can handle.

So, what happens with the events here? :: This ancient cosmic evil which preys upon children and possessing a large variety of powers including the ability to shapeshift, manipulate and create illusions has gone unnoticed by the police and the people in charge there, but the same cannot be said about Mike Hanlon (Isaiah Mustafa) who discovers clues to the presence of the creature. As the only person left in the town out of the children’s team serving as the town librarian, he decides to call the other members of the gang. Beverly Marsh (Jessica Chastain) who has been going through sexual and physical abuse in the hands of her husband is only happy to come to the town, while the successful novelist Bill Denbrough (James McAvoy) is quick to respond. A frightened Stanley Uris (Andy Bean) commits suicide and a lonely Ben Hanscom (Jay Ryan) is only happy about a get together. Others, Eddie Kaspbrak (James Ransone) and Richie Tozier (Bill Hader) also reach there, but are they good enough to face this advanced It?

The defence of It: Chapter Two :: Even in the absence of the quality of the first movie, the second one manages to stay floating against all the ice it had created in the water as hurdles including the dumb humour, silly bonding among friends and the not so scary frightening scenes. There are moments of horror which works in the movie, and in the final fifty to fifty five minutes of action, almost everything works as far as the scares are concerned. The adult replacements are good, but not that much as the children, and not all of them works accordingly. The clown remains a fantastic figure of horror, and it is only when the creature comes out there with all its glory that we realize that there is something special in this movie – whenever It is there, the movie raises its level, and the so called adults don’t really live up to the quality of the clown. Among the scary scenes, the most notable one might be the creepy old woman thing, and then the murder of the two kids.

The claws of flaw :: It can be seen that It: Chapter Two fails to meet the standards of the first movie which had that first scene of the child taken into sewers being among the best scenes ever in a horror movie. It also had a projector scene to stay in our memory along with others. Yes, the old woman scene is creepy, and there is some continuous dose of horror in the last few minutes, but they are more or less for the quick scares rather than being there to stay for long. There is no scene as in the first movie to remember in this second film in comparison, and it also drags a lot. There is a lot of slow movement inside the movie during the first half, and it is during the last one hour or so that the movie picks up its pace. It should have had that kind of horror which keeps us awake at night in the darkness like Lights Out could do when lights were turned off, but this second movie focuses too much on other things, as the bonding is too much and the humour is dumb.

Performers of the soul :: With its flashback, this movie is more or less drama than horror, as the children keep coming back to this film too, with its flashbacks. The young generation of the cast continues to score over the older ones, especially Sophia Lillis who becomes Jessica Chastain as an adult, and stay pretty well throughout the movie. James McAvoy is also very good, and is the next notable character in the flick. Jay Ryan is the one who seems to be completely different from his childhood avatar, and manages to be just okay. James Ransone provides the fun here, even though the humour itself is not that much working. Bill Hader with the comic side is also only somewhat working. Isaiah Mustafa does a good job as the one who brings them all together, the confident one among the Losers. Andy Bean is wasted while Bill Skarsgard as the clown continues to entertain – maybe some more kids would have added more here.

How it finishes :: It: Chapter Two is too long a movie, and has most of its best moments directed to the final one hour. A lot of the movie was rather not needed, including the first scene and the hallucinations when the protagonists come together. The collection of artifacts could have also been shortened to make this a one hundred and twenty minutes movie, which would mean an accurate movie filled with horror at all spaces. Still, with whatever we have, rooted in the Stephen King novel of the same name, the film takes the scary elements to the screen well enough. The predictable moments, silly jokes, and the overdone friendship can be avoided though, and we can quickly move towards the last few minutes to enjoy this movie at its best. After all, an evil clown like this is not to be left behind – for terror is real, whether there is Corona virus or not.

Release date: 6th September 2019
Running time: 169 minutes
Directed by: Andy Muschietti
Starring: Jessica Chastain, James McAvoy, Bill Hader, James Ransone, Isaiah Mustafa, Jay Ryan, Bill Skarsgard, Andy Bean

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@ Cemetery Watch
✠ The Vampire Bat.

Demon Eye

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Vampire Owl: This was the name of that artifact which the northern witches used.

Vampire Bat: You mean to say that they were in contact with the demons?

Vampire Owl: Well, aren’t they supposed to be so?

Vampire Bat: They are usually in contact with those who rise from the grave.

Vampire Owl: Well, this is just one portal away from that.

Vampire Bat: Yes, but the demons are not really the undead in any way.

Vampire Owl: You do have something against some popular demons.

Vampire Bat: No, I am not talking about those tik-tok using humans.

Vampire Owl: At least, that episode is over for now.

Vampire Bat: You should know that demons, the masters of hell are not to be treated without extreme care.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Sadie (Kate James) haven’t been in good terms with her father John (Darren Day) for a long time, and never really picks up his call, until one day, she decides to do just that. But she hears some stranhe noise from his room, and he quickly cuts the call, citing an emergency. This is the last time when Sadie sees her father, and the next thing he knows about him is that he is dead. Much to everyone’s surprise, he is supposed to have committed suicide by hanging. This forces Sadie to come back to the house, which is in a remote location, and has nobody else to take over the same. There she meets the man with whom the house keys were left with, Dan (Robert Hamilton), and Sadie feels strange to be at that house which has her old dolls and cameras being set in every room, corridor and staircase. Dan also leaves a job for her in a newspaper, passed on to her by her father who had worked there until his death.

So, what happens with the events here? :: She is immediately hired at the newspaper as a photographer, and finds Dan in an awkward position with Faye (Ellie Goffe) who is supposed to be his fiancee. Dan and Sadie get their first assignment to interview Craig (Liam Fox), a local man who is supposed to have seen The Burning Girl (Alannah Marie) – it was part of a folklore which was supposed to have become reality for some people. There is the legend of the Demon Eye that goes with it, as a girl was burned as a witch a long time ago in the name of causing a famine which she had predicted with the help of an amulet some time ago. But on the way, she sees a fire and a person standing in it, and as she tries to take a photo, the battery goes down. Even while interviewing, she gets into a fight with the man whom she was supposed to interview. She is confused about all the information she had managed to get from different people about her father who she hated. Is there a secret to be unveiled in relation to her father’s death?

The defence of Demon Eye :: We have been falling short of some interesting horror movies, and then this one comes up. It is that movie which deals with its subject in a slightly different way, and the subject itself has more than one angle to take care of. The quick scares are all there, and the most effective one is with a severed head in the bath-tub, then there are hands coming from under the bed, hellish hound kind of thing and the usual burned face with all the creepiness that it can have. The length of the movie is also less in comparison, not going to even ninety minutes, and it does make the most of it, with not having much from the dull moments there. The atmosphere is also good, with a setting in the middle of nowhere, with vast landscapes inspiring dark folktales all around. There is always something about focusing on the folklore, whether it is real or not. This setting will impress you, and with moments to remember, makes its point really well.

The claws of flaw :: Among the horror movies these days, Demon Eye is the one which is rather less known, or not known at all at this part of the world. It should have still achieved more with the premise – you know that with the title itself and also with the idea which is being explored here. Whenever there is a demon involved, you can take it further with ease. The demons might have been less scary in comparison to pandemics, but they are not yet completely out of the equation. We have so many moments which could have been something bigger, but manages to adjust with what it has, not trying to raise the bar. The effects of the low budget are there too, even though they have partially overcome that. The ending of the movie also felt a little rushed, because a horror movie like this requires something bigger, and the case of the climax is also the same. The main character also required to make more out of the situations here.

Performers of the soul :: Kate James plays the protagonist in this movie, even though IMDb hasn’t really listed here at the top, or with a photo. Even though there is some struggle in the beginning stages, she plays the character really well, and only gets better in the later stages. She is part of almost every scary scene in this movie, and the best one is that of the bath-tub with the severed head, even though more could have been done with a character like hers. Her portrayal of the troubled character who need psychiatric help from the early stages is believable, without being melodramatic. The other actors don’t seem to try too hard, but manages to hold on. She is way ahead in that case, when we look closely. The other young lady in the movie is the next person to catch our attention, even though she is not there for too long on the screen – Ellie Goffe does a very good job too. Robert Hamilton, Darren Day and Liam Fox, all of them manage just enough here.

How it finishes :: There are always some interesting horror movies of interest, if we keep checking for them. Demon Eye can be on the list too, depending on your preferences, even though you can’t expect it to do too much with its content. This is the kind of horror movie which you watch on Friday nights for some fun scares, and for that purpose, this film is successful, leaving no doubts behind. With a fine premise, from a situation in which things could have gone much worse, the movie takes itself back to make sure that as a whole, it is a pretty good work. There might be a few things left unexplained though, but through the same, it leaves the scope for a sequel, even as we are not really supposed to expect one, considering the response it had received otherwise. Do add this to your horror collection, as one more demon, this time with another witch-hunting past, will bring the entertainment to you.

Release date: 26th April 2019
Running time: 87 minutes
Directed by: Ryan Simons
Starring: Darren Day, Liam Fox, Kate James, Ellie Goffe, Jimmy Allen, Alannah Marie, Robert Hamilton

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✠ The Vampire Bat.

The Wretched

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Vampire Owl: These humans often refer us by this name.

Vampire Bat: Well, it is clearly wrong, as we are not in a wretched condition yet.

Vampire Owl: I am pretty sure that the humans are in a more wretched situation now.

Vampire Bat: Yes, the Corona Virus has gotten into them pretty badly.

Vampire Owl: I believe that they have always been wretched enough.

Vampire Bat: I wouldn’t say that for every one of them.

Vampire Owl: You have always been too kind of the humans.

Vampire Bat: And you have always been the cruel one.

Vampire Owl: Nobody in the known world are as cruel and wicked as the humans.

Vampire Bat: Now, this is something you don’t even say about the werewolves or zombies.

[Gets a green apple cake and three cups of masala tea].

What is the movie about? :: A young girl names Megan (Sydne Mikelle) has a babysitting duty, only to find a creature feeding off the little girl, and as she tries to escape, it seems that Megan also meets a similar end in the hands of the demonic creature. Later we see Ben (John-Paul Howard), a youngster joining his father Liam (Jamison Jones), as his parents are in the middle of having a mutually agreed divorce. Ben gets to work in the local harbour in the countryside with his father on a temporary basis. At the same time, Liam is getting too close to his co-worker, Sara (Azie Tesfai) while Ben becomes good friends with a local girl working there, named Mallory (Piper Curda). Ben also can’t stop himself from noticing their new neighbours, Abbie (Zarah Mahler) and her son Dillon (Blane Crockarell). They do get lost in the woods, and Dillon gets called by a tree into the hole underneath, but they do manage to bring home a deer which their car had hit and killed, much to the dismay of Abbie’s husband Ty (Kevin Bigley). She tries to cut the animal for a dish, but messes it up.

So, what happens with the events here? :: Later, we see that a certain creature is coming out of the body of the deer through the cut which was made earlier, and Ben also sees something sitting on the rails of Abbie’s home – seemingly human, but something else in reality. It does disappear when the light goes off, but makes appearances inside the house of Abbie. Ben tries to mingle with the young people in the neighbourhood with a party, but is publicly embarrassed by the most desired girl of the locality JJ (Gabriela Quezada Bloomgarden). As he returns home, he finds Abbie walking into the woods with her toddler, but is interrupted by Liam and Sara, leading to a dispute. Even though Abbie returns from the woods, she doesn’t seem to be the same. It doesn’t seem to be the usual trouble that haunts the small town, as there is more to it than what meets the eye. There is a force beyond one’s understanding, and if someone tries to solve the case, that person might be considered a lunatic. How many lives will be lost before such an evil vanquished?

The defence of The Wretched :: There is no doubt about this particular movie’s ability to score with the ambiance, as the setting as well as the neighbourhood where the people are living, can all be considered to be very much perfect. We have the small town where people are denying the existence of evil, but there has always been one in the woods, and a tree has been central to everything. To get to the depth of this evil, we have even more twisted ideas in there, and more of terrifying suspense will be revealed in the end. There are also some scares to support the same, and the nature around the place is indeed beautiful. It is more or less like a dark fairy-tale, as there are elements of a dark fantasy which runs right through. The characters are the kind of people whom you can relate to, and that makes the transformation caused by the witch feel even more real. After all, it is always nice to be taken back to the idea of that witch who used to haunt us during the childhood and reached as far as The Witch – until you had the older version of Evil Dead to scare you in the best possible way.

The claws of flaw :: It has to be noted that the movie does try to have a little too much than a regular witch story, which doesn’t always work in its favour. The mixture doesn’t make the best use of its elements, especially as there are so many things which a witch possessing a lady or two can do. The terror could have had even stranger forms, and it also takes some time to make one feel the seriousness of the same. Some scenes are also not needed, even in a movie which goes just above one and half hours. Some people can even find this movie to be confusing in parts, and the creepy poster doesn’t come up in there, which is also disappointing. The mask does come though, and just like the other elements related to the witch, there could have surely been more. The ending has also been left open, maybe for a sequel, but that would need more, and not just the type of material that we have here. There are also some characters who could have done more – some are just left not explored well enough, and we feel the need to see them more.

Performers of the soul :: It is to be noted that the main characters are driven by a terrifying feeling – if you die, and nobody remembers you, where you really alive? That existential crisis is first discovered by John-Paul Howard who plays Ben well enough, but the truth is that it is not just his neighbour who has forgotten his son, as the darker secrets are there to make him realize the terror further. He plays the curious youngster who understands things happening around better than the others, and he does that well. At the same time, Piper Curda remains very cute and brings a lot of charm to the movie – not your usual leading actress, she brings a few joyful moments here and there in what really is a dark movie as it progresses. Zarah Mahler is really good as the young lady next door who is possessed by the witch, as she makes some really scary appearances, and there are scenes with her skin ripping off, which takes it to another level. Azie Tesfai with that deer-skull mask on her face is joy to watch, even though it is only for a short period of time to make a good enough bad witch. Gabriela Quezada Bloomgarden could have been there for more though.

How it finishes :: We have always had the supernatural creatures running around in different movies, but the witches have always struggled to keep it going in comparison to vampires, werewolves, zombies and other creatures of the dark who have been competing well with the demons and ghosts. But The Wretched does manage to bring some of such interest back to us during these days, as the witch gets her due, without a broomstick, staying close to an evil tree in the forest. It has enough surprises in there to keep the whole thing going, and with such a setting to help its cause, The Wretched is sure to take you to a world of forest’s witches whom we have known since childhood. You can always expect more, but this is indeed a good beginning to a type of horror cinema which hasn’t made that much of success in comparison to the others. After all, elves and similar creatures of light are not the only ones you keep finding in the middle of the forest.

Release date: 19th July 2019
Running time: 96 minutes
Directed by: Brett Pierce, Drew T Pierce
Starring: John-Paul Howard, Piper Curda, Zarah Karen Mahler, Kevin Bigley, Gabriela Quezada Bloomgarden, Richard Ellis, Blane Crockarell, Jamison Jones, Azie Tesfai

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✠ The Vampire Bat.

Vivarium

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Vampire Owl: I have heard that Vive la France is an expression used in France to show patriotism. Does the title have anything to do with it?

Vampire Bat: Well, I think that they have chosen an interesting name. It means an enclosure made for keeping animals in semi-natural conditions for observation or study.

Vampire Owl: It is strange, but I will agree to it. The name does catch one’s attention.

Vampire Bat: Do you wish to rename your vampires quarters with this name?

Vampire Owl: I haven’t even come close to renaming it. The present one is a highly intellectual one.

Vampire Bat: There is nothing intellectual about naming a home as mansion.

Vampire Owl: You will not understand. I have always wanted to have a mansion.

Vampire Bat: I will not understand such foolishness, ever.

Vampire Owl: I would rather be anywhere other than a vivarium.

Vampire Bat: Well, lets see where our main characters here happens to be.

[Gets a chocolate cake and three cups of iced tea].

What is the movie about? :: A young couple, Tom (Jesse Eisenberg) and Gemma (Imogen Poots) want to purchase a house and move in. Both are not married, but looks forward to start a new life together soon. For the same, they visit an estate agent, Martin (Jonathan Aris), who seems to be acting strange, but comes up with a special offer for them. According to him, a new development known as Yonder might be perfect for a young couple who is trying to begin a new life far away from the busy city life. The place which as a series of homes looking almost the same, seems to be beautiful, and at the same time, silent, empty with no house seemingly occupied, and also giving the feeling of being out of the world. Martin shows the couple around house number nine and then they cannot find him around. Gemma and Tom try to leave Yonder, but however they keep moving, they end up in front of the same house. The car eventually runs out of fuel and they are forced to stay in house number nine.

So, what happens with the events here? :: They try to go up to the roof of the building and see if they can have a better look, but there is only an unlimited of series of similar houses to be seen, and nothing else. All houses seem so perfectly identical, and even the sky looks the same everywhere, with the clouds also being perfectly shaped. As they looked towards infinity, they decide to follow the perfect sun-like thing by jumping over walls of the houses, going in a straight line. But that also leaves them at the same place. Then at home, they find food items and groceries being delivered. But soon, they find a little boy being delivered – “Raise the child and be released” – the message written on the delivery box said so, and they begin to think that it is their only way to escape. At the same time, Tom also begins to dig of a pit hoping to escape underground, as there is no other way to go. Can the couple escape from this seemingly impossible situation? Or will they be stuck there forever? What is with this child who seems to be growing up faster than normal?

The defence of Vivarium :: The movie keeps its mystery elements strong, and it arouses the curiosity of the audience with ease, and as it gets into such an environment very early, we are also into it guessing soon enough. This time, it is a kid who is at the centre of everything, and you remember the other kids who were indeed dangerous, including Orphan and The Prodigy. Lord of the Flies proved it with a group of kids, while The Room had another kind of child, with The Influence having a child becoming a nightmare. The movie shows the dream of buying a villa, and shows how the protagonists are trapped by it. There are many points in the movie which become classic, and its idea of the aliens is nicely divergent. The creepiness here is not in frightening people, and the maze-like structure which the villa becomes, is going to make even a Minotaur proud. After all, we are in such a structure, with no chance to escape, as each and every day brings the same routine, while we are caught in it.

The claws of flaw :: There are areas where Vivarium goes unexplained, and even though it does try to live up to its name, there is not really an attempt to go into that further, or give a stronger feeling about it. The aliens seem to be a little bit clueless about what they are doing too, at a time when all these could have had better explanation that showing a cuckoo growing up – this doesn’t exactly become the same. As the two protagonists have been alone for a long time, there were more that they could have done, and further methods of escape could have also been attempted. The boy here could have also been a little bit threatening rather than remaining annoying all the time – you remember the boy of The Room who was surely developing into a genuine threat. More additions could have been done within the neighbourhood to make it further creepy or rather scary.

Performers of the soul :: Imogen Poots is a highly underrated actress, and she proves to be fantastic yet again in this movie. The audience from this part of the world might know her from Need for Speed, the game-based movie which had her as heroine, looking kind of like Anushka Sharma from an angle or two. There has been many movies with her name with it, but I don’t think that any of them had a theatre release around here, except for, maybe the A-1 cities with big malls, like Chennai, New Delhi, Kolkata, Mumbai, Bangalore and Hyderabad – maybe cities like Pune and Ahmedabad had them too, but that wouldn’t have attracted much of the audience. The British actress takes this role to perfection, and you can see many situations reflecting the same. Jesse Eisenberg will be known for the audience here for Now You See Me and its sequel as well as Batman v Superman: Dawn of Justice which were the last big movies of him widely released here, and he also does a fine job. The rest of the cast just gives some good support.

How it finishes :: At a time when people got caught in their homes, or at times the neighbourhood with nowhere to escape, Vivarium becomes a fine reflection, as the protagonists are also facing the same situation. They are left with a house in the neighbourhood, and they can’t go into any other houses around there, and are to spend their time inside with whatever food is being delivered from outside. It does feel like a certain kind of quarantine, but this is the kind from where there is no escape. There is no network coverage on the mobile phone, and the television only shows some strange lines and grains all around. Vivarium doesn’t seem to reach that greatness that it intended, but it is so much close to it. The movie makes us feel our emotions, and make us think about the usual themes about humanity and other species well enough. It is a movie that we should watch, and will like more or a little less according to our tastes. You can feel an experiment, even though not exactly in the form of The Belko Experiment or The Platform.

Release date: 18th May 2019
Running time: 97 minutes
Directed by: Lorcan Finnegan
Starring: Imogen Poots, Jesse Eisenberg, Danielle Ryan, Jonathan Aris, Molly McCann, Senan Jennings, Eanna Hardwicke, Come Thiry

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✠ The Vampire Bat.

The Courier

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Vampire Owl: Did you collect your parcel from the Vampire Courier Service?

Vampire Bat: No, I didn’t. What did it have?

Vampire Owl: How can I know? I was just notified that you had a courier.

Vampire Bat: Okay, so they don’t deliver at the vampire castle.

Vampire Owl: No, not after the Corona Virus crisis.

Vampire Bat: So, they think that the vampire castle is infected beyond redemption.

Vampire Owl: Yes, they think so because of the large number of human visitors who were at the castle last month.

Vampire Bat: Well, nobody trusts the humans these days.

Vampire Owl: I don’t remember the last time any of our people trusted them.

Vampire Bat: When we keep them away, things will get better, and the couriers will be delivering at home.

[Gets a chicken puffs and three cups of mixed tea].

What is the movie about? :: A young woman is tied to a chair at the middle of a parking lot and from the blood on her body, it seems that she was brutally tortured. As she struggles to breathe, she is about to be run down by an accelerating car when it goes to a flashback. Gary Oldman (Ezekiel Mannings) is one of the most powerful crime lords who has his business running in the United States of America and Europe, someone whom nobody dares to question or testify against, until Nick Murch (Amit Shah) makes the decision to go to the police, after witnessing a murder committed by him. For the interpol and the FBI, this is the first time that someone came forward to testify against the much feared crime lord, as usually only the dead bodies remain whenever someone tries to do something like that. The crime lord’s seductive, psychotic and manipulative daughter Alys Mannings (Calli Taylor) would not tolerate the fact that her father was arrested from a church, and was put on house arrest while he awaited trial.

So, what happens with the events here? :: The interpol officers lead by Agent Simmonds (Alicia Agneson) takes Nick to a safe house where they are supposed to stay and contact the court using the live stream video, but when a courier (Olga Kurylenko) rings a bell to deliver a package, things begin to go differently. The courier is the same lady who was tortured in the beginning of the movie, and it turns out that the parcel which she brought with her was something which would mean death. Simmonds shoots her, and turns rogue, trying to kill Nick, and blame it on the courier, who manages to attack her back, and almost kill the agent. Nick escapes from the floor with the help of the courier who seems to have some skill in fighting, but they are caught in the underground parking lot, surrounded by men who wants to kill them. They keep on running through different levels of the parking lot, as more and more men who seems to be mercenaries keep coming. Can Nick somehow manage to testify at the court with the help of the stranger?

The defence of The Courier :: A fine package of action can be seen in the form of The Courier which has all its fights set in just one place where the two protagonists as well as those who are trying to kill them are set – the movie keeps the three classical unities of place, time and action, with everything happening at the same place, and ending, with only one mission to save the witness. Olga Kurylenko is the one person who keeps the action at top level, and even after these many years, she remains a level apart from the other actresses, except for Rebecca Ferguson who is the perfect action impossible girl who also was the psychic vampire in Doctor Sleep. The action sequences are all made in a believable style, as we see her fighting – landing the punches, kicks, gunshots and bike stunts in a parking lot so well in this ride full of thrills. The stunts are all stylish and believable here, with no exaggeration at all.

The claws of flaw :: The Courier is a movie which always had a lot of scope, and could have had a better background tale for it too. There could have been more use of the motor-bike, and also something more about her past and her new life as a courier, which can be linked to The Transporter considering what she does, and to Die Hard considering the fact that they are locked in a building, and has to survive – Olga Kurylenko is Jason Statham, Bruce Willis and even Tom Cruise at some points, but it is good to see the lady action star coming up with more in a realistic way, as you are not supposed to look for something exaggerated around here, for that is not the kind of action which we have here. The dialogues could have been better, and with one of them, they could have explained the Kevlar jacket and a little more. Maybe it could have also had its antagonist to do more, and as it was quite a big building, possibilities were endless.

Performers of the soul :: Olga Kurylenko is a name not unknown to us, as we have seen her in a lot of movies, and she has handled the action genre really well throughout the years – she is someone who means business as far as fighting is concerned. The last one of them was on the funny side with Johnny English Strikes Again, but she had movies like Hitman, Max Payne, Oblivion, November Man, Centurion and the James Bond movie, Quantum of Solace. Age is showing on the Bond girl, and she is not that lean figure anymore, but her skills with action sequences have only gotten better here. Alicia Agneson looks fine as the special agent when she is there, but her stay is limited, leaving us with hope to see more of her another day. Meanwhile, Calli Taylor has some nice moments, and you cannot doubt her about not being a crime lord’s daughter here. Gary Oldman makes a solid crime lord, and we feel that he is capable of lots of evil, and can always find opportunities for evil with him around. Amit Shah also does a fine job, and adds some humour too, and nobody should be confused about the name.

How it finishes :: Happening at a place within a limited time with one motive, this movie which would make Aristotle happy with its unities, manages to be higher than the level of many other action movies of the same kind. The reviews about this movie hasn’t been that good, but after you watch this movie, you will understand that there is not much that this movie could have done to make them feel better, as this is one wonderful action fest full of thrills, and Olga Kurylenko is the one lady action star who could pull this off so easily. You can always trust Olga to do that, and for the same reason, you can go for this one without second thoughts like I did. I am sure that the audience from this part of the world would like it even more. Just forget those reviews, some of which are not even explaining why they didn’t like this flick, and enjoy The Courier like you would have enjoyed most of those action movies with a male lead.

Release date: 22nd November 2019
Running time: 97 minutes
Directed by: Zackary Adler
Starring: Olga Kurylenko, Alicia Agneson, Gary Oldman, Amit Shah, Greg Orvis, Craig Conway, William Moseley, Dermot Mulroney

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✠ The Vampire Bat.

Acceleration

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Vampire Owl: How far can you accelerate here?

Vampire Bat: Well, the movie has a world of crime in it, and so, we can be sure that the acceleration will be related to action.

Vampire Owl: Do you think that such an acceleration will affect the plot negatively.

Vampire Bat: I am pretty sure that there will be just the usual plot.

Vampire Owl: They are not really into create a story to run beneath the action, or do they value it too?

Vampire Bat: I have read what the movie is about. It is nothing that you have heard about – we have only that tale without surprises.

Vampire Owl: So, this movie is to be watched only for the action sequences.

Vampire Bat: There could also be some thrilling moments in store.

Vampire Owl: Well, if it works with what it needs to, I have no real objection.

Vampire Bat: Let us see how it manages to work out.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Vladik Zorich (Dolph Lundgren) is one of the much feared and respected crime lords of Los Angeles. As he is double-crossed by his most trusted operative on crime, Rhona Zyocki (Natalie Burn), the man who runs many businesses including weapons, gambling, drugs and skin trafficking, decides to make her dance according to his songs. With no more risks possible in his current business, he kidnaps her only son, and with the little kid by his side, he gets the power to make her obey everything that he asks him to do, like a slave under command, the chain being attached to the child. As her son’s life is in his hands, Rhona struggles to obey Vladik’s orders, as she has to face some of the most twisted men and women in the business. But with her son’s life on the line, she will go through punches, kicks, gunshots and torture, with one goal in mind. Can Natalie do all the necessary things needed to keep her son alive, as Vladik has more plans for her? Will she and her son survive?

The defence of Acceleration :: The movie does have some nice action sequences, more related to shooting, and thanks to Natalie Burn being perfect in doing all that, Acceleration does manage to accelerate through its short run-time which is actually shorter due to the longer credit scenes, making it lasting about one hour and twenty minutes, losing another five minutes in the process. With such a low budget, they did manage to make this much, and has also managed to have some good performances from the main cast. The visuals are good too, as we look at the city which is coloured nicely in the night and with the darkness to set the mood for some action with much at stake. As the movie progresses you want to see more of Natalie on the screen, as sooner or later, this becomes all about her, the character on whom everything around here focuses on. You will have to watch it without thinking too much, and things will come together with progress.

The claws of flaw :: There are times when we feel that the writers were in a hurry to finish this movie. This is already a very short movie lasting less than one and half hours, and they don’t find it enough, as it seems from how this movie has been jumping from one scene to the other. There could have been better editing in place for sure. In the end, there is a rush, and at times, the protagonist has it easy – she beats up people easily, and escapes from bondage by herself, not really looking as if she ever had even a little trouble. You shouldn’t make things too easy in a movie like this, as the way she escapes here is just too silly, as the man who caught her and tied her up is a human trafficker and had intended to punish her hard in a way which she would remember throughout her like until she dies, but she just frees herself and simply stabs him after walking through his evil lair which is supposed to be so difficult to escape from. The movie’s twists are not interesting either – there were opportunities to add to it, but the movie doesn’t do so.

Performers of the soul :: The movie has Natalie Burn written all over it as far as performances are concerned, as she becomes the perfect action star with looks and style as much as the action sequences. With her looks, she is separated from the usual leading actress – she possesses that intensity that cannot be unmatched, and that is more or less due to her appearance, as she becomes someone we expect to beat people up, and maybe even shoot them nicely. But action surely is not her only skill, as Natalia Guslistaya, the Ukrainian model can do much more, without doubt. She was also seen in Mechanic: Resurrection, Expendables 3 and Criminal, all of them action thrillers, even though not in those main roles, and so there is a good chance that you might have missed her in those films. Dolph Lundgren was last seen in Aquaman in a significant role, and you can try finding him there, and the clue is that it is linked to Mera, the superhero’s lover underwater in the Kingdom of Atlantis. He is the one other actor worth mentioning, and the others just manage to play along at most of time.

How it finishes :: Acceleration is more or less the time-pass action movie which you can watch without spending much time thinking about. There is not much otherwise as far as this movie is concerned. There is enough in this movie to keep you interested as a crime action thriller. But escapism does get the advantage over the other things, and thus this movie is left with not much for the brain. It goes on the lines of many other action thrillers, but doesn’t use those elements of the genre to the best of advantage – but that might not have been needed considering the fact that this movie doesn’t try too hard. It lets everything go accordingly, because with Natalie Burn and Dolph Lundgren in the lead, an action thriller can go on as expected, without attempted to come with something grand. Acceleration accelerates just enough for you, and the escapist entertainment runs on that initial acceleration which is a little boosted at times.

[Gets some friench fries along with another cup of tea].

Vampire Owl: This movie could have been so much more.

Vampire Bat: Yes, they could have used the leading lady to more potential.

Vampire Owl: This is a movie which was not watched by many people, and so, not many people know about it.

Vampire Bat: She surely is perfect for an action movie, don’t you think?

Vampire Owl: Yes, but more as the lady villain rather than as the heroine.

Vampire Bat: There is no question about the fact that she looks quite lethal with the action sequences and more.

Vampire Owl: I never knew that Hollywood has such actresses custom made for such roles.

Vampire Bat: We didn’t know that there would be Corona Virus either.

Vampire Owl: There are so many things that we don’t know.

Vampire Bat: Well, knowledge doesn’t come with immortality. You have to read a lot to come up with that.

[Vanishes into the shadows behind the oak tree].

Release date: 8th November 2019
Running time: 85 minutes
Directed by: Michael Merino, Daniel Zirilli
Starring: Natalie Burn, Dolph Lundgren, Chuck Liddell, Sean Patrick Flanery, Danny Trejo, Dobromir Mashukov

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@ Cemetery Watch
✠ The Vampire Bat.

Svaha

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Vampire Owl: Another Korean movie. You are going international very often.

Vampire Bat: Well, there is the need for more movies for lock-down as far as vampires are concerned.

Vampire Owl: You still haven’t watched everything from Hollywood.

Vampire Bat: That can surely wait. There are many types of movies in different languages, from all parts of the world.

Vampire Owl: You have become a movie explorer beyond borders, haven’t you?

Vampire Bat: Exploration is a pure vampire trait, driven by blood. It is either a place or a movie, and it won’t matter what.

Vampire Owl: The quality of the wanderer and explorer has been inherited by all vampires in and around the castle.

Vampire Bat: About this movie, I feel that we are going to be reminded about another Korean movie, The Divine Fury, as this one also has demons.

Vampire Owl: But I do see a difference in pattern here.

Vampire Bat: Yes, they are not the same in soul, as the type is different.

[Gets a whiteforest cake and three cups of ginger tea].

What is the movie about? :: In the beginning, a few minutes show the existence of evil in the countryside, as something strange begins to happen there, making people worried. Back in the city, Pastor Park (Lee Jung-jae) is someone who spends his time trying to expose those religious groups which are involved in illegal activities, and he specializes in finding similar cults which have deviated from the main-stream religions, and are using the name of religious denominations to achive something sinister. He is paid for doing this by the heads of different religions, and the latest one is a cult group known as Deer Mount, supposed to be a Buddhist group, but does not worship or adore Lord Buddha, but others. This makes the Buddhist leaders interested, and they ask him to find proof, because it is certain that they might be having some kind of scripture, which will be the key to understanding where they stand, and how much they are different from Buddhism.

So, what happens with the events here? :: The result of the search is that they found out the existence of some edited versions, and also those parts which are never heard of before, giving a strange feeling with its content. There is something like a Book of Revelation, talking about beasts trampling the snakes and protecting the light. The Buddhist monk who is with them is not able to find the exact meaning, and what all these are about, and need to contact an expert. Meanwhile, Chief Hwang (Jung Jin-young) investigates the murder of a child and the main suspect might related to the same Deer Mount cult. As the suspect commits suicide, there seems to be no link to take this case forward. There is a much darker secret related to whatever has been happening around. It can now be traced and moved to a village where a family had two children, a girl and a thing, the latter being kept outside the house, locked in a shed. So where does all these lead?

The defence of Svaha: The Sixth Finger :: A Korean movie with a difference never stops being interesting, and this movie is no different. This one is also a complex tale regarding a series of murders of young school girls, and it is as interesting as the mysterious and spiritual side which it deals with from the other side, connecting to the killings which has been occuring through years, not being a new thing. The movie has its thrills regarding the same, and there is also a philosophical side to the movie, as the main character does have things to wonder about. The scary elements are there, but they do not run throughout the movie – they can be seen in moments though. The Divine Fury, another Korean movie was cent percent direct about the whole thing, but this one takes a divergent path to reach its destination, and therefore leaves some ambiguity, even while catching the interest of the viewers in style.

The claws of flaw :: The complexity of Svaha: The Sixth Finger will not be that appealing to everyone, as it throws in more characters into the mixture of things, making things even more complex. Everything just gets too tight at times, and some characters just seem to be there for the sake of it, not being defined well enough. The diverging story-line also has some problem in coming back together, and we are bombarded with one thing after the other, which makes us struggle to follow it at times. The characters provided for support are too many, and we do forget a good number of them, even though they don’t come up with a bad performance or anything. The movie should have also known to present its idea in a better way, even though it is entertaining and exciting as of now – after all, there seems to be a lot of things going in the background, and everything needed to be in the front, strong and clear in soul.

Peformers of the soul :: Lee Jung-jae as Pastor Park is the main character in the movie, and one person whom the audience is supporting from the beginning itself. He gets the special focus once he is introduced, and never does anyone rise above him. Park Jung-min as Na-han gets the significance later, but soon becomes a very important character that stays for long. Lee Jae-in’s character is also a notable one, and we see her at many points of the movie, which are all moments that will remain in our mind. Jung Jin-young as Chief Hwang gets a little less as far as the time spent on the screen is concerned, even after being introduced much earlier, seemingly with more importance. There is also some good support from Lee David as Joseph, the one who supports Pastor Park throughout, even though he is a bigger believer than the pastor is. There are so many other characters and all of them do manage to contribute by their own.

How it finishes :: Svaha: The Sixth Finger is that kind of a movie which has so many ideas, and brings them all from different directions on you, without pausing at any moment. It never losses focus in doing that, and only gets richer in ideas as it moves forward. As it gains in complexity, it doesn’t really use its strengths to the advantage, and it is where the movie losses control in some parts, but that is not a problem here, with the movie coming back stronger when needed. What runs under the movie is surely strong enough, and the variety in treatment of the subject also comes into the picture – it never ceases to be interesting, as we all need to unveil this mystery and understand the terror which has been going through here, underneath everything that is clearly seen. The result is that we have one more Korean movie which brings something different for us to watch, from many kilometres away from that nation.

Release date: 20th February 2019
Running time: 122 minutes
Directed by: Jang Jae-hyun
Starring: Lee Jung-jae, Park Jung-min, Lee Jae-in, Jung Jin-young, Lee David, Jin Seon-kyu, Ji Seung-hyun, Min Tanaka, Cha Sun-bae, Hwang Jung-min, Jung Dong-hwan

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@ Cemetery Watch
✠ The Vampire Bat.